Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."

Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,
I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?

Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,
where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA., friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,
of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.

even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.

Welcome to me too.
Thanks for coming in high-altitude, if you're really into them.
There are new-tutorials, and I'm not going to need one.
Why not do the news? I love plain and simple.
Free-market sloping losses will do this;
because of bipartisan politics.
Luyendyk news is crowded by Audi's and by partisan politics;
I don't like my partisan politics.
Star tutorials are tutorial-soon.
This is a new tutorial for my into being given to the jury
in tutorial.

People present their uh dreams,
and a jury room is like love;
a little atmosphere me in a circle,
meaning we are (he is) related to the moon .

I'm the serving the Newburgh tutorial right now
around this one:
The new green play I'm into.
This one’s just a little on the Brumbies
cuz glass needs it to learn.
I am the circus mom pursuing your doom;
a mistaken rampant around jug-glass John,
inputting the bar’s shiny leading to the bottom-thanked step.
Number one is singing your doom on.

Be an unloaded nerd, like a dump truck dumping dirt into our hearts
while holding the whole lamar,
and perfecting the bar starting with p.
Put on the range
near the whole ecosystem in a in a bubble.
Second thing you gotta do is earn it,
you do this, but we plan to our dirt up to nine innings.
love things American
like me
in the new godliness.

99 dramas trapped under so now I'm a real utah zombie,
and lines,

i can't stop feeling this pounce of melancholy,
and i mean: it's like a lynx pouncing on my chest,
i can't even claim a clinical dimension to it,
it's a sadness that comes on two fronts...
   it's a sadness that i left Poland when i was 8,
and the greater part of my life was spent
using the English language...
         and i find the Anglophone world so devoid
of consistency... all this post-truth
          labelling...
       this throwing of the cartesian maxim the other
way around, the "i am" really does
   predated the "i think" scenario on the hopes
of asking for a genesis, a (0, 0) / (ο, ω) coordinate
beginning... yes, i know more of a dougnut
   and less the orbit of a planet in the latter case...
     i can't believe i'm getting this technical -
but it sometimes happens, you know?
i don't really like it... i'd love to write about less
claustrophobic matters, less constrictive intellectual
matters... and before you shoot me down
by denouncing the crass lack of motivation -
                i am frail in undertaking another "poem",
and i mean that as a way of saying:
              terse narration and no claim to technique,
or at least that's what i know is modern...
           i watch the following list of videos
as a sort of freak-natured lullaby while drinking
Obey the Walrus         I FEEL FANTASTIC
Agamemnon Counterpart       Username 666
Cursed Kleenex Commercial      There is nothing
Performance Olivier de Sagazan 2008  
     The Wyoming Incident        My Dead Great
Grandma’s Coffin in My Own backyard!
K-Fee Car Commercial       Pretty Woman
Fatal Diving Accident        Girl Goes ****** During
Makeup Tutorial       Paris Catacombs Lost Footage
Shaye Saint John – Hand Thing (yes, copy & paste
given the uppercase lettering, i can be lazy
once in a while) -
                          so i do see a lot of potential in
these clips... if you can't dazzle them: might as well
scare them...
                      but i watch them and then write
a native-language poem while listening to
    music accompanying a zbigniew herbert poem
by tadeusz woźniak - and i get all nitty gritty
when using a language i should have forgotten
aged 8... and i type one out and i am brought
to tears with it... and then it vanishes from the html
blank...
             and then a deeper horror sets in,
which Ezra Pound would have liked
and it merely means: ten quotes by Horace,
a video, with only 230 views on youtube...
                    no one would dare say carpe diem
like a cliche after seeing this video...
             but still the sadness persists...
and i can't make it systematic, not systematic in
the sense that it might appeal to the zeitgeist of:
the January blues, or... i need the pharmacological
rainbow...
        i have a miniature vineyard... enough for
35 litres of wine... and i make the wine myself...
i pick the grapes...
i crush them, i buy the yeast, i melt the sugar until
i get runny sugar-thick water,
   and you know? out of the 5 litre holders for it...
i get about 10 pristine bottles of wine,
roughly in the range of 15% a pop...
                   from 35 litres i get about 10 pristine bottles
of wine... quality-wise: the stuff you'd expect to
buy in a shopping market...
       and that's the sad part...
it bothers me that i've waited for long for the wine,
i might have mentioned it a few months back that
i do actually make my own wine... but given the addiction
it's a product that could only last for something
worth celebrating...
                     these days people speak of a marathon's
worth of abstinance from the stuff for a month...
    which is a bit sad, given that if people ventured
into producing their own alcohol, they'd have
a Dionysian month of binging on it... and then having
11 months being sober... until the natural cycle comes
back, like the rare event of a comet...
    i'm sad i lost a few poems on the way...
but i'm also sad that the drinking should begin by spring
and that i'm ****** already...
                  that i'm still buying whiskey,
and when i do actually drink that one bottle of clouded
wine today, i'll feel a sense of the most minute accomplishment...
   i can't stop facing this industrialisation of
everything... whether it's alcohol, or art...
   or intellectual debate...
   sure, i'll listen to Breitbart for a bit...
then i'll listen in on how we've began mutilating
language... then i'll think of god, and recount
kant's concept: imagine the pangs of despair i felt
reading through the second volume of the critique -
if you do: you'd be surprised by what's involved
in transcendental methodology...
    what could possibly obstruct you in the existence
of: said word... not enlarged in religious practices?
   i am comforted by the fact that kant deals with
god on a non-religious basis...
    religious i mean: worthy of a reciting only one
book a thousand ******* times and building churches...
if god is merely lodged in your mind and allows
for a narrative, who is sane enough to take that
narrative initiative from you, considering the fact
that you're not bound to kneel and read only one
book a thousand times as if that one book held
the sole capacity for your vocab exfoliation and learning
of the alphabet?
     how can you ever be bound to a cognitive detestation
of god? that really must be painful...
considering that thought is so ****** whimsical, frail,
   picky, panicky... give it all you want...
you can't establish a cognitive detestation of god
  on the simple ground that thought is being bombarded
by a 5:1 ratio of the senses versus 1 non-sense -
    which god evidently is: given the numbers of
the good-church going folks... kneeling lunatics i call them...
but the simple fact that you want to do a lobotomy on
yourself with atheism, is a bit like saying
you'll censor the mathematical statement 1 + 1 = 2...
      at least the concept of god is: language exists...
and can i add to that? if a being as such exists:
he wouldn't consist of games... the verbal colliseum
of anagrams and crosswords... language you seize
to be entertaining... it would spell out a clear
format: a x, y, z      vector precision:
    starting from point (0, 0) moving to (1, 1),
  (2, 2)        to ( 5, 5) etc. you'd get a y = x graph...
   not a ******* parabola of nuance and political
chess... or nuanced ***...
                    and is that a.i.?
           well: the french question about man inventing
god because it would be useful is much better said
these days since we we have the capacity to create ourselves...
and given how it looks: i'm going to be a caveman
trapped in a two-dimensional world of the collective
consciousness by the time the true avant-garde in this
medium starts... creating a god became boring...
so many had to recreate himself in the robotic form...
    man is currently needing this exploration...
forget the space project... it's a case of definition...
but i'm still melancholic about the wine...
     i've been waiting to sniff it and feel the sharpness
of the alcohol for a good 3 months...
       and i really wish i could write in my native tongue
so easily as i do in my acquired tongue...
     i'm sad because i'm drinking the whiskey
prior, rather than getting completely sloshed on
what alcoholism looked prior:
    it's that curse of town insomnia and how we don't
celebrate enough of what comes with natural
cycles...
              which means that ontology is dead...
given we've managed to tame the seasons...
  means that any ontological question, based on
the cycle of wine-making, brings us to a more dreary
position than with nietzsche's god is dead...
look here: at least you have something tangible...
   you can't erase god from thinking...
it's the primost a priori essence of every, single man,
it's not an a posteriori fact,
god is there, in that a priori medium like space
and time...
                              and why do people never claim
that god can contain a dualism, primarily because
the herd is encapsulated by a monotheism?
              if god could ever be an a posteriori you'd
be forced to experience some sort of revelation,
and later encounter the evil contained within the concept's
dualism, so in actual sense: be considered mad:
for not making certain choices in life and wishing to
reach for the pulpit... mind you: i had such an experience...
and my life didn't become better for it...
     evidently i should have pressed harder for
the ontological argument of: marrying the girl...
but then the same ontological argument came back
to me when i started making wine...
                      meaning i could produce alcohol
on an industrial level... and forget any ritualism involved
in consuming it prior... since i would only be
left with an addictive socio-pathological use of the
once celebrated, collective engagement by waiting for
autumn to ferment and keep me warm through
the winter... which i suppose is when all the Greeks
were kept together... drinking and ******* rather
than bother to exploit natural resources like gas and oil...
but hey! that's just me...
         but there's a sadness behind this...
start making your own wine and you'll see it...
which is to say: i don't know whether i'd have lived
a happy life with my russian fiance...
             i have only a quantum idealism to mind
expressed by fanciying myself counter to the history
i'm writing right now...
    so why is god as a priori bound as time and space?
well... why would you otherwise get so many eager
atheist gobs to reach for an argument?
                  i find that the most authentic atheists are
murderers... why? they have transcended
    the cognitive debility of an atheistic argument...
      i'll prove god does not exist by "thinking" about it...
my my: what a lovely congregation you have there!
      i'm not even trying to be clever here...
  well... there's an antidote to this scenario...
               so he's permanently lodged in our a priori
  "consciousness" (might as well do away with psychiatry
******* about with its three-layer cake of
con- subcon- and uncon-) -
                   and he's not lodged in our a posteriori
"consciousness" - i hate becoming the fiddler on the roof -
because what then? experiencing the omniniscence
and the omnipotency and whatever other trait that ******
thing does, would translate as what?
     at best a monotheism... or a place where people concentrate
in numbers... not necessarily worths of being beyond
the estimates concerning their congregation...
            it's dangerous to claim a god in the a posteriori
realm...
                that's why the safest place to keep him is in
the a priori realm... where all the big things happen,
or don't happen, depending whether you're from New York
or Hiroshima...
                    and following from kant's distinction
in transcendental methodology concerning time and space...
and god...
                 it dawned on me that he did see a distinction
between mathematical language and the lingua of
  doodling and anagrams and all those poetic jives that
give no precision...
    if time... then space...
                    if god...            then nothing...
and how are dual in the a priori realm...
       only that with regards to time and space
i'm more likely to throw a 1, or a 2 into conceptualising
these things, than i am to throw an a, or a b into it...
    algebra is secondary in talking about these two mediums...
why? because i'll get a definite rationalisation of
time and space... if i tell you the fastest man on earth
can run 100m in under 10secs...
                       if i throw in x y z into this: i might as well
end this whole narrative with: oi! Zeno! give us
that Achilles joke!
                when i mean god i mean: medium of
communication... that's not necessarily a democratic
omni-versed plateau of sponging everything every human
has to say...
       but i primarily throw 1, 2, 3... 4, 5... 8, 9 and 0
into the a priori conceptualisation of time and space...
  but if i do the same when i throw in the other symbols
into the a priori conceptualisation of god and nothing -
sure, mathematical symbols can be phonetic encoding,
as one, two, three, four... five, six...
          but apply them as one two three four to time and space
and there's no way to rationalise time and space,
because time and space is met with a nonsense
in dealing with a phonetic encoding of 1 (as one) -
due to the vacuum of space... and the timelessness of
    time as a ref. point fixated upon... let's just leave
it with the vacuum of space... 2 overpowers two (because
of to and too), 3 overpowers three (because of free)...
4 overpowers four (because of for)... not only that:
but they're more about photographic memory
and visual conceptualisation ease - no one really bothers
   a - z to be anything more than: what they actually
are as phonetically: awaiting pronunciation.
sure... letter can become mystical in a sense of:
   y looks like a tree (other than pine),
           H is a rugby goal...
                               w is a cosine graph...
                    y is a serpent's tongue...
              but that's mysticism and that's also: fair enough!
what bugs me is the opposite of the a priori
magnetism... as opposed to space and time...
god and nothing...
     well... if i throw 1 and 0 into a priori thinking
about working time and space...
  i'll get, say: 365 days in a calendar year...
               or that the acceleration of earth if 9.8 metres
per seconds squared... (cubic gravity evidently
becomes a bit pointless -
                                        imagine it:
   9.8m/s(superscript)3...   or 9.8m(superscript)2/s...
or whatever variation...
no wonder the chemists got the ****-end of the stick
when they were told they weren't allowed into
the heaven of superscript... but sent to the subscript hell
of writing dwom oxygen... ah shame: Faust! i'm coming!)...
yes... but throw 1 - 0 into the a priori
"conceptualisation" opposite of time and space,
i.e. god and nothing... the best answer you can get
is matthew chapter 1 verse 8... or SIX SIX SIX!  boogie man!
well... not... you throw in the symbols α - ω
into the a priori "conceptualisation" of god & nothing
and you get, e.g.: δατυμ -
which basically means: it can't be meaningless -
       otherwise we'd be stuck with animalistic intuition
and intelligence, overloaded with sensual intelligence
and not marred by the murk of thought...
  how this devolution happened is beyond me...
  no amount of wit makes up for the sensual sharpness of
a monkey shouting at a congregation: spy! snake!
and all with the bare minumum of phonetic distinction...
    thus α - ω are slightly meaningless when it comes
to time and space, i know these symbols to enter
this a priori venture, but we're still primarily talking
about using 1 - 0 symbols to get at the knitting-work...
just like in verse, i say of a crossword
    sound of Valhalla (4),
                 and you say: 1 across... horn!
                              and then we get the pretty picture.
3a.m.
       and the wine ritual is about to begin...
      

