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"output" poems
One word is all it takes To explode a seemingly Perfect output Smashed! One nose Dive after the other Straight as a pole turned, Askew with every turn. A jab, a punch as scraps appear. A pinch and a puncture Hurts like never before. Until blood and matter Sprayed on the cold asphalt While everything occurs, You watch. Soundlessly It takes effect but you Just watch it happen You realize one singular, Grand idea whilst pain climaxes Life goes on.
0
Jan 22, 2014
Jan 22, 2014 at 6:17 AM UTC
Word-turn Accident
being a good student is always one of the reasons being a good student is one of the reasons why im a really inconsiderate friend, apparently because i dont share my answers because i dont break the rules and because i dont hate going to school i just dont have the heart to tell them that school is actually my quiet that school is my rest from life that school is my escape that this is how it was being a good student is one of the reasons why im an unreliable brother, it seems because i dont tend to their needs when im home because i dont help them with their homework and because i dont have any time left for them bec im focusing on my studies i just dont think they'll want to hear that im not doing any of it for them because no one did those for me that no one made me dinner at age 13 that no one ever taught me how to answer my homework that this is how it was being a good student is one of the reasons why im a irresponsible son, i believe because i dont ever want go to family outings because i dont prioritize them over school meetings and because im barely home from sleeping over my classmates' houses just to finish a ******* output i just dont think he'd appreciate me telling him i never felt like a part of that family that i never felt like he'd prioritize me over anything that i never once felt like coming back to this house was the same as coming back home that this is how it was that this is how it is that im so sick of everyone saying im an inconsiderate friend or an unreliable brother specially an irresponsible son so if the only thing im good at are quizzes and projects and tests and deadlines then i sure as hell am gonna keep at it
0
Jan 13, 2018
Jan 13, 2018 at 1:58 PM UTC
good student
being a good student is always one of the reasons being a good student is one of the reasons why im a really inconsiderate friend, apparently because i dont share my answers because i dont break the rules and because i dont hate going to school i just dont have the heart to tell them that school is actually my quiet that school is my rest from life that school is my escape that this is how it was being a good student is one of the reasons why im an unreliable brother, it seems because i dont tend to their needs when im home because i dont help them with their homework and because i dont have any time left for them bec im focusing on my studies i just dont think they'll want to hear that im not doing any of it for them because no one did those for me that no one made me dinner at age 13 that no one ever taught me how to answer my homework that this is how it was being a good student is one of the reasons why im a irresponsible son, i believe because i dont ever want go to family outings because i dont prioritize them over school meetings and because im barely home from sleeping over my classmates' houses just to finish a ******* output i just dont think he'd appreciate me telling him i never felt like a part of that family that i never felt like he'd prioritize me over anything that i never once felt like coming back to this house was the same as coming back home that this is how it was that this is how it is that im so sick of everyone saying im an inconsiderate friend or an unreliable brother specially an irresponsible son so if the only thing im good at are quizzes and projects and tests and deadlines then i sure as hell am gonna keep at it
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32
They Call It Heresy, We Call It Genuine Science We designed the genes' primers, Ordered them along the oligomers. Our aim is an elaborate one, It involves molecular cloning, Sequence characterization, and Relative expression analysis of Bovine Trefoil Factors. Now we hope to clone the gene, The gene which is of a bovine origin, By extensive working hours input, And bearing in mind the risks, Of not getting the desired output, The possibility of failure always therein, But pregnancy, healing & immunity it's governing. Three types of trefoil factors there are, TFF1: It suppresses gastric carcinoma, And also helps in pregnancy, TFF2: Helps exclusively in cancer research, TFF3: Helps exclusively in pregnancy maintenance, And also our prime interest. After cloning the genes, We have to sequence them, And after characterization, We have to analyse them, After relative expression.
0
Dec 8, 2016
Dec 8, 2016 at 12:40 PM UTC
Setup|Upset
It can be said that whatever you put in is what will come out So why is it that I am not getting back everything I am putting in? I was taught early on that energy cannot be created or destroyed If I am giving you everything, then you are not destroying it, just redirecting the love towards something you care about more I suppose I need to account for the negativity I intake from you, which would make my output less than perfect We are a water cycle- you pour drinks down my throat and I cry them back into your hands Let's pretend our equation is balanced until I remember what it means to be my own pure element
0
Jan 15, 2015
Jan 15, 2015 at 10:10 PM UTC
Chemistry
Standing at the Rijksmuseum we find ourselves part of a lesson, a lesson by a master in his craft. Our company seven men some look at us some look away while Dr. Tulp, our eighth man digs into the elefant in the room. The cool body lies bare like light were coming out of it reflecting on the faces of the more curious, leaving in shadows the uninterested ones. The dead arm opened wide, some lesson on tendons or bones. Three hundred and fifty years mute the master's words so clear make the master's brushes so loud. It was a time of studied ignorance, of white collars on shallow knowledge when my favourite of the Old Masters was born. Retract. Step back into our reality observe the beatiful museum for we are before one of its finest pieces. But it's hard. It ***** you in. Something about the crepuscular glow of the body makes you get stuck in it. Observe the perfect composition, the diverse faces. It's like a photograph taken at a random instant yet so deliberate, so randomly deliberate, so deliberatly random. But step back, look at the whole thing, it's just so beautiful. You could say it's just 3D masterfully represented in 2D but it is not, there's something more to it. Something you could call extradimensional. It's like if the artist knew the algorithms our mind follows and knew the exact input needed for the desired output, beauty, art, even shock. Let's move on to the next painting, but don't let this image fade away, let it rest, let it click, and let it grow in you.
