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"vermont" poems
I moved a few years ago To the upper state of Vermont Although the place is beautiful At times it can be one great big yawn That's when we put our heads together Me and my best friend Shawn And came up with the great idea To start a Hippie Farm Our noggins were a knocking Not sure how this could be done Do Hippies come from packs of seeds Or like flowers, in a bunch And can you start them off by grafting Like they do on Apple Farms Where you get rows and rows of Hippies From just a single one That's when Shawn remembered this mail order magazine That we took out and took a look inside It came with an assortment of Hippies From Raw to Roasted to Highly Deep Fried So we sat and weighed all of our options And ordered a bushel of Hippies alive Then we set out cultivating the fields Till the day our Hippies arrived The package  arrived a few days later In an old beat up VW Bus With psychedelic smoke pouring from the windows Pretty sure they all came buzzed Of course Hippies don't come with instructions Only bell bottom jeans and old Jefferson Airplane tapes Can't tell you how many Hippies we went through Before we learned from our mistakes Like don't plant a Hippie face first in the dirt They need a bit of air to breath And they don't like to be over watered Just dust them off when you feel the need Now that the farm is up and running We seem to have come into our own We've even come up with  a way of branding Some of the Hippies that we've grown We started selling them in flavors Like Ben and Jerry's down the street From our Abbie Hoffman Radical Cherry To our Hendrix Hazy Purple Berry Treat But it's our Groovy Rainbow Roundup Hippie Whose sales have never let us down In fact I'd put that Hippie up against Anybody else's Hippie in town I've never been much of one to brag But we're known on the East coast, up and down We've had people as far away as Florida Come and buy our Hippies by the pound So next time your up in Vermont Stop in and take a tour and watch us grow Don't forget to stop by our gift shop And purchase your very own Hippie to take home
0
Feb 8, 2014
Feb 8, 2014 at 9:57 AM UTC
~Hippie Farm~
I moved a few years ago To the upper state of Vermont Although the place is beautiful At times it can be one great big yawn That's when we put our heads together Me and my best friend Shawn And came up with the great idea To start a Hippie Farm Our noggins were a knocking Not sure how this could be done Do Hippies come from packs of seeds Or like flowers, in a bunch And can you start them off by grafting Like they do on Apple Farms Where you get rows and rows of Hippies From just a single one That's when Shawn remembered this mail order magazine That we took out and took a look inside It came with an assortment of Hippies From Raw to Roasted to Highly Deep Fried So we sat and weighed all of our options And ordered a bushel of Hippies alive Then we set out cultivating the fields Till the day our Hippies arrived The package  arrived a few days later In an old beat up VW Bus With psychedelic smoke pouring from the windows Pretty sure they all came buzzed Of course Hippies don't come with instructions Only bell bottom jeans and old Jefferson Airplane tapes Can't tell you how many Hippies we went through Before we learned from our mistakes Like don't plant a Hippie face first in the dirt They need a bit of air to breath And they don't like to be over watered Just dust them off when you feel the need Now that the farm is up and running We seem to have come into our own We've even come up with  a way of branding Some of the Hippies that we've grown We started selling them in flavors Like Ben and Jerry's down the street From our Abbie Hoffman Radical Cherry To our Hendrix Hazy Purple Berry Treat But it's our Groovy Rainbow Roundup Hippie Whose sales have never let us down In fact I'd put that Hippie up against Anybody else's Hippie in town I've never been much of one to brag But we're known on the East coast, up and down We've had people as far away as Florida Come and buy our Hippies by the pound So next time your up in Vermont Stop in and take a tour and watch us grow Don't forget to stop by our gift shop And purchase your very own Hippie to take home
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56
like my guitar and your eyes and the way you looked that night and the stars in June in the big Vermont sky and the way my heart always shined around yours.
