I peruse your poems
and feel your love,
It awakens me.
I peruse your letters
and feel your hurts,
They shock me!

I peruse your heart
and sense your feelings,
They make me weak!
I peruse your mind
and find your emotions,
They turn me back.

I peruse your habit
and realize your treats,
They glamor me.
I peruse your works
and observe your arts,
They satisfy me.

I peruse your eyes
and see your kindness,
They're cool like the rain.
I peruse your smile
and see your pleasure,
They melt every chain.

I peruse your face
and enjoy your looks,
They make me wonder.
I peruse your beauties
and reverse like books,
They make me a writer.

I peruse your voice
and enjoy your melodies,
They call me silent.
I peruse your shyness
and touch your body
They call me to be silent.

Truly, your love is my drug
Your hurts are my tears,
Your happiness is my life,
So, I need you, sweetheart!

dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds

wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place

shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake

1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i

Everyone Has a Story… Here’s Five.


Part I: Cousin

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was on the island,
At the very top,
Looking down from our mountain,
It was night time,
And the lights shined clearly,
Little holes from the bottom of heaven were penetrating the world,
As they did so I peered on,
Never truly understand what heaven was,
This was my element,
The curiosity which was placed in me,
Since the birth of my being,
Has never been one for being quenched,
Even if my parents tried to beat it out of me,
After a time they kind of hit a fork in the road and decided to go right,
But at the last second I side stepped and ran my behind to the left,
Because the right side isn't always the right way to go,
I felt that their minds died some time ago,
But I was a kid, in the hoods of Puerto Rico,
Only visiting, never witnessing,
The day to day realities,
That came from living so rapidly.

I met my cousin for the second time the days before that night,
He took me under his wing almost immediately and I was happy to follow,
He was a tall man, tattooed from head to toe,
I thought the second I laid eyes on him, that this was my role model
As a lover of Hip-Hop I thought this was how everyone should look,
He would cuss, and spit, and drink, and have several women on deck,
While rolling a couple of joints,
This was the MAN!

However, this view didn't last for very long,
Because on that night,
I witnessed the devil for the first time,
I crawled from beneath my covers,
That my mother had so carefully put into place,
As a safeguard against the realities of the world,
That would come true in my childish fantasies of the boogie man,
The only bad I knew was what was told to me by the news,
People falling left and right cause of wars and other endless fights,
But in my mind they could be brought back to life by the Dragon *****,
Unfortunately Goku wasn't here this night,
I snuck through the house silently,
As the noise would be drowned out by the singing of coquis,
My bare feet hit the humid pavement following the rush down the stairs,
I only wanted to see my view,
The view of heavens holes peering through the vast and dark sky,
It was located at the edge of a cliff that looked over a ravine and then the wilderness,
At the precise moment I stopped to realize my will,
My dream was disrupted by a voice,
Followed by a sound that sliced through my mind and deflated my childish intuition,
A sound that penetrates my adult mind and echoes in the silence to this day,
Muffled screams echoed out after I heard the gunshots ring,
Beneath the sounds of the forests singing,
My heart was pounding slowly,
I was strangely calm rather than panicky and fearful,
Not that I was a brave child, but I remained curious,
Until I saw the blood…
It was then that I saw the dimly lit lamp beneath the moon light,
Resulting in the two bodies casting elongated shadows against the dank Earth,
Followed by a larger body standing over them,
One body was completely still,
While the other one was rocking back and forth,
The terror that took me was shear and raw,
The only other time that I had witnessed such a fear,
Was through the appearance in a pig’s eye,
As my grandfather drove a machete through its heart,
I heard the second shot ring out,
In the same amount of time that it took me to blink,
The other man had been murdered just the same,
And before I knew it the gun was pointed at me,
I stared back and started shaking,
This had to be pure fiction,
But no, this was reality,
I turned to run, but stopped when I realized who it was,
Looking up at me as he exited the thicket and the shadows,
Was my cousin, my role model,
He cocked his head up and looked at me with concern,
But said nothing,
As I ran home breathlessly,
Under the holes into heaven,
That had been put there by bullets,
My childhood was finished…

And I'd never see him again.


Part II: Brother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

As a child,
I thoroughly enjoyed,
Playing around outside,
I enjoyed getting into play fights,
I loved feeling like I could overwhelm any opponent, but I couldn't.
My brother was way stronger than me,
He had the height advantage,
And best believe he had the weight advantage,
But still, I thought I could manage,
It never really crossed my mind that my brother was a bit off,
To me he was a big kid,
A quiet companion,
My best friend,
My heart.

That was more than enough,
Until one day I went too far,
See my brother had one toy that he loved,
It was string; he'd tear up clothes to make string,
He'd cry up storms at department stores if he didn't get his string,
He'd hit my mother and punch my father if he didn't get string,
I just always thought the exception was me,
I was his play mate, he smiled at me,
Something quite rare for my big brother to do as a result of his condition,
And the medication he was taking,
You see when a child has autism they kind of want to do their own thing,
They want to be on their own,
Enjoying whatever it is they enjoy doing on their time,
But I had a child's mind and a child's ego,
His toys were mine too,
Share with me,
Play with me,
Look at me,
ME, ME, ME!
So he punched me right across the face,
I went flying into a sliding paneled glass door and began crying,
When my mother entered the room,
She asked what was going on and tried to calm me down,
I wouldn't listen so she told me shut up before the neighbors called police,
And we were both taken away,
Being that my mother was a single parent, I believed her,
With that being the case, I closed my eyes and didn't look at my arm,
Nor the blood slowly dripping down it onto my fingertips,
Down to the floor below,
I didn't play much anymore after that,
I was too childish to blame myself,
So the fault was his.

The fault would end up being mine,
As this action being a culmination of things done by my brother,
Led my father and my mother to do what I thought was unthinkable,
They chose to let him go,
Giving him to a group home,
My young mind couldn't even begin to comprehend the pain they felt,
But to me all I could see was two adults giving up on their son,
I saw love and hope dissipate right in front of my eyes,
He was playing with his string in the back seat of the car,
While I sat beside him just watching him,
Saving every movement of his,
And his joy into my memory banks,
To be left to gather dust; because the pain was too much to harness,
But with respect I chose to re-open the chest,
And hold my brother in my arms once again,
Before he was ripped away from me,
And given away to the monstrous people,
That wouldn't let him hug his mother nor me,
I didn't care if this is what was needed to be,
I was losing my brother!
My blood!
My playmate!
My best friend!
My only friend!
My HEART!
It didn't matter that he hit me,
It don't matter if he hit my mother or father,
Because the beating my heart was taking was too much,
For my slim frame and still developing body to handle,
As such my growth was stunted and I gained heart problems,
On top of the asthma,
Autism meant nothing to me,
He was everything!

But it ended with me sleeping alone,
At home he was gone.


Part III: Father

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I never felt much towards you,
I was taught to love my mother solely,
As she was the one always there to heal my bumps and bruises,
The only memories I have of you from my childhood,
Are of you feeding me God awful food and teaching me to ride a bike,
But I forgot how to ride a bike,
And I could cook what you cooked on my own,
Burnt hotdogs, and pasta, and cereal never really fazed me,
Every other memory is a blur,
Your love was like a line or two painted upon a Mona Lisa of love,
That I had gathered from the various sources of inspiration in my life,
I could always gain appreciation for them,
But not for you.


As I entered my adult years,
You tried to make up for it,
I knew you had pent up guilt inside from not seeing me,
Yet you bought presents and rose up the seeds of another tree,
Seeds that I don't blame,
I only wanted to smell the same flowers that you gave them,
So you were trying to give them to me while I could still smell them,
But that sense was long gone along with my sense of sight,
Literally my vision was fading, but my mind was expanding,
As I was witnessing the world around me quite clearly, and the soul within me,
Just wouldn't release me, from the overwhelming feeling of needing you,
A father figure I could depend on,
A monument for what a man should be, and truly believe in,
As it comes to issues of morality, love, and loyalty,
Up until this point you had only taught me resentment,
Resentment leading to hate,
But I wanted to honor you in place,
So I hide the parts of me that you don't care to see,
I hide my relationships,
I hide my true feelings,
I hide my poetry,
Because if you found those things,
I would no longer be free,
And I refuse to submerge my soul into slavery,
Just for you to feel like you rose up the brightest son,
When truly the darkness is where I was brought up and where I belong,
Moonlight is the only thing I can touch with my pen,
As I compose the paintings residing in my head,
Of wordsmiths and demons battling,
Because words are my angels,
And they have always been there in every instance,
Whenever I've needed a piece of wisdom,
Or a calming presence that would come from the essence,
And recollections of stories of glory,
Stories that helped me forget you,
I love you, and hope our relationship can bloom,
But I no longer wish to speak on you.


Part IV: Mother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was taught to feel love towards you,
And it still remains as strong as ever,
From when I was a child,
Your sacrifice made my life exactly what it is,
Exactly what I needed it to be in order to grow and explore my soul,
To reach for my dreams,
You have always given to me,
Even on your last two cents,
Both would be for me,
You were my mother goose,
Even if I seemed like a young rooster,
Because we were always so different,
You always wanted to mold me into your vision of me,
While you instilled in me many things which cling tightly to me,
You've made someone completely different from what you expected,
I hold different views and truths that are separate from you,
Which is fine, but for a time it would keep me from being who I desired to be,
Because you could never cut the umbilical cord.

In fact, it was wrapped around my neck,
The death of me was coming slowly,
Due to the inhibitions of my creativity,
You loved that I would write, but you hated what I was writing,
Hip-Hop, home to me, was looked at as purgatory,
You couldn't see why I would want to listen to these stories,
Stories of struggling and hustling and juggling jobs, drugs, women, and friendships,
These ships were all sailing gallantly through my mind; the wordplay was so sublime,
And the fact that the words blended with their worlds were so unkind,
Appealed to me, but you were blind,
This changed my perspective,
However what really taught me to be a man,
Was when you began pushing opposing women out of my life,
I would be deep in love, buy-a-ring love,
But one thing would be enough to trigger a string of insults,
And a manikin-like regard for the person of whom I adored,
This was too much for me, you were systematically ending my dreams,
I thank you for your love and for everything that you continue to do for me,
But the cataclysm that was forming in this poets mind,
Was becoming too much to bridge,
If this feeling was to be ongoing,
So as a desperate act of love and care,
I left you behind,
But the love is forever there,
I'm a man because of you,
Your heart will forever reside with me on my journey,
You’ve no need to be frightened,
I’ve got you, I’ve got us,
My senses have been heightened.


