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"azaleas" poems
I lived at the end of the road. Lilies, daisies, roses, zinnias, orchids, azaleas, and bellflowers. Growing at the side of the river in such rich colors. I lived at the end of the road where no one dared venture. I lived in that small peeling yellow house, at the end of that long road.
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Mar 9, 2015
Mar 9, 2015 at 4:12 PM UTC
End of the Road
It was an arbitrary day at the arboretum the ferns were all wondering why a rash of rogue rhododendrons were roughing up the azaleas while mighty magnolias stood meekly by A patch of tiny cyclamen giggled girlishly while witch hazels waved green wands and the willows wrung their hands and wept and wept 'cause they knew what was really going on
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May 14, 2018
May 14, 2018 at 1:19 PM UTC
Let Begonias Be Begonias
Like the breath of a lover, I feel the warm breeze. The breeze carries the fragrance of Springtime’s tease. Senses aroused by flirtatious blossoms; Myriads of colors flooding my gardens. Blackthorns, Azaleas, Crocus and Dahlias Clothed in beauty, tossing seductive glances. Springtime’s powerful elixirs and tonics Intoxicating lovers with her elaborate sonnets. Sung through the trees, the Robin’s melodies. The time of the year for the birds and the bees. Cardinals and Larks sing breaking the spell, As the captives of winter are released from their cells.
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Jun 18, 2012
Jun 18, 2012 at 10:39 PM UTC
Romance Of Spring
Don't listen to me; my heart's been broken. I don't see anything objectively. I know myself; I've learned to hear like a psychiatrist. When I speak passionately, That's when I'm least to be trusted. It's very sad, really: all my life I've been praised For my intelligence, my powers of language, of insight- In the end they're wasted- I never see myself. Standing on the front steps. Holding my sisters hand. That's why I can't account For the bruises on her arm where the sleeve ends ... In my own mind, I'm invisible: that's why I'm dangerous. People like me, who seem selfless. We're the cripples, the liars: We're the ones who should be factored out In the interest of truth. When I'm quiet, that's when the truth emerges. A clear sky, the clouds like white fibers. Underneath, a little gray house. The azaleas Red and bright pink. If you want the truth, you have to close yourself To the older sister, block her out: When I living thing is hurt like that In its deepest workings, All function is altered. That's why I'm not to be trusted. Because a wound to the heart Is also a wound to the mind.
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4.5k
The Untrustworthy Speaker
Beautiful pink azaleas are growing here and there, A touch of surreal pink fills the forest air, Tall, tall trees beautifully grow; Oh I love this forest so! Patches of light-green grass, Grow here and there on the forest path, Sunlight illuminates the air; Birds are chirping without a care. God created each azalea with love, Just as He made the beautiful dove, Evening sunlight dances in the west; Shining in the Azalea Forest. ~Marian~
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Aug 27, 2013
Aug 27, 2013 at 7:14 PM UTC
Azalea Forest
I'm breathing hurriedly...i'm r e m e m b e r i n g c o n c e n t r a t i n g trying  to  p i c t u r e : ~~ A ~~ P--lethora of trees, flowering plants...across and beyond...surround the L--ustrous surface of the rushing blue green water...spraying...        nourishing A--maranths and azaleas, with its windblown mists...refreshing.....see, C--reeping creatures underwater could not ruin the quietude it emits I--nimitable is its Serenity...nothing else is at par.............its D--impled surface, tiny ripples running, creating streams of dreams...      whispering W--ords...a gentle massage, washing away rage, misery...like precious A--methyst, jade, citrine and crystals...shimmering down under,         rebuilding, helping T--urquoise, gently touch with its sea blues...above, under...wherever E--merald waters, against red carnelian rocks...to weather...endure...to R--escue someone reeling...patiently...with words mollifying...and        sprays of S--alty mists..soothing pensive eyes, mind, soul...cleansing...healing        CHAKRA... ~~~~~~~~~~~~~ Placid~waters~run b e h i n d~~me b e f o r e~~me deep~~within ~~ m e ~~ ~~~~~ Sally Copyright September 3, 2015 Rosalia Rosario A. Bayan
