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1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Benji James Jun 2019
Pretty girl
I want to see you smile
I'm going to use that line
like it's going out of style
You're cute, wonderful and beautiful, it's true.
There is nobody else as amazing as you.
You brighten up the day with your smile
Don't hesitate to keep on shining
Because of this little miss,
Take some time to see
There is something special deep inside yourself
Nobody is quite like you
There is nobody else that smiles
The way you do

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

Just like the sun that shines
the dark clouds away
That grin that perfectly fits your lips
Your beautifully lit up face
Through your eyes
All the darkness in me
Fades to light
You're the image of perfection
Inside of this mind
You're the only exception
So keep burning bright
Like city lights
Keep bringing happiness to all
that surrounds you
Because you're infectious
In all the best ways
And I pray, you'll always remain the same

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

Hey honey,
Let your energy
guide your way
Hearts on your sleeve
inspiring me each and every day
When I'm around you
Feels like there is nothing I can't do
Don't need another pick me up...
Princess, I've got you.
You're turning me around
With your outlook on life
Always remaining optimistic
through the hardest times
through grace and positivity
You always manage to smile

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

©2019 Written By Benji James
Nigel Morgan Oct 2012
Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.
Hannah f Jul 2014
I was really born with green eyes
They resemble emeralds
But it seems the biggest green eye I have
is the eye of jealousy
I see beautiful people doing beautiful things
Making art, making jewelry, getting photographed
All while getting paid to do what they love
Half of me wants to be happy for them
but the darker half gets glowing green eyes
My biggest dream is to do what I love while supporting myself and my loved ones
Yet people as young as my age are already doing it, and have been for all of their life
Makes my soul wary and weak and just want to sleep
I'm so jealous of all of you
Andromeda Apr 2019
you were the photographer
that never photographed me.
"if you want to learn what someone fears losing, watch what they photograph"
you never loved me you liar
Martin Rombach Apr 2012
Sometimes I wonder
About all these screens
Reality captured and controlled
Designed and refined
Groomed to an idealistic state of too good to be true
Making it a bit too easy to day dream

Sometimes I wonder
About all those moments
Those times so clearly photographed
With a piercing sting behind the camera
Fantasy proposing the changes that can't be made
For those moments that you can't forget

Sometimes I wonder
About all I haven't seen
Billions upon billions of molecular possibilities
Shown through animals, forests, seas, circumstances
All going on beyond the length of my perceptions
Giving me a yearning for more than before

But...
Sometimes I know
Despite all the anxieties of self perception
The hindsight consumption pressuring pointlessly
And the necessary humility in a world that is small itself
That there's a lot I can do to find contentment in life
And plenty of time to do it
Fah Aug 2013
Sailing in a dhow at sunset after snorkeling off Mafia island, Tanzania.
'
SPILLAGE
The tree’s don’t sleep at night
they photosynthesize , by moonlight.
Leaves drink in the cool wise light
And give off dreams of softly fading starlight

Whispers of secrets , monthly unfurl
A single blossom falls at new moon
Hurtling to the ground, awake before noon
Ever noticed? The very word has the circle
Curled up in the centre , twice to make sure we remember , two full cups , not one.

Geko’s slip off old skins
And the croaking frog adds to the din
As thunder rolls in
Triggering the dogs bark
Guardian of the stark naked couple
Asleep in their parallel worlds
Together under the umbrella of ambient lighting
Not the natural kind either
But a shameless copy of pure sunlight
That emenates when their bodies collide
On the material plane.

Astral visions lead the way to headquarters
The address? Fax? Phone number?
I’m afraid you’ll have to dial again ,
Unless you’ve meditated on the vibration of emancipation
Then you would already know, you are already there
Doors are open , for those who care to try
No lock on this baby ,
Ain’t no safe to play safe
We bask in our humble glory
Under the shores on undulating tides
Rhythmic pulsations
no where to hide
The emanations come from within,
Without , a shadow of a doubt

There is a war coming , infact we’ve already been fighting for decades
Just like the change of winds, nature knows her stuff
Tip the seeds too soon and you’ll end up with a field full of fluff
But just in time and a harvest with enough to reduce every super market shelf to dust
Even though they already stock that kinda stuff
Clean up on Aisle 4, Aisle 3 , Aisle 2 , Aisle 1
Return the purchase , we’ve discovered the ****
In the cake
And we found the frog in the salad,
At least their habitat is intact
Or did you think I was still talking about the shops?

Ok , I’ll change tact
Change of pace.
No , no I will not join the Human Race
Running to where? Why all the running?
From what? To where? From whom , to whom it seems like we run straight to our tombs, without a second glance at perhaps the chance that legs can walk…
Wanna know where I’d rather be?

I want to be on a motorbike heading 70 miles an hour down empty roads
An island paradise , holding the hips of my dearest
To arrive at another home ,
where our friends relax to the forlorne strums of the blues
Tripping on love we depart ,
not without slightly heavy hearts
Peace , friends we’ll see you anon.

Pull into the golden arches , I tell myself ‘I can’t kiss those lips now they’ve touched that burger’
then I remember you’ve been working all day
before you came out to play , I wasn’t up for a dance I was too entranced in my own madness
But. Always the **** , walk up those stairs for me, softly you moan.
I agree in a semi tone. Secrets are meant to be shared,
we quietly told each other of love in the parking lot at 4 am. The pain in your eyes still wakes me up in the middle of thunderstorms.

Awoken to sorrows from the motherland, monsters creep to the door,
peep in the keyhole.
Oh,
I forget,
your door is activated by credit card numbers that spiral from lips of z-list celebrities.
So we’ll waste away the morning in each other arms,
you watch me as I dress. No underwear no less. Put on your bra properly, suddenly you get kinda frosty.
Not far from where we sat to have a Japanese lunch , pretty close to where I walked to meet you for tea , where you held my feet and handed me a phone I left in your brothers car.
Well that’s where we have breakfast coffee and papaya whilst tourists ogle at the dog guard.
Deaf to our calls , luxuriously taking his time. He didn’t find the secret beach either.
Although the sea was good for a float, and to hear the space journey’s musical manifestation
at every crash of every wave, the magnetic pull playing her crooked beat as she bypasses our feet.
Then, there are two nights with two Amsterdam gals , one smoked lucky strikes and had scars across her wrists , the other photographed trees for a living.
Both blonde , both fair , both with their own flair.

Expect the unexpected , beach raves full of people I don’t really want to be with , so we get tequila shots instead
and stand outside a shop selling knock off clothes when the bar needs to shut.

She took a break to the bathroom , we finally let out the kisses we’d been holding in all night,  
until she got back.

Who said we couldn’t control ourselves? Although to be fair, I could feel you reaching for me wayyy back.

Why should we be selfish? Why shouldn’t we? I still went home with you that night, there really was no two ways about it.
I had *** with you, slightly drunken ***, that was by no means gentle, by no means candle lit , by no means rose petals laid out on the bed, infact , if my memory holds true, there were no flowers apart from the ones on my dress.
I’d say you were lucky , but then I cried at home.
So much pent up emotion in that one act.
Enough to propel us in into another night and untold eons beyond, I’m skipping ahead now,
Where we drank red wine on the shoreline , I used the staff bathroom and noticed all the things that could be improved – seemed like work was wearing off on me.
Still, the best part was yet to come, yeah the *** was fun but nothing compared to the games we played. Dress up and salsa ,
mysterious temples
natures tickles leading to giggles at the foolish endevours of two ***** humans., smoke a spliff , enough to unwind the mind to a new point of time. A flash of something I’ve never seen before, nor have yet to be graced with again.
I guess that was divine. Well, wouldn’t you say….
It was about time.

So , am I still talking about the shops?
Or who wore what with kate moss?
No disrespect
she’s adept at her art but i don’t wanna read about boring old farts
Lets hear about the underground collective of conscious minds who are rewinding the clock , who won’t stop ,
warriors.

Well quite frankly

How long have we sat , year after year to be told the same **** and bull story.. my ears, my ears! MY EARS!!! They yearn for the sweet serenade of the truth

behind the crumbling arcade of rigged lottery tickets and games of black jack where the house always wins.
Fortunately we’ve been coming since we were five , we know the cards without seeing the faces, we hold all the jacks and aces, we’ve got time on our side

So…that’s why they are running , finding places to hide.

We’d only be stealing from the house to give to the houseless…
With the tools the house gifted to us…doesn’t it seem ironic?

I laughed until I cried the day I discovered the universe had a sense of humor. A dark , ironic , sarcastic tone that involves  a major chord. Maybe a G or a D.
For some reason , my first poem i ever posted here i cut short
i felt that the whole poem was too close
i thought i lost it on my old laptop
but seemingly here it is...

funny,

what i seek seems to be seeking me....
past wavering lights
  B. Serrano and Bagong Ilog
love struck us down — sees no votive
clearing of the fog or a word sharper than any blade wrought from frays.

i have a photograph of you
somewhere in the ken of my silence
  and on it paints lightsome hue
and sometimes pale when it rains.
KM 24 on a blue alloy and underneath,
   a Baguio — some memories we keep
almost left by the last carriage homeward
   from too much fire in our hands
  only tremors could extinguish both
striking a balance and counterbalance;
the frequency of the electric and the
immense decibel of lions drowning
    the disquiet. some places or some
looking back makes you want
   to lose yourself in slight wonder and when

a memory comes back with the dreary
   weight of its forgetfulness,
we fall asleep traipsing the steeples
   of our dreams of each other
all-telling, still dizzy with the pirouette
  of some distant longing bracing
the fall, triggering our darkness
  and shooting out

   ourselves, small,
love striking us down. arraying a triplicate
    of hazy trails forking all roads
and we cannot find each other again;
  throwing stones rippling
multiplied waves by the sea arriving
  at separate mornings beneath
our feet,

   bends on the bludgeoned curves
of love and hate ascertaining something
   so unsure as a door agape and swiveling
  in tense wind, tender is the night

  and love continues
to smite us down, locking in, predatory precision,
            running away, and away, and away
   from the ache of it all.
Guido Orifice Dec 2016
J.R. said the man in the helmet said, “Goodbye, my friend,” before shooting his father in the chest. His body sank, but the man shot him twice more, in the head and cheeks. The children said the three men were laughing as they left.*
-Daniel Berehulak, They Are Slaughtering Us Like Animals, New York Times

Manila, goodnight.
The world is watching you slowly die.
Tattered truths & losing sense of life
captivate your battered night. Mud hurls blood
streets batted with horror & blabbed
anonymous spirits ghostlier than ever.

