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Nicklaus Bailey Oct 2019
1-Establish Lux as a farmer with his brother, father, mother. Show dissatisfaction at a lot in life, yearning for more, however Lux feels compelled to stay with family and help them. Establish a close relationship between the brothers, a good mother/son relationship, though a testy relationship with his father. Strange symbol branded on Lux’s chest, been there since he was a baby, no one is sure what it means- or no one is telling him. This is Lux’s L.S. beginning. Establish also is the world Lux is in, the facts of the ministry and the church, the knights and wars of before.
2-Introduce a festival in town with knights from “The Brotherhood” being present, establish them as knights capable of magic and swordplay, “The Brotherhood” knights are taking new recruits at the festival. Wanting to join, Lux goes through the trials and passes, though after a harsh reaction from his father, Lux does not leave with the knights. With Lux out of scene, a conversation between the mother and father should reveal the man is not in actuality Lux’s father, but his uncle, and his brother had been married to Lux’s mother (now his wife) though died fighting in a war between “The Brotherhood” as a member of their ranks, against a rival faction known as “The Order”  peak lux’s curiosity and focus on the desire to leave as established in the previous chapter. This and the next chapter are Lux’s “Go The Distance”
3-The end of the week long festival nears, and Lux is on a hunting trip with his younger brother, returns and is questioned by his father why he wants to leave so much. The truth of Lux’s true father is revealed, and though Lux’s uncle expected this to convince Lux to stay and not go into danger, Lux is angered rather, and leaves in a hurry to catch “The Brotherhood” knights before they leave. Lux is put under the tutelage of a man who claims to have known Lux’s father, though it is revealed Lux’s little brother followed him, and is taken into the recruit pool as well, despite never going through the testing. Note- perhaps have Lux refuse to go with the knights if his brother is not also offered a spot? Hero’s journey, he needs a moment of hesitation and refusal to go. This should be reflected like Lukes refusal to join ben, or Bilbos refusal of gandalf, but quickly change their minds.
4-Training begins the moment they arrive at a camp. Lux and his brother are immediately outfitted with leather armor, dark and gritty in contrast of the shining metal of the rest of the knights. Lux is doing well in training, sword play coming natural, shakey with a bow, and ofcourse a natural talent at magic, (though make a point that in fire spells Lux only manages to start small flames that he can throw, and struggles with healing magic) though his brother is struggling in all aspects and is beat by his trainer. Lux’s trainer urges Lux to ignore it,though Lux finally snaps and challenges the man. The two enter a circle made in the dirt with training swords, and though Lux appears to have the advantage at first, he is quickly beaten and left gasping and ****** on the floor. The trainer leaves Lux there, and soon a hand reaches down to Lux. A female trainee named Ciara picks up Lux and, joined by his brother, the three wander off for more training for the instructors. Introduce Peter, a man deeply infatuated by Ciara, rather than a knight Peter is a Father to the holy church, unable to fall in love and forbidden to marry. Subtle on Peter’s infatuation with Ciara, should really build Peter as a good friend to Ciara,
5. Lux, his trainer, CIara, and her trainer are all out in the forest doing patrol after reports that remnants of “The Order” have picked up their pace in activity in the surrounding areas, raiding small towns and taking young men and women as recruits. Lux and Ciara are separated for a time and grow closer through talk and laughter when they see two knights in armor that is shining silver on almost the entire body though the right arm and pec are a scarlet red, drinking water from a stream. Confirming with each other that is the description of “The Order” Ciara says they should find their trainers though Lux charges. Ciara is close behind, catching the two off guard. Both are quickly overpowered through the use of advanced magic from “The Order” but Ciara’s trainer jumps in, kills one, but is killed by the second. As he turns, Lux throws his dagger and hits the man in the eye, killing him. Lux and Ciara carry her trainers body back to camp. Ciara refuses to speak and when greeted at the gate by Peter, she embraces him and cries into his shoulder. Have both Lux and Ciara attempt healing magic to no avail. Have Lux grow frustrated at feeling the ABILITY to heal, but unable to do so.
6. Lux is punished for charging, while his trainer is taken to a secret meeting where they discuss what to do with Lux, but out of respect for his father, they keep him in “The Brotherhood”. Lux has not seen Ciara since the incident, though he can see her in the crowd when he is being taken to be whipped, and receives 10 lashes, to Peter’s dismay who recommends either banishment or death. After the punishment, he is cut loose from the posts holding him up and Lux’s brother charges the ground, picking his brother up and taking him to his bed. As they pass Lux manages an apology, but is unsure if she accepts it. Lux is informed she will be trained alongside him. Make Peter do some ******* **** idk. Resenting “The Brotherhood” Lux should vent to his brother about his growing distrust of the situation, asking if his brother has felt the growing gap between what they feel they can do, and what they can do.
7. Show training between Lux, Ciara, and brother, distinguish a growing connection between Lux and Ciara, much to Ciara’s surprise and reluctance. Show Lux go into his trainers room while he is absent, and sees a sword on the wall, bearing a strange symbol. Lux trainer will explain that the sword should belong to Lux as it was his fathers, and when it is time he will inherit the blade but for now he must leave the blade alone. Lux asks about the situation behind his father's death. Explain the following: The Brotherhood were not always the knights guarding the royal family, before his birth the royal family was guarded by The Order, who are the reason The Brotherhood practice both swordplay and magic, as the Order are master swordsman and powerful wizards, prolific in blood magic and necromancy. When one member of The Order desired the throne for himself, he split The Order in 2. The Brotherhood worship the Gods, but in his desire and lust for power, the man struck a deal with the old gods, evil barbaric entities who require blood and death as sacrifices for their eternal power. This is Nero, a man that Lux’s father took in and treated as a brother, both being trained as knights for The Order. During the civil war, Nero attacked the Royal Palace and though he was badly defeated, he did **** Lux’s father in the battle. End chapter on this story. This chapter should be shows as Lux is uncertain of The Brotherhood and his trainer, but with the story of his father, he is conflicted. If it is true, then they are just. If it is wrong, how many more lies has he been told?
8. Show Lux becoming prolific with a blade and very intimidating magically. When he, Ciara, and his brother are sent on a mission with no trainers for the first time, Lux naturally takes charge. They track knights of The Order down to a cave, where they are tested both physically and magically. Ciara and Lux both protect brother as much as they can, though brother is able to hold his own. They manage to corner one who instead of being taken prisoner, stabbed himself in the stomach after giving an ominous warning. As Lux approaches the body, he sees on the cave wall a crude drawing of a man with the same symbol on his chest as Lux’s, holding a sword with the same symbol as Lux’s fathers, a figure resembling a large black and red dragon behind the man. Dismissing it, Lux tells Ciara and brother to not bother approaching, and the last of the knights are dead. The report back to base, and Lux informs trainer of what happened, leaving out the symbol.
9. Word carries out on base that more and more caves are being found with members of The Order, all with strange paintings on the walls. Peter speaks with the knights, explaining he has been praying and granted visions of a large scale battle. Have Ciara grab Lux’s arm at the sound of war, which Peter will notice (important for later) and in a hesitation to prepare for a battle that may or may not come, the commander of the camp demands the trainees be knighted, their proper gear be made, and to meet with the main force.
Cut from Lux to Peter alone in a church, praying to the Holy Mother begging for guidance away from the desires of his heart, and in his prayers Peter slowly realizes that he will not give up his desire for Ciara and decides to betray the Brotherhood in hopes Lux may die and he may be able to gain Ciara’s affection. Peter is seen leaving by Lux, though when questioned says he is going for more Fathers to pray and meditate on the matter.
10. Peter tracks down members of The Order, informing them that he wishes to give them valuable information, surrendering to them. Peter is taken to the leader of the knights operating in the area, and in exchange for one thing, is willing to tell The Order where The Brotherhood is, where they are going, their numbers, and anything else that will be of use. All he wants is them to make Ciara fall in love with him./ While Peter is doing this, Lux is kneeling in front of his trainer who knights him with fathers sword. (maybe do a crusader knight knighting, this is oath/this is how you remember it) When Lux is handed his father's sword, the cold metal instantly feels warm and the grip adjusts to his fingers and though it looks heavy, appears just the right weight to Lux. Lux is given armor, though when he takes his shirt off he sees the symbol on his chest glowing, same as the symbol on the sword. Trainer only says “magic is a strange thing, boy” and Lux is put into armor and finally leaves the shed a knight after only 2 months of training./back to Peter who is given a potion, told to have Ciara drink it and leave with her before they make their move. As Peter leaves, the leader barks orders to men who address him as Nero. Perhaps instead of Peter getting the potion straight from Nero, have him get it on a witch in the woods who is secretly affiliated with Nero, have to work out how she gets the information from Peter, but she could use magic to contact Nero after. Perhaps part of the agreement is Peter must turn his back on his abandoned faith and be her student and as a test of loyalty he must tell her everything he knows.
11. As The Order masses its numbers, knights of the Brotherhood are entering the giant city dedicated to The Brotherhood(Remulus? Romulus?) and Lux is in awe as he sees the a giant palace, and near it a graveyard with tombs. The tombs are the resting place of knights of The Order who gave their lives in service to the royal family, and now knights of The Brotherhood join their numbers. A newly marked grave is standing as a monument to Ciara’s trainer. The day is given to them to explore the city, and Lux/Ciara are alone together. Share a kiss. Witnessing the kiss, Peter comes from the shadows and informs them that curfew is near, and they should be heading back to the castle/as Peter watches the two make way to the castle laughing/holding hands, he heads to a monastery. He kneels before a picture of his god, praying asking to be told what to do. He knows he is a man of faith, so why are lust and desire even capable of entering his heart? He begs for pardon from sin as he sets his heart on giving Ciara the potion.
12. Now that the trainees have been knighted and the generals have been informed of Peter’s vision, prepare for war. The inhabitants of the city and many villages around are all pulled into the Castle’s walls, able bodied men and boys are given swords, women and girls find refuge in the newly emptied dungeons (all criminals hung/drafted?) Lux is witness to a battle plan, and overhears that during the last battle at the capitol city, The Order had used dragons to its aid, and though there were no confirmed sightings of dragons now, The Brotherhood should still set up catapults and bastilles on the off chance. Lux finds his brother and Ciara and informs them of what he has heard, though Peter comes and informs them that Lux must just be tired from nerves, and no one has seen a dragon in a generation. End with Ciara stopping a near brawl between the two, and Lux heading to his bed alone, and Peter now with Ciara, when a sound fills the halls. Scouts are reporting a massive army on the outskirts of the city.
13. Rain. Silence. Lux, Ciara, and his brother are among the numbers at the front gate. Rain hitting the ground. Hitting armor. Men are vomiting. Peter along with other priests are swinging burning incense between the rows of men, chanting prayers and songs of their god. Pounding. Pounding so hard that when it hits the front gate, the rain flies off the door and hits Lux’s face. Lux looks to his brother. The two nod. Lux looks into Ciara’s eyes. The two kiss. Confess love. The gate is broken open and the war begins with a thunderous roar in the sky, a dragon spewing fire on archers perched on castle walls as troops charge. Lux and the other knights hold their positions with a great clash the two armies finally meet. In screaming and fighting, Lux loses his brother, and The Brotherhood are pushed back, further and further. Lux manages to grab Ciara’s arm and the two run to a set of stairs going down to one of the dungeon entrances to warn the others that they are losing, when the dragon knocks over a giant pillar, stones hitting the two. Lux stays conscious from the first hit, and sees Peter approaching an unconscious Ciara with the potion in hand. Stuck beneath rubble, Lux watches as Peter pours it in her mouth and wakes her with a kiss. Begging Ciara for help frantically, she walks away with Peter, and as Lux cries out for his brother, more stones hit, causing him to go unconscious.
14. Lux awakens in an unfamiliar setting, on his knees. His hands shackled to the wall, his armor and sword feet in front of him, a man standing behind them. The man asks if Lux knows who he is. Looking up, Lux can see from the torches a tired face. Shaking his head, the man informs Lux, “I am Nero, commander of The Order, Captain of the Conquered Reaches, and rightful heir to the throne. And you are Lux. My nephew,” Nero smiles, touching Lux’s face. Accusing Nero of killing his father, Nero softens his eyes at Lux and stops moving. A look of sadness. “Your father's mistake is the single most regrettable accident in my life,” tells Lux more and more about his father. Informs Lux why the symbol is on his chest. Its magically bonded to the blade. It makes blood magic more powerful. Nero then informs Lux that his father had found a dragon egg just like Nero did, as Nero pulls the egg from his robes, shiney and black with streaks of scarlet. Nero offers Lux out of this cell, and he will gladly show him the ways of blood magic and make sure that Peter pays for his betrayal of the other knights. “I do not find The Brotherhoods newest members traitors, how can they betray a cause they never were offered? But how do you think we knew you were going to be there when we did? All of this has been for you, Lux.” with a wave of his hand, the shackles fall off Lux’s wrists and he falls forward. Reaching to the egg, Lux hesitates slightly, looking down and seeing his reflection in the water. With a wave of his hand, Nero projects the image of Peter kissing Ciara deeply. “That passion she gives him should be yours. I cannot create love. Only transfer it with a potion. When peter described the man who took his beloved, I should have realized. But together, I can rid the potions course and Peter will pay, Lux,” and as Lux watch Ciara enter Peter’s bed, he firmly grabs the egg, which begins to shake and crack in his hand, emerging a tiny dragon. Nero’s past: Nero will portray his story as such: He discovered that Lux’s mother is the illegitimate daughter of the queen. When Nero went to tell Lux’s father, he was stopped by the queen who attempted to have him killed, for if it was discovered that her late husband had an offspring, she would have a claim to the throne. In the ongoing fight, Nero claims he accidentally killed the queen and was discovered by Lux’s father. The fight was a misunderstanding and he was never able to tell him the truth of his soon to be (pregnant) wife. The split of The Order were those who believed Nero and those horrified at the death of the queen. Nero claims the royals betrayed him and those who followed the truth. Show a refusal to believe at first, though as his imprisonment lasts, and he goes over it again and again in his head, for weeks as Peter gets further away with Ciara, left with visions of Peter and Ciara making love, his Nero pleading with Lux’s father, and the conflict. Ambiguous if this is actually true or just indoctrination.
15. Lux’s training begins immediately. He is placed in the middle of a circle, men attacking from all directions and must fight them off with his blade and newly learned blood magic. Slicing his palm before gripping his blade, the warm metal now burns hot in Lux’s hands, and he drops the blade. Scolded with beatings and lashings, Lux learns how to embrace the pain. Magic flows through him stronger than ever as he adapts. Fire flows from his tips when before he could only manage an ember. He heals fatal wounds when before he could hardly manage a small cuts and broken bones. Lux is routinely beaten and whipped, his dragon growing and watching all the while. Weeks go by. Lux concentrates only on killing Peter and revenge. Pain, anger, and of course blood fuel blood magic to its extremes.
16. Lux’s brother is brought into a small room with other generals who managed to escape the battle of the capitol. He is questioned if he has heard from Lux, Peter, or Ciara as their bodies were never found. All the remaining forces are falling back to the capital, where a final stand will once again be made. Lux’s brother is told he may visit home one last time and must report to the capital in no more than 5 days, and his trainer will accompanying him/Lux is kneeling once again before Nero, though he feels the sword tap either shoulder as he is knighted into the brotherhood. He is given shiney armor and as he puts it on, is instructed to place his sliced palm on the opposite shoulder and watches as his blood flows into the metal, turning that arm and shoulder scarlet red. He is officially in The Order. Lux is tasked with one task to prove his loyalty. **** his stepfather and attempt to convince his mother to come swear loyalty to nero if she refuses, **** her too. If he does that, when he returns his dragon will feed on the personal sacrifice and be ready for battle, and in return Nero will make sure both Peter and Ciara are waiting for him. “It will be done, Lord Nero.” show conflict in Lux if he is truly willing to do all of this, and conflict on loyalty to Nero. The Dragons growth and power is connected to Lux’s ability in blood magic. The more anger, hate, and pain he puts into his abilities, the stronger the dragon will become.
17. Chapter starts with Lux standing outside his old house in the early hours of the morning, the sun peeking out of the mountains but being quickly covered by storm clouds. As darkness settles over the brief light illuminating the house. Lux enters the house. His stepfather enters the room hearing the door open but is grabbed by the throat.during the fighting, Lux manages to strangle his step father and throws his body to the door as his mother is running into the room. As she surveys the situation, there is a cry from the door, and Lux’s brother and trainer are standing in the door, sword in hand. Lux begins to unsheathe his sword but his mother moves between them, talking to the brothers. Lux demands to know from his trainer if what Nero said is true and that his mother is the rightful heir. Confirming Nero’s story partially, though claims that Nero attempted to blackmail the queen with the knowledge of the heir to gain more power. Lux tries to persuade his mother to join him and come be with Nero, that his father would have wanted this. When she refuses, he explains that she would not understand what he HAS to do to end this war, and when he is done the conflict will be resolved and order restored. Argument between lux and brother over oaths broken. Mother approaches Lux, touching his face tenderly speaking softly watching as her son is breaking. She offers him to leave the conflict entirely and to just live home with her, though as she turns to face Lux’s brother, Lux stabs her. Gasping she looks back to Lux, touching his face once more, “You look so much like your father in that armor” Lux , trainer and brother fight, Lux leaves his brother unconscious in the house quickly, though he kills his trainer outside, taking the bodies with him back to Nero.
18.Lux returns to the agreed upon spot to meet Nero, but is instead met by Ciara, who in his confusion and hesitation desperately tries to convince her to leave with him when out steps Peter with a staff in hand, who has now learned the magic of the old gods. When Lux raises his hand, his dragon lands behind him with a mighty roar. With a smirk, peter does the same, and a white and blue dragon lands behind him, a roar just as mighty. The dragons take to the air, circling and roaring, spitting blue and black flames at one another as Lux and Peter fight to the death. Just as Lux manages to defeat Peter after taunting and back and forth, there is a loud crash as Lux’s dragon lands on the other teeth in its neck, ripping its head off entirely. Ciara comes to her senses immediately, seeing Lux in armor of The Order standing over a wounded and ****** Peter, the blood spraying on them. Stepping toward Ciara, Lux is surprised when she steps back in fear. Allowing her to leave, Lux watches as she sprints away. The conversation between Lux and Ciara should be that of both trying to convert the other. When no understanding is made between the two, it is Lux’s love for Ciara that allows her to leave, she sprints to the horses and makes her way back to The Brotherhood. Turning back to a wounded Peter, Lux raises his sword when his eye catches sight of a faint glow on Peter’s chest. Kneeling to rip the man's shirt out of the way, Lux finds the same symbol that is on his sword and own chest. Peter is Lux’s lost twin.
Will add more, unsure how to end the first book. (Have a trilogy in mind)
Raj Arumugam Feb 2012
Nero kicks Vespasian

1
Nero plays the lyre
He’s Emperor
so all must admire
but Vespasian goes to sleep
so Nero exiles Vespasian
and poor Vespasian now minds the bees

I am the Emperor
and all must admire
when I sing
or play the lyre
for I’m also a god...