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Sep 25, 2015
Sep 25, 2015 at 8:36 AM UTC
ACROSTIC (2)
You walk to the woods from the mountains too fast; trip over your feet when blades of grass nip at your heels and take up life amongst the low. Flotsam swirls in your wake; silt rises to meet you. The sun sets in deference to your arrival. You walk among a sea of azaleas and fire: bloody-thorned crown: smoke laying low over the ground protecting your footfalls, come to convince me of my damnation, spill mulch in my bed, and track lake water through my rooms. You walk with broken glass in your heels and blood on your cheeks, spilt milk smile and sickly sweet lips, cradling a dead bird and a lead heart in your hands with a gallows leash hanging off your neck, onto the ground. You walk into the house of my elders, the sacred burial ground, the meeting place, the palace, and the bar. You order a scotch on the rocks, a lapis circlet, a book full of secrets, dead man’s blood, and my heart. You walk backwards around the cherry blossom orchard and its overwrought signatures, harrumphing at arrogant petals and snickering birds: politic in reverse and rough lines in slow motion. There is something you forgot: it wears white linen and sits on a rose throne. You loved it, once. You walk to the mountains from the woods, barefoot and starving, caked in mud and licking the shine off your teeth. Your knees are bleeding. Your heart is bleeding
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Jul 9, 2018
Jul 9, 2018 at 11:29 PM UTC
Walking Backwards
captain kirk ate kittens. the azaleas marched in the dark and no moon wept snow. it was that dark. all quiet rot, healing now... we clay inside but dis-urn we have no kiln. no kin. we move like a dreaming fetus in the womb of all prisms. like lightning on a pin. we have ever been the king's vassal. star chattel in the manger . happy mad hatters.
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Nov 17, 2012
Nov 17, 2012 at 9:50 AM UTC
captain kirk ate kittens
Moss, and evergreens. Pale azaleas and vines that grow tall with the warmth of spring. I hope morning glories sprout their soft wings with the rise of the sun, light filtering through branches of leaves that hang so delicately above. I hope for milk thistle, Venus fly traps and nettles. Sprouts pushing from the earth with a grace that’s invisible to the human eye. Even with the greatest patience.
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Aug 6, 2014
Aug 6, 2014 at 1:07 AM UTC
I pray one day the anger will fade, and in its place will be plants
On a slow train out of the Savannah’s sudden exile, the sunlight swallows me, a calligraphy of days, hours, minuets, now inscribed on my limbs, syntax gives over to a dry, dry sound, and parched, the aftertaste of sloe gin inhabits my ribs, the lay of bones, a labyrinth of absence, and this velvet ache at my wrists, a pure burning, burning the memory red, words swell and crumble with a kiss, what absence, Soul of Winter, what absence is this, spreading over roadmaps, soliloquies, nights stretch into mornings, always mornings, as my fingertips pull daylight from an orange in dream alphabets that soon dwindle to vowels, the word, harbour, bends the old alder beyond what it can bear, so many ways, you say, to live like a prisoner, at home, the rooms are all windswept, reckless chairs overturned , abandoned in this, the evening’s parable, love is no more than a syllable in a bottle of shattered blue glass, a poem written on the underside of a child’s teacup, their jump ropes curl like adders at our feet, the thread from where I dangle in doorways and twilight, as I bide time, perilous over train tracks, your fingers trace tally marks along my vertebrae, the hollows darkening in a pathos of blue rheumatism, and in the carnivorous tremor of my body breaking like the spine of a book, the paper gone pink at the edges, like azaleas and bruises, erosion, after all is the altar of the body, and there are scars beneath my temple, and this ache, still, in my wrists, unbearable when it rains, ghosts inhabit my lungs, wrung from the silence of shut windows, eternal clotheslines and linen span for miles across the Savannah, and the early frost is at last, calling me home....