Part V: Lover

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

We met after a string of accidents,
Accidents that nearly cost me my life,
These were love losses, blood losses,
Things I’d never thought I could recover from,
The experiences had me going numb,
Until you found me… or did I find you?
It's hard to tell it just seemed like we were two lost souls,
Looking to quell our young hunger for the opposite ***,
Each and every day was spent together,
First on the stoop in front of your sister’s house,
The place where I first kissed your mouth,
Second on the park benches,
This is where hours flourished from minutes,
Third was along the streets of the world,
You were my diamonds and my pearls,
Indestructible and irreplaceable,
Once you met the paper you were there forever,
With that ink blood that flows through your veins,
A fellow poet whose love would stain my mental,
Instrumental in gifting my simple world with a new understanding,
It wasn’t how I imagined, but God laughs at notions of planning,
I finally found out what it meant to be in love,
I never had two people show me what it was,
Honestly the many descriptions of hate,
Is what would be seen at the gate of my consciousness,
As such, I believed this same fate would await me,
It was once the singular feeling with which I could relate,
But the euphoric hands you laid on me,
Made me lose an awake thought process,
As I was in a lake filled with your waters,
That would flow to rivers,
Followed by seas of your loving,
Seas consummating your body,
As I laid on the beach,
Believing it to be a dream.

But it wasn't, and it shouldn’t have ended,
In reality, love has ways of being reprimanded,
I was so lucid, and the picture was candid,
It was the simplest of pleasures that I'd ever been handed,
I learned right away the right things to do,
To flow from my heart and work my way into you,
To take care of my lips,
A rough kiss can't ******,
Nor find proper pleasure,
Along a woman's surface,
You’d allow me to peruse your mind,
Sending shivers up your spine,
As I embarked on my conquest,
Explorations of lustful aspirations,
Symbolizing and synthesizing,
Each and every stroke,
Representing a new letter,
In the alphabet of love,
Allowing our tale to unwind,
To combine the breathlessness of our exploits,
With our hearts desire for choice,
Which declined to lend voice,
To the greater work to be done,
The acquisition of newer positions,
Are symptoms of the journey,
Keep going, never surrender,
Be tender and conquer,
Mental foreplay is stronger,
Than any physical touch.

Love of a poet both bold and stoic,
Is a simplistic view of unfolded vibes and rhythms from the inside,
This could never subside to anything less than genuine spirit of heart and signs,
Among the winds, trees, stars, because you are the art,
You are Moses parting the red sea of my subconscious,
You are the dark sphere which encircles me,
You are the light that penetrates me,
You are harmonic melodies and sweet remedies,
You are rude symmetries and cool symphonies,
You are a lesson learned and an angel untouched,
With exception of me,
Hushed whispers or high pitched screams,
Mean nothing, without the mind following the body to finality,
The fluidity of our ****** motion,
Is a reflection of our mental state,
I seek not to pass through you,
I seek to become one with you.

That's how I feel about poetry,
That's also how I feel about ***,
That's how I feel about you,
You showed me the way,
You are my soul mate,
One with the words I write,
And the memories that I seek the convey,
You are the sun pouring through with the rain,
You are my miracle, one year my junior,
Fifty years older under the skin,
Deep within, your soul, my solar,
Not an eclipse, but a shimmering glow,
Always for my love and never for show.

I fall in love with people's honesty.
Their smile.
Funny jokes.
Tears.
Scars.
Passions.
Eyes.
Dreams.
Their spirit.

Word to Marley Soul.

Five steps in my growth,
Five indispensable cogs of my sou

I know and treasure the love you hold for me
And my heart beats back to yours
How thrilling to peruse the pages of ecstasy
That your heart writes
And mine adores

I read living lines that pierce my waking heart
Upon each lovely page I see
Each word justly claims myself to be a part
Of you
As you are, of me

Because I know you love me unquestionably
And my heart beats back to yours
I continue reading these lines with glee
That your heart writes
And mine adores

Such powerful writing a heart can display
When a heart beats back in return
How thrilling to peruse these pages each day
Watch love growing
As they turn

I peruse exhibits through the modern art museum
Nails hammered into wood
And trash strewn on the floor
I couldn't help thinking
What the **** is this ****?
These can't be the champions of modern art
Moonlight and Arrival morphed my empathy and perspective
The theater is fine
Music is there for those inclined to discover it
So what about visual art?
I know a few things for certain
Nails hammered into wood never changed my perspective
Nor does seeing a garbage can in a museum affect my empathy
Trash is not art
Trash is trash
Waste meant to be thrown in the proper receptacles
So as not to obstruct our view of true beauty

I will concede that
Beauty can be found in everything
Depending on analyzation variation
But those that live an examined life
Constantly see silver linings and sour grapes
Experiencing comfort in tundras to the point of banality
Those visions are much more interesting
in their organic state anyway
As opposed to an interpersonal expression of the seemingly obvious

So what to hang in an art gallery?
I have my own opinions
At this point in time
No visuals elicit more emotions
Than dank memes

When I'm consuming art
Questions are innate in my consumption
Is this a vessel for empathy?
Is this examining the human condition?
Dank memes meet those criteria
Satirizing the powerful
Highlighting emotions and virtues in ourselves
That we're either proud or ashamed of
Memes share a common thread with poetry
In the sense that everybody can create memes
Or be a poet
I get the impression that
Universality of art diminishes it's importance
In the minds of patrons
There's an element of truth to that
But what makes art special is quality
And what makes art truly special is high quality
And that's what belongs in museums

Blue eyes that are as encompassing as the ocean
Silk skin I wish to peruse and embrace
Skin that my lips lust to kiss
That my tongue lust to taste
The consequences for this adulterous heart I surely will pay
For it will do more than engage in intimate conversations it will manipulate my words
So my bare hands can caress your curves
Like an alcoholic in the bar I’ll never learn
This is not what love is
​

1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.

This poem has been submitted for possible publication.  It will be reposted as soon as possible upon final determination.  Please feel free to peruse my poesy at your leisure.

Thank you so much,
PrttyBrd

Hail, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful ***** burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom’s charms unfold.
Long lost to realms beneath the northern skies
She shines supreme, while hated faction dies:
Soon as appear’d the Goddess long desir’d,
Sick at the view, she languish’d and expir’d;
Thus from the splendors of the morning light
The owl in sadness seeks the caves of night.
  No more, America, in mournful strain
Of wrongs, and grievance unredress’d complain,
No longer shalt thou dread the iron chain,
Which wanton Tyranny with lawless hand
Had made, and with it meant t’ enslave the land.
  Should you, my lord, while you peruse my song,
Wonder from whence my love of Freedom sprung,
Whence flow these wishes for the common good,
By feeling hearts alone best understood,
I, young in life, by seeming cruel fate
Was ******’d from Afric’s fancy’d happy seat:
What pangs excruciating must ******,
What sorrows labour in my parent’s breast?
Steel’d was that soul and by no misery mov’d
That from a father seiz’d his babe belov’d:
Such, such my case.  And can I then but pray
Others may never feel tyrannic sway?
  For favours past, great Sir, our thanks are due,
And thee we ask thy favours to renew,
Since in thy pow’r, as in thy will before,
To sooth the griefs, which thou did’st once deplore.
May heav’nly grace the sacred sanction give
To all thy works, and thou for ever live
Not only on the wings of fleeting Fame,
Though praise immortal crowns the patriot’s name,
But to conduct to heav’ns refulgent fane,
May fiery coursers sweep th’ ethereal plain,
And bear thee upwards to that blest abode,
Where, like the prophet, thou shalt find thy God.

.

Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Allowing the beasties free reign in the village
Bellowing out o’er the wickedest sound

Pacing the streets, seeking out bits of garbage
Leaving their stains on the innocent few
Leering in windows where children are hiding
Tender young things and so easy to chew

Thieves in the night lurk about come the morning
Stealing the sun at the break of the dawn
Drinking of sewage a’ flow in the gutters
Checking off names as the many are gone

Peering ‘round corners, down alleys, in shadows
Seeking the favor of all who do grieve
Laughing in spite of the torment now growing
Licking their lips in the hope you believe

Roaming in groups so the followed outnumber
Say what you will for the king does not hear
Lost in his throne made of mirrors that flatter
Shivering, cowering, caving to fear

Deaf to the villagers asking for reason
Blind to the pillage befalling this land
Dumb, well I guess that just goes without saying
Nary a care what the people demand

Feasting on turkey, potatoes and gravy
Raising a glass to the enemy proud
Taking a stand against those who support him
Locking the front doors while yelling aloud

“Carry your torches, your pitchforks, your honor
It matters not for this evil shall win
Even when gone there are echoes of anger
Lingering on till they come back again

Give them your all, what you’ve poured your heart into
Down on your knees, bow to them one and all
Step over rock and the piles of rubble
This castle will stand even when the walls fall

Shout all you like as no change is forthcoming
Accept it or flee, you think I give a ****
When you are gone many more will replace you
Now pass those peas and a slice of that ham”

So roam the beasties, their teeth ever sharpened
Fanning the flames as so many are burned
Tearing apart what the people envisioned
Silly to think that they somehow had learned

Nothing so happy with no ever after
Always the same, it will happen again
But unlike some other long winded stories
Sadly in this I can not say “the end”

Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Thankfully I can peruse from a distance
Witnessing all without hanging around

Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat *****;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,

Move forward, run my hand around the font.
From where I stand, the roof looks almost new-
Cleaned or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate, and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,

A shape less recognizable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and *****-pipes and myrrh?
Or will he be my representative,

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for whom was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.

.here's a schematic representation of the changes to the youtube algorithm... the changes look as follows A(c) B(b) C(a)... or perhaps even Ab Bc Ca... or even A(b) B(a) C(c)... there are variants, all in the same vein of argument... the dictionary / thesaurus standard of the algorithmic categorical impetus... which "miraculously" disappeared... sure... the alphabetic order is somehow intact... but the synonym aspect of expansion is lost... i have lost access to, say A... and subsequent (a), synonyms... and instead "gained" access to the antonyms (b / c)... there's literally a linguistic explanation to the conundrum of the current algorithm... A doesn't follow with (a), but rather (b / c)... B doesn't follow with (b), but rather (a / c); and C doesn't follow with (c), bur rather (a / b)... if this new youtube algorithm were akin to a dictionary.... i'd be looking up a word like aardvark, and subsequently finding an word like chipmunk next to it... (a) contradicts (c)... although both are synonyms in the category B, i.e. burrowing (mammals)... but an *aardvark is not a chipmunk... this new youtube algorithm is *******... never try to fix something that's not broken... but given how this current guise of the algorithm, will not be fixed... the fun of the internet died this year... and it's not like the high street has music shops... how many ******* shoes, clothes and mobile phones do i actually need?!

