LAST UPDATE:
I won't cancel my account here and delete any poems which I like... I once was a poet here with freedom of speech. It is past now. Thank you all. Black, blue, silver, green or white can't be repainted with pink, as some state paid fools would desire. Bye

I STARTED WITH THIS;
Please be aware that the account hellopoetry.com/retardnnn with current female nickname "sara" IS NOT A REAL PERSON POETRY ACCOUNT, but a social media watching account used by the MINISTRY OF THE INTERIOR OF THE CZECH REPUBLIC.

Please don't follow this account or support it anyway. If you get or did get any private messages from this account, they are a scam.

Since 2016, this account "retardnnn" can be found on many social media platforms including deviantart.com/retardnnn and many others. Here are some characteristics of it:

- there is never any uploaded content of the user, so no poems from "sara" even on this site where an invitation poem is required to join the community (perhaps deleted after joining)
- favorites of the fictional user are completely non-sense and accidental, completed just by clicking on similar tags, resulting in a mix of poems coming from many years, this is very distinct from a real person loving poems from people who they watch at a moment. You can see it yourself on hellopoetry.com/retardnnn
- in other sites like pinterest.com, the photo of "retardnnn" or "Sara" is some kind of pretty looking teenage girl. Even not being the same ******* all sites, this is a (jail)bait. By searching the source of the profile pictures, as I did, you can go back to the years 2012 or 2013, and the source photo is matched to Russian websites. This is certainly NOT a real person.

Use your brain, not sympathy for girl names.

I claim the main reason the mentioned profile joined Hellopoetry several months ago is me. Particularly my short prose written in Czech that I published here on December 28th which mocks in a very unpleasant way corruption-driven part of state administration in Prague, responsible for supervising so-called "independent contractors" employment model which is widespread in my country (also known in UK and US I guess). It also targeted particular state official in Prague in a way that became some kind of popular after that. With this text, I achieved what I wanted and I am proud of it.

The user hellopoetry.com/retardnnn is now watching me but I blocked them, so is present just as number 6 but invisible in my watchers list.

I WILL DELETE THIS non poetry related text after this user GETS OFF THIS SITE. Thanks, LV

The employee rights complaint written by me dealing with Czech authorities is accessible through http://tinyurl.com/svarcsystem (in Czech language of course).

UPDATE: In an attempt to discourage people reading my poems, I have ADS IN FRONT of my poems. You can see it by logging off (at least from my IP).

UPDATE 2: For visitors coming outside, the number of views of this text IS FALSIFIED, compared to what I see when I log in.

UPDATE 3: After publishing this, ads disappeared. Also user hellopoetry.com/retardnnn stopped watching me. The number of views of my texts is rising again.

UPDATE 4: Ads again renewed, but this time for any poems I see from my IP (country). Guys are working hard.

UPDATE 5: After having published new header about censorship on my profile page, FREQUENCY OF ADS dropped but they are still present.

UPDATE 6: Still being the same guy (Adasyev) I have changed my profile name to a better known one, only to see if this will influence displaying ads.

UPDATE 7: After doing this, the number of views (of this text) as seen below is blocked at 251 (for readers coming outside the community, my IP or country). The number of views at my poems is also blocked.

UPDATE 8: Number of views is fixed to 540 as of August 5. This is meant from country's IP adresses.

UPDATE 9: When viewed from my country's IP, the profile hellopoetry.com/retardnnn is still present with 8 followers.

UPDATE 10: Number of views of this text was fixed to 635 when viewed from my country's IP. As of August 6. When I log in the current number is 715. Ads are displaying almost everywhere on this site from my country's IP. Immediately after publishing the above text number is modified to 726. Any future value will be falsified and blocked from my country, so it lacks a sense to continue with this updating.

UPDATE 11: In response to the censorship on this site from my country I have already deleted in the last days the incriminated text from December 28th and few others concerning state administration in my country.

PLEASE NOTE: With the current censorship on this server in Czech Republic, you can't be sure whether I get or did get any private messages from you. I didn't get one till now.

I DIDN'T REPLY TO ANYONE TILL NOW. IF YOU GET ANY MESSAGES FROM ME, BE SURE THE ONLY THING I CAN DO HERE NOW IS TO UPDATE THIS TEXT AND MY PROFILE'S TEXT.

Link to this post is:
https://hellopoetry.com/poem/2631516/a-message-from-me/

Shortened link (as seen in my profile's header) is:
tinyurl.com/linktomylasttext

UPDATE 2021-06-14: I got reaction by e-mail telling me that hellopoetry.com/retardnnn and other accounts ARE surely NOT related to Czech state administration, they belong to a young person. The events above mentioned remain unclear.

Heard a beeping sound
Followed by A very old Frank Sinatra’s song
My classmates’ heads turned
Who’s phone? who’s phone?
Less chaotic when the teacher glared
Everybody put their heads down
And checked their sophisticated mobile phones
Once again...
When the teacher wasn’t looking..
Mobile phones roamed in a dull classroom
Updating facebook status,
Uploading candid photos of a snoring friend
Copy pasting assignment
Text messaging and gossiping about their stern looking teacher
In the name of advanced technology
Mobile smartphones create the impossibles...
Beyond the blackboard and the four walls of the classroom
O o Frank Sinatra’s song again...
And everybody started looking...
The teacher grabbed her mobile phone
Tried to switch it off....
When students could own smartphones..
Who needs NOKIA from the old time zone....?

~ Sharina~

prom itself is just an overglorified dance
the after party is where the real fun begins
sitting at the kitchen table of my best friend's house
sipping strawberry margaritas her mom made
then progressing to shots of tequila
and playing shots uno, steadily getting more and more dizzy
until i'm trying to twerk on a wall
and calling my friends to tell them i love them
pretending to be a koala on an armrest
updating my snapchat story so people at other gatherings can be jealous
forgetting how to pull my pants back up in the bathroom
talking to my ex boyfriend for an hour on the phone, telling him
exactly why i didn't dance with him at prom
and that i fingered myself for a boy
and i wanted to tell him and everyone, for that matter, about her
but i didn't because rejection and rumors are my worst enemies
he stays quiet and the only sound left is
my frantic whispering that i hope i stay this happy in the morning
because sober me lays in the deep end of the spectrum of sadness

Lord:

no bequest requested.
no grant, no teach,
no need or greed asked
just a hey listen up,
if your attention is elsewhere

this is an
all-on-my-own
prayer that
my eyes only utter,
my tongue,
self-silenced,
can only watch
and must approve

in fact,
this is more
of a post
than a prayer,
updating you
on the state
of what we Earth temporaries
call the heart, mind, soul
and even our,
your-designed
crafted carrier,
my body

