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"scrabbling" poems
Sometimes, the words don’t come. The consistent stream of consciousness, ceases. I am left with nothing to say. There is a beauty in the broken mind. Like an abandoned building taken by nature. It is not that my mind does not work. It is that it works too fast, And I am left behind, Scrabbling in the dust, Desperately seeking a connection, In the discarded fragments of thought. I am fighting a losing battle. I fear the white flag will soon arise. And signal the end.
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May 18, 2019
May 18, 2019 at 10:32 AM UTC
Silent
at high noon at a small college near the beach sober the sweat running down my arms a spot of sweat on the table I flatten it with my finger blood money blood money my god they must think I love this like the others but it's for bread and beer and rent blood money I'm tense lousy feel bad poor people I'm failing I'm failing a woman gets up walks out slams the door a ***** poem somebody told me not to read ***** poems here it's too late. my eyes can't see some lines I read it out- desperate trembling lousy they can't hear my voice and I say, I quit, that's it, I'm finished. and later in my room there's scotch and beer: the blood of a coward. this then will be my destiny: scrabbling for pennies in tiny dark halls reading poems I have long since beome tired of. and I used to think that men who drove buses or cleaned out latrines or murdered men in alleys were fools.
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5.4k
The Poetry Reading
Gripping ***** locks knotted to his scalp, she kicks him to the road. Glass bottle bits scrabbling under his fingernails; he yelps, dragging away. Their pressed flower daughter clings to the soot-stained wall. She tiptoes his nape into the pavement, drawing a gag and gurgle bubbling out of his throat. Two fingers pull his nose, resting his teeth on the curb. An incisor plinks to the girl’s feet. She hugs it as close as a home.
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Dec 6, 2012
Dec 6, 2012 at 4:58 PM UTC
The Dentist
Morning *** is like drinking coffee Hot Thick Sweet Brown? Morning *** is like scrabbling eggs Quick Heat Beaten Creamy? Morning *** is like sizzling bacon Greasy Aromatic Bubbly Crunchy? Morning *** is like sipping orange juice Cool Tangy Healthy Pulpy?
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Oct 25, 2011
Oct 25, 2011 at 11:03 AM UTC
Morning ***
At the beginning of time they saw him as a slave Now, it’s the police prime to shoot him into the grave Peers scared he’ll steal their toys Teachers still stereotype that his a black boy Expel him giving his future to the gangs Either jail or stuck between devil’s fangs Scrabbling through the trauma Living through hates non-understandable Unaware, untrained he’ll be a black man Until then, either he stays in a comma ‘Cause I don’t know how the black boy can survive.
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Oct 27, 2020
Oct 27, 2020 at 7:00 PM UTC
Black Boy
i am not the sum of my parts i am my parts, still scattered and somehow arranged in working order fingers scrabbling to sew the pieces together into this shambling, smiling mess i am not the whole picture i am the pixels, the sharp squares of almost-colour that mean nothing up close but look ordinary, lifelike and solid from far away i am far away a million-pixel memory moving into the whole picture and fitting in just perfectly enough to fade into the horizon as the sum of my parts becomes just another spark trying to ignite a dormant soul
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Feb 27, 2014
Feb 27, 2014 at 10:20 PM UTC
personal math
Shuffling sidewards Off he walks Heavy black trenchcoat Eyes on stalks Custom trousers Eight legs wide Henry the Half-Crab Woe betide Awkward scrabbling Can't hold keys Narrow little doorway Tangled knees Toilet adjustments Bean bag chairs Henry the Half-Crab No one cares Can't be an astronaut Never play guitar Can't use a keyboard Won't go far Hiding from the fishermen Far from shore Henry the Half-Crab Somewhat raw
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Nov 13, 2014
Nov 13, 2014 at 12:44 PM UTC
Henry the Half-Crab
You stand there in a field Of gentle grass and daffodil The butterflies gossip in dances The breeze sweet as honey Haloed sun on your head And I feel you smile at me So soft, so wanted Cradling in your hands My heart A gory mass of muscle and tissue Pulsating and twitching like a nightmare struggling To tear it’s desperate fingers through its ****** oozing womb And I lay under you skin gorged, ribs cracked Wheezing through smoker’s lungs clinging on by a few dripping strands of fleshy tubing And my hands claw the earth nails mangled and nerves ragged But my eyes fix Enraptured despite these things scrabbling at my irises As I strain To catch a glimpse of your face