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Jan 10, 2013
Jan 10, 2013 at 5:11 PM UTC
Scars Beneath
On a slow train out of the Savannah’s sudden exile, the sunlight swallows me, a calligraphy of days, hours, minuets, now inscribed on my limbs, syntax gives over to a dry, dry sound, and parched, the aftertaste of sloe gin inhabits my ribs, the lay of bones, a labyrinth of absence, and this velvet ache at my wrists, a pure burning, burning the memory red, words swell and crumble with a kiss, what absence, Soul of Winter, what absence is this, spreading over roadmaps, soliloquies, nights stretch into mornings, always mornings, as my fingertips pull daylight from an orange in dream alphabets that soon dwindle to vowels, the word, harbour, bends the old alder beyond what it can bear, so many ways, you say, to live like a prisoner, at home, the rooms are all windswept, reckless chairs overturned , abandoned in this, the evening’s parable, love is no more than a syllable in a bottle of shattered blue glass, a poem written on the underside of a child’s teacup, their jump ropes curl like adders at our feet, the thread from where I dangle in doorways and twilight, as I bide time, perilous over train tracks, your fingers trace tally marks along my vertebrae, the hollows darkening in a pathos of blue rheumatism, and in the carnivorous tremor of my body breaking like the spine of a book, the paper gone pink at the edges, like azaleas and bruises, erosion, after all is the altar of the body, and there are scars beneath my temple, and this ache, still, in my wrists, unbearable when it rains, ghosts inhabit my lungs, wrung from the silence of shut windows, eternal clotheslines and linen span for miles across the Savannah, and the early frost is at last, calling me home....
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54
Wandering through the bayou, wrapped in its eerie embrace. Mysterious and strange, a magical place. Never seeming to change, even as seasons come and go, swampy waters ebb to and fro. Like long-lost daughters, gnarled courtly cypress trees, rise from black murky waters. Draped lovingly in Spanish moss, swaying softly in the breeze. Butterflies seem to float across, as gentle winds ruffle their leaves. Bouquets of wild hibiscus fill the air, mingled with sweet azaleas blooming there. Bullfrogs croak and crickets chirp, the bayou is awash with soothing music. As dragonflies flit the cattails, elusive, water moccasins slithering at your feet or lurk above you in the trees. Just as, the sun begins to sink low, comes the faint sound of a fiddle and bow. The gator comes out of hiding, rising from the dark waters below. Looking for his meal and smiling, with snapping jaws, a deer is caught, then taken below where he will rot. The moon rises high into the night, as fireflies glow in the twilight. A voodoo queen slips into sight, with gnarled hands, she rolls the bones. Whispering cryptic words, she softly moans. Tenderly she caresses her snake, wrapped around and about her neck. A coon-hound whoops it up. The gnarled trees cast spooky shadows. Is that the ghostly apparition of Jean Lafitte? Who managed to escape prison and gallows. Did you bury your treasure in the water or weeds? As the wind moans softly, time to turn home, where you can fill your belly with spicy gumbo. ALesiach © 10/12/2014
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Jul 26, 2019
Jul 26, 2019 at 8:51 PM UTC
Louisiana Bayou
Wandering through the bayou, wrapped in its eerie embrace. Mysterious and strange, a magical place. Never seeming to change, even as seasons come and go, swampy waters ebb to and fro. Like long-lost daughters, gnarled courtly cypress trees, rise from black murky waters. Draped lovingly in Spanish moss, swaying softly in the breeze. Butterflies seem to float across, as gentle winds ruffle their leaves. Bouquets of wild hibiscus fill the air, mingled with sweet azaleas blooming there. Bullfrogs croak and crickets chirp, the bayou is awash with soothing music. As dragonflies flit the cattails, elusive, water moccasins slithering at your feet or lurk above you in the trees. Just as, the sun begins to sink low, comes the faint sound of a fiddle and bow. The gator comes out of hiding, rising from the dark waters below. Looking for his meal and smiling, with snapping jaws, a deer is caught, then taken below where he will rot. The moon rises high into the night, as fireflies glow in the twilight. A voodoo queen slips into sight, with gnarled hands, she rolls the bones. Whispering cryptic words, she softly moans. Tenderly she caresses her snake, wrapped around and about her neck. A coon-hound whoops it up. The gnarled trees cast spooky shadows. Is that the ghostly apparition of Jean Lafitte? Who managed to escape prison and gallows. Did you bury your treasure in the water or weeds? As the wind moans softly, time to turn home, where you can fill your belly with spicy gumbo. ALesiach © 10/12/2014