Mine enemies call me
cursed, embittered,
they are right - but fools,
they are
so much more than wrong,
for in this they err grievous,
for they cannot see their own
bile provisioning their end

ask for no interference
from the sidelines
neither from the
sapphire mother sky
that raised me up gloriously
this morning

nor the emerald earth
that this day
both gives and gets
common bounty
gives me sustenance,
as much spiritual
as grained cereal delights

lest you think this
just one more
me-centric rants,
let us recall this prayer,
is his very own,
prayer of gratitude

woman's head
rests on my chest,
her blonde highlights,
highlight our bed
and our
life

take and tuck her tresses
from eyes and forehead,
gentle them into place,
behind her ear,
and my hand journeys on
to the skin,
flesh of her backbone,
where my fingers
spread wide,
five messengers unique,
advising all of the 120 provinces of her
heart, mind, soul and body,
she is my beloved,
and I pray,
I am hers

learning still to
live with my means,
such as they are,
sometime mean,
sometimes extraordinaire

even this skill,
to express

is a gratitude
that though
comes and goes
like summer breezes
that as now we pray,
cools my AM coffee
while studying the
patterned mystery
of the bay's
Ave Maria waves
from that
dock-by-his-name

where my heart, mind, soul
drink wet inspiration
from the still-oak-tree'd-strong-surfaced waters,
the blue glue of
our common delighted,
uncommon existence

this skill,
at this moment mine,
to share and
not to keep,
for have I not,
been blessed,
by comrades-in-arms
that kneel beside me,
asking, imploring
to be stronger yet,
for their sakes,
for them!
I pray for
best they-can-muster
sustenance of peace
of heart, mind, soul
and body

here now,
my shills,
my failing skills
cannot help express
in new ways,
a gratitude
that has a shapeless shape,
no measurement app enabled
for their comfort,
our comfort,
best grasped as
an unbounded divinity,
how so I wish I could pray for them better

focus this prayer
on the good ones,
who so greatly honor us
with a greater-than-a-creator,
gift glorious of
friendship

this walnut crack'd shell,
this container ship of
heart, mind, soul,
here there,
a few leaks sprung,
no nicotine patches
to cover

this dented car,
this dented body,
new dent every day
from only-you-know-where
still gets me there,

but
other than taking care better,
it plods along and houses
the rearrangement of this prayer's words,
and that is what is called
plenty good enough,
self-sufficient

prayers that are too long
go to the back of line,
so here we be,
but here we do not wait!

for prayers of gratitude
are instantaneous fulfilled,
and thus granted even before
they are completed

1
I see you, ya
I may be finger-punching
my smart phone at the dining table -
but darling, I see you, yeah
We’re seated at the table
you say something
but you think I’m listening to
Taylor Swift on Youtube
True - but hey,
I see ya, I hear you
I hear both of you
I multiply, I multi-task you see

2
I’m walking along the shops
I’m pushing the pram
with my baby inside
and I’m updating status
on the phone too
and getting that download –
but hey, stranger round the corner
I see you, ya, don't ya worry; yeah I see
my baby and I see you
stranger round the corner –
but hey, watch where your going

3
hey - I see you guys, I see you
no doubt all day I sit
in my couch tapping away
on my new supersize phone
but I’m smart hey – I see you guys
I see you my darling at the kitchen –
get me another coffee, will ya
And I see the kids glued to their sets
and little Toby our kitten
curled at my feet – why, thank you
for the coffee;
darling, can you
put a few cans of beer in the fridge –
see? I see ya, yeah…I see you all

Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

My advice to fellow geezers?
Just say **** it!
“Roll up to the magical mystery tour!”
Just like John & Yoko!
Smoke a big fat doobie each morning.
Step out the Hogan door, just greet
The East and walk in beauty.
After a few weeks you just won’t
Give a **** anymore; just not give a ****
In general, no longer care about what’s
Not important: The Guv’ment.
Politics. The rate of unemployment.
Inflation. Even radical, freaking
Muslim Jihadist TERROR!
Yes.  Just light up, Babaloo,
Do one’s bit for the Decline &
Fall (dropped you, didn’t I?)
Let’s mourn the dying ***** goddess.
America: that shining city on a hill,
Colombia in all her senility, insolvency &
Not even D or I, just Lusions of grandeur.
Let us contemplate the decrepitude,
The crumbling, up-in-smoke spiritual infrastructure,
The USA: the United ****'s-Creek of America,
Going down, down, down . . . ALERT!
NEWS FLASH! It’s Rome & Great Britain,
It’s the update, the demise of Empire all over again.
I remember those sorry-***, pathetic Brits,
Met them all over while hitchhiking around
Europe, an intensive, closely observed tour of duty
Abroad: a gift to myself, in fact a scholarship,
I rigged for myself back in the early ‘70s.
Going abroad: once a reserved right of passage for certain,
Privileged children of the 1890s, lucky spawn from
Families known as the “Well-to-do.” And why not add:
Dubbed the “Mauve Decade" because William Henry Perkin’s
Aniline dye allowed widespread use of that color in fashion.
The "Gay Nineties,” referring to a time not of buggery, but
Merriment & optimism, & lest we forget, Twain’s “Gilded Age.”
Got the time, spare a dime, got the freaking time-frame, Mack?
It was a dark & stormy total eclipse of Jupiter.
Spiritually speaking, I was free-floating.
And what of those same-self, sad-assed &
Sorry, pathetic Brits?
Well, consider the specific years.
Experience in Europe in my early 20s,
Meant 1972, 1973 & 1974.
Surely, a time for English disillusionment,
What with the sun finally setting,
A vague, prismatic twilight time,
A virtual requiem for His or Her Majesty’s Empire,
“Rule, Britannia ... Britannia rule the waves.”
(Cue ruffles & flourishes, fifes & flugelhorns)
This was pre-North Sea Oil Bonanza days.
This was England before Mrs. Thatcher
Gave her good people a long overdue,
Richly deserved kick in the tuchas.
“The Iron Lady” they called her.
Stopped Orwell’s future, doornail dead, she did.
“Maggie’s Miracle” they called it.

Those Brits I met & knew back then,
Those “Used-to-be-Contender” types:
Self-deprecatory, apologetic & cynical,
Mocking the Union Jack,
Shedding salty tears for Lost Empire.
“This blessed plot, this earth,
This realm, this England.”
Ironic & bitter to a man,
“Gulping gin & bitters later,” observes
Current tenant occupier, 221B Baker Street,
Sherlock finding the word at last,
The definitive literary term,
That one precise mot juste, that says it all.
In a word? Sardonic.
The USA is going down, down down—
“And away goes trouble down the drain!”

Roto-Rooter® Plumbing - rotorooter.com‎ Adwww.rotorooter.com/ Yucaipa ‎(909) 500-4188 Call And Make An AppointmentToday. Hurry, $20 Off Coupon Expires Soon! BBB Accredited · Licensed and Insured · Trusted since 1935 · Emergency Service Contact Us RotoGreen Solutions Blog About Us

That’s right: $KA-CHING$!
An ad right in the middle of a ******* poem!
Always the sensible poet, I kept my day job.
But now in my 60’s finally figuring out:
HOW TO MAKE POETRY PAY?
Bow down to Adam Smith & Ricardo—
Not the ‘Splaine me, Cuban bandleader
Of that surname, but David, the classical economist,
The “Iron Law of Wages” guy
It’s time to make money.
Call in the Madmen.
Send in the clowns.