0
Jan 16, 2022
Jan 16, 2022 at 12:58 PM UTC
electric blue
Somewhere in Vermont I see the sky Stars scattered like lighting bugs back home Clouds drift, Cold breeze, Threatening rain Shaped like an unfamiliar constellation Headlamps shine Some red, some blue, some yellow Some bright, some dim There's a presence here Neither scary Or threatening Or even mysterious People breathe, A guitar sounds, Pens scribble Each in unity with the other Somewhere in Vermont People write Separated by space Their own thoughts Spilling around them Combining as one Yet still Individual Brought together By happenstance They breathe together as One
0
Oct 26, 2015
Oct 26, 2015 at 11:35 PM UTC
One
You pick every word I say With rapt attention. So I tell you about tangerine skies In Vermont, how I shape them. I tell you my dad invented Cuban cigars In Argentina. You heard about the prawns, The ***** and the lilies. A story only I could tell. I could tell it in fluent Yoruba. You watch me sleep like I don't have a care in this world Snorting away while chasing dragonflies and seahorses In my oblivion. You watch me walk in the shadows My gait like gridless frames of a restless gate blown open by the wind. (If I was the night, I would be bright.) Finally you see my hands well adapted to cutlasses and owes, Irrespective experienced with oriental oils and manicures. 'One day I will be king', I thought I said. But you heard it from my mind. You heard it alone. Yesterday we owed this to ourselves. Tomorrow we will be lovers Today let's be friends.
0
May 18, 2014
May 18, 2014 at 5:24 AM UTC
From Friends To Lovers
*In his breakthrough work of channeled literature, I Am the Word, author and medium Paul Selig recorded an extraordinary program for personal and planetary evolution as humankind awakens to its own divine nature. I Am the Word is an energetic transmission that works directly on its readers to bring them into alignment with the frequency of the Word, which Paul's guides call the energy of "God in Action." Paul was born in New York City and received his Master's Degree from Yale. He had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. In the process, he began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for many years. In 2009 he was invited to channel at the Esalen Institute's Superpowers symposium, where he was filmed for the upcoming documentary film Authors of the Impossible. He is the subject of the feature-length documentary film Paul & the Word which will be released late summer, 2011. His workshops in 2011 include Edgar Cayce's A.R.E. in New York City, the Jungian Center in Vermont and the Esalen Institute in Big Sur, Calfornia. Also a noted playwright and educator, Paul serves on the faculty of NYU and directs the MFA in Creative Writing Program at Goddard College. He lives in New York City, where he maintains a private practice as an intuitive and conducts weekly, channeled energy groups.* Personal and planetary evolution- Live channeling with Paul Selig http://www.youtube.com/watch?v=CAgh2pXDDls&feature;=youtu.be Waking Universe With Guest Paul Selig http://www.youtube.com/watch?v=Z7BI0Lgb9Kk&feature;=youtu.be
0
Dec 26, 2012
Dec 26, 2012 at 8:19 PM UTC
Personal and planetary evolution- Live channeling with Paul Selig
*In his breakthrough work of channeled literature, I Am the Word, author and medium Paul Selig recorded an extraordinary program for personal and planetary evolution as humankind awakens to its own divine nature. I Am the Word is an energetic transmission that works directly on its readers to bring them into alignment with the frequency of the Word, which Paul's guides call the energy of "God in Action." Paul was born in New York City and received his Master's Degree from Yale. He had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. In the process, he began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for many years. In 2009 he was invited to channel at the Esalen Institute's Superpowers symposium, where he was filmed for the upcoming documentary film Authors of the Impossible. He is the subject of the feature-length documentary film Paul & the Word which will be released late summer, 2011. His workshops in 2011 include Edgar Cayce's A.R.E. in New York City, the Jungian Center in Vermont and the Esalen Institute in Big Sur, Calfornia. Also a noted playwright and educator, Paul serves on the faculty of NYU and directs the MFA in Creative Writing Program at Goddard College. He lives in New York City, where he maintains a private practice as an intuitive and conducts weekly, channeled energy groups.* Personal and planetary evolution- Live channeling with Paul Selig http://www.youtube.com/watch?v=CAgh2pXDDls&feature;=youtu.be Waking Universe With Guest Paul Selig http://www.youtube.com/watch?v=Z7BI0Lgb9Kk&feature;=youtu.be
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7
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
0
Aug 22, 2018
Aug 22, 2018 at 7:19 AM UTC
1971, Chester Vermont
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
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89