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Jan 13, 2022
Jan 13, 2022 at 11:37 AM UTC
Perfect
scrabbling for words the spirit world takes me to her breast
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Sep 4, 2014
Sep 4, 2014 at 5:53 AM UTC
her breast
She ran to a land of summer and pink kimonos, Where nurse sharks circled her ankles And familiar familial flaws faded to vague memories of leather scented hugs. She learned to walk dusty streets in bare feet, so she could hold the world in her toes, Leaving crumpled dollars in the hands of beggars Who saw her light skin as gold. The cherry trees bathed her in petals soft enough to erase the scars that faded in the sun, She learnt to run with her hair down and to eat kneeling at a table, Rearranged her mind with the art of Feng Shui in an attempt to find a way to live away from the dictatorship of the past, Collecting porous pebbles and lighting candles encircled in jade, As old leather scents fade to incense and jasmine. She strings lost stone on a necklace of wood and measures her life in the breaths to come instead of those she has taken. Her heartbeat beats irregularly but no longer from fear and now adrenaline is synonymous with exhilaration. And she holds sand in her palms, No longer scrabbling to catch it as it falls through her fingers, She now knows that life occurs between her hand and the ground. She broke the hourglass because she no longer counts the hours Or clings to the time that is gone. She lives eternal and bright, Clothed in sunlight And a pink kimono.
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Aug 11, 2015
Aug 11, 2015 at 3:14 PM UTC
Runaway
Shadows reach, claws outstretched Scratching and grasping a trembling wreck Crawling, scrabbling, breathing rough Footsteps can't carry you far enough Moonlight casts flickers that turn into eyes Grinning and watching a squirming demise Feel the space close, the breath on your skin Fingers in your hair, the twisting within Screaming, screeching, scavengers ravage, draw blood Keep your eyes open, my pretty, my love.
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May 7, 2017
May 7, 2017 at 9:47 AM UTC
Choose the Dark
They do have a lot to be sorrowful about their dark mindset understandable those that grow and wrinkle in the blink of an eye hirsute till even the females spot moustaches and beards and most males are gifted with little sausages and no great stamina in use education is optional and ignorance rules ok the painted hues are catching up while hometown losers are busking begging money its all going south for them so its blame game all the way so they make it up as they crawl along hiding their shame in foreign tags and their cowardice in numbers too dumb and weak to excel they seek refuge in bullying as if we haven't got their measures and know they bathe only once a week at most my, my! they do have a shedload to lament their miseries plain to see so please excuse their puerile defensive scrabbling's   they are poor in heads in pockets and in their minds
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Mar 15, 2022
Mar 15, 2022 at 10:28 AM UTC
Downtown ruskies......
We blossomed in the hot brilliance of discovery and the deep cold of grief, eating social norms alive, tracing deathly hallows in dusty window panes, standing chins-up eyes-shut arms-out in that flood of September sun, calling ourselves wild, because we were. Beautiful days, I remember. Days of soft. Days of blueness and falling leaves. Days of numb fingers scrabbling with ice skate laces and racing each other onto the rink. Days of studying our fears. Days of madness. Days of converse sneakers and combat boots and teasing height comparisons. Days of mutual insanity, sleeplessness, midnight conversations. Days of standing shoulder to shoulder. Days of unspoken things traversing the silence between us, a communication entirely our own. Days of laughter up to our waists. Days of belonging. Days of young. You’ve asked me many times, dear, if there’s anything you can do for me. I always say no, but there’s something this time, and it’s this, just this. One small act. Don’t forget. Years from now, when everything is different, keep this in you, alive. A second heartbeat. For me. Please. Don’t forget our days. Don’t forget how we felt.