(Even ghostlier than your Martial Law days)

Manila, tranquilize yourself.

Your rest will be disturbed by scourged souls, thunderous cracks of guns,
bullets hitting flesh, motorcycle tandem arrests,
people’s holy shouts shunning shibboleth sounding death.

Hear them not. Sleep well.

Maggots festering wound. Manila,
on your knees, worms stich your broken nerves
healing gunshot wounds with peace.

Your night will be a train of madness
shattered by lies through morbid holes in skulls
& confessions in cardboard signs.

(Justice today is served cold, so cold)

& everything from that day on is simply to be known
as a cold just.

Truth decays. Life smolders, vanishing.

Your nights will be unthreaded from memories
for no one dares to look back to twisted arms clenched
by plastic strips, head bowing to ground (instead of ground
bowing to head), ground kissing the body naked swarmed
either by grease or blood, the body breaking gossips
among gossipers & gossamer among spiders.

Weep not, dead men tell no fiction.
Their bodies are the shocking truth, forsaken
shocking headlines hissing morning papers
peppered with mint or lies.

Manila, goodnight for your night will be remembered
through vigilant myths & nothing more.

Often cold bodies, freezing voices from limbo,
can’t speak nor bothered the living.

Again, Manila, in your arms, dead men tell no tales.

The killing spree of fragmented morality,
mortality, fatality, vanity, sanity, insanity, apathy.

Manila, do not move. You are now sedated with fear,
stronger than cooked methamphetamine of crooked realities,
no less than a drug making your anxious, bothered
in the darker & dimmer night
in dimmer  & darker disaster.

Manila, walk with your graffiti walls.
Your gutters will be banks of blood. Daylight traffic
will erase your night’s unwelcoming sphere. Last night
persists as tiny figment of imaginings photographed
& again, nothing more.

Everything will pass like hyacinths of Pasig River.

Everything will pass like one’s eternal passing.

Everything will pass like a chilling December wind.

Everything will pass either a typhoon or a butterfly fluttering.

Manila, goodnight. I am afraid they will ****** you
in your sleep. I am afraid that everything will just pass
like your breath losing hold of your lungs then your heart.

I am afraid that your death, my dear Manila,
will just be a neighbourhood rumour passing
& everything turns into a fiasco of a madman who believes
that he is a messiah, was he a messiah or never he will be a messiah.

Manila goodnight, I will watch you in your sleep. Your sleep
will be a thousand fold peace. No more of your sons or daughters
will be killed at least not in my memory.

Manila, here comes the night. Sleep,
sleep holy in the hidden lair of my mind. Your
catacomb will be wreathed by flowers & tears.
Incense will be fragrant burning bones. Your life,
your tired life will be a gentle ebbing of time
like your Bay’s sunset beauty, like your lively street people
like your once known heritage, your life
in the busy daybreak of your kindred sons.

Goodnight, my dear Manila.
I invite you to read Daniel Berehulak’s coverage of Philippines’ War on Drugs here:
http://www.nytimes.com/interactive/2016/12/07/world/asia/rodrigo-duterte-philippines-drugs-killings.html?_r=0
"...a frozen memory, like any photo,
where nothing is missing, not even,
and especially, nothingness..."
-- Julio Cortázar, "Blow Up"

Mirror-mad,
he photographed reflections:
sunstorms in puddles,
cities in canals,

double portraits framed
in sunglasses,
the fat phantoms who dance
on the flanks of cars.

Nothing caught his eye
unless it bent
or glistered
over something else.

He trapped clouds in bottles
the way kids
trap grasshoppers.
Then one misty day

he was stopped
by the windshield.
Behind him,
an avenue of trees,

before him,
the mirror of that scene.
He seemed to enter
what, in fact, he left.
King Panda Jun 2017
picture:

we stand in your office
and the *** crack of a homeless man
glints through the window--
a rise in sweat and speeds
so great they leave a
trail of milk to nurse
my wounds.

the eyes of a frilly moon and
your arms wrapped around
my Orion—

******* reach
for each other in the black.*

painted.

blue feet and sophistication.
Cat Fiske Oct 2015
*****.
Abused.
Photographed in the ****.
or even,
had a sextual comment told too.

Doesn't label you,
anything less than how you see you.

So stop **** shaming your victimized chicks,
who didn't seem to like you from your un puberized ****,

No one asked for this ****,
so do not blame them for it,
Stop.
Marquis Hardy Feb 2015
In an old...
wallet
box
attic
was an old faded photograph of a photographer.
Meant to be...
left alone
put to rest
forgotten
it was since then brought back by nostalgia and the impossible life that was now to be lived without you.
You liked to be...
behind
smiling through
holding the camera
as you were the photographer but not this time, as you were the photographed...
In front of
smiling at
holding a pose
while I became the photographer, photographing you, the freshly captured photographer in the faded photograph.
In an old...
dream
heart
memory
you never faded but remained the still whole of a perfect silhouette.
The perfect photographer preserved in the perfectly faded photograph for...
love
life
forever.
I spent part of today listening to the album My favourite faded fantasy by Damien Rice and it made me think of the idea to write this piece
Aztec Warrior Jun 2016
The Stanford **** Case
Statement from the Young Woman Who Was *****
June 10, 2016 | Revolution Newspaper | revcom.us

Editors Note: The following harrowing and courageous "victim impact" statement was read in court by the woman who was assaulted and ***** by ex-Stanford student Brock Turner. It has been released widely and revcom.us is reposting it here. As Sunsara Taylor said in "The Stanford **** Outrage: Reason Enough to Make Revolution": "Her letter is 13 pages long and everyone should read it. In its entirety. Out loud. In classrooms. In church groups. In families. On sports teams. On air. Her pain must be seen. Her battle against despair must be supported. Her courage must be multiplied."*
-------------------------------------------

Your Honor, if it is all right, for the majority of this statement I would like to address the defendant directly.
You don’t know me, but you’ve been inside me, and that’s why we’re here today.

On January 17th, 2015, it was a quiet Saturday night at home. My dad made some dinner and I sat at the table with my younger sister who was visiting for the weekend. I was working full time and it was approaching my bed time. I planned to stay at home by myself, watch some TV and read, while she went to a party with her friends.

Then, I decided it was my only night with her, I had nothing better to do, so why not, there’s a dumb party ten minutes from my house, I would go, dance like a fool, and embarrass my younger sister. On the way there, I joked that undergrad guys would have braces. My sister teased me for wearing a beige cardigan to a frat party like a librarian. I called myself “big mama”, because I knew I’d be the oldest one there. I made silly faces, let my guard down, and drank liquor too fast not factoring in that my tolerance had significantly lowered since college.

The next thing I remember I was in a gurney in a hallway. I had dried blood and bandages on the backs of my hands and elbow. I thought maybe I had fallen and was in an admin office on campus. I was very calm and wondering where my sister was. A deputy explained I had been assaulted. I still remained calm, assured he was speaking to the wrong person. I knew no one at this party.

When I was finally allowed to use the rest room, I pulled down the hospital pants they had given me, went to pull down my underwear, and felt nothing. I still remember the feeling of my hands touching my skin and grabbing nothing. I looked down and there was nothing. The thin piece of fabric, the only thing between my ****** and anything else, was missing and everything inside me was silenced. I still don’t have words for that feeling. In order to keep breathing, I thought maybe the policemen used scissors to cut them off for evidence.

Then, I felt pine needles scratching the back of my neck and started pulling them out my hair. I thought maybe, the pine needles had fallen from a tree onto my head. My brain was talking my gut into not collapsing. Because my gut was saying, help me, help me.

I shuffled from room to room with a blanket wrapped around me, pine needles trailing behind me, I left a little pile in every room I sat in. I was asked to sign papers that said “**** Victim” and I thought something has really happened.

My clothes were confiscated and I stood naked while the nurses held a ruler to various abrasions on my body and photographed them. The three of us worked to comb the pine needles out of my hair, six hands to fill one paper bag. To calm me down, they said it’s just the flora and fauna, flora and fauna. I had multiple swabs inserted into my ****** and ****, needles for shots, pills, had a Nikon pointed right into my *******. I had long, pointed beaks inside me and had my ****** smeared with cold, blue paint to check for abrasions.

After a few hours of this, they let me shower. I stood there examining my body beneath the stream of water and decided, I don’t want my body anymore. I was terrified of it, I didn’t know what had been in it, if it had been contaminated, who had touched it. I wanted to take off my body like a jacket and leave it at the hospital with everything else.

On that morning, all that I was told was that I had been found behind a dumpster, potentially penetrated by a stranger, and that I should get retested for *** because results don’t always show up immediately. But for now, I should go home and get back to my normal life. Imagine stepping back into the world with only that information. They gave me huge hugs and I walked out of the hospital into the parking lot wearing the new sweatshirt and sweatpants they provided me, as they had only allowed me to keep my necklace and shoes.

My sister picked me up, face wet from tears and contorted in anguish. Instinctively and immediately, I wanted to take away her pain. I smiled at her, I told her to look at me, I’m right here, I’m okay, everything’s okay, I’m right here. My hair is washed and clean, they gave me the strangest shampoo, calm down, and look at me. Look at these funny new sweatpants and sweatshirt, I look like a P.E. teacher, let’s go home, let’s eat something. She did not know that beneath my sweatsuit, I had scratches and bandages on my skin, my ****** was sore and had become a strange, dark colour from all the prodding, my underwear was missing, and I felt too empty to continue to speak. That I was also afraid, that I was also devastated. That day we drove home and for hours in silence my younger sister held me.
My boyfriend did not know what happened, but called that day and said, “I was really worried about you last night, you scared me, did you make it home okay?” I was horrified. That’s when I learned I had called him that night in my blackout, left an incomprehensible voicemail, that we had also spoken on the phone, but I was slurring so heavily he was scared for me, that he repeatedly told me to go find [my sister]. Again, he asked me, “What happened last night? Did you make it home okay?” I said yes, and hung up to cry.

