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Helena Sep 2018
it's not easy being just friends
when this summer you kissed
me with the passion of the sun
that scorched our backs by the
beach and it's so hard when
you catch my gaze and I can
literally feel the magnetism
between us even when we don't
touch but oh when we do my body
is helpless just like your board
in the ocean sloshing around
in the crashing surf but our
relationship was a bit like a
wave because it came and went
and left nothing behind but it
never really crashed against
the shore it was more just like
the moon slowly pulling the tide
in as the sun goes down in the late
afternoon and I can remember you
asking me if it was waxing or waning
and which constellations I could see
and I never knew the answer but now
I know that I really really do miss you
roxanne Jul 2018
Below the surfaceless
looking above
under the furls of wavering clouds
all you'd see is that untouched stare
an absence of warmth disclosed
elapsing over,
collapsing over
you

Shallows edges so elusive,
as obscure as a serpents nest
anonymous as the rest,
intrusive like these dated feelings

and yet those eyes like minds wander
wonder as if it's ever been to lie beyond
those gated passages to Edens flowers
a pocket of hours been laid before you,

Ghosts.

And the continuance to roam
inside of these channels
left empty and vacuous

so out of depth,
with filtering essence of memory
faltering lights of ambiguity,
letting the pieces drip upwards

you’re alone together with what ties are to be had
you speak as through the pith
of this insecurity,
the plight of this immaturity

a footstep in the waters
spilling from your tongue.

Venture from the beginning
a start to finish
as though time bounded in ripples
your tinted sight lines
undesigned and impalpable
even through strategy

under the palms, your hands,
the happens mind of another kind,
settling not in stones but
in sands
a habitual mess of ingraining
always draining and seeping

never enclosing,
fostered only by a feint solace
in the flooded catacombs of yours.

A participance of midnights moons
in these swimming conversations,
cycled discussions
the rising tides of snake eyes
with one onerous touch
submerging your voice

into a fragmented drowse

burning notes left from pictures
choking out all that swirls
the delirious magnetism of weight that pulls to you
creating an astringent terrain,
as your blood is spilling down

a pipeless drain.

A manifestation of ego's brain bubbling down
under the masque of self-worth and integrity
into a thick mud
painted with entitlement

across a dotted line

the deeds of your fascinations
possessions to another
inclinations unbeknownst to you,
against the black skies
opposing truths of deflection

you find yourself with silkless ink
writing what you think it to be
beyond your skin

and the closer the pen drips
the tighter the bolts become
on the grips over your perception
a darker rainstorm

straining out
lifelessly.

Pressure slowly eased
into soothful washing
though cliffs eroded from memory

cresting the hall
that remains beneath

as a little boy
with glassless eyes
and a mouth full
of rose thorns,

Greeting you

To the welcomes of goodbyes,
until the shrill whispers
of the sirens of deception call you

once more

threading over your faces
elapsing the rims of reality,
overgrowing its garden
into a shipwrecked valley

warped by tainted reveries.
Kaloseira Dec 2014
I, metal.
And you, magnet.

I have no poles
but I get attracted.

We don’t repel
but I’m usually alone

I get attached but
can’t attract on my own.
I always get attached to my friends and I'm just nobody.
LDuler Mar 2013
You
Are untamed
Reckless blood and wit intertwined
A twisted, brazen
 mind.

Your mind
Is so clearly different
It leaps and soars, so acrobatic
And your thoughts appear to me so hazy and enigmatic
Your mind is simply not pragmatic
Yet your perception knows no bounds.
You have thoughts that come close to insanity
That sometimes flow in the form of profanity.
  
Your spirit
Is either very high or very low
Up and down, to and fro
There is no in between for you
Some say you are stupidly crazy
The dull ones say that, the ones too lazy
To see beyond the rugged surface.
The subdued and vapid ones
Will never understand the magnetism
Of your sweet, exquisite devilry.

On your face you often wear
A fierce and restless stare
A wan, discontented expression
As though you're always awaiting
Something bigger,
Something better.

You
Are fluid, swaying fire
And I will never tire
Of watching you burn
I can see you brain boil and churn
As it reels into into areas of
 madness and chaos.

Your psyche
Is an endless field of dark reverie,
Of fear and vagary.

I know your night terrors
Your savage dreams of death
Screams and bated breath
Unutterable visions
The grotesque world of horror thats spins itself out
And dribbles into your drawings
All those creatures, skeletons gnashing and clawing...

You
Are gentle and thoughtful
Yet you are terrified
Of this dark thing that sleeps within you.

Your eyes - they’re stunning
They’re tempestuous,
Wild, like some fierce animal peering out of a rusted cage
Oh, your eyes
They are something beautiful, but annihilating
Like Autumn crocus flowers, innocently poisonous
Lids splaying delicately like its violet leaves.

You are tall and strong
And uncontrollable,
And your smile
Is the biggest paradox I've ever encountered
Childlike
And fatal.

You are not
A creature of the commonplace
You are not a slave of the ordinary
You are not a mindless drudge of the mundane
You are free.
Or bewitched, what's the difference
Shirlee Shelley Oct 2010
To lie beside you
To have you suckle my breast
with your warm wet tongue...
To remember you softly caressing every inch of my body...
The curvature of your hips,
rhythmically dancing with mine until they seemed as one..
To feel you entering inside me,
filling me with your sweet nectar..
The wetness sliding down my thigh and gently falling onto the sheets...
Both of our scents filling the room with the unmistakable aroma of animal magnetism...
And when we had said our goodbyes,
and I fondly thought back to our passage in time,
I was once again aroused by the memories of our *******...
I can still taste you..us..our sweet nectar mixing, as did our love,
in that one passage in time...
You are not your Body,
but your Body is your Temple;
and your Temple is the only Altar
at which I'm compelled to worship.