Rewind this memoir back to my first foster home.   I’m reclining on the couch in the living room watching Superman, a whatever's-on-tv-saturday-afternoon-movie.   "Give A Little Bit" played from the soundtrack.  The Supertramp song reached out from the screen and into my own complicated teen-aged life.  Oh the words of that song blindsided me, hit me hard in the chest with a sad yearning, an emotion I had ignored forever like that elephant in the room too big to push out the door.  Because life was so hard, too hard, and lonely on and on, and the world gives only just enough that you keep breathing, but you wonder why.  Yes, please  someone  give just a little....
But at the time I hadn't known anything else and I just stuffed that overwhelming sad lonely feeling.  Too much need wears out a welcome in someone else's home.  It seemed most everyone else had family, security, some money for perhaps things like a pair of cleats to run in school track if you have the desire. Its called belonging or opportunity and I was acutely aware I wouldn't have it.

Fast forward 25 years; business for my glass art studio is rewarding.  I live in Cleveland, or what I called Purgatory.  I like the city though; I think the motto should be "Its Not That Bad."  A tough steel town, unpretentious to a fault, tenacious, it inspired the Clean Water Act because the river was so polluted it   caught   on   fire.  People who live there just don't quit, except that the biggest export is young people. The streets are eerily empty, the quiet steel mills are epic sculptures of rust.  But its not that bad.  Now they make a tasty beer called Burning River.  Sometimes they gamble on unconventional ideas because they've reached the end of status-quo.  One can even surf there, when the wind blows a Nor'easter in the fall, just before the lake freezes. The wave break is nicknamed "Sewer Pipe"; one can imagine why.

I biked with a club there; cycling part of my life-blood.  Life was pretty good, blessed with measures of contentment and happiness and family, even through so many challenges.  Except I'm stuck pedaling a trainer in the basement most of the long winter.  It was during an endless, gray February that I was inspired by an idea: a Velodrome.  Its one of those banked tracks people in America only see during the Olympics.  Cover it, and people could have a bicycle park all year-round with palm trees in the winter, in Cleveland.  Its a blast of a sport with serious American heritage.  A velodrome is a place where all a kid has to do is show up and with enough heart he or she can make it to the Olympics.  They wouldn't need money, just 100% heart.  It would be the kind of opportunity I didn't have when I was a kid.

So I decided to take on the responsibility to build one... not to be afraid of the price tag, or how to do it, or let a label like "disabled veteran with a head injury" daunt me.  I figured my role was to get the project started and motivate others to do other parts.  I decided not to discuss my shortcomings, introduce myself with that label, or use it as a disclaimer.   As many times as I wished I had a chalkboard sign around my neck saying, Please excuse the mess, I had to tell myself it was not an excuse.
There would need to be many others; but the fact that I knew only a dozen people on the planet didn't stop me either.  Two people inspired me.  Kyle MacDonald had a dream to barter a paper clip for something better, trading that for something else, anything else, until he had a house.  I thought I could start with an old laptop, a couple thousand dollars, and my idea. I'd work to leverage each bit of progress, not knowing what they were yet.  Thats how anything gets done, right?  Erik Weihenmayer is a blind alpine mountain climber, conquering even Everest.  He didn’t let anyone convince him what he couldn’t do, and didn’t let impairments keep him from his goal.  He didn't let blindness, the fact that he couldn't see the top as well as others, make the goal any less enjoyable for himself.  Also, there’s no way he could have done it without help.

There are no business plans for a Velodrome or someone else would have built more of them already.  I'm good at figuring things out, what with having to relearn things all the time.  I don't quit because that has never seemed to be an option.  Resourcefulness is my middle name, having to put my life back together every year or so.  Certainly the project was eccentric but as an artist I've never really cared about what others thought.  I certainly didn't have a reputation for sanity to maintain.  Professionally, I’ve had experience with so many factors of development: from paperwork at the back end as a Project Assistant, to designing it as a Mechanical Drafter, to constructing it as a Steel Detailer.  I understood this project.

