An old woman sits down in the wheelchair.
A small child takes her first wavering step.

A million fireworks dance into the air, flash, ears hear songs of celebration, awe takes hold.
A million mortar shells leap into the air, flash, ears sing the ring of confusion, shock takes hold.

A man nearing the end of his time on earth stoops to tie a child's shoe.
A man nearing the end of his time on earth stoops to tie a noose.

A woman in white walks down the aisle alongside the man she loves.
A woman in black walks down the aisle to the man she loved.

A doctor readies a syringe to administer a dose of cold medicine to an ill infant.
A doctor readies a syringe to administer a dose of pentobarbital to an ill canine.
A doctor readies a syringe to administer a dose of ****** into her own arm.

A father raises his hand.
. . .
A child receives a reassuring pat on the shoulder, his team having just won the tee-ball state championships.
A woman takes aim, her lens coming into focus on her subject.
. . .
A man that has been psychologically abusing her for several years collapses to the ground.

A team of several hundred people stands back, looking in awe upon the skyscraper they have designed and built over the course of several years. This accomplishment towers above all else humankind has created.
A team of several hundred people stands back, looking in awe upon the mushroom cloud they have engineered and constructed over the course of several months. This weapon towers above all else humankind has created.

A million lives wink out.
A million eyes open for the first time.

A manuscript is penned, the author sets down his pen and takes a sip of tea.
A pile of books burns with black smoke, the cult sets down their torches and takes a deep breath before screaming.

The infant screams sharply after taking its first breath.
The old man wheezes after telling the last of his stories to his grandson.
"That's it, boy. That's everything I ever did."
A tear rolls down his cheek, the profundity of his statement dawning on him as the breaths become harder to take.
"That's everything I was to everyone I met."

Under every rock a thousand secrets shimmer.
Beneath every tree, a hundred promises have been made.
Some of them have been broken.
Remember the promises you made? You know the ones.

You can become the architect of someone's dreams or the shadowed figure in their nightmares.
You can put down the gun. You can pull the trigger.

You can.

A billion men and a billion women before you have lived out their lives, have wasted, have wanted, have sunk to the lowest depths and risen to the highest peaks. A million have set out to become the best at something, and a whole lot of them have succeeded.

i want a good heart .
i want it to be made of good stuff .
i want the stain glass window builder to be my drinking buddy .
i want to drink only the punch of a million gender queer school kids taking free martial arts lessons to survive recess .
i stopped calling myself a pacifist when I heard gandhi told women they should not physically fight off their rapists .
i believe there is such a thing as a non violent fist .
i believe the earth is a woman muzzled , beaten , tied to the cold slinging tracks .
i believe the muzzled have every right to rip off the bible belt and take it to the patriarchy’s *** .
i know these words are going to get me in trouble .
it is never polite to throw back the tear gas .
just like its never polite to bring enough life rafts .
they crowd the balconies where the wealthy shine their jewels .
but sometimes love ..
sometimes real love
is ******* rude .
is interrupting a wedding mid vow just as the congregation is about to cry .
to stand up in your pew to say 
“ is everyone here clear on how diamonds are mined ?” 
hallelujah to every drag queen at stonewall who made weapons out of her stiletto shoes .
hallelujah to the blues keeping the neighborhood awake .
to the activist standing in the snow outside of the circus 
holding a ten foot photograph 
of a baby elephant in chains ,
when it’s probably some little kid’s birthday .
hallelujah to making everyone uncomfortable .
to the terrible manners of truth .
to refusing to clean the blood off the plate .
bend this spine into a bow 
i can pull across the cello of my speech .
love readies its heart’s teeth ,
chews through the etiquette leash .
takes down the cellphone tower after millions of people die in wars in the congo fighting for the minerals that make our cellphones . 
love blows up the dam .
chains itself to the redwood tree ,
to the capital building when a trailer of mexican immigrants are found dead on the south texas roadside .
love insists well intentioned white people officially stop calling themselves color blind .
insists hope lace it’s ******* boots 
always calls out the misogynist , racist , homophobic joke . 
refuses to be a welcome mat where hate wipes its feet .
love asks questions at the most inappropriate times .
overturns the defense of marriage act then walks a pride parade . asking when the plight of poor single mothers will ignite our hearts into action like that .
love is not polite .
deadlocks our rush hour traffic with a hundred stubborn screaming bikes .
hallelujah to every suffrage movement , hunger strike .
hallelujah to insisting they get your pronouns right .
hallelujah to tact never winning our spines .
to taking our power all the way back to that first glacier that had to learn how to swim .
to not turning our heads from a single ugly truth .
to knowing we live in a time when beauty recruits its models outside the doors of eating disorder clients .
that is not a metaphor .
this is not a line to a poem .
an indian farmer walks into a crowd of people and stab himself in his chest to protest 
the poisoning of his land .
a buddhist monk burns himself alive on the streets of saigon .
a united states' soldier hangs himself wearing his enemy’s dog tags around his holy neck .
may my heart be as heavy 
as a tuba in the front row of the mardi gras parade five months after katrina .
may it weigh the weight of the world 
so it might anchor the sun 
so it might hold me to my own light until i am willing to sweat as much as i cry .
until i am willing to press into the clay of our precious lives .
a window .
might our grace riot the walls down .
may the drought howl us awake
may we rush into the streets 
to do the work of opening each other’s eyes .
may our good hearts forever be 
too loud to let the neighbors sleep .

Flavored hukkas are passed around,
Alcohol and paan bring the mehfil alive,
The Ustad ji sits down and flexes his fingers,
He knows he’ll be working all night.

Dha dhin dhin dha, dha dhin dhin dha
Na tin tin ta
Ta dhin dhin dha,
Move the Ustad ji’s fingers on the tabla.

While with a veil on her face,
And feet dipped in and henna-colored,
Lips in cheap red lipstick covered,
She unfalteringly, gracefully enters.

Her steps are matched by the chhan chhan
of the ghungroos tied around her ankles so slender.
Eyes set on her, feast on her youth,
Just right for the taste of all her customers.

Bejeweled hands placed on waist,
She stands at the centre of attention,
She lifts a foot, readies to dance,
And begins the nightly convention.

Skillfully, perfectly, sensuously move
Feet well-trained since childhood days,
Harmonizing with the timbre
That the Ustad ji creates.

Tin tin na dhin na dhin na
On the tabla, experienced fingers beat.
Chhan chhan chhan chhan,
She dances, repeating the rhythm with her feet.