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43
Breezes stir the linen curtains Vases of lilacs, azaleas, daffodils, buttercups, Daisies, and many other flowers Sit upon your nightstand The butterflies dance in your room And brighten your days With warm honeyed rays Of sunlight falling down Liking the curtain of dusk Falling down after its rehearsal Of day is over Tiny Fairies sprinkle pixie dust All around your room In hopes of you feeling well again Pedal harps never sounded prettier Than when they cheered you up And filled your days With a moment--a spark of joy Horses gallop as if to encourage you To feel better again They're glad to have heard That you feel better again All you need is to take a little time Glitter never sparkled So bright and bold As it did for you Unicorns never flew so high In the mystical world Than it did that day And I never felt so good As I did when I heard That all you need is A Little Time And you'll Feel Better Again ! ! . . . ~Marian~
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Jul 11, 2013
Jul 11, 2013 at 1:51 AM UTC
For My Aunt
Breathe. Breathe deep, and in between those breaths bring back banished beliefs buried beneath beyond broken bonds and burnt bliss. Embers. Embers everywhere of emotions expecting Elysium’s elusive embrace. Roses. Roses scattering restlessly; rarely receiving reprieve; reminiscing; ruing reproachful ravens resting rigidly; rabidly reaping, rending rotten remains, resenting rainfall refusing remorse. Nostalgia. Nostalgia underneath neon nightlights; noticing nubs, noises, nuances; neither neglecting nameless nonbelievers, nor nurturing narrow-sighted naiveté. Asleep. Asleep amidst fleeting azaleas acknowledging an abandon amplifying already almighty affection; almost altering ancient, ardent, adamant air as an ageless art. Loss. Loss overpowering; lost love, lingering longing, lasting laments. Lachrymose lovers left layers of a limited life within long-forgotten lore; lest labeled Loveless; left little longer living. Yearning. Yearning for the warmth of home. Yesterday, You were yelling ‘YES’ at the top of your lungs, and it was enough. Yet Yggdrasil yielded yew for years and years; young, yellow yeggs yanked asunder Yin from Yang into the ever yonder. Night-time. Night-time symphonies nullify nothingness; nourishing Nyx Nightmother’s need of newfound night-thinkers; napping nonchalantly now, near, and nevermore. ~D.C.
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Jun 17, 2015
Jun 17, 2015 at 10:57 PM UTC
My play on 'Imagery'
I Am A Flower Girl I Picked A Bouquet Of Azaleas Just For You I Smiled At You And You Returned My Smile With Your Warm Crooked Grin I'm A Flower Girl I Picked A Bouquet Of Lilacs This Morning But They Withered On My Way To Your House I Cried So Hard My Eyes Turned Red All You Said Was Comforting "It's Okay" I'm A Flower Girl I Went To The Ocean And Picked You A Huge Bouquet Of Dew-Kissed Hibiscus Blooms Yellow For Sunshine And Orange For The Setting Sun I Am A Flower Girl I Went To The Meadows And Picked You Some Buttercups And Some Morning Glories We Held Hands Watching The Sunsets And I Finally Presented You With The Bouquet You Smiled And Placed One In My Brown Hair I Giggled And Did The Same I Went To The Enchanted Forest And Picked You The Bluest Bluebells Some Orchids And Lady Slippers Caught My Eye And I Picked Them Too Along With Some Spring Beauties And Violets I Made A Huge Bouquet For You Collecting All The Flowers I Could Find And When I Was Through I Handed Them To You And Said With A Big Warm Smile "I Picked Them All For You I Hope I Brought Some Sunshine Your Way And Put A Smile Upon Your Beautiful Face" ~Marian~
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Feb 3, 2014
Feb 3, 2014 at 5:22 PM UTC
I'm A Flower Girl
there's a secret place i found to keep my fear to hide my tenderness & be vulnerable -- it's next to the smallest bones in your inner ear the fluid skin blanket of your swooping neckline lily-soft & somehow stiff enough to break open my seed-pod heart the one i thought no one could pry apart but with rosebud ******* -- lips -- the figure of biblical magdala takes me away from a lone satsuma tree raising its shriveled offering from the crippled earth on sunday strolls through duckpond parks kicking cobbled streets of augusta block or scooping water at me smiling in cutoffs on a hot hometown riverbank you came to me on barefeet out of the smoke & rain silence where i was invisibly sobbing where heat-lightning waltzed sneaky-pete over the prairie & what are you if not a rain -- a zephyr flowing through stone temple just as the dry-mouth dog days of summer brought hell's fire across the southern field so i've abandoned the hermetic existence & buried my old dead shell with a harp song hail glory to the contortionist god vaulting off the