Every time I discovered something needed to be done, I'd figure out how to do it.  I took an online tutorial and put together a website, attended communication seminars for better speaking skills, learned how to recruit a Board of Directors, took classes for fundraising, won a few grants, and started a non-profit.  I had to buy a couple of suits for meetings.  I kept hoping someone who knew what they were doing would take over, but that never seemed to materialize.  What I thought would be a few months turned into several hard years of work, learning new things on the fly like politics, business etiquette, computer programs, how to understand and write financials and business plans for stadiums.

It felt like cramming for finals, taking exams for classes I never attended.  I didn’t just burn my candle on both ends, I was torching it in the middle too.  Every challenge I had ever gone through seemed like it was a preparation for this one.  Many times I wondered if it was all for nothing; so many dead ends and frustrations and years where the project was barely on life-support.  Mistakes and wrong turns making people mad, losing faith in me.  Would it ever really happen?  I kept imagining what my bike wheels would look like under my handlebars as if I was ridiing on the track, listening to the same particular songs on my ipod for motivation.

A small tangent here, a digression back to the fifth grade and my favorite teacher.  He was about as tall as his students.  Mr.A (our nickname for Mr. Anderson) was a barrel-chested little person but I didn't notice it till years later because he was so cool.  He was the first teacher, the first person actually, who encouraged me to be myself.  I was a little kid, a couple years advanced and bright enough to be skipped again.  Tthat would have been ridiculous since I was already too small.  I would get my work done early in class, and he would let me spend time doing whatever, encouraging my creativity.  I distinctly remember making little scale models of parks out of construction paper.  I would start by making a rectangular tray, and then fill it in with ponds, benches, and oval or figure-8 tracks for bicycles, elevated roller-coaster paths for walking.  It was my way of creating a whimsical place that felt good in my difficult life.  No lie, I was building bicycle tracks when I was 9.  That memory faded away until I was several years into the actual Velodrome project, trying create a light-hearted park on the edge of a ghetto.  This was my life's ultimate Art Project; made with wood, steel, and tenacity.  It made me wonder about a life's purpose... still just a what if... but cruel if there wasn't anything to it.

There is a necessary role for the dreamer.  Visionaries help to break status quo, introduce new solutions.  Sorting through the banal with unique perspective, the random is reassembled into intriguing newness.  What is creative nature?  Is it obsession to improve things, the need for approval, resourcefulness within limits, or perspective outside boundaries?   Is it tenacity to the point of obsession, focus to the point of selfishness?  

Thankfully, a few devoted people did take over after a few years and worked hard to raise the serious money.  In 2012, Phase 1 of the Cleveland Velodrome opened to the public.  Presently they are raising funds for Phase 2 to cover it.   By chance I was there the day the track was finished and got a chance to ride it.  All I wanted to do was one thing: listen to those songs on my ipod and see my wheels under the handlebars on the track... in reality.  I didn't want to race or be recognized at some celebration.  I just wanted to ride a few laps, happy just to have a role in building it.  In less than a year there are already training programs, youth cycling classes, and teams competing.  Through community grants and volunteers, its all free to anyone under 18.  

Not to be forgotten, some thanks should go to one supportive teacher who helped a scrappy kid dream.    Schools measure math and science so valuable, for good reason.  But this favors one brain’s side of thinking.  Initiating and working for the construction of an urban renewal project and improving a neighborhood is traceable to the exact same idea assembled with clumsy school scissors, white glue, and construction paper, during 5th grade free time.

I can't wait to hear the news of some tough kid from East Cleveland getting to the Olympics.

Sometimes,
when the face in the mirror isn't who I want it to be

and those thoughts,
those ******* disgusting worms crawling out of my brain,
to simply drive me insane

I think it's subconscious,
I never quite think it,
before the thought is reaching my hand

A little mascara
brush through my hair

(I want to feel pretty
again)

A dusting of powder
touch up my chapstick

(this face
THIS FACE ISN'T RIGHT
THIS ISN'T THE PERSON I WANT  TO BE-)

-
It's ok to be.
-

Switch up the perspective:


I Will fix my issues,
one brush at a time

A swipe of lipstick
layer eyeshadow

Please don't clump, mascara
Add some concealer

(I NEED TO FIX
THE VOICES IN MY HEAD)

Some brow gel
Some eyeliner.

Top it off
With a



[[I hear voices say,
voices far away
"say cheese!" click]]


I-
I'll be O.K.

The realness i preach should not be discarded
dont frown and scroll down,but this piece should be regarded
regarded because this ain’t no tutorial
because those who get to know this are in memorial

being real isn’t based on the fact that you are a gentleman
no,it is based on the fact that in private you can still be a gentleman
unrealness circulates and is round ike a tyre tube
and there is no tutorial on realness on you tube

unreal things become more attractive to us
we try to be who we see on tv instead of the real us
realness is making your natural hair and droping the wig
realness is walking away from a fight with a punch to swing

so are those eye brows,fingernails and hair real?
or does the chains,gun in your back pocket and tatoo make you real?
realness is when you stick to a friend in times of trouble
realness is when you shelter the man on the streets when the thunder rumbles

so i say to all you ladies;love yourselves even if nobody does
this is why you do not belive when you are told you’re beautiful,after a heart break
realness is when you delete the term ‘excuse’ and the word “because”
realness is when a white kid shares food with a black kid during a lunch break

so you think you are real because you can read a lie”manifesto”to people
win the elections and not do ****,not even see us as equals
realness is when you are friends with the opposite *** and dont complicate it
realness is when you work hard and the critics critisise but you still work at it

so dream big but when you make it dont forget to still be real
we strugle to be who we aren’t instead of being ourselves,what an irony
so dont try to be a model because you’re not,and a model is an imitation of what is real
and realness isnt having money but having money that is real(through straight means)

realness is when christians can live freely in islamic countries
and black men can walk freely in white countries
realness is when you work hard,make it and help your community
realnesss is when you dream of changing the world but starting with your viscinity

you drawing breath and being physicall dosn’t make you real
and saying she wants to be just friends shouldnt change how you feel if you are real
these things i write are aimed to the world to teach
so i say R.I.P because it’s the Realness I Preach

1 week ago
BAD *******


so you say you’re a bad ***** huh
so you prefer to be identified by bad ***** instead of ur real name huh
so you prefer to be valued by money instead of your worth
so you are a bad *****,i ain’t tryna judge you,this ain’t no court

the term “bad *****” can’t end you up as a wife
those instagram pictures wont work,you can’t put a filter on life
you were born original,now you chose to live as a copy
look colourful on the outside but your life is sloppy

the beauty of having beauty is a lot more than being beautiful
the path to life you follow isnt geting any where meaningful
so you say”love *****,i chase paper”*** to you love is just a verb
no cure for your attitude so you take drugs and herbs(****)

anything that has a monetary value is worthless
you used to value more but the tag”bad *****”made you less
you are now defined by pictures of you kissing the air,
exposing you ***** and *** looking for the next prey on facebook or instgram

we follow our dreams but a responsible man wont follow a”bad *****” on twitter
so you can say,you are not any responsible man’s dream
be a bad ***** all your youth and when old a baby sitter?
you raise the stakes for yourself and still cant cross the beam

life is not rosy and even if it is,roses have thorns
those things you do will hunt you,they’ll come with horns
lipsticks,eyelashes,short gowns,expensive wrist watches and purses
money first and then back on the ground,now thats a curse

bad ******* exist amongst us,they are our friends on facebook
"*******"sounds bizzare so she says shez a "bad *****"
the person you are still searches for the person you should be
and i hope youre eyes dont remain shut for you to see

and the younger girs see you and want to be like you
they want to dress all thight and paint their faces like you
no one wants to be like margareth thatcher
they all wanna be nickky minaj

these days there are more bad ******* than wives
and to responsible men it’s like stabs from 100 knives
because a bad ***** will follow men
but a lady will cling to a man

and if you say youre a bad ***** and you need no man
tell that to yourself when you turn 40
a lady isnt defined by how bad or ****** she is but how elegant and classy she is
a bad ***** is pretty but the beauty of a lady is defining

so choose today to be a lady and start the change for our generation!#thepoet

It’s nearly two in the morning and the place is finally quiet. I can’t do early mornings like I reckon he does. Even a half-past nine start is difficult for me. So it has be this way round. I called Mum tonight and she was her wonderful, always supportive self, but I hear through the ‘you’ve done so well to get on this course’ stuff and imagine her at her desk working late with a pile of papers waiting to be considered for Chemistry Now, the journal she edits. I love her study and one day I shall have one myself, but with a piano and scores and recordings on floor to ceiling shelves . . . and poetry and art books. I have to have these he said when, as my tutorial came to a close, he apologised for not being able to lend me a book of poems he’d thought of. He had so many books and scores piled on the floor, his bed and on his table. He must have filled his car with them. And we talked about the necessity of reading and how words can form music. Pilar, she’s from Tel Haviv, was with me and I could tell she questioned this poetry business – he won’t meet with any of us on our own, all this fall out from the Michel Brewer business I suppose.