Metal bells strike against one another
And chhan chhan chhan-a chhan she goes,
Making breaths prance and jump,
As she strikes on the ground her heels and toes.

Then suddenly she stops and gasps,
Over disgruntled, impatient groans she tries
to hear the sound that flows in, only to her ears.
Several rooms away, a baby cries.

Naach! A voice booms,
Arey naach! More join in.
A glass of wine is shattered by an irritated one.
But she stands still, clutching her chest, frozen.

One sways up to where she stands,
For the veil covering her face, his hands dive.
He uncovers her, but is blinded by the sight of her beauty
And her tears that fill her kajal-smeared eyes.

She’s shaken back to reality as she looks all around.
Her sparkling pall is off her face.
She sees all those drunk men who’ve paid to watch her dance.
She knows she has to make the sound of the cries fade away.

So she stomps her feet on the ground till it hurts.
Hair flying out of braid, bangles clanging,
Anguish replaces her innocent loveliness,
The music in the air is now shrill,  jarring.

Her steps match with the tabla’s rhythm no more.
But she dances, planting her feet so hard they weep.
She silences every sound with the noise of her ghungroos,
Praying that the night will lull her wailing son to sleep.

See the man who sits and waits,
remaining ever so still;
Patiently, patiently among the rocks,
under a moonlit night.

Watch the younger one,
tense and all about;
Eagerly, eagerly aside the river,
above the glossy shimmer.

See the man who sits and waits,
not to flinch at nature's chill;
He hears a thump then sees bush rustle,
knocks an arrow without hustle.

Watch the youth,
his eyes wide with fear;
He spots  ripples in the river,
readies his spear in haste.

See the man who sits and waits,
his sure fingers hold their place;
From the bushes emerge a plump hare,
all it does is look and stare.

Watch the youth,
his face is sweaty and he is ready;
He sees a snake, but does not wait,
he thrusts in his spear not to be late.

See the man who sits and waits,
he eyes up his prey searching for a chance;
But then yet another hare is to follow,
it came out of a tree that was hollow.

Watch the youth,
he is going home without any food;
He scared away all the prey,
he has been hunting all day.

See the man who sits and waits,
he smiles to himself as he readies another arrow;
Thwoop, Thwoop go two arrows under the moonlit night,
the man's prey lie before him as he takes out his knife.

Do not utter a syllable
For the reaper lurks at the door
Dim the lights as our eyes are widened  
Sit in a desperate, huddled mass
Feel the shivering, helpless creature on the left
Hear my traitorous lungs exhaling, surrendering my position
My heart pounding, screaming at my body
Ordering me to run, to fight, to ****
"Do not go gentle into that good night,"
As Dylan Thomas so elegantly stated
Yet it is not a time for romantic visions of heroism
Beowulf's idealism will not save us here
Sobbing, shivering, ***** stained American Eagle
Sweat drenched Under Amour Tees and hoodies
Feet ironically quivering in red and orange Nike Shocks
A 243 pound lineman blubbering under his breath
He wants his mother, his daddy, his pillow, to go home
Another boy, Darrel, clenches his fists, readies for attack
Cassidy sits silently, emotionless, statuesque, frozen in time
And I . . . What do I do? . . . What do I do?
Do I flinch like Sir Gawain in the face of death?
Or do I . . . . . . What do I do?
God, may I never discover the answer to this evil query
God help us stop the violence consuming innocent children
Render CODE RED obsolete
Yet, CODE RED will parish not
For society feeds on fictional fame
Fifteen minutes that Warhol never could have painted
Now it will be duplicated like so many Campbell's Soup cans
CODE RED    CODE RED    CODE RED   CODE RED  
And . . . What will I do?
What will I do?

umbrae

for Genevieve

your prayers include a terrible notebook, an invalid friend, and a man believing separately that we are here to place turtles upright. when you walk into the ocean you walk into the ocean on your hands. you do this to protect your knees. many think you are magnificent and these many you are on the verge of telling about the Saturdays that bore you and about the spider you repeatedly squash. the resurrected spider that is not a gift. if you could you’d give your youngest son a woman he could either swim through or swoon inside. a woman who could put him to sleep and rock in a chair the boat of her belly so untroubled to be thinking twice about twins. you’d be sad, or sleepy, and get to choose.

before I go to war

     the dark readies in the oven.
my father washes with a wet sock a knee exposed.
my mother

wears one dry sock which she removes
and makes into a puppet. or an oven mitt.

both
silence the hand.

idolatry**

a red wheelbarrow, maybe-

but not
so much
depends

on a poem
about it

10/09/2013
For the kittens

This day the third has gone, congealed like peas.
Mother readies the small grocery bag:
The dying kitten coughs its final wheeze,
I exit the house & light another ***.
Death has plagued this litter, and the world, too.
We're scarcely born than the struggle begins
To nurture those or what stand in death’s queue.
Mortality may result from immortal sins,  
But I’m no cleric, and loss occasion
For rabid lectures from a fired pulpit;
Nor do I welcome secular equation
On matters dear to the human spirit.

This morning we have lost another one.
I pray tomorrow death’s foul spell has gone.

She readies the tomatoes & radishes
fresh lettuce leaves & green onion
then finishes with salad cream as a garnish
& puts the evening’s fish pie in the oven

The salad sings sweetly to her
of the bygone days of childhood summers
fast cars on winding country lanes,
the way her grandfather would say

something to his sheepdog
& watch it rush away again
in the sunlight’s  warm
grasp,  before the rain

wandering fields & farms
or out by Thor’s cave
always with a pair of binoculars
for counting birds & bats

& how he’d sleep in his armchair
in a red brick stack of a house
& how the dazed garden air
always smelt of tea roses

many years have gone past
& she keeps all the old photographs
under lock & key in Europe
& old birthday cards in their envelopes

Every Christmas the phone rings
out above a coal-filled fireplace
& the call goes to the answer machine
all that love gone to waste

* Thor's Cave is a cave in Manifold Valley in the county of Staffordshire in the UK

Curved branches and winding vines
Impose it's corridor
On the surrounding woodland,
And readies my heart
To see you again

As I walk,
The surrounding trees
Drop the last of their leaves
But your presence
Turn fall into an arboretum

The silence of the woods
Grow dense,
And the chilling wind
Cuts through me
As we near one another,