0
Jun 26, 2018
Jun 26, 2018 at 8:29 AM UTC
The anatomy lesson of Dr. Nicolaes Tulp
Standing at the Rijksmuseum we find ourselves part of a lesson, a lesson by a master in his craft. Our company seven men some look at us some look away while Dr. Tulp, our eighth man digs into the elefant in the room. The cool body lies bare like light were coming out of it reflecting on the faces of the more curious, leaving in shadows the uninterested ones. The dead arm opened wide, some lesson on tendons or bones. Three hundred and fifty years mute the master's words so clear make the master's brushes so loud. It was a time of studied ignorance, of white collars on shallow knowledge when my favourite of the Old Masters was born. Retract. Step back into our reality observe the beatiful museum for we are before one of its finest pieces. But it's hard. It ***** you in. Something about the crepuscular glow of the body makes you get stuck in it. Observe the perfect composition, the diverse faces. It's like a photograph taken at a random instant yet so deliberate, so randomly deliberate, so deliberatly random. But step back, look at the whole thing, it's just so beautiful. You could say it's just 3D masterfully represented in 2D but it is not, there's something more to it. Something you could call extradimensional. It's like if the artist knew the algorithms our mind follows and knew the exact input needed for the desired output, beauty, art, even shock. Let's move on to the next painting, but don't let this image fade away, let it rest, let it click, and let it grow in you.
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54
these 21st century writers / poets, think they'll make cheap thrills, and a load of bucks playing computer games at the same time: i'll be found as a suffocating salmon in their writing: boy play the game, expect prodigious output when your father becomes an art dealer rather than a market-stall merchant; irish idoot: listen, your father approached my father when my parents were taking canadian friends to the opera: you were a pristine stoner... and i a damnable drunk... like i said... you ******* leprechaun... king's insult when trying to turn a european into an african ready for cotton picking of an export; i took pity on james joyce... you didn't... you didn't even read him.
0
Feb 6, 2016
Feb 6, 2016 at 6:13 PM UTC
fo' da' gamers
The ease Of untouchable flow Where every input Equates to an equal output A mans love For technology Pure logic Fits like a glove To hide Fingerprints
0
Aug 4, 2014
Aug 4, 2014 at 12:14 PM UTC
Fingerprints
%% It’s about leveraging potential income to enhance output-maximizing sustainability … It’s about de-funding unsustainable income outcomes. It’s about results-based data-enhanced paradigm shifts. It’s about demobilizing upward mobility: dis-empowering gentrification by underfunding the over-entitled. It’s about de-funding unsustainability until the immeasurable metric is globally assimilated. It’s about the designated data-driver. It’s about memes as theme schemes. It’s about complicating competence through collaboration in collusion – intentionally replicating re-branding – effectively identifying best practices of the best-dressed actresses until the girl in the t-shirt says “meh”.
0
Sep 11, 2015
Sep 11, 2015 at 7:03 PM UTC
Immeasurable Outcomes
It caught me off guard, this sudden feeling of loss, this sense that something beautiful was gone forever. I didn't know what to do with it, this overwhelming idea that now, out of neglect or shame or starvation, a work of art had withered away into nothing. I suppose that I'm beginning to understand that the world isn't a narrative, it's not a story by an author with a plot and a hero. This is the essential fallacy taught to children with a streak of the hopeless romantic in them: the desperate belief that somewhere out there is a place for people who live their lives waiting for King Arthur instead of Jesus. And even now, with every word comes the terrifying truth that my babbling is going to change absolutely nothing, not a single atom is going to **** an electron on the completion. I won't feel better, the situation won't change, you the reader aren't going to say EUREKA!!!! at the end of it, so what's the point? Expression, that is the point of it, and to be be completely blunt about it all, I hope some one I love and admire will read this and say the typical things that are said when people are honest on public forums. Do I have a point? No, not really. So what do I do with this loss, this empty fireplace in my soul? I drink and smoke and **** it away, stay so busy that I don't have time to consider it, this knowledge that the fire has gone out. How typical of me, how unoriginal and bourgeoise to write another ode to the trials of the individual. Who am I to feel loss and pain when my stomach is full and my needs are met? Aren't I another servant of economic output? Should I not donate time and money to a cause more worthy of respect than a withering example of excessive individualism such as myself? No, and what's more, **** you society, **** you for taking away the only haven I ever had: my head. **** you for marketing my imagination, for inventing a bunch of ******** about responsibility for the greater good, for poisoning the little freedom I do have with feelings of uselessness. And most especially **** you for your greatest crime of all; implanting this feeling of guilt whenever I do anything with my own well-being in mind. You have created a system that perpetuates itself on shame and output, you have killed the desire to create for it's own sake. **** you, and I'm going to unplug from you if it's the last ****** thing I ever do.