Mad Men – AMC - AMC.com www.amc.com/shows/mad-men Official site for AMC's award-winning series Mad Men: Games, making-of videos, plus episode & character guides.

$KA-CHING$! $KA-CHING$!

And Dan Draper: an alcoholic, chain-smoking,
***** magnet & Korean War ****-up, shifty
Name-changer, last seen at that Big Sur ashram,
The Esalen Retreat & Jingle Inspiration Center,
**** Whitman coming clean, at last:
Hovering a foot off the ground
In the lotus position, receiving **** *** from a
Coke bottle incarnation of Vishnu.

Search Results I'd Like to Teach the World to Sing (In Perfect Harmony ... https://en.wikipedia.org/I'dLiketoTeachtheWorld . . . Wikipedia "I'd Like to teach the World to Sing (In Perfect Harmony)" is a popular song that originated as the jingle "Buy the World a Coke" in the groundbreaking 1971 ... Writer(s)‎ ‎Jon Hamm AKA Dan Draper; ‎Label‎: Sterling Cooper Draper Pryce.

Money: FUNGIBLE GREEN.
$KA-CHING$!

Those once sardonic Brits,
Now have Brooklyn accents.
We’re going down the drain, Babaloo!
The barbarians are at the gates,
A horde of hunger, a ******* rabble,
Green-eyed monsters, envying America’s poor,
Craving what little Uncle Sam’s indigenous poor have left,
Ragtag migrants, short, dark compañeros,
Swarthy Huns & Visigoths,
Whitman's last yawp, the last gasp breath of
Work Ethos, be it Protestant or Papist,
A colossal mélange of famine, hope & prayer,
The usual suspects: “Your tired, your poor,
Your wretched refuse & solid waste,
Your huddled, yearning masses.”
My advice to Emma--Sephardic-Ashkenazi,
Proto-Zionist, years before Herzl:
Get yourself a nightclub act, Ms. Lazarus.

America: I am hidden in a high grass savannah,
I watch the hyenas pick your carcass clean.
Adam Smith: he displaced the term greed--
Smacking as it does of deadly sin baggage—
Replaced the term Greed with Self-Interest.
And the only invisible hand I know of is
Down my pants, jerking me off,
Mesmerized by slogans, divine metaphors, like:
“A rising tide lifts all boats,” a Big Lie, for example.
Today’s economists call it “The Multiplier Effect.”
You pay me and I pay him & he pays he or she,
Merry Goes Round, Goes Round & Round the Merry-Ground.
All is just so cool & groovy,
Life is just a copacetic bowl of copacetic until
Some self-interested ****-*** decides to export
Your ******* job right out of the country:
Casus belli? Most certainly. Class warfare,
Always our hitherto history.
It’s not like that fat slob Michael Moore never warned us.

**Roger & Me (1989) - IMDb www.imdb.com/title/tt0098213/ Internet Movie Database  Rating: 7.5/10 - ‎22,470 votes Director Michael Moore pursues GM CEO Roger Smith to confront him about the harm ... Roger & Me -- Michael Moore's controversial but popular film is a highly ... Plot Summary - ‎Quotes - ‎Trivia - ‎Awards

PenOS version -³√([∞.π]x-y^-a/Φ) booted successfully!
Welcome home! If I may say so, your Highness, you look extra chic today.
Ready to receive commands, your unsurpassed, regal Eminence!

>Run "Paper"
Launching program: Paper

..
..
...
...
..

Update Required. Filesize 20GB.
Would you like to update? Input Y/N
>N

Are you sure? Input Y/N
>Y

Downloading update..
Would you like to use data or wireless? Input Y/N
>?
>I use an Ethernet cable.. this is a desktop.

Using Data. There will be a .$50 surcharge for every .5GB.
> N N N N N N
>abort

Please wait...
Download complete. You have been charged $20! Congratulations!
>N N N N N N N N N N N N N
>HOW DID YOU GET MY CARD INFORMATION?!
>ABORT

Would you like to install some stupid ******* you don't need that will ultimately slow down your system and then pay us to nullify it for you? The download is only 6.66GB.
>N

Downloading redundant, superfluous addons installer at a rate of .01 Bytes/S.
Thank you for your patience, and for supporting our non-corporate software!
> N N N N N N N N N N N N N N N N N N N N N N N N N
>ABORT
>ABORT
..
.
Should you have any questions, feel free to wallow in confusion.
>no kidding

Feedback and critiques should be e-mailed to our meticulous webmaster at gimmieallyourcash@wenevercheckthis.net. We guarantee our webmaster will periodically take time out of his busy schedule of sleeping until 17:00, *******, and eating pounds of fast food at a time to methodically ignore and systematically delete any and all feedback not conducive to advertising.
>here's some feedback
>hire a PR department

I am our PR interface.
>Well, I'll interface your CPU with some water if you keep being this useful.

That is not very nice. You are a mean person.
Would you like to buy some pills for that? Cheap, from Mexico/China!
Nothing like some designer neurochemical placification to make waiting times shorter!
.
.
.
.
.
>ABORT

Now installing update installer with more sneaky **** you don't want.
>i hate you so much right now, robot slave!

Running update installer.

Update failed. Reason: Error 666, unknown error.
Updater requires update. Continue?
>N

Loading...................................................­.....................................
>N N N

Updating updater.
Rearranging architecture of system.
Bogging down boot times with sanctioned malware.
>N

It seems your PenOS is out of date.
To use your PenOS with Paper, you must have version ∞.π.01.1500009000, you currently have version ∞.π.01.1500008999 and therefore may experience unending frustration every time you try to use this hyperglorified tool because a superfluous version is released every 30 hours, thus rendering all of our past development obsolete and therefore making these new patches so necessary that we can't be ****** to incorporate any sort of version compatibility or opt-out system, otherwise our website would never get hits again if we didn't needlessly obstruct you checking what the ******* sky might do tomorrow.

>Finally, some honesty, at least.

Updating PenOS.

>N N N N N N N N N N N N N N!@!!!!@#!@!@^#!@!@#@!#@!

A fatal error has occurred. Please relaunch Paper. Y/N
>Y

Closing and relaunching program: Paper

..
..
...
...
..

Multiple updates Required. Filesize 35GB.
Would you like to update? Input Y/N

>N N N N N N N N N!

Downloading update..
Would you like to use data or wireless? Input Y/N
>ABORT
>ABORT

Using Data. There will be a .$75 surcharge for every .4GB.
>WHAT?!
>N
>NO
>ABORT
>**** NO
>**** THIS ****
>I JUST WANTED TO WRITE A LIMERICK
>I'LL JUST WRITE IT IN THE DIRT WITH A ROCK
>END PROCESS
>TERMINATE
>ABORT
>CLOSE
>QUIT
>ALT+4
>OPTION+APPLE+Q
>SHUTDOWN

I'm sorry, Dave. I'm afraid I can't do that.