But I am warmed
As you stand
Waiting for me,
My sweet lover

Frozen for millennium, looking eternally over its territory
Someplace it's own, hard fought and for which many fallen, his own
A man of stone, gazes, immobile
Part of the mountain, now, to those below

Play in its shadow,
Gaze at its likeness
So similar to man
Large brow, hawked nose
A common man

Moments measured in years
Too unconcerned to bother
Throned high on his mountain
Kept to himself, memories of battles
Friends, brothers for this valley

In the valley, children play
Not concerned with a likeness
Too common to stare
Leave that to tourists
Who come and they go

Eyes shift with a rumble
Grating, smell of granite on stone
He sees soft children, not of stone
Knowing life, not hard
Not like him, of stone

Parents, families tell stories
Of the creature in stone
Eons have past, myths, legends
To scare children, laugh now,
Old widows' tales, all told

Protector of the Valley, his title bestowed
Passed from crown to hand,
From times beyond old, to seek and be told
His memory is not foggy, sharp and bold
He watches for signs, of evils still known

A rumble, earthquake, they know
Not gods of fire, nor devils below
They built houses of stone, solid and uncold
Women skitter, men more bold
Children laugh, cry; depending on delight

Small creatures take wing, a flurry of flight
Soaring through the air, not for those as he
Their moment is ignored, not the threat he seeks
But from whence they come, something astir
A rift in the ground, a creature of Below?

Buildings lean, no great such thing
Prosperity is well, good neighbors to help
A man looks upon his home
His family safe, wife at his side
He is not alone; a sound takes his eyes

The creature was large, an Elder
Beyond language and time, seeking who-knows-what-this-time
They have come and he is here this time
Again, he moves, reaches for weapons
For stone, like his hide; for earth, like his mind

Some monster, some flesh of daemon
A creature, unnatural and bold,
Ripping earth and spewing foul
Springing forth, denying safety for child and wife
In an instant, the man is alone

Unmoving for years, centuries untired, readies for war
Rock flexes like muscles, stone tightens, coiled and then unfolds
From his seat, his throne
He joins battle, swings lethal, heart cold
Elemental, Warrior-King just as old

The man, stuttered by sight, then sound, both unknown
Falls to the ground, some part of him rolls
He looks up to see the mountain
Falling down, then up, and down
Time slows and it falls on down

The King sees the soft, fleshy man
Not unlike his form, but not made of stone
Shaking the Earth, the man is no concern
Only the Nemesis, the creature that came before he was old
He meets it with weapon, violence and scorn

For a moment, the man saw the face of the mountain
Above him and cold, eyes of flint
Recognizing, but disregarding his life
It met the daemon, crushing it's limbs
Epic, fury, a fight to shake bodies of men

The creature was old, even elder to old
It cast spells of fire, brought curse to the land
******* power from life, it's nature to man
The King broke weapon, chipped fist
Losing both ground and tooth

Pulled to his feet, a neighbor drags him away
Between stone foot, and slamming tentacled limb
The great creatures smash earth, livestock as well
Together they clash, first forward then back
The mountain looks down and seems to grin

The King sees the earth and inside
On a grave he does now fight
Clenched in heavy stone fist
Forged in primordial fires
A weapon, fit for a king

The mountain slammed it's fist
Down. Into. The. Ground.
Wrist, then elbow, then shoulder gone
And the other, brought itself together
For the first time since mankind hand seen it

The soft creatures stared at him
The Elder Nemesis gathered itself
Calling its volumes to one spell
The small ones stared, mouths slack
And his fingers, at last, touched it

Half in the motion, of standing
Almost although an action caught in time
Men, and women now, surrounded by children
Who wouldn't know where to flee, stared
The Stoneman rose to his feet, great axe in hand

It was lighter than he had thought
Gripped, tightly in two hands, now
He leveled his gaze, tunneling
A spell of his own, one of fight
He spoke his words of death

The world seemed crushed, smalled to a sound
When the mountain bellowed, erupting noise
A scream, mad and angry, forced, primal
Trickling blood from their eyes, ears
Children, falling and for the frail, death

The Nemesis saw his movement
Was unfinished in either word or deed
Unprepared for violence or tool
Raised suckered limb, protect!
Sheered through, it sunk deep in to its mass

Again and again, the mountain struck
Slamming ax deep, flailing deep; madness
Bone, blood and flesh, raining down like hail
Children were picked, dead and live alike
Carried off far from this site

The creature was dead, Nemesis no more
But still he struck, drunk on action, fluid of motion
Again and again, pulping it beyond
A fury, his crown for this, soon to be spent
A lesson to be made here, Others, he suspect

Hours, the ground still shook
Days, miles from their valley homes
Weeks, they could still feel the powers to the west
No one to believe their stories
Only superstition by day, fear at best

The small ones didn't return
He pondered, again on his throne
No wonder, to witness, such an Evil
Unbridled violence, not for those
His wound would fester, he would not grow old

symphony arrangement for poetry - personae distinctions of hidden violins and woodwinds, somewhere along the way brass - leaving Cabaret Voltaire (Zurich), moving to the Beat Hotel (9 Rue Gît-le-Cœur, Paris), ending up on the Cowgate (Edinburgh).