This idea that music is a poetic art seems exactly right to me. Nobody had ever pointed this out before. He said, ask yourself what books and scores would be on the shelves of a composer you love. Go on, choose a composer and imagine. Another fruitless exercise, whispered Pilar, who has been my shadow all week. I thought of Messiaen whose music has finally got to me – it was hearing that piece La Columbe. He asked Joanna MacGregor to play it for us. I was knocked sideways by this music, and what’s more it’s been there in my head ever since. I just wanted to get my hands on it. Those final two chords . . . So, thinking of Messiaen’s library I thought of the titles of his music that I’d come across. Field Guides to birds of course, lots of theology, Shakespeare (his father translated the Bard), the poetry and plays of the symbolists (I learnt this week that he’d been given the score of Debussy’s Pelleas and Melisande for his twelfth birthday) . . . Yes, that library thing was a good exercise, a mind-expanding exercise. When I think of my books and the scores I own I’m ashamed . . . the last book I read? I tried to read something edifying on my Kindle on the train down, but gave up and read Will Self instead. I don’t know when I last read a score other than my own.

I discovered he was a poet. There’s an eBook collection mentioned on his website. Words for Music. Rather sweet to have a relative (wife / sister?)  as a collaborator. I downloaded it from Amazon and thought her poems were very straight and to the point. No mystery or abstraction, just plain words that sounded well together. His poetry mind you was a little different. Softer, gentler like he is.  In class he doesn’t say much, but if you question him on his own you inevitably get more than the answer you expect.  

There was this poem he’d set for chamber choir. It reads like captions for a series of photographs. It’s about a landscape, a walk in a winter landscape, a kind of secular stations of the cross, and it seems so very intimate, specially the last stanza.

Having climbed over
The plantation wall
Your freckled face
Pale with the touch
Of cold fingers
In the damp silence
Listening to each other breathe
The mist returns

He’s living in one of the estate houses, the last one in a row of six. It’s empty but for one bedroom which he’s turned into a study. I suppose he uses the kitchen and there’s probably a bedroom where he keeps his cases and clothes. In his study there is just a bed, a large table with a portable drawing board, a chair, a radio/CD, his guitar and there’s a notice board. He got out a couple of folding chairs for Pilar and I and pulled them up to the table.

Pilar said later his table and notice board were like a map of himself. It contained all these things that speak about who he is, this composer who is not in the textbooks and you can’t buy on CD. He didn’t give us the 4-page CV we got from our previous tutor. There was his blue, spiral-bound notebook, with its daily chord, a bunch of letters, books of course, pens and pencils, sheets of graph and manuscript paper filled with writing and drawings and music in different inks. There was a CD of the Hindemith Viola Sonatas and a box set of George Benjamin’s latest opera and some miniature scores – mostly Bach. A small vase of flowers was perilously placed at a corner . . . and pinned to his notice board, a blue origami bird.

But it was the photographs that fascinated me, some in small frames, others on his notice board, the board resting on the table and against the wall. There were black and white photos of small children, a mix of boys and girls, colour shots of seascapes and landscapes, a curious group of what appeared to be marks in the sand. There was a tiny white-washed cottage, and several of the same young woman. She is quite compelling to look at. She wears glasses, has very curly hair and a nice figure. She looks quiet and gentle too. In one photo she’s standing on a pebbly beach in a dress and black footless tights – I have a feeling it’s Aldeburgh. There’s a portrait too, a very close-up. She’s wearing a blue scarf round her hair. She has freckles, so then I knew she was probably the person in the poem . . .

I’ve thought of Joel a little this week, usually when I finally get to bed.  I shut my eyes and think of him kissing me after we’d been out to lunch before he left for Canada. We’d experimented a little, being intimate that is, but for me I’m not ready for all that just now; nice to be close to someone though, someone who struggles with being in a group as I do. I prefer the company of one, and for here Pilar will do, although she’s keen on the Norwegian, Jesper.

Today it was all about Pitch. To our surprise the session started with a really tough analysis of a duo by Elliott Carter, who taught here in the 1960s. He had brought all these sketches, from the Paul Sacher Archive, pages of them, all these rows and abstracts and workings out, then different attempts to write to the same section. You know, I’d never seen a composer’s workings out before. My teacher at uni had no time for what she called the value of process (what he calls poiesis). It was the finished piece that mattered, how you got there was irrelevant and entirely your business and no one else’s. So I had plenty of criticism but no help with process. It seems like this pre-composition, the preparing to compose is just so necessary, so important. Music is not, he said, radio in the head. You can’t just turn it on at will. You have to go out and find it, detect it, piece it together. It’s there, and you’ll know it when you find it.

So it’s really difficult now sitting here with the beginnings of a composition in front of me not to think about what was revealed today, and want to try it myself. And here was a composer who was willing to share what he did, what he knew others did, and was able to show us how it mattered. Those sheets on his desk – I realise now they were his pre-composition, part of the process, this building up of knowledge about the music you were going to write, only you had to find it first.

The analysis he put together of Carter’s Fantasy Duo was like nothing I’d experienced before because it was not sitting back and taking it, it was doing it. It became ours, and if you weren’t on your toes you’d look such a fool. Everything was done at breakneck speed. We had to sing all the material as it appeared on the board. He got us to pre-empt Carter’s own workings, speculate on how a passage might be formed. I realised that a piece could just go so many different ways, and Carter would, almost by a process of elimination choose one, stick to it, and then, as the process moved on, reject it! Then, the guys from the Composers Ensemble played it, and because we’d been so involved for nearly an hour in all this pre-composition, the experience of listening was like eating newly-baked bread.  There was a taste to it.

After the break we had to make our own duos for flute and clarinet with a four note series derived from the divisions of a tritone. It wasn’t so much a theme but a series of pitch objects and we relentlessly brainstormed its possibilities. We did all the usual things, but it was when we started to look beyond inversion and transposition. There is all this stuff from mathematical and symbolic formulas that I could see at last how compelling such working out, such investigation could be . . . and we’re only dealing with pitch! I loved the story he told about Alexander Goehr and his landlady’s piano, all this insistence on the internalizing of things, on the power of patterns (and unpatterns), and the benefit and value of musical memory, which he reckoned so many of us had already denied by only using computer systems to compose.

Keep the pen moving on the page, he said; don’t let your thoughts come to a standstill. If there isn’t a note there may be a word or even an object, a sketch, but do something. The time for dreaming or contemplation is when you are walking, washing up, cleaning the house, gardening. Walk the garden, go look at the river, and let the mind play. But at your desk you should work, and work means writing even though what you do may end in the bin. You will have something to show for all that thought and invention, that intense listening and imagining.

Step 1) Speak any language you want.
Helpful Tip: When men die, it doesn't matter what language they speak because all screams sound the same.

Step 2) Worship any god you please.
Helpful Tip: When men die, it doesn't matter what god supported them because all men fall the same.

Step 3) Pull the trigger.

Step 4) Win the war.

Step 5) Lose your soul.

Step 6) Let time pass you by.

Step 7) Forget the lessons history taught you.

Step 8) Repeat.

Sitting in our tutorial
Just me and Nick
Both surreptiously
Watching the seconds tick

"Kevin", Nick pauses,
I'm glad he's got something to say,
"What's it called when girls ****?"

OK, wasn't expecting that...

I ponder for a second
To consider my response
I'd quite like it if  I don't have to say the word '****' myself
Or any synonym.

Fortunately, spurred on by his youth,
Nick saves the day:
"Is it called *******?"

"Yeah I think either one would do
Now let's get back to this history,
Where did ****** bomb in 1942?"

So the lesson continues
Just Nick and me
Both surreptiously
Massively relieved


PS
Strictly speaking, '*******' is when someone else's hand is involved.
'To finger oneself' is the equivalent to *******.
I have no regrets that I failed to make this distinction at the time.

Part 2 (a few weeks later)

"Kevin, this might sound like a funny question, but
Have you heard of a camel-toe?"
Me: "er...No"

After comparing lives with you for years
I see how I’ve been losing: all the while
I’ve met a different gauge of girl from yours.
Grant that, and all the rest makes sense as well:
My mortification at your pushovers,
Your mystification at my fecklessness—
Everything proves we play in separate leagues.
Before, I couldn’t credit your intrigues
Because I thought all girls the same, but yes,
You bag real birds, though they’re from alien covers.


Now I believe your staggering skirmishes
In train, tutorial and telephone booth,
The wife whose husband watched away matches
While she behaved so badly in a bath,
And all the rest who beckon from that world
Described on Sundays only, where to want
Is straightway to be wanted, seek to find,
And no one gets upset or seems to mind
At what you say to them, or what you don’t:
A world where all the nonsense is annulled,


And beauty is accepted slang for yes.
But equally, haven’t you noticed mine?
They have their world, not much compared with yours,
But where they work, and age, and put off men
By being unattractive, or too shy,
Or having morals—anyhow, none give in:
Some of them go quite rigid with disgust
At anything but marriage: that’s all lust
And so not worth considering; they begin
Fetching your hat, so that you have to lie


Till everything’s confused: you mine away
For months, both of you, till the collapse comes
Into remorse, tears, and wondering why
You ever start such boring barren games
—But there, don’t mind my saeva indignatio:
I’m happier now I’ve got things clear, although
It’s strange we never meet each other’s sort:
There should be equal chances, I’d’ve thought.
Must finish now. One day perhaps I’ll know
What makes you be so lucky in your ratio


—One of those ‘more things’, could it be? Horatio.