why would i put myself through all this...
listening to online political
commentary response videos?
now i can't find *rob zombie's song
michael on the jukebox...
         first they took the music shops.
and then they went after
the internet jukebox...
        i have to lament these changes...
"improvements"...
   spending a night engrossed in
brick walls while drinking
has become the most exciting
"revision" of: things to do when drinking...
2 hours of cramming
undisturbed rhetoric,
  and no dialectics in sight...
           a ******* brain-drain...
custard / fudge for thought...
          two seagulls regurgitating
food from the stomachs to feed their chicks...
i couldn't care about
these youtube political commentators...
i'm sorry...
    i can't give a ****...
     whoever is to blame,
i blame both sides...
                  "my" jukebox is ****** up!
the only recommendations
are what i've already seen!
   once it looked like:
           the thesaurus project...
in terms of the ontology of algorithms...
something synonymous was
always suggest...
  e.g.?
             the song helvegen
by the Nordic band wardruna
would be associated with
   the song federkleid
by a band faun...
               or the song lifa
by the band heilung...
             the ruck has only girl (in the world)
by rihanna have to do with
project thesaurus?!
or ke$ha's song die young?!
the internet media commentators
have...
   i've spent the past two hours...
equally zombie-prone like i might
watch the mainstream...
  the jukebox's ******!
          i can peruse the music scene like
i used to...
  clearly, in a classical music shop...
you wouldn't have a Britney Spears
record lodged in the punk category...
whatever they did...
  the current algorithm has
not categorical imperative...
              it's all jumbled up...
   pop sits alongside black metal...
jazz sits alongside classical music...
  rock is mingling with rap...
how did these people **** up
a formerly pristine algorithm?!
  that had the knowledge of a categorical
imperative...
   a hyena was a mammal,
a whale was an aquatic mammal...
a pig was a mammal...
              a spider was an insect,
    and a cod was a ******* fish...
the end...
      i've reached the critical sentiment
of, either a nihilist or a cynic that...
who gives a **** if you can speak
freely..
        hell... it's not even revelatory or
simply plain obvious what you're saying...
the ******* jukebox is down,
and you're partially to blame!
             what?! no cause: no effect?
   the algorithm has lost its knowledge of
proper coordination of categories...
these days...
    red is no longer a noun...
it's... a verb...
                     the current algorithm
is transgender...
you made a ******* transgender algorithm...
well done!
i need music to think,
    the current tirades of youtube commentary
make my brain turn into
fudge for about two hours...
after i snap out from the mantra...
free speech this... hate speech that...
what was once the only site to explore...
and subsequently buy the music...
this is the only reason i've succumbed
to the statement: the internet is dead...
well... because internet banking,
nor internet retail will not be affected...
working pristine...
             but the experience of finding
new music?
                that's affected...
and it's affected by youtube commentaries
antagonizing mainstream media...
sure, great...
    but the jukebox is ******...
      and because of that?
        i'll care, sure i'll care...
                  when a get to play
the xylophone on my rib-cage
with the embodiment of a ghost form...
on my post-decomposing skeleton!
having gained so little,
we've lost so much...
      what, a comment section on one of
these videos will, "somehow"
compete with my enjoying some decent
music?
         FAT CHANCE.

pre-scriptum:
                no polyglot would experience this sort of "paradox", it's not even a paradox of a "paradox" off a 'paradox', bilingualism has its methodology, as Kant could explain, extracting his methodology off the page into a meticulous day-to-day activity... the sage / if not the clock of Königsberg... i can imagine this obsessive-compulsive mini-rituals that would always escape the throng on a Sunday... the Sunday eucharist wasn't enough for the man, there were so many rituals to take care of, having famously not married, while Kierkegaard having: infamlusly not married... i appreciate their strategy... reading them while also reading Nietzsche, these two gentlemen, by comparison, if not in work, certainly in life gravitate above the popularity of Nietzsche... why? Nietzsche appears as an incel... fan boy, are you? *******... but you need some sort of structure if you're not going to marry... Kant found his daily routine an eternal mass... so many routine daily tasks seemingly mundane to some, can enlarge themselves to become out of proportion pillars of preserving sanity in face of standing before god and a post-life scenario... hell is not so much a place of suffering... i can tell you of the most "mild" form of suffering... an extrovert becoming drunk... constant talking, lack of purpose as in: lack of direction culminating in: lack of concentration, pandemonium is the heaven of a flickering light for a moth... again... this always bewilders me... why did Sisyphus have to drag the stone up the hill? was there some overlooking demon with a whip looking over him? couldn't he just... sit, and concentrate on the stone, create pleasure, from thinking? is that really so odd... i suppose so... given the grand h'american export of the freedom of speech... few people will find pleasure in thinking... Kierkegaard, which Nietzsche didn't read... said: why do people concern themselves with the freedom to speak, when they already possess a freedom to think? is this, me speaking, because it's the internet and it's a public space... surely i don't have an eloquent speech, i speak too quickly, i sometimes mumble, this is an extension of thinking, it's not an invitation to speak... rhetoric is an art designated for people who joked about philosophy and took sophistry seriously... i don't like Nietzsche... i still think of the man as the esteemed bachelor... apparently being freed from women allowed him to write his Critique with the sort of clarity that comes, in a cascading form, at the end, in the methodology of transcendence... which reads, like a page-turner tabloid narrative... once the formalities / difficulties are established... i'm no polyglot though, but i do succumb to some eccentricities... as any entrenched bilingual might... notably linguistics... how there are no diacritical markers in english, but there are: in other latin script based languages of continent europe... how i've never heard of dyslexia outside of the realm of spoken english... how orthography does not exist in the english language, which creates all these silly english questions of: what is reality, what is perception... with no orthography: metaphysics runs rampant... and "another" thing... i really can't read a philosophy book in english, i always have to revert back to my mother tongue, to Polish... i can't read a philosophy book in english... i looked at Plato once in english... the aesthetic is lost on me... but the Irish know of the Slavic aesthetic when it comes to dialogue, i.e.:

(a) the english standard for dialogue weaved into a narrative -
"i want this," she said,
   "as i want that," he said...
(b) the slavic standard for dialogue weaved into
a narrative...
- so?
- what?
- will we try to speak without
   the reiteration of who said what?
- we could.
- no, we should.
smoother... James Joyce noted this,
casual - no point adding descrptions of
how the puppet-master lost power
over his puppets with " " ditto markers of
dialouge of a: he, he really did say...
no, not he, the narrator...

   i simply cannot read the genre of philosophy in english, too much easy access points of pop culture with that umbrella overreach... matrix, memes, darwinism, blah blah... too much focus on images and very little focus on words, esp. etymology, that other component of history that focuses on: a universal application of words, beside status king, or status pauper... both the word bread can succumb to the king's tongue, as to the pauper's... but with an origin story? anything beside **** similis, the monkey, will do me just fine... then again... there's no one strand of monkey to begin with... a bit like looking up your own *** for too long, you decide that there's a coherent, "bigger picture" and it begins with chimp- and ends with -rilla... doesn't anyone else just tire of looking up a monkey *** to peddlestool the importance of darwinism for so long? i mean... at least chemistry is a playground among the science... there's no worry for a beginning... there's only play... no... i can't read a philosophy book in english... i have to read it in Polish... which is also a... january, february, march, april, may, june, july, august, september, october, novermber, december... you'd think i'd be able to recite you the months in my mother tongue... styczeń, luty, marzec, kwiecień, maj, czerwiec, listopad, grudzień... english alphabet? a, b, c, d, e, f, g, h, i, j, m, n, l, o, p, q, r, s, t, u, v... **** gets scrambled... pointless rubrics... give me the practical! - i've just picked up a copy of Plato's republic... straight away i know that i'm finding my gensus in Plato rather than Aristotle...

    och ty, pijaku z psim pyskiem,
                  a za to z sercem jelenia...

    oh you, drunkard with a dog's snout,
                           nonetheless, with a stag's heart...

again, Nietzsche: Kant is an idiot, Plato is boring...
perhaps in German, for a German,
looking for Germany while roaming parts of Italy...
well... Plato, really seems appealing in
high slavic (western), the conversations breed
a sense of clarity, about fog, about darkness,
or any akin metaphor to boot...
                           between Nietzsche's maxims,
i'll take la Rochefoucauld succinct observations
before i succumb to pop-nietzsche modern
cult meme fucklords...
                          Roger Moore... prime example
of a bachelor, Kant, the same, Kierkegaard...
as for myself? if i married?
  would i still have the same sort of access to new
music, that i currently enjoy?
   for god's sake... i have to fall asleep while
listening to music, if i spend a day without
at least 5 hours of music on the headphones
   i start to lose the plot...
              my drinking is merely a side-note...
a p.s., given that now i'm a reformed drinker?
having cut my dosage in half...
     i'm still a music *****...
   women don't like music junkies...
                   and when my ex- started reading me
a qustionnaire from a russian cosmopolitan
magazine on the train to moscow from
st. petersburg... i thought i was going to shoot
myself in the head...
             perfect girlfriend this,
perfect girlfriend that...
             bob dylan saved me...
        but not for long...
                         women aren't feline...
at least with a cat you can ignore it...
                  he's pretending to be a solipsist and
you pretend to be: caring...
                 food on the table,
a clean litter tray... besides that?
                                                 fuckoffski!
     and i write this from a perspective of endearment,
nothing beats the zenith moments in a hetrosexual
relationship... the odd date...
                 talking impromptu... making food...
***, ***... ***... *** *** ***... ***... ***...
       but the petty arguments...
   the attention to detail...
                   god... anniversaries?
  i don't even celebrate my own birthday!
i fake celebrating christian holidays...
                    today is today, tomorrow:
that's tomorrow's concern...
           o.k. england winning the cricket world cup...
but that's a celebration with a calendar!
it's not regulated by hormones and
the impossibility for nostalgia...
                 i tried the relationship,
i tried the ***...
                       i had to visit a brothel for
the anaesthetic with regards to the past...
  i needed to visit the brothel to also visit
the butchers...
                               i needed to become meat,
to **** meat... and stop concerning myself over looks:
they only brought me trouble...
like i was walking with a "telepathic"
c.c.t.v. crow on my shoulder...
                             so i put on the weight i lost...
and... at that point? it was liberating...
mind you... if you want to lose weight?
  bicycle and swimming... no gym...
fruit for your last meal during the day...
eat anything you want...
  but losing weight? and all that bulimia,
classical roman bulimia:
training the oesophagus with first *******
into the mouth... then with no fingers
down the mouth?
                beauty... is not worth the trouble
when you really tempt yourself with the expansive
temporal canvas...
21 was my peak... after that...
                     voluntary celibacy...
                   a **** here and there...
            but no... it's not for me...
                    i guess i looked up to the right sort
of men... with regards to staying a bachelor...
to be highly invested in something,
   like Kant in a transcendent methodology...
like Kierkegaard invested in the arts...
like Nietzsche invested in waiting for
the fruition of his prophesies...
                      you have to be born to want to live
the simple happy life...
                  the "expected" life...
       the whole Hiob motto of: once taken,
can be regained blah blah...
                        it needs to have trans-generational
breeding involved...
                   a list of expectations...
                social-pressures and for that matter:
intrinsic socially-cohesive-stratification...
i'm a ****** in England...
             and... that puts as much social pressure
on me as... a chihuaha barking does
to an Alsatian's yawn... that's the stereotype...
the smalls dogs bark... the big dogs bite...
                 oh sure, when i visit my grandparents
back "home"... the older generation put
the pressure questions to the test:
even women from Warsaw...
   so where's your girlfriend?
to the old folk i reply: well i can't exactly force
a woman to be with me...
to the women of Warsaw?
   i'm practially a monk...
                        why?
          you don't really want to be aged 21...
forced with a scenario of:
happily dating, presumably reciprocrating trust
with regards to contraception,
being forced to reply to the scenario:
i think i'm pregnant... my my...
   and we were only 6 months apart after
the break-up, living in two different cities...
em...
                     on a lighter note...
what's the most fun you can have in Kenya?
   sitting on the balcony, in the shade...
feeding rascal macaques anything from nuts...
to bags of sugar... you, two macaque monkeys,
one balcony... the indian ocean frothing beyond...
it doesn't require a genius to figure out
what's worth cherishing without having
to feel obliged to the whole of humanity for...
offspring - many already figured this out before me:
you learn to give birth to your self (reflective,
and yes, not yourself - the reflexive)...
   which brings death to having to stand on its head...
... isn't Sisyphus the son of Atlas?
            couldn't Sisyphus just sit beside the stone
and... well yeah: think up the philosopher?