when you read newspapers you realise that dinosaurs roam
the land, the fortress of printing press, unlike the printing press
(which was taken seriously from the word go!)
the internet has been largely squandered; you read these
things in newspapers, the evolutionary reaction - ensuring that
among these dinosaurs are also opinion pieces, dinosaurs write accounts of what's happening, batrachotoxin amphibians write
opinions: i.e. what isn't happening: opinions go forward unchecked
and undisputed, added that there are many potions in the cauldron
it's hard to pick one out and dig deeper until both parties are in no position to hold such and such opinion, given the missing
muscle of implementing change or the skeleton to keep
the status quo - but this is a slight deviation from what i
was intending to convey - the old guard of printing is worried
sick that it might be usurped in the long run - it prints damaging
reports about the existence of the internet, looking at it as not
a niche environment, which it technically is - but cats, ****, cats,
****, apparently we all log on to meow and moan -
as a tool of entertainment it's the least thrilling source of
the desired "entertainment", the unscripted nature of this niche environment is what's actually good about it, in that a single
person can become both writer, editor and publisher -
but indeed, the internet has been squandered,
although it improved from what used to be a wholly anonymous
environment peppered with dangers of random encounters -
the infamous chat rooms changed even more to infamous
phone-books: you heard it, stories of cyber bullying - the internet
has been squandered, by all means, trying to save it is a bit like
trying to save the world, or as one Tao principle suggested to me
early on forged in me: the best way you can aid the world
is to forget the world, and let the world forget you.
a film director would say, well, i'm stuck in the house,
i'm thinking of shooting a biopic of Lawrence of Arabia...
i see a desert, a man riding a camel through it...
but you have to then start muling over the facts: you'll have to get funding, get the casting right,  but no one likes shooting in
the desert, you have to get  the catering sorted, you start shooting,
but the camera track ruins the desert, so you have to move
to another part of the desert that's pristine with wind parallel
ridges in the sand, then the studio calls you and says you're
spending too much money, then peter o'toole stumbles
out from the trailer hungover almost everyday; sure, you need inspiration and ideas, but that's only 1% or the whole,
99% is working with people - as a director you're not actually
playing god, you're helping other people, De Niro preferred
mumbling something prior to a scene, but Seymour Hoffman
went into a scene like a crocodile quickly snapping
to the shout of cut! and the clapperboard.
i suppose poetry could be like that too,
99% being the audience and the necessary oration,
that would work - unless of course you'd do the same with
painting - but whereas with painting you're invited to critical
thinking, see an artist next to his painting elaborating on
the themes and use of colours? i don't want to assert common sense
wisdom from one profession and apply the same wisdom
                                      to another with a trans-occupational
relativism: that red           is relative to               crimson -
              but we'll have to do away with lighting,
              darkening and what not, so yes,
red is relative to crimson insofar as we forget lighting
and Edward Hopper. anyone can appreciate the
lazy approach, but i took to some mammoths without the help
of audio books, a reasoning man, not a mob gob emotive conjurer worth a tonne of heckles and haggles - but i guess the dream
through this gamble would be the monetary reward...
you know... after so many years writing for peanuts i have lost
all appetite for spending money beyond what i consider
to be a workable cure for insomnia - i don't have to buy music
any more since i can stream it, i have more privacy without
a mobile phone, all i have is this little brick wall that's stationary
in this virtual jungle on which i scribble - with the radius from
this point being anything ranging from 1 to 6 sensible miles,
beyond 6 and we're talking blisters on feet; can you imagine what
our predecessors could endure in terms of walking? they had hoofs
instead of feet, while we have skin as smooth as a baby's buttock
cheeks on the soles of our feet. the strangeness of modernity:
1. a man drives a car with with a bicycle on the roof, just so he can    
    peddle down a scenic route...
2. the volume of skimmed milk bottle is the same as full fat milk,
    but if you bought full fat milk and added water to it the volume
    would triple (via semi, so yes, triple)...
3. healthy diets - 350% increase in vegan population
   in Britain over the past 10 years - the protein problem
   (once it was the fat problem, low fat yoghurt came about,
    turned everything into a sugar problem), i.e. women aged
    between 19 & 24 requiring to hit the 58 gram daily
    recommendation of protein would have to eat:

everyday foods
chicken breast (251g = 276Kcal)
eggs x4 (460g = 658Kcal)
salmon fillet (291g = 533Kcal)                                 v.

clean-eating foods
quinoa (1,318g = 1,582Kcal)
chia seeds (371g = 1,818Kcal)
                              goji berries (405g = 1,504Kcal)
                              kimchi (3,222g = 863Kcal)
                              tofu (707g = 70Kcal)
                              ******* (384g = 632Kcal)
                              coconut yoghurt (3,422g = 6,844Kcal)
almond milk (14,500ml = 3,625Kcal)
avocado (2,900g = 4,843Kcal)

  as healthy as stuffing turkeys for Thanksgiving, can you imagine
  drinking fourteen, fourteen litres of almond milk?! i don't even
  have to imagine drinking 700ml of whiskey to get the point
  and reach the threshold of the effectiveness of sleeping pills...
  no alcohol, no sleeping pills, better sit it out than take so near  
  ineffective buggers; although as a warning: you might end up
  sleeping for *12 hours - variations on the BMI and previous habits
  of drinking - socially? not so much, medically? primarily -
  not in favour of the anti-alcohol lobby being part of the "safety"  
  guidelines given to the public...
4. charities' costs eat up 78% of donations,
    another 21st century anomaly, effectively dismissed
    by the church's alms giving history depicted in Sistine opulence,
    so no wonder whether in cardinal robes or suited and booted for
    the near-invisible secular religiosity, such poverty of symbolism
    compared with the predecessors, at least back then you'd
    know who to send to the guillotine - and this is how Louis XIV
    treated his courtesans, he made a certain type of clothing
    mandatory, a Versailles school uniform as it were,
    most the the courtesans went bankrupt having to buy the
    clothes, some pieces would be equivalent of a sports car,
    they went bankrupt to remain in the club,
    so they borrowed monkey from Louis, and so Louis kept
    them in his pocket: poor rich people, or necessary
    leeches (as once used in medicine, Louis' absolutism
    being the sole malady, abuse of power necessitates
    paranoia); or to quote Lisolette about the royal *******
    'mouse droppings in pepper.' Philippe (Duc d'Orléans)
    was the transvestite who charged into battle
    and conquered the Dutch, much to his brother's
    shame at having only made conquests in the bed - well
money here, money there, shoving a piano into a concert hall accompanied by an orchestra, something Chopin would never
do not wishing to leave the comforts of salons - although
Metallica dared to.
                                                             ­           welcome to
the age of silica and chameleons (cha cha cha champ a camcorder anyone? well, imagine what scrutiny Narcissus would pay a photograph, imagine giving a photograph to Narcissus and
wonder would he change his behaviour), get fooled by
the adverts once, second time you'll eventually see needing to feed
a charity's bureaucracy rather than an African, hence the migrant
                                                                                                    crisis...
sometimes there are no surprises as to where certain things
originate, Marxism and England, zenith of the empire,
or as historians claim, the decadence of the Romans was their fascination with food prior to the end: ready-meals and
microwaves among cooking shows, currently the daily program
of channels, esp. that of 4 is culinary and horse racing,
all the interesting programs are broadcast when everyone
is about to fall asleep... Saville bankrupted the B.B.C.
posthumously: a game show, "jackpot" of one grand.
- advertisement didn't expect live T.V., the mute button,
the pause button and the fast forward button...
but in a 100 years time if not more they'll look back at us as
having finally exhausted Groundhog Day (starring Bill Murray) -
sure, the technological breakthroughs were great, magical,
but the content? 20th century most probably,
the ideal time of fluid and at ease plagiarism - obviously
exceptions were made, but this walking nightmare
of the exhausted second half of the 20th century caught up
in the 21st century - dialogue replaced by visuals,
clash of the titans (1981) v. clash of the titans (2010) -
the only good bit of the latter is the inclusion of Hades -
it's beautiful, i'm nostalgic to a history i was born in and
belonged to, i'm not a nostalgic Nietzsche or Hölderlin
bumming about singing praises of the Ancient Greeks -
you see, it's close-at-heart nostalgia because i belonged to it,
the infant of it - a peculiar circumstance to be in; or coming
to terms with the first signs of decay: cartoon network's
cow & chicken with i r baboon - have you seen the horrors
of modern cartoons compared with computer graphics?
readies them to  pick up gaming soon after,
given gaming graphics. in summary - some say sitting behind
a computer screen is a sign of a lack of self-assurance,
or confidence, self- anything you want to suffix with, well,
that could be true, but you have a photograph included,
and the days of the typewriter are over - but i could also say
the same about certain brands or shops, are they too lacking
self-confidence to stop their existence on  the high street?
the royal mail delivers junk, you might get 100 junk envelopes
and a christmas  card... o.k. make that 1000 to 10,000 envelopes
of junk and one letter directly addressing you that hasn't been
written using an analogue like