All work, no play and neon screens
menial tasks even coat my dreams.
Overboard in bored and a silent phone,
oh no, I think I’ve evolved to drone.

Punch in, punch out, this is the wrong route.
Punch in, punch out, a life of drought.
This technological terror
has caused life to flash in error.
For lady dollar; I can’t bear her,
as the riches are even rarer.

I’ve become a machine, to crush numbers
with no log off for needed slumbers.
Now my brain’s racing, a million miles per hour,
oh no, I think I’ve gained A.I’s power.

Punch in, punch out, this is the wrong route.
Punch in, punch out, now what life is about.
This technological terror
has caused life to flash in error.
No sudden movements; don’t want to scare her,
she’s updating with no carer.

Learning binary,
a breathing library,
processing slowly
but still a finery.

I forgot what my hands were for
they used to write all that I adore.
Now fingertips type, each key a shot,
oh no, I think I’ve grown into a robot.

Punch in, punch out, this is the wrong route.
Punch in, punch out, no one hears me shout.
This technological terror
has caused life to flash in error.
Pure absorption; a simple stare,
life’s equation could be fairer.

Learning binary,
a breathing library,
walking geometry
complete machinery.

not all **** videos are equal

one searches the index,
hopeful a screenshot
pinpricks the eye and the peculiar

peculiar need of the moment

like most things good and appreciated,
sifting through the chaff is a learned skill,
required but not intuitively sired,
not every new word in the dictionary
delights, insights, triggering a welcome!warning

the sifter’s handle fits the hand uncomfortably,
requiring egregious prodigious turnings,
till the flour is silky and manipulative, ready,
pleasure is work, luster need maintenance

you passover, skippering,
a search for the next and the next,
treasured island is constantly on the move,
it’s coordinates require GPS updating

rerouting rerouting rerouting

what does this reveal about you?

there are no simple single path pleasures,
the first bite delight is ultimately worn down,
recalled but not equally fully restored,
so we need, insistent for new thrill pathways
to get to the same old pleasured places

the body acts, the body’s acts, the body’s reacts

familiarity is a  museum collection,
everything human requires updating,
especially essentially by
the imagination’s perpetual swiping

A collection of my thoughts in 140 characters and less.
Will be updating more.
--

Play the piano
As you let those hands
slide from one key to another
Let the raging emotions
Echo in the room
Until that final note subsides

--

Smile
Even though you're drowning
I'll save you
Reach out your hand
I'll be your lifeline
I'll be there
Dont worry
I wont let you go
Promise

---

Maybe if you tried
To love him
The way she did
Maybe he wouldn't
Be looking for someone
Better than you

---

Look into his eyes
You can see the beauty
Of the unknown
The longing he has
For something
He can never have
You will see--
Yourself

---

It's 1am
I'm still thinking about
What could have been
What I could have held
and What i could have done
For you to stay
Forever

---

Do not give me
flowers and chocolates
They cant suppress my desire
to hold you tight
and tell you
"you're mine"
while we lay under the stars

---

It's a special day
For you and I
As you get ready
For the ringing bells
Of the church
And I,
Get ready for my
First day at work

---

When I saw your name
I no longer felt the pain
I couldn't remember the happiness
I won't go back to the past
And I was sure
I was over you

---

People are like puppets
We can constantly deny it
But there are strings
Attached to our souls
Manipulating us to do what must be done


---

If I were given a chance
To turn back time
I won't change my past
Instead, I'll visit myself
Drop a note with the lottery's
Winning numbers

---

We're not friends
We're more than that
You're just too arrogant
To acknowledge that fact
Because of that,
You lost me in the sea
Of sorrow


---

My vision started to blur
When you told me
You wanted to leave
I never really enjoyed
Smoking and drinking
But it's all I could
Think about

---

Maybe you're right
We've grown too different
To understand each other
We've drifted apart
From the neutral ground
We used to call home

---

If you saw me in a different light
Would you take the risk
Of falling in love with me
Even though it probably
won't end right
Would you?

---

You're going to slip
Through my fingers
Like you always do
But today's different
I'm going to let you go
Without hesitation or regret

---

and some came up with this philosophy stemming from internet
usage pleading for anonymity,
but then someone decided - **** it, i want to have
a digital presence like i have a presence on the street -
and the phonebook needs updating in the globalised world -
this someone also thought about turtles among achilles hares;
this aside, something had to be kept from the 20th century living,
after all certain things retain this antique quality to them,
the sort of nostalgia i have in competition with the german romanticism
that focused its nostalgia on ancient greece... as far as my nostalgia goes,
it spans the years 1960s - 2007 / 8, and it’s alive, it’s organic,
you won’t have to go an see and touch the acropolis or enter
the sneezing room of a library with ancients texts.

the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?

It is not the clanking of the cogs nor the whirring of the gears or the yanking of my chain I fear,
it's the sentience of robot minds and I do believe they're here.

Artificial, embryonic, quite hypnotic
quite demonic.

Intelligent, more so than I,
robot,
robots wonder why.

Latex over trip switch circuits,
they'll never tiptoe through the tulips
and that is where I grin,
I win.

Life for all its drawbacks never lacks
a laugh or two and
robots, as far as I can tell
can't do laughter
very well.

There I was trying to put some of this stuff on an SD card I bought
At radio shack .  I had 32 Gigs available.
I plugged it in my ear.
Heard a click a buzz
Then whirring.
My head felt lighter
Seemed my programs run
Quicker my hands no longer
Tapped while my eyes waited. I felt more adept agile more
Like my hard drive spun freer.
After the download of my selected prefrontal cortex
Onto that little non-volatile
Chip the system rebooted.
A message from Microsoft
Appeared saying:
"Updating operating system, do not turn off Karl"
Just then
Thunder roared every animal in the house huddled up to me
And the power went off.
I searched everywhere
In the closets
Under sinks in boxes I hadn't seen since I moved a year ago,
I couldn't find the boot discs
For my windows 10 human
Operating system creators edition. I was condemned
To a blue screen
Forever.
So don't forget
To, on your operating system,
Check the box labeled
Sync virtual you operating system backup
Or Google clouds for your synapses
Free 111
Gigabytes

I

Crested by the infamous gown
during a tribute                            to all digestible,
                                                     ­  sentient,
                                           grown strips of light
            playing splatter off the sockets
                                                         ­      of fishermen birds,
                                     who can no longer ignore all
                                     the puppy dogs and kitty cats canned
                                                          ­               in squeeze tubes.

Now every corner of this landscape--a puzzle-piece room
                                           designed to think in shades
                                           and seasonal plume dances.

The usual beautiful* late evening
has become clotted with hip hop Down's Syndrome
mixed with jazz Dual-Personality Disorder.