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Dec 25, 2014
Dec 25, 2014 at 4:49 PM UTC
best friend
with the weight of the world on my shoulders, hands scrabbling at my back, i wonder when i stopped being icarus and took on the role of atlas and if it was foolish of me to wear wings of wax and expect them not to melt i miss that flying freedom. feeling on top of the world, soaring through a blue sky with you, my apollo, a guiding light; an enveloping warmth, it felt like nothing could touch me even on the coldest nights i knew enough of science and mythology to know i'd fall hard, that candles drip and melt and when they melt, your skin burns; i knew that looking into the sun would surely make me blind it didn't feel like such a hazard at the time i've never had 20:20 eyesight. the blindest man is the one that refuses to see and why see when i could feel? throw caution to the wind, take flight... i flew and i fell and i loved so i drowned
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Mar 21, 2017
Mar 21, 2017 at 1:56 PM UTC
on how icarus became atlas
Stand on the edge and look down .... It is so far down that reality blurs into an abstract haze. Is it solid ground, soft verdant green that will envelop you in its caress as you land? Is it hard concrete that waits to shatter-splatter you into a liquid pool? Is it that empty eternal void you tumble into night on night, as you clutch at your throat, as you gasp for that last, lingering breath? Perhaps it is Death that awaits you in his welcoming grasp? Stand on the edge and look down … The ground is giving way beneath your feet. Your heartbeat rises to a crescendo in your chest. You cannot breathe. Frantically, you grab at the cloth by your neck. Your legs are weak. You feel the earth crumbling away. Your eyes stare wild and wide. A scream echoes ghastly, panicked, reverberating around you in a maelstrom of despair. Is this your voice? Stand on the edge and look down … only scant seconds remain. What will you do? Dare you step back? Can you will your shrieking mind to comprehend, to obey? And if you do, are you safe? Reach behind you, go on, you can .... Feel it? The wall, rough and damp? Touch it, grasp at it, your scrabbling fingers shredded and bleeding from the sharp rock it doesn't matter. Find a purchase and drag yourself towards it, rest your clammy face against the rough-hewn stone, caress the damp rock with your cheek, ignore the ****** tears that course down your face, breathe again; Your chest heaves, your mouth agape drawing in draughts of cold air. The pounding of your heart lessens. Now close your eyes, sleep, sleep ...
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Sep 23, 2012
Sep 23, 2012 at 11:49 AM UTC
On the Edge
Stand on the edge and look down .... It is so far down that reality blurs into an abstract haze. Is it solid ground, soft verdant green that will envelop you in its caress as you land? Is it hard concrete that waits to shatter-splatter you into a liquid pool? Is it that empty eternal void you tumble into night on night, as you clutch at your throat, as you gasp for that last, lingering breath? Perhaps it is Death that awaits you in his welcoming grasp? Stand on the edge and look down … The ground is giving way beneath your feet. Your heartbeat rises to a crescendo in your chest. You cannot breathe. Frantically, you grab at the cloth by your neck. Your legs are weak. You feel the earth crumbling away. Your eyes stare wild and wide. A scream echoes ghastly, panicked, reverberating around you in a maelstrom of despair. Is this your voice? Stand on the edge and look down … only scant seconds remain. What will you do? Dare you step back? Can you will your shrieking mind to comprehend, to obey? And if you do, are you safe? Reach behind you, go on, you can .... Feel it? The wall, rough and damp? Touch it, grasp at it, your scrabbling fingers shredded and bleeding from the sharp rock it doesn't matter. Find a purchase and drag yourself towards it, rest your clammy face against the rough-hewn stone, caress the damp rock with your cheek, ignore the ****** tears that course down your face, breathe again; Your chest heaves, your mouth agape drawing in draughts of cold air. The pounding of your heart lessens. Now close your eyes, sleep, sleep ...
