With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself.
Awakening true, sparkling love for you, of universal scale. This throne of eternal praise and worship is only for you alone, and the chorus, singing about your beauty only for you. In you, every millimeter of your perfect, hot, hot-**** body is beautiful. My world is in your uniquely beautiful eyes, in your feelings and emotions, and I’m not tired of talking about your perfect proportions. Only your caresses give such feelings as love and happiness. Striking, powerful, attractive appearance. The magnificent grace of your body has no equal. Only your divinely beautiful body is worthy of the highest praise and points. I am only waiting for you. You're all I think about. The empress of my subconscious, in my inner world, dreams, and memories, you are everywhere. I always wait only for you. You are my only eternal thought that helps to live in this world, my beautiful emotion, and an amazing feeling. Only, like you, can excite with a look and fall in love with yourself forever. Life without you is unthinkable, impossible. Believe me, I know this for sure, your beauty shines gently with honey, golden light and brilliance. Your beauty is powerful hypnosis.
You are tremendously in love with you totally. You are the highest goddess: beauty, love and erotica. For me, you are the supreme being of all universes. You rule and command over male minds and hearts. Please do not be offended by this truth, but you are so beautiful that you don’t even need cosmetics, only you can look so natural and beautiful, but you are also very powerful ****** attraction, arousal, my only hobby, I’m madly obsessed with you. Your voice sounds sleeker than a violin, more touching than a piano, lighter than a harp, thinner than a triangle. So amazing, your beautiful skin glitters sexually, it is perfect, sweet, juicy. And your perfect figure, perfection itself. You are not replaceable and priceless. You are the most important, most valuable thing in my life. Your infinitely amazing, impressive, external and internal beauty sets you apart from all living and nonliving. So stunningly passionate, your beautiful body is a powerful magnet attracting a huge amount of affection and passion. You are perfect, your beautiful figure is so perfect that you don't even need clothes. I am struck down on a feast, and I bow deeply, taking off my hat to your royal authority, for me it is a great honor and a great honor to be with you by your side, you are my idol and autograph, I take it from me and keep it from my heart, exposing it to the honorary a place in your altar of love, where only you are everywhere, I am your eternal, devoted fan. You have no equal, I adore everything in you. You are the highest, absolute aerobatics. You are a beautiful and perfect image that you can imagine. This is what a beautiful goddess looks like. You are the highest good, pleasure and pleasure in this universe. I put a madman of points and a sign of infinity to boot, your unique beauty. You are so beautiful that you immediately want to marry, and live with you all eternity.
Your teasing sexually exciting figure keeps my mind completely under your control. You are a thermonuclear *** bomb-boom babe. You are all my eyes want to see. Your gently saldko-**** voice is all that my ears want to hear. The smell of your skin is all I want to breathe. I breathe only because you are near me. When you're near the heart of love knocks more. And the level of excitement from your beauty reaches the highest degree. About how beautiful you are and how I love you, that's all I want to tell you. Your gorgeous flesh and soul is all that your flesh and soul wants to feel forever. Your love is all I want to feel forever from you. You're so beautiful, just a sight for sore eyes. You are much higher than blue blood. I am only obsessed with you. You are ****. Cool babe. Unreal beautiful. Drooling flow in men only from you. Resist such as you are simply useless. Your sweet laugh, your **** smile, soft look, impeccable outfit, battles everybody in a row. You are the most juicy relish, sensual, tender, feminine passion. You are my love and soul outlet.
You are absolute, the highest *****. Eternal novelty. It is unbearable, excessively, supremely, beautiful, and only you look overly ****. You are in the highest stage of evolution, you are the most ideal, you are my idol, my ideal, the most true and authentic embodiment of beauty. You are the sexually ****** heat of love and passion. Your body brings you to the highest level of arousal. You yourself tenderness and femininity. You are 1 000 000 000 percent luxury, priceless, the only, eternal value. All the pleasant moments in life are associated only with you. Your sweet caresses and kisses are a very powerful drug. You are the most valuable gift of the universe. You are gorgeous in any kind of image frame, everywhere, always and in everything. You feel a surprisingly soft, sensual, tenderness. The beauty in your eyes is something amazing, uniquely beautiful, it is very beautiful fascinating magic. Very beautiful and indescribably pleasant feeling. Your amazingly beautiful image touches the most delicate and barely visible strings of souls easily and gently. By causing a special vibration of the true love melody, he finally falls in love with you.
So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
You are synonymous with beauty and ideal. You are so beautiful just amazing. you have a direct view of a ****, sultry predator. You are the sweetest. From you comes a powerful, ****, ****** energy. you are indescribably beautiful. You're spectacular, juicy, ****. M, You sound cool, like a mega cool, percussive, lyric rap beat. As a platinum and gold vinyl record, you are a super hit. You are a bestseller of poetry and prose. You're my princess. Queen. The Empress Goddess. The ultimate creation of all universes, spheres and dimensions. I think so. To doge to what extent a girl can be beautiful. Just amazing. The queen of my mind and heart. Your tender image overwhelms my soul with light, beautiful love and lust. You have such a soft pearl skin. Your beautiful appearance forever and ever conquered my heart and my mind. You are the most beautiful of its kind. You are endowed with the rarest beauty at all times. Fashion model. Just the thought of you excites and falls in love. You are a masterpiece of nature and of God himself. Your infinitely amazing beauty, the rarest and most amazing, the most beautiful in the history of mankind.
The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie, fell in love with you powerfully for sure. Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul. Billions of suns of joy, happiness, and love explode in the soul and this every time you see. With you every second is overflowing with the warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites, and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.
You're too beautiful. You are a **** lioness. You are the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you do not need, neither cosmetics, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me dear, as you decorate with you all the eternity that I want to spend only with you one-on-one. You are my beautiful goddess of love and eroticism, and only I worship you. Rare, beautiful beauty, natural gave only you. The closer you are, the more beautiful. Your delicate skin shines so beautifully in the light, you have a stunning perfect skin color. I am overly in love with you. You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
You are stunning, fantastically breathtakingly beautiful, the only unique sample of the true, pure form of beauty. You are the hottest, **** topic, about the beauty of which it is impossible to stop talking, so beautiful that you want to sing out of love for you, the girl from whom it is impossible to take your eyes off. So amazingly beautiful, perfect, ******, hot, passionately savory, juicy forms, your divinely beautiful, endlessly, stunning beautiful, seductive body sound so captivatingly beautiful, sweet, gently voluptuous. Who wants to caress and caress, kiss, lick, stick to intimate places all the time, and give your tenderness with your hands, and bring it to ****** so that you feel the heat and tremor of your heated body, and kiss a satisfied body and kiss. Each cell of the soul and body is supremely filled with only you, love and excitement. Truly I am thirsty to belong only to you and to spend all eternity only with you alone.
I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are tempted and tempted, you want to have *** countless times. Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos can excite me, only your beauty turns off my brain, you are a ****, ****** melody in my head, you are like a hot bath after a hard day, like an ****** massage, like a soft pillow with sleeping softness.
Every day I am drawn to you more and more and it can not be stopped because it is uncontrollable every day my ****** ***** wants you more and more aggressively he is waiting for endless *** only with you and I once again make sure that you are I will want forever and ever. Because I am truly in love with you in your body and soul. And this feeling is only enhanced with time on the mental and physical levels. Looking at you in the head is only one word Goddess, the empress of my heart, or one ***. It's just an ecstasy of excitement, every movement you take is so ****** and beautiful, burning your skin's passion and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author Musin Almat Zhumabekovich

Over hill, over dale,
    Thorough bush, thorough brier,
  Over park, over pale,
    Thorough flood, thorough fire,
    I do wander everywhere,
    Swifter than the moonè’s sphere;
    And I serve the fairy queen,
    To dew her orbs upon the green:
    The cowslips tall her pensioners be;
    In their gold coats spots you see;
    Those be rubies, fairy favours,
    In those freckles live their savours:
  I must go seek some dew-drops here,
And hang a pearl in every cowslip’s ear.

.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!

On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

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IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?