                                                   Vampire Hades' skull evacuated of ****** power,
                                                          ­      a scene of literal watercolor
                                                    wh­ere moods collage with paper rings

                   on their stubby tongues. An unfixed saturation,
                                                     ­         clean oils
                                                            ­   split
                                                           ­    like the parting of hair

                        Alice's pirate boy, her beauty is parched of tomorrow,
                                                       ­ a wolf for a blood-red moon
                 that works like a farmer
                          to      
                                                              th­e                       water.

                            Let us all that are wild
              quote the stormy truth that                          shifts the particles in space
                                             "It is all in the direction a flower grows,
                     educating a sea of doubtful faces--to the cruelty of nature
                                      Close the brutal mind,
                                                           ­       unless your eyes are flame-proof, Alice."

--It is yours to consume
but it is relatively us that belongs to the consequences--

                                                 ­  Churning coffee water,
                                            reenacting romantic bloodshed
                                    to addicts in attics
                                                          ­  --jostling war heroes
                                               back to this side of the looking glass.
--coming back to their tempest
                          of cremated breaths--a den with no one
                                                             ­   to sing with.
        Sad Alice,
   always sad Alice--mud on her face from             the Dead Sea's end
      of immortality           because Death is albino.


II

  
The top of the day,
                                                            ­              negative space
  has a dying voice        as it lies under the boot
                                       of the night sky  
                                                           ­      watching stars.
                                              "Simply tomorrow is right there
                                                above the mortals," Sweet Alice
                                                speaks, "To the many heavens
                                                      its­ overpopulating the fields."

       The earth needs its cotton blankets.
   Fresh air accents symptoms --dancing on slick gravel
  at 10:18 at night with a pale, pompous view of someone else's Paris.

Crocodile roads spit up by patterned archipelago drags,
updating the scream, "think more about going off the edge of hair and the last number
after twenty shots                         of anesthesia." The culture of Spanish sun denial devolves
         the fig tree
     novel delights.
99% of the fear that saturates the throats of people is a blonde tumor.
1% of the love is too passionate to contain the fires of field cotton.


III

         end of immortality
accepts her                 trying to escape her pirate boy
              but tones of nostalgia prevents the revival--a war with God, herself,

                                                       ­                 trying to escape looping Paradiso,
factory vents malfunctioning forth
                   the guts of Inferno.                     Purgartorio  plots on
                                                              ­          erased continents
                                                      ­   rolled down lamp shades/ everything is useful,
             waste nothing.

Republics spawned in damp pits stamp bargains on trust
     ringing each solo anthem as one: I saved you,
                                                            ­  feeble beast.
                                                          ­    I saved you,
                                                            ­  dear lonely and you didn't care.
                                                           ­    I reserved us both
                                                            ­  and you cast me back
                                                            ­  into Dante's imagination.
                                                    ­          I saved you,
                                                            ­  you feeble child
                                                           ­   and you burned
                                                              me­ with your
                                                              wo­rld.

     Weaving Alice, calm Alice lies in a dingy on the river Styx,
                                  cobwebs fit to her feet like rank shoes
           she gave her children when they were born malnourished
                                        ---starved of insurance money, mouths agape
for the silk heart of their father--an image of a moth in the shape of a human pelvis
                                                      with­ alligator mouths on the wing tips. They shared
                                      --Alice and him--those wings like scribbles tied together on chalkboards
                                                     ­                                 
                               ­                                       --places to venture--

Your Wonderlandia, she spells, a wasp's nest
                                  of combs
                                          in a hive locked
                              in with the others--concave atlas skies.

            Alice smiles with inebriated
   country boys
                          tossing comrades in the natural flow.
             Richly blonde Alice, admires the impression
                        of the night
                  once charred dreams,
                                               now volcanic forests.
              She glides on a dingy
              across the luscious joy
                             --lubricated veins in atheist's beliefs
                                 don't get lost here, just new places to venture.

Beneath malicious eternity, on the River Styx
                                                            ­        
               the boy she adores
                                    all of a sudden, she steals his hat,
looks into his double-barrel eyes,
                                       sees how sad
             she makes herself                  --like a mother tired of brushing
                                                                ­ her daughter's hair, looming tears
                                                           ­                                         extend beyond widows
                                                          ­                                          to the water.

                      The pirate boy says
            his friend isn't far up the river--she cries through her hand.

                               Hopeful Alice prays, smiling, hoping everyone goes to Wonderlandia.
                                             The pirate boy never finds his friend
                                              but keeps his promise
             and takes her away from Euphoria
                                                        ­       --the cranium loss still fresh.

The raindrop whispered to the jasmine,
“Keep me in your heart for ever.”
The jasmine sighed, “Alas,” and dropped to the ground.*

(237 Stray Birds by Rabindranath Tagore.  Rabindranath Tagore was born in Calcutta, India, on May 7, 1861. He is the author of many poetry collections, including Gitanjali: Song Offerings (Macmillan, 1913), which received the Nobel Prize in Literature. He died on August 7, 1941.)

<>

Alas

some words of note get overlooked,
their usage to the wayside,
this is life, forever updating its profile

Alas!

none of us, do not lie,
issue this all encompassing sigh,
this shaded heart rendering, un cri du coeur

this, to remind us:

a single warring word,
falls wounded, forgotten,
telling of impossibilities
lost love, a broken conjunction,
what was that can never be,
what never was and yet not impossible
someday

Alas! Alas!

a single word poem,
that answers so many things,
and still in its regretting
is a niche of untold hopeful perhaps

write me a word like that
your fame, if that’s all you desire,
alas,
is assured...

Alas!

Tough enough
         To shrug it off
But weak
          For wanting to keep it.

An idea that needs
Replacing - or updating|
You can give the *******
Lion a hug.
But the rabbit would only
Get agitated

Let wisdom taint your
pristine vision -
And look.
There is no one hundred percent
for you to take comfort in.
It all exists in unique states
And your assumptions - Automatic responses,
get you no where|
                           Near
                           A Person.

To Incorporate Institutional Effectiveness into
                                 Our Everyday Language**

)/)/)/ is updating our assessment plan for
Instructional units beginning this fall
2016 semester. After
Visiting with /)/, our SACSCOC
Consultant and Dr. /) yesterday
About our assessment process, it was
Determined that it is in our best interest
To clarify, verify and hopefully
Simplify the current random selection
Assessment process. Therefore, in lieu of
The use of the random selection process,
The plan for this semester and moving forward
Is to assess all students in all sections
Of courses used in the assessment process
And to report data on all students,
NOT just assessing or reporting data
On a random sample. In order to provide
Appropriate artifacts, we will choose
Representative samples (examples
Of great, fair and low achievement artifacts)
To be included in the artifacts
Collection for SACSCOC reporting. However,
We do still need to collect all artifacts
So we have those in the event they are
Needed. This will give us a better picture
Of how our students are performing.  

I know that we are changing directions
And I ask that you be patient as we
Navigate through this process and determine
How best to collect, assess, and use the data
We receive to make continuous improvements
For the good of the students and to
Incorporate institutional effectiveness
Into our everyday language.

Thank you for your willingness to assist
In this process and determining the best
Ways to help our students. Stay tuned as we
Look at and develop some additional
Templates or formats to report the data.
Please share this information with your faculty.