<p><p> Io non so voi .ma il mio calendario è pieno zeppo di occasioni speciali di questa primavera - bambino docce .lauree .matrimoni - è il nome .** intenzione di esso !Mi piace aiutare gli amici impostare i loro eventi .così ** sempre prendere nota di eventuali tutorial per composizioni floreali .Questo fresco .succulento centrotavola fai da te da Bare Root Flora \u0026 Laura Murray fotografia è esattamente quello che sto cercando !Non perdere nessuna delle graziosa nella galleria .<p> Condividi questa splendida galleria Da Robyn : Primavera offre una tale generosità incredibile di bellissimi fiori che non abbiamo potuto resistere alla possibilità di riunire alcuni dei nostri preferiti per creare un lussureggiante primavera centrotavola perfetto per i tanti incontri che accadonoin questo periodo dell'anno : docce .feste di laurea .festa <b>abiti da sposa 2014</b>  della mamma e altre occasioni speciali !<p>è? nostro preferito opacoènave ?pezzo di filo di pollo abbastanza grande da creare una forma abbastanza stretta nel vostro contenitoreè? nostra di cinque tipi di vostri fiori preferiti .Provate a variare la forma un po 'così che alcuni sono morbidi e soffici.alcuni hanno una linea più lunga .alcuni sono più grandi .alcuni sono più piccoli .alcuni sono viney in natura.Variety rende la disposizione bellissimo !Abbiamo usato peonie.lillà .rose spray.tulipani .clematis e rami apple blossom .è? Ne o due tipi di fogliame.Sentitevi liberi di foraggiare dal vostro giardino di fiori e foglie !Abbiamo usato Dusty Miller e geranio profumato .è?coltello floreale o alcuni tagliatori -no forbici!Forbici danno gambo di un fiore .che vieta da bere correttamente .<p><p> Il primo passo per qualsiasi composizione floreale stupendo è quello di preparare i vostri fiori !Assicuratevi di pulire fuori qualsiasi fogliame che cadrà al di sotto della linea di galleggiamento .Foglie in acqua incoraggeranno la crescita di batteri .che accorciare la vita del vostro arrangiamento .<p> successivo .preparare il contenitore .Piegate il filo di pollo per adattarsi perfettamente all'interno del contenitore .Il filo di pollo agisce come una griglia per tenere i vostri fiori dove vuoi .dando il vostro disegno la forma desiderata .<p> Iniziare con la raccolta e l'immissione alcuni dei vostri grandi .soffici fiori in un gruppo qui .peonie e rose a spruzzo.Dà la disposizione  <a href="http://www.belloabito.com/abiti-da-sposa-2014-c-13"><b>abiti da sposa 2014</b></a>  un bel punto focale .Successivamente.aggiungere in alcuni dei vostri fiori lungo linea ( nel nostro pezzo abbiamo usato il lillà e tulipani ) .Utilizzare i fiori lungo linea per creare una forma giardino - esque selvaggio .Il movimento è fondamentale .lasciate i fiori raggiungere e picchiata !Darà il suo  <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a>  pezzo così tanto la vita !<p> Trasforma il tuo imbarcazione in cerchio lenti come si progetta .continuando ad effettuare i tuoi più grandi.soffici fiori un po 'più basso .con i vostri fiori linea leggermente più alto .Inizia a riempire con le tue chiome .<p> Abbiamo terminato il nostro accordo con rami di mele e clematidi .La clematide viney è il tocco finale perfetto .Abbiamo lasciato la nostra sbirciare sopra le nostre altri fiori per dare al pezzo un aspetto molto selvaggio .Fotografia <p> : Laura  <p><a href="http://www.belloabito.com/goods.php?id=674" target="blank"><img width="240" height="320" src="http://188.138.88.219/imagesld/td//t35/productthumb/1/4609935353535395473.jpg"></a></p>  Murray Fotografia | Fiori: radice nuda FloraBare Root Flora è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Bare Root Flora VIEW</p>

“There's loads of boring stuff. Like Sundays and Tuesdays and Thursday afternoons. But now and then there are Saturdays.” ~ ‘Doctor Who’*

People think that Tuesday afternoons are boring. These are the type of people who get up at three-***-em on a Saturday afternoon then pa-a-a-arty all that night.

I don’t get on with these people.

No, for me, Tuesdays are glorious. Tuesdays are ‘me’ time.
Tuesdays are full of art, like French and English and cinnamon lattes in Costa as I read a book.

Or I write.
I create some poetry or prose – nothing spectacular but something that means I’ve said something about the world.

Then, sometimes, the afternoon is empty.
I don’t have a tutorial, I don’t have work and I don’t have people. I can just bake and dance and sing without having to pretend.

I love Tuesday afternoons.

What is the answer to this equation?

I don't know, I don't know yet.

Think!

Let me know, please let me know.

Are you not thinking?

I am please wait.

Here is the answer. Isn't it obvious?
Again.

Think

As I stare to that paper for hours.

Bury me naked oh gravedigger,
For I shall have a new body anyways!!!

I feel like God hates me
Or stopped caring
Ceased to provide
Left for good

And now I'm left here to straighten myself out for better or for worse

I've met people who feel the same way
Who surprisingly have the pincushion audacity to put all the blame of their misfortunes in the absence of the omnipotent one  
I just feel abandoned they feel betrayed

Maybe he makes a chump change commission on every life he guides to a certain point then leaves them stark naked at the haunting hour

I know all the preachers and secular teachers lie through their teeth
They win the merit-less hoax award by a landslide
They have no consideration of for the people they mislead or the ramifications their poisoned sermons causes

They use emotionally charged language to increase the parish's numbers
They're terrified of God, they live in fear
And see carpal tunnel as a punishment for ******* and wish blindness upon all those who partake

There is shared consensual hiraeth between those who have been through an invasion of privacy and the trespassing of private property
They want their rights and their guns back
They want their personal space
They retreat to their happy place

Let's go back to the Pantheon of lactose intolerant divine idols
Of epileptic godheads
Who's line of work is about incubated pie pans

Can you make a tutorial that summarizes the resounding reduction of options using nothing but euphemisms?

Caress my body,
as you whisper
Meaningless sweet nothings
into the recess of my
Lifeless lonely soul...

Smile into my eyes,
as you watch
My relentless tears won't dry
falling into the ether
Leaving me blind...

rows of two!-three!-four!-boys-bloc-king-the-cor-rid-or
will soon be gone
and the RHYTH-mic-tick-tock-of-my-leg-BOUN-cing-on-the-floor
will be no more
it's fresh cadavers wrapped in string
it is a joyful gospel hymn
mourning the best and worst of youth
(those shiny kids who'd first walked in
with all the grace and all the poise
of hatched arachnids missing limbs)

but what of "her" – you know her name –
that overfed, reptilian thing
who shed her hair and scratched her skin,
cursing the odds at Him upstairs, demanding He re-shape her?

some say she cried herself into extinction
– sailed away on a crimson tide –
balking at the trauma of being seen
(enforced, cursed vulnerability
in being known to man).

the rest knew better;
they were voyeurs in this
fruit-carving tutorial
on 'how to grow up':

STEP 1) consider all other alternatives
2) take the scalpel and initiative
3) before adrenaline gives way to doubt,
turn the flesh-vessel inside out in a cocoon of your own creation!
while organs may rupture and it aches like you've skinned yourself alive (good for her, setting herself free!) you'll look cuter in the class photos and has you-know-who... finally... shifted the weight?
4) breathe through the blood loss and searing pain
5) notice
           you
                can
                     breathe again.
                     at this point, does it matter that it aches?

Not going out tonight
Staying by myself it's fine
Reminiscing about our lost flame
Perhaps just a tutorial to the main game
Listening to the wind whistle your name  
Looking at the clouds coming together to form your face

i walked up the drive,
and was reminded
of how little attention
i actually paid to the place
when i had the luxury
of being there.
i never walked the drive,
far too lazy.
just twice,
once there, once back,
two separate occasions.
both at night,
both with company.

i debated hitchhiking,
still lazy.
i picked someone up once.
a third year choreographer.
she was late for a tutorial
and smelt of alcohol.
everyone i walk past has grey hair.
i look out of time.
two years late.
there's no room now
for an art student with a suitcase.

i walked the halls again,
because the door was propped open,
framed with familiar white handprints,
that fit comfortably under mine.
it smelt just as i remembered,
musty, and comforting.
with the paint still peeling on the stair rail,
from where we'd sat for hours,
pulling it off in strips.

i wrote a letter to my room.
the room in which i fell in love,
lost my mind,
and changed my life.
it's just a room.
just a place,
a space.
but so much was shared,
with the air in there.
and i can't explain the relief
that it isn't in rubble.

i hitch hiked back,
or i'd have missed my train.
a lovely man picked me up,
and i felt the drive from a car,
how i remembered it.
we talked about the place,
about it what it did.
he was as upset as i was.
he was the type of person
i'd forgotten existed.
someone who wasn't one of us,
but understood our loss.
a stranger on the street
who felt what i felt.