I’ve been conditioned
like freshly washed hair
for years
do not offend
unless the end of the sentence is “im sorry”
let the shoes and boots and heels of many make indents on you
like blueprints of demurity swaddled in insecurity
kept alive by the blurry ideas i once held about femininity
because i couldn't be a girl if the words that flew from my chords
were anything but rosy
ring around the Josie, pockets full of suppose he was to compliment your ****
when walking down a thorough-fair
busy people back and forth and grandmas with wrinkled sweaters
thank you
muttered from chapped lips and an even more chapped psyche
why must i keep my wits about to not risk making him angry
that was not complimentary but i am fearful he might spit my words back onto me
in the form of fists and slurs and honestly
im tired
of being the sidewalk beneath the feet of creeps
i am the sky and the trees and the moon
but i do not speak with the wisdom of travelling seeds
i speak with the warmth and subtlty of freshly microwaved milk
like soft silk i wish i could tatter
i wish venom soaked words could be spit in response to your “compliments”
but i would rather let you diminish me for the few moments it takes to objectify me
than to risk angering your inner beast and suffering the consequences of meninism or masculinism
whatever the word is this week
i will not be another number
ink soaked paper red with the monthly bloodshed of the sisters
every second is another unspeakable act
i see women
with tongues as round and large as planets
and tonsils the size of solar systems
birthing new galaxies in the words they speak
and shooting comets like fiery ***** of comebacks
when that slack-jawed fool sat and wished and drooled
into his monthly issue of mens rights magazine
she tore down the even minuscule belief he could have had that he had the right to comment on her body
in three seconds his pride, and entitlement
shifted into shame
and embarrassment
and i envy these women
because the only time i can take back my power
is when i am standing in front of a room
speaking rhymes and metaphors preaching independence and strength
to a group of people who now think i am a hero
i am not a hero
i put my shoes on one foot at a time
and i still manage to forget a couple days of birth control here and there
and i cant stand up for myself
in the moments after an attack i retreat into my latte and pray today will not be the day the male dominated society takes my power away
because i am small
and though i am growing every day
i still can only pray
that one way or another
i will be able to be as strong a woman as my sisters
my mother
and take back my power
and speak not with the beauty of a flower
but with the sharpness of a bumblebees sting
and one more thing
your compliments
are not complimentary

Twice a week the winter thorough
Here stood I to keep the goal:
Football then was fighting sorrow
For the young man's soul.

Now in Maytime to the wicket
Out I march with bat and pad:
See the son of grief at cricket
Trying to be glad.

Try I will; no harm in trying:
Wonder 'tis how little mirth
Keeps the bones of man from lying
On the bed of earth.

ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little

Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe

Childish eyes see deep into me,
they know me,
they understand me,
understand what I'm going thorough,
what we are all going through.

They were the eyes of an empath.
We knew each other before and we will know each other again.

I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.

Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i

Yes, its the year twenty eighteen and not Nineteen forty-four

but comrades and friends, hear me out for I know not what to do

Do be kind and laugh you not, or raise your eyes or snigger like fools

the problem is, like Duke Philip, Mark Philips, Snowdon and Mike Tindall

I have known a Royal Princess for years and really like her very much



She is so sweet and nice, ever gentle, warm, kind and thoughtful

smart and clever, fun and playful yet regal and charismatic

and it is said, pardon moi, she has the sweetest honey ***, to boot

I know she fancies me too, for her intense eyes and actions tells me so

we talked, we joked, drink and laugh and share little tender touches



She lives in a grand little apartment and drive a lovely old car

well read, witty and engaging, she's fun and very good company

She,s impressively intelligent with a wide grasp of social issues and life

very versatile, she can turn her hand to anything and does things well

above all, she's a people's person, always sensitive to the needs of others



Alas, that was then, for now in months, we no longer see or speak

for I am a coward, right through and thorough and not very bright

You see I am, though no longer said, a commoner born and bred

and to me and my kith and kin, its always has been 'us and them'

And from birth, our tradition states, never the twain shall meet, so there!



For if I show my real feelings to my Princess and be real, nice and warm

I shall, by my lot be accused of being impressed by 'them snotty lot'

If I show I really care and want to be close and spend time with her

my lot will mock me to high heavens and call me a toady brown-noser

They will scream, crawler, fawner, he's just a flunkey and a groveller



Again, if with her I am real and natural as with all I know in my circle

they will say I am an arduous social-climber, being what he's not

And to boot, were I to be true to myself and have who I really want

I will be ******, shunned and labelled, a big 'Gold-digger,' true

Look at him, betraying his roots and all for shinning lucre from them



So being the coward, under-confident, paranoid, insipid under-achiever

traits, you all know and have, inherited from birth along with you all from our class

So what else to do, but drive my kind, real and genuine Princess away from me

I had to behave rude and shabbily to show I had no regard for 'them Royals' ones

I shouted and scorned to indicate I have no respect for any 'regal' whatever



Its all show with us, so I put on a good show and reported back to my lot

oh, I farted in the Princess' face and took the **** as we spoke, hahaha

Oh, I stood over the Princess and shouted and raved in public, hahaha

oh, I ignored her calls and never text or call her back, hahaha hahahaha

Oh, do you know, I shouted and slammed the phone down on her, twice, haha...haha



Wow, did I win bragging rights or what, I did not betray my roots, I tell you

I walk amongst my lot now with pride, and I can see they are all impressed

Some idiot said, hey! isn't the Princess just another human like you

did she treat you like that, are you not intelligent enough to see past labels

Have you ever heard, 'Do unto others as you want them do unto you'



Alone by myself, I feel ashamed, I think about her and wished I'd behaved differently

but what could I do, what's the right and correct thing to do in this situation

I am weak, I always need others, not confident enough to stand up for myself

Though educated, I am not intelligent enough to be self-assured, fair and measured

And all my insecurities means I need others attention, kinship and approvals



I love 'showing off', I think most of us do it to make up for our inferiority complexes

Nothing beats being able to say, I disrespected those toffee-nosed ones

Though my Princess was very down to earth and never haughty, she is still one of them

But I have to be a working class hero or be shunned and given grief by my lot

After all, I am not Royal and made of sterner stuff. we are not born and bred that way

Hahaha.....hahaha....hahaha........yeah, I'm the man! Who's your daddy, people?



Copyright LaurenceA. 14th June, All rights reserved.

5 minutes.
I sit on the water. The water’s surface is calm and quiet.
While the strokes continue, I look at the person sitting in front of me.
I can only see their back, but I’ve become used to it.

4 minutes.
The coxswain is calling starts.
There’s only a few minutes left, but I cannot keep time.
Everything’s happening so fast.

3 minutes.
The judges call for the boats to line up.
Gracefully, we glide across the water.
Smooth and kept.
Our balance leans the boat port-side, but it is soon restored thorough the echoing voice of our coxswain.

2 minutes.
We’re in our lane. I now take in the presence of the other boats.
They look fierce and prepared, then I look back into our boat.
We need to stand just as strong.
We are strong, if not stronger.
I remember that, because there’s no backing down.
I will not show fear.

1 minute.
Coxswain tells us to sit at three-quarters slide.
The point is adjusted and voices become silent.
I am reminded of every day I worked at practice.
Down to the last hour.
Down to the last minute.
My concentration becomes keener.
I take my final reassuring breaths.
I am fearless.
I am strong.
I am a rower.

0 minutes.
“All boats, ready.”
I dip my oar in a bit deeper. The silence is almost frightening.
My nerves are on a thin thread.
I breathe deeply. There’s no turning back.
“Go!”
“Three-quarters, half, three-quarters, full, full.”
“Power 10! Let’s do this! That’s 10! 9!”
Only three sounds can be heard.
The placement and swing of our blades against the boat.
The coxswain’s encouragement.
My ragged breaths.

I don’t dare look away.
“Keep the pressure, girls! We can beat Oakland! They’re a boat-length ahead! Bring me up to their 8 seat!”
I disregard the alarms going off in my body.
I exert all of my energy. I’m feeling lighter.
“We’re gaining on them! Get me to their 7 seat!”
Time is nothing to me.
I cannot think, only do.
My sole thought is my technique.

“Ladies, we’re walking them! Bring me to their 3 seat!”
I don’t doubt my coxswain’s words, but I am tempted to look to the side.
Our boat leans starboard for a stroke, but jolts back in balance with the next stroke.
My body begs for a rest, even a let-up.
But that’s exactly what the other teams want.
A chance.
A single chance to dominate us.
But I won’t give in.
Not now, not ever.
“We are even with Oakland! We’re in the last 500, girls! Don’t let them catch up!”

The last 500…?
But we have gone so far.
I won’t give up!
“Ladies, power 10 in 2! That’s 1! 2! That’s 10! 9!”
This is the last chance…to show them everything.
My will.
My strength.
My resolution.
The time is now!

