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The Dedpoet Jan 2016
Oh Aztec watching from your
Rustic home, for my dignity
Do you have any advice?
For my poor state of being,any riches?
No wisdom for my inexperience?

Oh Aztec warrior who lays brick
For homes he will never own,
Don't you understand by right of
Superiority and sweat and blood
And tears from tyranny this should
Be your dream as well?!

Don't you see the Spaniards robbed
You once and the Europeans once again
Stole what is rightfully yours?
Don't you know you are Aztec?

Aztec, mighty spear in hand,
Or is that a shovel?
Your eyes with proud gleam in them,
Or is that a tear of despair?
What are you here for Aztec?
Why have you silenced the dreams?

Oh race of my forefathers,
Bring about the impenetrable heart,
The joy with pleasure,
The suffering with grief;
Tears of the Aztec sun!
Yours is the blood in my veins,
By that blood blank stares at the
Liquor stores,
I swear by that blood that I will
Rise once again and once more
Into the day of my life and fill
My song with a forgotten pride,
I will wonder where the Aztec
Has gone, though his dream
Remains unseen, his people
Remain in shards.
Mateuš Conrad Jun 2017
adverts and the internet medium:
    d'uh... you forgot the capacity
  of the mute button...
                    wha'? wha'?
                                               audi tt?

(let's expand on the title:
         geometry (Y) the three dimensions,
       and trigonometry (W)... cosine rule,
   i.e. how three-dimensional space behaves).

i was born in the late 20th century,
and, right now,
                   i'm seeing the "problem"
you thought jews in europe
were *the
problem...
              ever read anything
          on the subject of kabbalah?
i can only reply
with sepultura's:
                      ra-ta-ma'h-hatta'h...
**** me, the tetragrammaton feels like
licking a pharaoh's toes in linguistic terms...
and there are always four,
            to ensure there's one
.
               but at least the aztec pyramids
were not burial grounds, or burial monuments,
rather, sites of capital punishment...
   which the conquistadors misunderstood!
only the whites know the concept
of ethno-masochism.
                      by common-tongue standards
so thoroughly expressed with
   the desired eloquence, stated, already.
social sciences are a disease
                            in terms of science per se...
     why isn't there a divine intervention
        story with regards to the aztec pyramids?
**** me and the scaffold!
             the largest bird on earth,
     and instead of flying off,
                it sticks its head into the earth
to "hide".
                          that's pushing it...
that's saying the non-existence of god is based
upon the non-existence of a good joke;
          i just don't think he needs to be
revered...
                 but obviously people have other
plans...
          never mind the comedian...
   mind the moloch;
   so they pray, and pray, and ask, and plead,
and end up looking like amassed lunatics...
   they demand praying...
   me? i demand of myself thinking about him...
hard to think about nothing,
   if i were thinking about nothing,
          i simply would be, not thinking;
  and you'd probably find me:
                                                 painting.

but **** me, aztec pyramids didn't receive
a divine intervention
   but the egyptian pyramids did...
   clearly the aztec pyramids weren't vanity projects
akin to burial sites / tombs...
          clearly...
             sites of enforcing capital punishment;
years later mis-translated by conquistadors...
  and in militant atheistic form...
                                              said: retarted.
The Dedpoet Feb 2016
My name is stolen like a Spaniard
Inquisition,
My heritage barely a patch of fog,
What is the truth of myself unwritten?
   " Your name is....You shall be called"
My father once said,
But I sign this name at the end of no poem,
Are you sure this is my name?
Have you navigated the flows
Of lava in my bloodstreams,
My geographical mind that beckons
A deep bitter valley,
Dark beautiful mountains that have
Reclaimed by nature what my people
Claimed her?
Can you see my subterranean pyramids,
My great moist jungles,
Gutting out advanced mathematical models,
Bleeding precise positions of stars,
I can cry the Winter Solstice,
Oh my proud heart pounds
Through my chest with dreams of then,
When the Coyote was sacred and the
Nature of all things was balanced
Even in the darkest days.
Am I Gonzales from the old Spaniard name?
Does my brown skin and hairless
Arms not cry for the Aztec of my ancient
Fathers?
The root of my root,
The flesh of my flesh,
The veiny branches of a family tree
Where wild flowers grow in
The words of the Aztec bark,
Bleeding its sap through me,
Is this Spaniard to you?
(I know the difference)

Let me ask my blood:
Do you not see the fire in my eyes?
Don't you see the fire raining tears
Of embers onto paper,
Every word a burnt offering?
Maybe one does not know of my
Great grandfather in the valley
Of Mixcoatl, there he lived as the last
Nocturne, his great scar along his back,
The last of a warrior
Where he died among the stars of his fathers,
The scar from a knife, a knife that
Stole his true name!
Has Olin and Ehecatl taken it
With a breath of wind?
I will take the Sun Stone with you Octavio!
Take me home.....

And I can see it!
The noble people forgotten
As time forgets all,
My voice of the Warrior grateful
And speaking like a shiny tip of
Spear piercing the night wolf!
I am no longer a riddle in the water,
But a pure flow of immenseness,
A profound respected beast,
I feel the purity of ancient things,
I dissolve into memory's ink,
My combatant blood boils,
The land flames of my fire,
The people of the Sun!
My ancestral blood with calloused feet,
My ancient jungles,
Tamers of beasts,
Oh the Aztec Dream,
Yes, I am what my blood says I am,
What's in a name?
The identity misidentified.
My last name being Gonzales has Spaniard roots,
My blood and heritage is far more on the Aztec side.
Dedicated to an ancient people lost, but not dead.
brandon nagley Aug 2015
The irony of the UNITED STATES OF AMERICA
As being a European, a foreigner to this land
Not a native, as the original people who art still here,
I shalt speaketh truth, on a topic, the European's here
Don't speaketh of;

I seeith politician's, speaketh of building a higher wall
As tis their art already wall's, lining Mexico and the united states,
I seeith wall's, to tryeth and keepeth out, the original people's.
As tis so many I'll heareth, so many sayeth the quote: ( illegal alien's, art coming over here stealing work) huh? Illegal alien's didst thou sayeth? As if their from another land? Or planet?......

Yet the fact is;
Who art the real quote: ALIENS!!!!
Us, the European's, as tis not mine fault mine parents hath cometh here, as not the other European's fault
That their parent's hath cometh here,
As tis I hath Cherokee in mine blood as well, from mine mother;

Though fact is, here's the truth;
The disgusting fact, noone want's to speaketh of, in
Politic's, in religion, in media, nowhere, is this fact..........