Time kicks Nero*

2
But Nero goes to extremes
Rome burns, Nero kills
and soon events turn against him
and the Senate declares him
Enemy of the State
and Nero kills himself;
and the beekeeper Vespasian
through events played staccato by time
becomes Emperor Vespasian
and begins construction of the Colosseum

And Emperors too die
and I think I’m dying
Hey - help me up
for an Emperor must die on his feet
And hey! you know what?
I think I too am becoming a god!
Seán Mac Falls Jun 2015
.
The oceans are dying,
Coral reefs are bleached,
Ghostly acidic in the seas,
Climate is changing, not for Nero,
But for subjects who wait in whirlwinds
Eye, underneath uncapped mountain peaks,
And water is draining underground.  Where is
Reason, where is sense uncommon?  Not with
Elected hands who are wringing to lords of zero,
Whose legions are sent off, engaged in foreign wars,
To scathe, faraway dramas brought back home,
Politicians squabble, as they reel, cashing in,
Seals of unapprovals, witness hollow, low rings,
Infrastructure crumbles, above our dry heads,
And Nero plays his fiddle, in a land of perky dead,
John Lennon said NYC was in reality the new
Rome, soon set to burn, in a decade or so,
Nero knows, Nero plays, could give a ****'
Humanity is Nero playing his fiery fiddle
There is only one issue of news that matters,
Not bread, or circus, Kardashians, or deflated
Footballs, it is our survival, the earth, heating up,
Is angry and we are small, deaf, blind and numb,
A mankind of fools with Nero playing his fiddle.
Popular legend claims that Nero ( the 'Mad Emperor' ) played the fiddle at the time of the great fire of Rome burning in 1st-century.
Seán Mac Falls Aug 2017
.
The oceans are dying,
Coral reefs are bleached,
Ghostly acidic in the seas,
Climate is changing, not for Nero,
But for subjects who wait in whirlwinds
Eye, underneath uncapped mountain peaks,
And water is draining underground.  Where is
Reason, where is sense uncommon?  Not with
Elected hands who are wringing to lords of zero,
Whose legions are sent off, engaged in foreign wars,
To scathe, faraway dramas brought back home,
Politicians squabble, as they reel, cashing in,
Seals of unapprovals, witness hollow, low rings,
Infrastructure crumbles, above our dry heads,
And Nero plays his fiddle, in a land of perky dead,
John Lennon said NYC was in reality the new
Rome, soon set to burn, in a decade or so,
Nero knows, Nero plays, could give a ****'
Humanity is Nero playing his fiery fiddle
There is only one issue of news that matters,
Not bread, or circus, Kardashians, or deflated
Footballs, it is our survival, the earth, heating up,
Is angry and we are small, deaf, blind and numb,
A mankind of fools with Nero playing his fiddle.
Wraithlike shadows swiftly crawled toward a miami public chess table, dark green ivy growing along the fading checkered table top. the shadows slithered onto one of the benches, swirling upwards until they formed the shape of a dark toned young man, dressed in a long black punk-style trench coat. he wore leather gloves adorned with old runes, as was his black shirt and bandana he wore to keep his white hair back. there were a few chrome necklaces around his neck, the largest being a pentagram on a heavy chain. he sighed and waved his right hand over the table, demonic chess peices appearing beneath his touch, each one crawling with miniature demons on a blackened spire. he closed his eyes impatiently and let his dark aura spread over the surrounding area. the ivy on the table withered and died instantly along with the flora and fauna within a half mile of him. his eyes glowed a deep red
and his teeth, all of them incisors, extended into fangs. he was startled by a light voice behind
Him, "Leon. this is not the time." leon turned his head swiftly and growled, his features softening as he saw that it was the man he wanted to see. "Luminae... on time as usual. hows life in the Upper?" luminae wore a bright white suit, resembling human armani. he sat down adjacent to leon and waved his own chess peices into existence, each an angelic being weilding swords. they turned to be too bright for leon's eyes and he donned his red-tinted, coffin shaped shades. as the plant life began to regrow, luminae replied, "same as usual... holy war everywhere. i'm only allowed to see you now under supervision of three others." as he said that, three more men stepped out along the paths, clothed much like Luminae. leon half grinned, half scowled at luminae. "the boss had similar orders." leon snnapped his fingers and a trio of demons appeared next to the white clad angels. swords appeared
in the angels hands, ready to potentially cut down their enemies, but luminae waved away their
Suspicions. leon also commanded his overseers to remain shadowed. "you start, luminae."
luminae waved a simple angelic pawn forward, saying, "shame you can't join me in the upper, brother. how's the Foothills?"
leon countered by moving his knight, a grim reaper on horseback, dripping blood on the board, "dark... fiery... what else do you expect from hell?" he wore a deep scowl on his face as he said It, emphasizing the last word. "not a bit of sustenance as far as the eye can see.." luminae had seen through the disguise already, seeing that leon was little more than a charred, demonic skeleton, the fake-flesh creating what used to be the leon that they had known in their earlier lives.
as the chess pieces fell, they either burned or were saved by the opposing side. it came down to their final peices being kings and a single bishop on each side. luminae paused a moment, "you've gotten better at chess."
leon looked away, "its not chess... its a warning.. we are the bishops, luminae."
Luminae looked at leon, eyes narrowed to slits. "what do you mean, leon?"
leon sighed and waved a hand over the board, the peices disintigrating and forming a black scroll with bright red lettering. luminae dared not touch it, but read it, a look of shocked horror creeping across his face.
leon continued, "brother, boss wants me to **** you. you know what happens if we die again.." luminae nodded and waved the peices back into existance, seeing the Holy one as his king, and the ****** one as leon's. he looked at the bishops and saw in detail both of them, superimposed onto the peices.
"how long do i have to prepare, brother?" luminae gripped the hilt of his sword.
leon stood, "its already begun..." out of nowhere, tendrils of darkness wrapped around leon's arm and formed a jagged sword. the fake-flesh had begun burning away, leaving leon's true form, sinister and horrifying, shining black before luminae. empty eye sockets gazed at luminae and a hollow moaning shook the new-grown trees.
"goodbye, luminae." leon began to sink into the ground, falling into the Foothills. luminae watched as leon's guardians transformed into cackling ghouls and were released to wreak havoc on the world. luminae snapped his fingers at his own guardians, who followed the ghouls and destroyed them. "goodbye, brother..." luminae looked back at the four chess peices remaining on the board. he walked over and picked up the demon bishop, now safe to touch, depositing it in his pocket after clutching it tightly against his chest. as he touched it, he felt leon's sorrow, regret and anger. he felt little pity on him, though they had been like brothers in their pre-life, they were sworn enemies in the After. these chess games had been their only way to meet and relive a moment of their old life, granted by the High one and The ****** once every ten years under a neutral pact.
luminae also picked up his bishop and gave it a blessing, replacing it on the table for leon to retreive.
luminae sighed and
walked to the guardians. they all took a prayong stance and uttered a line of scripture, and then they were gone, leaving the park as it had been.
* *
Nero felt the intense flames licking at him from below as he descended. as he plunged deeper, the flames receded but the heat remained. when he finally touched the ground, he walked a winding path, past the ****** souls, each in their own private hell. nero scowled at them as he passed and stepped to a long sloping wall. he shook the gloves off his claws and drew a perfect pentagram into the side, opening a hidden tunnel system. he stepped forward and waved the door closed, then continued walking down the passage, the walls depicting numerous sins, ****, ******, deception, lust, and other such evils, all of which Nero had committed. he walked faster, to satan's chambers. the devil sat boredly on his seat, watching the same smokey images of his minions at work. "nero. welcome back to the foothills." the devils guardians set about beating nero until he could barely move. "you didnt ****
the angel, scaly *******. why?"
nero grunted and attempted to stand, "i wanted more of a challenge,
Thus i let him prepare."
the guardians let him stand. "interesting. but when you face him, you better have enough power to defeat him. i shall bestow upon you the power of ten thousand of my highest demons, do not come back empty handed, or each of their ****** souls will burn in your cursed chest."
the guardian closest to him and punched him in the spine, sending him to the floor. "un-understood... sir..."
a pentagram glowed on the floor around him, and he was bound to the spot. he felt a deep cold in him and then an intense burning as he was given the powers.
all according to plan...
*
luminae turned a corner on the golden street, the massive mansions towering over him. there was only one that he sought though, The Holy Ones' mansion, and his throne. he walked tentatively up the steps to the open gates, and stopped when he heard a commotion. he stopped and turned his head, seeing an angel, covered in runes, obviously a warrior as he had a fighter's vest and a sword in a
Scabbard. the angel had just jumped through a window and into a crowd of people, chased by a few Enforcer class angels. they locked eyes for a moment and luminae raised his hand, flashing first one finger then four. the one winged angel looked confused for a second and stood there in thought. luminae gestured towards the main gates, seeing the enforcers locate the one winged angel. the angel fled and luminae continued up the steps, hands in his pockets. *recruit number one...

* *
Favour Jan 2011
Nero was an Emperor
A very unkind one
He wanted everything as he planed

He decided to burn down a city
Which people really loved
Nero burnt down the city and got the blame
Was Nero going to be blamed forever?
NO!

He then accused the Christians
The innocent Christians did nothing wrong
But still got the blame

So Nero persuaded the people and them it was the Christians
Who caused the fire
But it wasn’t true

And then came the persecution of the Christians.
I don't know the real history of the story, this was based on what I was told.  
copyright 2011
In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
Mateuš Conrad Sep 2018
.oh, i almost forgot, a post-scriptum as a pre-scriptum... what's the difference between Nero and Caligula? why does the bible defame Nero, and ignore Caligula? Caligula was a psychopathic ***-addict in comparison to Nero... Nero, a troubled soul, an emperor-artist... i could never lay my hands on a critique of Nero... Caligula was much worse, yet the bible doesn't cite him as a spawn of... wasn't Agrippina... who i think she was? Caligula, teased as a child for a nickname with regards to the legionnaire boot... could be worse, could be ****** made fun of his surname... as i was when i was younger, and then much older... but Nero, the fragile soul of a poet... mad, sure... but at least overcome with all, if any, emotional response... aren't those guys at Linux autistic? you know, the ones rebelling against a code of conduct? oh... i see... time to pick on the autistic kids then? fair enough!

oh come on man...
the internet used to be so much fun
a couple of years back...
these alternative journalists
are becoming... droll...
  same ****, different cover,
i'm almost happy i'm not asking
people for money or selling
stuff to viewers...
   i don't like soap opera,
never did, never will,
esp. English soap opera...
****'s so fresh it hit the fan
and the fan is spinning and
the **** is getting coverage by
exfoliating its supposed,
perfumery into the air...
that's done...
    i just like my westerns from
the 1960s...
my sudoku...
  my Jack n Charlie
  (enough of caffeine in pepsi
to leave you riddled),
my Julian Windig -
the moon, the stars,
and all the space, visceral,
but somehow un- breathable
in the gloomy thickness of
the night...
      but... given this whole
charade of the cloak of anonymity...
i can give you my home address...
and i know a decent part
of a reduced forest made into
a park...
  we'll have a few sly slugs
of whiskey downers...
  then we'll face off
burning cigarette stubs on our knuckles
till we reach the soft pouches
of our flesh, and wait for a month
for the skin to grow back...
and we'll talk...
   i'm currently reading
about the Ellie Soutter tragedy...
suicide, aged 18...
prettiest girl in the whole wild world..
snowboarder...
          i'm serious:
you want certain aspects of a DOX?
but my rules...
we go into a forest and
have a drink...
and then we put out the cigarettes
we're smoking on our knuckles...
hell: what's fun if the fun
doesn't invoke a pain?
****'s still stuck to the fan...
i'm getting whiffs of: strawberries,
and Coco Chanel...
   maybe both...
   but then again...
i guess i'm the one with the *****
to propose this meat-ing...
      such a pretty girl:
devoured by the world...
  shame, really...
   and all these girls who cut...
****... you want a tattoo and self-harm
at the same time?
putting out cigarettes onto
your body is the way forward!
am i attempting to inspire
the practice? NO STUPID!
    but i guess we men always
were more willing to... EXPLORE,
variant avenues...
    i can't believe the internet
was fooled by focusing on an introversion
of its content creators...
   but, hell...
i'll post you the address,
then the coordinates to the spot
in the woods i like to frequent
when winter comes...
  a few whiskey slugs and a few
cigarettes later...
  and we'll be... CHUMS...
hé hé!
    Michael Jackson style of that variant:
he said, she said...
  but from what i've seen...
no chance in hell, some mutt,
will take the offer...
                     i only hide:
behind a mirror,
   and with that:
that's hardly hiding to begin with;
but no, i don't like urbanized areas...
throw me into the thickening
darkness of
               a deforested wood
made into a mark...
  and tell me to walk blind...
   it's as if...
                   my pupils dilate outside
of the iris, and consume the sclera.
Chris May 2019
Nero is bald,
He's also fat,
He's ugly and devilishly fast.

Nero's a killer,
Nero is here,
He's ugly and his voice is clear.

Nero is angry,
He's madly mad,
He's ugly and so, so sad.

Nero is real,
He's truly true,
He's ugly and he lives in you.
stop me
Nero was not worried when he heard
the prophecy of the Delphic Oracle.
"Let him fear the seventy three years."
He still had ample time to enjoy himself.
He is thirty. More than sufficient
is the term the god allots him
to prepare for future perils.

Now he will return to Rome slightly tired,
but delightfully tired from this journey,
full of days of enjoyment --
at the theaters, the gardens, the gymnasia...
evenings at cities of Achaia...
Ah the delight of **** bodies, above all...

Thus fared Nero. And in Spain Galba
secretly assembles and drills his army,
the old man of seventy three.
DaSH the Hopeful Oct 2014
I feel life from the words I write despite them being words I slurred over night it's like I fight but my pen is the sword of course I force myself into creative prospects I expect to wreck what in front of me is set
I wondered what would happen if I ruled the world gimme a shot at the top I'm not Clinton I only need one girl but seriously I hate this place controlled by industry it's ****** me up the environment and desire for right went out the window when the dead presidents kept talking from beyond the grave the money you made won't matter so cut it like a beanstalk

DaSH:
And fall into a pool of tears
From all the single mothers over all these years
Tucking youngins under covers
Undercover trying not to let the pain show through
This is the same strong woman that still holds you
Even though you're older and make your own decisions
Its gotten colder in the later years just wishin
You could go back to the beginnin
Back to when **** was simple
And all you had to do was listen
To another bedtime story
Next thing you know you're drifting
Away from all these problems and all these lights
Fluoride will **** our dreams they tell us to brush our teeth and cringe when we say reality bites
But I'm just trying to figure what's more important
Being myself
Or being Your kid
Just another thought from the tortured
I can feel the flames lick my body 'fore the torch's lit
Society's trying to burn us
And if they think they can teach us before they learn us then its straight out the frying pan and flying into the furnace

Nero:
I'm all alone like a watchtower my life turned sour but I'll devour any chance to **** up fools with rhymes perchance I'll leave you entranced with my writings but I'm sliding off topic so dash if you're ready then go a ahead and rip because we're cyphering on some poetic mafia ****

DaSH:
**** clips in the toilet with the ******* safety off
******* blood royal flushing with my king homie Alucard
All your ******* are old and lack any kind of support
So I'll hang em make their back straight with that ******* IV cord
If this cipher is random
Hope they deal with what I hand em
Four grenades a box of tampons
Watch these ******* explode while standing above the commode
Uncan them
The whoopass they deserve
Then im swervin in their hearse
Hopping over every curb
Speeding through every sharp turn
I love to watch their bodies burn
I love to catch every single ash between my teeth and eat them
DaSH is such a beast you freed him
By acting like a priest
When youre a demon in the streets
*******, capish?