.em... looking back at the british empire, and the loud-mouth former colonial people... by god, i've never seen such leeches, i've never seen a people, so proud of being colonialißed! what's there to be proud of?! looks like in a post-colonial world, these former colonial busy-bodies had to, had to: step up and move their markers for Aladdin being performed in the West End... *******...  never in the history of the world, were post-colonial people endowed with so much pride, the whole m'ah bwee'dish *******... to counter herr zeppelinmann with the pakistani in the p.s. framework of the british empire... rotherham... ring a pakistani blue?! have a guitar on y'ah?! see... i don't like these former colonial states, with their people migrating to england, having their overlord say it now, say it clear bollocking... i don't mind a top hat, tux donning ******* giving me directions... but when a ****- does it?! sorry... i'm so sorry... will you please excuse me?! i just don't like *******, i don't like the sort of people who celebrate being colonial subjects, esp. after the whole post-colonial celebration of "libertion"... i don't like ****** / pakis who have to find their "past" by playing the cricket ball of, "the former" colony! i hate copper skinned ******* of ****- origins! former colonial raj-vizier... how can you breed these sort of people, who find pride in being under colonial power?! the **** didn't understand freedom, only understood it when being subject to its lack?! well... so much for english women... i guess they were only going to go for pakistani grooming gangs... drowning in the ganges... i have as much of jesus christ on the cross in me, as i have plenty and enough of pontius pilate's worth of soap to mind the next few years; never in my life would i have to witness the former colonißed to bribe their way, into an acceptance "speech" methodology... the ****- to fable the englishman for his, "tea"... no conquered people, no colonißed people should ever glorify their conquerers or colonißers... i guess the british achieved a double subversion... why do the ****- (stanis) still play cricket... i don't want to know... i'm new here... but... but... when a ****- attempts to displace a european from europe? that's my breaking point... i don't like being displaced from europe... the next ****- that will? well... the obvious target, a northern english teenager girl readied for grooming. i said! next ****- that tries to displace an european from europe... well... i guess.. given the power of the current politicians... nothing! ha ha!

well, with the e.u. article x, y and z...
herr zensor just flew over
London and dropped a bomb
from his zeppelin,
             because?
         two year ago,
       a teenager, girl, aged 13,
downloaded some materials
regarding self-harm...
              now the english government
is implicating regulations,
it will regulate social media usage,
mind you: ***** 'arry was pushing
the agenda all along...
   never mind the competent users...
just tackle the problem
with the addicts...
    oh look: no ******, no alcohol...
ms. amber: i'm sorry, we've failed,
we punched "the agenda"
of a blank canvas too far,
    we're going to have to double down,
for a while, so we can just
survive and have this sort
of a punching-bag of a blank
canvas readied for us...
               so the government will come
in and regulate,
       come on, 13 years old,
but the rising queer epidemic of
premature depression in the youth?
    while the parents do not
implement internet safety
   for their children,
        no block filters...
                like blocking pornographic
sites,
      so the infiltration came
            from within the supposed
safety-net sites?
           ****... i was exposed to
rotten.com by word of mouth at
school...
                           just when the internet
launched with that whole
dial-up modem,
    chris rock in lethal weapon
moment talking about old telephones...
and people bemoaned e.u.
articles...
         there have to be consequences...
people should / companies
should be taken into account...
     what about the *******
  who sold me chemically enhanced
marijuana?
            well of course:
   better a guilty man walk free,
than an innocent man become imprisoned...
that logic is still kinda flimsy
for me...
                 i don't know why...
   but it just is...
    surely there are parental filters
for what a child can and cannot see
on the internet...
                 when i was first exposed
to horse on woman *******?
       em...
         is there anything honest to think
about, at this point?
          maybe that's why i decided
to "ghost" around 200 fwends on fb.,
i figured...
        **** this pseudo-voyeurism
of what people want me to see...
    i've invested a decent amount of years
and settled for the 13K poem / doodle count...
and some pictures...
   none of them saved on a personal
drive...
         why would i stash the content,
hide it, when i want people to peruse...
'it's always dark before the dawn',
sorry, i don't know how much
of a ****-******* optimist i have to be...
before a stoic cynicism grinds me
to a halt of:
                   "branching out"...
              i came here for the punching bag
of a blank canvas...
              i never came for the fake
sycophancy or some count of numbers...
i came here, for an outlet...
      it was either this,
                     or a punching bag...
and you almost sense that this whole
farce of "national sovereignty"
is about to be dropped into the *******
and flushed...
       because... it will all become
                             "too inconvenient"...
oh they'll stall... until the european elections
take place...
                   and there's a u.k.
                        (probably the only time
where an N does't come between
vowels)...
                they're wriggling themselves
out... public: 1 vote...
                parliament: i've lost count...
it's not even akin to rats jumping ****,
more like a maggot **** in a pit...
                        that's what a cynic is:
a realist...
                         if i'm wrong, i'm wrong...
but...
              on several occassions
i haven't been wrong...
           and you just have to watch for
that glee in the eyes of channel 4 journalist
anchors...
     i know that glee in the eyes...
it's a glee of hope...
              a sly variation of hope...
               it's also a certainty imbued
               with a certainity-expectation;
thank god i didn't use the video medium...
no passive watchers,
      at least with writing...
certain sacrifices have to be made. / / / / / / / / / /
/ / / / / / / / / / / / / / /

a "p.s.": well of course i'm not happy
with the news coming from today,
mind you: ever spot a woodland pigeon?
god, aren't they plump?
               bloated *******,
they always seem well fed by the forest...
a pair nested in a tree in my garden,
only yesterday, i picked up two
almost translucent offspring of theirs,
thrown out of the nest,
   the bride and groom
               decided they were sick,
weak...
                  they did look weak...
     death stared back at me,
          what once was animate,
lying there, among the stones, inanimate...
what a strange sight...
            do i believe in god?
            well... tell me...
   what is the driving force that coordinates
hearbeats, the functions of the stomach,
intestines, liver, kidney and lungs?
the categorical imperative split of the brain:
thinking, memory, imagination?
the bank of pathologies?
              tell me, what is the universal
1: nth term functions of the brain / 1 (divided
by 1),
                 the heartbeat / 1,
              the liver's function(s) / 1...
              the stomach's function / 1...
the pancreatic function / 1...
           i sometimes wonder:
  i own bones only in light of the thin
skinned extentsions associated with
fingers and tooes...
   sometimes this sort of thinking helps...
to "fake ignorance",
in order to rediscover awe...
         as if a genesis story...
to be the first...
        you never actually know what you will find...
sometimes there's no point being caged
in all the advancements of knowledge,
of certainity we are presented with
on the secular altar,
            ****! i can't even begin to comprehend
how i managed to clamour out from
beneath the eisenvorhang...
    a brief interlude... and straight back under
the siliziumvorhang...
            i guess i need to sleep the better dues
to pass this day...
           it was expected though,
i was, after all... sending out an S.O.S.,
     wattpad... what is it?
              teens wet silly with poetry
associated with no messy love,
mostly girls...
              YA novelties and novellas...
side projects...
               again: vampires, warewolves,
zombies, blah blah: yawn a year later...
         teen girls: sensitive as
daffodils, but as soon as a presence
comes along: little scheming modliszkas
   (mantises) - since daddy would not
approve...
              i discovered marquis de sade
in my teens: thank **** that i did...
i wished for an exoskeleton,
i moved past it, into lizard skin,
until my skin started resembling
an oyster shell hardness...
                     you snooze, you loße...
i only saw the trilogy once,
in the waterstones of Greenwich Village
in London, when i was doing some roofing
for a housing project...
i only saw the trilogy once...
i only bought Joris-Karl Huysmans's
Là-Bas once... i should have bought
the two other books...
  since i never saw them again...
  unlucky me... having succumbed to the sterotype
of the magpie stealing silver spoons...
the cover...
   artwork by aubrey beardsley:
                        'of neophyte and how the black art
was revealed to him by the fiend Asomuel'
   (the pall mall magazine, june 1893)...
on amazon.com you either get a chance
to purchase this book, or:
Against Nature (a rabours)...
    but there's a trilogy behind Là-Bas...
zee fwench: sorry, and not sorry,
the english can be grand poets,
but when it comes to prose?
                they're not even sniffing
the toes of the french...
                what happened to woodland pigeon
coos today?  wattpad.com,
2015...             the same for me...
an outright ban... because some girl
decided to be offended by me cutting off
a conversation with her: wish her a good life...
and i really out so much effort into that page...
zip it shrimpy: cut off, little richard
on the guillotine... cut!
                well... i was clued into
the world of 'olapoesía.com,
           hallopoesia.com
                       sveikidzeja.com (lithuanian...
dzieje? happenings, events, in ******)...
          and just my luck...
      leave a harmless comment in an in-group,
in a hive?
              how the nazis were not exactly
mongols, or the first christians who
burned down the library of alexandria,
when notre dame burned...
      when the blitz of london...
and how st. paul's "miraculously" survived...
and i said: i'm pretty sure the people
in command said to the luftwaffe squadron
about to bomb london:
you drop a single bomb on st. paul's:
firing squad...
           they were nazis: but sure as ****
they weren't the people of the siberian steppe!
so hellopoetry.com,
  2019, suspension from may until december 2019...
but unlike wattpad...
  i still have my account!
   and guess who's digging trenches, right now?
poetfreak.com and minds.com are
step-overs...
why did i delete my 200+ fwends off of
facebook.com and reduced it to
3 random strangers?
          eh?
                   as much as i abhor darwinism
poking its head through to give
every single existential explanation...
i have to side with darwinism on this point:
a defensive modus operandi...
lie low...
          pretend to be dead...
                   i knew the censorship storm
was coming back in 2015...
and this current banning of woodland pigeon
coos banning?
     i'm sort of happy...
but not for the sort of reasons stemming
from the ban...
     i can finally spread the "love"!
           i finally know what it feels like,
for someone who liked my work...
         being cut off from my content...
frankly... it feels great!
                   i can finally entertain my perspective
with a pinch of empathy...
sympathy is already here:
since it happened to me back in 2015,
and in early 2019...
         now for the 3rd time lucky
on the platforms i already mentioned...
but like this hindu woman said to me...
1st time is an honest mistake,
2nd time is a lesson in learning...
3rd time? there's nothing for you to learn...
and that's of course in reverse:
of me being banned.
                         after all...
if marquis de sade is still with us?!
                 marquis de sade...
                              i knew herr zensor was
coming...           but i didn't exactly
expect to climb from under the iron curtain,
to be draped over with the silicon curtain...
and these people know they're taking away
our former playground,
our youth center,
                       well...
                           but at least i didn't make
passive content akin to a video...
         if they really want to ban me a third
time...
       i'm glad someone took the effort
to read my work...
   saves them the time ageing toward granny
age, resorting to binging on harlequin
romance novels.