The Goddess I know is present
The Goddess I know and love
The Goddess known to you as "I"
dwells within that earthly Temple
thus is thy Temple my Altar

I want to darken the room;
to turn off the lights
draw the curtains
and then to light candles
and disrobe our Temples
and lay upon a bed of satin
and to begin to carefully trace
the subtle curves, circles, arcs and lines of your Temple
with the lips, tongue, teeth and fingertips of mine
and to forget the sense of Time
we both know so well by now;

I want the Music of the harmonies of our Temples
to drown out the music of the turntable

I want the rhythm of our Love
to pulse so deep into the Night
that it comes back out the other side

I want the melodies we accidentally sing
to make the Moon and Stars blush with envy

I want to worship your Temple
in all the ways that we'd see fit;

I want us to moan in blissful, belligerent unison,
our eyes meeting with such electricity
that the spark creates ephemeral dim light
just before the magnetism pulls us together
and we kiss a kiss to end all kisses
just before we kiss a kiss to begin it all again.

I want this holy communion
under naked moonlight of Love
and I want to hold your Temple
until all Temples cease to be.

Time has no meaning
when we're apart.
Time has yet less meaning
when we're together.

I love you and your magnificent Temple,
my one and only Earthly Goddess,
and I can wish for nothing more
than to be able
to make you unable
to doubt it,
once more.
Love, and moreover ***, are deeply spiritual to me, as you may have noticed.
This poem is about that notion more so than an individual,
although an individual sure comes to mind
(though, she'll likely never read this unless I mail it to her; which I did)
JS CARIE Jan 2019
Being found is not a concern
spirited truth bring wonderous burn
Not asking much in satisfaction
To walkabout break down my load of doubt
Long before it made you blue
I was born in love with you
I was born in love with you
I was magnetized by you
Proving parallel with time and polar scars
I was equally born to be spurned by you
Dahlia Nov 2012
Reaching out for what delivers its existence

The thirsty tree extends its limbs further to the sun

An encounter craved, but still valuing its bestowment

Forever longing anxiously for that connection



The summer winds carrying this hopeful firefly        

Emitting the lonely light that calls out for another

Releasing these signals in hopes of discovering you

Again a flicker and finally the mate is matched



Sprinting to the sea, the relentless river runs

Passionately carving its way through the slighted landscape

Obviously enraptured by its desirous charge

Awaiting the second its frenzied rush reaches home



Like the sun now churning our eager energy

Overthrowing senses with this rampantly raging need

Overwhelming magnetism lures us toward temptation

Inescapably mesmerized by this sensation


Profound in nature, driven by this timeless dance

Sophisticatedly conjoining into fulfillment

A base for these unbridled electrical impulses

The quintessence of our fusion now realized


We are the union of two wandering forces

Ignition progresses affectionate meditations

Quietly absorbing the synthesizing of segments

Once unrelated, now entangled eternally
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
Kate Morgan Jun 2013
I met her in the parking lot of a liquor store one Friday night with my naked body hidden beneath a dressing gown.
I’d put it on whilst I finished the gin from my 20th birthday within my boyfriends closet as he drank his **** down in beer and asked why I was in the closet.

Impotent, it was a quick exit as I thanked the drink for making me able to ride my bike back minus the safety of a sanitary towel, without my **** left to think of his grunts and groans and his hands which branded my thighs as he fed me lies that it was just in the moment; his finger prints left signatures citing his latest triumph of lasting one hundred point thirteen seconds.

The magnetism between the Alchemist and me was instant.
She held out her palm and asked for mine as the lines in my hands rewrote themselves in twisted, hopeful anticipation; reaching out, what I felt from the tips of my fingers was magic as I traced her navel to the logo of DKNY on the front of her black, cotton *******.

I taught her how to blow out smoke rings like the clowns at a circus who sit within purple tents and repeat sums of the class of 1969, the date they got their ***** kicked in, indigo, violet, for being performers.
I taught tobacco. She taught me ***.
There was ****** deviation towards devilry as I delved into the darkness between her legs as her ****** enchantment captured my hand and leaned me back;
Black blindfold, sight slaughtered.
Burning desire rolled over my bare ******* and left a trail of rouge; yet her warmth was not tender nor loving, but raw, earthly.
A sensual split as she clawed my back and licked the drips of blood that seeped into the bed, which was our place.

I felt myself become an astrologer as I left my body and rose in starry bliss; I became an adventurer as I breathed out ships, which sailed us to Stonewall as I stuck ******* up, not her sadly, but the blue meanies, the pigs which ate out of the trough of **** Tim Loughton fed us from our backyard.

I said we are making love. She said we are making a revolution.
Our energies combined, our spirits sang as it is in all and all is in us.
Time was alive as my fingers curled, my teeth bit into my open lips,
My back arched and my arms reached out in holy restoration.
Her incantation was irresistible.