Suddenly, added adrenaline runs through my body.
My breaths become more ragged and I feel a bit high.
I don’t let up.
The horn goes off, signaling our finish.
I lose the will to move.
Our coxswain tells us to paddle, but relearning how to breathe seemed more important to me.
Regardless of the silent screams of pain in my body, I obey my coxswain’s order.
We wane off after a while and once all boats cross the finish, we congratulate the other clubs.
I’m becoming tired; my body is crying, but we’ve succeeded.

Everyone worked hard.
We shared everything.
Endurance.
Hardship.
Strength.
Courage.
Friendship.
C­onfidence.
And there’s only one way to show how strong we really are.

We row.
And that’s all there is to it.

What I seek here is as a writer astutely commented “it was the pure breath of God playing on
Human heart strings” where better to start than an instrument that is played in such fashion
Solely by the wind its name is from ****** the Greek god of the wind my changeup calls for the
Wind of the one true God my line in lost friend not a person but a great black oak that grew on
A California ranch for over a hundred years in a storm it was destroyed the lines read this way
Two divergent seeds the ground did divide one of wooden grain the other flesh and blood
Their branches throughout the community do abide as charming as church bells ringing touching all the
Flesh and blood pertains to the ranch family that was so honored by this majestic guest all those years
That’s what I am speaking of bells are associated with the Aeolian harp because their sound is carried on
The wind crisp and clean without contamination this is written that we might prepare ourselves and
Have the pure spirit blow across our souls and from it have a better year ultimately a better life first in
These examples we will move closer to the Aeolian harp you will see this isn’t just living but its
Excelling in the richest spheres our lives can and must strive for this magnificence we are not
Just here just to expend time and enjoy ourselves we are to be in pursuit of a great and eternal
Reward there are many stratus of life others are in earthy terms more advanced that is only on
Social levels in the spirit we truly are equal each according to their gifts will answer on a same
Plane fair and honest judgment so that alone should birth passion in each one I want to be the
Best I can be not to out show another but to present our selves honorably and show we put in
The same effort as others first know all are not chosen to have such dramatic tunes of the harp
To drift across life’s varied landscape ours still will be unique and the highest tunes possible and
Will resound with glory we ourselves to a degree will be pleasantly surprised truly so it will be
Determined on the closeness we have with His Holy spirit when I first heard the harp was in
Hannibal Missouri I was in this rich place of American story telling the boy hood home of
Samuel Clemens better known as Mark Twain I was on the river frontage road the great
Mississippi was to my right but I wasn’t thinking of Tom Sawyer my thoughts weighed heavy on
My mind I was far away up by Chicago at a church where brother and Sister Willis was pastor
Then back in the present here in Hannibal this was their home town a beautiful blonde eight
Year old was their pride and joy life was full she had a older brother who was ten it was a
Musical joyous life and then dark ominous clouds rolled in one so filled with life small and
Gentle it was one of the cruelest and terrifying cancers sorry even her death was terrifying in
The midst of tears and anguish they prompted the Aeolian harp to play they brought her home
To this historical place that became so much more rich and sacred when they lay her in the
Cemetery it came as a rush it over powered my emotions in my mind I saw her waiting for that
Great call the dead in Christ will rise first and meet him in the clouds of glory then those still are
Living will be caught away with him this young heartbroken father and mother with
Out hesitation or actuation by faith and trust they continued and shortly thereafter they started
And completed a larger church the richness of the harp reached across the lost community
Families in peril confused and lost had their ears and hearts opened by the lives of these
Faithful Parents it’s not just about making heaven but look around you at the great and terrible
Day of Judgment the great white throne and He who sets there once the savoir now the judge
Of the world you have others standing there with you as you look at them you can’t help to
Look Beyond His great light and see out in the darkness the deadly silent crying trembling lost
That no one reached or worse they wouldn’t listen the next story of the harp is about Frank
Bartleman the great man God used to bring modern Pentecost to America through the gate of
Azusa St Los Angels he arrived in Los Angeles with his wife and two young daughters December
22 January his oldest daughter three year old Easter was seized with convulsions and passed
Away he echoed the word from Ester little Queen Ester seemed to have been born for a time such
As this Esther 4:14 “Beside that little coffin with heart bleeding I pledged my life anew for God’s
Work In the presence of death how real eternal issues become of all the music LA has produced
None comes close to the sounds made by the Aeolian harp that day all the days since and all
The Souls whose shouts resounded then and now what joy bells are ringing throughout the
Years you read this the harp cuts thorough every excuse every denial we make when His love is
Calling over pastoral fields over head white clouds azure blue sky a single white dove the son of
Man personally calls to you I love you you’re missing so much following the false and deadly
Trends of this world come let me pull you close your land a waste land of just material things in
My presence unquestioned exception hurts carried for years will be healed only as a father can
Do your guilt will be forever cast away moral purity that your soul cries for will be heaped in
Your life no longer dark shadows that haunt but real true life that satisfies to the uttermost it
Will heal bring new understanding addictions are flimsy bindings that hold only because you
Seek all things that are rooted in disfavor my favor knows no bounds and you will be free I will
Breathe my spirit and you will know the Aeolian harp tunes and breathtaking wonder will swirl
Through your mind heart and spirit Heaven will displace the black strangle hold of this world
Centered anew the rays of the cross and my love breaks every yoke true freedom is yours for
time and eternity