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54
Think you can walk on me? Think you can walk away? Think you can take me? I know your darkness, honey. I know your corners full of cobwebs and shadows, The places within you. Think I'm innocent and pure? Sure. I have not torn lace and tasted flesh, Or sharped my fingernails on the ridges of a spine, But I have been to hell, sweetness. Been dragged below a grave, Gouged wet dirt with mine, Desperate hands scrabbling to pull me back To rainy bitter nights. I have lain bare and ****** on the cold stone floors, stained blue and black, Burned beyond a breath, beyond thinking, Beyond hope. I've been brutalized and torn apart inside. To compare evisceration to the blooming of a rose, To say I've had the far away gentler time. To think I am naive as you suppose, That I couldn't possibly know the foreign lands Traveled by your mute experienced hands. Think because I ask for you I need you? It is my nature to give, but not to take. Not to take love when I am not offered it, But also not to take any more **** If you look into my eyes, do you see fear? Of anything, in their depths? Keep looking, search away- You'll not find it here. You'll see my rise and fall, my grand absurdity, But you'll not see my obeisance To someone who will not match me Mile for mile, Straight down. I have seen hell, you see. Gazed long and hard and deep. Purred savage in its velvet caress- The way you have unzipped a dress, I have unzipped my skin And stepped out. So look on, look lust, look IN- I am no white snowflake, glittering Fragile and quick to melt and meld. No sniveling child begging weakly to be held. I am a rainstorm drumming on my own back, A rhythm and reminder of the tenderness I lack, I am a lightning strike, Sudden focused and intense, the white Hot touch of the phantasm immense. I am the song of suffering and of love, I need no substance to loose my demons, No dizzy fiery nectar to lose my mind. I am complete unaltered, and sublime. I have known centuries beneath my skin, If no one's touch, And words of every meaning through my wanting veins For wanting such. And you, girl, are not worth my time. Push her blushing into bed, raise her pulse to reeling heights, For I have pushed the world beneath my kneading hands, and pulled the sun to night. Ravage rashly through the silly schoolgirls that you find. The way into a woman's soul Is the seducing of her mind.
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Dec 29, 2012
Dec 29, 2012 at 7:15 PM UTC
For The Jester Of The Year
Think you can walk on me? Think you can walk away? Think you can take me? I know your darkness, honey. I know your corners full of cobwebs and shadows, The places within you. Think I'm innocent and pure? Sure. I have not torn lace and tasted flesh, Or sharped my fingernails on the ridges of a spine, But I have been to hell, sweetness. Been dragged below a grave, Gouged wet dirt with mine, Desperate hands scrabbling to pull me back To rainy bitter nights. I have lain bare and ****** on the cold stone floors, stained blue and black, Burned beyond a breath, beyond thinking, Beyond hope. I've been brutalized and torn apart inside. To compare evisceration to the blooming of a rose, To say I've had the far away gentler time. To think I am naive as you suppose, That I couldn't possibly know the foreign lands Traveled by your mute experienced hands. Think because I ask for you I need you? It is my nature to give, but not to take. Not to take love when I am not offered it, But also not to take any more **** If you look into my eyes, do you see fear? Of anything, in their depths? Keep looking, search away- You'll not find it here. You'll see my rise and fall, my grand absurdity, But you'll not see my obeisance To someone who will not match me Mile for mile, Straight down. I have seen hell, you see. Gazed long and hard and deep. Purred savage in its velvet caress- The way you have unzipped a dress, I have unzipped my skin And stepped out. So look on, look lust, look IN- I am no white snowflake, glittering Fragile and quick to melt and meld. No sniveling child begging weakly to be held. I am a rainstorm drumming on my own back, A rhythm and reminder of the tenderness I lack, I am a lightning strike, Sudden focused and intense, the white Hot touch of the phantasm immense. I am the song of suffering and of love, I need no substance to loose my demons, No dizzy fiery nectar to lose my mind. I am complete unaltered, and sublime. I have known centuries beneath my skin, If no one's touch, And words of every meaning through my wanting veins For wanting such. And you, girl, are not worth my time. Push her blushing into bed, raise her pulse to reeling heights, For I have pushed the world beneath my kneading hands, and pulled the sun to night. Ravage rashly through the silly schoolgirls that you find. The way into a woman's soul Is the seducing of her mind.