I am from the towering oak and pine trees That sway on the old forest’s edge, Coyotes howling in the shadows A haunting lamentation I am from the creaky stairs and floorboards At the house on Liberty Street, From the ancient gas heater and its tendrils of flame That never seemed to be quite hot enough I am from the sound of my father’s voice Heavy with sleep as he whispers to us A late night bedtime story, Scaring away the monsters under our beds I am from Sunday mornings Bursting with rays of golden light and Filtering through glimmering church windows Lingering on familiar faces I am from ‘make good choices’ 'Be a peacemaker’ ‘You are greatness’ and ‘Oiaue!’ I am from the scent of Mom’s cookies Chocolate chip and butterscotch Melting away winters and Warming cold hearts I am from acrylic paint, Graphite, ink and canvas From smudged hands, stained clothes, And a sketchbook full of scribblings I am from the crisp chill of autumn In the mountains of Vermont, Staring into a sea of stars As dazzling sparks float skyward in the distance I am from the cool sea breeze And the salty mist over the water Waves crashing fiercely in the haze Of Newport’s rocky shores I am from the quiet peace That can only come from the words “I love you” and the warm embrace That often follows I am from endless words Written with shaking, ink-stained hands On crumpled bone white paper Hoping to be good enough to keep I am from weak muscles and fragile bones From hesitant first steps and training wheels From stubborn no’s and penitent yes’s From late nights and shadowy eyes I am from the past I am from the present I am from the trembling, changing Pathway to my future I am from this house This family and This home
0
Sep 26, 2013
Sep 26, 2013 at 8:08 AM UTC
I am from Endless Words
I am from the towering oak and pine trees That sway on the old forest’s edge, Coyotes howling in the shadows A haunting lamentation I am from the creaky stairs and floorboards At the house on Liberty Street, From the ancient gas heater and its tendrils of flame That never seemed to be quite hot enough I am from the sound of my father’s voice Heavy with sleep as he whispers to us A late night bedtime story, Scaring away the monsters under our beds I am from Sunday mornings Bursting with rays of golden light and Filtering through glimmering church windows Lingering on familiar faces I am from ‘make good choices’ 'Be a peacemaker’ ‘You are greatness’ and ‘Oiaue!’ I am from the scent of Mom’s cookies Chocolate chip and butterscotch Melting away winters and Warming cold hearts I am from acrylic paint, Graphite, ink and canvas From smudged hands, stained clothes, And a sketchbook full of scribblings I am from the crisp chill of autumn In the mountains of Vermont, Staring into a sea of stars As dazzling sparks float skyward in the distance I am from the cool sea breeze And the salty mist over the water Waves crashing fiercely in the haze Of Newport’s rocky shores I am from the quiet peace That can only come from the words “I love you” and the warm embrace That often follows I am from endless words Written with shaking, ink-stained hands On crumpled bone white paper Hoping to be good enough to keep I am from weak muscles and fragile bones From hesitant first steps and training wheels From stubborn no’s and penitent yes’s From late nights and shadowy eyes I am from the past I am from the present I am from the trembling, changing Pathway to my future I am from this house This family and This home
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55
The summer like a rajah dies, And every widowed tree Kindles for Congregationalist eyes An alien suttee.
0
2.5k
Kipling's Vermont
Not sure if you’ve ever heard of Phineas Gage, but he was a railroad man somewhere in Vermont and one day he accidentally blew a ******* iron rod through his ******* think-box and here’s the kicker: He ******* lived. Now, this big metal cylinder, on its flight path, carved a cavern in Gage’s cerebrum, more specifically through his frontal lobe and when the bleeding finally stopped and they got his left eye all sewn shut he told the first person he saw, probably a loved one crowded around his filthy hospital bed to kindly **** Off and Die. He got out of that hospital bed, eventually, and when he did, he tried his damndest to go back to work but he just couldn’t. What’s more his friends said he just wasn’t Gage any more. His personality had changed. He didn’t give a **** about the sunset anymore. He liked his coffee black and his pancakes dry. Which is strange because beforehand he didn’t drink any coffee and he didn’t like pancakes much neither. He also became quite the drinker, which is funny considering he hadn’t had a drop of alcohol in his life before then. You see I always thought that personality was something you couldn’t touch. That it was some grand unifying evidence of the existence of the human soul. But here’s Gage, who just so happens to take a pole to the dome and suddenly he’s just not Gage. So maybe it’s true that we’re all just machines and you can pull a man’s favorite color or his taste in music or his eating habits out of his head and set them on a sterile tray right in front of him. That makes sense. But everything in me still wants to believe.