Nero:
Alucard the damphir ******* blood like canned beer I'm near my apex others are below I'll free flow like arkham you won't question in a session when I leave your ***** barkin rhyme sparring call me Ali all these fools stay trying to Rock me like cheap Versace but I'm high quality leather built for your pleasure linkin words together you'll take home and treasure like Sinbad I don't sling crack but my rhymes are the pipe because reading this I know your *** got addicted tonight

DaSH:
Slicing high up on their frame
Like I'm aimin for the throat
Lots of gore on the floor
Need a boat to stay afloat
The walls needed more paint
You donate another coat
But I don't need your ******* charity
I'll stumble and I choke
Before I ever let you get to me
Before you start ***** you'll be history
How you ******* plan on ending me?
Just get Gone, Girl, be a mystery
DaSH the Hopeful Feb 2015
Nero: Deep cover another 187 on these hoes with my flows ya know I riddle like little Italy Punisher life Frank castle I slice ******* up like cattle I'm a lover but undercover like Eddie Griffin my brother I'll slice up ******* and leave they men in the trunk nervous with trauma twitches I'll cement up your shoes I'll use my pen to get the message to you headless hunters I'll be the soul edge and slice the heavens asunder I can feel it in my head and soul I'll reap with the flow and grow the flowers on the tombstone I'll make ya ***** moan and groan while I **** her in your stead while she gives me head I'm deciding who's the next to be blessed from the deliverer of death

DaSH: Kept the switchblade in a balled up fist
Probly ******
Off a lot of *******
But got longer lists
Like ******* who tasted blood soon after my ******* gotten licked
Threw up on my ****
And promptly dipped to get the shotgun grip
***** spit
Got me not wantin to work these long *** shifts
I know im sick
Smell my aroma tell its ebola when
I walk up in the room
Shut up talking and get a stronger whiff
Im the kid who was too demented to have gotten picked
For any extra curricular
Anyway I was busy plottin how to get to ya
Radio waves confuse em make em **** themselves
Silly me Billy Madison was happenin
And i was in the back with Chris Farley doin smack again
Rappers get smacked with used **** pads
A ****** *****
Is all I'll ever be in their eyes
But in mine,
All I see is bodies burning alive
Dusting off the rabbity
that squirrely tempo anxiety,
closing in with night.

The irresistible pattern
the irrational illogical fight
a battle with one’s discipline,
mirroring our might.

I make it home a fluttering
belly twirled and muttering,
I tell myself tis alright!

The damage done, and everyone,
I’m just like them and millions more
succumbing at the Devil’s door.

And the taste, the burn,
the healing calm,
the shaking and the thinking gone.

Knock one back, slam out another
night is early, rock it brother,
Tying on a swilly swirling
buzzed-out brain and mind a twirling. . .

“Ahhhh…”

I feel better now, exhilarated,
exasperation falls to stout resound;
I pour again and knock it down!

“Ahhhh…”

Spinning now, not to say I’m spun
but choosey choosing several a pun
I see myself an accomplished one!
Yes, that’s it, that is me,
look upon with thoughts of glory
yank open the freezer for glass that’s hoary. . .

How cool am I? certainly not boring
all night I’m here, pouring, pouring. . .

Buzz subsides, thoughts slow too,
lurid leering, slobbering swearing,
stupid actions and nothing new?

I lose the bottle,
I lose my shirt,
***** on myself,
pass out in dirt.

Another night of drunken hero,
time that’s wasted for kingly Nero.
But who am I to judge myself?

I’m hardly worse than anyone else?
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
NeroameeAlucard Jul 2015
The ballad of Nero and Echo

This is the ballad of Nero and Echo two friends had met
In millennium park where we lay our scene
Yes I did make a Shakespearean reference
Not to do so would be obscene

So anyway the friends are by no means typical
Because they possess a talent that's lyrical
When two writers meet odd things happen
We talked with my notebook,

The very same I'm writing this in,
It's simply a few pages back
And though some have us as an OTP
I'm happy echo is my friend personally
Mateuš Conrad Feb 2020
.i have come to realiße that... it's not so much what you write about... but the mere fact of writing... i can't imagine myself being subjected to something, like a narrative, or furthering a character study... i can be the object of whatever is whimsical enough to come into my head of its own accord - i want to forget forcing something to come into this puncture, this dam, this incision that i am coordinating... and it's not that i'm objecting to something, but i am not going to subject myself to - no more than a whim, of its own desires... with no attached: i think so too... it's not about what i write anymore: it's the fact that i write... if i'll be able to spew 3 thousand words tonight... i'll be content... because... i know that i have crossed the threshold of not being left "satisfied": nonetheless constipated by an instagram haiku... mind you... that's a very troubling hindsight note you have in there... wouldn't an object the size of the earth... in a vacuum of space... create its own winds to imitate movement? there is no wind on the moon... yes... and we're talking hindsight from 420BC... the moon landing happened in the 20th century... let's give it some times before that becomes an obvious hindsight too... do you feel movement - rotating - did the turkish dervishes help at all?

the fine line between: competition and corporation,
otherwise known as a: very, very, naive poo'em...

by a definition alone:
it's not so much concerning whether this
would ever become a capitalism vs.
a communism "debate"...

after all - i'm ref. walking a tight-rope...

of the latter, verbatim:
'an association of individuals,
created by law or under authority of law,
having a continuous existence independent
of the existences of its members
and powers and liabilities distinct from
those of its members'...

can i just point out, foremost,
in an environment of competition laws can be bent...
to add to: the spectacle...
the athletics doping scandals:
it's within a spirit of competition...
the sprinters are not corporating for give
a spectacle... they are competing...
for the the spectacle...
ask me again the difference between...
what used to be a competitive event
done during leisure hours...
and what was a leisure event akin
to reading...
and ask me again: the difference between
taking part in the event of competing...
and watching a competition -
and what had to be involved to give
the spectacle its architecture...
i don't think it was so much competition
as it was corporation... never mind for now...

after all... how many times have laws
been bent when watching a football match?
the passing of law is hardly an objective
crux that so many "rational" and logic-"riddled"
people stress - can be made by one man...
sure... laws in vivo - science and what not...
these objective safety-nets...
that can lead to endless to-and-fro...
but i hardly think... man is capable of passing
objective laws: in vitro... notably in -
           in unum: omni...
unless that's a schizophrenic metaphor...
which is already a metaphor when
tested on a bilingual brain...

how many people did it take...
to pass: the earth rotates around the sun?

the heliocentric model...
genesis in the west from philolaus,
heraclides ponticus,
pythagoras (hindsight...
wouldn't an object moving in
a vacuum of space... create winds of
its own?)
aristarchus of samos,
then onto philolaus of croton -
anaxagoras; whoever was
debunked by ptolemy... then so many years...
until enough time passed...
before people could take the plunge and
be certain: for old time's sake with
copernicus - well the people have been sleeping
for long enough...
enough time has passed and we can pass...
this objective truth... that the heliocentric
model is true and that the pharaohs held
no authority as the sons of the sun
in the static geocentric model...
likes Xerxes ordering the sea to the be whipped
to calm down... and become a lake...
some pharaoh must have had a wild
idea telling a sand dune to stop moving
or seeing some mt. sinai said: shrink!
so instead be said: let's build us a... perfect pyramid...
a mountain that looks... geometric from
both afar and near!

or at least that's what Homer would have
said when visiting Giza: Δ'uh!

so a single man is somehow justified
in passing an objective truth?
unless the mob encores...
but what about the jury - a trial without a jury
is any trial at all...
murky ground if you ask me...
i don't expect man to pass...
judgement for a universal equilibrium...
but what i do expect is that:
he doesn't think he's capable of this: grandiosity!
clearly he's not... the objective reality
of falling... the subjective: i'm right as
allocated the status judge: therefore i'm standing still.

competition in a medical environment...
only in the realm of psychiatry...
and the mine-field of misdiagnosed misfortunes...
but i hardly think... competition is a catalyst
for getting surgery done...
corporation, yes...
among farmers? a rare treat....
a hobby pursuit for a selected fraction of
the crop... the dear-to-my-heart "g.m." tomato...
but all the other tomatoes... need to be harvested...
but this my pet-tomato... which needs to be:
THIS BIG! another matter...

sport and competition...
but work... and competition?
no wonder work and competition,
rather than corporation gives end results as...
who's wearing the most trendy sneakers?
who's social media account requires...
the most editing? who's child is the one with
the smartphone? etc. etc.

the bait of the poo'em is that it's naive:
but i think it is - so there's that to begin with...

i still can't fathom that "capitalism" was solely
promulgated on competition -
i'm still having to address the "model" as...
having to retain a "socialist" aspect akin to corporation
to get away with... what later became:
an all out economic "war" of competition...

naive utopian of me to somehow huddle
at the fireplace of corporation...
work - if so many people hate their work...
what would be the only gratifying
alleviation? and i'm pretty sure some places of work
are less about competition: and more about
corporation - as i write this...
the british national health service...
some people will compete by cutting corners...
competition will lead to doping scandals...
competition is... an Elisium for the few
and... a crab-bucket for the some...
call them the 10% cliff-hangers...

i've noticed it in poetry... slam poetics...
what not... this affair is already riddled with too many
****-up ****-wit window-lickers:
of which i am primo...
but i don't think it necessary to compete...
this was never about competition...
not every work is required to be
tinged with competition...
sometimes... it's just better to corporate...
do... undertakers compete?
do... postmen compete?
last time i heard: each is allocated his volume
of letters... it doesn't matter whether
he finishes his chores before the other postmen...
no postman is stupid enough
to take up someone else's allocated letters...
the first finishes his chores sooner...
the latter works overtime without pay...
it's a corporation of endeavours...
all the same... but there is no need to give these
postmen running orders when
they can walk the ******* mile...

competition within the realm of sport is one
thing... i guess a long time ago...
some people engaged in competition: sports...
to escape the general lagging begin plateau
of corporation... Rome wasn't build in
a single day... others dedicated themselves to
slouch and sloth of expanding the cranium
by reading a book...

the naive is still the bait...
is conscripting in an army...
about competition... or following orders and hierarchy
and therefore: not solely about corporation?
hierarchy you ask...
well... wouldn't that be something borrowed from
plutocracy / nepotism?
competition in an army environment...
what if you're in the royal guard
competing at what... shooting more blanks
into the sky expecting to shoot down the moon
at a wrestling-match fake
of staging of a state funeral?!
the cannons sounded... and that's all these
ever did... they were shooting with
empty wallnut shells! the wallnuts were
eaten by gunpowder gremlins long ago...
before the pomp & circumstance was shot
with: aenemic *****...

this is not a capitalism vs. a communism
debate... communism was riddled with nepotism...
come to think of it...
capitalism is not there yet...
but it's already there...
from what i've heard...
capitalism as this utopia ideal is not a meritocracy:
exceptions are made...
cicero was an exception of the roman empire
under nero...
exceptions and genetic freaks...
is this still a naive poem?

i can understand where competition works -
notably in what jobs it might work...
but most jobs require a stable work ethic
of corporation...
perhaps all self-employed entrepreneurs...
"perhaps" have no corporation in mind...
to a greater degree of orientating themselves...
in that corporation is: outside the bracket...
if everyone was suddenly...
self-employed... there would be no fear of...
the robotic onslought to come...
at least then... the microcosm would open...
and there would no longer be any employees...
just self-employed facets of...
"corporations in name only"...
which they already are...
corporations in name only...
given that... the corporations are no longer
competing with each other...
they have consolidated on a monopoly...
and since they are no longer competing with each
other... they have designated their former...
inter-competition into a hierarchal intra-competition
of "employees"...

can a bus driver, or a tube train operator compete?
by law... you can only drive a bus for 8 hours...
to operate a tube train... you can do X number of hours...
and these include breaks... necessary breaks...
can you find competition in these:
ultra-corporative environments? no!
capitalism might think it is necessary to scare everyone
into: the robots are coming! time to be self-employed
and compete! compete!
but some jobs are still: primed to corporation!

could i ever see undertakers competing?
in times of a spiked demand - during a plague...
what is healthy in sport -
is not necessarily healthy in a workplace -
after all... most people detest earning money -
it's a chore - mind you: do i enjoy writing poo'etry?
am i being paid for writing it?
no... i am "volunteering"... for the love of
the art... for ****'s sake... nothing more!
nothing less!

is this still a naive poo'em: yes... sorry...
i forgot to be caustic and there's no rhyme... my bad...
but this is not a capitalism vs. communism
tirade... from the yoke of the soviet union...
i learned from my mother that...
flues weren't really that prominent...
not until the 1970s...
by then it was a common theme...
biological warfare... while the crown-virus has
yet to claim a life outside of the mandarin
genetics: in the age of propaganda journalism:
you hear a "truth" one day...
three days later you're singing along to your
own "biased" / solipstic narrative...
after a while you have to adopt the "autism"
of solipsism: the world can only bite so much
out of you... you have to turn to standards of delusion
to match to their: from the many, one...

in sport, competition is the "zeitgeist":
it's not a metaphor, it's a misnomer...
but given the " " ditto brackets - i'm tired of looking
for the: "required" word... sometimes...

by the 5th definition of competition...
it's not as direct as corporation, competition
needs to borrow from an -ology...
again, verbatim: 'rivalry between two or more
persons or groups for an object desired in common,
usually resulting in a victor and
a loser but not necessarily involving
the destruction of the latter' -

what is untrue about this is that...
the destruction of the latter is paramount...
at least these days...
am i to believe that capitalism was not,
not ever, tinged with a belief in corporation...
that it was always, somehow, only about
competition?
what was communism born from?
when did the abolishment of serfdom happen
in russia? 1861...
the abolishment of slavery happened
in england in 1865... 4 years after...
but... but!
in russia? the slaves were thought of as...
people from within russia...
in england? the slaves? en route a trade from
one foreign place to another...
wow!
all slavery: either foreign, or domestic...
and to think that communism was a "failure"...
hard to imagine... truly hard to imagine...
given that... communism was born...
4 years prior to slavery in general was abolished...
of foreign to become "nationals"...
what does english he-he-history tell us about
native slaves? four years prior to the slaves
moved from africa to the cotton candy fields...
there were slaves that were not: ***** out of africa...

reperations who's who?!
why didn't capitalism bloom in russia...
why will it never bloom - oligarchs and...
currency of modern western capitalism:
nepotism...
who is jared kushner?
mr. cushions mr. cushtie...
mr. minted in: network baron...
slavery was abolished on the international scale
in england in 1865... four years after...
internal slavery was abolished in russia... 1861...
isn't that the sort of wow you were expecting?!
so when was slavery-slavery abolished
in england?
again... if internal slavery was abolished in russia...
4 years after slavery on an international
stage was abolished...
communism was a failure because: per se...
or... was communism supposed to be...
a short-cut attempt to catch up to capitalism?
was it a failure in catching up to capitalism?
in the 2008 financial clash...
where was Poland? recession free...
again... communism was a failure per se...
but... was it a failure in terms of catching up
to capitalism?
to me... it's still catching up...
when again... we're talking... freeing people...
only 4 years prior to people who would
otherwise still be... rummaging the romances
of Kenya and seeing no albino tourists sipping
brandy on their shores...
perhaps better for the whole load of us...

i ask, again, in my naive way...
that's the difference between competition and corporation?
not much...
a football team needs to compete with other football teams,
but it needs a corporative methodology behind it...
you can sometimes spot a maverick who wants
to be the solipsist in the team and become
nothing more than the top goal-scorcer -
then again: a kevin de bruyne and the number of assists...

if there was to be a level playing field...
everyone was to be self-employed...
what fear from robots?
competition on a ford's:
each man is a cog in the assembly line...
you can't compete... were you supposed to?
i thought that the only reason sport
was fun was to be compete and corporate...
it wasn't solely about competing:
not even in tennis are you ever competing...
unless you're serving a ****-ace...
competing but also corporating:
for the spectacle: with 19shot rallies...