To be your favorite this is the honorary title of the world. You're great, legendary, grand.
I'm your fan, audience hall applauds you, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo. Hats off to you. You throw flowers, and I'm telling you I'm yours and only yours, be always with you, I'm so happy to build next to you, I just adore you and have great respect for. You're the only one in the world, who I think every minute. You're like a girl from a fairy tale. I still do not believe that I have met such a wonderful girl. Your sweet voice is unforgettable. I like your gentle laughter. Are you so nice to spend time together. Your beautiful eyes drive me crazy. Your eyes are always fascinates me. When I'm around you, I'm on cloud nine. At the sight of thee my heart is filled with joy. Next to you, my soul is always singing with happiness. Such a beautiful girl like you, I'd love tenderly kissing hands and feet. Peerless, darling, precious, smart, impressive, you are the most valuable part of life, the most precious, most beloved, best. Good, very beautiful, friendly, sincere, feminine, fascinating, shy, gold, amazing, loving, wise, unique, irreplaceable, charming, charming, seductive, charming, attractive, pleasant, simply delicious, fluffy, lovely, hospitable, touching, soft. To me, you're a very **** girl, believe me, you **** goddess, in which lies the passionate nature, so gentle, so sensual. Alluring to her subtle beauty, so amazing, fascinating, magical beautiful, charming, attractive nymph with which you want to be forever. I'm in love with you, and enthralled by your beauty, you're my idol, you're perfect, I dream to be your early days when you first met, you are the most beautiful creatures in the universe. I think about you day at night. You're gorgeous, perfect from the tips of the fingers to the very tips of the hair. I love your gentle eyes, your luxurious sensual lips, your **** nose, your delicate silk hair, I love you, and I can not live without you, and I give you the beautiful wings, which will allow you to fly, looking up from the earth, they will give you good mood. You are my angel. You are my happiness, treasure. You are my Love. I'm going crazy over you. You're the girl that I always dreamed that I was looking for all my life. You're the girl of my dream.  I) I love you, looooooooooveeeeeeee youuuu)
Your charming charm - it's super **** mega power that simply can not be overcome. Gourmet sweetest, love your luxurious body when I see you, just one word sounds in my head: yum, you give yourself fully. I will always love you just subconsciously, unconsciously, your gently ****** image is set down in the depths of my mind completely. From your amazingly contagious beauty opens her mouth and lost the power of speech. Dizzying, amazingly beautiful, you're like a giant tornado, which all attracted to you. And the heart and soul yearn all the time just for you. No matter you love me or not, the important thing is that I still love you, and in my subconscious, I will only love you forever. Your luxurious appearance of the highest quality, it is a workshop, filigree work of Mother Nature, it is simply a masterpiece, which is a unique example of true beauty, you have no equal, you have a high-caliber girl. You to the extent absolutely beautiful, so beautiful, so exotic, ******, and poetic sounds your way is a very beautiful love music that I'm just afraid and embarrassed to come to you, I'm afraid to talk to you, if I stand next to the goddess, or with super mega star, a model world-wide, which probably even know the aliens. The heart beats faster, I can not speak properly, with excitement, tingling all over his body, and just shakes. All these are symptoms of true love to you quite simply: uh), wow). Be your boyfriend, and her husband is for the greatest honor in the world, I stood in front of you on your knees holding flowers. Your appearance is perfect, just like Barbie. You're beautiful to such an extent that only you and I want to have *** forever, infinite, infinite number of times. You are inaccessible, you are like a star, the light of the soul which is like a spotlight in my deep dark loneliness. In love with you thorough. You just amazingly beautiful. You are the best of the best. The goddess of all goddesses, Empress of all the empresses, the queen of all queens. Beautiful girl you just imagine it is impossible. Sexually you just can not be nothing. Prettier souls just do not find. Perfect you had nothing, and will not, simply because I think so. Laponka, I am your loyal fan you're my only idol, idol, an icon of beauty. It does not matter who you are, I'll take you any. Because I'm thirsty anyway only be with you. You have a **** smile, and your sensual look, he is simply amazing. And from your voice and look pleasant shiver throughout the body. You're special, the best there is in all the worlds, universes and dimensions. You're just a feast for the eyes. To you feel powerful, love and ****** desire. You steeper any ****** and afrodoziaka. From your beauty a tapeworm from embarrassment and embarrassment.
I'm obsessed with only you, my Miss Universe, put points bezumilliard your beautiful appearance, and the infinity symbol to boot. No offense, my sweetest, but your beautiful body excites the imagination of your way completely amazing, you're so fine that you do not need, no makeup, no clothes, so perfect, natural beauty, endowed with a divine your beautiful body. Merged with your whole body, mind, heart, and mind, for all eternity, I thirst. You dominiruesh in my heart, mind, soul, and you are deeply in my mind and the subconscious mind, everything is filled only you, my goddess, and I see you in my dreams and I sincerely happy when I see you in them. If I saw you in reality, so it was a happy day, which was not in vain. Be nice to me, as you decorate all eternity, that I want to spend with you a tete-a-tete.
You are my beautiful goddess of love and eroticism, and only you I adore. Rare, beautiful beauty, nature gave you only. The closer you are, the more beautiful. Your delicate skin is so beautiful when the light shines, you have an amazing perfect color. I'm in love with you over. You are super beautiful. I thirst for you tirelessly, you prohibitively, infinitely perfect, you are too, too attractive. You steeper any ******. Flawlessly beautiful as a doll. You are so appetizing. You are the light of happiness, you come and go the light of love and happiness. Do you decorate them all, you are all, because you're beautiful.
You are more beautiful than the most beautiful. Merge forever with thy spirit, and the inner world of your dreams, my lonely soul. See the depth of your I wonder. Whatever gift you my eternal devotion: you are my life, and my eternal destiny, you are my only right choice, you're all that I love, and I want to. And my heart, and my mind is open only to you. You look so romantic and beautiful, your charm, your charms beckon my mind to you, it is useless to resist you, they can only be fully comply, one to commend you. My legs are just for you, my eyes look only at you, and I focused only on you. All you just overflowed in me. And inside, out of love for you, incredible, absolute ease. And from that you're not with me, it hurts the heart of almost any heart attack. Earthshaking, I totally fell in love with you, beyond ******-poetic, beyond ****. Yeah right, you're my Empress, and only you I adore, look at this temple of my love, dedicated to you, to the great altar, look around you everywhere, sit on the throne of love, my great and beautiful goddess. Your every kiss is indescribable and priceless, it is vital needs. Every your opinion, fantastically romantic and touchingly beautiful. He kindles the fire of love and passion in men. Your charm - is a powerful force that attracts all and sundry. Awakens the true, sincere love for you, universal scale. This throne only to you the eternal praise and worship the one, and the chorus singing about your beauty just for you. As you perfect every millimeter of your perfect, sultry-hot-**** body. My world is unique in your beautiful eyes, in your feelings and emotions and not get tired of talking about your perfect proportions.
Author: Musin Almat Zhumabekovich

You’re a sycophant for a selfie.            
selfish daily rants are of the plenty       
up here.                                               
(Up where?)                                           
out there in the world wide-
 who cares it’s everywhere.                                         

There’s no room for you to hide. 
so beware! and be wary of what you confide.
I’ve seen words on their heads and their intent on its side. 
Your rambles are a gamble, every un-thorough thought 
is a stance you take with pride
 on something you were never taught.  

Did you go find it out by yourself? 
I doubt that. Just loud chat from those sat out around you 
was enough to change your point of view. so will you choose? 
Or will it not really be you? did you construe this opinion or did it construe yours?

Some introductory food for thought...

"Threats to freedom of speech, writing and action, though often trivial in isolation, are cumulative in their effect and, unless checked, lead to a general disrespect for the rights of the citizen"
  - George Orwell

"There is only three states of being. There is slavery, tyranny, those are both forms of conflict, or negotiation. Negotiation depends on freedom of speech and you have to be able to talk to people if you are not going to fight with them or capitulate to them."
  - Jordan Peterson

"If liberty means anything at all, it means the right to tell people what they do not want to hear.”
  - George Orwell


The key proponents of the Bill and it's context...
On the 18th October 2016, Bill C-16 received Royal assent in Canada, despite having a small, but thorough opposition, even from those within the LGBT community who felt that the proponents of the Bill did not represent their desires, but that of the most extreme and ideological spectrum of their community. A prominent figure in the opposition to the Bill was Jordan Peterson, a Professor of Psychology at the University of Toronto, who has dedicated a great length of time in study into the **** and Soviet regimes of the past, paying particular attention to the ideological and psychological elements of those periods, which has built his principles as strongly opposed to ideological thought, Postmodernism and Marxism, all of which were instrumental or played roles in the mass genocidal regimes of the early 20th century that began with the subjugation of ideas and speech.

The Bill's implementation is an amendment to the Ontario Human Rights Code that makes the refusal by an individual to refer to someone by their preferred gender pronouns a hate crime. It also brands discrimination by 'gender expression' with the same impunity. To those who do not understand what these concepts mean, essentially what the gender pronoun debate is, is how a minority of the LGBT community demand they be refereed to by different pronouns, and have their gender expression (fashion choice) protected by law. For instance, those who claim not to fit into the binary gender pronouns (he/she) and therefor don't identify as either a man or a woman, wish to be refereed to with artificial neologisms such as ve, they and them.

These demands, however, are not being made by the majority of LGBT people, but a small minority of people, mostly younger students who've been indoctrinated into postmodern and social Marxist ideology. This means that the Canadian government is taking the most extreme representation of a group as the representatives of the entire group, which would be like taking the **** Party as a valid representation of Germans, or the British Olympic squad as representatives of the standard fitness of the entire British public. This is a key focus of opponents to the Bill, like Prof. Peterson who recognises (being an employee of a University himself) that Bills like these are the result of borderline indoctrination in the Universities, and not the demands of LGBT people in general.  


The innate authoritarianism of the bill and it's Marxist/Postmodern motives...
Why are the proponents of this Bill innately authoritarian in nature? Well, as Professor Jordan Peterson makes the clear distinction, that unlike other forms of what is deemed hate speech in law, that enforces what you CAN NOT say, this Bill enforces WHAT YOU MUST SAY. As an example, Holocaust denial is considered hate speech, and so you can not express such a position, however, here you are now forced to speak words that you might not want to say, something far more Orwellian that one might be able to conceive when concerning a seemingly trivial enforcement, and having often spoken of gradualism, this is certainly not the end of the issue.

What is also concerning is that the supporters of the Bill are evidently ideologically motivated, in terms that their ideology (Marxist/Postmodern) is in itself authoritarian in nature, and as they fail to gain support by ideas, they suppress them. Law like this should not be able to slide through the apparatus of the State this easily, for it conveys on many levels a lack of respect for the generations of people who suffered under despotic rule for centuries until finally the rule of law gave them rights (and now we throw them away). It also shows to those more nefarious groups, that the public will not blink, even when you chip away at their right to speak as they choose, which I don't believe is a habit that should be maintained.


- a short essay by FabiusSideman

Eight pounds of thorough *******
split between two brothers of Zaragoza, Spain
the love for substance has lost all of it's hope
time for family split between hours of dope
there was a newborn with wings, without a full day
because the love for substance stood directly in the way.