0
Feb 17, 2014
Feb 17, 2014 at 2:35 PM UTC
Phineas Gage
Not sure if you’ve ever heard of Phineas Gage, but he was a railroad man somewhere in Vermont and one day he accidentally blew a ******* iron rod through his ******* think-box and here’s the kicker: He ******* lived. Now, this big metal cylinder, on its flight path, carved a cavern in Gage’s cerebrum, more specifically through his frontal lobe and when the bleeding finally stopped and they got his left eye all sewn shut he told the first person he saw, probably a loved one crowded around his filthy hospital bed to kindly **** Off and Die. He got out of that hospital bed, eventually, and when he did, he tried his damndest to go back to work but he just couldn’t. What’s more his friends said he just wasn’t Gage any more. His personality had changed. He didn’t give a **** about the sunset anymore. He liked his coffee black and his pancakes dry. Which is strange because beforehand he didn’t drink any coffee and he didn’t like pancakes much neither. He also became quite the drinker, which is funny considering he hadn’t had a drop of alcohol in his life before then. You see I always thought that personality was something you couldn’t touch. That it was some grand unifying evidence of the existence of the human soul. But here’s Gage, who just so happens to take a pole to the dome and suddenly he’s just not Gage. So maybe it’s true that we’re all just machines and you can pull a man’s favorite color or his taste in music or his eating habits out of his head and set them on a sterile tray right in front of him. That makes sense. But everything in me still wants to believe.
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74
I know that you've been looking for love and romance. But your boyfriend only wants to get into your pants. He's going to dump you when he gets what he wants. And then he's going to go home to his wife in Vermont. But I know how that you can ruin his life. Just pick up the phone and call his wife.
0
Apr 18, 2015
Apr 18, 2015 at 7:21 PM UTC
Your Boyfriend Isn't What He Seems
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
0
Dec 26, 2013
Dec 26, 2013 at 6:21 PM UTC
Opening For Yusef Lateef In 1975
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
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34
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
0
Apr 10, 2013
Apr 10, 2013 at 5:08 PM UTC
The Florence
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
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98
You're having a bad day not everything is good? Yes, that's very true... come in and sit down. You haven't eaten? Well... you came to the right place. Here is a nice armchair, my Grandmother's from Ethen Allen yes... a beautiful deep burgundy color with goldenrod yellow twirling paisley in a burning orange background... lovely she is her shapely curves... rugged, straight lines carved into flowers her cherry stained legs worn edges... so soft, comfortable and weathered I agree she is very reliable and sturdy and she is kind so forgiving...yes? Oh, fresh coffee ... ahhhh you smelled it, of course here you go a steaming cup of hopeful dreaming... brilliant, in a aromatic plume of Tahitian Hazelnut swirling ribbons of fresh Vermont cream cinnamon rolls in the oven sugary love smells intoxicating... yes? glazed sugar awaiting as cool crisp dried leafy breezes flow through waiting drapes of warm white linen Yes, so very  poetic this place... A gift...why I'd say! I love this time of year very much... especially the trees... floating in the air the leaf dancers drift silently waving Goodbye in the Fall winds Welcome to my  Vermont to the beautiful Green Mountains in splendid peaking colors panoramic splendor The natives so oh...you know They call 'em verdant visions again come springtime come on, stay awhile put on a friendly smile a welcome done in style my home is your home take your hat off what's the hurry? Cherie Nolan © 2016
0
Sep 6, 2016
Sep 6, 2016 at 11:25 AM UTC
"Take Your Hat Off What's The Hurry?"
She’ll make cheeseburger pie and zebra cake for your birthdays. She’ll go to Vermont and wears water shoes down the stairs of mossy rocks. She’ll lay a towel to the side of the mountain with streams cascading down. She’ll baby you and treat you like when you were 5 years old. She’ll introduce you to Shakespeare and Monty Python. She’ll fall in love with your school shows. She’ll talk about dogs she had as a child while you sit with yours. She’ll tell stories of when your dad was a child with his little brothers. She’ll never leave your heart.
0
Feb 7, 2013
Feb 7, 2013 at 3:51 PM UTC
Granny
Artichokes will always make me think of you drunk in Vermont on your 22nd birthday. Giggling and tired from the rocks of the mountains you spilled both our drinks and wrung your hands in complete defiance of giving a ****
0
Jul 11, 2014
Jul 11, 2014 at 12:07 AM UTC
In A Motel In Winooski
The buzz-saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and rattled, As it ran light, or had to bear a load. And nothing happened: day was all but done. Call it a day, I wish they might have said To please the boy by giving him the half hour That a boy counts so much when saved from work. His sister stood beside them in her apron To tell them “Supper.” At that word, the saw, As if to prove saws knew what supper meant, Leaped out at the boy’s hand, or seemed to leap— He must have given the hand. However it was, Neither refused the meeting. But the hand! The boy’s first outcry was a rueful laugh, As he swung toward them holding up the hand Half in appeal, but half as if to keep The life from spilling. Then the boy saw all— Since he was old enough to know, big boy Doing a man’s work, though a child at heart— He saw all spoiled. “Don’t let him cut my hand off— The doctor, when he comes. Don’t let him, sister!” So. But the hand was gone already. The doctor put him in the dark of ether. He lay and puffed his lips out with his breath. And then—the watcher at his pulse took fright. No one believed. They listened at his heart. Little—less—nothing!—and that ended it. No more to build on there. And they, since they Were not the one dead, turned to their affairs.