balance beam in the back of my mind beneath the rain soaked topsoil of dawn among the mound palaces of ants & mourning mud hornets while the gray shadows of the magpie dance & writhe on the mosaic faces of the trespassed lupine forest & the sun still comes up on time big gold fluttering like a delusional cicada over the empty pink street i'm still fidgeting because clouds with tails like jellyfish sting with rooted memories of azaleas but you kiss away my all my latent restless gypsy fears & keep the harsh light dimmed or wrapped in heat-foil in your front dress pocket & you only give it back to me in brief drips -- pinches -- wet tongue kisses -- we talk with our eyes as only animals can our butts in the damp sand beside the breathless sea where streaked clouds seem free to finger the horizon but are cut by the city skyline -- a switchblade
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Nov 23, 2016
Nov 23, 2016 at 11:44 AM UTC
wrapped in heat-foil
there's a secret place i found to keep my fear to hide my tenderness & be vulnerable -- it's next to the smallest bones in your inner ear the fluid skin blanket of your swooping neckline lily-soft & somehow stiff enough to break open my seed-pod heart the one i thought no one could pry apart but with rosebud ******* -- lips -- the figure of biblical magdala takes me away from a lone satsuma tree raising its shriveled offering from the crippled earth on sunday strolls through duckpond parks kicking cobbled streets of augusta block or scooping water at me smiling in cutoffs on a hot hometown riverbank you came to me on barefeet out of the smoke & rain silence where i was invisibly sobbing where heat-lightning waltzed sneaky-pete over the prairie & what are you if not a rain -- a zephyr flowing through stone temple just as the dry-mouth dog days of summer brought hell's fire across the southern field so i've abandoned the hermetic existence & buried my old dead shell with a harp song hail glory to the contortionist god vaulting off the balance beam in the back of my mind beneath the rain soaked topsoil of dawn among the mound palaces of ants & mourning mud hornets while the gray shadows of the magpie dance & writhe on the mosaic faces of the trespassed lupine forest & the sun still comes up on time big gold fluttering like a delusional cicada over the empty pink street i'm still fidgeting because clouds with tails like jellyfish sting with rooted memories of azaleas but you kiss away my all my latent restless gypsy fears & keep the harsh light dimmed or wrapped in heat-foil in your front dress pocket & you only give it back to me in brief drips -- pinches -- wet tongue kisses -- we talk with our eyes as only animals can our butts in the damp sand beside the breathless sea where streaked clouds seem free to finger the horizon but are cut by the city skyline -- a switchblade
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52
Winter’s releasing us from its perpetually gray and gloomy grip. Who can study in their room, on a beautiful spring afternoon? Azaleas assail ya, with champagne petals of bubblegum fuchsias, they blush in near neon reflection, with a mathematical, fractal perfection. Courtyards that were once dark and uninviting, frosty scenes, sport impromptu manicured carpets, of flawless, vibrant greens. Dogwoods explode, abruptly overnight, with cherry blossom whites they blush like brides on parade, they sachet, swaying flag-like bouquets. Ordinary maples become emerald queens by unfurling avocado, hunter and chartreuse leaves, accented with vibrant electric limes and honeydews, as if to say, ‘We too can please.’ New life stretches, almost yawning, in the seemingly reborn sun, insects hum as they cultivate, birds flit excitedly, as if to say,  ‘Why’re you inside? Come out and play - why do you even hesitate?’ I know there’s something in spring that’s irresistible, pheromonal, hormonal, surfeit and emotional. Is it the solar zenith angle or the sun’s declination that produces these delightful inclinations? . . Songs for this: Funky Galileo by Sure sure You get what you give by New Radicals New World Coming by Cass Elliot
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Apr 18, 2024
Apr 18, 2024 at 3:09 PM UTC
spring springs