0
Jul 16, 2013
Jul 16, 2013 at 10:06 PM UTC
Angry Prose
It caught me off guard, this sudden feeling of loss, this sense that something beautiful was gone forever. I didn't know what to do with it, this overwhelming idea that now, out of neglect or shame or starvation, a work of art had withered away into nothing. I suppose that I'm beginning to understand that the world isn't a narrative, it's not a story by an author with a plot and a hero. This is the essential fallacy taught to children with a streak of the hopeless romantic in them: the desperate belief that somewhere out there is a place for people who live their lives waiting for King Arthur instead of Jesus. And even now, with every word comes the terrifying truth that my babbling is going to change absolutely nothing, not a single atom is going to **** an electron on the completion. I won't feel better, the situation won't change, you the reader aren't going to say EUREKA!!!! at the end of it, so what's the point? Expression, that is the point of it, and to be be completely blunt about it all, I hope some one I love and admire will read this and say the typical things that are said when people are honest on public forums. Do I have a point? No, not really. So what do I do with this loss, this empty fireplace in my soul? I drink and smoke and **** it away, stay so busy that I don't have time to consider it, this knowledge that the fire has gone out. How typical of me, how unoriginal and bourgeoise to write another ode to the trials of the individual. Who am I to feel loss and pain when my stomach is full and my needs are met? Aren't I another servant of economic output? Should I not donate time and money to a cause more worthy of respect than a withering example of excessive individualism such as myself? No, and what's more, **** you society, **** you for taking away the only haven I ever had: my head. **** you for marketing my imagination, for inventing a bunch of ******** about responsibility for the greater good, for poisoning the little freedom I do have with feelings of uselessness. And most especially **** you for your greatest crime of all; implanting this feeling of guilt whenever I do anything with my own well-being in mind. You have created a system that perpetuates itself on shame and output, you have killed the desire to create for it's own sake. **** you, and I'm going to unplug from you if it's the last ****** thing I ever do.
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20
Mirrorball - “the fabrication of our performance” a life long struggle to accept who I am, of course, lose, and lose again, and the fabrication of our performance now inherent in every excuse and mirrorball revolving asking, no, laughing, at our vanity, as we endeavor, enabled by the paucity of ego, the neediness of weakness’s to catch, keep, hold each single flickering light spot in our open, slick palms forever we fabricate our performance of daily living, modifying our measurements to match output, only a human cannot wake only to fall within each daily tabulation without thinking, once: *I am a hero, worthy of acknowledgement, just look at my hands! see how many spots of light I can claim as mine! the mirrorball turns and turns paying no mind to the worshipers below, until some sorrowful fool confesses, fools fail, fools fail, turning the dervish off, the white flag of ego darkened, once more...* we are all false poets, false prophets, occasionally confessing 7:34 AM Sat Jul 18 The Year of the Virus, Corona
0
Jul 18, 2020
Jul 18, 2020 at 8:03 AM UTC
Mirrorball - “the fabrication of our performance”
This is Detroit and we ignore what the rest of the world has to say about us, we wear our stink like a badge of honor and we laugh at the fear on your face knowing where you are and what youve heard. This is Detroit the motor-city which means you better own one because our public transportation ***** our roads aren't much better and our gas prices are high which means the speed limit is unacceptable in the fast lane in fact, anything thats not 10-15 over is not acceptable treat our highways like the autobahn This is Detroit and any Coney Island you go to you shouldn't see any fries underneath the chili and cheese regardless how small It may be This is Detroit and its a city that refuses to die because of its artistic output from Motown to Eminem and our failures that catch the eye of the world yet we live on through the hardship that builds our character as they scoff This is Detroit and every pothole every decaying building every makeshift into a new business is a character trait where banks become pizza shops and theaters parking lots This is Detroit where we still show up and party for a football team that has never won a Superbowl This is Detroit we are dangerous we are lawless we know our own and we wouldn't want it any other way
0
Sep 24, 2014
Sep 24, 2014 at 7:13 PM UTC
Free World (Detroit)
"Swing is the mythical moment in rowing. When the energy an oarsman puts into the boat seems to perfectly propel the hull forward, when the crew moves in unison and the boat slides over the water, when the output seems to generate more energy and a grueling pace seems infinitely sustainable, a boat and the rowers aboard feel "swing." Swing is trust.  Trust that you can do your own and the boat will fly because of everyone.  The moment of swing is the moment seared into the memory; a moment to be relived in recollection." Swing I know. Swing is when my living words fall and flow so fast, they complain, to me, Keep up, Keep up! We are in unison in a moment, forever sustainable, forever lived, and forever relived, a myth created, a recollection collected and preserved, singing: Swing low, sweet poet, Comin' for to carry us home; Swing low, sweet poet, Comin' for to carry us home.