In nature, as in civilised homes, there is evidence of conformity
      That only significant study would make apparent,
      but his studies were suspicious and neighbours would talk

The nose is bleeding and his pretty song is skipping
on the jukebox by the bathroom door
Anhedonia now is constant, the pathos inherent
As their mother went missing years ago
While they read Proust by the window,
and the day was drawing closed
Their father was sick with Absinthe shakes
whilst little duck starved in the pond behind the house

On disagreeable days,
profound introspection
becomes not more than
subversive ******-babble
and the words he speaks
are dust on the tongue
a bother and little more

Purported to be perpetually depressed, his cool demeanor left an impression
on his sister, as she would gaze upwards at his face, displaying world-weariness
So Weltschmerz they called him and his cool was palpable
but only her smile could bring colour to his fa-

Unmotivated by society,
Bored of this sobriety.
Let's go eye to eye and see,
Every single side of me.
Because without some thorough inspection,  
Emotion goes by
without detection.
Forgive and forget,
All that you can.
For without you,
I feel like I'm ******.
A forgotten man,
In a desolate land.
Has only one want
And that's to be yours,
Sometime
Within this life span.

I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh

i will never know the black mother’s ache,
but i imagine that if the phrase “adding insult to injury” had a feeling,
that would be it.

i will never know the black mother’s ache,
but i imagine that it sounds like “hands up, don’t shoot,” like “i can’t breathe,”
like blood hitting a pavement that seems as though it was built
to catch those droplets.

i will never know the black mother’s ache,
but i imagine that it tastes like skittles and arizona tea,
four years old but still carrying the fresh sting of a wound just opened.
i imagine that it tastes 
like history repeating itself,
like seeing your son or daughter recycled each week
on every news report, on every tv station.
each time it is a different body, 
but it is always the same hand pulling the trigger,
the same black blood being spilled,
the same cries left unheard;
we shout “black lives matter”
and yet, still,
they cut them too short.

i will never know the black mother’s ache,
but i imagine that it looks like a web of lies too thick to cut through — 
every strand another weapon that he did or did not have,
another order that he did or did not follow,
another sin that he did or did not commit;
the only black they care about
is the color of the ink they use
to draw your angel-headed boy
a set of horns.
i imagine that it looks like evidence hidden,
like sparknotes-type skim-throughs labeled “thorough investigations,”
like another unindicted officer walking freely atop the cries of those 
who charged into a battle they knew they would, but hoped they would not, lose.
a battle they have fought too many times before.
i imagine that it looks
like an empty chair at the dinner table,
like cold-blooded ****** disguised as justice
with the help of a blue hat and a badge.

i will never know the black mother’s ache,
but if you listen closely enough,
you can hear it
in every cautious goodbye she says to her children whenever they leave the house,
or in the silence that those goodbyes used to fill.

can you hear it?
you will have to push past the shouts
of the big bold letters that they want you to believe.

somewhere,
somewhere in there,
a black mother’s heart is crying.
it is a gentle, hushed cry 
that the world does not want to hear.

but the tears are still just as wet.

(a.m.)

I've been awake all night
Can't seem to fall asleep
This time, without any methamphetamine

It feels weird - out of the ordinary
Especially after sleeping two full days - in recovery

My gf said my pupils look big
I guess she's doubting my intake too
But not to blame her - I probably would have too

I have so much going through my head
So grateful for many things and friends
My gf and my family above all rest
Except my son, ofcourse - he's forever my No1 and More!

I have a troubled mind
Don't think it entails me this time though..
Its my inner being
That cares so much for the weak...

I know I help where I possibly can
Lucky for me - I have a very understanding and supportive group
But all the worlds troubles,
Are causing me sleepless nights it seems

Food, we can supply for those in need
Stationary for the poor, is no problem either..
But what about the precious jewels - that end up suicidle?

I had training in this field
Got a certificate to prove it too!
But what use is it - if I don't really know what to do??

She's a very dear friend of mine
Very close to my heart
Unconditional friendship love
I see the hurt in her eyes!!

Maybe if I stay awake a little bit longer
Think about the situation a little bit more thorough..
Maybe the answers will find my restless soul!

If only God could write it on my cupboard door!!

I am really tired
And need my beauty sleep
My son will need all of me very soon..

But yet - I think..

Maybe if I stay awake a little bit longer
Think about the situation a little bit more thorough..
Maybe the answers will find my restless soul!

Still hopefully staring at my cupboard door..

I always find a way to help those in need..
Its second nature and easy for me..
But the ones who need my help the most..
Seem to catch me at my weakest -
I'm no good with cancer or disease nor **** addicts neither?! :'(

But I won't give up on either
I refuse to let them go
I know I will find the strength somewhere
And let them know - They will never be alone!
Even if my words and actions fail them - my mind or heart never strays...

So...

Maybe if I stay awake a little bit longer
Think about the situation a little bit more through..
Maybe the answers will find my restless soul!

I've seen you in striped white,
I've seen you in black wrap-around tops,
I've seen you in stilettos,
I've seen you in Fitflops.

I've seen you in the bluest of days,
I've seen you in the rainiest of nights,
I've seen you in the face of the sun,
I've seen you in the wind-full of kites.

I've seen you in the trajectory of life,
I've seen you stare at me with care,
I've seen you in the droplets of water,
I've seen you in every castle in the air.

I've seen you dreaming,
I've seen you back in reality,
I've seen you physically Earthy,
I've seen you  emotionally Mars-y,

I've seen you sad and jubilant,
I've seen you troubled, but kept a smile,
I've seen you doubled - in poker,
I've seen you gone crazily wild.

I've seen you in green-blinking nails,
I've seen you return my stutters,
I've seen you stand tall - confident,
I've seen you slouch - don't matter.

I've seen you looking into empty spaces,
I've seen you looking into a tasty plate,
I've seen you doubt yourself,
I've seen you believing in fate.

I've seen you in the bakery,
I've seen you in a factory,
I've seen you in your beauty,
I've seen you in your most ball-sy.

I've seen you in the bus,
I've seen you read,
I've seen you pick up a microphone,
I've seen you speaking with speed.

I've seen you with a newspaper,
I've seen you with an iPad,
I've seen you with a t-shirt,
I've seen you stylishly clad.

I've seen you work hard,
I've seen you studied irresponsibly,
I've seen you proud,
I've seen you flicker embarrassingly.

I've seen you here,
I've seen you there,
I've seen you near,
I've seen you everywhere.

I've seen enough,
I've seen you in extremes,
I've seen you thorough,
I've seen you in teams.

I've seen you verily,
I've seen you truly,
I've seen so much inspiration,
I've seen you guilty.

I've seen "I've seen" 58 times,
I've seen you more than that few.
But I would've seen nothing more,
If I've seen none of you.

1109

I fit for them—
I seek the Dark
Till I am thorough fit.
The labor is a sober one
With this sufficient sweet
That abstinence of mine produce
A purer food for them, if I succeed,
If not I had
The transport of the Aim—

I'm too despressed to notice I'm stressed out
Suppressed emotions inside, shouldn't let out
Seeing is believing but what I see isn't real
I am forced to accept these "realities" and ignore the way I feel

I don't mean to sadden, entertain, bore, or aggravate,
For a decade I find that this is how I communicate
The only way I can precisely speak out on the unhealthy pleasures
As the chemicals of my brain, they fornicate

These levels of relationships aren't supposed to be
It'll **** me sometime later, look at how it has ruined my personality
Seeing is believing, but you won't believe what I see
How can I act 'normal' when you won't acknowledge I can't do 'human being'

My animalistic compulsions are fuelled by my failing brain functions
Don't get too close cause I'll try to bite, I sympathise for your flesh when I malfuntion
Don't be scared, I'm not canibalistic, I just like to use my teeth
Humans scare me, I must defend myself, uh, I mean, to smile and eat

I'm not afraid to say it, but I'm scared when I'm saying it, I have to say
I have been observing your mundane human actions, I really don't want to be put away
I always feel foreign, alienated, out-of-place
But because I'm "considerate," I have to bite my tongue to save me some face

I'm too stressed out to notice that I'm depressed
Wanting mental soundessnes, yes, peace, my hallucinations don't give me rest
My taughts speed down their highway, my delusions are always a-fest
They inflict beneath my exterior, but for the public eye, I wear a crest

"I wear my skin well, don't you think?" I lie, becuase it ill-fits
I am totally normal, "I'm fine." Can't change the fact I'm a misfit.
The beams that bear my bag of meat rust and thus begin to weaken
The lethal sagging's caused by the mental luggage, I'm not heard, even though I'm speaking

Many persons think that I'm overly paranoid, I must admit, that I am
You would be the same way too, if about your health, no one ever gives a ****
Help doesn't come, because their 'laters' always becomes 'nevers'
I am not that superhuman, can't keep myself together, forever

They claim that they would help me, some way, somehow, but their actions never initiate
Someday, sometime, it would all be over, through a thorough death physical or mental
Oh yes, I'm still believing, you can't accuse me of not having faith.
I look forward to my healing, but all the while, my brain chemicals fornicate.