The European's and rich men now leading the country
From the quote: founding Father's, which may be other's founding father's, verily not mine!!!!!! Hath built wall's,
To keepeth out the alien's as many calleth them, in actuality us European's art the alien's, the one's who stole their land, built walls, and fences, and hath polluted their water, wherein water was once blue and green here in the river's and stream's,
As for example; in the town I'm in now, Rossford Ohio, some left from the older generation around here in their nineties Or 80's told me and mine family, the river that sit's behind mine place, native river called the ( maumee river) one fifty years ago people swam in, it was blue they told us, thou couldst seeith the fish inside of it, as children wouldst swim it... Guess what? Now that same river, is brown, is polluted, is poisoned, with the glass factories mess , and dump from work site's, into that river..... It's sickening... As tis the land once was open, free, no border's, no fences, here's the good part, see, the chief's all along this great nation, they all hadst vision's, vision's of these white men coming, as they saw it in spiritual shamanic ceremonies, as they saw the land being stolen, their people murdered by the thousand's, they saw destruction, from what? Men thou calleth thine founding father's? Thieves that hadst cometh here, to build walls? And killeth the native people's who were slaughtered, brought disease, and put on plot's of land a mile big? If even that... As tis they used to roam free, now forced into gvt debt, and the quote founding father's ancestor's and politician's hath given them medal's, as if that wouldst healeth them? No!!! As tis even the natives won't speaketh on this topic much. Though some will.... Fact is , àll went downhill, since the quote: founding Father's raised their flag... On a land not their's, on a land, not mine....though noone speaketh of this harsh truth... History channel hath now shown, with other archeologists, that the original people, now in southern Mexico, the Aztec people, once cameth from the north... Northern America, as in Wisconsin, see, in Wisconsin, their art pyramid's down below a certain lake, rock lake is it's name... The pyramids match the Aztec style as tis there art writings to showeth their presence their.. As come to findeth out; there is a map, sent into a famous Mexican archeological historical advocate, the map showeth on it something the u s gvt hath hid, as they do such much hiding from all of us... The map showeth on salt like, in Utah, is known place for the original Aztec people, purely factual, the story was told, the chief of his clan Aztecs, told his people, that he kneweth the men wouldst cometh to steal the land, so he told them they wouldst stop where the eagle eats the head of the snake...... Wanna know something ironic about that? Well here's proof of that, where the Aztecs now reside, southern Mexico, well Mexico hath a flag, like all have flags... Guess what is on Mexico's flag? An eagle eating a snake head... As chief saidst.... As in old map found in Spanish letters written next to salt lake Utah, read the words ( aztec territory) yet hidden in history purposely, these are harsh truth's, some may not be able to handle this, but when thou calleth one an illegal alien, thinketh who thou art... We art the aliens... as we aren't meant for this land... Though not our fault we were born here... As we must go with the flow as they say... As I loveth this great land, though reality is, I don't belong here.... As tis mine religious  beliefs state anyways, this world is just temporary anyways, noone owns this planet... God does..  Not man...its sickening seeing seeing mine own leader's, building walls to keepeth out ( illegal aliens) as they calleth them, yet were the aliens.... The irony... All for their greedy purposes and power control trip....as the native population hath decreased over fifty percent..Or more then.... Yet we tend to think, this is our place.. . as tis the u.s gvt hath stolen native gold, from their sacred places.... Places not meant to be touched, or dug into, though it's the good warrior's like Geronimo who decided and decides to stand against more such thing's..... As a European, it saddens me to seeith what mine kind hath done... And in this great beautiful sacred land what they still do....... That's harsh truth.... Much truth noone sais . yet I'm one who will......as the man who hath received that map of the Aztec's didst sayeth, he put it perfectly, he saidst ( border's art imaginary, border's art only in ourn mind's) how such truth..... And we wonder why there is differences....

That's harsh honesty.....



©Brandon nagley
©Lonesome poet's poetry
Know this won't be a popular one to good Americans, as I love all americans but truth is stated here... and harsh to some ears.. So before anyone decides to judge the poor Mexican farmer out in the field picking tomatoes for a lousy few bucks a day to send back to his poor family so they can eat... or a native American... Think of where your land got the corn u use daily.... And think where your at... That's truth..., as stated. Borders only exist in our minds.   Their are no borders.. Other than what man has made
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
I wanted a man's face looking into the jaws and throat
     of life
With something proud on his face, so proud no smash
     of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
          Even to the finish, dumped in the dust,
          Lost among the used-up cinders,
          This face, men would say, is a flash,
          Is laid on bones taken from the ribs of the earth,
          Ready for the hammers of changing, changing years,
          Ready for the sleeping, sleeping years of silence.
          Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
               waiting the sunrise or night,
               something or nothing,
               proud-mouthed,
               proud-eyed gambler.
The mushroom
The unfolding

instant of creation (fertilisation)
not an instant separate from breakfast
It all flows down & out, flowing

but that instant:
not fire & fusion (fission) but a moment
of jellied ice, crystal, vegetative mating
merging in cool slime splendour
a crushing of steel & glass & ice

(instant in a bar; glasses clash, clink, collide)

far-out splendour

heat & fire are outwards signs of a
Small dry mating
~~~

event in a room
event in space
a circle
Magic rite
To call up the godhead
spirits, demons
The shaman calls:
“When radio dark night…”
We are eating each other.
~~~

The Voice of the Serpent
dry hiss of age & steam
& leaves of gold
old books in ruined
Temples
The pages break like ash

I will not disturb
I will not go

Come, he says softly

an old man appears &
moves in tired dance
amid the scattered dead
gently they stir
~~~

I received an Aztec wall
of vision
& dissolved my room in
sweet derision
Closed my eyes, prepared to go
A gentle wind inform’d me so
And bathed my skin in ether glow
~~~

Drugs are a bet w/ your mind
~~~

The cigarette burn’d
my fingertips
& dropp’d like a log
to the rug below
My eyes took a trip
to dig the chick
Crouch’d like a cat
at the next window
My ears assembled music
out of swarming streets
but my mind rebelled
at the idiot’s laughter
The rising frightful idiot laughter
Cheering an army of
vacuum cleaners
~~~

Mouth fills w/taste of copper.
Chinese paper. Foreign money. Old posters.
Gyro on a string, a table.
A coin spins. The faces.

There is an audience to our drama.
Magic shade mask.
Like the hero of a dream, he works for us,
in our behalf.

How close is this to a final cut?

I fall. Sweet blackness.
Strange world that waits & watches.
Ancient dread of non-existence.