0
Jan 4, 2014
Jan 4, 2014 at 12:33 AM UTC
Swing I Know
When I first passed the gates into the metallic garden stamping out seeds                       for the junkyard with its infinite cardiac output I gazed upon the eyes of the creatures that inhabited this oily soil                             of steel and chemicals all I saw was a cry for help to escape           to be away                 just one day they cry, just one day I got caught in the claws and it scratched                        and scratched the wounds heal but the scars stay I have become a trapped animal                                      with eyes of dismay There's little chance of escape I can dream            I can pray one day, I echo                one day Now I am just taxidermy for this godforsaken industry and they call this quality.
0
Oct 24, 2018
Oct 24, 2018 at 10:22 AM UTC
The Metallic Garden
Wish life was at least as explicable as The HMM, But alas! It's even more complex. You may understand The HMM one day, But not your life and interactions. In probability & statistics, A Markov chain or Markoff chain or a Markov Process, Named after the Russian mathematician Andrey Markov, Is a stochastic process that satisfies the Markov property And is usually characterized as "memorylessness". Imagine an urn experiment with replacement, Hidden Markov Model can be visualized likewise. ***Consider a hidden room with a genie inside, The room has N urns with n ***** in each.*** *The genie chooses an urn in that room, He randomly draws a ball from the urn. He then puts the ball onto a conveyor belt, Which is being observed for the sequence, Only the ***** on the conveyor are visible, Not the urns from which they were drawn. The genie has a procedure to choose urns, The choice of the urn for the n-th ball, It depends only upon a random number, And the choice of the urn for the (n − 1)-th ball. The choice of urn does not directly depend on The urns chosen before this single previous urn; Therefore, this is called a Markov process.* ***Hidden Markov models model complex Markov processes, Where the states emit the observations according to a distribution. One such example is a Gaussian distribution, In such a Hidden Markov Model, The state's output are represented by a Gaussian distribution.***
0
Dec 6, 2016
Dec 6, 2016 at 6:02 AM UTC
Markov Process & The Hidden Markov Model
would you mind reading this and giving your thoughts? http://hellopoetry.com/poem/1533551/narcol... it's my boyfriends and i think its really good, Thx :) Matthew Conrad  5 minutes ago i could write many things, the biggest constructive criticism these days concerning any output of poetry is rhyming, rhyming tends to disguise the poet in not digging deeper, in all honesty rhyming poetry is dead, instead there's a desperate need for a narrative, a captured narrative, rhyming doesn't really show you anything other than a strict technique of how poetry used to be written, a very neat Victorian standard of trying to not show your emotions; but to rhyme when talking about something as debilitating as narcolepsy feels like the problem is not really embraced, whereby the rhyming only embraces the routineness of the problem, like a swing... to and fro; if he could just do a carpe diem (seize the moment) rather than stress a whole lifetime's worth of it not changing by engaging in rhyme, for example: ask him to write about a dream, get him involved in remembering dreams rather than the dreary reality, after all... he spends a lot of time in the dream realm. but like i said, poetry these days is really trying to not use too much conscious technique of what was used in the past, not rhyming does not make poetry not-poetry, it just shoves grit into your eyes... creating a sense of spontaneity... plus you feel less constrained to be forcefully hitting an echo. p.s. necro-lepsy... i'm awake all the time, and i feel i'm dead, the poor guy just sleeps a lot, i'm always dying.
0
Feb 7, 2016
Feb 7, 2016 at 6:00 AM UTC
face to face (internet transparency)
would you mind reading this and giving your thoughts? http://hellopoetry.com/poem/1533551/narcol... it's my boyfriends and i think its really good, Thx :) Matthew Conrad  5 minutes ago i could write many things, the biggest constructive criticism these days concerning any output of poetry is rhyming, rhyming tends to disguise the poet in not digging deeper, in all honesty rhyming poetry is dead, instead there's a desperate need for a narrative, a captured narrative, rhyming doesn't really show you anything other than a strict technique of how poetry used to be written, a very neat Victorian standard of trying to not show your emotions; but to rhyme when talking about something as debilitating as narcolepsy feels like the problem is not really embraced, whereby the rhyming only embraces the routineness of the problem, like a swing... to and fro; if he could just do a carpe diem (seize the moment) rather than stress a whole lifetime's worth of it not changing by engaging in rhyme, for example: ask him to write about a dream, get him involved in remembering dreams rather than the dreary reality, after all... he spends a lot of time in the dream realm. but like i said, poetry these days is really trying to not use too much conscious technique of what was used in the past, not rhyming does not make poetry not-poetry, it just shoves grit into your eyes... creating a sense of spontaneity... plus you feel less constrained to be forcefully hitting an echo. p.s. necro-lepsy... i'm awake all the time, and i feel i'm dead, the poor guy just sleeps a lot, i'm always dying.