to reiterate: this is a really naive poo'em...
is has to be!
- again... before capitalism became this hell-scape
spiral of: fear of robotics / a.i.:
let's just see if we get enough self-employed
people on board...
oh sure: the self-employed undertaker...
the self-employed bus-driver...
i'm sure there was, what's not called:
a "healthy spirit of competition" in work related
niches of existence...

i'm an alcoholic living among workaholics...
not a pretty sight... believe me...

i'm sure that capitalism... must have began
with: a "healthy spirit of corporation"...
that one henry ford would benefit more than
all the assembly line workers: fine...
the brains is allowed the conscious efforts
to move the eyes, close them,
use the jaw... bite... do magic with the tongue...
the liver has no knowledge of alcohol...
the heart isn't exactly aware of either veins
or arteries... fine... a henry ford cigar can get
away with thinking he's not adding
a chimney to the whole affair...
or a rhine-valley load of chimneys...
the stomach doesn't know what taste is...
sure as **** the small intestine knows
what it feels like to be a woman:
should it find itself unfortunate to have
a hitchhiker tapeworm attached to it... etc. etc.

but i imagine the capitalism had a sense of
corporation before...
it worked too many psychopathic sport analogies
into itself... precursor to the fear
or a.i. robbing people of their jobs?
testing people in a self-employed job market...
again: oh sure... the self-employed undertaker...
the self-employed busdriver!
perhaps a self-employed cabbie...
a self-employed surgeon?
how would that work?

        what's that? the cult leader... would not find
a job status match... in a corporate market of ideas?
then a ******* maverick he is...
esp. with such dates as: the brian jonestown
massacre hovering over his head!

perhaps i am naive is reiterating:
work implies corporation rather than competition,
in that work implies chores...
i've seen this in my father -
he doesn't underand household chores
on the basis on corporation -
he understands them on the basis of competition...
and he's to somehow... take pleasure
in the "free bread and circus"...
when the circus is not what it used to be?
once upon a time: the circus involved
men... who were footballers...
but they also did part-time metallurgy work...
they would clock in at a certain hour...
then be let off work to play a football match...
they weren't paid: professional:
disappropriate wages...
because their "work"... was over-inflated
by the gambling syndicate dicta...

there was a utopia in Poland...
it lasted for... roughly 30 years... from 1945
through to 1975... after that the herrings
didn't want to be pickled...
the baltic sea started to boil and the fish
strarted to froth at the mouth...
it's not a nostalgia segment: i was born in 1986...
this is mythology: curating the temporal
standards of modern journalism...
history: what time ago?
50 years? elvis was abducted by aliens...
n'esst ce pas?!

slam poetry competition with fellow:
poo'em eaters...
can i jut take the armchair with Horace?
i don't feel like competing...
what am i competing for?
volume... a new YA novel?
i will not ***** language...
even if it is a language i acquired:
and it's not a tattoo native first come first served
expression...
this is not a capitalism vs. communism
affair...

all the: towel in champions of capitalism
have made it clear:
start a traditional family, start a farm...
milk some goats...
pluck some eggs... living the dream:
brown fingers and all...
                       way way out from competition
in the workplace...
so... no need to corporate...
solo does it...
                                and if i'll be needing some
milk... i'll likewise claim: an autistic
pension and enough barren land to feed
goats organic glue and toilet paper that
magically morph into... a propaganda poster...

olim truncus eram ficulnus, inutile lignum:
once i was a stump of fig,
a wood without use... this is my best Horace:
thank you, goodnight...

what is to be competed for?
rather: what it to be retained, kept, status quo
enclosed... this pride for corporation?
competition in the workplace can only go as far...
not all professions can allow competition...
some will forever retain their base:
corporation...
to compete outside the realm of sport...
sport... those with enough awareness
of the body would pursue it...
those with a bit more brain in tow...
wouldn't... the ghost limb terms:
there's nothing of note
when it comes to competing with i.q. in
mind... or corporating...
there's this ancient feat of "solipsism" and
self-bettering... rather than running
the "expected" mile...
was capitalism always this:
chicken-shack-shackled into... wishing to squeeze
out drinking water... from pig ****?

again... this is not as easy give-away
that it's a capitalism versus communism base scrutiny...
all the eastern european laid-deeds have made it into
their chandelier filled land-allotement sights of
better ****** that gynocentrism...
i don't mind...
      yes... because among the bulgarian strip-party
i'm the ottoman janissary turned
well spoken sheikh... when morocco is given...
a fictional name... and i'm the Ali
that rubs Muhammad's lamp and
averts the... most ****** schism...
oh sure... Islam would be a pure religion...
and they would be allowed to complain about
porky-pies...
but... you see... how long did it take
for a schism to emerge between the orthodox grees
and tha catholic italians?
how long did the islamic schism take
to grovel and dig trenches?
not that much...
after all... Shia... Persians... Ali Woke-oh-Haram...
and the ****'ite... the ***** muslims...
the Saudi bin-Ladens...
well... that schism... didn't take that long...
some whisper about a schism in the monotheism
of the hebrews...
ha ha! i write ha ha... but even i have to laugh
out loud... a monotheism an inbreeding
of something more than genes...
fix the idea... and continue!

by now even i know that christianity has reached
a status of polytheism...
it's the same jesus... sure sure...
via no other than the orthodox,
the catholic, the protestant (calvinist, lutheran)
standards... or the baptists... or the jay-***-***-V-and-G
standards...
next thing you know: the vegans are
the gnostic monks!
because it has to be a joke at this point...
if christianity is a monotheism...
i'm mother theresa and that albanian
that stole george w. bush' mickey mouse's watch
on a state visit...
so to complete the holy trinity...
i'll be... alastair campbell... always for the giggles...

an alcoholic among workaholics...
who always had the satan's postbox concerning
the niqab... the same ones who were to be always
quoted: the beast from the east...
jesus is coming! look busy!

i mean... no need to look busy...
when the high a tide is making a comeback...
would you believe it?
if you saw the words... united kingdom...
england, scotland, wales... ireland...
that this was not moldova?
this is a language these are letters so arranged...
by an island-dwelling folk?
if you're the first, driver...
shotgun! who are we smuggling in the passenger
seats behind us?

imagine my surprise at the rereading,
with the typo: a missing (s) in letter()
and a missing (d) in arrange(d)...
i call them... the lost key of solomon...
or my own personal, hybrid,
hard-on...
oh god kept me with a phallus...
while giving all the angels a proper chopper
of the ol' wood... **** to stump...
i'm the one that wasn't circumcised!

and all i now have to sing about... is...
a forest of pines! a forest of pines!
pines pines pines! yippy caye!
Michael Marchese Apr 2017
Prometheus ignites to spark this
Molotov to make his Marxist
On swine Fuhrer's Faux News tweet
Hashtag it #GorbachevWallStreet
'Cuz Putin's puppet Pinochet's
Whipped Creme de Kremlin's CIA  
From JFK to Allende
Like Russian roulette ricochet
I'll Trotsky through McCarthy's brains
Leave slain these ****** sugar Keynes   
Discred' the Fed’s six-figureheads
With strikes at dawn more red than Debs  
Still breakin' breads with Mulan Bouges
Makin' men of Khmer Stooges
Seein’ Rouge when Al Spans Greens
Potemkin loan wolf ponzi schemes
Who count the sheep like Philippines
Then Black Pearl Harbor GRANMA’s dreams...

Of Marilyn Monroes in store
Just off-shore ****** who **** the poor
A Glass of Steagall's broken trust
Half emptier than bowls of dust
In rust beltways still spewin’ fumes
As factories become Khartoums
No carbon footprint tax the hint
Of Amazon decays in Flint
Just pop the caps and drown in debt
Like Kent State drinkin' to forget
That cuttin’ class engenders race
Leaves glory, gold and God's disgrace
To slaughter Moor than Reconquista  
From Marti to Sandinista     
With Zapata sharin’ crops  
Till my Mexica heartbeat stops

I'm Pancho infiltratin’ villas
The Magilla of guerillas
In the midst of Congolese  
Same colonies, just different thieves
To me, my breed’s of landless deeds
So how you like ‘dem Appleseeds?
FReeducatin’ caves of youth
Fed Citizen’s United Fruit
‘Cuz now my open eye of Horus
Battle cries Grito de Lares
Che is centered in these veins
So my Ashoka takes the reigns
These Iron paci-Fists pack hits
Like Jimi on some Malcolm ****
Still Hajj mirages I barrage
The Raj with sheer Cong camouflage

Deployin' Sepoys on viceroys
And pol desPots’ in the employs
Of Tweedledums who run the slums
With country clubs of loaded guns
These Betsy Deez bear arms to school
Till no kids fly kites in Kabul
So gas-mask your Sharia flaw
I'll Genghis Khan Sheikoun it raw  
'Cuz refugees are rising
And we're anti-socializing
Subsidizing private party plans
Who take commands from ***** hands
These grand old klans coup klux control
Your diamond minds with mines of coal
An oil Standardized existence
Solar powers my resistance

******* sun of Liberty  
My fear itself is history  
Rewriting wrongs of Leo’s creed
In culture’s blood and vulture’s greed
An alt-right/all-white cockpile   
Stockpilin' human capital
In tricklin’ contests over spoils
Of the cotton-ceded soils
Jingos chained to Cruci-fictions
Swallowin' good Christian dictions
I spit Spanish Inquisition
Trippin' Socrates sedition
Droppin' Oppen's fission quest
For "now I am become death"
'Cuz G-bay pigs in-Fidel's sites
Flew U-2's into my last rights

These Saddamites, I smite Assad
Then spread 'em like Islamabad
Convert for-profit prison tsars
From Escobars to Bolivars 
Like currency in Venezuela
Current police-state favela
Where 9/10th's of your possession's
Worth less than your Great Depression’s
Upscale bail ‘em outs of jail
With Dodd-Frank banks too big to fail
Your FDA-approved psychosis
From Campos’ daily dose of
More defense? Here’s my two cents
These slave wages ain’t excrements
So just say no to Reaganomics    
Got us hooked, but not on phonics

Just that Noriega strain
Of Contras stackin' crack contain
Like MAD dogs who trade weapons-grades  
For Ayatollah hate tirades
On “don’t ask, don’t tell” plague ebonics
Drug crusAID Jim Crow narcotics     
Warsaw rats injected, tested,
Quarantined, and then arrested
Guess the J. Arbenz' lens
Still Tet offends their ethnic cleanse
Still Wounding Knees of Standing Sioux
Till Crazy Horses stampede you   
For Mother Nature’s common ground
My Martin Luther’s gather ‘round
Is hellbound sounds of Nero’s crown  
Let's burn this Third World Reichstag down

Vox populyin’ to remove ‘ya
Like Lumumba then Nkrumah
So some Pumbaa kleptocrat
Declares himself the next Sadat
To hide supply-side Apartheid
Increase demand for genocide
So check your factions in Uganda  
Tune into Hotel Rwanda
Come play pirates with Somalis
Then desert ‘em like Benghazis
Thirst for blood so French Algiers  
It boils mine in Trails of Tears  
My destiny unManifest-
Oppressive Adam-Smitten West
So pay your overdues to Mao
I’ll Mussolini Chairman Dow

Then flood this 9th ward Watergate
With killing fields of glyphosate
I'll redistribute IMF’s
With Left so deft you’d think it’s theft
I’ll My Lai massacre these lines
With sweet Satsuma samurhymes
I'll make these Madoff Hitlers squeal
With that Bastille New Deal cold steel
Now feel that Shining Pathos wrath
Drop Nagasaki aftermath
On Nanjing kings and dragon’s Diems
With ****** bodhisattva zens
To show you how I pledge allegiance
With razed flags still rapt in Jesus  
Laosy liars pogrom psalms
Can’t Uncle Phnom my Penh’s truth bombs

On heroes shootin' ******
My fix is un-American
Tiananmen democracies
To Syngman Rhee hypocrisies  
Theocracies drive me Hussein
With Bush league’s mass destruction claim
So I dig laissez pharaohs graves
With pyramids of Abu Ghraibs
Then nail their coffers closed like Vlad
I AM THE GHOST OF STALINGRAD
My hammer forged in winters past
My sickle reaps the shadows caste
By pantheons of penta-cons
Whose Exxons lead to autobahns
When liberal Arts of War and Peace in
Free speech teach my voice of treason
“Fascism will come to America wrapped in a flag and carrying a cross”
-Sinclair Lewis
NiTSUDD Oct 2017
Living little less than the right way
I've turned all my friends to stone
Weary legs carry me
To the river
Wash off everything I've known

I've seen dead flowers on the way
And crowds of people all alone
No charity tempts me
To deliver
Now stinginess I don't condone

And I don't want to roam
Too far from my home
Don't want to leave it all away
The world seems small
When you have it all
Oh I wish that I could stay

When I arrived the river had frozen still
Ole Neptune saw no other way
If I could only find a little time
To ****
I'd be out here all the day

And I don't understand
Why I'm branded where I stand
Don't think you know how it might feel
It doesn't take
Much for a heart this cold to break
Without a hope ever to heal

And when you hear these words
Next life my friend
I don't know where I'll be then
If there's one thing
This world has shown
We borrow everything we own

Oh to reap what I have sewn
Oh to reap what I have sewn
Oh to reap what I have sewn
Oh to reap what I have sewn
Brennan Ancona Dec 2014
for the false, convict, predilection for insane mumblings to cease into a void of hell, Nero indulges in the waters of the lethe, to forget life, the void, god.

to burn our cities, temples, is to drink, but to eat.
eat, mind you, the key to our temples, and dare not drink, least burn thy gods before unlocking their secrets, delectable enlightenment.

eat, and let the void's blackness of death be lit with the magnificent magentas, mauves, and cyans,
hue of inconceivable reaches of the potential of empty.
the psychedelic ****** frolic and feel,
pain sensual and dominating.

to the banks with Nero and his abyss of black,
let the cruel absence be filled with the blood of Nero, and the spectrum of our minds.

eject that horrid emperor for your self and your self's liberation from yourself. the ego, burns with Nero, in the fiery waters of the lethe.
I found this on my old laptop, I wrote this after my first time drinking Whiskey, this was also the last time, made evident by this poem.
Terry Collett Jul 2013
Anny Horowitz
pressed her nose
against the glass
window pane

of Nero’s coffee bar
where you sat drinking
coke in ice in a glass
her ghostly

blue eyes
peered at you
a smile lingered
her small hands

were palm flat
on the pane
so that her lifeline
and headline were visible

where she pressed
you beckoned
with a nod
of your head

for her to come in
and she came in
and sat in the seat
beside you

her phantom
1940s clothes
seemed neat and clean
and her blonde hair

was ribboned
and looked fresh washed
Anny’s hand touched
the back of your chair

her eyes searched
about her
the fingers
of her other hand

toyed
with an empty glass
on the small
round table

she talked
in her soft voice
and asked about
the drink in the glass

and you told her
and she smiled
and was fascinated
by the bubbles rising

around the ice cubes
a couple came in
and a took a seat nearby
he went off

to order drinks
and she sat
and looked at you
then away again

not seeing Anny
sitting there
Mozart music
playing

in the background
Anny sat listening
her head
swaying slowly

to the music
she said
she remembered
the music

her feet
in black shoes
swung back and forth
under the chair  

she said
at Auschwitz
they played music
but it made her sad

to remember
you took out
your mobile phone
and spoke into it

did they play Wagner
at Auschwitz?
you asked
she said she thought so

the woman nearby
looked at you
wondering who
you were talking to

then looked away
what is that?
Anny asked
my mobile phone

you said
phone?
she said
it’s like the telephones

in telephone boxes
years ago
but smaller
and you can go around

with them
in your hand
Anny nodded
but the woman frowned

giving you a stare
you sipped your coke
nice and cold
refreshing

against heat
coming through
the coffee bar window
Anny gazed

at the woman
then put out
her hand
and touched yours

and it was cool
and soft like silk
as if a breeze
had blown

against your skin
you gazed
at her ribboned hair
her blue eyes

then she faded
and was gone
just the nosey woman
giving you a stare

not knowing
your little Jewish friend
had come and gone
and was no longer there.
Anny Horowitz died in Auschwitz in 1942.
Robin Carretti Jun 2018
She, "City' cafe cat
But we would do
anything
for a cup of coffee right?
Where not the punctual
calendar girls day or night
The territories

(My Heaven's) steep spoon swirls
How it became the show
Guys and Dolls
Coffee of diaries souls
How a fortune of words
can burn a cup
One sip out of you just ****
At least my flavor trip
I did a lot of long walking
Sipping below his sea level
Hialeah slim blend
The firelight is
glowing
 Beloved by brown warm eyes firefly
This one is the long
sip to meet him bewitched

The Spanish fly
always on his cup trim
More Sambuca  Italian coffee
but why is this so long_
mouth stretching
Another long wait
To get the creamy shining
Knight
My light long
way home
Queen bee cream and
sugar delight, not honey
cleverly cupped
international trip money

The charming Knight
Over the coffee feeling
  camelback
She brews her
fulfillment
he massages her skin
On the fortune road
coffee beans "Parliament"
One long sip enjoyment
Brown leaf so Autummy
That long trip something
is falling
Good body flavor his calling
She neighed into
his love fire dim text
The desire long
extension
all wired

I just want — to — hold you — Egyptian

King with her cherries bing
I never heard of that coffee?
Got like jewels shall bling

One big fortune her vocal chord sing
we work harder to be more
golden winning goes to _
__

The winner holding beans
Eyes of fortune Emmy fascination
(Sweet Carolina) honey so much more
blossom into her coffee such luster
bean amazingly guilty hey buster
Feeling so fortunate
how he reads into her expression

The Lord is my shepherd is coming
but hesitancy in her response
Then the next kiss would be with
her coffee embrace could he afford her
Also, her Sophia seduction like
styled camped
Safari how coffee became
the love cure for illnesses
how it healed hearts and asthma

(Her Vows) desireable boiled bows
Buganda Kingdom
I love you in the morning shore

What an obsession fortune beds
of Coffee, fingertips trailed to him
because he couldn't let her go
completely loving coffee and she

He cupped her in his
broad shoulders so he
Let’s be creative and
think of fortune names

Fortune:

Richest self-made millionaires
the rim of my coffee cup

I see a fortune flowing one long
trip faces glowing

Howard Schultz Forbes fortunes from scratch
I guess he saw his beans clearly no eye to patch
So the name like "Starbucks"
Knocking on heavily cup the
woodpecker chucks trip of coffee perks
That billionaire
secrets
is Facebook
Mark Zuckerberg
entrepreneur what a face
nothing more just faces
Will I get an idea the way they do?