I have loved this time spent and shared
with you, said some things that meant
something to me, and read some beautiful
thoughts and words said by others.

Frankly this thing, this site can become
down right addictive, and before we know it
a whole day is shot, we might even give up
needed sleep to pursue it.

Like any addiction it needs to be controlled,
taken if at all, in small doses and that then
is my intention.

For new and old friends, I treasure your
warm embrace and no doubt I shall return.
There are other things I must and wish to do,
and as in all matters, I peruse everything in moderation.
Hugs of friendship to all, keep writing, be happy.
Thanks for the tutorial on Poetry communication.
I very much enjoyed it.

If you asked me what my favorite color was, I probably couldn't tell you
But what I would tell you is I am a combination of gleam and gloom
Bumblebee color! And I've earned my luminous yellow and wretched black stripes
Meaning when I bleed, these colors reveal and they smack against the pavement like bang snaps
That is they ignite a spark gold as honey but the color is placebo
For instance, the direct Spanish to English translation of my last name is castle, but I do not feel like a king; In fact, I haven't since my thoughts held me captive in my own kingdom, put me in check mate as if it were a game of chess then proceeded to dethrone me
I like to try and convince myself that I'm one with nature’s convection but the reality is I'm experiencing hazy views from under in the fog rather than the suns bliss in the clouds
Sometimes I may appear to be oozing with confidence. That is unless I can see myself falling in love with you. See the mirror shows reflections of another, the mirror shows reflections of the boy who could barely speak to his own sweetheart because his voice was an old man walking with a stutter and her hand slipped away, she was gripping on butterflies danced in my stomach as I gazed into her pneuma
I'm an artist. But not in the traditional sense. I don't use a paintbrush or a physical canvas, my mind is the paintbrush and the canvas. I like to paint pictures in Ricky's Terrible, Horrible, No Good, Very Bad brain of myself in a world where I don't have to write about Ricky's Terrible, Horrible, No Good, Very Bad brain. If I move to Australia my brain will come with me
I often find myself sharing smiles and laughter with my acquaintances but I've noticed that when they
part, there’s always one acquaintance that does not
That acquaintance is anxiety
Anxiety never leaves me in fact it's my number one friend because anxiety knows how to keep it real
Anxiety is always there to remind me that again, the gleam is placebo
Anxiety reminds me that although I have these elegant, gorgeous, sheltering feathers on my back I'm not sure if I can call them wings because when no one was there I took myself under them but the weight was too much to bear. I cannot fly.
Anxiety grabs me by my arm and chest and like weights, drags me along wherever Anxiety feels like going, which is often nowhere
See the glass may seem clean on the surface but a few things I've learned about myself have made me see that the glass is stained by the kiss of desolation. I look into it and see a shadow of myself because
I wear my heart on my fingertips, my mind on the pistol grip, and my spirit on my shoes cause my psyche is a sunken ship
A 5 step tutorial on how to find out what it feels like to live in these shoes
1) Bring me a glass bottle. I'll bleed into it
2) Throw it against the pavement with as much force as you can so that it shatters into thousands of pieces of broken vows
3) With your dominant foot step, no STOMP on it like it's the only way to feel the vibrance travel through your bloodstream
4) Realize the gleam is placebo but the gloom is very real
5) Pretend everything is okay as it penetrates your sole

Universal unction
A beatific box
Friction in the function
A tutorial. A talk.

We winnowing the worship
We wiser for to seek
Here harrowing through
Hardship
We winkle out the "weak".

How holy is the hilltop
Which cannot help at all
How horrible the House of Pride
Which cannot help but FALL.

Please pray for persecution
Let them not stay their hand
GOD BLESS the repercussions!
The ground on which to stand.

I beg that I won't barter
Without nor yet within
I pray that I won't falter
I'll stand against the sin.

For the Church as it emerges
From underneath the waves
Surfeit in the surges
Gamboling in her grave

Wreaks havoc on true holiness
Divides doctrine "uncouth"
Gutting out the Bible
Laying waste the TRUTH!

The "Universal Union"
"All for one, and one for all"
"All roads lead to Rome"
How the mighty fall!

There are, in truth, just 2 roads
At the tolling of the bell.
The narrow to eternal life...

... and the broad road straight to

HELL.


SøułSurvivør
(C) 10/31/2017

I don't want to be someone who's easy to let go of. I don't wanna be the lesson that everybody learns after they leave; i don't want to be the reason why they shouldn't have done their mistakes because, i know, there will always be someone they could treat fragilely. There will always be someone they could treat better - the way they didn't with me.  

I want to be the one who they could treat better. I want to be the correct one after every lesson and mistake.
But sadly - or thankfully, i'm not.
And now, people go run their lives to live them correctly, to pursue their loved ones because they know what they did was wrong; they learned a lesson.
And that is, sadly, because of me.
And i, god forbid, will always be the tutorial;
i will always be the lesson;
and i, will always be the perfect mistake.

"I learned in from Oprah.  Every year you put your clothes facing toward you
in your closet, and you put them back facing away from you.
and by the end of the year, you know which clothes you don't wear
and you can throw them away."
I listened to this announcement from my authoritative boss
with a look of horror and disbelief
I must have looked like he just said:
"Every day I forget how to tie my shoes,
so I look on YouTube for a tutorial."
I know now, that look I gave, must have said everything
and I said softly, "You mean, you don't know?"
And he must have felt like such a dork in my eyes
and what man wants to feel like an attractive woman
thinks he's a dork
He must have shriveled inside, first with self hatred
and then furious, tumultuous anger, a tornado of
recrimination and fury, carrying houses and cows and trucks in its wake,
and aimed directly at me
I need a poker face

how have there been nights creating space
a vault of valued silver neck---lace play button play to me
toy tutorial: how to choke me and it is hours after midnight
i am alone in my room uncloaked my pictures upon tiny tiny windows i like to lick the blood out of the slits
grow slimes after midnight like a snail click click the right things and sadden

can i sink my fangs and hydrated as it is
a wet house all of the wallpaper ruined of bottles and of men
i hate that feeling when i put my head down and that is the last thing there is nothing nothing no struggle no bodies and legs
all anger aside i must admit
me all nails and fury me all small fit below the waist die gaily then

has anyone read anything on free will or has anyone stayed or left or has anyone survived can i lend out my own copy of free will two pages high look up the line across my back have you tried to follow me before foresting in motion
**** me in my feelings i have been begging the new moon for a new moon but IT HAS NEVER APPEARED BEFORE ME

IS THERE ANYONE I CAN HIGHLIGHT IN PURPLE AND OR IS THERE ANYONE I CAN PUT MY BACK AGAINST WHO IS WILLING TO LAY A FINGER ON ME

AND I FEEL BETRAYED should i always be banned
me me in shadows i am aware i have gotten dark i have not given permission for deep-rope-denied-roulette-gratuit-whir-phantasma

EVERYONE ON THIS SLUMP STAGE IS HIDING THEIR FINGERS IN MY MOUTH ONE TO ONE TO ONE I CAN NEVER SEE THE FACE THE FACE HURTS TOO MUCH IT IS THE RED FILTER THE EXPENSIVE ONE AND I CANNOT USE TOO MUCH OF IT IT FALLS BEFORE ME I BREAK MY KNEE-CAPS THANK YOU THANK YOU IT WAS WONDERFUL

my name is ssssss-sweetness all of a sudden
i stand before you and i am so mad i want to break your face-jaw neck-jaw your everything-jaw my name is pinky pinky and mutilation is satiric and narcissistic GO BECOME SICK OF IT AND I WILL SICK AND **** YOU AND THE HINT IS IT WILL CHANGE NOW THE SMELL IS AWAITED and the blood will be beautiful

and will be replenishing i give me another three months do you like my invention please jealous you until you open again
the demon does not possess me and does not wish to thus i received
in a letter from hell thank you thank you it was miserably ethereal

By Arcassin Burnham


Every aspect of what reality doesn't have to end up in flames,
Lying to ourselves about what we really want in life and what it could gain,
You might ace the test , you might new car, but what do you think is real,
Simulations been proven in time , over and over , as long we know we'll be fine,
Let go of the past mistakes,
Let go of earth as it breaks,
In the mind,
The shell will crumble from behind,
The skull where it is too divine,
Guess it's where I'm headed,
If it's a good direction,
Can't ruin my sessions,
If I sleep better maybe it'll blossom,
Talking about the pineal,
The flames still burn without any
Tutorial.

eh, you wake up in the morning,
you hear the work-bell ring,
n' i march you to the table!
to see the same ol' thing.

ain' no food upon the table,
n' no... something something...
cos' you better not complain boy,
you'll get in trouble with the man...