Silence, beautiful voice!
Be hard and still, for thou only troublest the mind,
And within such a joy I cannot rejoice,
a glory I shall not find.

Catch not my breath, o clamorous heart;
for thou art more horrendous than the horrendous,
and thy mourning over this heavy breath is far too hard,
but sounding alternately irresolute and pretentious.
Thou needst not be my ultimate, though doleful, present;
thou art wicked and frail as the serpent;
I shall let thy tongue be a thrall to my eye,
but vex thee greedily 'till thou benevolently saith goodbye.
I shall makest thee angry and giveth in to anger and lie
and let thee search about within my soul, and die.

Ah! Still, I shall listen to thee once more,
But move, I entreat; to the meadow and fall before
Thy feet on the meadow grass and adore
Bring my heart to thy heat but not make it sore
Not thine, which are neither courtly nor kind;
not mine, for thy youth still, makest me sweet and blind.
Oh, if only thou couldst be so sweet,
and thy smile all the worldliness I dreamt,
For it all wouldst no longer be stormy and pale,
or threatened be, to vanish amongst such winds or ghastly gales;
Ah, yon fairness wouldst be fair,
and scented as sweetly as thy hair.

Whom but thee, again, I should meet
Whenst at stormy nights sunset burneth
At the end of the head village street,
Whom I should meet behind the red ferns?
For I believest, in such boundlessness of fate
Fate that worlds cannot deny, and grudge cannot hate.
And, I believest indeed, my darling shall be there,
to touch he, shall my hand so sweet,
He bowest to me and utterest holy amends
To his future lover, but less than meekly hesitant; friend.

What if with his sunny hair
He connivest for me a snare
Who wouldst hath thought locks of gold so fair
Huddled and curved cozily by hands of care
Immersed in silver, tailored in gold
Even darker than toil, but sharper than words
Wouldst throw in my way pranks and deceit
As to his expectations I couldst not meet?
Wouldst he expect me to stand in the snow that couldst bite
and criest for and cursest him, in the middle of furious nights?

And what if with his sunny smile
Which he refineth with sweetness all the while
And with such an ostentatious remorse
That makest truthful delight even worse
He stealest my heart and makest me swear
So for any other I ought not to care
And my tears shall again be conceived in between
In the eternal mirror of revelling seasons, unseen
Knowing not what it hath done, or where it hath been
What if seas and clouds turnest just they are, so mean?

And imprisoned up and above
I shall hearest beloved Lord talk of the futility of love
And He shall oftentimes stop and mirthlessly laugh
Ruining the castles and puzzles and stories I dreamt of
If distances are not too far to walk to
I shall darest to cross my sphere and get over you
But sins hath perhaps forbidden my courteous intentions
As their meanness swayest me around with no destination-
ah, look at how their vile, grinning eyes temptest me!
They itchest my veins, they throttlest my knees;
and how uncivilly their ****** teeth hauntest me!
Indeedst, indeedst-they are far more horrendous than these living eyes canst see!

Perhaps his smile and tender tone
Were all that I imagined alone
Now that all spells hath grimly gone
Am I truly left on my own?
Ah, prone, prone is truly my soul
But I am distant here, lonely and cold
I am also strong but this solitude is too bold
I hath always been awake with truth, but this I cannot fold
And hovering dancing leaves are grotesquely thrown
About their echoing chambers opened wide
Until more rueful gravity has grown;
and hilarity fades wholly from my side

Once we came to the bench by the rouge church
And sat for hours by the wooden pillar alone
We sang along with the singing white birds
And those strangely blushing red thorns
'Till we fought everything burdened and curtly torn
As how the moon hurriedly cried 'till it found the morn
'Till suddenly, sweetly my heart beat stronger
And thicker, 'till I almost heard it no longer
But I realised, and fast mused and sighed
'No, it cannot stayest long, it cannot be pride.'

T'en we walked a mile-
Just a mile from the moors,
Circling about to find some exile
Away from noises and banging of doors.
We both pleaded, pleaded to our dear Lord
T'at genuine love our hearts couldst afford
But time grew envious and cut our walk short
As night approached and we suddenly had to resort.

And he too, he too was mad
And frowned and twitched that so made me sad
Endlessly alone he wouldst blame me and more fret
Sending myself down and brimmed with regrets
Like a parrot shuffling about its offspring's dying bed
My eyes grew warm and hurtful and red
Anger betrothed him to its indignant powers
Corrupted his cheers and drank away his laughters
I was furious, I cursed and kicked frantically at fate
How it grossly tainted and strained my tenuous date
For it was tenuous and I struggled to makest it strong;
but fate shamefully ripped it and all the triumph I'd woven, all along.

And losing him was indeedst everything,
nothing distracted me and kept my jostled self going.
I feelest lethargic even in my sleep,
I keepest falling from rocks in my dreams-ah, too leafy and steep!
I dreamest of suburbs that are rich with divine foliage,
I rejoicest in whose tranquil, though transient, merriment.
And as morn retreatest, I shall be again filled with rage,
I refusest to eat and enjoy even a slice of everyday's enjoyment.
I am now wholly conquered by worry; I was torn and lost in my own battlefield,
I hath no more guard that shall lift me upwards and grant me his shield.
Ah, I hath now been turned, to a whole nonentity;
at my wounds people shall turn away, with a foolish laugh and mock sorry.

O, love, and I am now vainly stuck in the night,
The night that refusest to leave my tired sight.
The night that keepest returning the dark
with no more hope of reflective sight,
and no more signs pertinent burning light,
and sick I'th become, of this jealous dread.
But am I really sick now? Utterly sick of this lonesome envy?
Ah, still I better refusest to know. My dreams are bad.
The shapes in there are far too inglorious and mad.
Just like those-ah! Do not let them harm me!
Where are my eyes? My very heart, my own blood,
and perhaps, my thorough sense of humanity?
One second back they were all still with me,
but they are all now ruined phantoms and shapes,
whenever I am fast asleep,
he turnest them out like obedient sheep
and handest them to the unseen to be *****.
He was neither sincere nor tactful,
and believed too heartly in his odious and ill-coloured soul.
Ah, but duly shall I even call this season harmful,
sorrows rule our hands, whilst distaste reign our men.
Disgrace ownest its peaks, within gratuitous handfuls,
men knowest not their lovers, speakest not of us as friends.
Ah, this is a bitter spring indeed, of anger and fear;
With thousands of evil tongues and evil ears,
For lovers are at war with their lovers,
and makest each others' eyes unseeing and blind.
Even God, our lovely God himself, is at war with his heavens,
for whose minds are lost, as real conscience shall never ever find.

Where is my love? Ah, perhaps staggering under the woods,
And I, who else, shall be with him,
Gathering woodland lilies,
Prosperously blooming under the trees.
Where is my heart? Ah, it is carried again within him,
as we layest about the green grass on our limbs,
with oiled lamps at our feet,
and tellest stories as our loving eyes lean closer and meet.

Ah, beauty! That is the picture in my mind,
not him, not him, that has sent me blind.
Still the image of him makes me sick,
his image that is as stony and greedy as a brick.

He has no feelings, he has no emotion,
he has no endurance and twists of natural passion.
He has all the strength and virility the world ever wanted,
but his mind remainst cold, his heart his own self once entered.
He is as unjust as a statue,
he knowest not wrong and right, nor false from true.
For whilst I tried to praise his being so comely,
he took all my remarks sedately,
he gazed at me with an arrogant face snarling,
and praised the gentleness of his own darling.