If it’s no problem, why mention it.
Everything spoken means that,
it’s opposite, & everything else.
I’m alive. I’m dying.
~~~

1st wild thrush of fear

-A phone rings
There is a knock on the door.
It’s time to go.
No.
Aztec Warrior Jan 2016
Not A Poem: A Personal Message to Hello Poetry and A Pledge**

None of what has been going on here at Hello Poetry makes any sense but it is hurting many poets here and driving many poets/friends away (8 and counting)... my only thinking is that it is a deliberate attack not only on poets but poetry, and these web sites where poets gather and is part of a growing american culture of barbarity.. it's like those U.S. drone attacks done from behind closed doors that no one sees coming and then everything and everybody gets destroyed... it must stop and we must stop it!

For all those who are interested, I will do the same as Quinn has done and post ANY and ALL private messages that are character attacks or personal attack on me or my friends (if they allow); or ugly comments left on my poetry... Walt Livingston’s  comment on Quinn’s poem should not be tolerated here at HP, and called out for its inhumanity. It has nothing to do with poetry or the poem he left it on. Not one thing he said can be verified and this kind of thing has to stop. It’s like watching Fox or CNN news- ******* opinions posing as news and training us on what to think.

Also, for the record, if anyone receives a message claiming to be me do 2 things, first ask me if I actually wrote it sent it and 2 send it to me... I do not really know (that is I do not yet have the proof needed) who or how many are behind this, BUT I WILL NOT ALLOW THIS TO CONTINUE AS LONG AS I AM AT HP. And this goes for any other site I may visit. So please block me now all who think I will not stand up against plagiarism, attacks, harrassments, trolling, stalking, and any other form of oppression.

I also know that I may lose a few friends in doing this. To them, I can only say, that this is not a reflection on or directed to you in any way and I am sorry if this has hurt you, deeply sorry...

Aztec

PS  Oh, and by the way, the friends I am referring to know who they are, so if there are any questions about this,  message me and ask me.. no one has the right to declare friendship without my say so...

Wish I didn't have to say this, but since part of the sneak attacks have been done by people using other people's names to pick fights and attacks... yes it has gotten that bad.. That insidious...

So poets of HP, Let’s write poetry, support each other with mutual respect (even if and while we debate the content/ideas of a poem); build a community of poets that is a MODEL for the way human beings should and can treat each other, with mutual respect and listening to and seeing our diversity of ideas and nationalities as a great advantage to art and society and to ourselves... this is not a call for love and peace, since this will have to be fought for, nor is it a call to live and let live... there can be no place among human beings for these attacks... as well as no “free speech” for wreckers and attackers..
Let our language be poetry
Let our words be open and honest debate over poetry and art
Let our hearts be filled with fresh new ideas about life
Lets create wonderment and awe with our pen!!!!  
Come on HP poets, Lets Go!!

Aztec Warrior 1.25.16
Well, this post has sure caused an uproar. I am tempted to say, ya'll deserve each other, so *******, but that would be foolish and wrong of me and get us no further, and the attacks on each other would continue and the real poets, those who want to actually write poetry and have it read and appreciated are leaving. So the first think I want to add to this post is: Quinn, and the rest of you (Rick who is "r'and also "woody", a few others; along with Gary L, Nagi,and I think Jack and Vicki were named in Woody's comment that is not gone) STAND DOWN!! No more poems, comments or messaging spreading rumors or attacking people for who they like or block or what happened  months ago or at another poetry site. STOP.

Look everyone who actually cares, someone (and all admit they do not know who he is or was) by the name of Walt Livingston posted and ugly attack. It 's one of the reasons why I posted the above post. This WAS NOT a defense of Quinn, as it is a method being used in several poetry site to create dissention and havoc.  No one knows who this is and yet everyone thinks they know and they spread this rumor far and wide to anyone who will listen. It has to be Quinn he just wants attention. It has to be 'r" he's been attacking me forever and on it goes round and round until it is almost impossible to find the truth. The truth is someone created that account and look at the results Instead of pointing fingers and coming up with all kinds of conspiracy theories, lets put or know how together and find out.

I do not know who this is nor will I speculate. But I will say this, all of us at this point are being played!!! And attacking each other is not helping to get at this problem.

No matter what Quinn did or didn't do at WC that got him kicked off, there was continued trouble at WC that Quinn had nothing to do with. Does this mean Quinn is innocent, no, it just means this mess we are dealing with is bigger than one individual. Look I know you all don't agree with me on this, Which leads me to the main point.

I put the center or heart of the above post last for a reason. To make it stand out from the part where I was saying what I would do to prevent attacks on me and friends (if allowed). Maybe I was wrong in doing this because you all have ignore it. Or at best gave it some general nod and then went right into attacking each other trying to prove who was the real hero/heroine and blah blah. Why?? Why couldn't these points be the glue that can help sort out this "sad state of affairs at HP"  as someone put it. They certainly do not detract from the "Rules of Conduct" Eliot has posted. and everyone "agrees" they will abide by. They could actually act as a banner of sorts that people could come around and express why they like or dislike them and as a means of determining disputes. But I am also convinced that if these points do take hold it will be much easier to root out and identify anyone or someone who is provoking bs on the site.  Are they perfect? hell no. And that is why it will take many many of us to do this including CRITIQUING THE POINTS. But there will be no tolerance of knocking at people for any reason.   It's easy: critiquing points, yes; critiquing people, NO..
I hope I am not talking to the wind here...
Daniello Mar 2012
I ask—I know,

but did I? pull you close only
only
to keep from flying away?

I once knew I cupped your head,
like water, to my lips.

I think I know now, hauntingly,
I might have wrenched your face to mine
like a ravenous and terrified animal
and kept on your lips but to seal my mouth,
a stormy vacuum,
that ****** ceaselessly the breath of too much
                  in the attempt to inhale one.

****** dry, it became nothing.

Still, it could not be helped.
Meaning would be given to the thoughtless
and its name—passion—would be answered,
its sweet breath ****** on.
But I
I never breathed anything.
And yet there was more sustaining my life.
What sweet did I taste? Its breath or
the more?

You would rename it—silly—to yourself.
You did not know you whispered it to me always.
I only heard it when our cover would
slit briefly open—painfully, and inevitably.
Your breath in these thin moments was bitter, bitter
to you too.
So we covered the slits and sealed the gape,
told ourselves we knew
all the clothes were off, together, for a reason.
Convinced ourselves we were really touching what was untouchable,
for a reason.

But, if since the very beginning
your mouth was to move that way,
was to say those words—and if your eyes were always
going to look like autumn trees and unsay them—
was it for one or wasn’t it?
Is there something at all to smile about
just passing through our geometry?

I ask this to myself—of course. But,
but
today’s sun blades the sky too much like yesterday’s!
So your eyes return! They return to reach! to pull me out to free fields
as they used to.
Your sundress still sparks an Aztec flame
as the colorless crowd ashes.
To me your scene is still an answer
and your breath can still warm truth
as sweet as tragedy on my skin.

The lining of homes around me
glints light red
and I stare at its light, after you,
your cutting rays,

because your thought of ending
now kisses mine
and so—still—I can answer

whether, as I am now— you were always
only a memory.
Mateuš Conrad May 2016
Aztec pyramids, it's all a great misunderstanding,
there's no tip on them they're flat at the top,
meaning there's a court being held,
i've read the modern European interpretation,
about how the Aztecs sacrificed people to their gods...
i think they got it all wrong, they're not exactly
the Giza grottos of ****** Pharaohs,
to me they represent buildings where capital
punishment took place, they were the Aztec world
scaffolds, honest, i can't believe the Aztecs thought
up astronomy and convened to sacrifice people
for a blood libel to get a good yield of crops...
western culture and astrology ring a bell?
sites of capital punishment... ripped a heart out
like the viking blood eagle and said:
could you love this heart / breathe in the same
elevator as this person? a resounding no from
the crowd below... if astrology / the horoscope is
still a practice in western society i can't believe
thee vogue interpretation of the Aztec practice of
sacrifice to the gods... esp. when you have a crucifix
with you as the sole justifiable sacrifice... bull-*******-****
(imagine the Kama Sutra off that...)
Aztec pyramids made more sense than their counterparts
the Egyptian tombs (yet again imagine
building skyscrapers with only one room in it),
the flat on the top meaning something was being convened,
something was being discussed, fear mechanism,
not a site of of sacrifice, but a site of capital punishment;
i've no proof (obviously), but i'm keeping my sanity
with what i just wrote.

Tarah has been working in Tesco as a cashier for 3 years,
i meet her every Monday, Friday, Saturday,
i'm actually a customer with a name rather than
a Tesco clubcard, less Auschwitz in the sphere of
what the corporations represent -
my grandfather went to Auschwitz twice,
second time he did a democratic poll,
he said 'i've been here once, second time i'll pass
and wait outside', a few joined him...
i'm not going, forget, no, no, no! i'm going to watch
a few horror movies instead, no fun thank you -
pharmacological diversions i mind, i don't need to
see any ovens other the ones were they bake pizzas
rather than cigarette ash.
so Tarah the cashier is this chubby (i like the sound
of the word, bubbly does her no justice) asian woman,
married, i'm guessing in her late 30s,
raven hair as is usual for blue indians (east, india)
and a nice auburn skin, so i compliment her:
'you're looking great tonight, sleepy but glowing',
then ask her how long she worked here, 3 years say
replies... what about the veterans?
20 YEARS she says... both our eyes widen with
goosebumps at the prospect -
and mind you, here's a little something you won't
here often...
                     you the English, skin heads and whatnot
"pigs", they use the word ****,
it's described as offensive, don't know why don't ask me
why, but here's something you missed,
the English are lazy with language sometimes,
****- is indeed their lazied sunday afternoon version
of Pakistani... stop being an *asian dub foundation

l'oréal advert careful for a psychological manicure, *****,
look at it, properly, and i'm not joking:
don't (do not), won't (will not), it's (it is)... ****-
(indeed just to make it obvious the hyphen is used)
is their shortening... can i also say pope Jean-Paul 2nd
dispersed the Poles? now that's offensive:
i end up saying Paul-leash to differentiate
pine scented polish. the plum bruise i just mentioned?
asian dub foundation's song oil from the album
tank... although i prefer la haine.
Aztec Warrior Dec 2015
I Fell In Love With You**

I fell in love with you
slowly,
syllable by syllable,
word by word,
poem by poem
imagining the moon’s
dancing affair with stars,
twinkle by twinkle.
And then
all at once
like the explosion
of a super nova
affecting distant galaxies
and down to my very soul.
~~~
I fell in love with you gently,
the way a dew drop
glistens in the morning sun,
the way a flower often opens
to a moonlit song.
~~~
But like all love worth holding,
it turns to fire-
raging,
uncontrolled,
wild and consuming;
you have become the flames
dancing across my skin,
smoldering brightly
within my heart
turning me into the sweet smell of ash.
~~~
I fell in love with you
slowly
then quickly,
the way a meteor flashes
as it skims across the night sky
or hearts melt
within an ******* sigh.
I fell in love with you.
Sorry.