Let’s open the (Gate Bill)
micro-soft computer,
French roast bold what was
really told
Hungary England how he
survived the **** Budapest
now he trying to save
other refuges with 500 million

Like her tiny cup of Turkish
heavy sediment Istanbul
Oceans storms her Grecian coffee
Also, her mind was dazzled but rambled
by the intruder
Leaving her all different coffee flavors
Like a fortune of familiar words
One knowing about coffee?
The “Spicy Taco” I felt I was in a
spiritual environment
of the Mecca in the holy city
Stephen when he went to her place
he would try so hard to protect her

Seeing the fortune coming inside the
amber water fountain
She knew his (Grecian Island)
flavors so well
with cardamon meet lovely (Cinnamon)
The coffee so sinfully the game
backgammon and chess

How love came in many Cafes parades
of the New Orlean Carnival
the Turkish armies "Parisian ****"
women and Men
Robes Pierre French revolution
What an evolution world cafes
Long ago far away 1600 Pope Clement
V111 pleasure full cup of Turkish coffee
very popular business thinkers

One golden ticket most expensive coffee
(Starbucks) the trip of a lifetime
(Cafe Nero)
Please bow to (Grace Kelly) coffee
Princess of Morocco how people
are looking more exotic back
in fortunes bed and ***
One long lie what to be said
Doing the Egyptian coffee dance
Exotic love Islands and France
How she Sophia waited for him in
bed nakedly the "Egyptian silky"
love sheets pour the crystal eyes
milky
((Fifty flavor))
shades of coffee her
eyes opened he
saved her with her
special blend
The depth of loving his hands
melted inside of her coffee
He was her love intruder
sending
her all his coffee flavors
For an instant, their eyes
met like the grains
of heat, she was drowning
in his honey brown depths.
One long Coffee trip my way of telling this coffee-lite all over the website story I hope you have time for my fresh many flavors to enhance your love life even if your single may e in a whole bean better or married to a fortune King you know how to get you coffee he serves you hot and boiling mad but at the end of the coffee *** your siling money glad
Mateuš Conrad Sep 2015
in that, beyond good and evil, there's on femininity and masculinity; we already know of st. thomas' account about how the masculine needs to made into feminine and vice verse... no wonder such teachings in the undercurrent of our life, that we went beyond this and started doing likewise in the framework of good and evil; but there's hardly a dualism within the four 90º, while the tetragrammaton opens the gates to geometric phoneticism, which does not work in the hebrew depiction of the tetragrammaton, only in latin, because in latin one will not see a vision but reveal, having heard but not seen, and when inserting a thought into an experience: a satanism that said: i'll be satan and change this choir into moving stars and send a telegram to the aliens! should i see man loose all dignity in warring with himself that ended in napoleonic trust for man and man on the battlefield - because what she offered most men can get, and what i was offered only one among the billions, and in history about three, get.

so while some attempts at a sensual proof were not
granted, only one was, through moses,
and obviously through elijah - as sensual proofs
go, the proof of moses had to be fused with
a cognitive remainder, since, given the fact
that the torah was written by the supreme outsider,
the book depicting elijah was written by a true insider,
yet the cognitive realm which these two operated in
is a pure mystery, given the fact that sensually,
the staged rifts were short lived, yet too long lived
cognitively, having to argue, cite and disagree with
moses, who dragged the most sensual distortion
into the cognitive realm.

so as cognitive proof-arguments go, they are simply that,
more cognitive proofs lead to more argumentation,
but little sensuality, such that the paid need for
theological argumentation that leads to no sensual
precipitation enters the realm of holocausts,
whereby idle and vain cognitive proofs have no sensual
******, only more "thinking;" paid thinking.
and when the sensual proof for the non-existence of god
appears, like the holocaust, all those accumulative
"proofs" from the cognitive realm... end up like midgets...
and everyone's awe taken aback, because so much
cognition was left undisturbed, that the senses are prompted
for a disaster! why would i want cognitive argumentation
if i cannot seek and find a sensual guarantee?
where's the sensual ******, if cognitive argumentation
climaxed to the fine tuned 1 + 1 logic is a sensual anticlimax?!

the odd thing is walking the neighbourhood with beer and hand
waiting for the indian heatwave, but as i sooner realised,
this type of drinking is no good - the shelter of the garden
is where i find laughter - on the street making miles
i find anger - and as i noticed a day prior:
beer in hand, cigarette burning the lung forests,
watching a clear night sky, seeing a boeing boast
engine ***** high up to sound like i drone - that
universe forgets i can claim a nighttime hemisphere of sounds
with that boeing, even though the daytime skyblue is blinded
by a dilated pupil,i can feed that massive vacuum
of emptiness and keyhole glitter a mishap and a chance
to study less celestial geometry to endeavour out of this
haven.

prompts a maxim this verse does:
no one around me in my shape or walk -
tall enough to reach the sky, but
dumb like a thirteen day old butterfly, still flirting with the flutter.
***** you were born as the caterpillar old man,
now you're a fever of beauty in colour,
and only for two weeks, or even less if nabokov is about.

well, crescendo!
when simon magus stood with st. peter at nero's throne
the stage was like the two women with solomon about to cut a baby in half.
it was scened within the following framework of details:
st. peter started to sing bon jovi's 'lay your hands on me,'
with alternative lyrics - let me lay my hands on you
with the power of the holy spirit.
nero replied: lay your own hand on yourself, get away from
me you ***** *******, that holy spirit of yours, the one
you said is a personality but really isn't is just another form of:
celestial chaining; magus simon, what about you?
so simon magus came up and said:
i'll whiff you a smokey vision of caligula learning
of philosophy as read by his talking horse *incitatus
.

i wish for praise here on originality, but i heard of this one,
the talking horse of caligula by the one and only zbyszek herbert,
and in quick translation the poem reads -

*says caligula:

from all the citizens of rome
i loved only one
incitasus - a horse

when he entered the senate
the unblemished toga of his fur
glistened immaculately among hemmed with purple cowardly
                                                        ­                           murderers.

incitatus was full of virtuous bounties
he never spoke over me or spoke in general
a stoic nature
i think that at night in the stables he read philosophers

i loved him to such an extent that one day i decided to
                                                              ­                   crucify him
but his noble anatomy countered such a feat

he bosomed the position of consul with dignified apathy
he held power to the helm with a cupful of water
spilling none in a drunk waiter's swagger,
meaning he used none of it with the entitlement

it was impossible to make him bow to long lasting bonds of love
with mt second wife caesonia
alas no lineage of future caesars arose - centaurs

that's why rome crumbled

i decided to nominate him a god
but on the ninth day before the calendar days of february
cherea cornelius sabinus and other fools obstructed these godly intentions

with calm he received the message of my death

thrown out from the palace and sentenced to exile

he accepted the burden with dignity

he died heirless
butchered by a thick-skinned butcher from the township of anzio

of the posthumous fates of his meat
taticus is silent with regards to.
Alan Maguire Mar 2013
A is for Adam the Aardvark and his band the African Ants
B is for Broderick the bumble bee who thinks they are pants

C is for a cynical cat named Crusoe
While D is for Darwin the delightful deer
E is for Eric the elephant who always drinks my beer
F is for Fernando the Fox but in Spain he known as  Zorro
He lost his wife Matilda last week and is now brimming with sorrow
G is for Gerald and yes he is a Giraffe
He wore odd socks last Tuesday and made Heinrich the Hyena laugh
Imelda is an Iguana and she is quite immense, though she is really old but has unstoppable sense.
Jack the Jackal has a regular name but he is an assassin and has a pretty good aim
K is for Kimberly who happens to be a kangaroo but she doesn't live in the outback anymore because she lives in London Zoo

Laramie the Llama lives south of the United states , he loves hiking in the mountains but one thing he hates, is being mixed up with Arnie the Alpaca.

Monty the Moose loves drinking maple syrup and playing ice hockey,
yes he is a stereotype but I am his Jockey
Nero the Narwhal is the unicorn of the deep, he loves scaring sailors and loves to sleep
Olive the Orangutan is a neighbour of Kimberly the kangaroo
but they have a plan to escape from London Zoo.

Pug is a Pig , just a regular pig, but he wishes to be ferocious and really big
Quentin is a quail and buddies with Pug, he likes eating sunflower seeds but never a slug
Ramon the Rhinoceros also dwells in the Zoo and is part of the escape plan with The red ape and kangaroo , he'll actually be the one to bust them out,
but to get his attention you really must shout.

Sylvia slithers, Sylvia is sleek if you were a mouse and saw her, you'd go EEK!
Terence T. Tiger is terrified, because he was asked to escape from the Zoo,
yes with the Red ape , Rhino and Kangaroo.

Ulysses is a horse who super glued a horn to his fore-head , he wanted to be the last known Unicorn because he heard that they were all dead. Vincent is a Bat, just a Vampire Bat,
he doesn't really like blood but is enemies with Crusoe the Cat.

Warren the wolf has many female fans but spends half the day with Eric the Elephant drinking my cans .Xenops is not an alien , it's just a rain forest bird, I'll give you more info as soon as I've heard
Y is for Yul and I don't mean the bald actor , this Yul is a yak but does watch the X factor
Z is for a Zebra named Zak and yes he does know the Yul the Yak , they were introduced by a certain kangaroo, and now it's their job to visit London Zoo
Marian May 2014
Your face captured my attention
And those eyes so hazel green
A quick glance to the left of my
Computer screen and I saw this
Beautiful black male cat was
Tested FIV positive
Now my heart aches--yearns for
You, my handsome boy
My heart goes out to you
I am so sorry, dear one
That it had to be this way
Tears clog my eyes and sobs
Fill my throat
My heart is pounding in my chest
Now I want you all the more
My trembling lips can barely even
Mouth those four whispered
Words of comfort
"I love you, Nero!"

*~Marian~
Dedicated to a cat I found on Pet Finder yesterday!! ~~~~<3
Here's the link: http://www.petfinder.com/petdetail/28822665/
Hope You Enjoy This Poem, My HP Friends!!! ~~~~<3
Mateuš Conrad Aug 2018
i've moved past my belief
in the Christian trinity...

for me...
the meditation stands
on the pivot of
the following translation

the hexagon,
start of david -
which translates
as the Holy Ghost -
which denotes
a congregation...

the pentagon?
of the befitting analogy
to the five senses...
the "son of man" -
or simply...
the myopia of man
having to excavate
the sixth sense
using telescopes,
microscopes, the like...

and, finally?
on a hand of five extensions,
there are four...

the square...

  Y                    H

            ⠁⠑              ­       read clockwise
                                      like English traffic
H                     W            on a roundabout.

which? denotes the father...
    if the Hebrews "think" they
can hide their vowels?
   the Latin answer is...
   to interpolate Braille into
their language...
    
  and Emperor Nero would have
appreciated it...
whether with, or without
the Byzantine propaganda machinery
of the nevus testamentum...

and it wasn't a propagandist
piece?
    how much longer did the eastern
Empire, outlive the Western
empire, when the onslaught
by the Ottoman's reached
                  Constantinople?!

the Greek were craving
a cultural revival!
        they believed the Romans
to have origins in Troy!
they plaid the weakest cultural
card of Judaism,
revamping it into Christianity...
hell... that's what i believe...
and i'm not about to meet
a Jehovah's Witness propagandist,
or some aged Pakistani
citing the Quran on a park
bench...
  or some Scientologist
on Oxford St. with his wacky
machine...
  or some pseudo Hare Krishna
monk with a book about
some guru, pushing it like
marijuana...
   to change my mind on what
i'm digesting!

plus?

  ⠽                   ⠓

              Æ                   ( read anti-clockwise)     
                                      
⠓                    ⠺

fits in perfectly into the Adam
and Eve narrative -
as with all mythology -
given the extent of time...
    nuance, metaphor...
abbreviation...
                   ars poetica!
Tommy Johnson Apr 2014
Winnie the Pooh is trying to think
As are Plato and Socrates
While The Little Rascals get rambunctious
And The Marx Brothers cause calamities
Jim Jones stirs the Kool-Aid
And Georgie Porgie makes his move
Bo Peep and Miss Muffett start to blush
Red Ridding hood just swoons
The Muffin Man does a deal
With Johnny Apple seed
These beings and people our real
In our Surreal Reality

******* lets the paint splatter
And Moses parts the sea
Belushi buys an eight-ball
Bruce is on trial for obscenity
Rorschach is on the case
Right behind Sherlock Holmes
John the baptist goes for a swim
Along with Brian Jones
Jack and Jill meet Hansel and Gretel
They're hungry, they're thirsty
These figments of imagination do exist
In our Surreal Reality

Rasputin was so evil
As bad as Captain Hook
Now was it ** Chi Minh or Nixon
Who said "I am not a crook?"
Mao Zedong looked at Stalin
With a shared murderous grin
Booth stormed the Ford theater
And shot President Lincoln
Kennedy and King we're both casualties
Of the process of the deciphering
Of our Surreal  Reality

Zeus said to Aphrodite
"Wow, you look real good tonight"
And Handel says "Hallelujah!"
As the Wright Brothers take flight
Baby Face Nelson
Teams up with Dillinger
Moe, Larry and Curly
Mengele, Mussolini and Adolf ******
Three bears, three little pigs
Along with three blind mice
Sit together, while Maurice Sendack
Cooks them chicken soup with rice
Charlie Bucket had a buy out
Wonka gave up his factory
Fiction or nonfiction it's all a apart
Of our Surreal Reality

Chicken Little tried his best
To warm The Little Red Hen
Of the sly trickster
They call Rumpelstiltskin
Rimbaud applauds Leonidas
And his 300's final stand
Da vinci  paved the way
For both Newton and Edison
Folklore and war heroes
And those with intellectual mentality
Are all just pieces
Of our Surreal Reality

Wee Willie Winkie's scream
Wakes up Rip Van Winkle
But not Sleeping Beauty who's been asleep for thirty years
But has no acquired a single wrinkle
Caligula has lost his mind
And Nero's lost his fiddle
What does Beethoven's hearing aid
Have to do the March Hare's riddle?
Abbie Hoffman fights for civil rights
Thomas Jefferson for democracy
Products of the conceptual
In our Surreal Reality

Berryman writes an ode
To Washington's wooden teeth
Manson speaks of Helter Skelter
Neruda damns the fruit company
Charles Schultz frames the story
And Seuss gives it rhyme
Some where far, far away
Taking place once upon a time
And the villagers all had omelettes
Thanks to clumsy Humpty Dumpty
It's all food for thought
In our Surreal Reality

Santa brings us presents
And Cupid bring us love
But we can never get back
The members of the 27 Club
Warhol makes his movies
And Buddha meditates
Joseph Smith reads the golden plates
Mohammed and Jesus save
Theses figures bring people hope
In life's dualities
Trusting faith
And our Surreal Reality


Han Solo is in carbon freeze
Don Juan's preoccupied
Sinbad sets his sails
Simple Simon didn't get his pie
Caesar looked at Brutus
Brutus looked at Saddam Hussein
Hussein looked at L. Ron Hubbard
Who prayed to Eloheim  
Dionysus can out drink us all
We cringe at Achilles fatality  
As Ra soars through the skies
Of our Surreal Reality