He is unthinking, savage, and unfeeling,
his face a human, his heart a brute.
He might be all the way comely and charming,
too pitiful he is inhuman and acts like a crude.
My fancy was sometimes real overbold,
for whenst I was to coo and hold, he was but to scream and scold.
Scorned, to be scorned by one that I not scorn,
whenst all this passion my shoulder had borne?
It is unfair and ignominiously hateful,
gross and unjust, horrid and spiteful.
A fool I am, to be unvexed with his pride!
And once, during repetitive daylight,
I past him, one day I was crossing his lands,
I did look at him not as a gentleman,
He was laughing at his own tediousness,
I dreaded him for that, but as I came home
later, I cried again, over his picture with madness.

Ah! How couldst I ever forget him,
whenst he is but the one I love?
No matter how strange this may seem,
he was the one I real dreamt of;
I want to love him not in a dream,
I want to touch him in his flesh.
I want to smell that scent of him,
and breathe onto his lap and his chest.
I want to sit in his oak-room,
and tellest him of stories of glad and gloom,
before the ocean-waves afar laid
next to quiet storms, amidst our private delight.
I want to have him selfishly!
Have him laugh endlessly with me,
and all the way love him madly;
with a heart so dearly but greedy.

What, if he fastened himself to this fool dame,
and bask in her infamous joy, and fame
Should I love him so well, if he
gave her heart to a thing so low?
Should I let him again smile at me
If we are bound to see each other tomorrow?
His smile, at times can be full of spite
Yet in spite of spite, he is all but comely and white;
I miss him, I miss him as just how I miss my dream,
He is, though marred, is just as sweet as I remember him,
I insist sorrow coming up to me,
To consolest and hearest here, my deepest plea
And ****** the most painful pain to he and she
And restore then, his innocent self to me.

I hearest no sound from where I am standing
But the rivulets and tiny drops of rain
Are starting to send moonlight to my whining
As I twitch and swirl and whirl about in the rain.
I watch people flock in and out the evening train;
their thoughts hidden, like all the mimicry in a quiet play.
Hearts full of glowing love, and at the same time, of disdain;
all pass by gates and bars and entrances with nothing serious to say.
Ah, perhaps I am the only one too melancholy,
for even at this busy hour think doth I, of such poetry.
Yet melancholy but real, for if I ever be dear to someone else,
then I decide that should I be, to myself, far dearer.
For I believe not tales another creature tells,
they can be lies, they can be unfairer.
Like a nutshell too hard for the very poor shell itself,
I do feel pity for him and his ignorant self.
Unlucky him, for I carest more for every puff of his breath,
no matter how eerie-and she, rejoices over
the bashful lapse, of his death.

My life hath crept so long on a broken wing
Through cells of madness, horror, and fear;
Fear that is brutal and insidious, though inviting
and lies that eyes cannot see nor ears hear;
My mood hath changed, at least at this time of year
As I'th stayed more about and dwelled mostly here
And my previous grief hath outgrown itself like a butterfly
Too I witnessed as It fluttered and flickered madly,
and at the very last moment, died silently 'midst its own fury;
All weeks long, I hath listened and learned tactfully more
Lessons that I hath never heard of, never before.

But still, hate I this severely clashing world;
too much torpor hath we all borne, and burning, virile hurt.
O down, down with laborious ambition and ******
Kiss this earth's silent layers and fold down our knees
Ah, darling, put down thy passion that makest thee Hell!
To all madness of thine thou should sayest, farewell-
Hesitate not, and leave thy curious, and agile state
Be honest and precise, be courteous and moderate.
Crush and demolish and burn all demonic hate
Thus instead cherish and welcome thy realistic fate.
Entertain thy love; with dozens and dozens of new, novelty!
Brush up thy pride, but leavest away, o, leavest away thy old vanity-
Ah, and profess thy love only to me, for it brings me delight
It returns my hope, and turns all my dissolutions to light.

And tease, tease me, and my frenetic, personal song
Though I but be a wounded thing-with a rancorous cry,
I am wretched and wretched, as thou hath hurt me all along
Sick, sick to the heart of this entire life, am I.
Many one hath preached my poor little heart down,
Neither any merriment is mine, 'mongst this serene county town.
My only friend is my oak-room bible, and its dear God
Who mockest frenetic riches rich at diamonds but poor at heart
With cries that rulest turning minds from each other apart;
and with wealth running away to selfishly savest their spoilt, cruel hearts-
o, how I am lucky-for I am destroyed, but not by my dear Lord;
I am healed and charmed by His generous frank words.

All seemest like a vague dream, but still a dear insight
For he, above all, taught me to see which one was right
I still miss him, and dearly hope that he canst somehow be my future poem
And together we shall fliest towards joy and escapest such unblessed doom;
His musical mouth is indeedst my song,
a song that I'th been singing intimately with, all along!
For this then shall I shall continue my pursuit,
with a grateful heart and so a considerate wit,
for I am sure now-that he is mine, and only mine,
and duly certain of these promising, though long, signs;
But now I feel my heart grow easier;
as it now embraces days in ways lovelier;
for I hath now awakened again, to a better mind,
so that everything is now to me just fine;
Still he bears all my love and intuitive goodwill,
yet how to waken my love, God knowest better still.

Admirable, Blissful, Bewildered, Curious, Capable, Compassionate, Determined, Daring, Delighted, Dazzling, Eagar, Edgy, Enlightening Enthusiastic, Elegant, Fabulous, Fantastic, Forgiving, Fictitious, Fancy, Feminist, Glamourous, Gorgeous, Glowing, Guarded, Greatful, Generous, Gloomy, Happy, Honest, Hopeful, Humourous, Humble, Humane, Heartiest, Heavenly, Imaginative, Interesting, Inspiring, Intellegent, Incredible, Impressive, Important, Indecisive, Invisible, Jinxed, Joyous, Judicious, Justified, Jobless, Jiggish, Jimp, Jittery, Jazzy, Jaunty, Kindhearted, Keen, Knowledgable, Kiddish, Knavish, Knockout, Kempt, Kween, Kin, Kittens, Kinder, Lazy, Luxurious, Lively, Loyal, Limit, Laminated, Lawless, Lightning, Lushious, Luminous, Lovesick, Logical, Modest, Marvelous, Motivated, Music, Momentous, Mindful, Magical, Memories, Merciful, Mellow, Mesmerizing, Malicious, Mannered, Noble, Nervous, Night, Naive, Noted, Natural, Nifty, Nurturing, Never-ending, Noteworthy, Neglected, Narnia, Native, Number 1, ***, Openhearted, O Canada, Obviously, Obidient, Obsessions, Open-minded, Oriented, O.K., Observing, OUT-OF-THIS-WORLD, Omnicient, Outshining, Obliged, Obsticles, Passionate, Personally, Poetry, Picture-Perfect, Positivity, Pulse, Painful, Physic, Power, Protagnist, People-Person, Pros, and Cons, Purity, Purpose, Pleasant, Pieces, Quiet, Quality, Quick, Quoted, Queen, Quirky, Quintessentially, Quest, Quick-Minded, Questionable, Quarter, Quiver, Quiddity, Quiescent, Qui vive, Quip, Quantity, Ravishing, Rapport, Reliving, Reassuring, Rebal, Rainbows, Reckless, Relaxing, Respect, Remedy, Regrets, Right, Relatable, Reliable, Rad, Ready, Responsible, Rainy days, Sagacious, Salutary, Sassy, Secure, Self-assured, Self-reliant, Self-confident, Self-disciplined, Selfless, Sensational, Sensitive, Stars, Shawn Mendes, Sénorita, Sentimental, Set, Serene, Seamless, Significant, Sightly, Trustworthy, Talented, Tender-hearted, Thriving, Thankful, Titanic, Touché, Touchy, Transparent, True, True-blue, Traveller, Transpicuous, Titillating, Timeless,Tidy, Teasing, Tender, Terrific, Thorough, Thrilling, Unarguable, Ultimate, Undefining, Under-the-weather, Unalloyed, Unassuming, Uncommon, Understandable, Undivided, Unique, Unlimited, Unstoppable, Uplifting, Upbeat, Uber, Unconvensional, Uhuh, Unbelieveable, Under control, Unquestionable, Utter amazment, Valiant, Valuable, Valid, Veridical, Valiant, Vibrant, Vigorous, Vigilant, Victorious, Visions, Vivid, Voluptuous, Vulnerary, Vulnerable, Venust, Veracious, Vestal, Violen, Vroom Vroom, Victory, Vows, Wake me up, Wise, Welsome, Well-behaved, Welcoming, Well-grounded, Woke, Whimsical, Whistler, Wholesome, Wired, Witty, Wondrous, Whilst, Winter, Wonderful, Wide-Awake, Walk it like I take it, ****-bang, Wishful, Wellness, Worth it, World-Class, Xo, Yolo, Zero

1
*Gongs and drums sound rambunctious,
a wild rhythm tears the silence of the night,
a slow number first, then in quick time
racing fast,everything ends in a blast.
his self control lost, he dances like one possessed,
in the moon lit places and shadows alike.
This angst is not his alone, he feels,
as if mad at the way the world these days is.
Freedom of a special kind, it was, catharsis,
drums sounding mysterious, made life different.
                               2
Once when he and his girl were making love
deep in his veins drums rumbled,
and he couldn't but stop and listen,
she was curious,"What is this, what do you listen?"
smiling, he resumed his dance
thorough the valley and plains, like wind,
to the tune of temple drums,
his hair flying and sweat pouring  like rain,
she could catch the change of rhythm
intense love was there, in the depth of fury.