p.s.

you've actually caught me in my berserker
drinking mode... i'll just spew...
and spew as i must, i never expected
the "useful idiots" to comply to what my thinking
didn't prescribe them to do...
even hegel once pointed out:
something about 3D chess,
a thinking man, with pawns of willing
actors... i never liked hegel...

                  hegel has become too much
of a crucifix, a bookmark,
of what and where, "things" went wrong...
i hate bookmarked people...
kant isn't bookmarked...
         all the slander that nietzsche offered him,
as some repetitive jargon booster,
with the sort of a bachelor lifestyle
he greatly admired: rooted in Königsberg...
****** worked like clockwork...
his predictability was the great deception...
forget shuffling ideas and whatever
like a northern semite...
weren't the vikings the semites
of the north? restless creatures,
constantly displaced? weren't they?

mind you... eh...
     you know how many necromancers
actually exist?
   you ever read a book by jean-paul sartre?
james joyce? stendhal? dumas?
sienkiewicz?
      you sure you're not
a necromancer?
                it's not an exactly
illustrious title to hold...
             when reading the books
of the departed, aren't you invoking
their living presence, into the current storm
of affairs?
  sure as **** it's not a spectacular "title"
to hold, is it?
           to think: one is more likely
to cite the dead, having "risen" from
their grave, that one is to make
   "compensations" with the living...
   when journalism ****** politics...
and the sort of admired journalism,
akin to all the president's men...
died...
                a slower death than the traversing
speed of a snail...
   like that other quote beside
hegel:         the terrible...
                   has already happened.
the holocaust, chernobyl...
   that has already happened...
               awaiting what could ever be
worse: is but akin to the sword of Democles...
it's hanging in the air,
   blood-thirty,
  like the talking heads of
the french aristocracy, once the guillotine
chop happens... gagging for "free speech"
in a basket...
what is mary antoinette just said:
let them have croissants?!
    fat fake cake binges would...
with a snap of the fingers... be over...
still... the english crumpet...
      tyson fury vs. manny pacquiao
    (the obvious choice of crumpet,
and the croissant getting battered...
akin to a french toast,
               soaked in beaten eggs)...

you read any book by a dead person,
you're a necromancer...
             i'm a necromancer...
                 you're a necromancer...
the dead arrive at your head,
have a ******* with your thinking,
then leave,
you continue,
   in your own right,
and in their right: of mutating their
original thought...
          that lost ambition of narrative,
transcending any and all
moral 'oughts...
                    try me after an hour
spent with a ******* doing nothing
but kissing her:
just, because, "on a whim",
i forgot to trim my ***** hair...
                stealing kisses from prostitutes
isn't exactly easy...
all that pretty woman dogma...
     **** above a kiss...
          well... "yeah"... in reality?
                   i'm thinking about three things
right now... growing a heard long enough
to reach my heart...
   bonsai: in both the tree botanical form
and a feline form of a shrunken tiger
akin to a maine **** cat...
   and a pagoda...
                      don't ask me why...
i'm good at su doku puzzles... mahjong...
really **** on the crossword puzzle scale...
hence? random words just enter my mind
and i need an ars poetica impromptu
to lodge them into.

p.p.s.
i already know what the inquiring man would
or could ever do with a child,
to inquire about his own development as
a child, to find the: dot dot dot the missing
answers, to see for himself as he developed
into an adult, or, worse, to project his own failings
onto the child, child genius tiger mums team
alpha-bravo... child prodigy gehennah...
it's almost a psychological fetish for some,
to bind oneself to the canvas of a child,
better off with a cat, or a dog if that's your
"thing"... at least you won't be hurting anyone...
worse still: the marquis de sade ******
scenario... i still have memories from when
i was 4 years old... Ganesha must be looking
over me: the stereotype? elephants' memory,
which is as long as its trunk...
      "conundrum": if an adult male can fathom
his child: himself at the age of 4...
if he can fathom a metaphorical foetus,
why would he have to procreate,
to produce a d.n.a. mongrel to satiate his
curiosity further?
      besides that... if society was once overtly
religious, moralistic...
today's society is overly-psychologised...
i hate psychological stereotypes,
everyone is this part-time hobby-psychologist...
             i don't exactly require a biological
part-replica of myself to preserve at least
one thought with origin and end within
the confines of my self...
       i'm not exactly prone to utter patriachal
proverbs that encompass whole ethnic groups...
maxims or categorical imperatives
cater for individuals...
                   not the masses...
i'd have to be a patriarch to utter proverbs as
a way to gather the brood of my own
sow and subsequent harvest...
to be so obscure,
    to be so... concerned with lineage...
                   you have to be born with the facets
of necessarily ensuring that future generations
are to make the same mistakes...
           that's why i would never trust western
neo-atheism... d.n.a. as the only future blah blah...
         sure... if you can lodge a thought
into d.n.a. and receive the token of finding both
self and consciousness within such claustrophic automaton confines,
"somewhere down the line"...
      much older generations would have told you...
that's in the fables, the mythos, the temporal crux
and crossroads... time doesn't give a donkey's *******
about your "rational", scientific materialism's worth
of continuum...
                         etc.

“You look like my daughter”
The man says to me,
As he’s ordering me a drink
Looking my body up and down.

I laugh,
Look away,
Try to pretend he didn’t say that

Oh but don’t worry
He made it a point
to mention
T H R E E
              M O R E
                           T I M E S
how my body
Resembled his daughters,
“Tight, perfect, the right kind”

Oof.
Idk y’all
Idk that I can do this.
I walk away
I dont make that money.
Even though I know **** well,
I fit his ****** up fantasies.

Not to mention I’m triggered,
Thanks to my childhood trauma,
By all of this conversation,
But it doesn’t really matter
Anyways.
Just a product of my environment
Just an object to fill
The desires
Of hungry eyes.

**** it
Let me be
An empty *** doll.
Just take my intelligence with you please.
Flowers for Algernon ,
And I’m wilting.
I’m too aware of my place in society.

Why strive to peruse my education,
When I know no one will hire me
Because of my background?
Why stay sober,
When my ******* flashbacks
Only stop when I’m drunk?

I hate my life.
No I don’t like the job I have;
But this **** ain’t easy.

And none of it is my fault.
It isn’t.
None of my trauma is my fault.

At least At the end of the day
I have the comfort
Of knowing,
That I matter just as little as the next person.
My life,
In all of its glory,
matters just as little as john f Kennedy’s
I am nothing
And we are nothing

Our suffering is eternal

Among pelagian travelers,
Lost on their lewd conceited way
To Massachusetts, Michigan,
Miami or L.A.,

An airborne instrument I sit,
Predestined nightly to fulfill
Columbia-Giesen-Management's
Unfathomable will,

By whose election justified,
I bring my gospel of the Muse
To fundamentalists, to nuns,
to Gentiles and to Jews,

And daily, seven days a week,
Before a local sense has jelled,
From talking-site to talking-site
Am jet-or-prop-propelled.

Though warm my welcome everywhere,
I shift so frequently, so fast,
I cannot now say where I was
The evening before last,

Unless some singular event
Should intervene to save the place,
A truly asinine remark,
A soul-bewitching face,

Or blessed encounter, full of joy,
Unscheduled on the Giesen Plan,
With, here, an addict of Tolkien,
There, a Charles Williams fan.

Since Merit but a dunghill is,
I mount the rostrum unafraid:
Indeed, 'twere damnable to ask
If I am overpaid.

Spirit is willing to repeat
Without a qualm the same old talk,
But Flesh is homesick for our snug
Apartment in New York.

A sulky fifty-six, he finds
A change of mealtime utter hell,
Grown far too crotchety to like
A luxury hotel.

The Bible is a goodly book
I always can peruse with zest,
But really cannot say the same
For Hilton's Be My Guest.

Nor bear with equanimity
The radio in students' cars,
Muzak at breakfast, or--dear God!--
Girl-organists in bars.

Then, worst of all, the anxious thought,
Each time my plane begins to sink
And the No Smoking sign comes on:
What will there be to drink?

Is this ma milieu where I must
How grahamgreeneish! How infra dig!
****** from the bottle in my bag An analeptic swig?

Another morning comes: I see,
Dwindling below me on the plane,
The roofs of one more audience
I shall not see again.

God bless the lot of them, although
I don't remember which was which:
God bless the U.S.A., so large,
So friendly, and so rich.

I'm eating kale to slim my waist
Lord knows it's not because of taste
It took some while to appreciate
The leafy green I love to hate

The fibrous queen of super foods
Can satisfy nutrition prudes,
And comes in leafy shapes galore:
Curly, Tuscan, dinosaur

For variation I can gnaw
This crucifer sautéed or raw,
Just as is, or baked as chips,
A smoothie blend to please my lips

But having said all that, I'll add
Too much of anything is bad,
And I've been craving, as of late,
A change of greens to grace my plate

I now peruse the produce aisle
To find the foods that make me smile
It's time to choose my next big thing
Like watercress or collards green

I'll greet my new nutrition trend
And say goodbye to you, old friend
Kale, we've had a lovely run,
But now my time with you is done.

Verdant eyes, translucent pearls
speak in silent witness,
wounds unfurl
meaning revealed,
interrupted girl.
Safe in solidarity
prolific eccentricity,
the scandal of particularity.
Pouting mouth
grief - filled lips
alluring, set sail a thousand ships;
tempt me to leave harbor.

Arousing euphoria as such,
resistance, amity and distance
amour sans touch
her sense of humor transcends,
appeasing the mind’s thirst
a vogue sultana,
seasoned swagger
hair resplendent flame,
alternating cool, black
asymmetrical coiffure;
nonconforming demure
the renegade metaphor -
singular for sure, no cure.

Muted vanity, bathos piercing
the jaded circumference of banality;
pale protagonist servitude
the sapient palaver of the urbane,
covered patina of pretense,
induced coercion,
the commodity self
appearing abased
wearing lesions of lassitude.
Artistic chattel - eminent domain
preempting genius,
subsidiary of consuming narcissism
external locus of control;
surrender to the tentative,
fettered pendant, Venus in chains
arrested visionary bane
sterile savant, edifice of pain.

The soubrette, dubious incarnation
gravid ingénue of prevarication
imperceptible venue -
theatre of the absurd;
withdrawn siren,
solitude of necessity -
skin - slender veil of shame,
nearness loitering redemption;
moments envisage
the appointment with the soul;
ambiguity eschews clarity
awareness; ineluctable anxiety,
imago - centric confession
sacred pardon, seraphic venation
intravenous textures presume,
the tactile margins of liberty.