I was not ready to tell my boyfriend or parents that actually, I may have been ***** behind a dumpster, but I don’t know by who or when or how. If I told them, I would see the fear on their faces, and mine would multiply by tenfold, so instead I pretended the whole thing wasn’t real.
I tried to push it out of my mind, but it was so heavy I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone.

After work, I would drive to a secluded place to scream. I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone, and I became isolated from the ones I loved most. For over a week after the incident, I didn’t get any calls or updates about that night or what happened to me. The only symbol that proved that it hadn’t just been a bad dream, was the sweatshirt from the hospital in my drawer.

One day, I was at work, scrolling through the news on my phone, and came across an article. In it, I read and learned for the first time about how I was found unconscious, with my hair dishevelled, long necklace wrapped around my neck, bra pulled out of my dress, dress pulled off over my shoulders and pulled up above my waist, that I was **** naked all the way down to my boots, legs spread apart, and had been penetrated by a foreign object by someone I did not recognise.

This was how I learned what happened to me, sitting at my desk reading the news at work. I learned what happened to me the same time everyone else in the world learned what happened to me. That’s when the pine needles in my hair made sense, they didn’t fall from a tree. He had taken off my underwear, his fingers had been inside of me. I don’t even know this person. I still don’t know this person. When I read about me like this, I said, this can’t be me, this can’t be me. I could not digest or accept any of this information. I could not imagine my family having to read about this online. I kept reading. In the next paragraph, I read something that I will never forgive; I read that according to him, I liked it. I liked it. Again, I do not have words for these feelings.

It’s like if you were to read an article where a car was hit, and found dented, in a ditch. But maybe the car enjoyed being hit. Maybe the other car didn’t mean to hit it, just bump it up a little bit. Cars get in accidents all the time, people aren’t always paying attention, can we really say who’s at fault.

And then, at the bottom of the article, after I learned about the graphic details of my own ****** assault, the article listed his swimming times. She was found breathing, unresponsive with her underwear six inches away from her bare stomach curled in fetal position. By the way, he’s really good at swimming. Throw in my mile time if that’s what we’re doing. I’m good at cooking, put that in there, I think the end is where you list your extracurriculars to cancel out all the sickening things that’ve happened.
The night the news came out I sat my parents down and told them that I had been assaulted, to not look at the news because it’s upsetting, just know that I’m okay, I’m right here, and I’m okay. But halfway through telling them, my mom had to hold me because I could no longer stand up.

The night after it happened, he said he didn’t know my name, said he wouldn’t be able to identify my face in a line-up, didn’t mention any dialogue between us, no words, only dancing and kissing. Dancing is a cute term; was it snapping fingers and twirling dancing, or just bodies grinding up against each other in a crowded room? I wonder if kissing was just faces sloppily pressed up against each other? When the detective asked if he had planned on taking me back to his dorm, he said no. When the detective asked how we ended up behind the dumpster, he said he didn’t know.

He admitted to kissing other girls at that party, one of whom was my own sister who pushed him away. He admitted to wanting to hook up with someone. I was the wounded antelope of the herd, completely alone and vulnerable, physically unable to fend for myself, and he chose me.

Sometimes I think, if I hadn’t gone, then this never would’ve happened. But then I realized, it would have happened, just to somebody else. You were about to enter four years of access to drunk girls and parties, and if this is the foot you started off on, then it is right you did not continue. The night after it happened, he said he thought I liked it because I rubbed his back. A back rub.

Never mentioned me voicing consent, never mentioned us even speaking, a back rub. One more time, in public news, I learned that my *** and ****** were completely exposed outside, my ******* had been groped, fingers had been jabbed inside me along with pine needles and debris, my bare skin and head had been rubbing against the ground behind a dumpster, while an ***** freshman was ******* my half naked, unconscious body. But I don’t remember, so how do I prove I didn’t like it.

I thought there’s no way this is going to trial; there were witnesses, there was dirt in my body, he ran but was caught. He’s going to settle, formally apologize, and we will both move on. Instead, I was told he hired a powerful lawyer, expert witnesses, private investigators who were going to try and find details about my personal life to use against me, find loopholes in my story to invalidate me and my sister, in order to show that this ****** assault was in fact a misunderstanding. That he was going to go to any length to convince the world he had simply been confused.

I was not only told that I was assaulted, I was told that because I couldn’t remember, I technically could not prove it was unwanted. And that distorted me, damaged me, almost broke me. It is the saddest type of confusion to be told I was assaulted and nearly *****, blatantly out in the open, but we don’t know if it counts as assault yet. I had to fight for an entire year to make it clear that there was something wrong with this situation.

When I was told to be prepared in case we didn’t win, I said, I can’t prepare for that. He was guilty the minute I woke up. No one can talk me out of the hurt he caused me. Worst of all, I was warned, because he now knows you don’t remember, he is going to get to write the script. He can say whatever he wants and no one can contest it. I had no power, I had no voice, I was defenseless. My memory loss would be used against me. My testimony was weak, was incomplete, and I was made to believe that perhaps, I am not enough to win this. His lawyer constantly reminded the jury, the only one we can believe is Brock, because she doesn’t remember. That helplessness was traumatizing.

Instead of taking time to heal, I was taking time to recall the night in excruciating detail, in order to prepare for the attorney’s questions that would be invasive, aggressive, and designed to steer me off course, to contradict myself, my sister, phrased in ways to manipulate my answers. Instead of his lawyer saying, Did you notice any abrasions? He said, You didn’t notice any abrasions, right?

This was a game of strategy, as if I could be tricked out of my own worth. The ****** assault had been so clear, but instead, here I was at the trial, answering questions like:
How old are you? How much do you weigh? What did you eat that day? Well what did you have for dinner? Who made dinner? Did you drink with dinner? No, not even water? When did you drink? How much did you drink? What container did you drink out of? Who gave you the drink? How much do you usually drink? Who dropped you off at this party? At what time? But where exactly? What were you wearing? Why were you going to this party? What’d you do when you got there? Are you sure you did that? But what time did you do that? What does this text mean? Who were you texting? When did you urinate? Where did you urinate? With whom did you urinate outside?

Was your phone on silent when your sister called? Do you remember silencing it? Really because on page 53 I’d like to point out that you said it was set to ring. Did you drink in college? You said you were a party animal? How many times did you black out? Did you party at frats? Are you serious with your boyfriend? Are you sexually active with him? When did you start dating? Would you ever cheat? Do you have a history of cheating? What do you mean when you said you wanted to reward him? Do you remember what time you woke up? Were you wearing your cardigan? What colour was your cardigan? Do you remember any more from that night? No? Okay, well, we’ll let Brock fill it in.

I was pommeled with narrowed, pointed questions that dissected my personal life, love life, past life, family life, inane questions, accumulating trivial details to try and find an excuse for this guy who had me half naked before even bothering to ask for my name. After a physical assault, I was assaulted with questions designed to attack me, to say see, her facts don’t line up, she’s out of her mind, she’s practically an alcoholic, she probably wanted to hook up, he’s like an athlete right, they were both drunk, whatever, the hospital stuff she remembers is after the fact, why take it into account, Brock has a lot at stake so he’s having a really hard time right now.

And then it came time for him to testify and I learned what it meant to be revictimized. I want to remind you, the night after it happened he said he never planned to take me back to his dorm. He said he didn’t know why we were behind a dumpster. He got up to leave because he wasn’t feeling well when he was suddenly chased and attacked. Then he learned I could not remember.

So one year later, as predicted, a new dialogue emerged. Brock had a strange new story, almost sounded like a poorly written young adult novel with kissing and dancing and hand holding and lovingly tumbling onto the ground, and most importantly in this new story, there was suddenly consent. One year after the incident, he remembered, oh yeah, by the way she actually said yes, to everything, so.

He said he had asked if I wanted to dance. Apparently I said yes. He’d asked if I wanted to go to his dorm, I said yes. Then he asked if he could finger me and I said yes. Most guys don’t ask, can I finger you? Usually there’s a natural progression of things, unfolding consensually, not a Q and A. But apparently I granted full permission. He’s in the cl
it has taken me days to shake out the feelings I have around this case and that one of every 4 women are *****, abuse assaulted in their life time.. think about that for a moment.. 1 out of every 4... this means almost everyone knows someone or has been through what the young woman is describing in her statement read in court.. there is no "buts" in this case, and if anyone has to come up with some kind of "but" then unfriend or follow me right now as I will not tolerate any excuses or apologies for these horrific attacks on half of  humanity, along with this I would add a ******* as well... the voice of this woman needs to be heard everywhere... repost, twitter etc etc everywhere...
J M Surgent Dec 2014
Do you remember the day we bought our beers, packed our bags and made our own party on the hill beside our building? It was just you and me and the sun. We were celebrating the first warm day of spring, but you still insisted on stouts, and they quickly lost their cool in the sunlight but I didn't mind. I brought my camera and photographed the wind curling through that blue and green sundress you loved, and you danced as if you were a leaf in autumn.

Until you spilled your beer, to which I reacted only with regrettable anger. You stopped dancing.

That lead us inside, away from the sunlight, to end the memory. You never wore that sundress again, and didn't enjoy those stouts the same way. We never celebrated another change of season, and I never again photographed you in the wind.
judy smith Apr 2017
It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Avery Greensmith Nov 2014
I. you don't even know who you are yet, but you still have to stand on top of buildings and scream what you stand for. people won't hear your values unless you write it on their skin and tattoo it into their minds, so that’s what you’ll do.

II. you aren't vain or stupid for idolizing singers with blonde hair and blue eyes, because they look like you, and yet they’re strong and beautiful. it’s okay when you connect to their music then you connect to your favorite boy band. they’ll teach you how your resident ******* means nothing compared to you. they’ll teach you how to winged eyeliner, and how to put your hair in a messy bun. they’ll teach you a new love for songwriting and you’ll probably want to start playing guitar, but the biggest thing is that you relate to them and they give you confidence.

III. wear your ******* choker and straighten your hair (or leave it wavy if you’d rather). wear your dark eyeliner and cover your eyelashes with mascara. if you want to wear blue knee high socks, please do. keep your hipster shoes untied if you want. ignore the ******* who thinks you look nice but not in the right way, and go buy that dark lipstick you've been wanting for weeks.