Then, they ended up panting,then lying quiet.
holding each other tight,she said;
"you are like one possessed, fantastic,"
but he had felt the presence of a third,
he felt in his bones,
a benign female presence, who is she?
                      3
The oracle holding a sword with a shining blade,
wearing a red silk turban and a white **** cloth, told:
"It's the possession of a woman, a wild spirit,
her songs and dance were snuffed out
at a young age, when it slowly emerged,
it happened at a time we don't know when,
a kindred spirit, your tumult suits her soul."
the oracle was in a trance when he opened his eyes,
"Not a curse, a blessing, symbiotic it is"
the oracle  threw a bit of holy ash on him and said:
"Well son, in you Devi, the mother goddess
is pleased, this spirit will survive,
her speakings will come out from you,
all will be just fine, being kind you received her,
so pleased and contented she is, wouldn't disturb"

They walked together, the woman without a body
to fulfill her dreams or sing her songs,
at times of loneliness the drums sound,
she comes in to his tumultuous soul, he makes her alight,
in their entwined destiney, he sings her songs, they dance.

.i don't know any other music genre, where the bass is left alone, left exfoliating married to the drums, and the guitar? there's no such a thing as a rhythm guitar section in blues... the guitar is consrtantly married to solo... to a sense of orthography... best represented by ´ (the acute accent) without an o: to cream out a "hidden" u, i.e.: ó... or a cedilla (¸) bound to a c: ç to form the greek sigma (ς) - e.g. garçon... waiter, waiter: i'll just wait... that's how i see the blues guitar... the rhythm guitar isn't there, the bass is married to the drums... but the blues guitar keeps the rhythm in a "funny" way... pair up john lee ****** with lightnin' hopkins (on the piano)... and you... keep rhythm, by working solo accents into the rhythm set by the bass and drums... you rhythm by a continous sparring with the solo - you solo by ensuring your remain in the confines of chord, or something much -esque to a chord... milk, cream & alcohol... again and again: the blues... oh my dear the blues... where the rhythm of the guitar is kept with constant soloing... sometimes engaging with the bass and the drums for a reference check of rhythm... but mostly: solo the whole **** through... but it's not the sort of soloing associated with hair metal of the 1980s jerking-off for performance art piquance... sometimes the solos come in the form of chords... it's like i said already... layers:

         waiter -   garçon
                                 and garcon
                                               (¸)

blues guitar? the latter...
                                             solo accents...
rhythm of syllables: gar-çon
                              but mostly gar-con
                                                         ­  (¸)
since the bass and drums rhythm section
is so perfected in the blues,
the guitar is allowed to do what the hands
want owned by the devil...
        a thorough solo to keep the rhythm...
the one genre of music
where the solo works like a rhythm...
     instead of that in between section
of showing off
between verse chorus verse chorus solo chorus
standard of rock...

     another freedom given to the blues guitar?
the rhythm set by the vocals,
of repeating lyrics...
hell... if someone is going to sing
and play at the same time...
                  why explore lyrics as some sort
of narrative... ping-pong along
with the freedom of the itchy fingers...
by having no real verse,
and no real chorus...
                just a steadied momentum...
        and you really need to drink to appreciate
the blues...
                   just like all the hippies
will tell you that dropping acid enchances your
chances of enjoying the 13th floor elevators
or jefferson airplane...
              i don't know which is better these days:
jazz or blues?
sure as **** not rap...
                       and they say the slave trade
was all bad... sorry...
      without these west africans budding
in h'america... i'd still have a clarinet shoved
up my ***... or folk songs...
                  or mozart's woodwind imitating...
or vivaldi's *******' worth of spring...
yes, and we all know that Idi Amin was white...
wasn't he? who died peacefully while
under asylum in saudi arabia...
           Idi Amin was white! oh come on!
he was the last king of sctoland!
              on a side:
   they were picking cotton...
             well... at least they weren't working
the ******* coalmines... where they now?

ever watch that video
of milo
  yiannopolous:
       congresswoman
ilhan omar
           (d-mn)
       addresses
david horowitz's west
coast retreat?

where is the old milo
gone to?
anyone pick
up on the heavy breathing?

there's the stag ***
of only 2 years prior?
he's not here...

         i was never into making
videos,
only because i just liked
those japanese godzilla
movies from the late 80s...

and i'm still a sucker
for modern pop,
currently?
           mabel - don't call me up...
huge, huge sucker
for the expected reaction
to pop music...
synch. vocals and
a very limited circumstance
of lyrical poverty...

sucker... might as well
don a dunce hat...
elsewhere,
on the ibernian peninsula
it's also called
a *capirote...
and **** gets freaky...

i agree...
the northern crusades,
the polacks became christened
in 962...
   the teutonic knights
were ready
to explore lithuania...
we were about to allign
ourselves with them,
ergo: defend them...

            the concept
of reconquista came after
the crusades...
         i'm pretty sure it came
after...
           jihad is reconquista...
worded differently...
   is it? the crusades were one
thing...
     jihad = reconquista...
         the current form of jihad?
it's like crusading...
     to claim a jihad is to claim
reclaiming lost lands,
there must be some muslim genius
who could come up with
a counter term to jihad:
the jihad on the offensive...
rather than on the defensive...
we need some muslim genius
to come up with a conquering
ideology of islam...
   umayyad script...

i'm reading into the video
and i'm like:
is he angry...
       or is he simply scared?
all that heavy breathing...
maybe it's both?
   do i "think" about
throwing him from
a roof... are you sane?
as they say:
in a mad mad world,
the only sane people
                    are the madmen...

talk about memes finally
coming across "genetic"
mutation...
                why are all the "liberals"
and "progressives"
so surprised by mutation
creeping into memes?
doesn't that usually happen
with genes?
so... what's with all the outrage...
if memes exist outside
of the biological reality
of genes,
then... surely,
any counter-thought
from the est. order is equivalent
to a mutation, isn't it?

               so... what's the outrage
about?
    well if genes are going
to by hijacked by a mutation,
why would memes be immune
to a mutation,
akin to the o.k. hand sign?
you want a script?
i learned this at primary school,
but you need two hands
in tow:

   (right hand RH,
left hand LH,
   thumb TH
         index I
      ******* MF
        ring finger RF
pinky P)...

and now the motion

   RH (I + MF hand down) slap on the
the LH palm of the open hand...
   RH (I + MF hand up) slap
on the LH palm of the open hand...
RH (I + MF
               V shaped insertion
of the V shape into the LH's
side)
      clenched fist of RH slammed
on the open palm of the LH...
clenched RH with an extended TH
poiting toward caesar's favour
in the coliseum (thumb's up)
moving away from the LH open
palm...

   translation?
   why, don't, you, ****, off...
primary school,
some of the kid's parents
must have taught them this sequence
when their children told them
that some foreigner ******
was attending primary school
with them...

                   poor milo though...
notably in that video...
           he's either really angry...
or he's ******* himself...

i'm still left with this sign language...
i don't even know if it's correct...
a kevin spacey "conundrum"...
i'm not exactly going to, *******,
am i?
                knitting and picking
points of criticism...
   made easy:
   no niqab, no turban,
   no copper skin,
             no black skin...
no wonder my fellow countrymen
are leaving
with a massive F          and a U
from this island...
                    good for them...
if i was sane enough,
i'd also leave...
      but given that i'm also a dual-citizen...
well...
         milk the ***** for
her last worth...
    this language...
                    the people are another story,
but my lover affair with
this language is exactly
this.