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1.6k
Out, Out—
The buzz-saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and rattled, As it ran light, or had to bear a load. And nothing happened: day was all but done. Call it a day, I wish they might have said To please the boy by giving him the half hour That a boy counts so much when saved from work. His sister stood beside them in her apron To tell them “Supper.” At that word, the saw, As if to prove saws knew what supper meant, Leaped out at the boy’s hand, or seemed to leap— He must have given the hand. However it was, Neither refused the meeting. But the hand! The boy’s first outcry was a rueful laugh, As he swung toward them holding up the hand Half in appeal, but half as if to keep The life from spilling. Then the boy saw all— Since he was old enough to know, big boy Doing a man’s work, though a child at heart— He saw all spoiled. “Don’t let him cut my hand off— The doctor, when he comes. Don’t let him, sister!” So. But the hand was gone already. The doctor put him in the dark of ether. He lay and puffed his lips out with his breath. And then—the watcher at his pulse took fright. No one believed. They listened at his heart. Little—less—nothing!—and that ended it. No more to build on there. And they, since they Were not the one dead, turned to their affairs.
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Opossum's in Vermont, Humph. Ain't no kitty, looks like Global Warming doesn't it? Yup, it sure does poet. Cherie Nolan© 2016
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Oct 22, 2016
Oct 22, 2016 at 12:57 PM UTC
"Uh-Oh!"
"My roots run deep hearn' these Green Mountains of Vermont. " All Rights Reserved © 2016 Ma Cherie
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May 30, 2016
May 30, 2016 at 11:42 PM UTC
My roots 10W
where were u when  i took my first steps? im sorry hunny i was too busy getting drunk. where were u when i said my first word? im sorry baby girl i wasnt listening . i was too busy hitting and yelling at ur mom.. where were you when i first started school? i was in vermont getting stupid drunk . daddy whats the point of you being here now? ur probably just gonna leave me again to go live with YOUR family and i will never see you again . your gonna do the same thing we told you not to do, your just gonna up and leave and not realize how much you'r breaking my heart ! :'( good bye daddy :'(
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Apr 26, 2012
Apr 26, 2012 at 9:12 AM UTC
daddy why do you keep leaving me?
My foot sinks deeply into the snow. The boots leave giant holes in the land, while I follow the smaller fox prints. Stumbling, for I have lost my way. The sign for Bethlehem snow covered; perhaps it is somewhere in east Vermont. The trees are all barren from the cold. The fox’s glare is often pitiless, as pitiless as winters frozen touch. Prophets and apostles migrate south now along with the fowl of the air and Jews; to where the signs are not snow covered. New England longs for the warmth of spring, but I pine for the deep Florida heat. I want to watch the heron rise steeply.