Cosmic forces worked effortlessly as we evaded time and entered a transcendent state. Magical longing; primal consciousness;
Fate brought us together, past the ******* stage of our ****** evolution
As what we felt replaced what Freud saw.
A ****** of witchcraft.
An ****** of obsession.
The day I stepped out of the closet and away from my boyfriend I drank the elixir of life from your lips and knew our love would never die.
i wish to touch the bits of you that endure my dirt.
i wish
more than ever the shape of your face in the curve of my long and twisted fingers.
there's something about it that make my hands
okay to look at again.
like they may have a found a fitful purpose, caressing the demon mouth
that kisses my angel teeth,
residing underneath
my loved lips
that send trips
to your words.
they encase your bright
eyes
and devour the confidence left in them.
but what i meant
to say was, i see your bright
eyes
showing fight to the fence
that you build so high.
i can see the lies shine
like a light was tied ,
just for me to breach them.
just so i could teach them,
you are one to beat them.
even though its you who seeds them.

emitting the aroma of tainted goodness and its all
okay
because of the eutony of this all.
these words can break my fall.
if i make the call,
and summon the space,
my soul
will come and take the place
of the weak face
i can no longer
sonder,
anymore in the background of your filled up recognitions.

there's
no
space
for
my
sad
face.
there's
no
place
for
my
heart
ache.

sent into solivagance.

this is a dark red redamancy,
one of a curse.
the birth
of our breakage
started at the first
touch of a sacred
unto a scarred soul.
and she cried
finding nothing but an empty black hole,
in return. forever churned
in a lustuous magnetism.
a
love prison.

its something that buries itself
beneath all the logic in my heart,
creeping from underneath my sins.
its some kind of wonder,
beckoning the birth rights
of every death in my future.

[ it's some kind of mutual case of kalopsia. ]

Of all the questions that beg my being,
why do my fingers still only look straight
when they're resting on your rigid face ?
mizpah::the.emotional.bond.between.people.who.are.separated.either.physically.or.by.death.
eutony::the.pleasantness.of.the.sound.of.a.word.
solivigant::wandering.alone.
redamancy::loving.the.one.who.loves.you.a.love.returned.in.full.circle.
kalopsia::the.delusion.of.things.being.more.beautiful.than.they.really.are.
rk May 2019
despite it all
we effortlessly end up
drawn together again
your soul pulling me in
my bones still remembering
how your touch felt
on those velvet nights
you light up my existence
and swim beneath my skin
my blood is yours.
Leah Ward Dec 2012
I sit inside my podunk room,
As a million meteors make mad dashes
For different conners of The Universe
Like galactic kids stuck in a game of
Sharks and Minnows.
They snap their space caps over their heads,
Adjust their goggles, and dive into the galaxy;
With the refreshing burn of
Firery friction against their faces
As they glide through the galaxy.

Above my head these nova swimmers soar,
As I pull a folded list from a desk drawer
And lean out the window with a quilt
To stop the chill from getting to me.
I close my eyes and let the cold moon light
Reflect off my surface and pale my skin.
The moon has no purpose but to moon bathe  with, of course.
Of the meteors that circle the sky
I have a very different purpose for.

One by one I recite wishes,
One special I had saved just for this night;
Scribbled in marker with fast hands belonging to a busy brain,
Elegant cursive dawned by a deary mind,
My best script for my friendly letters.
Some I whisper, some I shout,
Some I struggle just to get out.
But one by one these wishes are told
To the night sky, the meteors swimming pool.

Suddenly the windowsill creaks and cracks
My eyes snap open, the timber of my home breaks
And my house, my yard, the trees and the leaves
All disappear, and suddenly,
I am splashing and slushing  in a puddle of
Endless Blue Water until I
get the sense about me to swim.

I swim until the water reaches my head,
My eyes, my nose, my chin,
Drains from my ears
Splatters on my shoulders.
I walk when I can, through
A tunnel of cattails, seaweed, and pond things,
Like a swamp without a sky,
That make the Endless Blue Water a canal with
A wooden door that I reach
After many steps.

Knocking twice, I stand patient
Busy with the thought of what brought me here.
A slot in the door slides open,
Old eyes framed by glasses peer back at me.
"Go away!" The old man barks,
"I can't let you in. All of
The water will get everywhere on my feet."
I stand, my eyes pleading with angst,
Eyelashes that drip water.
"No, it's ok Grandpa. Let her in,
She is tired." A voice, gentle and sweet, speaks
With a melody of a thousand guitars
Tuned to the exact preference of my own ears.

With a grumble and groan.
A click and a clack,
The slot slides shut harshly
And with a creak and force,
The floor flies open and
I am urged by the Sweet Voice to
"Hurry Great Darling! Hurry!"
And I squeezed through
The door, but so does the
Viscous water.

It flows rapidly past the door jam,
And the owner of the Sweet Voice scrambles
To convice the hinges that they
Want to turn the other way.
The dusty ground I now stand on
Quickly turns to mud, as the water flows.
We cannot stop the water from flowing.

The water makes a will of its own,
Rises with vigorous ebb,
And carries Sweet Voice's Grandfather with it
Into the dust bowl in which it surges so fiercely to.
I go with it, emerged once again as I
Grasp for a wrist, an ankle,
A collar, until I find a strap
Of a suspender, and hold fast to the door handle,
As Sweet Voice whispers hopes
That the water will stop. He grits his teeth, and
I'll never forget what he said:

"You are magnificent, Great Darling.
I would have loved you endlessly."