Therapeutic retrieval,
Sanguine,
beneath the portico of
individuation;
Your smile I hear,
recovered autonomy
blessed emancipation,
The scandal of particularity;
peculiar treasure
ironically captured
film, canvas,
prose profundity.

Ciphering as an ambling book,
I peruse you,
rendered captive
hypnotic avant-garde fiction,
spectator of denuded opacity
analogous reflection, I Mirror you.
A modest proposal - pontificate the imperative,
forgo the disposal, adapt your narrative,
the scandal of particularity -
resonate the echo, cogitate our propinquity
Love, imagination and destiny.

©2008 & 2011 W.S Warner

I fret torpidly in my lair;
Your scent is around, but I've seen nobody.
'Tis sordid about me, with rolls of dutiful smoke—
and unleashed winds growling about unseen.
Beside me here stands a perfect mirror, a perfect glass,
But nothing seems imperative, nor talkative, nor patient;
Everything is just silent—what a robust fear—foolish impediment.
Ah, if only can I fast **** this petulant temperament—
do you think I shall feel better, or magnified?
I feel that myself is like a wind:
Thin, fragile, and constantly diving and swelling upwards.
Even my narrative is about to betray me;
Vehemently indeed—should this happen,
I might be able no more to write any poetry—
As my chest above there hysterically bellowed, I shall be pushed upwards—
Upwards, upwards, I am curling upwards—like we all naturally are,
Over the earth, along the oceans, and their sample images of Paradise;
Every single day, at noon, and against this midnight sky.
 
My darling has left, and thus I have but Him in my shabby hands;
With skin marred and scratched and dried by the rude winter;
Ah, say, but who says that winter is clever and polite?
Like my love perhaps is, she is but a relic—or even statue, of blunt disgrace—
She is neither merry nor cordial; she never is aromatic, and flaws us with its brutal haze.
 
I am alone, alone, alone, and totally alone—
O my love, my love, my love, where can I peruse
your felicity just once more?
I have but loved thee all along;
I love thee as magnificently and preciously
as I loved thee one year back and yesterday.
You are my purplish, reddish, greenish, but incompatible moon,
You are comparable still, to the joyous soul of this stained poem;
by whom my love has thrived, by whom I can always replenish.
I shall rise you again within my dreams;
I shall face myself within your sour vapour—but never let you fade.
I shall let you halt my paint, and brush dirt upon it;
I shall let you scatter your grossness over me, and acquire even your sins;
But as long as you are there, over me, I am not scared but keen;
I shall not be mesmerised, nor even heart be broken and pained.
May my heart break, so long as it has its consolation floating by.
 
Ah, and who, beside this breakable moon—can claim my erupt forth;
To comfort my sleep and give solace to my shrieking doors;
And throw unheeded calm into my quiet walkways;
While looking me in the eyes as we step sideways.
Who can ambush my chest along this hairy path;
With a charm far stronger than yon behind the grass;
Who can heal me, and who can heal me not,
Ah, have I but still the courage to make this right?
I shall look for you again amongst the city roars and rumblings;
I shall look for you again in the mornings—and amongst the bleakness of evenings.
 
Look, my love, how the rainbows have a turquoise face today;
So beautifully crafted and charted like the skies of yesterday;
I should fall asleep now, but still—I don't want to be lulled alone without you;
Even though you are faraway, I can still feel your breath and air.
Your absence, as I hope then, shall fast perish;
For I want to grow old not by the countenance of miseries.
I want to be injected into your space now—as maelstroms of sleeps greet me again,
And as the clouds of heaven start to feed on me;
I shall feel light again, and thereby not turn grey;
I shall feel that you have welcomed me back;
I shall feel your breath tingling by the sides of cheeks;
I shall feel my hairs anew—as they raise against the corners of my neck.
 
And there we shall play together against the sky;
Against its pedal who anew blooms in wan suspicion;
Ah, my love, I shall entangle you then—in my varied, and multiplied visions;
I shall tell you the funniest of one thousand lies.
I shall give you only the finest of kisses, and jokes;
I shall startle you by my poem and my beautiful black locks.
Ah, thee, to you whom I have written this poem, and shall always do;
To you whom I have loved, and have to this day admired;
To you for whom a forest of grace and salutations has been dreamed;
To you for whom my heartbeat grows, and fastens and slows,
To you for whom I woke up today, and open my eyes tomorrow;
 
To you whom I have loved in the name of Him;
To you for whom I lit the glitters of the sky;
To you for whom my heart was startled and passed justly by;
To you for whom my palms sweated and eyes started to cry;
 
To you for whom griefs disperse into brighter saturations;
To you for whom life continues, and gives birth to more immediate sparkles;
To you for whom I have celebrated my soul; and made one true promise;
To you by whom I have halved my heart, and without whom shall never 'come the same anew;
 
To you for whom all favours are spelled, and words dedicated;
To you for whose grins I shall wait again forever;
To you whose eyes are darker than the midnight river;
To you by whom my belief shall stay strong, and consciously devoted;
 
Ah, you, my love, so this remorse shall fall over me and back again,
With creases I curse, and remarks that my ruined chest censures;
Abhorred by the moon, and its very own celestial abode—
Which shakes and stretches along the crimson universe,
I have thrown my life into your horizontal, and longitudinal spectrums—
In both superficial and artificial ways, you have haunted me.
Ah, but still—cannot I erase your name from the fruit of every essentiality;
You are the sweet tyranny of my soul, and the leaves of my very gay sensibility;
You are the throne of my love; you are the specified satire—
though but funny and not—you are my destiny.
 
Like a vinyl birch tree that howls when stabbed, I have become your prey;
I shall wait for you at dawn and give my whole self to you at dusk.
I shall wait for you to claim my destined—and prescribed heart;
I shall wait for you to finish your abominable task,
As long as you can emerge for me—and listen to my poems and follow what I say.
 
And like a scar that stays for long in one's fair skin;
You are stubborn though things not go well;
Ah, let's now confess that your heart needs me;
But still—you are too proud, and far too docile, to admit your sin.
The question now is: how should we ever eradicate love?
Love is a prison, I know, and it is the most unforgiving jail;
It is merciless and painted by colours of abomination;
And nothing in it is plentiful—like Him in the shivering sky;
It is where tears crowd and gather—as I have perused;
It is where insolence and crudeness unite—even when not provoked.
 
Ah, my love, but have I fallen into this snare of love—whether or not I want it;
And your gaze is still the sole sweetness I hope to meet;
Never is my love sweeter—or petite, than a grain of wheat;
You are the foreverness for whom I shall sweat;
 
And in the loss of you lies my venomous assassination;
And I am wary now—and afraid of facing this everlasting trepidation;
Your shadows shall never go away, and for this I can be wronged;
For when I am dying—shall my mouth be falling asleep and recite your song.
 
My art has torn; it has been filthily murdered.
Its fervour was lost in, as you saw, just one wave of scenic mortality—
But still, the true essence might still be there, as it was once fertilised—
As by you, my Imagist, my Wilde, I was terrifically astonished by you.
You are my painting, my picture, and even the shared portrait of my self.
You share my veins, as how I supposedly hold some share of your blood.
Ah, and I remember now, how your warm blood did once touch my wrists—
So engagingly, so thrillingly, so brilliantly.
My heart, my head, my mind—all were brutally consumed by thee.
 
I want to die by thee, but you pierced my heart—
and in brief, made my spine grow dead tears;
Everything grew worse and I was manifested into your bitter triangle;
I was your lonesome moon who got forgotten soon;
Ah, it seems that yon French lady is better than I am—
With her curly hair and tittering oceanic eyes,
She was the filter of your noons, the storms
And devilish desires of your nights.
She was as gusty and spooky as the windblown thorn;
poisonous were her words, but still, you carried yourself to her.
I fretted and screamed and my blood gurgled—
but I guess I was fortunate still;
for I had the chance to keep myself pure and chaste
while you unstoppably sinned and defiled yourself.
So you were disgraced.
 
And you were enduringly consumed by your own fires;
The fires to which you confined yourself;
Not the calming, sooting, leafy bonfires we use in winter;
but ones you will also greet in the earth after.
Ah, thee, I felt but disgust towards your molested heart and deeds;
You grew for yourself, instead good ones—sick, avoidable seeds.
At that time, I swore to never ever share any more of my blood with you;
I would looked for one more honest, playful; one decorated with more virtues.
 
But still—as I said before,
I have again decided to sit and pray for you.
While my love for the other is not true;
It has faded and you are irreplaceable still;
You are congested, invalid, and not new;
But should you come back again to me;
I shall receive you with open hands
And one seal of heartfelt goodwill.
Ah, my love, look at the smiling heavens above—
As night deepens and snowfalls come low,
I shall think and think again about our postponed love—
Which, perhaps—though happens not amongst the jumble of this juvenile night,
Shall come again when dusk is cleared, and the first bud of spring leaps into sight.

Exotic ladies flaunt their wares
to joe publics wanten stares,
'They' do this to earn their crust
'They' do this out of lust.

In the darkness of the narrow street
the gawping public shuffle feet,
The lights illuminate carnal pleasure
while 'they' peruse at their leisure.

Here is a woman drenched in red
a female who works from her bed,
How did she get here?
Why does she stay there?

A parade of cat and mouse
at the seedy brothel house,
Gestures of blazing desire
fuel the burning ****** fire.

In here, You will find years and years worth of memories, some forgotten, some to be cherished eternally.

You will find laughters that I have gathered from my family, my friends and my own.

You will find a closet filled with my smiles in hangers,
Waiting to be used for whatever reason to be accomplished, either for genuinity or for pretend.

You will find this temporary storage for the times I have lost people,
Certain “someones” who I thought would remain in my life for a long time if not forever.

You will find shattered pieces of my heart, that made its way to my mind,
Remembering the hurt that I've experienced and endured, the lessons keeping me grounded but hurting me time and time again.

You will find a broken record that speaks only when it wants to,
My overthinking habit once again plays its opinions as loud as it can.

You will find denial and confusion dancing to the harmony of this broken record,
Like dancers on a stage wearing costumes, my denial and confusion too, disguises itself with trickery that maybe for once, I am finally accepting of what's happening to me and that for once, I am okay with it.  

You will find Lies, Lies, Lies,
Piling on top of each other like a stacking game, I have control but it is a force to be reckoned with,
Eventually it falls and when it does, I become more and more tired of trying to stack the pieces, but where is peace? In the midst of this chaos. I am once again scattered.

You will find an empty room,
But you may not enter here, not anymore,
I have created a barrier...well contributed at least, You may not see it but you can feel it.
This room can be whatever I want it to be, I can label it whatever I want, For it is an empty space in my heart.
You say “It looks absolutely stunning inside, why not let me in?” Please don’t be deceived. Stunning on the outside, yes, but that ironically empty room is filled with darkness inside,
So please No. I may not have known it then what I know now, That the only people I allowed access to this room were trespassers,
Every time I allowed them inside of this room, it only made me hurt.
They said they were builders, they told me they were going to build me up in the most healthy way, that they would teach me how to work on tools that would build my self-love, that they’ll be there whenever I fall apart.
But they lied, they were helping me build a barrier with tools from the pain they gave and the debris of the memories they left. They built up my ego, my pride.
Though, the final touch was my decision to complete this barrier. To shut it off from builders who weren’t worthy of me. I admit that I have forgotten that I am the architect of my body, my soul, myself as a whole. I realize now that I am my own builder, and there is not a single trespasser out there who will ever point me in different directions on how to love myself in my own structure ever again.  