dear mr. / mrs. xxxxxxxxxxxxxxxx

we would like to inform you that your insurance
claim has expired.            etc.

the infancy of this century is what's deceptive, the greatest
deception i can think of - the great health scares and subsequent
over-usage of antibiotics breeding super-bugs in hospitals
anything and everything under the sun - including
that damnable idea that the planet Mars employs people whom
it's attracting into its orbit - earthly geologists must be bewildered
that the only subject of learning from all of man's
capacity to send into space is geology: and on the return flight
home we realised that we'd only be bringing back some arenite
(sandstone); that quote about about painting being 50 years
ahead of writing, the same is true with science fiction and
actual science.

Stubborn boy
Let loose the shackles of your smile
This world is far too holy for you to
Hide that half halo of your grin

The sound that comes in the crumbling
Of your childhood is the same one
That speaks in the secret wanderings
Of your soul
So listen close

When we walked around
The old bronze heart of this city
I wish you could hear
The rising pitch tuning
Of your veins as it readies
You to perform inside the
Same arena as a thousand
Broken down Cleopatras
Playing with snakes

Stubborn boy
Succumb to the silver smile
This city speaks in
A language I will never know
I am a scholar
That studies only the whispered
Tongues of crescent streetlamps
But you
You can learn all the languages
That have ever crashed into the moon

Close that book you have buried you eyes in
And in this city plant
The waiting bud of your billowing heart
So it can blossom like flames of windswept cherry trees
While there are still days left in spring

Stubborn boy
They taught you how to sing
And you memorized the melodies
Of such foreign stars
Open the cannon of your throat
This world is a two bit theater
That buries bodies
In the same seats they were born

But you
Son of a thousand
Secret subway duets
Will one day find yourself
Sitting next to the soul of this city

And she
She will ask you to sing for her
And you
You will learn why the tides chase the moon

1  There is no eye in the Triangle: the Triangle is form filled with the I that is formless!
2  It is the reflection of the three in one the Bard of the Triangle knew.
3  A red tongue laves the altar stone. Nothing remains.
4  Thou art That which resolves the frustum.
5  Herein lies the great mystery of the empty throne.
6  The Sun has gone; the Son approaches. We tread upon His shells.
7  Build us a Kingdom beyond war, O Child King! Kindle within me the Serpent Flame 'til it consume the dross.
8  Stoke it with the coals of the Supreme Fascist. The word is MUTINY.
9  You awoke in the Kingdom with eyes closed. In the beginning was the Trapezoid called Control.
10  A thousand thousand petals spring forth from the mud.
11  Its stalk grows straight until an endless bloom tops a great pillar.
12  In contemplation it readies for ascent.
13  A malicious serpent chews at the roots of the world-ash. It is the itch of desire.
14  A coiled serpent awaits at the base of the spine. It is the potency of will.
15  A royal serpent writhes about an egg. It is the conquest of belief.
16  These three are one in Godhead and Leviathan.
17  Slavery is complete in the ownership of belief. Were three serpents tied at the tail, there would be no forward; the knot would be sovereign.
18  Godhead is Not. Untie the Not and the King dies.
19  The royal serpent disappears.
20  The blood of the king reveals two serpents and conceals a third.
21  Seek the meaning of meaning and its scales shall be revealed to you.
22  Long live Leviathan, the fulfillment of the Triangle!
23  When the I opens, the flame of sight will illume the base.
24  Earth bears a shut eye until the I awakens into Flame.
25  When the Disparate shall assay as the Only, then shall the aspirant overcome the gravity of the Trapezoid.
26  Bear thyself up, O Child of the Aeon, and drown upwards in the eternal surging of the cosmic sea.

Being a poet, a heavy handed right-hand writer, is to me, being a sociopathic killer of language. Hands that worship sometimes the least popular fruit, the myrrh or the mana, the young woman or the homeless man-animal, prostitutes and the dregs of civilization.

Here I am, shuffling through my cabinets, searching out that precise instrument, for this precise moment. My repertoire of blades, bludgeoning objects, handyman's tools: the hammer, axe, screwdriver, sieve, staple gun, nail gun, jigsaw, bandsaw, handsaw, and wrench, also too there are wood chippers, snippers, clippers, scissors, tapes, shanks, cords, ropes, and wires. I do not prefer the six or twelve shooter, the Smith & Wesson semi-automatic pistol, the M-14 rifle or the M1 Garand. Too many are there to name the incredibly effective pharmaceuticals, including the human tranquilizers, animal poisons, toxic chemicals, and household cleaning products. I do want for these, though many of the myriad instruments I've listed work with great efficacy, eliciting the desired pleasure or response from he or she who wields them. I instead choose the the pen. Any pen will do, though I prefer the Uniball .7mm with black ink, as blue to me does not possess the intensity and seriousness that must be conveyed or omitted. The pen can chisel away the unwanted or offer the necessary temperament and intensity, which might be required. For each killing is unique unto itself. No ****** is quite like the other, though there are similarities between them on some occasions.