And with that, the water reversed,
Taking the sweet voice back into
The Tunnel of Pond Things,
And slamming the door shut.

The Grandfather and I, sat on grassy moss
That once was barren dirt, that climbed into fingernails
And settled homes between human and calcium.
The Endless Blue Waters  had cleansed the dirt from before,
But had also taken my lovely paramour.

And with this, I wailed great echoes
That shook the ground, because
The sweet voice was the wish
Whispered so delicately but so
Anxiously on my windowsill
That lonely night.

After my fit, I turned to see
Great followers of the Barren Lands,
Ghastly beasts with spots and rabbit ears,
Humans with skin clear, great dragons
That inspired no fear, that
All stood before the Grandfather and I.
They held their hands before their faces,
Checked their teeth, and found it free of the dust
And dirt that haunted their days.

A great feast was arranged,
A thousand chairs at seven hundred tables,
All lined with a feast
Of cooked carrots and sweet potatoes,
Texas toast and orange marmalade,
Corn beef and root beer;
As kites with tails and laughter with squeals
Floated through with wind and smoke
Of campfires yellow, all
To celebrate the arrival of me,
The Great Darling,
Who had cleansed the Barren Lands
And brought about the begining of
The Hallow Lands.

I sat alone at this great feast,
Weary of my loss, when I felt
A tapping on my shoulder. It was
The Sweet Voice who had returned.  
I asked, elated by his arrival, about the
Means of his return, and he replied:

"The moon has more purpose than you
Assumed, Great Darling.
The moon controls all tides, and
With its power on my side, I asked it to
Take me back to you, and kindly it did, as
the moon understands that poles and magnetism
Are not the only forces than bring great things together;
That love can do that great deed too."

We sat under the lemon tree,  
My quilt, retrieved on Sweet Voice's journey,
Spread beneath us, as we watched the moon
Circle the sky for many nights,
Until we decided to join in its company.
One by two, we stepped up stepping stones
On a hill that reached the meteors pool,
Where my paramour and I lived
In galactic happiness forever more.
zebra Nov 2021
I've been reading a lot of nonsense about ****** objectification, like objectification is some kind of moral transgression. It's not, unless you want to indict others and yourself for thought crimes.
The term objectification is unfortunately mistaken as a stand in for ****** exploitation. 
 
 Objectification, for some, makes us feel attractive and desired, that we are beautiful, that we attract love and admiration, that we are recognized for our magnetism by strangers. That's certainly one of the motives for working out, watching the waistline and dressing well. 
For others it is about the understandable resistance of an unwanted approach, gaze, or suggestive body language, and while it may create within us a feeling of resistance, it is inherent in the human drama that has always been a part of us and, of course, these two experiences are not mutually exclusive.
But one thing objectification is not, is ****, manhandling, or ****** exploitation. We are all human beings, irrespective of our gender, ****** preferences or ****** sensibilities, with a commonality of desires for love and passion, and while we need to respect each other, we also don't do ourselves and others any favors by being to distressed or rabid about feeling another's heat for us.
Many of us are a great swooning web that wants to swallow and be swallowed in lust and love in search of a special someone, a kind of pre-objectification, for the purpose of future recognition.
****** OBJECTIFICATION is described as "the act of treating a person solely as an object of ****** desire". Objectification more broadly means treating a person as a commodity or an object, without regard to their personality or dignity:  sometimes referred to as "the zipless ****", a phrase coined by Erica Jong in the book "Fear of Flying". As described by her: -"It is a ****** encounter between strangers that has the swift compression of a dream and is seemingly free of all remorse and guilt. It is absolutely pure, there is no power game and it is free of ulterior motives". It has also been described as the perfect one night stand.
She cumed like a cinematic hissing pillow of flames
 
 The point of confusion is that the concept of objectification is mistaken for exploitation, and while sometimes associated, they are radically distinct from one another. Objectification is a DNA-driven biochemical prime directive to create .
Wetter than an otters pocket
 