IV. don’t trust the people that tell you Taylor Swift has too many boyfriends, and that Beyonce dances too ******. they are the people that will criticize you for wearing a crop top and ripped jeans. they’ll pull you out of math class to change out of your short shorts, and you’ll be forced to watch as the boys you were ‘distracting’ succeed in class while you’re crying in the middle of the night trying to catch up.

V. take more pictures of the scenery. those pink clouds you thought were pretty deserve to be photographed, so do it. they won’t always be around and you have to follow your instincts sometimes.  stop taking so many pictures at concerts. they don’t really mean anything to you, and it’s more important to listen to the music that helps you breathe. cry when they sing your favorite song, and feel your dreams expanding as you watch.

VI. please take care of yourself. when you need help, ask for help, or everything will spiral out of control too quickly. get enough sleep and stick up for yourself when you’re being pushed down. stop caring what other people think, because you’re really the only one that matters. when you’re sad go do what makes you happy, because even if it doesn't make you grin from ear to ear it will help. always remember to love yourself before you let someone else love you.
Nigel Morgan Aug 2013
It always intrigued him how a group of people entering a room for the first time made decisions about where to sit. He stood quietly by a window to give the impression that he was looking out on a wilderness of garden that fell steeply away to a barrier of trees. But he was looking at them, all fifteen of them taking in their clothes, their movements, their manners, their voices (and the not-voices of the inevitably silent ones), their bags and computers. One of them approached him and, he smiling broadly and kindly, put his hand up as a signal as if to say ‘not just now, not yet, don’t worry’, or something like that.

This smile seemed to work, and he thought suddenly of the woman he loved saying ‘you have such a lovely smile; the lines around your eyes crinkle sweetly when you smile.’ And he was warmed by the thought of her dear nature and saw, as in a photo playing across his nervous mind, the whole of her lying on the daisied grass when, as ‘just’ lovers, they had visited this place for an opening, when he could hardly stop looking at her, always touching her gently in wonder at her particular beauty. In the garden they had read together from Alice Oswald’s Dart, the river itself just a short walk away . . .

Listen,
a
lark
spinning
around
one
note
splitting
and
mending
­it

As he finally turned towards his class and walked to a table in front of the long chalkboard, half a dozen hands went up. He had to do the smile again and use both hands, a damping down motion, to suggest this what not the time for questions – yet. He gathered his notebook and went to the grand piano. He leafed through his book, thick, blue spiral-bound with squared paper, and, imagining himself as Mitsuko Uchida starting Beethoven’s 4th Piano Concerto, fingers placed on the keys and then leaning his body forward to play just a single chord. He held the chord down a long time until the resonance had died away.

‘That’s my daily chord’, he said, ‘Now write yours.’

Again, more hands went up. He ignored them. He gave them a few minutes, before gesturing to a young woman at the back to come and play her chord. Beside the piano was a small table with a sheet of manuscript paper and a Post-It sticker that said, ‘Please write your chord and your name here’. And, having played her chord, she wrote out her chord and name – beautifully.

He knelt on the floor beside a young man (they were all young) at the front of the class. He liked to kneel when teaching, so he was the same height, or lower, as the person he as addressing. It was perhaps an affectation, but he did it never the less.

‘Tell me about that chord,’ he said, ‘A description please’.
‘I need to hear it again.’
‘OK’, there was a slight pause, ‘now let’s hear yours.’
‘I haven’t written one’, the reply had a slightly aggressive edge, a ‘why are you embarrassing me?’ edge.
‘OK’, he said gently, and waved an invitation to the girl next to him. She had no trouble in doing what was asked.

Next, he asked a tall, dark young man how many notes he had in his chord, and receiving the answer four, asked if he, the young man, would chose four voices to sing it. This proved rather controversial, but oh so revealing – as he knew it would be. Could these composers sing? It would appear not. There was a lot of uncertainty about how it could be done. Might they sound the notes out at the piano before singing (he had shaken his head vigorously)? But when they did, indeed performed it well and with conviction, he congratulated them warmly.

‘Hand your ‘chord’ to the person next to you on your right. Now add a second chord to the chord you have in front of you please.’

Several minutes later, the task done, he asked them to pass the chords back to their original owners. And so he continued adding fresh requirements and challenges. – score the chords for string quartet, for woodwind quartet (alto-flute, cor anglais, horn, baritone saxophone – ‘transposition hell !’ said one student), write the chords as jazz chord symbols, in tablature for guitar, with the correct pedal positions for harp.

Forty minutes later he felt he was gathering what he needed to know about this very disparate group of people. There were some, just a few, who refused to enter into the exercise. One slight girl with glasses and a blank face attempted to challenge him as to why such a meaningless exercise was being undertaken. She would have no part in it – and left the room. He simply said, ‘May I have your chord please?’ and, to his surprise, she agreed, and with some grace went to the table by the piano and wrote it out.

A blond Norwegian student said ‘May we discuss what we are doing? I am here to learn Advanced Composition. This does not seem to be Advanced Composition.’

‘Gladly’, he said, ‘in ten minutes when this exercise is concluded, and we have taken a short break.’ And so the exercise was concluded, and he said, ‘Let’s take 15 minutes break. Please leave your chords on the desk in front of you.’

With that announcement almost everyone got out their mobile phones, some leaving the room. He opened the windows on what now promised to be a warm, sunny day. He went then to each desk and photographed each chord sheet, to the surprise and amusement of those who had remained in the room. One declined to give him permission to do so. He shrugged his shoulders and went on to the next table. He could imagine something of the conversation outside. He’d been here before. He’d had students make formal complaints about ‘his methods’, how these approaches to ‘self-learning’ were degrading and embarrassing, belittling even. I’m still teaching he thought after 30 years, so there must be something in it. But he had witnessed in those thirty years a significant decline in musical techniques, much of which he laid at the feet of computer technology. He thought of this kind of group as a drawing class, doing something that was once common in art school, facing that empty page every morning, learning to make a mark and stand by it. He had asked for a chord, and as he looked at the results, played them in his head. Some had just written a text-book major chord, others something wildly impossible to hear, but just some revealed themselves as composers writing chords that demonstrated purpose and care. Though he could tell most of them didn’t get it, they would. By the end of the week they’d be writing chords like there was no tomorrow, beautiful, surprising, wholly inspiring, challenging, better chords than he would ever write. Now he had to help them towards that end, to help them understand that to be an  ‘advanced composer’ might be likened to being an ‘advanced motorist’ (he recalled from his childhood the little badges drivers once put proudly on their bumpers – when there were such things – now there’s a windscreen sticker). To become an advanced motorist meant learning to be continually aware of other motorists, the state of the road, what your own vehicle was doing, constantly looking and thinking ahead, refining the way you approached a roundabout, pulled up at a junction. He liked the idea of transferring that to music.

What he found disturbing was that there were a body of students who believed that a learning engagement with a professional composer, someone who made his living, sustained his life with his artistic practice, had to be a confrontation. The why preceded, and almost obliterated, the how.

In the discussion that followed the break this became all too clear. He let them speak, and hardly had to answer or intervene because almost immediately student countered student. There evolved an intriguing analysis of what the class had entered into, which he summarised on a flip chart. He knew he had some supporters, people who clearly realised something of the worth and interest of the exercises. He also had a number of detractors, some holding quasi-political agendas about ‘what composition was’. After 20 minutes or so he intervened and attempted a conclusion.

‘The first rule of teaching is to understand and be sympathetic to a student’s past experience and thus to their learning needs, which in almost every situation will be different and various. This means for a teacher holding to an idea of what might, in this case, constitute ‘an advanced composer’. I hold to such an idea. I’ve thought about this ‘idea’ quite deeply and my aim is to provide learning opportunities to let as many of you as possible be enriched by that idea. You are all composers, but there is no consensus about what being a composer is, what the ‘practice of composition’ is. There used to be, probably until the 1970s, but that is no more. ‘

‘You may think I was disrespectful in not wishing to engage in any debate from the outset. I had to find a way to understand your experience and your learning needs. In 40 minutes I learnt a great deal. My desire is that you all go away from each session knowing you have stretched your practice as composers, through some of the skills and activities that make up such a practice. You all know what they are, but I intend to add to these by taking excursions into other creative practices that I have studied and myself been enriched by. I also want to stretch you intellectually – as some of my teachers stretched me, and whose example still runs through all I do.

Over the next seven days you are to compose music for a remarkable ensemble of professional musicians. I see myself as helping you (if necessary) towards that goal, by setting up situations that may act as a critical net in which to catch any problems and difficulties. I know we are going to fight a little over some of my suggestions, the use of computer notation I’m sure will be one, but I have my reasons, and such reasons contribute towards what I see as you all developing a holistic view of composing music as both a skill and an art form. I also happen to believe, as Imogen Holst once said of Benjamin Britten, that composing music is a way of life . . .

With that he walked to the window and looked out across that wilderness of green now bathed in sunshine. He felt a presence by his shoulder. Turning he suddenly recognised standing before him a young man, bearded now, and yes, he knew who he was. At a symposium in Birmingham the previous summer he had talked warmly and openly to this composer and jazz pianist in a break between sessions, and just a few weeks previously in London after a concert this young man had approached him with a warm greeting. Empathy flowed between them and he was grateful as he shook his hand that this could be. She had been with him at that concert and he remembered afterwards trying to recall his name for her and where they’d met. She was holding his arm as they walked down Exhibition Road to their hotel and he was so full of her presence and her beauty no wonder his memory had failed him.

‘Brilliant,’ the young man said, ‘Thank you. Just so much to think about.’