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66
i spit metaphors and stumble to my knees, i wipe similes from my lips like blood and teeth. i am pummeled with irony fists as i stagger and crash across barstools in anapest reels, with splinters of broken clauses enjambed in my flesh and choppy flashbacks blinding me, pounding my head. i slip in spilled spirits, scrabbling and scrambling to steady my psyche. i flail, i falter, i fall, again and again in alliterative agony. this is not a beating. this is catharsis.
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Oct 28, 2014
Oct 28, 2014 at 5:45 PM UTC
i spit metaphors
When I charge ahead  Try and forge my own way  Even my best laid plans  Are rubbed and washed away In the ever shifting sands  And I'm left on hands and knees Scrabbling round in the dirt Bruised and battered I bleed My Spirit crushed and hurt So I'll climb back onto the solid rock  And root myself to the spot Nourish my soul in the psalmists words  Terra firma, taking stock
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May 23, 2014
May 23, 2014 at 4:19 AM UTC
Terra firma
Do you know the bird? Of course not. each    updraft a soaring appreciation for worldly things, textbook happiness drowning distraction in a pond plump with water lilies and tadpoles, sinking down to the    dirt, belly raw on dizzy ground, feet scrabbling for a safe touchdown, sure this day there must be a rock or a tree trunk, some natural end to the in- between where a bitter desperate aftertaste singes the mouth, certain    nothing else will be known, that this sour tang is only to remain on this tongue forever, no asking you if you can relate is like expecting the sun to rain down and openly weep itself out, quite    impossible, come on - remember, you must see clearly - here comes the lift again, fondest flying above, fully forgotten panic until winds falter once more I know the bird.
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Oct 7, 2012
Oct 7, 2012 at 8:14 PM UTC
Every Single Flap
Bad news falls from his mouth before I can catch it. Hands and knees on the floor, searching, bad news escapes me. It buries itself in the carpet like hundreds of little black fleas. I claw at the fibres but words wriggle deeper into the floor. I try to crush them with pounding fists but they are strong. On the edge of my vision I see them in clusters that make sense but, as I turn, the words scatter and squirm back into the carpet. Some of the words jump, biting. They leave me stunned and itchy. Some climb up my neck and make me shiver. I can feel bad news crawling over my scalp, feeding and laying eggs. I try to rake it out with my fingers- end up with nothing except hair. I remember the man then, so I stand. I see my children playing with train track. Around them the floor is alive with bad news. Outside the Sun shines. The pavement, the trees, the grass, are crawling with nothing except happiness and summer. I tell the man that we are going to the park. These words are candyfloss pink and butter yellow. They drift like confetti at a wedding and bad news is scared of them. I talk more and more about the park, swings and river while I get my children ready to go. The man says something about identifying a body. I catch these words but drop them quickly to the floor. They wriggle down into the carpet and I leave them there. The man pours instructions into his radio. Navy blue worker ants, easy to ignore. I keep talking the happy words which hold bad news at bay. Bad news can't get me now. But I can see the man looks sad and cross. Bad news is feeding on him now instead of me. I notice the words he tips into his radio are infested with little black fleas. Somehow this is my fault. If I tried harder to catch the bad news and contain it the man would be safe. I care about that. Then I look at my children, bad news scrabbling around their shoes looking for a way in, and I care about that more. I try to explain to the man that we must go. These words are deformed and don't make sense. Their wings won't work. They fall to the floor and bad news feasts on them. The man says we can go to the park, so we do. My children run ahead. Bad news hasn't spread this far yet. I speak to friends in words of lilac and blue. Children's voices ring out over the river like silver dragon flies. Little black fleas are biting me under my clothes, no one can see them.   I see the police car out on the road, the man watching. I can ignore them. But my children are tired and hungry. It's chilly and we didn't bring jumpers or coats. Friends have gone back to their houses. It's getting dark and starting to drizzle. It's the happy words that escape me now. It's time to go home and be eaten alive by bad news.