****** EXPLOITATION: is a crime, meaning taking ****** advantage of another person without effective consent, and includes, without limitation, causing or attempting to cause the incapacitation of another person in order to gain a ****** advantage over such other person; causing the prostitution, or trafficking of another person; recording, photographing or transmitting identifiable images of private ****** activity or knowingly and intentionally exposing another person to a significant risk of a sexually transmitted infection.
OBJECTIFICATION: 
When we find another attractive, the brain has a tendency to flip out in a kind of eclipse as in a black out, like an electrical short perhaps, causing physical symptoms like heart rate increase, asinine nervous talking, sweaty palms, dry mouth, jumpy stomach, hot flashes, or more broadly speaking in a confused gibberish inspired by a spectacular entrancement of obsessive haywire desire. Objectification is the first door we walk though when we recognize our desire for another.
HYPOTHALMUS: part of the brain plays a masterful role in this, stimulating the production of the *** hormones testosterone and estrogen from the ****** and ovaries While these chemicals are often stereotyped as being "male" and "female," respectively, both play a role in men and women. As it turns out, testosterone increases libido in just about everyone. The effects are less pronounced with estrogen, but some women report being more sexually motivated around the time they ovulate, when estrogen levels are highest, which is why men tend to be more sexually aggressive. Women who are introduced to Testosterone for the purpose of body-building or gender change are often astonished by the huge uptick of libidonous desire.
Eeeeek, I could eat you like cherry pie !!!!!
"According to a team of scientists led by Dr. Helen Fisher at Rutgers, desire is broken down into three categories: lust, attraction, and attachment. Each one of these attributes is characterized by its own set of hormones activated by the brain"
LUST… Is driven primarily by Testosterone and Estrogen
ATTRTACTION… dopamine, norepinephrine, and serotonin motivate attraction
ATTACHMENT… oxytocin and vasopressin mediate attachment.
LOVE…When combined these three take us from us from pure objectification to the wholly trinity of love. ~~~~~
ARE YOU OBJECTIFYING ME
are you objectifying me?
i can bench 300 lbs. ten times
I'm a rich artist with a graduate degree
sun tanned
good teeth
driving a new BMW six series
with a rag top
big keen blue eyes
like a pretty girl
wavy hair
smooth *****
seven inch *****
nice ***
with the tender heart of a poet 
and a square jaw
want to wine and dine you
always smiling
bay *** kisses
silky tee shirts
Hawaiian 
luau vacations
or is it off to my castle 
in the 
Carpathians
impeccable manners
i smell like lavender coconut butter cream
live in a grand house
on 
beach front property
mucho bucks in the bank
nice as spice
you will never have to worry again
are you objectifying me?
GOOD
because I'm objectifying you
and id rather not hear anymore about it
lets not argue with nature
its like a rock falling
arguing with gravity
all the way down.

https://medium.com/@4zebra2u/******-objectification-the-lie-that-keeps-on-lying-fb79223d016f
Mateuš Conrad Apr 2016
a western *** novel, two magnets
aligned with no chiral
behaviours, homosexuality
you might call it;
so they're there, trying to attach
but there's this invisible force
keeping them apart,
a ***-rubbing escapade, it's
soft for both amiable limbs
that the fingers are, and the eyes,
sure it's there, take two magnets
and face them together with both
north sides facing each other...
you get a feel for it...
gravity is the most superior form
of magnetism...
it's a magnetism on a grand grand scale...
it's not pins and needles and Don Juan /
Casanova...
it's the sun:
Mercury, Venus, Earth, Mars, Jupiter,
Saturn, Uranus, Neptune...
a grand magnetism, that's gravity.
NitaAnn Jan 2014
Come and walk with me!
I take your hand and allow you to push open the heavy, creaking door to my thoughts.
Together we pause at the vast emptiness before us, creaking dreams beneath our feet, memories and beliefs casting shadows on the vast walls.

We move cautiously inside the entrance, tread carefully on my forgotten memories and dreams, their hold on me lost through time.
Please ignore the twitching corpses and further explore darkened, hidden, cobwebbed corners.

Gliding through the room, I pull you down, ducking as another thought flies through the air hitting the opposite wall with a loud splat then landing in the pile of screaming thoughts below, where they stay, awaiting the inevitable time when they will either be dismissed or built upon.

Allow me to guide you through the room, dodging the memories best forgotten, notice the shame and fear apparent on my face as we view them together.

Take a moment to scan the dark room, breathe in the fresh hopes and dreams; their bright bodies hung carefully on the sun drenched walls, waiting for the eventual time when they will be realized or floored.

Their hopes shimmer in vivid brilliance to the limited few who are trusted enough to view them. Laugh as you catch glimpses of the insane images before you, cry at those of more morbid times. Feel yourself being dragged into the moment, your sleeve being tugged at by a crying child.
And in the blink of an eye that same child scrambles over to you.
Pull yourself back into the present, realizing the child before you is me.

Explore the room further, try to avoid the tear filled pool, where all tears are recorded and verified at being shed…wept through time.

Stop and hover at the shrine of the memories of my life.

Images and clips are projected throughout me and are now available for your viewing.
Notice how the salty pool of tears deepens while you witness me recounting the losses, the pain.

As we walk further into the room, journeying through time, moving closer and closer to the present…remember to observe the moments and memories of time, suspended in mid-air, burning in a golden light.

Now witness the smugness…the only part of my mind visible now, its golden beauty being cast throughout my body, washing me in an aura-like glow.

The warmth of the complacency keeps me sane, urging thoughts to be formed, its magnetism pulling words from the neglected pile and painting them into pictures, parading them in the room until they are given attention and brought to life.

As we move toward the door, look over your shoulder at what you have witnessed the room now a hub of excitement, never before viewed by anyone.

The air thick with scents of raw emotion, its nakedness daunting and yet liberating.
Its shadow and mediocre existence no longer locked away but instead camouflaged in an attitude and personality of an unexpected level.

Pursued by many, their relentless banging, wasted energy, their persistence jamming the door further, while the rusted lock twists tighter and tighter, until the eventual breaking of the lock, shattering all ties with the pursuer.

We step over the threshold, out of the house and into the sun.

I close the heavy doors to my thoughts, and replace the rusted lock on my soul.
I glance over at you and you catch my gaze.
You nod your head at me and reach out your hand.

I am unable to reach for you… I don't believe in myself, I don't love myself.

But I hope that eventually I will find peace from the inner turmoil that has me vice grip, tightening with each passing day.

I look at you with desperation in my eyes, longing to believe the wisdom you speak is "truth".
Walk with me...see my shame and sadness, witness my hopes and dreams
Martin Rombach Aug 2012
I’m not perfect. I’m far from it. A clattering engine of destructive vices, a body average under Adonis, a mind weathered by experience and paradoxical in influence.