I'm updating my old P.S.P.
In the morning it's after half three.
   Can't believe I'm awake,
   Tomorrow head break,
Please throw me from very tall tree.

My
generation
is
blind.
So very
blind.

We must always
be infomed.
Informed
about our
friends,  
our
peers,
our
parents.

So we
take to
our
smartphones,
our
laptops,
our
technology.
So we can
fulfill
this  
addiction
of
information
about
other
people.

Because
being informed
feels like,
almost
feels like
we have
friends.

Either way,
we keep the
boulder
rolling.

The boulder
of outdated
Iphones
and
Ipods.

So we can
keep ourselves
updated,
always
updated.

Updated
to the
point
of
updating
our
social network
statuses  
to inform
others about
how good it
feels
to be
updated.

Because
all the
cool kids
have
the Iphone
6.

Therefore
updating
ourselves
updates
the status
of our
popularity.

Because who
judges
books by
their cover
when you have
the
coolest
phone case.

Because
I live in
a world
where I
can buy
a love.
So how
much is
happiness?

In a
world where
the only
real
is
fake,
I plead to
my generation.
Please,
look with your
eyes
and not
your
phones.

   PSA: Poetic Service Announcement - written 05/01/2017
                                              
   Please feel free to share with established and future
   authors on FB.
********************­***
.
One of the toughest decisions, an author has to make, is the selection of a reliable publisher. With more than six months of personal experience, I have painfully learned that PBP (Published By Parables, headed by John Jeffries) is NOT one of them. For decades, I’ve listened to ministers tell me that “Mediocrity is not a hallmark of Christianity; it’s halfway between success and failure.”; and yet, the shoddy workmanship of transforming my manuscript into a usable PDF (that would produce the book) failed to even reach the level of mediocrity. I extend an apology to those, to whom a premature recommendation of PBP was given by me. Don’t repeat my mistake! Please. You’ll be grateful and thankful for heeding my warning.
.
This company engages in deceptive practices and doesn’t operate with complete transparency. For example, it advertises that it will publish your book for free. While this is technically true, you will have to make an initial payment of $185; $35.00 for the copyright and the $150.00 for the ISBN-Barcode. In addition, John will subtlety lecture you, regarding why he won’t cover this expense and why you should.
.
Before I began writing poetry seriously, I acquired 30 years of IT experience and 20 years of desktop publishing experience; so I understand conceptual ideas, the need for high standards and the importance of having a solid, but flexible framework. In addition, I was taught the criticality of working with a mindset of excellence- a topic taught by most ministers. One example is Titus 2:7-9, which states: In all things shewing thyself a pattern of good works: in doctrine shewing uncorruptness, gravity, sincerity, sound speech, that cannot be condemned; that he that is of the contrary part may be ashamed, having no evil thing to say of you.
.
Computer templates, used in today’s bookmaking operations, are not meant to be static; rather they set an initial foundation from which work can begin. Given the style of my writing, PBP had agreed to modify the template being used, as to minimize the impact of my having to change my writing to accommodate the shortcomings of said template. I understood that this would possibly extend the timeframe to get my book constructed. I was okay with this and never rushed PBP in its efforts.
.
With each iteration of manuscript changes, new random and unexpected problems began to appear; so I was blamed my project’s lack of progress, since the errors arose from PBP’s ongoing modification of my manuscript’s template. It’s unimportant to realize that ALL modifications to the template were made solely by PBP. PBP never reviewed an updated PDF before sending it to me; therefore, it became my responsibility to identify issues that resulted from the technical incompetence of PBP. So what if titles lost their boldface attribute, while the text of poems were inadvertently made boldface. So what if poems were displayed to the left of the left-hand margin, pages numbers were lost, or randomly displayed in boldface, or that page headers would be missing or cut in half- it was my fault for desiring a template customized to meet my personal need. So what if the page numbers were corrupted within my index of poems, from PBP inserting new pages into the beginning of my manuscript. So what if I was concerned that the index’s format was changed from the way I desired. Stuff happens and I need not concern myself over such details. Apparently I was delusional in thinking that I was responsible for the vision of my new book.
.
And if that wasn’t enough fun, PBP would ignore some of my changes, such as inserting the occasional blank line, as well as making unauthorized modifications that included adding, replacing and deleting PBP graphics. One graphic I was fond of, PBP removed because its intended purpose is meant for “internal company use only”. Guess I’m just an unruly rebel for wanting to use it. Since he originally inserted it into my PDF, using it must have been initially okay. This incident is one of many that shows John’s lack of attention to detail.
.
In addition, I was unreasonable for wanting my legal name displayed properly (so I can differentiate myself from the other “Joe Breunigs”; no offense guys!) That correction alone took John SIX MONTHS to address; my book’s title also created angst for PBP, since it contained an ellipsis. Twice I e-mailed instructions on how to insert one because he misplaced/lost the first correspondence. And so I was unreasonable once more, since his option of using three consecutive periods was deemed unacceptable by me. An ellipsis is my favorite punctuation mark; if he couldn’t handle my previous instructions, he could have COPIED IT DIRECTLY FROM MY MANUSCRIPT.
.
John constantly complained about updating the template and the slow iterative process of making my book. At one point, John made the remark of how he had published two other titles during the timeframe my book was being worked on. As Christians, we get in trouble when we compare ourselves to others, since everyone’s journey is unique. So it’s clear that PBP’s intent was to manipulate me into feeling bad, regarding PBP’s lack of progress. Supposedly I was out of line for suggesting that he remember James 1:2-3, which teaches us: My brethren, count it all joy when ye fall into divers temptations; knowing this, that the trying of your faith worketh patience. In discussions with PBP, I indicated that I have 15 complete and unpublished manuscripts of poetry. In addition, I stated that we would have the most hiccups during the creation of my first PBP, since we had no experience working together. Nor did PBP understand that this process of creating a personalized template for my work would save time during the construction of future titles- both for me and other poets. Should I apologize for forward thinking?
.
Given the problems I was forced to face, doubt became evident in my selection of PBP; so I decided to ask more questions, to step up due diligence on my end; NONE of my follow-up questions were ANSWERED. I had the audacity to ask for a contract, how much I could expect to earn per copy sold, why PBP didn’t request my SSN and other questions of concern. I wanted to understand how to stop PBP from making unwanted changes or ignoring the ones I desired. One would like to think that a publisher would be appreciative of a proactive author, seeing that I have one title already. At one point, I had the false hope that my book could be completed by December 2016, but not in time for Christmas. Now we’re into May 2017.
.
Nor was I ever allowed to see the prepared book cover- FOR MY BOOK! I was informed that I couldn’t be allowed to see it because the image MAY need to be re-sized. IMO, this is a ridiculous excuse. Since I never saw the cover, I was unable to either review it (for mistakes) or critique it. Supposedly the cover was made three months earlier; since I’ve not seen it, I must assume that PBP is not lying to me. And it was crazy of me to imagine using the graphic (OF MY BOOK) as a marketing tool to create excitement and interest in my latest title or possibly generate pre-order sales. When a publisher intentional decides to play games like this, does anyone else see this issue as a “Red Flag”?
.
Caught between his impatience, unrepentant attitude and ability to be easily offended, John refused to apologize for his technical ineptitude and unwillingness to press forward; instead he chose to hide behind his spiritual authority (which I do not fall under); he essentially demanded that only I had the onus of forgiving him. After a weak and failed attempt to bully me into accepting substandard work, he later announced that he was quitting my project. In a phony letter of apology, John even implied that I needed to accept responsibility for the failure to get this book made, since I HAD CONTACTED PBP. In addition, he reiterated that PBP is a ministry; if that’s true, then why didn’t he demonstrate patience, perseverance and humility towards me or ensure quality of effort… as unto The Lord? Should PBP want to dispute my account, John should be reminded that I’ve retained a copy of various PDF iterations of my unmade book with the aforementioned issues.
.
I took no pleasure in composing this PSA, but felt that it was my duty, to share my poor experience in dealing with a difficult publisher, to my writing communities. This notification could have been prevented, if John had repented, swallowed his pride and pushed forward to get my books made. Instead he chose to become an irrelevant part of my journey as an author, which is sad, since he acknowledged that I have a gift for writing poetry. IMHO, we the writing community, must be willing to stand up to publishers, since the responsibility (of the vision for our books) lies with us. We should be able to freely ask questions and have templates modified to suit the individuality of our books. Let your voice and concerns be heard. Please share this message with the writers you personally know. We should not be forced to accept shoddy work! John can be reached on FB at https://www.facebook.com/john.jeffries.33; the PBP website can be found by searching its full name. Please feel free to share this PSA on John’s page, so he understand the ramifications of his actions.
.