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4
Magical and inspiring All my heart lies in the tips of my fingers The memories of where they've been The hearts they've traced The skins they've ached to dance against The language in which they speak A language in which they are fluent A language that is foreign and ever adaptive So much sensory intake So much motor output All in the most neglected place Finger tips left neglected For actions of rushed intentions All that is needed is to hod my hand All that is wanted is a warmth A fire that won't die when the night gets too cold I don't need the wind through my hair I don't to be exhausted by emotion I just need to feel that my heart can still race I just want a circulatory high I want something no money can buy I want the euphoria that no drug can provide
0
May 30, 2010
May 30, 2010 at 3:37 AM UTC
Finger Tips & Love
Alex 2 breathes, stacks and unstacks papers, distantly Alex 1, front cubicle, coughs, clicks his mouse Eddie pulls out his drawer, pushes it back in, clicks his mouse Alex 2, yes two Alex's, saunters up to the coffee machine Alex 1, head down, clacking his keyboard Mouse clicks, keyboard clicks, electricity Monitors glow, fluorescents never flicker Alex 1 opens a new file, two clicks of the mouse Eddie sips his coffee, puts it down, clicks New folder, new file, new data Data entry, spreadsheets Alex 1 asks did you get the email Alex 2 has his coffee, his white shirt, under the fluorescents Statics noise, static, mouse clicks, keyboard Every new click, new file, new data, new folder Data in, data out, file, click, the static electronics Alex 2 clicks, files, new folder, new deal, new data Eddie clears his throat, softly, the static noise, flickers, Every new love story is a tragedy Alex 2 opens a new folder, inputs data, spreadsheets Numbers in, Eddie clicks his mouse twice rapidly Stale effluvia coffee, static noise, electric light Alex 1 sniffles, clears his throat, the clock ticks softly Eddie opens a new file, the electric screen reflects his fixed eyes Alex 2 sips his coffee, opens a file, clicks, keyboard clacks Stasis, complete stasis, electricity, nodes, linear graphs Numbers input, data, new file, file transfer Every old tragedy is a ghost story Alex 2 sips his coffee, breathes, clears his throat, data Spreadsheets, monitors, electricity, static, data input, output Every ghost story is infinite Alex 1 gets up for a new coffee Eddie inputs data, spreadsheet, file, new folder Electric lights, stasis, data, file, click, file, input exp..
0
Oct 18, 2020
Oct 18, 2020 at 10:21 PM UTC
Subtexts of Monday
Alex 2 breathes, stacks and unstacks papers, distantly Alex 1, front cubicle, coughs, clicks his mouse Eddie pulls out his drawer, pushes it back in, clicks his mouse Alex 2, yes two Alex's, saunters up to the coffee machine Alex 1, head down, clacking his keyboard Mouse clicks, keyboard clicks, electricity Monitors glow, fluorescents never flicker Alex 1 opens a new file, two clicks of the mouse Eddie sips his coffee, puts it down, clicks New folder, new file, new data Data entry, spreadsheets Alex 1 asks did you get the email Alex 2 has his coffee, his white shirt, under the fluorescents Statics noise, static, mouse clicks, keyboard Every new click, new file, new data, new folder Data in, data out, file, click, the static electronics Alex 2 clicks, files, new folder, new deal, new data Eddie clears his throat, softly, the static noise, flickers, Every new love story is a tragedy Alex 2 opens a new folder, inputs data, spreadsheets Numbers in, Eddie clicks his mouse twice rapidly Stale effluvia coffee, static noise, electric light Alex 1 sniffles, clears his throat, the clock ticks softly Eddie opens a new file, the electric screen reflects his fixed eyes Alex 2 sips his coffee, opens a file, clicks, keyboard clacks Stasis, complete stasis, electricity, nodes, linear graphs Numbers input, data, new file, file transfer Every old tragedy is a ghost story Alex 2 sips his coffee, breathes, clears his throat, data Spreadsheets, monitors, electricity, static, data input, output Every ghost story is infinite Alex 1 gets up for a new coffee Eddie inputs data, spreadsheet, file, new folder Electric lights, stasis, data, file, click, file, input exp..
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34
Life was void. It’s she, Opened the curly braces Of my life; My heart, Imbibed the input – Stream of her smiles; The output – “<3 <3” Got into an infinite loop On the soul’s own console; Sensing the love in return, Jumped to the function – Life: The Life with various parameters – Joy, sorrow, warm, pain Passed through a switch.. That returned “Love” on every case; Life was full of snickers At the mistakes of semicolons; Making the bytes of sweet memories Giga bytes to zetta bytes; Now, the time, As good code must, Terminating with a graceful End, Kissing her, Love!