Aztec Warrior 12.4.15
forgot to add the music.. enjoy
https://youtu.be/cHg-Zkwndqg
Jenette DeBarge Feb 2012
Part I:
When hibiscus bloom, graceful stamens tickling the sky,
hummingbirds swarm in hoards to sunnier climes.
Where they drink sugar water from feeders in ladies' backyards.
they will not drink artificial sweetener,
to them, saccharine has the bitter taste of poison.

Hummingbirds originated in South America,
where the Aztec's thought them to be gods on Earth.
For certain ceremonies Aztec slaves were forced to sew
thousands of tiny hummingbird feathers to priest's long capes.
Hummingbirds were an instant sensation in European society.
Fashionable ladies would to embellish their hats, homes, and meals,
with tiny jeweled bodies, wings outstretched as if to take flight.
Today in certain parts of Mexico women wear remarkable necklaces,
which showcase lifeless hummingbirds encased in resin.
These talismans symbolize the search for true love.

The Hummingbird-man doesn't believe in love.
He stares down his hyper-extended nose
at the grey mosaic of the sidewalk
and ponders the bleak prospect
of humanity.

Part II:
The Hummingbird-man's first word was 'death'.
He can still remember the fish that ruined his life.
She had big dark, infinite eyes, but he could never hear her voice.
She was all ribbony tail and bubbles, all cloying looks and temptation.
All he wanted was to hold her and kiss her pursed lips,
but she struggled, She fought his embrace. He loved her,
and she chose to die rather than succumb.
She fell from his arms onto the floor and her trashing finally ceased.

Then the toddler who would become the Hummingbird-man, fled.
He ran to his mother's lilac caress, bewildered and seeking comfort.
Her soft hands wiped away his tears. He smelled coffee and liquor on her lips
as she kissed his forehead and asked what was wrong, why he was crying.
He gripped her familiar hand in both of his tiny fists and led her
back to the still body, the first victim, his heart filled with regret.
The now-dead fish, his first and last pet, stared at him without once blinking,
eyes suffused with accusation, kissable mouth agape, useless gills flared,
organs and segments of veins visible through translucent skin.

Part III:
The hummingbird-man was not always the menace he is today.
He was once innocent and in love with a girl who had eyes like twilight.
They were both young, still children really, but they love they shared was feverish.
To him she was perfect, except for the gap in her teeth and her irrational fear of ants.
An artist in every way: every word she spoke was a song, her every movement
a dance, stargazing with her was like listening to the sky read poetry.
Her smile lit up the world. She played the xylophone because she said it mimicked
the sounds of children laughing –  the happiest sound on earth.

The only time he ever saw her cry was when she learned children laugh 300 times a day
but adults are lucky to laugh 300 times a year. She told him she never wanted to grow up
and he quietly fed her crisp frozen grapes. They never fought – she hated arguing
she said every fight was like a miniature war between two people.
That's probably why she never said goodbye … one day she was just gone.
Her friends said she left with a band that passed through town.
The lead singer saw her, and wanted her like he'd never wanted anyone before,
so he wooed her and convinced her to go away with him. She never looked back.
It was selfish of her but she was just a child, with a child's fickle whims.