i. a girl once told me that sad people close their eyes so they do not see the world anymore, and that i should count sheep when i cannot fall asleep and that her favourite flowers were azaleas. she also told me that she keeps scabs on her knees, and on sundays she comes to me with bleeding wrists. another girl paints artifice out of artlessness and human flesh. she has scalpels for arms and a tempest on her thighs and she lives in the mirror and when i blow ii. on her i understand, through air condensation and self- anathema, that i am the girl that she de-fleshed maliciously herself, slit out of the cardboard and painted out in artifice and artlessness and i am the girl that once told another girl to ******* cut her arm off and i meant it so she would not hurt herself again because i am the kind of the girl with scabs on the bone of her halo, because i believe halos are made of nothing but cartilage and helium bones, and a heart as transparent as a vampire and its split opened like a monarch butterfly, ******* off azaleas or malarias or other pathogens giving infants cancerous proclivities and my eyes are swollen in mauve from divestiture because i know too well those sheep won't jump over the fence anymore because they have been ****** raw in the *** by inhumane prospensity and i understand that sad people close their eyes because it reminds them of death. iii. death is a scientist that theorises the duality of elusive particles in artificial marrows and mediocre decolourised melancholia in discordance, it is the finger forced into our tiny vein and it is nothing but a dream within a dream but i could care less and this poem is not about death, it is about how i like ugly girls and how i'm just sorry that i do not taste as corrosive as the bleach in her mouth. iv. when people are dying, they almost sound poetic. v. i am the girl humanised by ribbons of flesh and bile and atrocity, and i am the girl who understands that a 'broken heart' is nothing but a metaphor for utter disappointment. i am the sleep that dreams long for, hope for, phlebotomise for and i am bitter. vi. i am bitter because i will not believe in sundays unless one day, fortuitously, the sun osscilates, in the most serene of all mannerisms, down the earth and kills us all. i am bitter because semantics does not authenticate the abiding human apathy towards death and all the flowers in her hair. i am bitter because people only read my poetry because they think it is about them. i am bitter because of other horrible reasons that words can simply not express. vii. ugly girls are always prettier because god loves ugly girls, because he ***** them harder than the rest, and because they know how to make others feel ugly.
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Nov 1, 2010
Nov 1, 2010 at 6:40 AM UTC
i like ugly girls
i. a girl once told me that sad people close their eyes so they do not see the world anymore, and that i should count sheep when i cannot fall asleep and that her favourite flowers were azaleas. she also told me that she keeps scabs on her knees, and on sundays she comes to me with bleeding wrists. another girl paints artifice out of artlessness and human flesh. she has scalpels for arms and a tempest on her thighs and she lives in the mirror and when i blow ii. on her i understand, through air condensation and self- anathema, that i am the girl that she de-fleshed maliciously herself, slit out of the cardboard and painted out in artifice and artlessness and i am the girl that once told another girl to ******* cut her arm off and i meant it so she would not hurt herself again because i am the kind of the girl with scabs on the bone of her halo, because i believe halos are made of nothing but cartilage and helium bones, and a heart as transparent as a vampire and its split opened like a monarch butterfly, ******* off azaleas or malarias or other pathogens giving infants cancerous proclivities and my eyes are swollen in mauve from divestiture because i know too well those sheep won't jump over the fence anymore because they have been ****** raw in the *** by inhumane prospensity and i understand that sad people close their eyes because it reminds them of death. iii. death is a scientist that theorises the duality of elusive particles in artificial marrows and mediocre decolourised melancholia in discordance, it is the finger forced into our tiny vein and it is nothing but a dream within a dream but i could care less and this poem is not about death, it is about how i like ugly girls and how i'm just sorry that i do not taste as corrosive as the bleach in her mouth. iv. when people are dying, they almost sound poetic. v. i am the girl humanised by ribbons of flesh and bile and atrocity, and i am the girl who understands that a 'broken heart' is nothing but a metaphor for utter disappointment. i am the sleep that dreams long for, hope for, phlebotomise for and i am bitter. vi. i am bitter because i will not believe in sundays unless one day, fortuitously, the sun osscilates, in the most serene of all mannerisms, down the earth and kills us all. i am bitter because semantics does not authenticate the abiding human apathy towards death and all the flowers in her hair. i am bitter because people only read my poetry because they think it is about them. i am bitter because of other horrible reasons that words can simply not express. vii. ugly girls are always prettier because god loves ugly girls, because he ***** them harder than the rest, and because they know how to make others feel ugly.