It has taken a lot of work and luck to become who I am today, with that ****** in the mirror tripping me up plenty along the way.

But in this moment, amongst our grand but insignificant civilisation, amongst our beautiful but minute planet, in this relative scope I sit here with you in...
Somehow... things have finally worked. Fitted. Reached... some level of... peace.

As I indulge in your eyes there’s a lot to contemplate, speculate, agonise over.

There will be times between us where consequence will draw conflict, where our dividing, clashing aspects will build the intensity of how different we are, questioning whether we should know each other at all.
Moments where the reminders of the subtle magnetism amongst our personalities seem almost transparent.

Familiarity breeds contempt so they say.

What I hope, for us, for whatever this is, whatever it will become, I hope potential and positivity can develop.
Spontaneity.
Exploration.
Curiosity.

You once were... the goal personified. Amongst the trivial, the financial, the creative, a connection with you became... valuable. And now... my love, now the connection has filtered into my memories as something warm and reassuring, you have stepped from the centre of attention to a turn of my head from the perceivable forward.

In the drive of the day, you serve as a fantastical presence in my mind, a word repeating in the sentences rambling through the monologue, associated with an image that stirs a collection of emotion.
The words and images, the memories and ghostly echo of a voice straighten my back out, and knock my chin up a touch.  

We don’t depend on each other, we aren’t each other’s everything, instead we are friends in love developing ourselves in a way I can never fully express thanks for.

Life is a challenge, and at the same a beauteous opportunity and I’m glad you’re sharing it with me. The reassurance of you... helps me take it all on with pride.

So thanks.
Raven Feels Jun 2021
DEAR PENPAL PEOPLE, never been more frustrated for not remembering a dream:_(

deja vu brought to view
even better this time that was like the twisted flu

an erase my system moonlighted on me frustrate to repeat
sunset a truck corner an autumn lasting in the backseat

forget that the ocean sailed and orange witches golden
a town of ancient camps imagined clean desires and broken

any subconscious stubborn to hold on inner fantasy?
cause me can't reach a fulfill a journey come to and ending duality

violet unaware a desire everlasting bel air
do dreams come true flasher in sharp not matter mere???

bare me the renaissance a century in ancestry fading memory far  
pieced in my head puzzled mad realization aiming stars

magnetism the hell it means dungeon and dilemma bolds
sharp steeps deepen the voices  running struggles put to the sold


                                                                        -----ravenfeels
Irresistible;
I cannot constrain my Mind
from such desires.

Once I can have it,
I shall affirm the Sacred;
leave no doubt thereof.

Delirious, no:
intoxicated, by the
taste and smell of Love.
Aseh Oct 2016
I can't trace the crown of my indifference towards you (or anyone else) to a definitive source.
Whether you are strung to me or I to you,
our union imports
several interpretations.

You might be like fishing wire:
binding limbs, constricting movement;
if I deviate, I suffer your sharp cut of resistance.

Maybe you're yarn: soft, nurturing; but again, any move that falls outside the lines of your predicated design--any undue tightening or loose end--results in chaos.

Or perhaps you are the hand that draws the line:
you, the invisible puppeteer
who governs my every wayward glance
or dishonest act at the whim of your object, your desire;
one string leads to the
magnetism of your cologne
and another, the heat
of your knees in fitted jeans
against mine.
If it be that,
then, my indifference would serve as my aide,
a final desperate cling to autonomy.

But what if we were both cast
in the same web, rendered useless
through entanglement, would we
claw towards each other, content
though the silk grows thick
with every reach?
Would we tear our way to liberty?
Or if we were to find that thing-
the source-
and cut all ties,
would magnetism wind us up again?

If I unravel, what would you do?
If you unravel, would I leave you
in a pile at my feet?
Would I cast dead strings aside
and embrace the freshness-
raw and bleeding but alive-
beneath the rage?
From the depression of the distances with respect to the horizontal and the planes that separated them from the surface, below the references that came against, single sediment had been destined towards the high eminence, before the fossal of megatons of aldehyde below the bilges of the final base, where the seventh rings of the goat ibex were perforated, all in the antipode of the Constellation of Capricornus; where the goats were enraptured in the binary of Wonthelimar, behind the floods of absorption that took the Diadocos far from where they should never have left, in order to extrasolar wishes and never to come. From the node of the supreme and poked aldehyde of the horn of Amalthea, with the bizarre analogy of Zeus and Wonthelimar, both mammals with milk from goat's udders, one from goat from Mount Ida and the other from Aldaine in the Alps, with milk from ibex and In the face of Amalthea that appeared in the fossal, all the Seleucid generals had already vanished, starting from the Viper Typhon, who in the retracting sub-mythology of Capricornus was transmigrated to Wonthelimar, swollen with the aldehyde transmuted into this alcohol and into the udder milk of the Ibix that He lactored, while they were all carried away as in the chambers of Auschwitz, in distant lanterns and lamps of the Calypso that he dismissed them, leaving them with the escorts of the ibex or goatfish in laudable stratagems, which vanished them away from their desires from a new polis or Nostos Patrída, sprinkling them with goatskin and flourishing essences of the kashmar of Zeus' nurse; Amaltheum or Amalthea.