And he could say nothing, suddenly exhausted by it all.
None but the cobbled Hackney will accept
Their Postcards sign this Doveling Bond, betwixt
So both decide a Limo; And dated Theft
Of many Soul-Chasers which do not Exist
From there both Virgins took a Scandal-Plate,
Wrapped in Hookahs only the Wise could see
Goodbye, First Perfume! Not from what will sate
The Photographed Script of what they should be
From this a Problem looms. In such Stone-Bowl
We become the very Thing we disgust
Hearts still cry out for the Thunder they stole
And baste their Image on the Throne they must.
Realise, just now, the Name of this Theme
From Enlightenment whose Founder they blaspheme.
#tomdaleytv #tomdaley1994
zumee Jun 2018
Through the lens of your naked mind
a universe is photographed;
The photo retains its lucid life
when mine is the eye looking

Within the reflecting walls
of our multiverse gallery
a picture is worth a thousand worlds.
Edna Sweetlove Oct 2014
One day Professor George Knox
Sunbathed on some Greek rocks;
He saw something rude:
A girl swimming ****.
So he photographed Pandora's box.
There is a saucy double entendre here.
Glenn Currier Jun 2019
She stands at the wall reflecting
on those who were lost at sea
names and poems and words connecting
her to those poor souls and to me.
Beyond those memorial walls
the mighty Columbia into the Pacific spills
whose depth and wealth have called
so many to sail from Oregon's green hills.
From the safety of their home
they left for the great unknown
where writers and poets travel
every time they pen their spirit in word
to explore what God and life has unraveled
what pain, sorrow and joy have stirred.

Her kindness and her reflection move me to write
my poems of wandering from a safe and tidy home
to regions of imagination’s heights
shadows, sorrows, or oceans’ foam.
She reads and lives life’s poetry
knows its canyons and desert sands
she yearns only to be free
of the noise and anger of badlands
to smell the freshness of a cool and gentle breeze
feel the air brushing her arms
to look up and see the greenness of trees
to be free from crushing and brutal harm.

I see her standing and watch her reflection there
with seafarers, poets and lovers at peace
where God’s creative breath stirs air
and torments, terrors, and quarrels cease.

Author’s Note:  My sister Genie who lives in a large urban area visited Astoria, Oregon where the Columbia river ends in the Pacific Ocean and local citizens have erected a memorial park with several walls of polished black granite that display the names of mariners lost at sea.  There are also sentiments and poems about those lost souls one of which Genie photographed and sent to me.  As I examined the photo I could see her reflection on the wall as kind of a background for the poem.  That photo and my sister who loves nature and trees inspired this writing.  I wish I could post the pic here for you to see why and how it inspired me.  

Below is the untitled poem on the memorial wall photographed by my sister.

Weep not for me that I go to sea.
I shan’t be lonely, though vastness surround me.
The brotherhood of the sea shall be my family.
The kinship of the deep my company.

Weep not for me, nor worry over harm.
My heart stays with you, still and warm.
In sunrise and starlight my hearth and home
I carry you with me wherever I roam.

Weep not for me, whether bad luck or good.
Tossed about in a shell of steel and wood.
An ancient salt sea sails within my blood –
I but follow its tide through ebb and flood.

Weep not for me that I go to sea:
in the limitless ocean I am free.
Mateuš Conrad Nov 2016
not everyday you get to pet a labrador
at half past 10... during the night...
he sees you, you see him 10metres apart,
you start you autistic body-space crucial
talk; you start gesticulating, blinking
to-n-fro like some mad rhetorical adventist...
and then you signature the discussion
like any sensible curator might:
you insinuate a tut-tut, but the sound you
make sorta makes onomatopoeia obsolete...
you tut-tut while ******* a lemon...
and **** me! the labrador is yours!
teary eyed and tail in a tango-likened to-and-fro...
if ever picking up a girl in a nightclub could
feel as good... it wouldn't...
the mere antic of petting a stranger's dog:
i'd be salivating had it been a rottweiler...
never mind the labrador...
           ***** ate the would-be hetero...
we call him metro these days, salmon-tinged shirts
and the ooh-la-las to my mistake: faked camp.
  but they loved the political coup without the d'état!
which is a bit like pizza without cheder dangly,
or god forbid: a gorgonzola!
    oo, tangy! jokes really do necessitate a need
for punctuation.
for what god forbid was the p added when it
merely said cou? optometric lesson no. 1:
French... optometric lesson no. 2:
English; optometric lesson no. 3:
a year in Yorkshire: endure that and you'll endure
Germanic Hitlerite checking advents of
chequers grandpa... or those eager to await Auschwitz
and least eager to don mascara within
that tattoos of rightly-awaited wrinkle...
     oh yeah, yeah: they forgot the tribalism; silly wankers.          

is that a pooch or a Gucci?

i don't know, whenever i ask that
question or see someone
famous or fashionable
i just get fidgety,
like as Chinese person
seeing a doppelgänger -
with a billion's worth of populace,
you don't look out for a
"most photographed" face..
  you look out for doppelgängers,
lookalikes...
    
still, you end up petting a stranger's labrador in
the night sometimes,
while walking to a shop for a bottle of whiskey...
tearful eyed, tail waggling...
   which is more than picking up a girl in an Essex
nightclub would ever be...
          you end up petting a dog
and saying to heterosexual counterparts:
                                                     arrivederci!
because it was **** primus with Liberace
and fooled housewives sprechen butch speck,
bound to the glutton archives...
              **** me that labrador was all i needed tonight.
jimmy tee Mar 2014
foo
foo
step right this way
stripes
the curly haired whispers of long ago
dirt on the steppes of Maui
life and death
the boldness of breath
tea sets invented
natures idea of hooking
the falsehood of feelings
since you can sense the release of chemicals
into the gut from the gut
art is an effort
all roads are connected therefore lead nowhere
snowflakes
glaciers
the impossibility of a paper bag
well that’s why you got the people you do
blistered surfaces
invert
divert
subvert
magical marketing
lost time is all its good for
crawl
other beings
the past is as real as the now
the future not so much
look for answers under slimy rocks
headlights
mark the trail with crumbs
holiday pay eligibility
pig latin verse
loose lips sinks fish
headlines of tomorrow list all your deeds
originality pounds it out
a ground game if there ever was one
marginalized in a riotous way
burned
turned
spit shined shoes laced real tight
if you stayed this long you must get it real good
explanations spellchecked edited cast aside
meaning lost found lost and lost again
bury your words
measure the sun as a star
triangulate emotion in order to set free the main ingredient
the Bosporus the smallest gap imaginable
a wayward telephone number listed
a matchbook
adding depth to the photograph by controlling aperture
roulette craps poker slots Chinese checkers
numbers never end
gymnasium antics
mans best friend is a meateater
fall follows autumn in the southern hemisphere
three dimensions are all you need all you require
bomber
deny both the entity and the substance found ahead
synchronize your watch with mine
sand as a tonic baby oil pine
money buys packaged happiness
there was this guy named Shakespeare
opinion calls for differences version 2.0
you find the zoo to lead so very far
swing for the fences
jump rope skip sidewalk
ease
mow the concrete lawn from here to horizon
jump rope skip sidewalk
learn forget then act dumb
exit stage left
what is behind animal eyes big mystery
exponential units forge toward the final group session
king me
did the butler do it with the maid
how often is crying necessary
pound for pound the best boxer in the mid century bout of pneumonia
digital meanings end in analog discussions
legions of admirers blinded
where to turn when the lights are forever out
invest in mystery
disappoint those who will never know you
you know it
there is a dogma in need of a collar out there somewhere
temptation looms
the holy word of snowflakes delve into deep philosophy
but I always got along with everybody
why work
pituitary gland
announcing for the first time on record
prince spaghetti and salad extraordinaire
the alphabet ends in z
puddles form on distant planets that orbit toothless suns
men
loud music still comforts the savage beast
years like a tape measure stills the ragged poor children
never to be found never ever ever
solvent says eat thou peas
silo bag deliver us from the tall neighbor police
sidestep any issue involving toys
mounds of troubles can be climbed
Kansas wind also flows down the plain
think about it the sea is mostly under itself
plow
most things look better from behind
a major felony on your record
knowledge in the form of easy chew tablets
hounded by creditors bobby laid low
actors actresses chumps
results are mixed as the queen leaves daring long behind
punctuation fits into softly lit areas of the mind
stay loose
breakdown the door then apologize some more
I left home for this
mistakes are what we call experience
the smiles on bubblegum cards just as real
twenty dollars invested in nothing
pin air to itself
buy time sock it away watch it grow grow grow
cool is always enough for matty
god that guy could drink ant sanitation member into the ground
margins
leaves are raking themselves these days
so long in the past stood there with sled in hand
photographed by a grandfather clock
black envelopes glued by hand in an everlasting jump off point
poetry bound and gagged for fun and zero profit
movable type static feasts
in the groove piled high with the color that represents lament
fifty thousand big ones aint so big anymore
the river left town
cannon at the gate corded shot ingenious ways to destroy people
support the troops
he say one thing then did another wow does that hurt
memory votes early and often
nobody knows the troubled bean
it all hinges on my word being accepted
china feels so very close
the sea full of carp moistened in salt water ** boy o boy
Vermeer at the loom
the bronze age must have been heavy
time waits around the corner selling amphetamines
queer beings exit the saucer and head right for the local hobby shop
end game
paint as a medium large
pine scented maple trees win the prize
in my book the covers speak for themselves
close up to the camera waterfall
find the picture inside the cavity send help
amid ship is the place amid
of course some things are missing
ghost register to vote
went fishing came home with a tummy ache
spend your last dime see the world as it truly is
between avenue b and c there lies a small wombat
fend off the high climbing stairs that offer busy bees
mind the gaping hole that leads to oblivion ny
fog in my ear
steam punk can you believe it had to be invented
the f drive taketh away
sing a song about the street we used to chug a lug at
view my elbow rock
know thyself from the middle ages on toward the detail
love pander both you know
mom became tonnage displaced and torpedoed
you are very astute now quit it
this meeting is over like so many before it
collapse my finger into red colored dust
round up and whittle down the masthead
toothpick sized brains
its no bother at all fire away with logical pounds
page that squire knight the tree stand hunter in velvet horn
live as the yo yo
beat it now not later now before the sun sets far into the Japanese
planning a child check our bargain bins first then decide
overtime halts the easy chair
tiny
mounds clopping at the level of good mine
piles of good old fashioned nonsense
home grown
sunny side up way up
carry a friend everywhere you travel
knock
catch a rising star and keep it there
an alarming increase
happiness is a warm puppy
many are called but few are winners
put in your time split and repeat
wrinkles seem to be catching on
break the law go to *******
now is the time smack in the middle of touchy feely
mountain of jelly
pound of brown
highway exits in turning lane
polished sayings die in mid form
butterfly of course
bank on it twice
inform the theologian that grace is universal
one unit is enough to bounce the basket ball
larcenies are a regrettable offense for jumble minded
loud is the hammer of life by golly
inside
far away lies the land of nod no wait mod
never saw it coming
mud in your minds eye
clean up before the mess is tabled
throw away all hits
kong king
mondo longo pongo in delicate dancing
bear in mind that bares the soul to influence
set up the new roux
pint sized followers found via radio
fell asleep in wonder fat
knives sharpened better get a move on
loudly express a final punt
line one line two line three
when did farming become cold
newborn
disease jumps as the trampoline handles wind jammers
night can be fun but girls are more down there
love me back
mindful of the garter you can relax next year
backwards as a mean average statistical oops
venting hot gas adds to the thrill
is this thing on
swell
and and and and and and and
call the water department I am ready to fly
listen the goat will never know what hit him
long on flavor short on towels
company insists on a quaint meal of posies
behind a successful man is a chair of some kind
got milk
my friend can be talkative but never mind
rounded surfaces slip into nothingness a modern age affliction
we will escape scot free
badness baldness daily princess
puzzle in mind he left his denial on the riverbank
on the reindeer hoof we ride
specialty
how can it be hey baby that’s what we are here for right
the plays is not the thing
work your **** off then find the instruction manual
beep buzz bop
it appeared right there but is gone now
foo
Sia Jane Sep 2014
She was always a chameleon soul
Black Orchid
Eyes, shadows, vulnerabilities
Of heroine chic,
Juxtaposed with an embracing
Self
Of mutual
weirdness
Meshing voices from
The past
Nostalgic memories for
Behind the camera
A lady photographed
A younger self,
Mirrored reflections of
The lady she had graced
Into through the
Ages,
Where contemplative deliberations
Iconic wonders, flashed through
Her mind
With each click the metamorphosis
Click;
        one
                two
                     ­   three
Twiggy, Edie, Kate
Transformations; a sorcerers magic,
Contradictions;
                        body
           ­                       mind
                                   ­         soul
Mirages amidst reincarnations
Never a remnant of the same
For, the lady behind the lens
Unseen
A ghost veiled in black;
The Black Orchid.