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74
I. I wear the stern face of my ancestors, the apron-clad Scandinavian matriarchs who built me from rock and bone. My husband, my good friends, my family, my colleagues all affectionately name me "intimidating." They say: "You're the strong one." "We'll send you to win the battle." "They should have known not to cross you." They name me fighter, mouthpiece, leader, and stand like tin men in legions at my back. I am obliged to march on; I cannot remember a time when my feet have rested. My banner waves in the northwest wind and I hold it, dutifully, fearing its inevitable fall as my arms shake. II. My arms shake. Wind camouflages this constant trembling: the fabric of my flag whips and ripples and any falter in its course is blamed on the wind, but veins shrink - skin shrivels - muscles shake - I am no Atlas, my breath slows sharpens stops - III. I am a dry sand-castle: one touch will obliterate me. I am the brittle leaf on concrete: one shoe will shred me. I am dandelion spores on a plain: one gust will erase me. IV. In my chest beats the soft heart of my ancestors, the ruddy-cheeked Scandinavian matriarchs who built me from soft earth and azaleas. So name me weakling, broken-down, dependent; give voice to all of me. Lift this banner, and give rest to my weary shoulders. Hold me in your arms when I need to collapse. V. At times, even a general must be carried by her soldiers.
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Mar 31, 2015
Mar 31, 2015 at 11:10 PM UTC
though she be fierce, she is but fragile
i'll always love you like you were the fullest sunlight laid gently on the dark bruises of december. my crystalline hands are bound to start wildfires in your name. and finally when the world burns down, i'll mark your spine with these lips made of sunburnt flowers. in the ruins of it all, you still have all my misguided kisses — all my unbidden words. i'll always love you, until azaleas grow on the softest spots, in the mundane collision of our bodies. i'll always love you, until my ribs fall apart to your autumn eyes, like a babylonian temple that has seen the miracles of god. i'll always love you — in state of both madness and kalopsia. in the explosion and rebirth of the stars. i'll always love you — this is my bareness in the most prosaical state. this is my constant, darling — this is my truth.
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Jun 16, 2021
Jun 16, 2021 at 3:29 AM UTC
miss autumn eyes
The azaleas came early this year, flashing pink in the spring against their own unruly green. My dog pants heavily, bounding across the yard, chasing his shadow from the azaleas to the Japanese Maple and back. Tired, finally, he scratches his back against the bush, scraping against the limbs, deforming  the bush, shaking the blooms down. I yell at him to stop but he ignores me. He is young.  He knows only the joy of the moment, the scratching of that itch.  If only he could understand that their beauty is frail and annual... I want to tell him, but I don't speak dog and he doesn't listen anyway, so I lure him inside with a treat and leave the blossoms until next year.
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Aug 4, 2014
Aug 4, 2014 at 8:15 PM UTC
The Azalea Trail.