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Oct 17, 2011
Oct 17, 2011 at 7:22 PM UTC
infestation
Bad news falls from his mouth before I can catch it. Hands and knees on the floor, searching, bad news escapes me. It buries itself in the carpet like hundreds of little black fleas. I claw at the fibres but words wriggle deeper into the floor. I try to crush them with pounding fists but they are strong. On the edge of my vision I see them in clusters that make sense but, as I turn, the words scatter and squirm back into the carpet. Some of the words jump, biting. They leave me stunned and itchy. Some climb up my neck and make me shiver. I can feel bad news crawling over my scalp, feeding and laying eggs. I try to rake it out with my fingers- end up with nothing except hair. I remember the man then, so I stand. I see my children playing with train track. Around them the floor is alive with bad news. Outside the Sun shines. The pavement, the trees, the grass, are crawling with nothing except happiness and summer. I tell the man that we are going to the park. These words are candyfloss pink and butter yellow. They drift like confetti at a wedding and bad news is scared of them. I talk more and more about the park, swings and river while I get my children ready to go. The man says something about identifying a body. I catch these words but drop them quickly to the floor. They wriggle down into the carpet and I leave them there. The man pours instructions into his radio. Navy blue worker ants, easy to ignore. I keep talking the happy words which hold bad news at bay. Bad news can't get me now. But I can see the man looks sad and cross. Bad news is feeding on him now instead of me. I notice the words he tips into his radio are infested with little black fleas. Somehow this is my fault. If I tried harder to catch the bad news and contain it the man would be safe. I care about that. Then I look at my children, bad news scrabbling around their shoes looking for a way in, and I care about that more. I try to explain to the man that we must go. These words are deformed and don't make sense. Their wings won't work. They fall to the floor and bad news feasts on them. The man says we can go to the park, so we do. My children run ahead. Bad news hasn't spread this far yet. I speak to friends in words of lilac and blue. Children's voices ring out over the river like silver dragon flies. Little black fleas are biting me under my clothes, no one can see them.   I see the police car out on the road, the man watching. I can ignore them. But my children are tired and hungry. It's chilly and we didn't bring jumpers or coats. Friends have gone back to their houses. It's getting dark and starting to drizzle. It's the happy words that escape me now. It's time to go home and be eaten alive by bad news.
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9
It’s a gravy boat Gravy is delicious It’s a gravy boat For your appetite Spicy, nicey onions float In the lovely gravy boat If you should want to know It’s not a train Don’t buy a ticket That’s not cricket It’s a gravy boat And it contains Liquid velvet for the throat Absurdly decadent and smooth It’s a gravy boat, not a gravy train I pour gravy on my food It’s a gravy boat It’s not a train If it was then I’d complain A train is always late And I refuse to wait Anyway, railway food’s appalling Wait, I hear my dinner calling It’s a s......... gravy boat Now we’ve got that right Bon, bon bon............ Bon appetite!  (or appetit?) Anyway if there ever was a gravy train, (and I’m not saying there was,) the last train has gone forever, utterly broken, irreparable, too many politicians scrabbling to climb aboard, (don’t you watch the news darling?)