© Sia Jane

Dedicated & written for my darling friend Cara <3
For she shall know love <3
I am sorry I am so slow on the up keep. I am trying. Love you all <3
softcomponent Feb 2014
kleptomaniac wearing thin
boots of ice and maggot flesh,
young in mind and old in body,
young in mind and old in *****,
old in mind and young in *****
-body.. no boddhisatva, just a
***** to the whistle. not so much
as if a choice, only something notified
on the newsfeed amongst a horde of
cleavage photographed by paid
professionals as breast-feeding has
no ***-appeal. whoever I think I am,
*thank you.
cheryl love May 2015
The old fishing boat shiny, worn yet proud
Had many an old fish bone scraped across its deck
Heard stories that would make your hair curl
and had seen weather at its worst but what the heck.
Had seen all the fish available from all the seas
nothing would surprise this old girl anymore.
Had the strength to carry on whatever the gale
Grin and bear it or go as you have gone before.
Its engine, had seen some time in its old life
struggling through seas as high as waves could get
Through ice as thick as an island so as to speak
and the new fishing boats wince if they get wet.
They would not last five seconds in conditions
like my fishermen have served thought the boat
Well if it could think that is what it would think
They look delicate and I dare say they would float.
But now the old fishing boat was being admired
stroked lovingly by tourists with cameras and tales.
Ice cream accidentally smeared on the deck
With its worn polished look and ragged sails.
But it was proud, and so it should be
For the fish it has fed folk, fishermen it had sailed
But now it had a place in tourist's heart, the town
It was admired, photographed and now emailed.
A buyer with plenty of money and hope in his heart
had bargained and won his bid. It was now his dream
to sail the boat with children on board and parents
sightseeing on board complete with a holiday team
Dressed in navy and white striped with straw hat
No fishing lines, nets, poles just an orange float.
With a sign that indicated the price of the trip
A retirement, a nice little trip for the fishing boat.
Steven Fried Jun 2013
I arose
             I was rich
I was robbed
                        I won the lottery
I went to bed.

I arose
             I was married
I had a passionate affair
                                           I had a divorce
I lost the house
                            I kept the kids
I went to bed.

I arose
              I got into college
I went to a party
                              I drank
I lost my virginity
                                 I was photographed
I had my acceptance reneged
                                                     I won't have any student loans
I went to bed.
Annie Mar 2015
I want to be photographed
****
not naked,
but ****.
Dorothy A Dec 2014
I think of her often, for thoughts are all I have—not a single memory. She died before I was the age of two.

From what little that I heard, there was little reason to view her in a good light, but now I can see something admirable about her.  After all, this woman endured so much, and the odds seemed stacked against her. Incredibly, between the ages of eleven and sixteen—at least five times—this poor Lithuanian girl crossed the Atlantic in attempts to get into America. Twice, she was turned away. Some may not have had high regard for her, including her own son—my father—but I can see a heroic nature, a survivor, through and through. Just a toddler when she died, I missed out in knowing her. Throughout the years, I really had only gathered bits and pieces of information while trying to know better about her. It has been like constructing puzzle in which the pieces fit here and there, but the gaps are too big to cover.

This woman that I write about is my paternal grandmother. Out of all my grandparents, her story is the one that stands apart, an amazing, heart wrenching and most thought provoking portrait. Evoking emotions of anger, sadness and sympathy, I find it a rich tale of a poor woman.

This has been in the works for quite a while now—in my head, that is. I pictured what I wanted to say, the words playing out in my mind.  What a story it is, too, a tremendous one of sorrow and struggle, of need for love and acceptance, of perseverance and strength of the human spirit. Yet things get complicated when they come from my mind to the page, as I try translating my vision down into words. Before long, like a snake, hesitation surely comes slithering through, as it quickly snuck its way within, fueling my fear, a fear of disapproval and rejection by two people who are now dead and have been for some time—my father and my grandmother.  

And while writing, I imagine what my audience thinks—critics in my head abounding before I even finish. Well, I am the first to stand in line for that.  It’s kind of scary relating such things. I am not sure I am doing the story any justice.  I’m not sure I’ve captured the essence of it well.    

And who would want to read this anyway? Is it too long and of no significance to anybody but myself? I have my doubts. Celebrities do this all the time, and people just eat that stuff up.  I think we all just want to relate to what others have to say about themselves. But it does bare you—your thoughts, your secrets, your soul, —and it feels a bit unnerving, to say the least.  

So, naturally, I still drag my feet. If she were here right in front of me right now, what would my grandmother think? Would she throw the papers in an old fashioned stove—in the fire—as she angrily did to my father’s flowers?  I can only imagine my father as a child—in an impoverished scene that I only have sketchy knowledge of—with his young heart being crushed and shamed, his sign of affection and desire to please his mother, drastically rejected. In return for his small token of love, my father’s mother was furious that her boy spent a few coins on something perceived as useless, a waste of good money. Away like trash, they went. Like the flower story, would my father be ashamed and angry that I revealed some family history for others to read, stuff that he would rather have kept quiet?

This is why I am mentioning no names. Nothing is sugar coated—it is what it is—often not very pretty. Yet this is not intended as an exposé or a smudge on any family members. A slam on my father and grandmother is surely not my intent—far from it.  Rather, it is my offering of affection. It is my little bouquet of flowers to a history that includes me as a part of it.

Like those flowers of long ago, I’ve so wanted to scrap this story in the garbage. Often seeming like a knotted mass of yarn, I have had to work and work to get a smooth flow.  Like a sculptor, I wanted a fine piece of clay to emerge into form, but the chunks, lumps and bumps just frustrate me to no end.

It’s complicated to relate it all. It is revelation about my father’s origins which hold no real pride for him.  There was much pain and shame associated with his mother’s mental illness, his distant father, his broken home and lack of a solid, safe family structure, his constant poverty and fight for survival—the list goes on and on  As I unravel this tale, I continue to fight with the many tangles. As I try to find the face, I feel that my sculpted story is left wanting. So I continue to chip away.

Dishonoring? Embarrassing? I hope it this tale is not.  I envision an admirable purpose instead of the pain and the shame, redeeming the pride that was lost. My father’s origins are mine, too, and they help me to know myself better, and my father—to build that better, more complete puzzle of my grandmother.

Much of what I heard was unflattering terms. From a young age, I knew she was mentally ill. But what did that mean anyway?  Well, to my father she was crazy and nuts, not a good mother. No, she wasn’t mother of the year. Clearly, she had a temper and was known to instigate fights—with her husband, with one of her sisters. When my young father was physically disciplined it was by her, and it was probably quite harsh. If I didn’t like her, it was due to all that I heard. And when I had problems with my father, who had a bad temper, too, I probably felt that the apple didn’t fall very far from the tree.  

But in spite of all the remarks, I grew to have great sympathy for my grandmother. It makes me wonder how mistreated she was as a child.  My father deemed her as neglectful, not in tune to her children’s needs. It is obvious to me that she was in lack, herself.

So what was she really like? I very much wanted to understand her, to be able to relate with her. I don’t know—perhaps, it is because I root for the underdog.  Often, I felt like one, too. And Lithuania is the perfect underdog, under the thumb of Russian rule until much recently.  Perhaps, it was because my dad’s dislike for where he came from made me all that more interested to discover what his roots were all about.  

History often repeats itself—what has shaped my father had a strong influence on me. Like my father, I grew angry and bitter from the upbringing I had. Getting a similar brunt of problematic parenting made for a tough go of things.  I could have easy said, “Who gives a ****?” I could have been thoroughly disgusted about my dad’s old baggage that I had to handle—all the wreckage of rage and shame that became dumped into the next generation.  I evolved from a more sensitive, inquisitive child to one who battled between the feelings of hate and love, painfully clawing my way out of the emotional garbage and with the terrible stench of it.  

Thankfully, the war is over. I am enjoying the peace.  
  
With insight, I grew to understand my father, to accept what he was—capable of good and bad. I can relate quite well in that sense, for I made plenty of mistakes that I wish that I could do differently, ones that hurt others as well as me.  I could not deny that, in my dad, there was a wounded man who could not really figure that out—not until he was much older. I saw a man who was remorseful, and humbled by his costly mistakes. I was able to heal from some of my wounds with that forgiving perspective, though it was not easy and did not come overnight.