let the midnight special,
     shine a light on me...
let the midnight special,
           shine a de Wallen red light on me -

cos Soho turned amber to all things queer,
and with queer turned all the stoppage
lights gearing you up to marriage a full
ahead go -
                              or in alt. castrated pop of
the Vatican **** charts - some sang some
other traffic coordination -

cos Soho sang of the green pristine ironed shirts
and the 9 and 5 daily tortoise and
birds - once it was the bees and the birds -
now it was all about birds and worms -
Soho my man, is all queer to mind you,
extortion on real estate and ****** -
but what if i paid with a diamond clad ****?
or cut my organic one off and used a *****,
half price?
                        i'd vote in solely for de wallen
section of Amsterdam, **** those little hubs
of quasi-hippies toking the cool off a joint...
i didn't go there for the cafes, i went for the brothel
cubicles...
                  ha                         ­     ha.

now, please understand me, i can understand a date
being a walk in a park, a promenade,
i understand the French concept of dating - coordinating,
walking and talk, an Islamic calendar month of binge eating
at sunset without recitation
from the book- but all this cinema,
this restaurant and drinks?
how about just a walk and talk session girl?
because, boy, you're so ******* outdated - i'd prefer
watching horror movies in a thunderstorm with lightning,
at least i'd be part of the Addam's family of Scottish Economy...

promenade! promenade with me! the airy bit of it all,
i'll have your oyster platter if i'm "sulking" an empty
stomach, and your words bouncing off inanimate things
while we seem to be walking parallel tangos,
but end up in the crypt of Caduceus.

i never finished the Soho song about the area being that
of privileged queers, and de Wallen known to the English
being shame alley - well... you should have heard the laugh
of that bubbly Puerto Rican girl... 'you know how
many i have had in me?'
what? tongues, i'm guessing the first.

i still don't know how to vote this out -
if i'd vote out, Soho couldn't compensate me,
if i'd vote in, at least de Wallen would -
well, given the statistics, i rather walk and talk
like some Aristotle tutorial -
rather than sit on my **** in a suburban semi-detached
before a television waiting for dementia.

i've cooked plenty of curries in my life
(in the back of my mind there's this mainstream
narrative that comes to the fore
with buzz-words like: "cultural appropriation"...
so i can't cook a curry for myself
i need someone native of the "concept" of curry
to cook it for me? the use of cumin, coriander seeds...
star anise... cardamom pods is off-limits
for me? like donning a sombrero?
i hate acronyms but, in this instance i'll just
keep it short and shrimp-y i.e. w.t.f.?!)
but what i recently conjured up has become
a... revelation...
i know that the taste profile of some Asiatic
people: the Chinese love their dichotomy of
sweet & sour... as well as sweet & salty...
come to think of it: i like those profiles too:
salted caramel is the next big taboo topic?!
the first proper revelation came to me via...
refika's lavash & hammered beef recipe...
she's on youtube: it's so **** when a woman
as voluptuous as her knows how to cook...
plus the ol' raven hair: beyond that...
it's not that she knows how to cook:
i can trust her to cook...
    not that i was willing to make lavash from
raw goods... i can buy that...
the genius is instilled in the marinate...
what was it...
oh hell... my beard is itchy... i guess at the mere
thought of eating this dish...
sea salt, pepper, lots of peppercorns...
fresh garlic, fresh rosemary (thankfully i have
a garden and i have rosemary in it)
dried chillies (whole or flakes)
olive oil, white wine vinegar...
into the pestle & mortar...
the beef thinly sliced then marinating for
15 minutes at best: the vinegar tenderising
the meat quicker...
fried for 2 minutes or whatever time it takes
until you see the meat pouring out the most
hidden blot clots...
but beef & rosemary?! huh! who would have
thought... i certainly wouldn't have...
sure... LAMB & rosemary...
but beef?
oddly enough the meat works just as well
when topped with English cheddar...
you don't need a Turkish cheese...
but that's not even the end of the story...
of the lavash wrap...
it's the side dish...
the onions! slice the onions into crescent moons...
squeeze them to get the party going...
they must be red onions... some salt...
some more white wine vinegar & let them pickle
for a while... after the "while" add some
sumac (i also add some gochugaru chilli flakes...
for colour and tingling buzz)
SUMAC... topped off with some fresh parsley...
i could be writing about my escapades
in the brothel... but this is so much better...
what's ***? meat you can't eat...
at the end... it's meat you can't eat...
tease it, nibble it: but you're not going to eat it...
i very much like the ethereal nature
of cooking: it reminds me of the time i studied
chemistry in Edinburgh and conjured up
Esters from scratch...
Esters? oh, those scented compounds used
in the perfume industry...
yet today i came across an even bigger revelation...
Indian cuisine? done... Chinese... no problem...
the number of curries i made in my life...
eh... ha...
            hell: even the Hungarian goulash
for a massive potato "pancake"... garnished
with something sour... cabbage most likely...
or at least a coleslaw to off-set the smoky-paprika
taste...
green peppers a must...
of course you need some sprinkle of paprika
on the lavash wrap-up...
for colour: to "combat" the "insanity"
of cheese... & some extra pepper....
& rosemary...

well you can't exactly call a stew a curry
a sauce or jue... it's not  juice if it's a juce...
some "chew"...
esp. not in the Persian cuisine...
pity me at me at my self-wallowing in being
cosmopolitan on the outskirts...
i'll take one step into the night
and i'll be met with the resounding
presence of foxes...
i stopped being bothered about BWV 988
being just a cliché...
which it of course is...
so many pieces of classical music were once
beautiful...
now... in the gulag of the muzak...
they have become: morphed...
hardly stand-alone pieces of music...
moonlight sonata being the "other" over-emphasis
of needing to match-up to the demands
of / for mass consumption...

i hope this doesn't read like some foodie
blog... every time i want to replicate a recipe
i have to scroll down through so many
self-congratulatory deviances
from the narrative... none of these food blogs
seem stressed about giving out
what's needed:
the list of ingredients... eh... the methodology
doesn't really bother me...
i always miss the click-of-the-button
where i can simply get to the knitty-gritty...
there's always "some story"... some care to grasp
at some "authenticity":
it's almost like rereading Wittgenstein and
his focus on tautology!

come to think of it...
i watch out for tautologies...
like i watch out for metaphors and misnomers
and the... ahem "air quotes":
you can't stretch it as far as a metaphor?
then we'll be stretching it into a misnomer
status...

FESENJAN...
it's not like the Persians were not knocking
at "our" doors since... perhaps time immemorial...
what about that off-shoot tribe of Aryans:
the Sarmatians settling in the basin
of the Vistula?
funny... the concept of the Aryans...
that the Germans espoused it...
while... historically... never mind...

it's not a curry! it's a Persian stew...
i couldn't fathom it at first...
you make a walnut paste...
you toast 'em...
salt, pepper, sugar...
some of the usual suspects appear:
like cumin...
cinnamon...
    but then you get:
pomegranate molasses...
and fresh pomegranate seeds to garnish... with...
you also use fresh parsley instead of coriander...
only one tablespoon of tomato puree...
some ground almonds...
a pepper: which, along with a can of
chickpeas somehow, "somehow" managed
to disappear in the sauce...
garlic... sure... ginger? no...
onion... yes...

         i knew that Persian cuisine tickled
the sour fancies... but i never knew to what
extent! zest of a lemon: juice of a lemon...
no aubergine... this time...
turmeric: the peasant's version of saffron...
no difference... you can sprinkle some of that
anti-bleach magical dust and it works
just as well as a pinch of saffron...
but we're talking about the sauce...
cinnamon i already mentioned:
even though you can use acacia bark as
a substitute... pepper: already mentioned...
honey...
imagine my shock: no mention of a canned
lot of plum tomatoes...
******* roasted walnuts...
pomegranate molasses...
tomato puree...
ciućpajza...

this wasn't a curry... walnuts, though... when roasted?
ahem... "cultural appropriation"
of the Indians using cashews... & almonds
in their Korma... but walnuts?!
hey presto... some Turkish ingenuity combining
beef with rosemary!

is my native tongue a dodo lingo?
i'm just... wondering...
perhaps with the omnipresence of English
we'll all be savvy cosmopolitan nomads
by the end of this century...
i still manage to squeeze in a word:
or two... into my currency of the current:
lingo... but... the point
of: no one's speaking it beside me...
it's not a rhetorical question...
it's not even a question to begin with /
per se... it's a... vague obligation to:
some mustard seed metaphor sort of "power"...

youtube used to be such a fun website...
until the wallets started rummaging
hyping up...self-tutorial videos of make-up:
cover-up...
it used to be (this)... now it's... )this(...
sure... don't blame women...
it's not like Helen wasn't fabled for gearing up
a thousand ships...
Eva Braun wasn't Jewish... no no!
she wasn't... wi- do you really need the suffix
-nk?!