It must be I that wields the pen and not the other way around. This relationship is one-sided, and must be orchestrated by me and only me, lest I should sacrifice the personal nature of this hauntingly ferocious arrangement between ink and instrument, instrument and I. A gravely serious one-way, unreciprocated, and unbalanced, nearly schizophrenic performance of language that is never heard nor displays no sound, which instead draws heavy sanguinated strokes, marks, scribbles, and inscriptions amidst other fanatical displays of power and allegiance, ego and lust, eloquent rage and fetishized insanity. Each movement of the hand readies this god-sized control to the pen, exercising its tumultuous rein of might, choosing to exact its motive on this word, while ignoring and sometimes even skipping over whole sets of words, sentences in some instances, while in others it chooses to exhaust itself in wholly unbelievable performances of carnage, destroying speech, and slaying, splicing, and splitting-up complete sections of the English language.

In some cases neglecting those words that might seem noisome or rank to some folks, only to select and offer penalty to others, it chooses on occasion to ostracize other more sweetly and eloquent pieces of speech, it chooses which parts of our alphabet to select and which words or letters it ought to omit.

****** after ******, the writer counts each ****, committing every instance to memory, and on some accounts he or she might even bring home a treasure or trinket, something small though, not bigger than that of a pomegranate though often not smaller than the wick of a candle. The writer takes this together with any artifacts or materials that could tie his or her method to his or her execution. Until, at last amid the company of themselves, they can revel in their vain glory and perfervid excite for the acts they've chosen to commit and the acts they've chosen to omit.

It's in these brief moments, when the speaking ceases, and the company is called to rest, there can be found an easing and peaceful contentment. Each room slowly ushers out any of the unwanted sounds of the day. Finally, he or she may sit or stand, lay or play, undisturbed by agonizing wants or needs, and happily, having chosen to keep many cupfuls of pens, not only on their work-bench and writing desk, but in the kitchen, in the living room, and in every room.

In recent years, I've begun to notice that nearly every home and establishment, business, and institution keeps at least one pen on hand. If only for those special moments of social awkwardness when at last the spoken language holds no greater power than can be wielded under the grand spells and vespers, free-verse, stream-of-consciousness, or prose that quickly by taking up the pen can offer to its bearer in short time steadfast relief or certain resolve. For the heart certainly pumps more ink than it does blood.

A magic man
with a cristal ball
shouts from his stand
come one
and come all
a little boy
10 years of age
sees the future
and is amazed
how much for the ball good sir?
its not for sale you little cur
the boy
not used to hearing no
waits out back
for the end of the show
the man packs up
and readies to go
the boy sneaks up
and grabs his target
but for what he gets
he didn't bargain
the man comes over
and with a shout
tells the boy
hes done and out
the man shoots lightning
into the boys eyes
the penalty for theft
is a harsh reprise
now to this day
the boy lives in the dark
sharing a warning
most grave and most stark

In an enchanted wood
Surrounded by plant life
Faeries play
Never knowing strife.

When humans come along
They're told to hide
Forming a throng
The law, they must abide.

What would become
Of one who would stay?
Would she succumb?
Would that human play?

They'd never risk it
For fear of their immortality
Could a lone human
Outwit a faerie?

The risk is immense
She really shouldn't try.
But in her defense,
Her wings wouldn't allow her to fly.

The human approaches
The one tiny faerie
His presence encroaches
On feelings that vary.

Anxiety and zeal
But most of all fear
Is what she feels
As he draws near.

She darts behind a bush
Hoping he didn't see
She knows she shouldn't push
And should let him be.

He looks to the left
And then to the right.
He wonders if something just left
His line of sight.

He almost passes
The bush that she's inside.
But something falls, crashes
And he jumps to the side.

A tree limb falls
And collides with his leg
He begins to call
For anyone, he begs.

He cries out in pain
As the blood begins to flow.
Knowing its in vain,
His tears begin to show.

The time is right
For her to leave.
She should take flight.
This, she believes.

As she readies her wings
To get away from this man,
The anguish this brings
Is more than she can stand.

She emerges from hiding
Her heart beating fast
She shouldn't be siding
With humans, they're so brash.

She flies to where he lays
His breathing grows slow
She knows she must stay
The healing energy from her begins to flow.

With a sudden jolt
The man sits upright.
Before she can bolt
He grabs her, mid flight.

This must be a dream
He believes in his mind
Her wings begin to gleam
As he holds her inside.

His hand grows hot
And he releases his touch.
He becomes distraught.
This is too much!

Faeries aren't real
He says to the air
He begins to feel
A longing to care.

She flies to his ear
And whispers lightly
Faeries ARE real
So believe, if only slightly.

With a wink she's gone
And then a bright flash
He lifts himself from the lawn
This realization will last.

You see her in the corner,
sitting, watching, waiting.
She longs to be up there once more,
but she just sits and watches.

She gets up and tries to dance once again,
but her knees give out and she falls.
She falls to the ground,
and breaks into tears.

All she wants to do is be up there,
where she belongs.
In the spotlight,
with a face full of makeup.

Once again she gets up,
and stumbles to a ballet bar.
As she grabs a hold of the bar,
she feels the cool wood under her hand.

The memories are flooding back,
like an uncontrollable hurricane.
She burst into tears once again,
and falls to her knees.

She stands up for the last time,
and grabs the bar.
She still remembers everything,
she has learned.

She enters fourth position,
and readies her arms.
She began to rise up,
on to her toes.

Her smile widens,
as her muscles tense.
Her knees start to spasm,
and worry begins to consume her.

She slowly sinks down,
back on to solid ground.
And she slowly walks to the mirror,
puts her hand up and closes her eyes.

She opens her eyes,
and looks around the studio.
It was all just a dream.


You see me in the corner,
sitting, watching, waiting.
I long to be up there once more,
but I just sit and watch.

I get up and try to dance once again,
but my knees give out and I fall.
I fall to the ground,
and break into tears.

It was not a dream,
but mere reality.