Unlike my dad, I’m surely a talker and I ask questions, perhaps my father’s worst nightmare in that sense——he had to have at least one child who always wanted to know things about him and who he came from. That means both sides of my family. Perhaps, I was born that way, with a tremendous sense of wonder. Curiosity always got me, and I am much too hungry to remain clueless about my more secretive father.

Maybe that’s good. Maybe it’s bad. It involves risk which can lead to a boatload of hurt. Where do we come from? What were your parents like? What were your grandparents like? When where they born? When did they die? Do you have any pictures?  Can you go any further than them?  Sometimes, the answers aren’t what you want to hear.  

It’s nice to belong to something, to somebody. It isn’t always possible or realistic to relate to one’s family, I wanted to belong. Not just to my mom’s side did I want to identify—I wanted to fully belong—to both sides.

My mom and dad both had common backgrounds, both coming from poverty and chaos. The fallout from my mother’s unstable father created a similar unease within her childhood home. Yet her family actually seemed like it existed. I knew all of my mother’s seven younger sisters and five younger brothers, as well as all nineteen cousins. We used to visit mom’s parents in Detroit fairly often. My best knowledge of life in this unfamiliar, yet close by, city—my native city—arose through this connection. I heard stories of grandmother’s German immigrant parents and learned of my grandfather’s Polish and Prussian roots, part of his family’s rise from poverty to wealth—to poverty once more.

Born in the latter part of the nineteenth century, my father’s parents were much older than my mom’s. Impoverished Lithuanian immigrants, my dad’s parents surely wanted to be Americans. My grandmother really had to fight to even be on American soil, and my grandfather sought out citizenship and became naturalized. I have likely seen them both, but had no relationship at all. I heard that my dad’s mom came over our house for Thanksgiving dinner—a rare visit—and she died not long after.

My grandfather died the following year, when I was closer to three. Possibly having a primitive, early memory of this man, I am told my dad had him over the house once.  I have a vague recollection of sneaking into the living room, when I was supposed to be in bed, and got a smack on my behind from my dad, crying in protest as I walked past an older man starring at me. But I’ll never know for sure if that is even a real memory.

Since my grandfather was a supporter of the Communist party—a big taboo in those days with the McCarthy era and the Cold War—my dad was mortified and afraid to mention it.  I doubt I’ll ever know much about this grandfather. My father found only one photo of him in his wallet while trying to claim belongings from his flat after the man died. My father eventually gave it to me, and I was shocked by one of the most bizarre photos I ever had seen. In it, my dad’s father was photographed with a woman that my father cannot identify, but the likeness between her and me is so uncanny. I look more like this woman than I do my own mother, but I cannot say if she is even related. My dad knew almost nothing about his father’s family except that he came from a big one back in Lithuania.

Family must have been like foreign word to my father. I can see why. Since boyhood, my dad lived apart from his dad, and they became more strangers than father and son. My dad even admitted that he hardly understood his own father because of his thick, Lithuanian accent. My dad’s background still remains more like shadows in the dim light.  I don’t clearly remember my father’s older brother— out of the two that he had—because I only saw him three or four times. Since my father cut ties with his younger brother, I hadn’t laid eyes on him. Not even a picture was available. When my estranged uncle called on the phone to try to talk to my dad, I would speak to him, instead. One to be sympathetic, I never got why my dad wouldn’t bother with his brother, though the call usually involved asking for money. I was pretty much told that he was a no-good ***, plenty to keep me fairly leery of him. His first wife kicked my uncle out.  Most of his six sons—just as unknown as their father was to me—wanted nothing to do with him. No doubt, the guy was an odd and deeply tormented man, yet we both wanted to meet one day. If I remember one thing he said, that was it, and I agreed. This did seem unlikely, for I didn’t want to stir up the hornet’s nest, not creating more friction than there was.

Years later, that wish came true. One day my dad did get a picture of his brother from the older brother. Much later on—several months after my dad died—I was able to meet this troubled man when he was dying in the hospital and had tubes down his throat. unable to speak to me any more.  

My mom was my source in finding out about my grandmother, but she knew little.  She admits she didn’t know what to say to her mother-in-law, being young and not very savvy when it came to making conversation. What she remembered about my grandmother was that she was very quiet and often stared out from the position of an obscure woman in a room full of people. My mom thought her “spooky”. My mom recalls that my dad said that she smoked down her cigarettes the nub, burning and blackening the tips of her fingers.  She even might have started a small fire in her sister’s waste basket with a burning cigarette.

There is one thing that sticks out that my mother recalls that is sweet. What my grandmother asked my mother shows her humanity: “Do you love my son? “ It shows a woman who has genuine feelings, has desires, and caring. I could see the love that she had for my father when I heard that she brought his boots to school in bad weather, and he was embarrassed by the look of her—rolled down socks and an old fur coat.  I doubt, though, he ever heard the words of “I love you”, as my father did not say these things to his children.

Near the end of his life, when my father was getting dementia, I knew the time was short for us to talk and now was the moment to ask questions. “I know so little about your childhood”, I told him. He said there was nothing worth mentioning, and when I probed him a bit, he told me, “We were the lowest of the low”. It saddens me that the pain was still very much there.

What my parents couldn’t or didn’t tell me, I learned from a few other relatives. I called up my dad’s cousin—who lives in Las Vegas—with plenty of apprehension, never having met her, and not knowing if she’d want to talk with me. Slowly, I sensed her grow from suspicious of my intent to warming up to me a bit. She said she liked my father, but “he could have been nicer to his mother”. This cousin told me that he avoided her a lot, and she felt my grandmother was aware. My dad’s younger brother did, too, I am told. My mom related to me that once when my grandmother would knock on their door back in their flat in Detroit, in their early years of marriage, my dad told her not answer the door to prevent her visit.

If it wasn’t for this cousin’s mother, my grandmother’s sister, as well as two of her daughters, the poor woman would have been quite lonely—though I’m sure loneliness defined her. I am glad they took an extra interest in my grandmother. They would take her out for coffee or have her over.  This sister “felt sorry for her”, the Las Vegas cousin told me.  I’m glad, but she “felt sorry for her? I hope it was more than that.

Considering all what she went through, I am wondering what went through my grandmother’s head. Did this woman ever feel loved? If she did, it must have been like a glass of water in a desert.

Another of my dad’s cousins, from another sister of my grandmother’s, helped me out. Her family stories filled in some gaps, but what she couldn’t tell me records did. The records seemed to prove the stories correct, as some family stories can be more fiction than fact.

I did my own research, as well as get records from others, and finally hired a genealogist. I verified that my grandmother was born in 1892 in a village in Lithuania, not ever knowing the exact date. Loss began early in her life, as her father died of small pox when she was four months old. He was twenty six, and he wasn’t even married a year. Records show this bit of oral history to be almost spot-on.  My parents made a single visit to my grandmother’s youngest sister, and this great aunt told me that my grandmother lost her father at six months old. My dad never knew his real grandfather died, thinking his youngest aunt had a different father. He was surprised to find out that his mother was the one set apart from the others.

So my great grandmother was left a widow with a baby to care for all on her own. This would have been bad for both, so this gr
Grandmother, may you feel the warmth of God's embrace now, and hope you can know that I care and you DO matter.
it's ridiculous that we say "bless you" when you sneeze and not when you cough.  i'm pretty sure coughing is a sign of a much more grave illness.  when is the last time someone died from sneezing?  (june 24th, 2006 -- anthony dean rice)  it's ridiculous that dock ellis pitched his one and only career no-hitter while under the influence of LSD.  i wonder how often he dosed before games.  it's ridiculous that being hit by my father has turned me into more of a pacifist than i ever thought possible.  it's ridiculous how much someone can love a man that made him or her feel more physical pain than anyone ever has.  it's ridiculous that being family allows you this nearly unconditional love.  it's ridiculous that my goal has been to love everyone unconditionally.  it's ridiculous how hard this truly is.  it's ridiculous that people cite the holy bible as evidence for why homosexuality is "unnatural" and yet fail to recall that eating shellfish is an abomination.  it's ridiculous that anyone can be against the marriage of two loving people of the same gender while having no problem with laws that allow marriage between a convicted child molester and a person who cheated on his or her first three spouses.  it's ridiculous that i even have to point that out.  it's ridiculous that michael phelps lost more endorsements after being photographed smoking marijuana than he did after pleading guilty to driving while impaired.  it's ridiculous that driving drunk, hopping a curb, and hitting a mother walking home can earn you 20 years in prison while driving drunk, hopping a curb, and hitting a mailbox will only earn you 2 days in jail, 3 years probation, and a fine.  the only difference is one person had better luck -- both were still driving while intoxicated.  it's ridiculous that i was born into such a loving family.  why do i deserve such favorable moral luck?  it's ridiculous that people don't seem to understand that borders on a map are just lines...not  lines indicating some moral difference; not lines indicating you are worth more than the person in the country across the globe; not lines indicating that we matter and they don't...they're just lines.  it's ridiculous that i walk around with my eyes closed for no apparent reason.  it's ridiculous that i fell and got a concussion while trying to jump over a sign.  it's ridiculous that this hasn't stopped me from continuing to jump over almost anything in my path.  it's ridiculous that i was so confused after hitting my head that i cried and had to sit still and wait for my friends to find me because i didn't know what day it was or where i was.  it's ridiculous that the last time i cried out of confusion was when i was four and the elevator doors closed before my mom realized that i hadn't followed her out of the elevator.  it's ridiculous that i can fall in love with your smell...even when you haven't showered for a few days.  it's ridiculous that i feel a strange sensation in my right hand when i am exposed to a beauty i know i can't have.  it's ridiculous that i feel that when i am around you.  it's ridiculous that you are so beautiful it makes my heart feel like it just might explode.  it's ridiculous that i have no doubt that giving you everything would be the best decision i ever made.  it's an easy gamble to make because i know you would give me more than i ever started with.  it's ridiculous that you move my heart more than anyone ever has.  it's ridiculous that you become infused into every aspect of my life.  it's ridiculous that this began as a letter to anyone and turned into a letter to only one.  it's ridiculous that some people reading this still think i am listing things worthy of ridicule.  perhaps these things are all still absurd...but i have stopped laughing.  it's ridiculous that even with a broken heart, i will never stop loving people.  it's ridiculous that anyone would even think i could.
Marquis Hardy Apr 2015
In My Sole
It was just a normal day that we happened to be together. Your hand in mine-us side by side, and then you broke away. You broke away to stare at something from far away so it wouldn't be self conscious of you peering into its soul. You stood there looking so intently at something I couldn't see. I couldn't see what you perceived for I couldn't believe that there was something you saw that I couldn't conceive. So I stopped...I smiled and I took a picture. I took this picture of you staring in the distance with this half acquired smile... a moment in time that I would be sure to keep with me forever. The moment penetrated my soul ever so deeply that I decided to keep the picture somewhere it could affect even the ground I walk on. I keep the picture in my sole... In the sole of my shoe so no matter where I go I'm walking with you.