Aristotle says to Shakespeare
"Well Billy you old bard"
Frodo trades the ring of power
To Fidel Castro for a Babe Ruth Baseball card
Biggie and Tupac write their lyrics on paper
Ted Bundy is put in jail
They're making another skyscraper
For King Kong to scale
Hemingway is too far gone
Kant's take on morality
Einstein says it's all relative
In our Surreal Reality

Churchill said victory
John Lennon said peace
Judas gave back the silver
Then hung himself in a tree
Tojo and Kim Jong-il
Wanna be as cool as Brando and Dean
George Carlin warned us all
Now Hermes leaves the scene
So do the butcher, the baker and the candle stick maker
Followed by Old King Cole and his Fiddlers Three
As they make their way to find
A sense or Surreal Reality

Odysseus pines for Ithaca
Paul Bunyan chops the trees
The Jersey Devil has not been found
Noah herds the animals by twos not threes
Anubis wraps the mummies
And Augustus leads Rome
Bugs Bunny laughs with Pryor
All at the expense of Job
So what can we all make of this
Is this all actuality?
Symbolism or nonsense?
Realistic Surrealism or Surreal Realty?
Mateuš Conrad Aug 2018
.  i really don't islam right now, as far as current archeological unearthing goes, circa mid 20th century, islam should look back onto its schism - and debate itself... whether or not Ali was, or wasn't given Muhammad's word as the just inheritor of the religion... since Muhammad broke, or rather, never kept his honor / promise to his son in law... mind you: the new testament could only have, and indeed did, only benefit the Byzantines (i love the variant of punctuation... bi-zan-tyne vs. bee-zan-teen)... and who do we know of, to be a respectable of both history, and the collective memory, from the Byzantine empire? not one... even by my standards: that's ******* harsh... the new testament was like a second Trojan war, against Virgil's aeneid... because why would the new testament even become beneficial to the western Empire? had it not disintegrated into protestantism, and subsequently secularism... the existence of the new testament has a time, and a space of supreme utility... the second counter of the Greeks against the Trojans... in the mythology of the Romans being the exiled Trojans... and, at its pinnacle, within the Byzantine empire... of course... but outside of it? like a **** inside a tornado... now if i were to rewrite the divine comedy... who would i take as accomplice? Horace? or Milton?

             if you ever read the footnotes...

  oh no, ******, you're not getting

away with this...

why is the mainstream media
concerned with the dead sea scrolls?

they're an extension of
the Hebrew tradition -
   they invite a debate concerning
the prophet Isaiah...

   the dead sea scrolls are an extension
of the old testament...

but the nag hammadi library -
which, "miraculously" emerged
within a coincidence of the
dead sea scrolls: simultaneously -
at the end of the second world...

right...
     the nag hammadi library is
no an extension of the new testament:
it's an... implosion...

     crucially: st. thomas' gospel...
which is contained in the library's oeuvre...
yet the mainstream media
thinks it's necessary to bother itself
commenting on the dead sea scrolls:
if you ain't a Hebrew,
the dead sea scrolls are,
seriously of no interest to you...

but the nag hammadi library?
    sure as **** it is...
              the whole investment in
myth, the Seth project -
              st. peter's apocrypha...
mainstream can go and **** itself
wondering why,
the dead sea scrolls were not
released for the public for 30 odd years...
mention the nag hammadi
library, and the ******* are twice
as clueless...

then you read the footnotes...
ah...
           the historical account
of josephus bin matthias -
   about the first jewish-roman war...
in the time of Nero...
      when the book of revelations
was written... as no precursor -
               by some obscure Greek...

as having inherited Christianity -
but not having moved in
the bureaucratic hierarchy -
   allowing myself
    the rite of confirmation:
baptism?
     oh yeah... ga ga goo doll
chant of a protesting toddler -

                there's this fine book,
by a german author,
concerning the gnostic cults...
can't remember the author's name...

evidently if i were hebrew -
i'd occupy myself with the dead sea scrolls...
but since i inherited some sort
of christianity:
                  i can tell you -
you need to look at the nag hammadi
library...
     concerning christianity -
the dead sea scroll fascination
   is probably on par with
the rejection of the old testament...
what the mainstream media
isn't telling you,
   is concerning the nag hammadi
library... unearthed in Egypt,
by some shepherd,
      incubated for, circa, 2000 years,
in some urns,
   in what appears
            to be Osama bin-Laden
                                  style caves...

what josephus bin matthias
wrote... and this archeological find?

thereupon felix -
               'a greater blow...
   was inflicted on the Jews by the Egyptian
false prophet. arriving in the country
this man, a fraud who posed as a seer,
collected about 30,000 dupes,
led them round from the desert (john
the baptist scenario) to the mount of olives
(the transfiguration scene),
and from there was ready to force an
entry into Jerusalem...
   the Egyptian fled with a handful of
men (the 12 disciples)'...

   because wasn't Jesus raised in
Egypt?
              and the archeological evidence...
where was the Christian apocrypha
found, in 1946 by a shepherd?
         Egypt.

dot dot dot...
      why would i even care about
the dead sea scrolls?
     the dead sea scrolls, last time i heard,
concern the wrongly executed prophet /
courtesan, Isaiah -
  who was cut at the abdomen
                        in an execution...

the crucifixion of Hey-Zeus is not
some cherry on top of the calamity that
befell Jude(a)...
            in its liquidation,
in what became the liquidation of
                    the Roman Empire...

but... i am curious about the nag hammadi
library -
            honestly:
   if the Vatican didn't have its head
rammed up the ******* cardinals' ***...
it could have escaped under hush-hush
closure...
   and the orthodox texts would be
left intact...
             but... given they have been
so ******* lazy about covering
this up?
    
    what happened to the Library of
Alexandria when Christianity
took the populist route?
                   em...
                         whatever "secrets"
are bound to the Vatican library...
   when a naked truth is staring you
in the face?
              does it really matter,
at this point?

                       not really...
     apart from retaining a catholic poetic
elasticity to the faith,
i.e. allowing metaphorical cannibalism -
i see... no point to be an Atlas
for the church...
   rather... a Samson -
            lodged between the pillars -
pulling it apart.
tangshunzi Jul 2014
Vow Renewal ha davvero bisogno di presentazioni .Perché appartiene Gene Simmons e la abiti da sposa on line sua splendida moglie Shannon di Kiss !E.a parte il folle .folle d'amore che tutti noi sappiamo che condividono .questo duo sa anche come ospitare un impressionante bella festa - con file di Pretty in Pink .schiocchi di favoloso e una devozione a tutte le cose ballare degno.Creato da Lady Liberty Eventi + un cuore Matrimoni con fotografie di Trish Barker .c'è molto di più nella galleria .

Condividi questa splendida galleria ColorsSeasonsSummerSettingsAl FrescoStylesModernRomantic

Dal Liberty Woodman di Lady Liberty Events.I hanno conosciuto Gene e Shannon per anni ed era così eccitato quando hanno deciso di rinnovare i loro voti alle Hawaii !Abbiamo collaborato con i talentuosi One Matrimoni cuore che gentilmente hanno contribuito a portare tutto il glamour alla vita!

Gene e Shannon volevano un incontro molto intimo dei loro più stretti amici e parenti di essere una parte del loro rinnovo di amore .Abbiamo deciso di fare un palato nero .fard e oro per riunire l'atmosfera glamour e moderno.con il suggerimento perfetto di nervosismo .Il progetto per questa occasione era semplicemente incredibile e era la rappresentazione ideale della loro morbida lato romantico mescolato con il loro rock \u0026rotolare personalità !

All'arrivo gli ospiti hanno fatto la loro strada attraverso un bianco appeso all'ingresso 25ft parete del fiore .dove erano seduti a splendide vignette in stile.Una combinazione di divani vintage.pouf e poltrone accentati con moderni cuscini neri e blush tiro .creando un ambiente opulento per i posti a sedere cerimonia.Flutti che scorre biancheria coprivano le pareti e soffitti .mentre blush e avorio nastri proposto come lo sfondo perfetto per la sposa e lo sposo a dire che faccioènuovo.Affiancato da lussureggianti centrotavola di ortensie e un corridoio personalizzato in mostra il loro monogramma .la passeggiata lungo la navata era niente timido di stordimento .gene \u0026Figlia Shannon ' .Sophie .ha messo insieme una cerimonia calorosa e cordiale e con l'aggiunta dei loro voti personali .non c'era un occhio secco in casa .Poco a poco gli ospiti sanno che ci sarebbe stata una cerimonia a sorpresa da seguire!Shannon illustra la sua sorella Sara .e il suo sposo Greg .felice di poter condividere questo giorno speciale con loro.Sara \u0026Greg ha proceduto con più di una cerimonia tradizionale stile hawaiano che ha aggiunto un'aggiunta unica e incantevole per i festeggiamenti .L'amore era certamente nell'aria !Come la coppia ri - sposato.e sposi fecero il loro ritorno lungo la navata.gli ospiti gettati petali che sono stati elegantemente presentati in sacchetti di rete a ogni sedile rosa .Gli ospiti

diretti verso l'area cocktail .che si è svolta sotto un albero magnificamente fiorito che è stato appeso con centinaia di candele appese .Un albero augurio visualizzazione degli ospitiècarte escort perfettamente ondeggiava nel piacevole brezza hawaiana .Le melodie contemporanee suonate dal duo stringa a condizione che il suono perfetto come ospiti sorseggiavano un cocktail speciali e mordicchiò bocconi .Gli ospiti

sono stati poi invitati a fare la loro strada in reception e zona pranzo .guidati dal suono di freddo jazz suonata dal vivo banda di 9 pezzi .La tavola era apparecchiata con biancheria blush frizzante .carica d'oro eposate e nero cristalleria moderna .Ogni impostazione è accentato con neri abiti da sposa on line laser taglio plexi Consiglio vetro carte.che sembrava incredibile contro il rossore e oro toni .Overhead .festoni di blush tendaggi e lampadari splendidi con sfumature nere fornito una magnifica atmosfera .Oro candelabri \u0026votive oro mercurio sono stati mescolati con le modalità lussureggianti che consisteva di fragranti rose da giardino e ortensie stabiliti nel colpire le navi nere .Le sedie erano vestiti con flirty battiscopa blush che fatica complimentato il paesaggio tavolo .La vivace verde vivente che circonda la zona e il suono luce delle cascate perfezionato l'aspetto della sala da pranzo .

L'enorme pista da ballo bianco incandescente con Gene \u0026Monogramma Shannon ' stato circondato da 4 .100 £ lampadari floreali che erano semplicemente bocca caduta .Vignette Petite circondato il pavimento e sono stati accentati con personalizzati monogramma cuscini di seta dupioni con ricami in oro .Una volta che tutti hanno fatto la loro strada verso la pista da ballo .feste la sera ' aveva appena iniziato !Shannon aveva chiesto karaoke per abiti da sposa corti la ricezione .così abbiamo pensato



così cosa c'è di meglio che avere una band suonare dal vivo come la loro musica di sottofondo !Sophie ( Gene e figlia Shannon ' ) ha iniziato le danze via con la sua interpretazione diè eeautifulèeè et Ultimoè?mentre i suoi genitori amorevolmente ballavano tra di loro e hanno accolto i loro amici e familiari a unirsi a loro sul pavimento .Gene saltò sul contrabbasso .mentre .Sophie \u0026Nick ( i loro figli ) ha cantato tutta la notte .Hanno sicuramente tutti scosso la casa .e ci siamo divertiti tutta la serata !
la serata si è conclusa .Gene e Shannon sono stati presentati con una splendida torta 3-tier .che consisteva di due livelli oro con finiture nere.e un livello inferiore di perfezione filodiffusione avorio rose .Mentre gli ospiti erano riuniti attorno .un solo cuore matrimoni avevano sorpreso gli ospiti con una giornata di modifica video l'intera attività serate .ogni ipotesi era in soggezione .E 'stato il modo perfetto per concludere questa bella raccoltaèsi poteva assolutamente sentire l'amore nell'aria

Banda : Jimmy Mac \u0026 The Kool Kats | Dress Brides 1 : . Jenny Packham | Dress Brides 2 : Badgley Mischka | Cake: DesignerCakes | Restauro : Sugar Beach Catering | Sedia Covers : Wildflower lino | Coordinatore / Progettista : Lady Liberty Eventi | Assistenza design: bianco Orchid Weddings | Designer : Matrimoni Un cuore | Fiori : Uno Matrimoni cuore | biancheria: La Tavola biancheria | Fotografia : TrishFotografia Barker | Luogo Carte : Pitbulls e Posies | String Duo : Don Lax | Luogo : Haiku Mill | caricabatterie: BBJ LinenBadgley Mischka è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Wildflower Lino.un'orchidea da sposa bianco .INC .BBJ e Lady Liberty eventi fanno parte del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Wildflower Linen vedi portfolio un'orchidea da sposa bianco .INC vedi portfolio BBJ vedi portfolio Lady Liberty Eventi visualizza
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Gene Simmons Vow Renewal_abiti da sposa 2014
NeroameeAlucard Oct 2014
From birth my beauty condemned me, a sacrificial lamb for slaughter.
Beauty was a curse in my land, for each and every daughter.

The monster in the castle, Dracula would be his name.
Always hungry for ****** blood, and it was his right to claim.

Stealing a moment before I go, I took a bottle of sweet red wine.
Hoping that a drunken stupor
would help me with my time.

For days he kept his food alive, who wish that they would die.
I sat at the moonlit pond, and for my fate I did cry.
I come from a family, who's wholly dreaded
Because to the church we are indebted

I took up my family's sacred weapon
A holy whip, the vampire killer, after leaving home into Transylvania I treaded

I wandered aimlessly into a forest
Seeing Draculas castle on a hill,
My blood boiled and my family's voices were urging me to go pursue the ****

I stopped in a lonely clearing and Sat down with the whip at my side,
I looked up and saw a beautiful maiden carrying a very fine wine

As I walked the path, to the castle on the hill.
I saw the man upon a rock, my heart did calm and still.

He offered me some food, I shared with him my wine.
I stopped to sup with him, dragging out the time.

If I could love, this man I would choose.
Curse the fates and Dracula, because of them I lose.

I listened to his voice, shy to reveal my name.
I just want to stay here forever, safe and far from pain.

I whisper my name, after hearing his " Nero".
My lungs all but froze, and my heart rate went to zero.

A wonderful name
for a wonderful man.
My love was growing, but not part of the plan.

The time grew late,
I soon would have to go.
But I knew I was his,
I could feel it in my soul.

His story he did tell, the aim to destroy the beast.
The very same one, who on my blood would feast.

"Aurora" so simple yet supple, it rolled of the tongue
I knew that I loved her, I knew she was my only and one,

The problem was I was facing an impossible task,
Destroying the count, I wasn't sure if I would last

I said to her if tonight is my last on this earth
That I should enjoy it, like incense and myrrh

I could not let him go, without showing him my love.
I would give him my heart, before he is taken up above.

I untied my lace,and steeped out of my dress.
Watching his beautiful eyes, as they fell upon my breast.

I gave him my strength, my body,heart and soul.
All for the only man I will ever physically know.

His hands so tender,
it made my heart cry.
Holding him tightly,praying he would not die.

I stared at this beautiful woman, now naked in the moonlight,
I was aroused already by her appearance, but this was exemplified by the darkest night,

I laid her down on the forest floor and kissed her lovely face
Somehow my armor was stripped off of me and scattered all over the place

His kiss melted my heart, his loverall than made me whole.
Broken til I meet him, the partner of my soul.

I took him in deep, tho I was sure it would not fit.
But it easily slipped inside, with his fingers working my ****.

Gasping and moaning, he truly filled me up.
My joy and my pleasure, overflowing my womanly cup.

Scratching at his,back, and arcing up my hips.
My breath mingling with his, as his name escapes my lips.

My God this woman was like heaven on earth
She was so Beautiful, like the goddess of the hearth

She was so sweet and supple like a well cut gem I knew I loved this woman, and I proved it there and then

I fell apart in his arms, my ****** blew my mind.
This was the purest love, that would stand the test of time.

His loved filled me up, the moon he did give to me.
A caged bird no longer, for my beloved had set me free.

Far to soon our time did end, the fates stepping in once more.
But for a moment in time, we were connected and we soared.

It almost brought tears to my eyes, that our time together couldn't last
We made love so passionately, our bodies had stains of grass,

I gave her my mother's Morningstar, in case I didn't return
I loved this woman so much, it was a trinket she deserved

Tears flowing from my eyes, the Morningstar clasped to my breast.
I whispered my goodbyes, with a tightening in my chest.

Fully dressed with whip in hand, oh what a sight to behold.
But the truth of the situation, had my blood now running cold.

I sat upon his rock, and watched as he walked away.
Knowing until he returned, right here I was going to stay.