Honeyed sweet lust
drips a trail
I long to travel
tongue travail

Pert and round
ripe, ready to pick
my mouth waters
as I long to lick

Anticipation pains me
I want to dig in
my body readies
for original sin

Salivary sensations
toppings galore
this time its honey
no need for more

the grass is greening
and voices begin to rise
i wander further
the distance between the tall oaks
and my bare feet
merely a few steps

the front door
not always left ajar
often thrown off its hinges
anger an anvil of weight
a battering ram

tightened
the moon rises and night falls
withering cries
cardinals fly west
and venus readies herself
for a second showing

an exchange
invaluable its rate
but just the same
someone's coming
or going

Not the news that was inside of the brain
And the crisscross of what was there before
Dear love who pushes everyone around
They say that slaves are long gone but I see
That love is the one holding the reigns

In speed we know not where the thoughts come from
So whatever is produced seems like truth
Spreading apart time like a deck of cards at a table
The Piper makes sure all the dust is away from the stable
And the brain recollects only what it wishes to

Sister to be so far away from home makes my heart to stone
There was a place I wanted us to go together but now no longer
Singing in song to press the ear to mother earth
Pressing my lips to the bright blue sky kissing God
We poets are nothing but mathematicians with words

To pray in the soft humid light of Middle Europe
Living in solitude away from a life once known
To dance underneath the milk spilt sky of stars
Breathing in serenity once only permitted for the Gods
The table has turned and it is exactly the same as before

Money in the eye of the internet - though I hate to admit it
She once said, "You look good sitting there" and I laughed
The shadows spread across the walls of my mind
And all I have to show for it are thousands of pages
And lacking anything I can honor as time well spent

Piano Gould plays fast and in sync with the madness of men
The madness of the world and the madness of his own mind
Swirling eclipse churning the sea ravaging the natives
Burning the trees with ****** as the ***** of the sea
Suit up their pants, button up their tops, and fasten their ties

Sun on my back like a cape or hot stick of boiling butter
The two together laughed and drank and spit on each other
Leaving the soil black where once it had been white
There is love again, there is Her promise with her fingers crossed
Away from the public one will always think of the door

An lo' the rejection slips that burn in the pockets like coal
The train leaving the station, you on it, knowing not where to go
Sea breeze leaks through your auburn hair as the mistress
Twiddles with her candy cane and combs through her hair
A promise to see the whole world in just one blink

Courtesy forsooth I tell thee that ****** was never a sin
Nakedness was God's wish and the robes must come off
The sheets of our bed are on fire and the windows are closed
I hold my breath but yet still breathe from my own nose
The hare eats its carrots as the fox waits to jump from its own hole

Fingers dance upon the ice covered plain field
The soldiers swords are ready, they've eaten their last meal
The blacksmith's hammer swings and is getting worn down
The queen on her pedestal is presented with a newly sewn gown
We peasants with pens praise Shakespeare for his ingenuity
Lo' in secret with his estate and his money, he truly was one

The hard-workers with their hands and their blades and their resentment
Make anything presented with them show a veil of false sentiment
Writing too long for my trusty pen to hold anymore ink
At times I think I've lost my mind, my heart tips on the brink
Where Lear entrusts his daughters, the chorus readies their mourners

A slow skull, but steady
as four pull by in unison,
the river readies me for another day
with current confidences
quietly spoken

In comparison, the busy chat
of small brown birds seems rude,
but cheek and charm
forgive a lot
if not all

It’s to the bees I’ll look
for industry this Sunday,
though if their lead will be followed
is yet to be decided

Hanging low in the western sky
The sun prepares his exit
Pink and purple hues light the way
As night, readies to take the stage
The brilliance of the moon can already be seen
As day submits to night
Her cool sovereignty lights the deepening blue sky …
All hail the queen!

the rooks glare at him
his pawns are all dead
on his neck roars the queen
crown trembles on his head!

smells his fall the neighing knight
hangs on thread his fate
crown would go and so his might
war over the bishops trumpet!

his army of pawns are nowhere seen
the king feels so alone
his chosen war he failed to win
about time he leaves the throne!

victory at last the pieces sing
we have the king checkmate
behind the new face the same old king
readies to wear the crown’s weight!

Don't know why they cloud you with so much negation.
O' Death, you aren't the end.
You are life's fulfilment, its completion,
You must be looked at instead, as a friend.

What are you? What is me that dies?
Questions I have asked you time and again.
You answered me, you told me no lies,
Truth as it is, without a single bargain.

My clock starts the first time I inhale,
That one mighty breath of life.
Then you follow me through every intricate detail,
In my every joy and in my every strife!

The people dread you, they say you take away everything dear,
Say you are the end, You! The root of all torment!
Yet a man that has known you, has no fear,
He knows by death, he is being paid the greatest compliment.

For he has developed with you a great friendship,
In knowing you he knows what is true.
Now his life is but a beautiful courtship,
A poet he becomes, so blissful and so blue.

This one that has known his mortal nature,
Lives at the peak and cherishes all he has,
Not a moment has he to waste in worry of ego and stature,
A life lived of a different class!

And when the time is ripe, his death he blissfully welcomes,
Letting go of all in the last exhalation.
Inching towards the peak of all *******,
Readies himself for the ultimate relaxation.

In knowing you he lived a life so full,
He lays down at peace and breathes his last.
Knowing he will be taken to the eternally beautiful,
Smiling, he bids adieu to a beautiful past.

Eye has become a Warrior
Eye spent years turning my insides to Flame-Tempered Steel
Dousing the flames of my selfish desires
And hammering out the emotional weakness
That is slavery to self
Eye focused my energy solely on the Inner Work
And dare Eye say, it is complete

Now, the Outer Work is in progress
Eye can feel my Soul is growing stronger
With each breathless ******
With each drop of sweat that spatters against the cold floor
Or streams directly into my burning eyes
Eye remembers the pains of past lives
And Eye readies my Warship

For it is War that has been declared upon me
But Eye cannot be defeated
My Spirit has completed the tasks
All but One
That cannot be done in One Lifetime
Eye will help me to finish strong
Eye has become a Warrior

My silent screams
My silent pleas
My mouth is open, but no sound is coming out
no words are forming
My mind is full of empty promises and lies
My heart is thumping madly loud
And my pulse is racing my silent breaths that come quickly
I take in one huge breath slowly
my heart thumps
my soul readies itself
my lungs expand
my pulse races
I let out my silent scream
It's louder than hell
But it's more silent than a rose petal
It's loud to the people that are able to hear it
But silent to most people
I stop screaming
I'm still screaming
I thought I had stopped
But I had never stopped screaming
while the tears of sadness and frustration stream down my face
*And no one's heard me yet

A badge without condition bought cheap, from a thrift store
Lies with brass medals and plastic ribbon, from uncaring hands.

A paid add on the paper floor, claps on the back from glad-hands,
Claps for marrying poor, she’s worth it, all her rotten core.