Without her, he felt dead inside, numb as if she'd blown out the fire inside him.
What he does now isn't her fault, she was merely the final straw for him.
When he closes his eyes now he can see the dreams and hopes of others,
and he finds them wanting. Pathetic insipid creatures, he thinks, as he kills.
He is trying to cleanse the earth of selfish people,
in his twisted mind this goal is somehow noble.
Mateuš Conrad Feb 2016
you know there are neo-nazis in poland? a friend once joked. i looked at the news and would have asked had i the chance: you know there are neo-nazis in dover?*

well given china and india, and given the freaky
scientific Europeans spiked-up with power
having conquered  the Mongolians in Bohemia
but being defeated by nozzles of greedy mosquitoes
in the resurrected Aztec man as the atomised
mesoamerican re-awoke:
with the peak the zika viral
infection that's hardly an imitable dance
on a saturday night (pigeon brain
in a cranium aquarium five times the size);
lazy *** with ants making it move
and set sail... play terrible unthinking
chess with hope of a robot beating a russian
known as deep big bogus blue...
well, we have someone named samuel
passing a short-change economy as a banker's bonus...
while the hyenas grew feathers and flew
into darwin's paradise of high-brow concords:
the dumb ones said: the rollin' stones vs. the beatles?
the smart ones said: frank zappa vs. bob dylan?
SøułSurvivør Jun 2015
A TRIBUTE TO HELLO POETRY

This will be a long write.
There are so many I wish
to honor and thank.

Please, if you can, pull up
Bruce Cockburn's song
Maybe the Poet on YouTube.
Listen to the words as you read this.
It will greatly add to your enjoyment.

I play no favorites...
you ALL are class acts!

Here's a tribute. Yep. It's long!
But listen to Bruce Cockburn's song.
I want to emulate what's sung
Yes, not miss a poet, one!

ryn has got a range of art
Ded Poet's got a poet's heart
elsa angelica's soul resounds
Bhumika's a dove
with a golden crown!

Wolfspirit's pen can spill his love
Wonderman's ink from up above
sjr...1000 words so wise
Scarlet Pimpernel's talent's
not disguised!

Joe Malgeri's a spiritual gent
Paige Pots' work is heaven sent
Tivonna has love for natural things
Helena's work has roots and wings!

Pradip, in my eyes number one
as is Thomas A Robinson
jeffrey robin's style is loose and bold
Rupal has a heart of gold!

John Stevens has an earthy wit
Pax means peace, his candle's lit
Tryst's ballads are a perfect fit
and I love Lidi Minuet!

donna's sweet as honeydew
Jason Cole fits like a shoe
Prttybrd sings songs with style
Day Wing flies! He has a smile!

Deborah's walking on her beach
her talent has a range and reach
Rapunzel let's her hair way down
Weeping Willow
has a pleasant sound!

Joe Cole loves all fantasy
SSilkenTounge has a mind that's free
Solaces is a very old friend
I hope to see Botan again!

Urmilla writes beyond her years
Chalsey Wilder writes bring tears
Tonya Maria and I share pain
Wise is K Balachandran!

CA Guifoyle lives in my town
Adam Childs' the best around
SE Reimer can put us in the mood
Musfiq us Shaleheen
Is so VERY good!

Richard Riddle honors with poetry
Love my collab, Arcassin B!
Sally A Bayan's good and kind
Hayden Swan's a real find!

Love comments from Joe Adomavicia
zik, I'm always glad to see ya!
TGWLY has a heart that hurts
Erenn Y does heartfelt works...

Elizabeth Squires has classic writes
Frank Ruland's fights
for what is right
And if a scare you want to see
just look up POETIC T!

Oh! There are SO many more!
There are poets by the score!
I don't want to be a bore
But read them ALL! You will be
FLOORED !!!

MORE POETS!!!

Lori Jones McCaffery
Kalypso
Niamh Price
Mya Angel
Mike Hauser
Vicki
Ignatius Hosiana
Frankie J
Chris Green
mark cleavenger
brandon nagley
Winn
Puds (Pete)
Deborah Brooks Langford
Timothy
Marian
Hilda
Harriet Tecumsah Watt
it's gonna make sense
mybarefootdrive
Dark n Beautiful
WL Winter
Margaux
Pamela Rae
Venusoul7
Eddie Starr
Olivia Kent
Brenden Thomas
Zoe
Raj Arumugam
Elijah
Sukeerti
Manny
M.A.N
Jonny Angel
Dylan Mitchell
James M Vines
bulletcookie
i am miss brightside
Chris Fracc
Cat
Ocean Blue
Phil Lindsay
Mike Hauser
PearlSy
Christi Michaels Moon Flower
Raj Nandy
SPT
PoETEPETE Now RePETE After PETE
Makayla Kelly
Paul Gafney
Nan Trapp Messer
Chloe
Steven Langhorst
Daniel Palmer
Chris Smith Dark Poet Soul
C A Guilfoyle
TRAVELLER
Soul
GitacharYa VedaLa
Rosalind heather Alexander
S R Matts
Paul Gattney
Danny Mak
patty m
liv frances
Gary L
Ngamau Boniface
IOWA
Earl Jane
ber
Justin G
James
ste'phanie noir
born
Aztec Warrior


Last but not least... olestoryteller
and Francie Lynch! Ketoma Rose!
If there's someone I've forgotten
PLEASE TELL ME!

Also please read Hello again, Poets!
I wrote more! Also please read the poem 'diamonds'. There are many tributes to people who i missed in this write.

I'LL WRITE A SPECIAL POEM
JUST FOR YOU!

---
Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
Jeremy Rascon Aug 2014
Aztec in arts
Spanish in conquest
The Mexican breathes
And lives
Taking control
Controlling the taken,
Our blood hot
Like the chile we eat
Don't expect any less
Outside we are strong
Desert cacti
Sharp unforgiving and rough
On the outside
But the inside
Water flows
The love flows
For la raza
Death envies our vidas
So rich and full
Fearless
And feared
Tattoos cover our skin
Like they did
Our ancestors
Soon we will rise
Soon we will unite
You came from the Aztecs
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.

And I said, you remember,
Those fore-arms of yours
Were finer than bronzes
And you were glad.

                    It was tears
And a path west
          and a home-going
          when I asked
Why there were scars of worn gold
Where a man's ring was fixed once
On your third finger.
                    And I call you
To come back
          before the days are longer.
Raj Arumugam Oct 2010
I cut an avocado in half
and give one half to the visitor;
and I carefully scoop
the avocado
gently, gently
with a teaspoon
(the Aztec records show
this is, ahem! the fertility fruit)
and I savor each scoop
and eat like a pig
(ah well, like a graceful pig);
and at last
I have the skin left
in the palm of my hand
and it’s tough
and shaped like a boat;
and it has rained
and there’s a puddle of water
on the lawn
and an ant that’s been irritating me
wandering about on my naked foot
and I put the ant
in the avocado boat
and I set the boat in the puddle
and I give it a gentle push
and I say:
“Bon voyage, Monsieur!”
And then I look at my visitor,
and that silly guy is still staring at his half
and I ask, ever gently,
“Do you need help
with your fertility fruit there?”
The visitor replies, “No" –
and I wonder if I should get him brain food
or perhaps set him off on another avocado boat…
Michael R Burch May 2020
Mayan Poetry Translations

The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.

Why?

Because they will soon yield their virginity to the men they love!

###

The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Remove your clothes;
let down your hair;
become as naked as the day you were born—

virgins!

###

Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!

Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...

Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!

###

The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...

Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here,

virgins, maidens!