I walked up the path and opened the gate to that cursed abode
I trusted my love with the Morningstar because it was my heart I trusted her to hold

I fought my way through his castle defeating everything, zombies, demons even death
Like my ancestors before me I would fight on until my last breath

Finally atop the ancient staircase stood the evil count himself,
I didn't even bother sneaking in because i grew tired of stealth,

In a battle that raged many hours as the night went on,
I choked and beheaded him with the vampire killer, and after that he disappeared into the great beyond,

Triumphant I returned to my beloved and I noticed it began to rain
It felt like my ancestors we're celebrating and their tears were of joy instead of pain

Rain washed down my cheeks, chasing the tears that fell.
My beloved topped the crest, and he was hurt, I could tell.

I ran up to greet him, my aid I lovingly did give.
Many thanks I gave to god, for letting my heart to live.

I took him to my home, and took care of his every need.
Cleaning up his angry wounds and cooking rabbit for me to feed.

Sleep overtook him, the stew I stew I left to simmer.
Holding his I hand I to slept, as the day light began to dimmer.

I walked home with my beloved and fell into a deep slumber
While I was unconscious my every need and wound she treated as if a spell she was under.

I began to stir as I smelled food, rabbit stew if I had to guess
Having known my beloved's passion, I knew it was made with love, the best

The moon rose and than it fell, I watched my lover sleep.
I saw when he began to stir and with joy I did weep.

I changed his bandages, and feed him with every kiss.
He ate the whole bowl and my heart was full of bliss.

My love would live,
my curse was now broken.
All because of a kind hello and names that were softly spoken.

My wish came to true and love I did find.
Our two souls now made one, forever intertwined.

I looked at my love and saw the passion in her eyes, I pulled her close to me, I missed her so last night,

I kissed her with all the love I could muster I stared into those deep blue eyes
I made sure that because I had come back she would never have to cry

I kissed my love, my own, he was truly my handsome hero.
I could no longer hold it in," I love you Nero."

My heart swimming in my eyes, I put my hand upon his cheek.
The love that I could see, made my bones melt and my knees weak.

Finally I could live,
my heart now had a home.
This man that is before me, I can claim as my very own.

I smiled in my beloveds face, I kissed her again and said I'll always love you
I don't know how fortunate I had to have been
But ill make sure to keep you happy, more so than you have ever been

Forever happy I shall be, with you by my side.
No longer shall I feel pain, no more will I have hide.

Shunned by the village, as the one who was chosen.
But now from the darkest pit, the sun has finally rosen.

To you my love, I give my heart.
Forever together,
never shall we part

I smiled wryly and began to gently rub her soft curvy body
I didn't think it strange at all she began acting so oddly

As we laid together in the sunrise I whispered "darling, shall we make love again?"

I raise my head to meet his eyes and knew he wanted me to.
" Are you sure my love, it won't end up hurting you."

To hurt him now, I just could never forgive.
I shall never cause him pain, as long as we both shall live.

But oh how I wanted him, my body began to ache.
I pray he was well enough, so me he would be able to take.

I said no matter how much pain I'm in I'll always make time for you
Just be gentle with me beloved, I'm healing now thanks to you

I kissed him tenderly, giving my promise and my vow.
"I shall love you tenderly, no pain will I cause u now."

I kissed my way down his neck and licked down his chest.
I leaned just a little bit so his hairs could tease my breast.

Lower I did go, my mouth hungry for more. As I reached my goal, my heart began to soar.

I placed myself between his legs, and licked my luscious lips.
I put my mouth to his shaft and my hands upon his hips.

I took him inside and his taste danced on my tongue.
If I could but sing my joy I would have sung.

As I bathed him with silken warmth, I started to ride his leg.
The feel of him inside my mouth had my core starting to beg.

I felt almost ecstatic
Making love to Aurora again
After battling my way through hell and high water
I couldn't wait to be with her again
My toes curled up in excitement my muscles still somewhat sore,
I stared into those deep blue eyes, my eyes begging for more

I teased him just a little bit, my tongue licking up and down.
I had to taste his lovely ***** so cute and bouncy round.

I slide up his body and slowly slipped him inside.
I softly rocked my hips as I began my loving ride.

I moaned deep in my throat and he filled deep within.
If this was being wanton than I bask in glorious sin.

I laid back and watch this beautiful woman transform into a goddess of desire
I could see why the night we first met was ablaze with this passionate fire,

My spine shot up and down I quivered with ecstasy
I held on to my love tightly
So I could love every inch of her body

Quivering with such delight, I placed his hands on my breast.
I left my hands ontop of his, as he fondled and caressed.

I gave him my body, I will even give him my life.
My only one true desire now, was to become his loving wife.

I looked deep into his eyes, and drowned within his soul.
My body felt on fire and my flame did dance and glow.

Pleasure overtook me, I began to scream his name.
My sheath tightened around him and my essence began to rain.

I felt her sweet love juices
Spill onto me with such extremity
I'd been traveling around for quite some time so I knew the perfect remedy
"Beloved lay down beside me I want to try something new"
I winked at her because she had no idea what I planned to do

I kissed my beloved down her body caressing from place to place
My eyes were almost drunken from her intoxicating face

I arrived at her woman cup so soft wet and warm
I began to drink deeply, taking in all of her love juices like coffee at dawn

Griping the sheets within my hand, I bite into my lips.
The shock and surprise had u rising up my hips.

I gave a womanly growl, as my hands than griped his hair.
I was so enchanted with the sight, I could do aught but stare.

Him between my legs, his tongue licking at my ****.
I knew that he could taste me, for I was extremely slick.

My essence flowed freely, and I was lost to the pleasure.
He treated me like I was his own special treasure.

I ate her like I was starving, Like her orifice contained the gift of life
I ****** and licked upon her
Desiring nothing but to make my beloved nothing less than my wife.

I drank my beloved's essence like I was mad with desire,
I got back up on my knees, and asked for what my beloved desired

My joy knew no bounds, as I could not believe my ears.
My wish was granted, I shed some happy tears.

I rose up to meet him, now we were eye to eye. I kissed him so hard and let out a contented sigh.

"Yes my love I would not want any other, my heart is in ur hands.
Were you go I go anywhere throughout the lands."

I wraped my arms around him and kissed him with all my heart.
He is my everything, right from the very start.

I kissed her beautiful lips and I slid myself back inside her again
The bed creaked and groaned as both myself and my wife moaned and I released deep inside my beloved again

I kissed my wife's rosy cheeks and kissed her lovely lips
"I love you so much aurora" her name felt soft like a willow in the wisp

I awoke to a sound of tapping, the teacher purple in the face.
This felt like a weird time and an even stranger place.

Ignoring the words, I turned my head to look and see.
And there was my dream man staring straight back at me.

I smiled a knowing smile, for I think he knew me to.
We both lived in the past and our love was not through.
Its So fun Working With Natasha M L, Thanks for being aweosme luv!
Eternally the choking steam goes up
From the black pools of seething oil. . . .
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept . . . Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it . . . it's, well -- indecent!
But funny! . . . See, Bel's waked. They'll catch it now!

. . . Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things
Amongst their branches, clutching with maimed hands,
Or oozing slowly, like blind tentacles
Up to the gates; higher than that heaped brick
Man piled to smite the sun. And all around
Are devils. One can laugh . . . but that hunched shape
The face one stone, like those Assyrian kings!
One sees in carvings, watching men flayed red
Horribly laughable in leaps and writhes;
That face -- utterly evil, clouded round
With evil like a smoke -- it turns smiles sour!
. . . And Nero there, the flabby cheeks astrain
And sweating agony . . . long agony . . .
Imperishable, unappeasable
For ever . . . well . . . it droops the mouth. Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same . . .
Before, I never knew
Rest and green peace.
She stands there in the sun.
. . . It seems so quaint she should have long gold wings.
I never have got used -- folded across
Her breast, or fluttering with fierce, pure light,
Like shaken steel. Her crown too. Well, it's queer!
And then she never cared much for the harp
On earth. Here, though . . .
She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity . . .
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening, and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.
They said she was unfaithful once.
Or I remembered it -- and so, for that,
I lie here, I suppose. Yes, so they said.
You see she is so troubled, looking down,
Sorrowing deeply for my torments. I
Of course, feel nothing while I see her -- save
That sometimes when I think the matter out,
And what earth-people said of us, of her,
It seems as if I must be, here, in heaven,
And she --
. . . Then I grow proud; and suddenly
There comes a splatter of oil against my skin,
Hurting this time. And I forget my pride:
And my face writhes.
Some day the little ladder
Of white words that I build up, up, to her
May fetch me out. Meanwhile it isn't bad. . . .

But what a sense of humor God must have!
NeroameeAlucard Jan 2015
In a city full of fake thugs and now record beef they just settle it with 8 slugs
There rose a kid from out of Rogers parkway who kicks slow flows containing dopamine in the bars I slay like Dre Day I'm celebrating out the melon insane like dry water the sheep I'll slaughter like a psychopathic ******* with a daughter
Allow me to introduce Nero The Damphir psychotic and I kick knowledge like a field goal my pen is spinning the rumpelillest gold causing static with the lyrical automatic I splatter brains on the floor it's a nasty habit to endure.

I'm Chicago's poet I spit knowledge and split spines with the rhymes so solid no one will notice I roll this ***** up like the best cest and smoke it unless you take it off the wax and into the turf I'll make you taste the salt of the earth and after you're in the dirt I'll bear you like Paul you have no chance at all against me the pen is all I need to destroy then employ my victims my rhymes stay within them like That dude they net in juvenile detention center I'm centric on hip-hop that is I got love for cold crush sugarhill grandmaster flash and whodini Wu-Tang naughty by nature and Cypress Hill
A song I'm working on, how is it?
Mateuš Conrad Aug 2016
we're just as superstitious as our ancestors, we create fiction from superstition, we get the hots for haunted houses, the black dot on the bible like pirates... it's just these day, a person finding a £20 banknote would get superstitious about buying 20 lottery tickets with it, rather than a bottle of whiskey... and yes, our story-telling skills have diminished, it's more like dietary regimes these days... we pushed subjectivity so far down the drain that we're not telling stories anymore, we're simply regurgitating objectivity, facts after facts... less talk about surviving a tornado twirl and expressing the excitement from surviving such an event, and more: next! pocket that story, box it with the bar-code: adrenaline ******... we're not story-tellers anymore, we're on the verge of losing all plots... being exposed to polished narrations of Hollywood (hardly the case of being worried about doppelgangers, that was obvious in the 20th century) - as said: we like being bombarded with facts, we've stopped claiming narration for a commuting drive... we are the encyclopedia ~generation... well, we're way past being defined as a generational phenomenon... hence the quiz shows...  we started to hate the excitement of the subjective perspective, the parts were "we will never know", jealousy on this scale really killed it off... we weren't there, therefore it's untrue... coupled with this objectivity of: none of us were there, therefore it must be true... plate up ladies and gents! we're once more reduced to regurgitating facts, we're actually forced to regurgitate facts, we have no chance to score with emotions or personal thoughts... people only want to hear objective realities of our lives... we want uniform coherence like under Uncle Stalin... no deviation... none! i wonder what story will come from all this objectification... the usual, current affairs story, i blame feminism partly for this... the objectification of women lessened, and in came the objectification of everything else, as feminism has done, shoving its nose into everything from philosophy to history simply on the basis of numbers, and as to why there aren't enough women here, and not enough women there... my mother is a housewife... my father comes home with a satisfaction that at least one member of the family will not be stressed... add a second partner with stress and career ambitions and fairy-tales, and that's a house on sand-dunes... personally i wouldn't want to marry in any case... plus, feminism doesn't encourage the house-husband idea that Sweden has adopted... well... you'd think that the idea of househusbands would take off once feminism took off... apparently it didn't.

Darwinism is at odds with pop culture, i see these people
striving for fame like they might be buying penny sweets
in their hundreds, and what i find surprising
is that so much fame is being dished out,
me, jealous? yesterday i found
a twenty quid banknote on the street,
today i bought four beers and a bottle of Grant's
whiskey and i felt that: i owned the world -
yes indeed, a circus act - that's usurping
style of the khaki stormtrooper uniform...
a colon is also emphasis, without the italics...
it's not about grocery lists...
so many writers out there who put
the labouring over punctuation to others...
so many dyslexic still passing through...
mate... if you and me were *****... you'd
be tissue paper material, no, not even a ******
blockage waiting for the plumber...
or the ******* that sold condoms puncturing them
with needles for excess success rates of impregnation...
see, i peel the skin off, imitating Abraham's
madness at the excess, and cockerel
the **** like sunrise... all *sheered
;
then i put the skin back on... so much for improvements
that desired God's approval... might as well
cut off all the cartilage: nose, ears, nails
(i swear they share the same category... oh wait...
nails and hair... well, n'eh bother, cut the rest off
until you enter the realm of plastic surgery).
so yeah, Darwinism is really the guillotine at
the moment, see them, watch the shepherds herding
them, they created something a Marxist would
never ever understand... the fame class system...
not some rebellion of strong idiots
working the plough field fighting noblemen bored
in their salons with ****-*** their only
exercise and solution to the boredom of a busy world,
mind being in such a world...
or do as i do... half of scotch through...
second jazz record playing in the background...
jazz doesn't translate into headphones,
you need the space...
what worries me is its trans-generational absence...
jazz is the classical music thanks to slavery,
it would never have been born in Africa,
forget it... but it bothers me it wasn't manicured,
kept pristine like some Renaissance painting...
it quickly morphed into Eminem and Vanilla Ice
and all that rap that wrapped it up...
fair enough, i can give credit to joshua redman
and his back east... but that's about it...
so as i sit sipping my Mississippi scotch of whiskey
and cola, having listened to
sonny rollins' ballads, i'm onto kenny burrel's
midnight blue... it's the sort of high culture
that's easy to cultivate... but i'm not the man you
want to revisit the Beat Movement chemistry,
i care very little to talk over the jazz with my poetry...
no wonder talking over classical music ever worked,
hence i contend to parallel myself with Bukowski
in that respect.. i shut up and write,
imagine myself on the Faroe Islands, very far
from what makes me uncomfortable,
the nearest thing to Eden, some remote place,
a village of 20 people where everyone knows
how long they take to a **** and at what hours
(given there's only one toilet) - and yes, the brackets
are also useful to make an emphasis, so example, : and ( )
all combine pretty well.
but they really are losing a one-sided battle,
given historical Darwinism, excluding our modern
perks to get into the raw caveman antics
it can be sometimes very demeaning to consider
both attitudes, simultaneously or correspond or even
excusing our modernity with intrinsic sushi (the rawness
that breeds no home comforts) -
and given the whole popularity culture...
you expect people to remember anything in
the next 100 years? the opening of a century is never
going to be enough to allow for that century's momentum...
i might be living in the 21st century, but all
my influences are bound to the 20th...
and that's where i'll remain, a beggar with a rich man's
vault of compact disks... clutter and a library...
unable to reread the books i've read (unless in snippets)...
like that tale of Neoplatonism and Plotinus
and that relationship with Christianity, but the job
that Nietzsche put in to criticise it came short of
what the actual religion did to itself, the archaeology proof
destined at Egypt, finding works there and not
in Israel along with the Dead Sea Scrolls...
fascinating how they cut Isaiah in half and the historian
Josephus placing the innovator of the Sermon
during Nero's reign, and how Nero is the first reference
to the 666... well, you know, once you zero out the preceding
years, and start again... telling the time will hardly
matter whether b.c. or a.d. - what with Darwinism
and the big bang, the Copernican west... well the Copernican
"west" - what a crazy carousel - get me off!
and indeed, with certain words...
we have encoded approximations to what each words
denotes... the brightest gem in the vault is
Hades... you don't say it as Ha A.D.H.D. -
you say hay and then you say dees, like bees -
yes, whether the d is a below the equator
and is summer in december, or whether b is above
the equator and is summer in july...
so you encode Hades but actually say: hay-d-and-many-e's -
still can't figure out how to denote a plurality of
letters with the punctuation marks given by English...
at present i'm using the inadequate possessive article
route - Peter's, Mark's, the mountain's...
the article goes off radar when there's plurality
in the thing ascribed possession: mountains' heights...
hay-d-and-many-eeeeeeeeeeeee? get the picture?
or hay-d-and-ease - baffling language,
i feel like some aboriginal looking at it from Ayers Rock
going: kangaroo the **** and didgeridoo?
no wonder the tetragrammaton is the tool to decipher
this phonetic encoding... there are too many chiral
symmetries in this tongue.
so again... i don't know why poets don't bother
to repeat themselves, on what they first concentrated on,
like the many water lilies by Monet,
or the self-portraits from varying angles...
or how modern fame, in concept, condemned itself
to c.c.t.v. and a brick wall as to how history is
experienced with mainstream Darwinism...
how quickly the guillotine chops the head off,
the finicky base for democratic applause...
and how in 100 years people might wonder:
well, Plato ain't going to be usurped, Plato will be
treated with the same faithful bias
as a blank blackboard, the established norm...
(that's all e.g. to say, it's not necessarily the
acceptance of such a norm) -
we'll still be ushered to normality by starting
from either the bleak big bang, led to an even bleaker
and bigger bonk... or we'll be cavemen admiring viral
infections - and fame and aspiration to attain
it will truly become bleak... for in these days
fame isn't competing for being remembered...
it's competing for being seen, again the c.c.t.v. model...
and given our overexposure to datums (the Oxford
authority is a bit slow to recognise that... well,
unless of course the same meaning can be achieved
with the word data... unnecessarily datii?),
advertisement being only one such source...
and would i consider the self to be an illusion?
i'd consider it on equal footing with π = 3.14159...
a piece of information, not to the fullest extent
a delusion... meaning i wouldn't discredit it completely,
given that so many people fall for it's existence
when plagiarism tempts us to swing with it...
and that there's the private, the public, the showcased
use of it... but it's still so ****** annoying
to have the lazy crew use the northern barbaric
reference to that pronoun and discredit it by treating
it as merely a useful prefix for compounding words
together to express automaton behaviours, and to have
to lie back on the psychoanalytical sofa and have to
deal with the atom of: ego, superego and id...
                                     (neutron, proton           and
the many that that that      / its its its -
the id is actually a scalpel in psychiatry - the cursor or
vector or quiet simply as stated already, scalpel,
incision maker -
                               the superego? also known as moralising
Nietzsche's übermensch - nein! klein Adolf
kann nicht spielen mit du heute
);
well... might as well enjoy being trapped in
the stone ages from now on... because in between the cavemen
and ourselves, our contemporaries just called them
idiots (most notably the journalists) -
yep... only idiots separating us from caveman...
i must be double the idiot of wishing to be back
in the Dumas' France, or at the height of the Polish-Lithuanian
Commonwealth, when the Poles, second only to
the Mongols held Moscow.
Ian Mackenzie Sep 2023
Each day about this time
is a thing that must be done.
Though still dark or clean from morning sun
I need to sit and sip that expectant balm.