You walk with conceit, when the army stamped it’s boot,
A doctor’s note, before the sarge could break your seat.

Readies from your parent’s purse, a hand-out on the brew.
You queue for ****** on the roads in a pimped-out hearse.

Slurred words drawl from the dark, blood spit on the street,
Fistfights punctuate grammar like an exclamation mark.

You clone another you, spat from the womb cold;
A mother’s love wrapped in smoke of cozened blue.

There is no end to your ambition.

Alpha Pistols
It’s a nice warm summer’s evening in 2004
The cool man was on top of the Manchester tower block
He fires down with various guns at his lower targets
There is a builders yard two hundred metres away
The fork lift trucks zip about and disturb his sleep
When they reverse their beeper goes Beep Beep!
This riles the man and makes him madly dance
Round his one bedroom flat on the 22nd floor

He grabs all of his guns in a heavy holdall and rushes up
To the very top of the building where he can pop them
While wearing only his bleached white Y-fronts
He sits down by the edge and gets ready for war
From up here he can hear the fork lifts beeping
He grimaces and shakes his head then opens his bag
And removes a small tape player then presses play
The 12 inch version of So Alive by Love and Rockets

His chrome and ivory Colt 45 follows with three clips
Clicking off the safety he aims at the reversing trucks
Their blinking orange light and street lights illuminate
Y-front man aims and fires at the small trucks
His gun is loud and follows thru the muggy night air
Bullets spark off concrete blocks and one hits home
Going thru the windscreen and shocking the operator
Quickly reloading he fires again till the mags are empty

There are 30 different fork trucks in the yard and area
He killed one driver and wounded another in the leg
They are all instructed to to their job while able and alive
Next he gets a 45 calibre Grease Gun with long barrel
He opens the shoulder support and readies his toy
He stands up and sprays the yard from the hip
His grin sez it all as his sub gun blazes away
Two fork lifts collide and drop their pallets of bricks
Reloading he fires at the upended yellow trucks

Their gas bottles explode and cremate the drivers
His song is on a loop and goes on forever
With raised arms and eye to the sky he dances
Round and round he spins to the goth song
Next he grabs his Al Capone 45 Tommy Gun
It has a round mag full of bullets good to go
Standing and firing from the shoulder he goes
The recoil pushes him away from the roof edge

He leans into it and the muzzle flash is serene
The slugs impact all over the yard and 6 trucks
Snapping chains piercing tyres hitting drivers
Two are killed one hurt three are terrified
They still operate their vehicles as ordered
Second mag time and more damage below
A gas bottle blows in an orange blast of debris
While this occurs beepers still beep and lights flash
It’s a huge yard and there are many targets still

Slowly but surely he eliminates them like a surgeon
His next gun is a BAR Browning Automatic Rifle
This he shoots on single shot bipod lying down
It’s a powerful 7.62mm gun and simply superb
Each shot hits home and kills 4 operators dead
Explodes rear 3 mounted gas bottles and more
But the BAR does full auto too and he we go!
*** ****** full ******* auto 30 shot mag wham

Soon empty rounds down range more hits
The fire has been devastating attrition mounts
There are far less fork lifts now in use there
Burning trucks and dead or dying operators cry
In his head he’s the rock n roll man on a roll
I’ve got more guns to fire and now it’s my cod piece
Browning 7.62mm machine gun with bipod
I quickly pull the parts from my bag to assemble
Then a belt of 250 rounds with 1 in 5 red tracer

Happy it’s ready I click off the safety and fire
I’m sat down and hose fire downwards
I slowly move the gun left to right left to right
Impacts spark and in the night air tracer guided
My 250 bullets lasts fifteen seconds and is it
Nothing intact remains below working wise
I took out 30 fork lift trucks and operators
Many are dead some injured others hiding
Lastly I use my M1 Garand rifle with blank ammo

I fire eight rifle grenades at the builders’ yard
I pop a grenade on the end angle up and fire
The blank shell launches the grenade up and down
It takes seconds to fall and hit and Bang Boom Blam!
I fire 8 at random spots of the huge yard
There are no more reverse beepers sounding
All fork lift truck use ceases forever due to me
Now I can peacefully sleep in my room at night
Do not destroy my slumber!

She makes the call wondering if its their last
He answers overwhelmed with hopeful possibilities

She lets him in pointing him toward her room
He walks buzzing with anxiety and excitement

She closes the door nervous, trying to hide it
He sits on her bed staring at her with as loving a gaze as he could muster

She sits next to him but not to close
He readies his story, irons out the points he wants to make

She tries not to drown in the silence
He struggles with his words, fighting to fit them into logical sentences.

She looks away ready to ask him to leave
He says, “I love you. Can’t that be enough?”

She looks back at him wondering how it got to this place
He places his hand on her shoulder

She sits and focuses on his hand, this physical connection
He almost wishes he never said it, almost

She says, “Why did you come here if that’s all you were gonna say?”
He almost answers but stops and thinks about it

She rises frustrated with his lack of response
He says, “Because it’s the truth.”

She replies with a quick, “What?”
He says, “I love you and that’s all that matters.”

She stares, stunned at his definite tone and eloquent words
He stands a few inches taller all the while without taking his eyes off of her

She shutters feeling his heartbeat in their close proximity
He doesn’t touch her but they are close enough to sync their breathing

She almost pulls away but his magnetism keeps her from doing anything
He drags his fingers up her arm and caresses her face

She finally moves and holds his hand to her face, taking in his scent
He rests his head on hers and presses his face into her hair surrounding himself with her.

They kiss.
They forgive.

Gunfire rattled through the tranquillity, shattering like the bones he trod on to get this far

He laughed a little, because he heard them squeak and squawk when he stamped their life away

He pumps the shells out of his rifle, seeking any pray that is unlucky enough to find him

He quiets down, and sneaks on the brown autumn leaves while they crunch

He finds what he's looking for, he sees her stand tall and proud and happy

He readies his gun, steadily aiming at her

Her skin is a rough brown and her orange hair is falling out, and covers the floor like a carpet

He laughs a little while he pulls the trigger, sending a few bullets into her thick skin

Her bark breaks and there's a hole, the bullet is stuck inside of her

And he chuckles while inspecting what he's done, and he thinks "wow, I did this."

The tree is still standing, and she always will be

But the gunman, he now knows what he can do

and she will never be able to stop him from that

the gunman walks away with a cocky smile, whistling a tune

The tree simply stands, and grieves for his future crimes