These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch
These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch

Keywords/Tags: ancient, Mayan, poetry, translation, translations, love, virginity, ***, marriage, joy, happiness, flower, flowers, deflowering, clothes, hair, ******, nakedness
Brenda Gutierrez Sep 2013
Yo soy Guanajuatense
Nacida en una sociedad de Mexicanos
Born in a society of Mexicans were everyone is accepted by who they are
Not trapped as a slave or treated different
The American society can’t be compare to a Mexican society
Los mexicanos somos unicos
tenemos caminos hechos por padres mexicanos
Somo bautisados catholicos  
nuestra madre es La Virgen De Guadalupe
la cual Juan Diego vio y lo combertio en un santo
Penjamo is city full of colors visible as the rainbow
Our flag known as the tri color is a important figure in Mexico
green signifies hope, joy, and love
white represents peace and honesty
red stands for hardiness, bravery, strength, and valor
the eagle was found by Aztec people
where they would see an eagle on a cactus eating a snake
Tenochtitlan was founded by Aztec people
Which is now call Mexico City
As we believe the history we also believe what
The bible tells us it’s a precious thing for us Mexicans
We tend to speak with god to find solution to problems
Not all cultures have a belief in god
I also find myself in a world full of pain a contradiction to war
Not knowing whether anything could be done
People are dead here and their
Everywhere there is war
Veniendo de México a un mundo con nuevas reglas
saviendo que tu vida a cambiado y estas evolucrado/a
en una cultura que quisas no aceptes
como dise un dicho
mas vale ser aceptado/a por quien eres que por quien te cres
all cultures judge others by the way they are
but we are all humans and have the right to be who we are
only God could judge
when people say you're brown
I said I’m proud
When they say I’ll never learn English
Look at me know your reading my words
Soy 100% Mexicana
con educacion Americana
pero echa y derecha
con cultura Mexicana
Mateuš Conrad Feb 2016
not drunk enough to listen to classical music,
i dwell in stinking bogs of cheese and pop,
gorgon zoella and tartan elbow patches
on my suede dinner jacket persona.

london, the great stink of 1858,
even the mayor of the city of london opposed
bazalgette's proposal for sewers,
saying he knew more about perfumery
than the parisian prostitutes,
said: '**** stinks for applause!'
well, we didn't get applause from the public,
but a mexican wave of some aztec king
playing the puppets of arousal:
monetaryzoomah the 2nd...
well there's that my sudden compromise:
i always loved organic chemistry,
i was really good at it,
but organic chemistry seemed futile in theory
with too much emphasis on tic-tac-toe
of those migrating diagrams,
trying to enforce the atomic visible
represented by C (carbon) attached to H (hydrogen)
with a tail of a carboxylic categorisation
O= (doubly bonded oxygen) and OH (the alcohol
bit), ****** futile... i just loved cooking
anaemic potions of clear like water,
sometimes scented, sometimes like sulphuric chick farts,
it was basically cooking, i didn't like physical
or inorganic chemistry, actually, university
almost felt like a museum, we weren't students
we were tourists, we were showed the basics,
the impracticalities of later application,
i was never asked to make a bottle of shampoo,
or a toothpaste, or a perfume, i was asked to
recreate theories and cul de sacs of application,
yet actual chemistry is your hoarding of chemical
products in the bathroom: starting with bleach...
never learned how to make bleach...
shame really... the workforce of chemists isn't
given a fair start, no mechanic implication:
ok ok, i'm not into having an existential crisis
in my early twenties, can you just make me robotic
so i can provide the instruments of dentistry
and hairdressing? no? well, here comes an existential
crisis aged 21...
but organic chemistry is still the bomb...
like that onion i smashed after it was dipped
in liquid nitrogen... felt like moses with the two
tablets thrown onto the ground... or a pirate's X...
here...
            it will begin and end *here
.
so every time i cook i think of an organic chemistry
experiment, although i've learned that cooking
is a more colourful chemistry, and poly-scented too,
today i made shanghai style braised pork belly
(CHONG SHAO ROU),
sugar, light and dark soya sauce, kashmiri chilli powder,
ginger-garlic paste (plenty of it), spring onions,
oil, balsamic vinegar (good if you don't have shaoxing
rice wine, same ****, different cover)...
cup or two of water... and then watching the water
evaporate and all the active ingredients starting to
cling to the pork belly slices, making it look
as if coated in glistening flour... nunchuks finger licking
smooth... yeah, i eat chinese cuisine using
nunchuks rather than chop sticks...
even comrade mao tse-tung would approve,
after al chong shao rou was his favourite dish.
in addition: **** remembering poems and scaring
children... remember recipes; job done.
Jeremy Rascon Aug 2014
In a ****** society
Chicanos thrive
culture changing
as we try to survive
the vatos in the calles
**** our own kind
our culture we can't find
Aztec ancestors
Spanish savages
the blood of warriors
but our native tongue is tied
family from mexico, access denied
a fence divides
we act out in aggression
now la raza has tension
tattoos with meaning unknown
ignorance is whats really shown
our culture is lost
ConnectHook Feb 2017
Southwestern Dis-United States of Memory*

Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: *música de cavanga
, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven.

The singer herself grew old but her YouTubes live forever.
Voice of Linda Ronstadt, especially her early stuff:
♥ Evergreen (pt. 1)
♥ December Dream
♥ One for One
        etc.

           I ♥ THE STONE PONYS !

https://connecthook.wordpress.com/2014/04/11/lindisima-voice-of-linda/
SøułSurvivør Jun 2015
~~~^¡^~~~


she comes for water
from the wild
dove of desert
nature's child

she of sweetness
plumage neat
buff and ecru
to my feet

she is pure
sleek of line
her's perfection
in design

she's so close
I see her eyes
she's not afraid
of my great size

curious
she looks at me
a wild thing
completely free

what have her
ancients
done and seen?
Manchu Pichu
Inca kings?

missionaries
born in Spain
conquistadors
who've
come for gain

****** men
so brutal, bold
slaughter natives
for their gold

****** in "marriage"
Aztec queens
so now their
bloodlines
are rarely seen

i think on this
Oh! Poorest love!
so much like them
my

Inca dove


soulsurvivor
(C) 6/14/2015
I was so touched by
this beautiful creature

she was shy at first
then came right to my feet

We leave water out for the
desert animals
and she is familiar with me now
so she gets really close

Much as the trusting natives
of these continents
came to the Spanish
They were slaughtered.
And could not even keep their own
bloodlines.

Fortunately for the little dove
I am gentle
But this is a lesson
BE CAREFUL WHO YOU TRUST