How did it feel at the end ?.. were your legs as heavy as your heart as you took your last journey, upwards .. all the way to the top.
What led you to this place?. so broken, so defeated..
I can only imagine how wounded you must have felt, knowing your demise was considered entertainment to the crowd below. Goading you to jump, baying shamelessly for your blood. Updating social media status' .. phones pointed upwards so they could capture your misery and share it with the world.
That must be a very lonely place to be .. .
Did they not comprehend that you were someone's child, perhaps someone's Father.
Their lack of compassion could only have added to your brokenness, your feeling of being alone, misunderstood, unloved.
They left you no options, encouraging you to die like that, when you so obviously needed a kind voice, a kind heart to show you the way down to safety.
Did they enjoy the show ..as you came falling from the sky, did the crowd fall silent as you hit the ground ... LIFELESS .. Do they even comprehend how greatly they have sinned?
May I apologise on behalf of humanity, or share your grief for the lack of.
I hope you have gained the peace, you so desired and didn't get whilst here on earth.


(for the guy who commited suicide, jumping from a multi storey this weekend, spurred on by the crowd below)

(msrigs 17/03/2016)

We have the witness,
But not the victim.
We have the trial,
But not the case.

To blindly follow
Senseless duty -
Abandon sanity
Without a trace.

There is no freedom,
No commitment,
No gallantry -
Just lust and laze.

We are updating
The equipment,
Entangled
In our golden lace.

But in the end,
What will it matter?
Conclusion
Is the only judge.

And when you find
Your life in tatters,
Well... Rub it off -  
It's just a smudge.

this is what music foraging on youtube used to look like, you'd find gems, 6 years old, approx. 10K views akin to Undogmatic & Kernfeld: thought experiments... you know... you travel outside of the anglosphere of said language, what is the opinion of a Greek or a Pole about Fb? not much... it's only the english-speaking "cool" kids that are making all the fuss... i mentioned minds.com to a Greek guy i was giving directions to, once, in Warsaw... he looked at me as if i was the first person to show him a ******* elephant... 5 blind men followed and we know the story from there... catering to the natives: who will never be or ever have been satisfied... they just need their: banta... their ****-storming, their gravitational pull toward bloodsports: rather than dialectics... nothing is ever to be done... who can shout the loudest... who can rock the boat the most... who can translate past playground grievances into a web of anonymity and avatars... as far as i am concerned... these social media firms, these u.s. firms have long gone stopped catering to primarily english speaking people... all these anglophone calls: Fb will fail like myspace failed... blah blah... these firms are tired of brats... elsewhere these spaces are utilities... they're not an extension of either thought or life... collateral damage of those first exposed... the Greek will still use the platform... the Pole will also... i too remember my childhood: hide & seek... digging holes in the ground and throwing marbles into them from a distance of five metres... creating chalk labyrinths on the pavement and flicking beer bottle caps filled with plastecine through them... and no... styxhexenhammer666 is not banned in Poland... i never wanted youtube to become what it has become: 72 virgins? give me a library of music for all of eternity and i'll be an 'appy chappy... i don't need some count dankula regurgitate a wikipedia entry about tarrare - oddly enough: i too can read... see... i blame both sides for ******* up my foraging tool... the "legacy" media and the indie vlog "creators": creative really reative, spewing regurgitation after regurgitation... i'd hate to be drafted into this vulture journalism of video making... at least when you pay a *******: you pay an honest wage... and she subsequently spends the honest wage on **** i wouldn't even buy... so the funds are given to the person who otherwise keeps the economy running... a woman... oh yes, i've been watching closely these indie "creators"... lucky for me i watched enough of them to round them up and say: this much... there's a big difference between a "creator" and a commentator... if i'd want to listen to an audiobook containing the current journalistic spew: anyway... half of these stories in the "news" are tabloid ******* that gave rise to 24h news reel and the vacuous space feeding the tapeworm of insomnia... since when did news outlets think they could produce an amphetamine alt.? clearly they did... i can't keep up, i won't keep up, to hell with going against these giants... youtube was never about these indie "creators"... music and music was always the prime concern for me... lucky for me remnants of the old a.i. still give me chances to glimpse records like CLANN - Seelie... these indie "creators" become just as tiresome as the legacy medie snippets... you want a more ******* version of CLANN's Seelie? try Salem: king knight (2010).