- The distance beads on sunflower petals reaching as bright yellow vistas bring happiness to open spaces and blue skies welcome multicolored balloons released by children on a day in the park Miles stare me in the face with silence when another Sunday seems like the longest day and I wonder where your thoughts might be while friends vie for attention with fancy words I long for the sunset's introduction of night, a spring moon crossing my universe and stars to count and recount as minutes bring tomorrow and my hopes it will include you This is just another afternoon I wish I were there In your arms, a new smile, a new city, a new world Learning to love all over again and I would be if only I had started my journey long ago For now hummingbirds dance on cool April breezes and azaleas concentrate on the task of blooming As a park bench beckons at the far end of the walk for me to sit and dream of the what ifs on my list I look around at nature's gifts and know, if love is springtime then you are my springtime and breathing in the warm beautiful day I wonder...am I the springtime in your heart too?
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Apr 5, 2015
Apr 5, 2015 at 7:22 PM UTC
Am I your springtime too?
i. As she's in the land of Nod, rustling azaleas in her ancestral awe. She don's the ensemble for the next morrow. ii. Her body like a cradle Rocks back and forth As a swaddling babe; She's musing of ourn Meeting, and it's Patient way's. iii. Tis I as well who see- saw's in mine bed, Pretending she is Next to me, swaying the thread's, peeping out mine window, Awaiting her wake; Counting down the Hour's, to seeith Mine Angel's Face. ©Brandon Nagley ©Lonesome poet's poetry ©Earl Jane Nagley ( àgapi mou dedication)
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Apr 11, 2016
Apr 11, 2016 at 2:36 PM UTC
Mae hi yn nhir Nod , Gwarchodedig gan Dduw ( She's in the land of Nod, protected by God) welsh tongue
I found the perfect fountain to to feng shui our fall garden: A bronze Buddha seated high on a lotus. Waterfalls cascade I wondered what flowers to plant as an offering and came across this lovely inscription: "Blooming azaleas
 in a hollow on a cliff.
 A Buddha stands."
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Oct 13, 2014
Oct 13, 2014 at 12:56 AM UTC
Buddha's garden
i. Cometh closer rayna, into mine sight I gaveth mine last exhalation, in the middle of the night; Do not be frightened, do not fright, I'm lively, beyond the grave, thus once burdened, as a man an slave. ii. Cometh here rayna, into mine glow Looketh at mine hand's, Into mine soul; I knoweth we couldst not meeteth, in the world of the living, But now I am here,spiritually breathing. iii. Cometh here rayna, looketh at mine new regalia I've met kin, with a thousand friends, we chat amongst azaleas; Heaven tis real, more than thou couldst imagine I'll meeteth thee there, thou canst stroke mine hair, No more devil's, worldlies, or tormenting dragon's. iv. Cometh closer mi amour', mine poetry is the door That thou shalt findeth me; I won't be lost- readeth between the lines of mine stanza's, that's where I shalt be. I'll be looking down upon thou, before thine own dying breath's, Jane, O' mine whole, O' mine Rayna, we'll meet again someday; Please weareth the honey yellow dress. Do not be mad at God, for he needed me home. Soon mine love, soon mine dove, we shalt reside in a place I picked covered in heavenly gold, a view to calleth ourn abode. Doeth good whilst I'm away, loveth one another, this is ourn creator's message, I wilt sendeth thee blessing's, just continue to loveth thy sister's and brother's. ©Brandon Nagley ©Lonesome poet's poetry ©Earl Jane Nagley ( Filipino rose ) dedication
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Dec 15, 2015
Dec 15, 2015 at 12:17 AM UTC
Neges , o'r ochr arall ( A message, from the other side) welsh tongue
Red Maples do burnish woodland alleyways .. White sugar snow vies for immortality , Deep blue dreams , the visible breath of my youth , ice giving way beneath water soaked leather boots.. To bear witness of natural forestry , the rattle of peckerwoods , fluster of pink Azaleas , Pines riding windswept fury as acorns crackle , River Birches standing noble o'er Hill Country brooks , RedTips receiving their nervous sunny advances .. Cattle trails lead homeward , sunlight on a Winter day that lays on brown grass , quietly drifting away ...
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Feb 7, 2016
Feb 7, 2016 at 1:03 PM UTC
Winter Solstice