~~~^¡^~~~
Nota: his soil is man's intelligence.
That's better. That's worth crossing seas to find.
Crispin in one laconic phrase laid bare
His cloudy drift and planned a colony.
Exit the mental moonlight, exit lex,
Rex and principium, exit the whole
Shebang. Exeunt omnes. Here was prose
More exquisite than any tumbling verse:
A still new continent in which to dwell.
What was the purpose of his pilgrimage,
Whatever shape it took in Crispin's mind,
If not, when all is said, to drive away
The shadow of his fellows from the skies,
And, from their stale intelligence released,
To make a new intelligence prevail?
Hence the reverberations in the words
Of his first central hymns, the celebrants
Of rankest trivia, tests of the strength
Of his aesthetic, his philosophy,
The more invidious, the more desired.
The florist asking aid from cabbages,
The rich man going bare, the paladin
Afraid, the blind man as astronomer,
The appointed power unwielded from disdain.
His western voyage ended and began.
The torment of fastidious thought grew slack,
Another, still more bellicose, came on.
He, therefore, wrote his prolegomena,
And, being full of the caprice, inscribed
Commingled souvenirs and prophecies.
He made a singular collation. Thus:
The natives of the rain are rainy men.
Although they paint effulgent, azure lakes,
And April hillsides wooded white and pink,
Their azure has a cloudy edge, their white
And pink, the water bright that dogwood bears.
And in their music showering sounds intone.
On what strange froth does the gross Indian dote,
What Eden sapling gum, what honeyed gore,
What pulpy dram distilled of innocence,
That streaking gold should speak in him
Or bask within his images and words?
If these rude instances impeach themselves
By force of rudeness, let the principle
Be plain. For application Crispin strove,
Abhorring Turk as Esquimau, the lute
As the marimba, the magnolia as rose.

Upon these premises propounding, he
Projected a colony that should extend
To the dusk of a whistling south below the south.
A comprehensive island hemisphere.
The man in Georgia waking among pines
Should be pine-spokesman. The responsive man,
Planting his pristine cores in Florida,
Should ***** thereof, not on the psaltery,
But on the banjo's categorical gut,
Tuck tuck, while the flamingos flapped his bays.
Sepulchral senors, bibbing pale mescal,
Oblivious to the Aztec almanacs,
Should make the intricate Sierra scan.
And dark Brazilians in their cafes,
Musing immaculate, pampean dits,
Should scrawl a vigilant anthology,
To be their latest, lucent paramour.
These are the broadest instances. Crispin,
Progenitor of such extensive scope,
Was not indifferent to smart detail.
The melon should have apposite ritual,
Performed in verd apparel, and the peach,
When its black branches came to bud, belle day,
Should have an incantation. And again,
When piled on salvers its aroma steeped
The summer, it should have a sacrament
And celebration. Shrewd novitiates
Should be the clerks of our experience.

These bland excursions into time to come,
Related in romance to backward flights,
However prodigal, however proud,
Contained in their afflatus the reproach
That first drove Crispin to his wandering.
He could not be content with counterfeit,
With masquerade of thought, with hapless words
That must belie the racking masquerade,
With fictive flourishes that preordained
His passion's permit, hang of coat, degree
Of buttons, measure of his salt. Such trash
Might help the blind, not him, serenely sly.
It irked beyond his patience. Hence it was,
Preferring text to gloss, he humbly served
Grotesque apprenticeship to chance event,
A clown, perhaps, but an aspiring clown.
There is a monotonous babbling in our dreams
That makes them our dependent heirs, the heirs
Of dreamers buried in our sleep, and not
The oncoming fantasies of better birth.
The apprentice knew these dreamers. If he dreamed
Their dreams, he did it in a gingerly way.
All dreams are vexing. Let them be expunged.
But let the rabbit run, the **** declaim.

Trinket pasticcio, flaunting skyey sheets,
With Crispin as the tiptoe cozener?
No, no: veracious page on page, exact.
Geno Cattouse Feb 2013
Sprang forth with no branches or leaves. Small roots.
Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting.
The trunk is a figment but it stands non less. You see
my family tree never was and always will be.
A roadside shade with low hanging fruit.

Was never planted.It was a deposit from the bowels of an exotic bird
of the jungles that sampled at leisure the offerings of the rain forests.
The Hardtack and marmalade came on ships with the kings business
Mixed with the Nigerian Fu-Fu  ,the Aztec maize the Mayan legumes.
and all points of the compass.

Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks
The Flowers,The Orozco and more. And boundless from the ***** of opportunity.
Piecemeal and untethered. But it is the tree that I must cling to.
However rough the bark.

The sap runs heavy and slow in the humid Belizean heat.To meet the earth.
Cool breezes blow a haunting disharmony. A sweet unity in chaos.
The soil is rich,pungent and forgiving.  Soon, A bell tolls  in the distance.
The Sea mists my dreams.

A stairway of coconut fronds to azure skies.
Nighttime smells like creation.
The still slackened pace.
The small rat race.
Tempest in a teapot.
Urban-rural.

Coolie gal.
Creole boy.
New Chinese.
Old African.
Ubiquitous Espania.
Garinagu. Mosquito coast.
Children of Mennon.
Old Basque faces.
Things we call races left with small traces
of what?

My tree, her tree, histree.
I am you and you are me.
I see me in your face and you see me.
We are  and will continue to be.
Blended.
a hybrid. An orchid wild.
Paul M Chafer Apr 2014
Was life truly; ever so sweet,
As in the sun-worshipped, One World,
Beneath feathery banners, all unfurled,
Celebrated rhythm of the Mexica beat,
Applauding the gods with dancing feet,
While eagerly anticipating the final breath,
Of the honoured warrior’s, flowery death.

Lost ancient world, carved in stone,
Temples and plaza’s of grandiose plan,
Before the great pyramid of Tenochtitlan,
From lowliest slave to the highest throne,
Gathered before gods to whom they atone,
With obsidian blade priests begin the flood,
Of a sacrificial ceremony sealed with blood.

But do not weep for the ritually slain,
Or condemn this misunderstood race,
This culture both in and out of place,
Who flourished before interference from Spain;
Immoral inquisitions wielding torture and pain,
Led by Cortez’s murderous gold greed,
Condoned by religion’s, fanatical need.

A pyrrhic victory for invading Spanish-whites,
Conquistadors, who murdered, pillaged and *****,
A savage slaughter that not even children escaped,
Brave Mexica vanquished in the one sided fights,
A nation revelling no more during hot sultry nights,
A lost civilization weeping for countless lost lives,
And yet, and yet . . . Mexica spirit; forever survives.

©Paul Chafer 2014
Dedicated to and inspired by Gary Jennings, author of the novel 'Aztec'. Sadly, Gary is no longer with us,  his book enlightend me about Aztec culture, which I had wrongly thought dark and brutal. Nothing could be further from the truth. There were dark aspects that we would frown upon today, but 500 years ago, far darker things were happening in Europe sanctified by the Church, so don't judge: learn.
Sanaa Jun 2014
two
every time I speak
to your best friend

I pray to every Aztec God
and once holy Pharaohs
and stones worshiped
on this planet that
he tell me you are nearby,
or that this was all a big sad joke,
or a prank

or that you would come back
but no.
Aztec Warrior Nov 2015
(Where I worked, they set up TV’s in the cafeteria to watch the continuing coverage of the events of 9/11. I had become known as a sort of poet and many asked me to write something, a poem about 9/11. In the printed version which I handed out to people, they translated into their language the word ‘******’ and into the poem. The company did not like it cause they wanted to whip up the patriotic jingoism and calls for revenge. Thankfully this poem helped to stop this at this factory.)  