Are you lost? Hold on!
Don't give it up before you even find it.
It's over there, Hope.

You found hope. There's something special about this one. Hope is my very own lighthouse keeper.But like the tides, it rises and falls. Hope is the best at its job. It is at the top of the lighthouse when I feel most ecstatic about something. But it descends slowly with each passing day. But if I am blessed, hope shines brightly enough through my eyes for someone to notice it. Hope is what guides me to itself, my lighthouse in a storm. It safely brings me to wander back home.

Percepts of enlightenment & civilization to encounter
The grim aftermath of tales unspoken from the galaxies afar
Betokening Indian tales of deeper truths than ever,
For the Great Spirit still swirls in gestures previously milder,
At a snail's pace and surely winning the pursuit among souls or
Is example better than pre-conceived precept?
or
“Is that a dog in the manger?”
Now cherishing the viper?
The human dilemma between liberty & authority?
“Has mythology now become psychology?”
A dingy white color in disguise of tranquility
To suit the blemished features of the 21st century
With fair women & brave men turning fables into verse,
Yet Socrates’ doctrine about death bespeaks a wafture so callous!
The new-age “iron claw” screams nastiness in time and space.
The pretences of mankind like the puritan;
Mars trapped in the net of Vulcan,
Jupiter is serene and above the conflict to win,
While Venus tries to fight upon the plains of troy
That the Greek gods of serenity may win at Tuscany.
“When do these sultry groans of mortal remorse cease?”
To calm the sordid uproar that Love may peruse
Through the scattered white aromatic rose petals
In search of the scintillating path back to the highland stables
Were snowflakes are an irresistible lure for the Arctic snowbirds!
Nature herself is proud of her designs
Yet!
There is nothing grating in mortal cosmoses but direct villainy.


Sinister fate climbs the lonesome banister faster
Before the “fanged dawn” descends nearer,
As stronger minds virtually become weaker;
These “shameless actors” are melted into “thin air”
“Must they cheat themselves with that same foolish vice of honesty?”
Mischievousnesses feed!
Like beasts till they be fat, and then they bleed
As they are led to bend the curve of “No return”
Since it is only rational that after the darkest of nights
There is a brighter day to reveal the true knights
Of the once gloomy age of Democritus.
Tis plain, from hence, that our vows
Request hurtful intense things,
or useless at the best.

I’m white and black
I am Belizean

I remember feeling like a prisoner
Locked up inside my own mind growing up

I believe in God because,
He saved me from major surgery a couple of months ago

I value trust and honesty because;
I didn’t see much of it in my family and neighborhood

I am from Belize City and Los Angeles, California
I come from God, He knows me better than I know myself

I learned how to fight through boxing class,
Now I back up what I say

I am ambitious because,
I am the loser that slipped through life’s cracks

I’m like an Octopus:
I multi task, I’m persistent and clever
About how I peruse things I want

I’m filled with joy and when I wake up every day
I am a work of art,
Chiseled from marble and granite                                                                            

Shannon Pollard
©May 2012

stepping back into the west
chills reverberate up and down my spine
chiseling open obsolescent padlocks
dangling with dust
on ancient treasure chests

pallid colors in the attic release
a blossoming familiarity
faint hints of retrospections float on faded paper
granting me access to roads
where no map is needed

as i peruse the streets
my heart flows coalescing with the vicinity
caressing each detail i transform to fluid
and fuse with the past
through fresh strokes of watercolored memories

recollections flash before my eyes
revealing antiquated stories
though thought forgotten
an etched history endeavors to define me
renewing itself as i turn each corner

i shudder at some remembrances while encompassing others
through synchronicity realization hits
that I am all of it
yet none of it
at the same time

familiar faces paint meaning onto me
no longer do they know me
yet they airbrush vestiges of yesteryear
and coat me with connotations
i allow them to think i am whatever they imagine

i morph into their canvas temporarily
then break free in multi-dimensionality
they don't hear me with a new listening
no longer invested in their projections
once sharp triggers now appear in soft focus

an auspicious mist lies around the edges
of my former life
it is as if i never left
yet traces of the east lie sandpapered in me
a maturation commingles with my former self

flushing out on my skin
tethering newfound emotions
a gentle gratitude for home territory
nestles softly
inward

i listen to the clicks
of my scuffed cowboy boots
on acquainted yet somehow distant sidewalks
the echoes layering multiple impressions
glimmering with the utter beauty of this terrain

as I wander through the majestic rocky mountains
drinking in the quaking aspen's crimson edges
interfacing the evergreens
hushed whispers of autumn loftily rest
juxtaposed neatly against futures waiting to unfurl in the wind

an amalgamation of intimate sights and scents
dance in open wounds
dazzling
homesickness cured
a wholeness returned

as winter's crystal dawn blooms
i realize the depth of my growth
for in leaving here and returning
i cherish the west
my home

©2016 janetaylor

“you shall carry my bones up from here” (Genesis50:25)
yea Little nymph of numbers has six teeth each with ******-chic epiphanies
protrusion of epiphyses thirsty for a fresh bonejuice deathblast
stringy strung theoroized skelecoded out arieal fractal sonix
lix hits antigravity dreambeats chew on infra-red-infractures
to explosively burn constellations out into dust bowls all heavily cranio-******
up with a soul narrowed down to a skelleconex technoillogical prototype
a freshly teased nanoNymph_2.0 osteo-tissue paper thin prototype
designed to bemuse, amuse and be a muse to forgotten infinite epiphanies
endlessly download digitisternums, clavicles whatever desired by the cranio- ******-
enough to risk phantom organic pain in time to playback biofeedback turnt up to deathblast
It’s the artificial cardiaudio arteries show featuring manibrium marrow leakage from infra—red-infractures
and six skinny feminine femora to sing blackened covers of diva demeter love sonix
diamond data mapped thick with smokey persephone bloodkiss shadow sonix
peruse the meanderings of the nanoNymp2.0 a double(triple) pianissimo prototype
fragile: prone to falling (ie) misunderstanding sharp blades pulled from infra-red-infractures
***** bonebuzzed off nothingness nectar numb drunken epiphanies
triangulated ossification between 1st 2nd and 3rd eyes lead up to deathblast
fossilized iconoclastic forethought will achieve status of cranio-******
this poem has no need to lobotomize fetal craniotomies; it’s all cranio-******
betwixt BANG BANG banging is clatter clix scatter bone-dance sonix
electricity sings in the key of major deathblast
crack open a bone on a nanoNymph skelleconex system and a replacement will be sent of the latest prototype
well calculated little nanoNymph’s all programmed  to know as why approached one, X approached ∞ -of cracked open epiphanies
triangle shaped fire, ▲shaped heart, equilateral to a dead sea, sacred geometric infraRed-infractures
biowired endless visions of these infraRed-infractures
Anthrenusverbasci (carpet beetles) eat away at bleached bone clean cranio-******
vertebrae of the Ouroboros eating itself epiphanies
grinding jaws brittle scurvy romantic-suicide die sonix
son of nyx an erubus have mercy installation psychopomp prototype
bring on one more broken septum to end =sempiternal deathblast
“bone of my bones” (genesis2:23) indeed; bring on an ablazed deathblast
fragmented spiraled and inside out infraRed-infractures
every one ends up broken, every bone of every prototype
smashed open coronal suture in everyone cranio-******
thanatos shadow between eros supraorbital sonix
godless and wandering without but epiphanies
soulless nanoNymph burns into dusty nothingness of a prototype
and the emptiness of silence is the deathblast sonix
some exposed spine litter vallies of dry bone epiphanies

There are places I have found. There are places that I have gone. People give strange looks with laughter in their eyes when a child walks off on her own into where the ground is not covered with cigarette butts and nothing is paved. Because of them, I go more often and I laugh louder. I have many of these places that are just for my brain and me to inhabit for a while. When I find a less temporary escape from the sickening truths of my own humanity, probably in an UFO, I hope to find others like me tagging along with the aliens that comes to destroy us. And we will all be laughing our ***** off; we saw this coming and packed our thoughts in airtight containers. For now, my thoughts are packed in a backpack with music, a hammock, and some seltzer water. I am walking to get out of here. I find myself getting lost in cornfields and peeing in the woods. It’s rejuvenating. Fresh air and headaches are a perfect match.
                    I am sitting, swinging, hanging from the dancing trees of the crack ******* forests. I think about how every time I chase a squirrel it attacks me. They are fluffy and cute but they want to get inside my house; they want to pry away at my poorly assembled pieces. I’m so unused to that attention and curious affection. I think about my subtly strange mannerisms and my lack of cautious paranoia. These things have had a tendency to intimidate, to make people leave the crowbars in the basement and eliminate any sort of prying. My attributes are intimidating to all but the squirrels. They only seem to see them as weakness. I am still swinging, but my hammock is slipping from the branches now, clinging onto them, a child to its mother. The instructions told me it could hold up to four hundred pounds but even I can hardly hold the weight in between my shoulders. Heavy thoughts are pulling me down. Ropes are slipping more and I can already feel my *** getting sore from this drop. But I do not get off. I keep swinging. My brain is telling my legs to move, my heart is screaming “Save me,” but my legs are not replying. I stay on this hammock, praying that my legs will pull me off before I fall to the ground. I am afraid of being even near to this littered ground. I want the heights. I call for help but only a sigh leaves my mouth. There is no one around to save me anyways. I chose a place in the woods; I chose a place that could grant me the illusion of seclusion…an escape from the trivialities taken too seriously. I cannot wait for someone because this slipping will not even wait for me. I will crash if I do not save myself. I try to coast and the swings get shorter and shorter until they have stopped and I am stationary. In moments I will have more broken parts than I can count.
                     I lie there silent, unmoving, not thinking any longer. Only waiting...finally, I hear snaps of the branches falling and breaking. The ground came up fast. It punched me. It crowded me. It abused me like a misguided lover. I do not wish to be in its arms any longer. But the ground is holding on to my bones, pulling me in. I hit it hard. The drop was farther than I expected. I have no feelings anymore. My nerves have shut off. I am scared. Someone take me some place safe, some place sound…no, take me some place wild. Lying on my back, numb and careless, my eyes are glued to the blueness of the sky above me. I am so relaxed. I hear screaming. I see blood, but I don’t feel pain. I don’t want to know what’s going on, I keep my eyes staring straight up at the view. I ignore everything but the wind-shaped clouds. My mind is gone, lost like all the rest of time. It wore away because I remembered too many times how my father’s hands smelled of sawdust and how they felt like the sandpaper he that used to make it. I try to avoid addressing the situation at hand, things are turning redder. My eyes are filling with blood and it is hard to see. I think about life and the lack of it. All it is really is just memories, without those the only thing that exists is right now. Which doesn’t exist anymore, it’s a different second, and now another. Life is nothing but the time we are losing. Maybe this view of the tree tops framing the sky will be the last thing I see, or maybe I will lay below them again tomorrow. I am glad that everyone must die. It is more beautiful that way.
                          I gulp, a gust of air fills my stomach and it feels like floating. I am still lying down. The smells of illegality, fire, and cut grass fill my ears just like music. Everything mixing together, all into one entity. I am the only thing alone, still lying on my back in the middle of some trees. The same trees I have been crowded by for all of these years, but dug up and replanted on the other side of the country. All of a sudden, I hear something pop. It is the elevation still stuck in my head, the headache I couldn’t defeat. The pain persists and all throughout my head the places and the people that I had made my home were telling me to stay. I am glad that I did not. There is no place or person who could carry my weight. I am my own constant. I am on the ground, just another fallen leaf,  and I am finding a place inside my brain in an attic of ideas where I can peruse the shelves and maintain my insanity. No matter if I am here or elsewhere, I must maintain. They will not make me sane, I won't have it.  Even the pain I feel now, sticks jabbing into my ribs and fear everywhere else, will not be enough to dull me.
                     I had dipped off the path to find myself away from what was familiar and now it pounds in my head, the lack of altitude. Without it my brain doesn’t know what to do. I am worried what I will become when I am alone here. I hear the chapel bells chime in, four rings and then they fade away. I still hear it ringing in my ear, though minutes have passed since it sounded…
                  Ringing…
        Ringing…
Ringing…