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Jun 12, 2020
Jun 12, 2020 at 1:16 AM UTC
Life without semicolon;
I feel like all these people aren't sure who i am Aren't sure i exist I'm a vessel for input with no meaningful output Irrelevant Unimportant Transparent
0
Dec 15, 2013
Dec 15, 2013 at 9:01 PM UTC
transparency
as promised, a tip for and to nolly •<>• “Everybody is identical in their secret unspoken belief that way deep down they are different from everyone else.” David Foster Wallace •<>• it is as if I've been stripped bare and their is no air or barrel handy, bankrupted by exposure of my less-than-clean ***** secret, scrapped from under my tongue, my genuine creativity, it is no different than yours or hers or anybody else, but "I need to believe," he screeches, "say it ain't so!" time again to tally up the wins and losses, check the standings, the numerical columns, nope, wasn't selected to be MVP or even loved by the algorithmic ridiculous secret sauce "poem of the day" blah blah blah bottom line: "You’re Pretty Normal" comfort or consternation, exhalations of relief, or just another nail in the shutting of your depression coffin calculation this no longer unspoken arrogance undressed brings me to a quiet place, where you are welcome to sit beside, this puzzle together, nuzzled, perhaps more soluble they don't make Advil for the mind, so read the good ones, and be reminded of this your published spoken courageous poetry need satisfy only you, and no one more *in there lies the rub, the vive la difference, we identically different, no longer a secret, every poem is the difference you make* August 2017 in the sunroom, Shelter Island <•> BONUS POEM!!! Nolly's Haiku #17/#70 with good knowing that distress and forethought, are its mother and father that this poetic output but a derivative of your unique self, see, maybe, you be maybe just wise enough to curse the birth of poem at age seventeen but just wait Nolly, till you are seven tens, and poetry's folly, make you even more practiced in cursing, still asking, why and getting the sendoff, kiss off, of the one true answer, nobody knows so scribble a life time when you start at 17 and when the ripe and wizened answers in your old age have yet to arrive *then you can call yourself an accursed wizened but wise'ed old poet*
0
Aug 13, 2017
Aug 13, 2017 at 12:03 PM UTC
deep down you are different from everyone else
as promised, a tip for and to nolly •<>• “Everybody is identical in their secret unspoken belief that way deep down they are different from everyone else.” David Foster Wallace •<>• it is as if I've been stripped bare and their is no air or barrel handy, bankrupted by exposure of my less-than-clean ***** secret, scrapped from under my tongue, my genuine creativity, it is no different than yours or hers or anybody else, but "I need to believe," he screeches, "say it ain't so!" time again to tally up the wins and losses, check the standings, the numerical columns, nope, wasn't selected to be MVP or even loved by the algorithmic ridiculous secret sauce "poem of the day" blah blah blah bottom line: "You’re Pretty Normal" comfort or consternation, exhalations of relief, or just another nail in the shutting of your depression coffin calculation this no longer unspoken arrogance undressed brings me to a quiet place, where you are welcome to sit beside, this puzzle together, nuzzled, perhaps more soluble they don't make Advil for the mind, so read the good ones, and be reminded of this your published spoken courageous poetry need satisfy only you, and no one more *in there lies the rub, the vive la difference, we identically different, no longer a secret, every poem is the difference you make* August 2017 in the sunroom, Shelter Island <•> BONUS POEM!!! Nolly's Haiku #17/#70 with good knowing that distress and forethought, are its mother and father that this poetic output but a derivative of your unique self, see, maybe, you be maybe just wise enough to curse the birth of poem at age seventeen but just wait Nolly, till you are seven tens, and poetry's folly, make you even more practiced in cursing, still asking, why and getting the sendoff, kiss off, of the one true answer, nobody knows so scribble a life time when you start at 17 and when the ripe and wizened answers in your old age have yet to arrive *then you can call yourself an accursed wizened but wise'ed old poet*
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61
Transferred attention some where else Then lost my train of thought, Added an item to my list Of stuff I should have bought. Forgot to say those silly things That make it all worth while, And found myself in jockey shorts With a lost and vacant smile. Left the toothbrush in the toilet And the razor in the lounge, Fed the dog the ****** cat food And the goldfish had to scrounge. Woke up early on the weekend And slept in late for work, Is it really any wonder That my wife has gone beserk ? Distracted moments come and go As life progresses on, But in these periods of bewilderment Have I come or have I gone ? The confusion is annoying It's like emerging from the mist And embarrassed explanations Leave my kid's expression ****** Conversations breeze along I'm having trouble with the terms The children utter gibberish Which I've no desire to learn. My old friends speak in whispers Quite impossible to hear And the clink of moving cutlery Keeps dinner parties from my ear. I guess a change is needed Maybe, a less demanding day, Where physicality is really secondary Where exhaustion doesn't play. Where the bodies limitations Are tempered to the task And a moderated output Is, perhaps, the best that you can ask. I've lost my sense of humour The world is racing by too fast, This mobile phone's a nightmare And ****** TV remotes I'm past. And whatever happened to coffee At my favourite Bridge cafe ? Now the order is for decaff, No cream, half strength, moccha frappe !! Age is such a ****** It's asset is it's stealth, One moment you're a titan The next you've lost your health. One moment you've got flowing locks The next you're bald and grim, Is it any ****** wonder That growing old is such a sin. Marshalg Grumping@theBach Mangere Bridge 10 August 2009