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Jun 9, 2014
Jun 9, 2014 at 9:59 PM UTC
Prophets and Apostles
take me on a journey there and tell me what you see I see trees of falling bark around and shores of golden sea I will take you on a journey here through the hills of my Vermont where the crystal waters run so clear and my ancestors still haunt I see mountains tall and proud shimmering in a blue I see fields of rolling shade and some sleeping kangaroo I see moths- the rarest kinds and these birds of many feather I see mountains verdant green and this gorgeous summer weather I fly with noisy lorikeet and swim in coral reef and walk 'twixt ancient eucalypt to view the sandy beach I land with Peregrine Falcon and I soar with red tail hawk I drift in summer breezes here and with the animals I talk I walk through shady leafy glens and I tread the reddened Earth while I listen as the lybirds sing to state my futile worth I dream of sweet tomorrow's near in the clouds of purest white I hike in ferny glens here too and fly a homemade kite I stand beneath the winter here in the clearest skies above and I trace the stars my future now in hopes I find true love I stand in brilliant honey rays in days of solstice long I sing to love ~ oh far away that he too hear my song and hear I do, a song from you that skipped across the stars your day- my night, we must take flight beyond the Sun, the moon and stars out to the Milky Way I'll come along with you our maiden flight in love and light to find a love that's true David Hewitt & Ma Cherie © July 2017
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Jul 20, 2017
Jul 20, 2017 at 8:21 AM UTC
take me on a journey - ( a collaboration )
I may not own the streets or ride them in leather seats, but if you can hear the beat then that I speak isn’t weak. And when I use my unique technique you will feel weak and antique. I imagine, create, and contrast, while you remain in the shame of the past. And no fame or acclaim will frame your lame claims of a big game. So listen up; let my words glisten and strut and enlighten your mind to the blind kind of refined chap whose strife in life is crap in a shiny wrap. And when you understand that this land is not about high-end brands or powerful hands, I will demand your attention to begin an ascension into another dimension where we will find a divine comprehension of our world. In this new state, where happiness is part of fate, we will no longer ache from the weight of our hate. We will not longer become irate when the worth of a great estate abates and no longer fail to appreciate dates with soul mates and time with your friends, while the trends will amend virtue and not pretend and defend vices that can only hurt you. So please open your eyes and let your mind fly into the skies so that my goodbye might manage to give flight to what is right and make all our dry lives a bit more bright. Because all I really want is to see every gent, elder and debutante from the Nile to Vermont to flaunt a smile that does not beguile, but genuinely shows how versatile and worthwhile life can be when we defile the hostile and see that a college degree does not advocate the ease of greed and even those without their abc’s and phd’s still need to be part of the key to unlock a world above thee. We must choose to rise together, for one missing feather will sever the wings of mankind and leave us blind; Always and forever.
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Mar 7, 2010
Mar 7, 2010 at 7:13 PM UTC
Fighting Crime With Rhyme
I may not own the streets or ride them in leather seats, but if you can hear the beat then that I speak isn’t weak. And when I use my unique technique you will feel weak and antique. I imagine, create, and contrast, while you remain in the shame of the past. And no fame or acclaim will frame your lame claims of a big game. So listen up; let my words glisten and strut and enlighten your mind to the blind kind of refined chap whose strife in life is crap in a shiny wrap. And when you understand that this land is not about high-end brands or powerful hands, I will demand your attention to begin an ascension into another dimension where we will find a divine comprehension of our world. In this new state, where happiness is part of fate, we will no longer ache from the weight of our hate. We will not longer become irate when the worth of a great estate abates and no longer fail to appreciate dates with soul mates and time with your friends, while the trends will amend virtue and not pretend and defend vices that can only hurt you. So please open your eyes and let your mind fly into the skies so that my goodbye might manage to give flight to what is right and make all our dry lives a bit more bright. Because all I really want is to see every gent, elder and debutante from the Nile to Vermont to flaunt a smile that does not beguile, but genuinely shows how versatile and worthwhile life can be when we defile the hostile and see that a college degree does not advocate the ease of greed and even those without their abc’s and phd’s still need to be part of the key to unlock a world above thee. We must choose to rise together, for one missing feather will sever the wings of mankind and leave us blind; Always and forever.
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Under the garish Vermont moon I cared nothing for truth -yOURS or mine. The snows had not yet melted: the birds, still somewhere south. Dawn was far away, and as I held you close the cold lost its bite. And thus we stood - next to the snowy field that I always meant to explore, and the world wasn't dark for the stars in your eyes.
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Apr 2, 2015
Apr 2, 2015 at 4:21 PM UTC
The Stars in Your Eyes
fill the entire page with snowy enlightenment fool nobody else five five five five five seven seven seven oops five five five five five contentment I guess can only be recognized from its shadow, cast direction is offered by the learned minds afar it’s a time machine a houseboat with pool a brown pigeon on a leash a dumb dream again snows a comin’ up a ledger of snow, in banks I now coin this phrase so bright very white crystals fall from the gray sky shoveling diamonds pick an argument forget yourself for awhile then just go away too many people smoking piles of well meaning it tempts the silence sixty divisible one through six ten twelve fifteen twenty and thirty imagination a substitute for answers all we do is dream
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Dec 15, 2013
Dec 15, 2013 at 10:56 AM UTC
Formatted to Fit your Screen Haiku on a Sunday Morning in Vermont