The Iberian rings from the medrones in advance reached the two final ring nodes, here Wonthelimar intimidated them with an accurate adjacent bleat of the kashmar that rubbed their back, before the newest and last lux of Amalthea that vanished into herbaceous fruits that always He carried the barefoot medron with him, to start with the antlers dumbbells and re-transport them defeated to the species of snake that frightened the pastoral god Pan who shepherded, and then he submerged in the water after becoming Capricornus Ibex Fish. Being aware of this and of those who refused to continue listening, Ibics rings were unleashed until the seventh medron, feeding back with Wonthelimar who ad libitum created Venus in triads of Zeus. Wonthelimar and Amalthea were remote in the eighth and ninth medron of the antlers, they appropriated to each the portion of the Parasha or Parashot of the Torah, and of the thirteenth Shemot so that their dualities and fumes from the unbreathable fossa would remain under the possessed surface of the pendular property balance and positive-negative gender correspondence. Right here Amalthea transmuted her mercy to save the world with her lactation of syrup and honey that was not in short supply, and that was extrapolated into a future abundance of food and nectar, making up for crusts that were uneven in average terms. From this bezel, both beings of the goat genome contributed to the pole of goodness for each one at the end of the benevolent cuirassiers of prospering, and not from the opposite that would lead them, even though they were dissimilar causes, towards a retrograde event that was not a consequence of the becoming of the plagues, and of the malignancy that does not flourish with the Shemot of the Parasha, to agree and lavish themselves on blessed virtues or deliberate wicked ones.

The meaning of a relative synchronic and factotum coexisting does not redeem the disintegration of an existential relativism in Skalá, the Hexagonal Primogeniture from one of its angular visions, metaphysically transfers from its temporary contingencies after its arrival on Patmos, while the temporary Seleucid temporality vanishes, It was affirmed from a contradiction since its truth was distended in the arena of Skalá not implying being welcomed, rather it was victimized by the absurd political dimorphism in a meta spiritual state, abdicating its dispersed retrospective, and now contemplating a compromise of the Hellenic genre, to gradually rebuke the virtues of their banners, twice as good for the purpose of reinforcing the will to accede, and not perish in the attempt to lead Alexander the Great. The criticism of founding the memories are of a revived past where it was not, marking the anthropological fact and false truth judgment, in meaning and contradiction in the polarity of both axiomatic genres, but that is saved when quantifying in who has to defend himself, if seeks to abrogate itself, in the entity that is characterized by induction and attraction of egonies and not of exo-egonies, thus describing it in the theme of "Do not support egos that recriminate other characters of frustration and empowerment of a Vernarthian logic split into Vern-narth. Vern has etymology of Bern or Bern olive tree of Gethsemane and narth of the ordinal scale that speculates its nickname in millions of northern sections of its origin, which subsumes the truth and the criterion of apocalyptic parapsychology, re-life of quantum historicity of the metaphysical and sub-block. -Mythological of Vernarth in his identical.

Everything seemed a strange self-annulment from a clear and understandable limit, but Wonthelimar rose to the surface of the Állos kósmos, finding himself in atmospheres of truth and reality of a Cantabile, who decided about the horse Kanti coming with him towing him from the Erebo de Chauvet Bilocated. As a musical and festive ending, he received them on the upper plate of the happened gestures, where a cabaletta rendered parts of a Cantabrian aria, in sulfurous and remorseful cavatina married with the cross emotions of a finale who sponsored expressions and festive Templar tales, with the descendants of Zeus or minor children, or grandchildren after this had to give him milk and honey but with báchkoi. Among the couplets that received him, some came about the smoke of terror that was confused with the dustbin of a Cavallo or horse acclaimed Kanti, with gasping bustling from a cardex, containing all the repertoires of a cantabile if this scene were to be repeated in The same epic allusion, and in random consequences, that go after a cavalcade that is not abstracted in real characters, but more in conformity with the well-deserved place of epic imaginative beings or in the operatic psychotropic of a duet, which would go flagellating in individuality and in each which is not content from another section of the Cantabrian.

The Universality of emotion and feeling is a tragic Parodo emulating voices of all those who sing from a cantabile galloping in their voices to the beat of the heart in some, and at the same time chanting stanzas and antistrophe in reverse epic and tragic lines, for the purposes of the coliseum that diametrically obstructs the Hellenic choir, which is attached to the intervention of the Hexagonal Primogeniture that was already beginning to rise in height, and in the prayers of Saint John, the Apostle and Prochorus from the captaincy and the ode that would begin to stanza, from the west to this and the antistrophe would follow with Vernarth, Wonthelimar and Alexander the Great from east to west. Ad libitum of their enjoyments, they were eating Greek snacks or Katogorias on the way in bases of Almonds, cinnamon, olive oil, sugar, and sweet wine that they carried on their backs in Rhytas shaped like the horns of Zeus and the Ibix of Wonthelimar, which the same Procorus carried on his golden back. The meaning is affirmed as a meaningless infringement of laws of temporality, and truthfulness at the expense of short evidence, and of facts that vanish in the light haze of causalism and not of effectism, when the adjective or noun is made of a strong verb in the Metabasis and in the imprecations that Vernarth gave.