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Apr 22, 2021
Apr 22, 2021 at 3:35 PM UTC
It’s a Boat Sheer and Utter Nonsense by Sheila Haskins
The jungles dense down by the fence with daisies tall as trees, where butterflies so softly rise upon the morning breeze. There's beatles too of green and blue And ladybugs of red, plus honey bees with hairy knees down by the flower bed. There by the pond beneath a frond  There sits a mouse of white, with pirates cap and treasure map and compass clean and bright. "Avast!" he cries "the treasure lies atop mount rockery" where legends told a land of gold hides in the shrubbery. So down at base he spies the face and slowly starts to climb, past plastic gnomes with mushroom homes And bells that softly chime. With well placed paws and scrabbling claws he climbed toward the peak, first left then right and hold on tight his muscles tired and weak. The summit found he kissed the ground and checked the path ahead, where mossy rocks and hollyhocks marked out the flower bed. Amongst the green the temple seen the legends had not lied, a few feet more he found the door and opened it up wide. The treasure chest lay in a nest surrounded by eight eggs, then at his back a shadow black arose on spindly legs. "Caw caw" it said it's eyes bright red "please leave my eggs alone, the treasure there I'll gladly share" she spoke in softer tone. "Nay keep it pray for here today I've found a better prize, a brand new friend at journeys end was such a sweet surprise. "Now I must go the sun is low and night now paints the sky," "the path ahead is hard" she said "why walk when you can fly" So homeward bound he reached the ground and headed to the shore, setting afloat his little boat he waved goodbye once more. "Time now" he said "to rest my head" rocked softly by the deep, upon a bed of cheese and bread he slowly fell asleep.
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Oct 6, 2012
Oct 6, 2012 at 3:10 PM UTC
Beyond The Flower Bed
The jungles dense down by the fence with daisies tall as trees, where butterflies so softly rise upon the morning breeze. There's beatles too of green and blue And ladybugs of red, plus honey bees with hairy knees down by the flower bed. There by the pond beneath a frond  There sits a mouse of white, with pirates cap and treasure map and compass clean and bright. "Avast!" he cries "the treasure lies atop mount rockery" where legends told a land of gold hides in the shrubbery. So down at base he spies the face and slowly starts to climb, past plastic gnomes with mushroom homes And bells that softly chime. With well placed paws and scrabbling claws he climbed toward the peak, first left then right and hold on tight his muscles tired and weak. The summit found he kissed the ground and checked the path ahead, where mossy rocks and hollyhocks marked out the flower bed. Amongst the green the temple seen the legends had not lied, a few feet more he found the door and opened it up wide. The treasure chest lay in a nest surrounded by eight eggs, then at his back a shadow black arose on spindly legs. "Caw caw" it said it's eyes bright red "please leave my eggs alone, the treasure there I'll gladly share" she spoke in softer tone. "Nay keep it pray for here today I've found a better prize, a brand new friend at journeys end was such a sweet surprise. "Now I must go the sun is low and night now paints the sky," "the path ahead is hard" she said "why walk when you can fly" So homeward bound he reached the ground and headed to the shore, setting afloat his little boat he waved goodbye once more. "Time now" he said "to rest my head" rocked softly by the deep, upon a bed of cheese and bread he slowly fell asleep.
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56
A lick and nuzzle and nose rub Backs stroked and sides brushed Against sides Quiet whimpers and kicks Little paws batting away evil dream-things Scrabbling against bed and pups and people Round plump bellies and floppy ears Silky fur and short waggy tails Reassuring nudges and gentle proddings Blanket shoved to one side Pile of fuzzy sweetness in the middle All tiny wriggling pups
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Dec 4, 2012
Dec 4, 2012 at 9:01 PM UTC
sweet sleep
Devastated was the word.  Yes, it fit. The night before found her restless and fitful,  up and down, churning, besieged with scattered thoughts. Noisy chattering, fragmented bits of fear, hurt, shame, regret, disappointment and judgement, all jostling with one another, all scrabbling like jackals to be the first to gnaw on her bones. Why was she carrying the full burden of shame? Had he not shown his flaws? But as the indignation rose,  the words of Aleksandr Solzhenitsyn  wept through like an Artesian wellspring of wisdom reminding, "But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?" "WAIT JUST ONE MINUTE HERE, AL!" she protested. crickets "Oh no!" says she to herself,  as she dusted off her Ouija board, "You will come back here!"   Nervous fingers and shaky vocal chords work together in a synchronized effort to pull him away from his glass of fermented potato and there he was, a bearded wild haired man with an intense stare that left her wriggling under her skin. But she was on a mission and she would not be deterred. Clearing her throat, she began, "Mr. Solzhenitsyn ---" Aleksandr raised his hand up  in a gesture to stop her His heavily accented English softly penetrated the air. "Pебенок, tell me, what do you need?" "I need to understand." "Tell me why." he pressed. "Why?"  She forced her words past the hurt that sat lumped in her throat,"I'm trying to make sense of betrayal. How can people insist they truly love even after lies have been uncovered?" "Tell me Кэтрин, would you agree that morality can often be found to be at odds with passion and desire?" She nodded. He continued, "And that good intentions are often found to be at odds with unconscious motivations?" "Yes." she whispered Aleksandr sat thoughtful for a moment, then gently and softly spoke. "You understand Кэтрин, your problem is, you want too much from understanding. It cannot turn shadow into light and it cannot right wrongs. So, no Pебенок, you are not in need of understanding. What you need is to accept that a thing is what it is." He drew on his pipe and smiled tenderly.   "And you need to make a decision. You must decide if your wounds have made you more ... or have made you less."