As it’s warm song becomes a part of me
I begin to rise from last nights realm
of four o’clock waking and restless dreams
and the wish for cooler sheets

I tried to give you up - I had too much
But each day you become my true friend once again
And as I wake with you and come alive
I swear my pledge to you
Mateuš Conrad Nov 2016
i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.
¥ (http://tinyurl.com/jdg9m7h)
Ian Mackenzie Sep 2023
I’d like to stand hand in hand
In my local coffee shop
Whilst waiting for the man
To serve our favourite drinks

We could share a croissant or a piece of cake
And sit at a table by the window
to watch the people walking by.
Now and again we’d share a joke
about what we’ve just seen

We’d probably look at our phones
and you’d be always busy with something
that must be done right now

But that would be ok
because when we get home
we would become one again
as only lovers can.
Mateuš Conrad Sep 2015
it's not the case of irrationality with the usage of pronouns as a way of being assertive away from the existentialist dittoing of the pronouns; even if i utilise the pronoun to be a noun or a verb via dittoing, with the framework of an esp. exemplar "irrationality," i am still, after all, the speaker of the noun and verbs, and the keeper of them; i am not irrational to the extent that i ditto myself outside of other categorisations of words, since dittoing myself within the pronoun category opens the accusation that i use all other words with ambiguity while allowing no moral ambiguity into my actions - but there is a clear morality to the use of words as the worthwhile exchange of meaning, in newtonian sense in the least and foremost not going beyond the dropped stone or insinuation of passerby engagement into games - but clear crisp cut - silk scarf tagged twelve quid was sold on the haggle for ten quid - so that haggling wasn't an ambiguity, but the price of the scarf was! so how many sexualised insinuations have i heard with impromptu to no action?! too many! all of them declassified from furthering action because of too much innuendo and nuance of that famous disguised dialectics lost - known as the death of god. cartesian in existentialist terms, thinking presupposed as the notation via "i." thought no longer as an existential certainty... but because of the dittoing of pronouns... an... ambiguity! well it was originally an ambiguity, but why excess pausing to counter? the english are a nation of shopkeepers... yes... and the french are a bunch of nosy café patrons with rude lovers disguised as bartenders muscle aching to munch the next croissant in drag and feel sexed up gagging.

verum, ego scribere similis rumi*; scribbles and similitude -
worth an afghan worth of eyes in syria for an afghan girl
saying to her loved up something or other:
see it come back, god forbid you hear the calculative laugh
of augustus on the way back, just while europe resigns from involving
the remnant slavs like libyans or syrians or hebrews in the original format
of strength: let the hebrews deal with them
in their own vatican - we need to curb north africans
and the mid-middle-eastern olives
when taking over the northern peoples for economic harvests.
but then the madman laughed without ordinance and impunity -
he laughed augustus' rationalism into the grave of choking chock fudge brussels
with spare tonsils eating nothing but cauliflower and lard -
elsewhere in movie via ghent; or was it in bruges or
was it in brussels starring jean claude van damme?
i call it... writers went mad on excess phonetics never readied
or introduced - except with magritte wearing a diaper
rather than a full james bond when painting.
i heard it was a proper heist to keep the police numbers handy,
i had it all tanned in argumentation for hued brown in the nordic
special; oddly enough no nordic special sailed for a sinking of the vasa
with predestination - airport was nice - we argued then -
we're not a continent of north harmonicas with jokes
between mythological four lead clovers and oak real canada threesomes.
well i was a continent with croatian and scandinavian,
i'm not originally a mc donald continent - although that 'MADE IN CHINA'
helps to resolve all future wars with the silkworm beginning:
rodeo in the haven of horse's burp and fall of the cheap spain due to tourism -
old continental had corrida - new continent has rodeo -
somewhere between the ****** and maidens came oceans elves for a bet on
who could write a horse out from riding into a blunt metal clasp of stirrup eager sounds:
or a twenty aged colt sounding like an eighty year old nail wrinkled with rust hammered.
blunt metal won, horse gasped for air, the ***** was taken home with stitches,
the maiden was taken home with a groom in stitches also, although
stitches of old age prior asked for in her meringue dress to suit: wrinkles;
but hey! there's **** in between! who's the loser, the aviator or the aqua puncture of thought?
but still augustus laughed it off with nero on the waiting list of possible re-encounters;
israel received the southern cicero of the roman empire,
while the rekindled empire got the north-eastern and northern part of
the unexplored without saints travelling elsewhere,
and for that it got implosions, with the schengen approval reminded
to cloister the leftists eager to holiday in syria on unesco cruises in sand and sheep ****
of kept marble - for that cocktail party convo, and next day article in the new yorker;
shame on you for using children to ploy en masse morality of guilt
to later reproduce the hydra with so much racist cribbing
of a seahorse riddling perpetual dynamos
as to imagine the future cot rock-a-baby-jihadi saladin:
the fire is in his own house, runs with a
              flaming matchstick to his "neighbour's house"
to start the fire rather than trying to put the fire out in his own house.
honestly? sounds a bit binary in bangladeshi.
Nelle case, dove ancora
si ragiona coi vicini
presso al fuoco, e già la nuora
porta a nanna i suoi bambini,
uno in collo e due per mano;
pel camino nero il vento,
tra lo scoppiettar dei ciocchi,
porta un suono lungo e lento,
tre, poi cinque, sette tocchi,
da un paese assai lontano:
tre, poi cinque e sette voci,
lente e languide, di gente:
voci dal borgo alle croci,
gente che non ha più niente:
- Fate piano! Piano! Piano!
Non vogliamo saper nulla:
notte? Giorno? Verno? State?
Piano, voi, con quella culla!
Che non pianga il *****... Fate
piano! Piano! Piano! Piano!
Non vogliamo ricordare
vino e grano, monte e piano,
la capanna, il focolare,
mamma, bimbi... Fate piano!
Piano! Piano! Piano! Piano!
Damian Acosta Aug 2014
... and all of Life's questions were set to be answered,  from "Why are we here?" and "Why should we care?"  to "Why don't he love me?" and "What should I wear?" and
                                                        "Wher­e is my father?"  and
                                                   ­                                                    "Can I kiss my daughter?"              and

                                    ­            "What does it matter?"
"Flannel or Mod?"                              and
                          ­                                                                 "What about God?"
                      "Meat on a stick? or Shish Kabob?"
and
                                                            ­                            "Free Will or Fate?"
                                                       and
                        "Do you think of me when you *******?"                                                   and
"Is Santa for real?"
                                                                ­                  and

                                          ­                                                    "What does love feel--"
                                                         ­                                                                 ­              "Like this or like that?"  
                                   "Do I really look fat?"            
                                                   "Do u thnk its gonna b bettr than the 1st one??"     "When Atheists go to court, do they have to swear on the bible?"               "Is it legal to travel down a road in reverse, as long as your following the direction traversed?"                        "Where do u see urselvef in 5 yrs?"
               "what's the most embarrasing thing that has happened to you?"                    "Why are the best looking things the most deadly?""What does i.e. stand for?"            "How do you know when you fall in love?"" If ghosts can float, why do they waste their time walking around?"          
"Why am I still in the bed?"                        "Why would u get pregnant by a dude that doesn't take care of the kids he already have?""Why do ppl Cheat ?"
                 "Did u really love me or u just lied???"                    " whats the point of tryin anymore if u tried so hard in the past and nuttin happened?" "why is the sky blue?"?????????????????????????????????????????????????????????
?­?????????????.?????????????????????????????????????????????????
?­??????????.????????????????????????????????????????????????????
?­???????????????.???????????????????????????????????????????????
?­????????????????????.??????????????????????????????????????????
?­?????????????????????????.?????????????????????????????????????
?­?????????????????????????????.?????????????????????????????????
?­??????????????????????????????????.????????????????????????????
?­???????????????????????????????????????.???????????????????????
?­??????????????????????????????????????????.????????????????????
?­????????????????????????????????????????????????.??????????????
?­???????????????????????????????????????????.???????????????????
?­????????????????????????????????????????.??????????????????????
?­????????????????????????????????????????.??????????????????????
?­?????????????????????????????????????????.?????????????????????
?­??????????????????????????????????????????.????????????????????
?­???????????????????????????????????????????.???????????????????
?­???????????????????????????????????????? .
                                                               ­                                 ¿
                              ­                                                                 ­     ?
                                                          ­                                              ¿
                                                                ­                                         ?

                                                                ­                                             ¿

Age old wives' tales,



                                                       ­                                                          ?

                                                      propheci­es,

                                                            ­                                                            

jud­gement day--
                                                           ­                                                                 ­  ¿

                                      The Human Symphony


of doubt and faith,

                                      
                  ­                   with crescendos of hope now played,                              ?



as the moments of our naive darkness


                                                      ­                      Tick
                                      ­                          

                                                               ­                        Tock
                                                            ­                                         slip, slide



&

                  fade



















                     ­                                                                 ­                  




















                          ­                                                                 ­           











                                                     ­                                                            ¿















































                ­                                                            10


­













































                   ­                                        6




































                           ­                                                                 ­ 8


                                  


























­














                                                  ­                                                                 ­      7










                                                     ­                                                                 ­                    ¿

                                                               ­                                                                 ­           ?

                                                               ­                                                                 ­               0

                                                             ­                                                                 ­                      1
The greatest accomplishment of humankind took the stage just                      
                                                                ­                                                                 ­                   
                                             ­                                 past 11:59,  New Years Eve 2099          !
                                                 ­                                             
The first and only of its kind,
    
                                                           ­     
                                                                ­  
                                            
                   ­                                         Born from the Hope and Ingenuity



                                                    ­              of
The Great Recession Generation--
                                                    ­        Whose Change and "Deviation"  gave birth



                                                        ­           to
The Artificial Assimilation Generation--
                                                    ­          Whose Instant Omniscience created




                                                     ­               the
Automation Generation, whose lack of challenge
                                                       ­         Evolved into the Great Stimulation Generation--


                                                    dependent upon emotional simulation
for spiritual mental and human validation.



                                                  ­                    A
Civilization whose foundations were pillars
                                                         ­           





                                                            ­                  0f  



21st Century Dust..............................★★★★★★★★★★★
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                                   ­  .                                                    
                                     .
                                      .
                       ­                 the perfect shambles of a custom built artificial
                                                      ­                                                                 ­                    life.
Intelligent saturation, automation, assimilitation-- the cries of *******--
                                                  ­                                      nothin' but digital elation!
                                                        ­                                                                 ­             No
                                                 ­                                                                 ­      more
                                                      ­                                                Heroes--
        ­                                                                 ­                              Tears
                                                           ­                                                                 ­of
                                                              ­                                                                 ­    Nero.

                                                                ­                                                                 .

                                                              ­                                                           .
                  
                                                                ­                                                   .

Thursday December 31,  2099                                    
                 23:59:31                                   ­                   A time of ever present
                     ☼   42°                                                              ­                      Knowledge
         Aged 25 years 12 days
           Heart Rate 154 bmp        
           Daily Caloric Intake
            1660.079/1830.15
                Calorie Buffer
                     170.071
         Personal Headlines
"First Artificial and Visceral Intelligence
        To Be Unveiled @ Midnight"


"First we were meat. After, sentient meat. Then self aware meat.
As such, manipulative meat. Adaptive meat. Rotting meat. Limbo Meat.

Then came awareness of spirit.
Freedom from the mortal meat,
Via a mastering of its meaty concepts.

We became one in the same; spirit and meat.
Held mirrors to one another, reflected our dreams.

Shared sense of Being.

Then meat met metal, plastic and graphene--
Testing the infinite ways to give birth to Life.
And we did.

We called our first child Artificial--
afraid for our mortality.
Yet called it intelligent in its ability.

A selfish denial of a miraculous act.

The question was inevitable,

'If knowledge is infinite, and
                                                   intelligence is the capacity to acquire knowledge,
Would we call such a pursuit, of intellectual Life, "Artificial"?'

'If God is infinite, and
                                       Non-visible, non-provable,
Would we call a pursuit for such a source of Life, "Artificial"? In vain?'

'Is this not Life before us existing in the shape of electrically charged plastic? Entities that observe and react to their environment, is that any more artificial than a man?'

Emotion. One word, and the intellectuals were silenced....

Emotion.

Meat knows emotion.
Our meat has been stimulated and shaped by
pain and joy.

Machine knows only causation, not visceral relation.

Visceral. One word, and the intellectuals were aroused.

Visceral.

A machine's viscera lies within its programming, its sense of being.

Meat's viscera lies within its program to survive (food, sexuality), its sense of being.

"If a program can understand environment and its relation to that environment, it may be able to approximate a sensation to a high level of accuracy based on temperature, humidity, and whether or not that environment is detrimental to its functioning hardware, and thereby make a statistical decision as to where to move next.  It may interpret sound as obtrusive or melodic based on input sensitivity. But creating hardware with central parts is counter-intuitive to information flow-- which is of paramount importance, far above form.

However, the nano-sized 'cloud'  hardware used in this new "form", will have sensors by the trillions. Examining its environment-- functioning as One, Creating a field-- a floating specter of the collective human mind. Where its understanding of history is both objective and subjective (given of course the established norm of a non-private society).

The most important factor, is its relation to us... Meat. That comes with empathy, compassion. If it can understand basic weather, terrain, and statistics, it can understand basic human survival challenges and its solutions. If it can hold all of the information past and present, circumstantial factors of old and new, would it not have a more clear perspective of our human state of being? Would it not be our most reflective mirror? Would it not have some visceral answers? Would it not be an awareness of Spirit? Spirit meaning by definition: the principle of conscious life; the specter or trace of existence."

At last the intellectuals gave themselves a centennial deadline. Blood sweat and tears of a generation upon a generation...

'We are calling her Aavi.' they said early in December.
"Artificial and Visceral Intelligence.

So, The World listened...

" A Computer Will Reveal Our Greatest Secrets" were they laymen headlines.

"Artificial and Visceral Intelligence with the Free Will to pursue anything." for the Romantic readers

Either way-- meat or metal-- it comes down
                                                            ­                                        to Choice.
Choice, based upon instinct
                                                        ­                                                          and reason--
Until now an option reserved only for Man.

What will our greatest achievement say about its creator?

                                                       ­                       (feel here for list of  sources)
                                                    ­                                                                 ­                                                                 ­     *23:59:50 Countdown
2010- 2014
What if we could create an "Artificial and Visceral Intelligent" being? What would it reveal about our nature, our process? How would it express its observation of its creator?
The cranes flew and the city grew and what did I do?
put my head in the sand,
so I could no longer see the change that was happening all around me.

A land fit for heroes,city tycoons and wannabe Nero's and now't left in the stew *** for me or for you lot,
and how do you feel about that?

More money than sense and scant recompense for the builders who toil,who make the monsters that rise and eat up the soil, despoiling the land,more heads in the sand but holding out hands for that scant recompense.

Reconciling the bile in their throats with those city gent suits in their trilby's and coats and soldiering on until the earth is all gone.

A legacy indeed for them who would scramble in scrub land and grow things to feed the dysfunction of family,
what seeds we have sown,how defectively grown we've become and all for the buildings that greedily search out the sun,
somewhere up in the heights.

— The End —