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Feb 1, 2010
Feb 1, 2010 at 5:56 PM UTC
Ageing
Transferred attention some where else Then lost my train of thought, Added an item to my list Of stuff I should have bought. Forgot to say those silly things That make it all worth while, And found myself in jockey shorts With a lost and vacant smile. Left the toothbrush in the toilet And the razor in the lounge, Fed the dog the ****** cat food And the goldfish had to scrounge. Woke up early on the weekend And slept in late for work, Is it really any wonder That my wife has gone beserk ? Distracted moments come and go As life progresses on, But in these periods of bewilderment Have I come or have I gone ? The confusion is annoying It's like emerging from the mist And embarrassed explanations Leave my kid's expression ****** Conversations breeze along I'm having trouble with the terms The children utter gibberish Which I've no desire to learn. My old friends speak in whispers Quite impossible to hear And the clink of moving cutlery Keeps dinner parties from my ear. I guess a change is needed Maybe, a less demanding day, Where physicality is really secondary Where exhaustion doesn't play. Where the bodies limitations Are tempered to the task And a moderated output Is, perhaps, the best that you can ask. I've lost my sense of humour The world is racing by too fast, This mobile phone's a nightmare And ****** TV remotes I'm past. And whatever happened to coffee At my favourite Bridge cafe ? Now the order is for decaff, No cream, half strength, moccha frappe !! Age is such a ****** It's asset is it's stealth, One moment you're a titan The next you've lost your health. One moment you've got flowing locks The next you're bald and grim, Is it any ****** wonder That growing old is such a sin. Marshalg Grumping@theBach Mangere Bridge 10 August 2009
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He looked into my eyes, deeply, and seldomly blinking. His body was trembling, as if the very earth herself quaked within his veins. He was breathing heavily; the intake shallow, the output, shallower still. His skin was damp from the nerves, of course, not the heat. For it had barely begun. He reached for my hand and held it tightly and a part of me, for but a moment, enjoyed the fact that he needed me. He clung to me with his face pressed against my chest occasionally emitting a quiet moan. Eventually, I felt his wet warmth soak into my shirt. It hurt me, but I didn't make him move. I stayed still and held him until the panic attack was over, until the wet tears dried. This is how I defined my love; how I make love. Acceptance, compassion, guidance, and a friend.
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Jan 21, 2015
Jan 21, 2015 at 5:46 AM UTC
There is More Than One Way to Make Love
If you could write your life in pencil, How much simpler things would be. When it is turned upside-down, the slate is wiped clean! But then again.. writing in pen could be fulfilling too. If the situation comes around again a quick glance back will tell you what to do. But what if your desire is for your mark to appear darker? Then might I suggest, my friend, a big. fat. black. sharpie marker? Alas, these utensils have one piece in common. and that piece is this: The output seeps from that which is within. as does the humans mouth reflect the heart's desire; reveals the power;the soul; what lights our fire! understand it, can you? can I? can we unlock our own secrets? can we even try? but maybe then, if we do, and have anything left. we can say our words right. and extend a helping hand, but with a heart contrite. to assist others in comprehending their plight. and then. in the end. maybe our words will be put into pen. or pencil or big. fat. black. sharpie marker.
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Jan 25, 2010
Jan 25, 2010 at 10:59 AM UTC
Smudge
I need a vacation. Maybe a trip to Italy. I gotta revitalize. Maybe, Pompeii. I am feeling starved of my vim and vigor. My words are lukewarm. There is only one option: rekindling my virility. I could vivify myself vicariously: the sensuality of the city's verve, all the daily livings of people, venerated in an intense blaze; might make me vivacious again. Input daily routine. Output socially valued norms. My vivid, vermillion passion has been layered with ashes. I am desperate for veracity. Did my igneous, poetic life temper to an obsidian verse? The beat in my heart has felt industrialized, monotonous, a steady assembly line of chaste gray; a vexing variance of my vitals. Revive me: my virtuosity will ventilate me with venereal voraciousness. What is left to me, a choice of perspective: a plunge in to the devouring, a dive in to the radiant; both, a swim through a viscous sea of wildfire in Mount Vesuvius.