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Jan 26, 2013
Jan 26, 2013 at 10:59 PM UTC
A Conversation With Aleksandr
Devastated was the word.  Yes, it fit. The night before found her restless and fitful,  up and down, churning, besieged with scattered thoughts. Noisy chattering, fragmented bits of fear, hurt, shame, regret, disappointment and judgement, all jostling with one another, all scrabbling like jackals to be the first to gnaw on her bones. Why was she carrying the full burden of shame? Had he not shown his flaws? But as the indignation rose,  the words of Aleksandr Solzhenitsyn  wept through like an Artesian wellspring of wisdom reminding, "But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?" "WAIT JUST ONE MINUTE HERE, AL!" she protested. crickets "Oh no!" says she to herself,  as she dusted off her Ouija board, "You will come back here!"   Nervous fingers and shaky vocal chords work together in a synchronized effort to pull him away from his glass of fermented potato and there he was, a bearded wild haired man with an intense stare that left her wriggling under her skin. But she was on a mission and she would not be deterred. Clearing her throat, she began, "Mr. Solzhenitsyn ---" Aleksandr raised his hand up  in a gesture to stop her His heavily accented English softly penetrated the air. "Pебенок, tell me, what do you need?" "I need to understand." "Tell me why." he pressed. "Why?"  She forced her words past the hurt that sat lumped in her throat,"I'm trying to make sense of betrayal. How can people insist they truly love even after lies have been uncovered?" "Tell me Кэтрин, would you agree that morality can often be found to be at odds with passion and desire?" She nodded. He continued, "And that good intentions are often found to be at odds with unconscious motivations?" "Yes." she whispered Aleksandr sat thoughtful for a moment, then gently and softly spoke. "You understand Кэтрин, your problem is, you want too much from understanding. It cannot turn shadow into light and it cannot right wrongs. So, no Pебенок, you are not in need of understanding. What you need is to accept that a thing is what it is." He drew on his pipe and smiled tenderly.   "And you need to make a decision. You must decide if your wounds have made you more ... or have made you less."
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I promise you, this chest cracks from the force of my gasp scrabbling every ounce of frigid mist I can warming it with time, face turned black from pressure. wait for the release, darling. it may not thaw the distance between poles but I can whistle something sweet just like you taught me when the summer was a running river and our hearts were not these frostbitten bird wings strung out across the dunes I burnt my harmonica in the coals you left me it could not play the blues we are grey with nothing between the static a monochromatic flicker on long-dead television sets shattered-glass hope breath sputtered out in the slip-shape of smoke my wrists are broken from digging you out of yourself so let’s take a minute to mourn. let’s see if I can hold the soft silence on my sharpened shoulders and keep it from breaking bring out your paints. show me how the only thing I couldn't see was your brushstroke your choke-face your pathways your patched-up heart strings those holy rolling white things, I would give my backbone for another look at your insides.
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Feb 28, 2013
Feb 28, 2013 at 1:09 AM UTC
Frostfinger