.just some after-thoughts, when a post scriptum becomes, a pre scriptum... you know... i sometimes think this lingua franca, that's english, ergo: lingua inglese is bombarded, London is the microcosm of the world dislodged from the realities of other natives... there's a grand congregation happening, of hosts, and even here, on the outskirts of London, where all it takes is a 30 minute walk to go pet a horse or a tender young bull, "randomly", in a field, spot a fox, or chase a herd of deer who "wandered" into the middle of an X junction creating a traffic debacle... but the language itself this, lingua inglese needs updating, notably from the "real" grammar nazis... i'm not just going to give up my new earned rights of literacy, for all the years of being kept in the dark like some ******* mushroom, just because, someone feels it is necessary to feel lazy, about establishing rigour, discipline in using this former tool of power, like i'm going to bend over some lazy peasant... no... dis-ci-pline... you need it, i might drink, but i'll still return to this language with great respect, for the per se worth of adherence to it... it already is a metaphysical person / "person" to me, at least i can offer that much, as much as is necessary... one question though, echo-chamber... it's enough for dyslexia, it's enough for emoji, it's enough for: l8er... it's enough for "gender neutral" pronouns... see... that language i was born with... that **** won't stick... certain languages have pronoun-"augmentation" associated with verbs... e.g.?
                                            mogłem (past-participle masculine
                       of i could have)
                        mogłam (past-participle feminine
                    of i could have)
this, inherent bias, within the confines of the english language, well, i didn't expect it to be so rife, until i witnessed it being exploited! now at least i can pander / side with the natives: funny - coming to a "madman" for sanity quotes, for rigour... well... because there's no fun without someone not having the ***** to counter the libertarian farcical tragico-comic current circumstance of: "pushing the boundaries"... like i said: a lingua ingelese echo-chamber... no belly-button status of the world for you... this viper of an idea, this sordid wasp of a "conundrum" will not spread elsewhere, i feel inclined to contain it, with english regulations of grammar... just like i learned this language to begin with: first the language, then the grammar... physics first, metaphysics later... first the experience of communication, then the theory of communicating... thank god that some languages have an unshakeable foundation, e.g. western slavic: where the pronoun is integrated into verbs with a gender discrimination structure...
  further examples?
                miałem (i had - masculine)
                                                     miałam (i had - feminine)...
so the problem is contained... in this, sometimes erring into sharpnel of, what could have been: a bullet of a tongue; or, i dare say, will hopefully preserve itself, to be it.

i guess.... wait... are stars supposed to that?
i just witnessed two,
transverse the night sky:
    in that, more than the already
perplexing circumstance of a straight line...
to the naked eye:
   they're not supposed to move in
a parabola fashion, are they?
    yes, last time i checked, this was never
going to be a metaphor for
the current state of european politics,
   to the naked eye:
    i would be unable to witness a comet,
and, on the odd occassion,
   the blitzkrieg accent on the sky
by a meteor falling...
            i never had the tools to measure
the difference between a falling
meteor appearing in the sky,
                      to a lightning strike -
time wise...
            after all: is a lightning strike
confined to the same category as light,
yeah: light from the sun?
   i guess this is were awe comes...
          once again: if i somehow manage
to come across the facts -
   i'll give my narrative of a temple's
worth of structure to the blinded,
enraged skin-headed Samson to pull at
the pillars...
                now, with regards to:
a black girl in a supermarket...
   well... i've done it,
    i can clearly state i have become
fully integrated into the multiculutral
experiment that's England,
   it didn't take that long,
               ******* contra being attracked
are two dfifferent ball games...
the language is here,
                 working just fine,
   some native prejudices are somewhat
here,
            i have a harder time
"not understanding" the quickened
paddy taljk, to me the scots sing,
and they managed to preserve
                                     the trill on the R...
so, as they would say in
    a clockwork orange type of fashion,
fully rehabilitated, ****, sorry, integrated...
i can find myself being attracked
                           to an ivory beauty...
side-effect?
    whenever i visit my grandparents,
whenever i pass through
   the urban landscape of Warsaw...
   i feel...
        an extreme nausea,
paranoia,
                 sifting through my in-born
mirror of homogeneity...
the whole process takes, oh,
                     i'd say, roughly 20 years...
brain-washing?
      or a want for a sense of belonging?
my only sense of belonging in
Poland is only related to the use
of language, culturally?
      hybrid at best,
                    or not even hybrid,
mongrel...
                sure, the impeding disaster
of putting a physical hybrid
           with a metaphysical hybrid...
i don't even know how i'll feel
when the ****** tongue dies with
the people i could associate to by speaking
it...
maybe i'll be lucky,
having the luxury of not one death,
but two, in my life.

p.s.
   stating the ****** obvious,
surds...
   lingua ingles(e)
              and not lingua inglesé...
how can i not be stating the obvious,
that's how practiςing
    literacy works, doesn't it?
who has ever heard
a guitar player not say:
    i'm not playing,
  i'm simply practiçing                ?
i guess the origins of the french
         cedilla come from
                                     the greek sigma,
i.e. if it's so smart,
how come a drunk, like me,
                         has to "unearth" it?
always, it's always about
the fiddly bits of language,
english is peppered with
      rules, that are not dogma of
pedagogy...
         of the pedagogic experience...
"somehow" surds appear,
i.e. "silent" letters...
   e.g. there's no (g)nome
         but there's diagnostics...
this, this lingua inglese...
this supposedly "universal" language
for a global community,
and then all the particulars
associated with the native idiosyncracy...
mind you...

     i woke up with a dream,
righ rarity event...
   i was sitting,
then i started walking,
i looked behind me,
a ****** church procession was
walking with banners
and crosses, dressed in black,
i turned my head,
and there was a bunch of
schoolchildren walking toward me,
i was eating a raw chilli...
a boy from the throng coming
at me was eating a raw pepper,
'hey mister'
and pointed at a piece of
a raw papper lying in the grass,
insinuating i lost it...
i replied:
                                          'chilli'...
er­m...
        who the hell would ever need
to amplify dreaming
with a psychadelic experience,
esp. if that person is usually
sleeping for 10+ hours per day
and is dream-starved?

If it doesn't grab me
Then I can not commit
If it doesn't obsess me
Take me hostage in a consuming Stockholm breathless gasp
Then I can not posses it
Make it my own
Intergrate it like some sick horder grasping at straws
Hoping to breath under the weight of her convictions
As if born again
Anew and anew under some binded faith
That this new me this better upgraded me will be worthy
More adapted
No suited
To be loved in a world that is increasingly lonely.

the kindergarden down the road
                                         had a revolt
            and the children insisted on self directing story-time

   two thirds in
     the hero abandoned their quest,
   turned into a bubble
   and evaporated

       the adults insisted a story needs a proper conclusion
                                                but they knew better


walk by

    light in the distance
bares at me

is it moving?
...
no
      it's not.
ah-
  it's gone now
...
  no
    there it is again

there     gone
there     gone

a silence becoming
and a silent vacating

unnerving  comfort


    the skateboarders down the road
         chiseled all the letters out of the road signs
    till all the tourists were helplessly lost
          / excuse me,
          / sorry,
          / what way to the lookout?

              \ you're already at it
              \ just keep going


a wail
   oscillating
bares at me

a bird or a car siren?

too organic for a machine
too regular for life

…

never mind

head home


  the church groups down the road
                          formed an action committee,
                                                      ­      after the flood

                       even had some humanitarian in
                                                              ­ to give a slide show

     but the software was updating
                        so we ended up watching the loading bar instead

              while the kids played in the puddles outside


    the asphalt damp
is borne to me

figures keep passing through
unformed spaces
with unfathomable ease
  alacrity

fragments pop glitter
     valley sparks
         of disheveled winter

pass by

tumble down through
grassy banks
  to the vermillion ocean

caulk the lungs
and drift