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Apr 9, 2016
Apr 9, 2016 at 5:45 PM UTC
Vacationland
. Some say the scientific method Is the ultimate algorithm and others Prefer prayer. For symbolists, all intelligence can be reduced to manipulating symbols, in the same way that a mathematician solves equations by replacing expressions by other expressions. Symbolists understand that you can't learn from scratch: you need some initial knowledge to go with the data. They've figured out how to incorporate pre-existing knowledge into learning, and how to combine different pieces of knowledge on the fly in order to solve new problems. Their master algorithm is inverse deduction, which figures out what knowledge is missing in order to make a deduction go through, and then makes it as general as possible. Tea In its simplicity Can sustain concentration For connectionists, learning is what the brain does, and so what we need to do is reverse engineer it. The brain learns by adjusting the strengths of connections between neurons, and the crucial problem is figuring out which connections are to blame for which errors and changing them accordingly. The connectionists' master algorithm is back propagation, which compares a system's outputs with the desired one and then successively changes the connections in layer after layer of neurons so as to bring the output closer to what it should be. Hungry and cold A holy condition A warrior's position Evolutionaries believe that the mother of all learning is natural selection. If it made us, it can make anything, and all we need to do is simulate it on the computer. The key problem that evolutionaries solve is learning structure: not just adjusting parameters, like back propagation does, but creating the brain that these adjustments can then fine-tune. The evolutionaries' master algorithm is genetic programming, which mates and evolves computer programs in the same way that nature mates and evolves organisms. Arithmetic A good shit's the metric Of a dying man Bayesians are concerned above all with uncertainty. All learned knowledge is uncertain, and learning itself is a form of uncertain inference. The problem then becomes how to deal with noisy, incomplete, and even contradictory information without falling apart. The solution is probabilistic inference, and the master algorithm is Bayes' theorem and its derivatives. Bayes' theorem tell us how to incorporate new evidence into our beliefs, and probabilistic inference algorithms do that as efficiently as possible. I can't believe I won't live forever, therefore, I invented an afterlife to supplement reincarnation For analogizers, the key to learning is recognizing similarities between situations and thereby inferring other similarities. If two patients have similar symptoms, perhaps they have the same disease. The key problem is judging how similar two things are. The analogizers' master algorithm is the support vector machine, which figures out which experiences to remember and how to combine them to make new predictions. Prepare for a powerful anesthesia Chemical processes irresistible A good and perfect rest
0
Jun 5, 2017
Jun 5, 2017 at 6:34 AM UTC
The Master Algorithm
. Some say the scientific method Is the ultimate algorithm and others Prefer prayer. For symbolists, all intelligence can be reduced to manipulating symbols, in the same way that a mathematician solves equations by replacing expressions by other expressions. Symbolists understand that you can't learn from scratch: you need some initial knowledge to go with the data. They've figured out how to incorporate pre-existing knowledge into learning, and how to combine different pieces of knowledge on the fly in order to solve new problems. Their master algorithm is inverse deduction, which figures out what knowledge is missing in order to make a deduction go through, and then makes it as general as possible. Tea In its simplicity Can sustain concentration For connectionists, learning is what the brain does, and so what we need to do is reverse engineer it. The brain learns by adjusting the strengths of connections between neurons, and the crucial problem is figuring out which connections are to blame for which errors and changing them accordingly. The connectionists' master algorithm is back propagation, which compares a system's outputs with the desired one and then successively changes the connections in layer after layer of neurons so as to bring the output closer to what it should be. Hungry and cold A holy condition A warrior's position Evolutionaries believe that the mother of all learning is natural selection. If it made us, it can make anything, and all we need to do is simulate it on the computer. The key problem that evolutionaries solve is learning structure: not just adjusting parameters, like back propagation does, but creating the brain that these adjustments can then fine-tune. The evolutionaries' master algorithm is genetic programming, which mates and evolves computer programs in the same way that nature mates and evolves organisms. Arithmetic A good shit's the metric Of a dying man Bayesians are concerned above all with uncertainty. All learned knowledge is uncertain, and learning itself is a form of uncertain inference. The problem then becomes how to deal with noisy, incomplete, and even contradictory information without falling apart. The solution is probabilistic inference, and the master algorithm is Bayes' theorem and its derivatives. Bayes' theorem tell us how to incorporate new evidence into our beliefs, and probabilistic inference algorithms do that as efficiently as possible. I can't believe I won't live forever, therefore, I invented an afterlife to supplement reincarnation For analogizers, the key to learning is recognizing similarities between situations and thereby inferring other similarities. If two patients have similar symptoms, perhaps they have the same disease. The key problem is judging how similar two things are. The analogizers' master algorithm is the support vector machine, which figures out which experiences to remember and how to combine them to make new predictions. Prepare for a powerful anesthesia Chemical processes irresistible A good and perfect rest
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