911 Thoughts

“Our grief is not a cry for war”
--Artists Network, Refuse & Resist

“..and the poets down here
don’t write nothing at all,
they just stand back
and let it all be”
–‘Jungle Land’, by B. Springsteen


“Beto nki tutasala” (‘What are we doing’)
--Old African saying


New York City 9/11/01:
She walks down the street
numb
peering side to side
pausing,
showing his picture to everyone who looks.
Tears streak her brown skin
as the reality of his loss
sinks deeper in,
yet searching, as if just looking
will make him appear by her side
an ease the vacuum of why that
echoes mockingly in her heart.
~~~
Friends have asked me,
write a poem about these events, Red.
Write about 911,
and the horror from the sky.
Tell us what you think.
Can you give us some hope
that when the dust
and tears
settle from our eyes,
we will still be able to see the sun.
How?
What words can I use to describe
or even surmise all the reasons why.
How do you explain to your grand kids
the war has come home.
They have put us in harms way.

New York City, 9/11/01
Yes the ‘war’ has come home
so many innocents have paid
a blood price for a
globalized monster
grown, nurtured, raised
in the dark soils of the USA.

Southern Iraq, 9/8/01
U.S. and British ghosts
swoop down on a ‘radar installation’
that turns mysteriously into a village.
8 civilians known dead,
many others injured.

Baghdad Iraq. 2/91
Clutching her injured child to her breast,
she flees collapsing buildings
while thunder surrounds her,
she is looking frantically for shelter
from ‘smart rain’
pouring down from the night sky.
Explosions that almost drown out her
screams.
Screams for a lost generation;
how do you rebuild a generation?

West Bank / Gaza, Any day
Young comrades pick thru
blood soaked rubble of once homes
looking for survivors of
‘made in the USA’ helicopter terror.
Or picking up stones to fight off
‘made in the USA’ tanks
spewing out ‘collective punishment’
needed for new Israeli settlements.

Beirut Lebanon, 1980
Safely, miles out to sea,
the USS New Jersey
spits out salvo after salvo
painting the city with fire storms.
Thousands die, thousands more
made refugees in their own country
punished for harboring
Palestinian refugees who refuse to
recognize ‘stolen land’
now claiming to be Israel.

New York City, 9/11/01
The view of passenger jets
lingers in our vision.
Over and over they seem to play with,
dance,
then mingle with those towers
until only twisted steel,
burnt flesh,
and crumbled cement remains
creating a mass grave.


Vietnam, 1970
The village explodes.
Children running
naked
flesh singed, burnt
burning
as liquid fire drops
from high flying 52's.
******; an English word
which in Vietnamese, Chinese or Khmer
Means DEATH!
(Imagine here the words for death in Chinese, Vietnamese and Khmer.)


Hiroshima / Nagasaki, 1945
150,000 human beings now only shadows
seared into the concrete,
human outlines
that still scream their agony
heard even today by anyone
who doesn’t have selective amnesia.

New York City, 9/11/01
What words can explain the loss
of loved ones, friends?
What words can capture
the vacant look of the black woman
seeking her young daughter
who had her very first job interview
on the 104th floor?
What emotions are left
after the search for loved ones
finds only gray dust and charred stench
whether in New York or:
Baghdad, Beirut, Belgrade, Gaza,
Chile, Guatemala, El Salvador, My Lai,
Sudan, or Mogadishu?
What can prepare you for the
sickening sweet scent of
burnt flesh carried on lazy breezes;
of dust coating everything with
the stink of human blood?

~~~~~

And now there is talk of
And preparation for:
Retribution
Justice
Retaliation.
More words that the people of
the world understand all too well:
DEATH! (The words for death in Chinese, Vietnamese, Hindi, Urdu, Ctujarati, and Khmer are not formating when I cut and paste. Imagine them here.)
MUERTE! DEATH!

~~~~~

Every day now the powers that be
prepare us for even more untold horrors;
hype us with red, white and blue views.
Pass on to us today’s NEWS:
“Congress passed new war legislation today”;
“unnamed sources report that”
“a high government official who wishes to remain anonymous”;
“the word at the White House”;
SPECULATIONS: there are 50 governments that harbor or support terrorism.
Several undocumented Arabs have been arrested trying to buy illegal chemicals
INNUENDO: known terrorist are said to have links to Afghanistan.
RUMOR: the next attacks could come as early as 9/22;
Air Force One was threatened today;
terror may come in the form of chemical or biological;
All the conjectures ‘fit to be news’;
Bin Laden is the one, Iraq, Iran,
somebody in the Sudan,
someone, somewhere has to be made to pay.
Conjecture pumped out continuously
24/7
why, we got it straight from heaven
so it must be true!

~~~~~

New York City, Aftermath
For many the future is hard to imagine,
uncertainty weighs heavy
like an echo that bounces endlessly
off tenement walls.
Like the way the “WHY’S”
multiply with each official explanation
and grows from whispers to amplified
crescendos of NOOOOOOOO! NO!
Not in our name.
You cannot exploit our grief,
our sorrow for so many lost lives
into your “holy war of retribution”;
into your vision of “Homeland Security”
and more repressive police powers;
into your call for Justice envisioned as an
Americanized world.
The people of our planet
do not need another
unjust war. And yet,
as long as this system continues,
as long as organized greed,
backed up by Washington bullets reign,
these horrors will continue to
rain from the skies.


Afghanistan, 10/07/01
Today the bombing began.
More horror fell from the sky
as talk of even more countries, people
are added to the “suspected list”.
One thing is sure, those hundreds,
thousand who have already died
had nothing to do with 9/11.
How long?
How many more will die
before we put it to an end?

~~redzone 10.04.01~~ (edited 10/07/01)
(written while using the pen name 'redzone'
reposted by Aztec Warrior 11.18.15)
I wanted to add this poem because many have 'forgotten' who actually unleashed the hooror of ISIS, Al Quieda, and the Taliban on the world. Not enough space to go into all this here, but if you are aagonizing over what is going on in the world, I suggest that a visit to http://www.revcom.us will help to understand not only what and what is behind these horrors, but also a way OUT of this madness...
aar505n Jun 2014
I drink in the sweet light
Of the honey coloured moon
as it floats high at midnight
hoping it doesn't leave soon

As I stare at the full moon
The world falls away
and I lose my peripheral vision
bathing in the moon's rays

Sliver beams of light
That reflects off the ocean
And seem to be too bright
to be moonshine

I began to see now
understand how
myths and legends
of the moon began

Egyptian, Aztec, Celtic and Greek
Khonsu, Metzli, Elatha and Artemis
And even poor Starveling
with his dog and thorn bush

All trying to capture the raw beauty
that is the moon and it's light
The rarest jewel of them all
Shining bright through out the night

But all attempts of personification
contain to much complication
to represent
to simplicity of the moon

So I'll stop trying to convey
what I can see
because no matter what I say
will not match what floats above the sea

— The End —