“H­ello?”
“Finally you pick up your phone, I’ve left three voicemails today…are you okay?”
“…”

Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.

Suggest I peruse the science of love
experiment, manipulate and spoil
Suggest I strap wires to your heart
and monitor its beat

Suggest I study your eyes
will your pupils act as a looking glass
and will I see me in your rose tinted iris'?

Suggest I swab your hands
to see who has had the privilege to hold them
who isn't me

Suggest I test your lips
for a tongue that has lingered long enough
to be considered concern to me

Suggest I peruse the science of love
would my conclusion be worthwhile?

Or, suggest I not tamper with the nature of attraction
'Tout ce qui sera sera'
love me in the fate of the heart
or indeed
do not love me at all

When a
Remorseful convert,
Astray that had gone far
Blemishing his /her soul
With Sin's tar,
Puts a broken heart
On the altar,
By far,
S/he could enjoy
God's grace
Or even
Win a higher place
In His face
Than a devotee,
Taking pride
In his/her deed,
Who oft mount
A spiritual war
Devil's way to bar.

It is with
A broken heart
The culprit
Hanged by the right
Of Jesus Christ
Got to Eden's garden First
Though Adam,Moses,
Abraham, Job
And others were
Top on the short list.

It is by the virtue of
Their determination
Sinful ways to quit
Zacchaeus and
Mary Magdalene
Were seen fit
Than the hypocrite!

It is this line
From genesis
To revelation
God labours to bring
To our attention
So with conviction
Let us pray for
Our soul's resurrection.

Of course, no doubt,
Our devotion could buttress
Our chance to enjoy
His mercifulness!//


                      Who the Devil is Alem Hailu

He is an emerging  Ethiopian poet,translator and author of all literary genres in the medium of English language.
He is penetrating the global book market stamping a foot print on the firmament of literature.
If you peruse his work you could note ,with poems of local touch and national sentiment like 'Come to Ethiopia' and 'Great Tiding' , he is playing an ambassadorial role in several international poetry blogs from Australia to America .His poems have proved trending.
He has achieved global presence via
www.poetrypoem.com
www.hellopoetry.com
www.poemhunter.com
www­.allpoetry.com
www.writeoutloud.com
www.novelcollective.com / Australia
www.poemabout.com
His books  and posters showcasing the knack of an Ethiopian author are cracking open publishers from Europe to America(www.united -p.c.eu ) (Austria),www.lulu.com(America), www.trafford .com America)
From the publisher  or amazon and the like, you can order for his books aiming at entertaining,edifying,style-showing,seeking an outlet to east African voice,finding a niche to Ethiopian authors in the global literary scene  and teaching the English language.
Specially schools,colleges,universities and libraries, people running stationer,book malls and cultural unites of different embassies could benefit from making his works available on their shelf.

To foreigners his work could serve as a window story.
His works include

1) In the Vortex of Passion's Wind

A poetic Drama on the Wrong Turns of life *** and AIDS
It is also meant to serve a language teaching material and Higher Learning Institutions and Preparatory Schools
A useful input  for performing artists
By Alem Hailu G/Kristos

ISBN:978-3-7103-2109-2
www.united- p.c.eu
Austria

2)A Boon of Classic Poems

(Translation in Amharic)
A collection of selected  classic  poem
By Alem Hailu G/Kristos
ISBN:978-1-312-94998-0
www.lulu.com,America

3) A Vent to Stifled Emotion
A debut collection of poems
By Alem Hailu
ISBN:978-1-4907-5675-2(sc)
978-1-4907-5674-5(e)
www.Traffor­dpublishing.com
America
4) The Truth and Dawn
and Other  palatable Short Stories
of both mix: Art for art's sake and life's sake
By Alem Hailu G/Kristos
IBN 978-1-329-43915-390000
www.lulu.com
America

5)Pupil's poem(Full Color)

Rhyming poems for pupils and learners of the language
Systematically selected words and expressions to upgrade the language proficiency of students.
Inspires pupils to read as well as write poems.
Lulu.com ,America
ISBN:5800111090472

6)Hope from the Debris of hopelessness

A Novel with the theme “Disability is not inability!”
By UnitedP.C is in the pipeline
ISBN:

It’s strange to be
nostalgic about a
grocery store. But
there it is.

In the lobby were
quarter machines. In
exchange for coins I’d
dig from couch cushions
and mom from the bowels
of her purse,

I’d watch colorful gumballs
spiral down a slide and
tumble through the open hatch
into my awaiting palm,
and another with wax figures
which I collected.

Inside to the left
past the magic sliding
glass doors was a DVD
rental section. Rows and rows
of movies I’d peruse
looking for something to watch
on a school night.

Across from that were
the magazine and
candy aisles with
various furniture—tables and
couches and chairs and sofas—
spread out
in the middle. I would

read skateboard magazines
beating my short legs against
the static incline of a sofa
chair and
one time a lady watched me
placidly reading on a comfy chair
from the security cam
and thought I was reading
something pornographic
and told my mom at the
register.

At the register,
mom would let me get
Archie comics and
bubble gum—

One time when I was five
I stole a pack of Fruit Stripe
gum. In the mini-van I
revealed my sin to mom
and she had me (alone)
walk back into the store
and hand it back to the cashier,
apologizing for my grand
theft.

When my dad would
take me to the grocery store
he would like to play
games.

He once took an egg
out of the carton
and tossed it to me
down the aisle. Too
scared to catch, I let
it fall to my feet with
a wet crack spilling
egg all over the gleaming
porcelain.

He grabbed soda bottles
and junk food from the shelves
and consumed them
then and there, handing
the cashier the empty
containers.

There was a coffee shop
inside the grocery store
he would stop by every
morning. Some Saturdays
he would wrench me from my
cartoons and take me with him
and I would play the 25 cent
slot machines while he got his
venti mocha latte.

Once I had a
nightmare I walked
into the parking lot
and couldn’t find my
dad. I called and called
for him but couldn’t find
him anywhere. Suddenly
his voice boomed at me
from the clouds.

In a thunderous yet
soothing voice of one who
has passed on to nirvana,
he said I would be okay, and
to take care of my mother
and my little brother and
sister. I cried and cried
out to him, searching for
his earthly body in the
grocery store parking lot.

I woke up in my parents’ waterbed
choking on my tears;
dad ran out of the bathroom mid-
shave to his side of the bed where
I slept and I threw my arms around his
neck.

Years,
and a decade later,
I drove my fiancé through
the old town I was raised in
and told her stories of the
pawn shop,
gas station,
video rental,
Mexican restaurant,
and grocery store.

With the video rental
now a tire station,
and the mom and pops
in chains,
we drove by the old grocery store
standing tall and proud
still as colossal as I remembered.

As the memories flowed
from my heart to my lungs
babbling from the driver’s seat,
that old grocery store
I gave my time and quarters to
carried a greater weight
than I ever thought
grocery shopping on Saturday mornings
and Sunday afternoons
could ever have.

The young Musicians  are at rehearsal...the ladies and the lords will soon gather in the music chamber...and Caravaggio's musicians will play them some music and sing them various  songs...but first, they must rehearse...


The Musicians at Rehearsal

Let us continue…
Let me tune a little of this lute
while you peruse the notes
and you clear your throat
And what’s our Cupid doing?
Crushing grapes again between his teeth

Let us rehearse well
to render a song of softness
and ease and grace
A song of love
with sweet music
that will charm our guests

And we shall present it
in the private chamber
of honored lords and ladies -
and we shall sing like angels
and one of us will be as Cupid
dancing and flying as fancy takes him

Let us hurry now
though let us not forget polish
and pace and perfection…
come, let us again rehearse together


...and soon the ladies and the lords will arrive...and the musicians will perform and sing their songs of love, passion and sadness...

...and the ladies and the lords are seated in the music chamber...and Caravaggio's musicians play and they sing a song of love and passion...


Song of Love

O luscious Ladies
and brave Sirs

the clouds join
with one another
and the streams sing;
the birds sit amorous
on the branches
and the trees sway
while the flowers spread their scent
in the air
and the bees dance in a daze

ah, Ladies are made for men
and men for women
and each so shaped for perfect fits -
embrace then the lover beside you
O Sirs pick the red berries
on the lips of the luscious ladies;
and O lovely Ladies,
yield to the embrace
of the gallant beside you
and feel flowers bloom within -
for men are made for women
and women for men
and each so shaped for perfect fits

O embrace and kiss
dear luscious Ladies
and most accomplished Sirs
for Cupid seeks that you make love
and produce heavenly cherubim
who in turn, nights and days,
will make love like you do
now in this chamber of pleasures


...and so ends the first song...and the musicians prepare to sing one more for the charming ladies and the elegant lords...a song of sadness to end the night...

...the beautiful ladies and the lords want more from Caravaggio's musicians... the musicians are always glad to oblige..they sing their song of sadness, of loss and love...*



O this ecstasy we call love


O this ecstasy we call love -
what is it?
why do we crave it
when there is such pain
that weighs on the body and heart?

O this joy we call love -
what is it?
why do we fall
when there is so much deceit
and betrayal?
why do we love
when there are lies
and hidden motives?

O this curse called love -
it has dried my heart out
and my being is smeared
as cloth with oil and grime;
my best times have been taken away
and there is left only
contempt and scorn
and derision…

O this darkness we call love -
what is it?
why do we still move to it
even as it teases us
and leaves us broken
and forlorn?
  

*...and it is time to go...and the ladies and lords bow and they depart...some depart hand in hand...silent...some depart alone, sad and contemplative...