Faded Photograph of a Photographer
In an old...
wallet
box
attic
was an old faded photograph of a photographer.
Meant to be...
left alone
put to rest
forgotten
it was since then brought back by nostalgia and the impossible life that was now to be lived without you.
You liked to be...
behind
smiling through
holding the camera
as you were the photographer but not this time, as you were the photographed...
In front of
smiling at
holding a pose
while I became the photographer, photographing you, the freshly captured photographer in the faded photograph.
In an old...
dream
heart
memory
you never faded but remained the still whole of a perfect silhouette.
The perfect photographer preserved in the perfectly faded photograph for...
love
life
forever.




The Imprint
I just stood there watching from feet away floating in a time that was once my own, and watching a moment form before me that I burned into my memory. I watched a much younger version of myself sitting with you in all of your perfect imperfections. I wanted to talk to you again, to hear your voice be directed toward me for one last time, but I knew that was something that I could not do for I had already had my moment. If I intervened everything could change, and I would be stealing away precious time from a younger me that would never be ready for anything shorter than forever with you. Instead, I kept my safe distance and watched as the two of you got up from our bench that we spent hours on talking or just sitting in silence. The look on his face-the look on my face was a priceless glance as the two of you walked with interlocked hands in a silence as perfect as a symphony. You then seemed to notice something out of the corner of your eye as you began to glance toward my direction. I drew back at first before remembering that I was not something that could be seen by you, but merely a ghost in time. You broke away from his hand and you continued toward where I floated, and you just stared right at me as if you could see me-as if you could feel me. With your half acquired smile I finally felt like I was home again, and I watched the younger version of me capture a perfect picture of you. With that I was once again in our old attic, holding that old photo, that was taken that old day, imprinting a forever timeless love. A love that would live on in my soul for...
love
life
forever.
My friends, I would like to present to you, 'The Imprint Collection'. This is a work that has been in progress since 2013. The first piece, 'In My Sole' was written with no ideas of ever having anything else follow it. The following piece, 'Faded Photograph of a Photographer' came along in 2015 and was meant to be somewhat of a sequel to 'In My Sole'. 'The Imprint' is the last bit to make it all go in a full circle and was finished at the beginning of April 2015. 'In My Sole' was inspired by a girl that has also inspired a majority of my work that has trended on my page and to her I extend a thank you and the dedication of this collection. I hope you take the time to enjoy this work as much as I enjoyed writing it.
Thank you,


Marquis A. Hardy
Gabriela Jimenez Jul 2010
Figuratively speaking
You are the smoke on
My wind

Empty from Promise
And Eager
To be

Photographed
With The title
Underneath

' The One Left Behind'
D28 2010
CH Gorrie Jun 2013
There were six horses,
Abaco Barbs - black, white, tan -
enclosed in my Olympus's lense.

The camera reached through deadwind
that whipped the Huey's window,
painted a staggered line where the herd had been.

It was fall 1977,
Abaco's Independence Movement had ended;
Oliver and WerBell were gone,

having run off like photographed horses -
distant, almost ignorant of me (at some point,
they must've assumed there were wildlife

photographers inside Abaco). It was fall
1977:
the ornamental Allamanda still rustled in deadwind;

the starfruit still ripened and fell. It was fall
1977 and that country
was nearly the same as it'd always been.
"The Abaco Barb is an endangered strain of the Spanish Barb horse breed found on Great Abaco Island in the Bahamas. The Abaco Barb is said to be descended from horses that were shipwrecked on the island during the Spanish colonization of the Americas and the Caribbean. The population of wild Abaco Barbs that run free on Great Abaco once numbered over 200 horses. The Abaco Barb is found in different colors than the European/African Barb, including pinto (including the relatively uncommon splashed white), roan, chestnut, black and other colors. They range between 1.32 to 1.47 m (13.0 to 14.2 h)."

"The Abaco Islands lie in the northern Bahamas and comprise the main islands of Great Abaco and Little Abaco, together with the smaller Wood Cay, Elbow Cay, Lubbers Quarters Cay, Green Turtle Cay, Great Guana Cay, Castaway Cay, Man-o-War Cay, Stranger's Cay, Umbrella Cay, Walker's Cay, Little Grand Cay, and Moore's Island. Administratively, the Abaco Islands constitute five of the 31 Districts of the Bahamas: North Abaco, Central Abaco, South Abaco, Moore's Island, and Hope Town. Towns in the islands include Marsh Harbour, Hope Town, Treasure Cay, Coopers Town, and Cornishtown."

"In August 1973, shortly after the Bahamas became independent, the Abaco Independence Movement was formed as a political party whose stated aim was self-determination for the Abaco Islands within a federal Bahamas. In October 1973, AIM published a newsletter to launch it's campagn for 'self-determination through legal and peaceful political action'. AIM proposed that all Crown land on Abaco would be placed in a land trust. Each citizen would receive a one acre home lot from the trust plus shares giving them an income from land sales and leases. The land trust would enter into a joint venture to develop a 60 sq mile free trade zone. When AIM was formed by Chuck Hall and Bert Williams, they contacted an American financier named Michael Oliver, who through his libertarian Phoenix Foundation agreed to support AIM financially. The Phoenix Foundation had previously sought to establish a libertarian enclave in the South Pacific, the Republic of Minerva. AIM's first convention, held on February 23 1974, was addressed by John Hospers, the Libertarian Party's 1972 US presidential candidate. Hospers was later refused entry to the Bahamas. The maverick British MP Colin Campbell Mitchell also visited Abaco to offer support."

"Michael Oliver (born 1930) is a Lithuanian immigrant of Jewish descent, Las Vegas real estate millionaire, and political activist. He was the founder of the micronation project the Republic of Minerva, a failed attempt to create a sovereign state in the South Pacific in 1972. In the following decades, Oliver and his Phoenix Foundation were also involved in similar projects on the Bahamian island of Abaco and in Vanuatu with the New Hebrides Autonomy Movement (MANH) which was done by financing an insurrection. He also published a manifesto of his libertarian beliefs. Oliver is prohibited to enter in Vanuatu and his nation-building projects seem to be on hiatus."

"Mitchell Livingston WerBell III, (1918–1983), was an OSS operative, soldier of fortune, paramilitary trainer, firearms engineer, and arms dealer.In 1972 WerBell was approached by the Abaco Independence Movement (AIM) from the Abaco Islands, a region of the Bahamas, who were worried about the direction the Bahamas were taking and were considering other options, such as independence or remaining a separate Commonwealth nation under the Crown in case of the Bahamas gaining independence (which they did in 1973). AIM was funded by the Phoenix Foundation, a group which aims to help build truly free micronations. The AIM collapsed into internal bickering before a coup by Werbell could be carried out."

^http://en.wikipedia.org/wiki/Barb_horse
^http://en.wikipedia.org/wiki/Abacos
^http://en.wikipedia.org/wiki/Abaco_Independence_Movement
^http://en.wikipedia.org/wiki/Michael_Oliver_(real_estate)
^http://en.wikipedia.org/wiki/Mitchell_WerBell
Zulu Samperfas Mar 2013
They all look so young and lively and free on the Berkeley campus
walking and smiling and dancing swing and exercising and studying in internet
cafes and along the college walk there are clubs: pre-dental society,
women engineers, others, worn signs that stay out all year long in California and wear well
like the Clinton/Gore bumper sticker still visible and affixed to the stop sign off Telegraph and I wonder when there will be an avenue called "Internet"
And along the walls of Cafe Mediterraneum are highlights of the sixties, photographed by the dead owner of the place and there are still students studying and wierdos and old people reading books but there is no inspiration here anymore
From my generation, the eighties there are no pictures, and none from the seventies either and from the nineties and this decade has come and gone without notice on the walls
because youth by itself does not renew and innovate and the pressures of culture are too strong to re-invent and
it's not like there's nothing wrong, nothing that needs to be changed in our world today if anything things are worse
but now youth is only thinking about youth and buying low and selling high and there is no more idealism, no more desire to rectify anything, only to establish oneself as part of the middle class or above and have a house and 2.5 children
when the world is quickly being destroyed now just not by war, or an atomic bomb
that would be obvious because it would be loud and white and then there would be darkness and drops of rain and devestation
but I think I want to drop an intellectual bomb on these young people and tell them to wake up and try to change the world again and stop watching Reality TV and
do something that will help the world and put your picture on the wall of the Mediteraneum because you are trying to help the collective good and not just feather your own nest and not just worship the rich and exploitive entrepeneurs and try to emulate them as we were told to do in the eighties because that is just selfish meaninglessness that can't keep being replicated in this world, because it can't withstand it
our land and water can't withstand this lifestyle and the dollar store selling cutesie things made in China are coming from child labor and blood money and this dollar store is on Telegraph and no one cares or notices not even the young,
as slave labor continues to produce goods, just not here, where you can see it
and even if you care about animals, you can think of two million cats and dogs torchured and skinned alive for their fur in China and you , Berkeley are wearing it onn your fur trimmed coats
There is an eeries silence on Telegraph now where there should be the aliveness of debate and not just to get ahead, but to give a voice to the voiceless and alleviate the real and obvious suffering in the world
So youth, you are not so young and fresh you are a dissapointment
you are cowardly, pondering your own navel
and submissive and I expect more
THIS IS NOT ENOUGH
change is frightening, but it is
the only thing
that will save us

— The End —