a grammar school playground filled with only
boys... hey... presto!
a girl comes in...
        what's going to happen?
the worst things... imaginable...
i'm giving birth to a shadow...
she's curious about giving birth to the gambit
of: more time... please...
i can be done with all of this spectacle in
a moment... she needs this misery to continue...
come to think of it...
i don't think the supposed
"forbidden" fruit of Eden did anything to Adam...
i think the fruit was a placebo...
he just towed his ******* ******* along
to experience the wind & the dangle...
whatever the metaphor of Moses implies...
ignorant of dinosaurs?!
seriously...
there's a talking spine of a t-rex...
there are the crocodiles of the Nile...
there's the imagining of a large fire-breathing lizard:
a dragon...
oh sure... the idea of dinosaurs wasn't somehow:
unconsciously implanted into us...
dragons precursor the discovery of dinosaur bones...
don't they?! don't they?!
imagining dragons precursor our discovery of
dinosaur bones!
no?! no?!
hell-oh... Pandora... how's tomorrow?
oh, right... can't say... just like today then?!

since the usual quest of bypassing the atypical
gatekeepers has been... quenched...
i'm no Tolstoy...
western democracy is worried about democracy
per se:
ooh... something terrible is bound to happen!
some terrible has been happening since
time immemorial...
it's only inflated:
in a society bound by glorifying sociopaths &
psychopaths...
the fakery escalates... so much of this culture
is bound to celebrate: hardly the opera singer...
hardly the poet... forever & until more
the Thespian... you know what happens to a culture
where only one art-form is given:
too much attention it deserves?
there was that period of time when
poetry was celebrated... when the western
letf-oids seemed rather... refreshing...
what now?

           let's go back to civilisation based on
the motto: we need carrots!
we need cabbage! we ******* need root vegetables...
oh forget the fruits...
that's not important for us...
winter is coming: a warm winter...
to borrow a phrase:
how can there be any hyperboreans:
what eternal sunshine?
i think of an eternal night...

               when i think of the wind:
there's not one... there are 8...
the wind from the north... south...
the wind from the north-east...
the wind from the south-west...
i count 8 winds... if there aren't 8
then we have a lemniscale...
a lazy: reclining 8... or a beta metaphor: B...
no?
the origins of numbers are all Hindu?!
sure... the letters too?
i can... rewrite the origins story
of numbers using only Greek or Roman letters...
with hindsight it doesn't punch-up
but... proud retardations of borrowed
cuisine aside...
L: 7
4: G
      mirrors! mirrors!
9: P
8: B
1: I(ota)
3: E
2: Z
5: S
6: b...

we didn't march across the *******
Siberian tundra
arriving at the Caucasian
peninsula for no ******* reason?!
we also managed to drag along the tribes
of Mongols... Turks... that settled in this grand...
continental funnel...

i learned "numbers" from Sanskrit...
i suppose the letters too?
like... ooh... i love how Hangul was
conjured...
   Sejong the ******* Solomon...
Abraham... St. Cyril...
   i always thought that Cyrillic script
was a cheap-*** variation of Greek...
sorry... it looks: looked:
will forever look: sort of shabby...

this time round: the devil didn't come round
with either fire or sulphur...
smoke & mirrors...
smoke & mirrors: Kowalski!

in a room filled with the music, it's hard to say what
the emotional intensity change feels like when the headphones
are in, next on the menu:
camel's masterpiece - another night -
from the album moonmadness -
and here, what Islam ought to be
kindred to: conscious r.e.m. akin
to epilepsy - and no pagan in sight -
the approaching October with
his Octavian prose of shrugged shoulders -
and an article about gender-neutrality
and fleabag - 2nd year at Edinburgh
is was all about skipping the late afternoon
tutorial, doing the shopping
and foraging on Last.fm... for the next
progressive rock-band...
hence camel, hence spirit, and many others...
a new mode of basking in the sun for a tan...
what you're thinking -
bad question... i don't want to know...
as all pubescent conversations go... that's
the one question you cite as: minus 100 points,
on a tally of 300... the end,
hello Tolstoy. so that's me,
camel's moon-madness album,
an opinion section about gentrification,
and how your genitals never bubbled into your
'ed, because it was not necessarily minded
before ******* took over...
so gender neutral... awe at the power of science...
they could have got 19 pence anti-cancer pills...
but H.I.V. was more important...
yep, never did ****... and don't intend to
join the feminism of: let's do ****, and stop
those ******* leaving us barren and destitute in
their funny guy shags guy...
if that ain't a woman thing (doing ****)
to discourage men from doing men...
i know why the majority of bachelors under
the Octavian rule of thumb would be
pressed grapes and end up as wine...
hands up: just saying... i plead guilty...
and the art of dialectics left to its own
devices produces this... no point to hook-up onto...
less agreed on and even less argued against...
dialectics like a derelict house for you:
shaky Stevens with the knees... PRAY!
there's the church, and there's the holy ghost,
who's never to be a personified,
ugly nuns praying for alcoholics...
and if there was a more successful brothel scheme
than the nuns of the Vatican... please let me know.
lying and being angelic faced: if ever
there was a bigger turnoff than that,
i'd be banking on that 'um.
so there's camel and the fleabag sitcom -
        there's also a.... burp... and that too including
something else...
                            you know... Poland seems
like a rather sane place to be a child... well, that's
1986 through to 1994 -
                     a sane place...
                                          a sane place being raised
by you grandparents -
                                   because your parents
were establishing a new lie in England and were
away...
                  a pretty sane place...
        whatever the western world is selling: i'm not buying...
you never know, it might just be malaria...
                     as a propaganda composition to
    seek out personal benefit?
   no... like looking for an honest man is as hard
as looking for god (Diogenes and the lamp debacle
in the marketplace, later understood as pure Nietzsche,
n'ah ah)...                    i keep thinking about
my childhood because that's the period where things
were sane... getting exposed to western ideas just
bred more ******-doodle-do than i'd care to say,
or Snowden and that guy who found North Korean a haven,
so much for press-freedom... at least you
can spot the dictators, the magic mushroom people
running the so-called "free media" are tyrannical moguls
who want their faces printed in tabloid papers as if
tabloids meant mirror...             at least people
want to assassinate tyrants... no one seems to give a toss
about these Eton Boys' Club Furore:
bow down to the messiahs! comparatively enough
zeros (000000000000000) on your cheque, is like
                 inches in the length and girth of your
one-night-stand capabilities.

What is the point of a game?
Ask yourself
To win? To have fun? No point at all?

We all play the game
Simply for different choices
Without a choice, we must play.

Press start
Take 18 to 21 minutes to learn how to play
Maybe less
You might give up before 18
Sad right? It happens.

Tutorial ends, time to play

Take the next 60 minutes to actually play
Maybe less
Again, some may give up before the end
Maybe the power cuts off
Forced to stop playing

Game ends, how'd you play?
Did you try to earn the most money?
Did you play and just have fun?
Did you spend it teaching other people how to play?

I just finished learning how to play,
I choose to have fun and enjoy the game.
How do you want to play the game we call life?

If pain was a friend instead of a burden
– if I could make peace with the unwelcome
– if perhaps I could see her as a teacher,

not in a lecture theatre (distant and with sharp echoes),
but in a private tutorial with soft furnishings
and perhaps a vase of flowers.

– If her lessons came with handouts,
exploring, with pictures, the reason for the searing,
the overwhelming

– but no,
my pain is that annoying parent on a pointless trek,
refusing to stay silent,
incessant in her insistence
that we can’t part ways.

She's a fragrance
Bottled in my mind's
Peripheral scribes.
My tutorial on how to stand

And my spine is giraffe's neck or,
Fixed-be-not, the Pisa Tower.
And I'm bound to be lower
But she hits my back and stirs me forth.

Liquid paper, solid gold
She's a gas of dizziness,
Though a simpler boy
You could never find on earth.

She's a quarrel in a body,
Younger muse for my hoorah.
Like the Russians say,
Blood and milk. However, in the case,
Porridge and strong coffee.
My perfected
Oh, my tailored
Healthy diet for the mind state.

The race to create,
Toe to heel,
Blamed on the strangest of scapegoats.

The race to create,
Genetic disposition,
A tutorial of the soul.

The different three legged race,
Wanting to be a dog and howl,
Like so many maniacs have done before.

The race to create,
Becomes the race to destroy,
To conform while being interestingly malleable,

The race to create,
Ultimately is the chance to forget,
To sleep consciously through an unutterable awakening.

That race to create,
Binds us all,
Never felt so intrinsically absurd and profound,

So human it makes me want to puke honey

The stroke of thine quill, twas well felt by he
In its ink, one did utter a free spree
One admits, to the phrasing of *******
Maybe, one twas ill advised, in act
For this notation, had a harsh impact
A valuable lesson, twas taught to me
That being, be much more thoughtful of he
Using that term, has left a very big hole  
Communication lines, all stalled
Two persons, isolated and walled
An intemperate lash, won me no friend
The past error, of quill is very clearly seen
One had so awfully, vented one's spleen
Of this tutorial, I'll e'er comprehend