Vernarth's metabasis: “the verse and the adjective will be subsidized by the noun in the construction of Állos Kosmo Megarón, from where mathematics will immaterially explain sap suckers under the noun in liquid milk of the color white and of the high nutritional value in female lactated, and of mammals to feed their goats or ibex. The soul of this prerogative implies that the verb will be to promote species rather than a nutritious milky elixir for Zeus, and the candor of his **** will tend to the bipedal or quadruped subject self-procreating from a Milky Specie. (Milky species).  Being ****** into milk by self-procreating snitches. Vernarth says (give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!)

Amalthea in rituals and relics from prospects of demigods was purposely cordoning them off in Mycenaean deities, from a contemporary Westerner comforting them near a hippocampus; with signs of ibex Capricornus, rapt at the nymph that spoke from Mount Ida in Crete and that she made congruent with the constellation of Capricornus, more precisely in the Cornucopia making this heraldry of Wonthelimar with Fortune, Abundance, Occasion, Liberality, Prudence and Joy. In a woman sitting on a throne, a young nymph with a flower crown, a naked woman with one foot on a wheel and the other unstable, a woman with sunken eyes and an aquiline nose dressed in white, two faces from the past and future, a woman happy with the exuberance of the Cornucopia with children and a palm leaf. Being the abundance that in serial Amalthea bordered all the ladies in different esoteric and Mycenaean prosperity, constantly shining with radiations on the present in the Unicorn Ibix, which Zeus left after breaking its antlers, unleashing kindness and plethora in fruit buds, and vegetables that were appropriated in the Fortune of Wonthelimar reissuing what in their domains they can do, and now in Patmos with its Cornupia being transferred from that liquefied shaft honey and milk cultivated with attributes of herbs contributing to the leisure, peace, and relaxation of the cosmic world that ascended in Wonthelimar as Ibix in advance of Capricornus, from where the Auriga always broke into his expeditions with a trajectory towards the eighth cemetery of Messolonghi, where he brought it from the Capella Star for the femurs of the Diplodocuses who seconded Drestnia to watch over the hydraulic pits of the Koumeterium from Messolonghi, before traveling to Tangier.

The entire herd went back to an ancient promontory that was halfway up the mound towards the black styes or abscesses, in the central intuition of the fossa that began to dissipate towards their backs. Amalthea extends into the Állos Kósmos, which came in zoomorphic receptacles collecting the announced blood of the animals that flowed in black planks from the vortex of the fossal, towards the liminal or transitory sleeper of the fossal that oozed acetosities of the Aldehyde to be transmigrated after the bilocation of the Chauvet cavern. All wore willow halos on the crowns or diadems of their caps, including the proliferation of phantasmagoric Allies that went in rows from 780 to 680 BC. C., with fortunes of the Cornucopia that arched in magical arches due to the dissociative changes of the universe, as well as the circumstantial creed of some omnipotence that will cause emotional transgenerational transgression, in the rain vessels that they made fall from the Ombrio de Zeus, in a daily latticework closing the spaces, and only leaving for some intruders and onlookers to see his flashing Astrepé. Right here the diádoc fossal vanished, when it rose above the horizontal that poured into the Chronic Vernagrams of parapsychological personalities of ingenuity classicism and in Astro-concomitance, which would rethink everything that is past and future from a Vernagram, which is more than a compression of a mere future of the quantum spaces and the sacred medrones of the Ibixes with their direct relationship with Capricornus. Diverse capital moments were treasured in the breeze of the Vas Auric that was traced from the opposing moraine that fell in lapse-time, through the labyrinth in storms and thunderings that became planetary with the Lynothorax cuirass that Alexander the Great accommodated in the festoon border of his Aspis Koilé, kicking copiously as a sign of shaking the head of the gods who deceived him to be alive, and who was now reborn in the faith of Saint John the Apostle, favorite of the Mashiach and where he will have to wipe his face with the shroud of Veronica Before entering the Állos Kósmos Megaron that everyone built, in favor of a Panagia or Temple, unlocking the majolica that seeped out from the rest of the transmigration, and his own in the configuration of a corpse with a tricolor gesture.

The presumptive eradicated the side of the forearm rots that was being restored in Wonthelimar's laps, which helped him get up and catch his breath while the Katogorias snack filled his mouth with nectar and almonds with Macedonian Psiloi combat tactics with serum and flames of Alcohol dripped from her nostrils and sinuses in the sweet wine, which in pompous dilemma defied the judges of her life in the choir of the Bilocated Epidary Theater on Patmos, and in the ***** dry Kashmar of the orchard with the pale faces of the grotesque, that rested in the memory or Mnmosyne and in the fauna of the Thracian and Thessalian helmets.

Alexander the Great says: “here I agonized and now in the fresh waters of the springs of the Lerna, I will also marry the glorious mystay and bákchoi, in the memories of Vernarth seeing him besieged by Achaemenides in the stooped position of Dario III, to come purifying and sustaining of my limbs, learning to walk and speak in Neolithic techniques, which extruded me from the Lerna by barriers of the moon that shone from the bronze of my Leonatus helmet. Thus I could see that Vernarth, fought alone against thousands throwing fire through his mouth and his eyes, separating the waters of the Falangists, who plowed like ships deforesting the Persians, and leaving them in their mud, imposing glorious Hypaspists who unbolted from their back some arrows with heads of snakes and Hydras.

Vernarth watched as everyone climbed the Profitis Ilias mound, two hundred and sixty-nine meters above sea level, where the monastery of San Juan is located; here he was suspended in his solitude after everything that happened at the end of the moat that definitely I would return without the Diádocos, with a hint and its functionalities. From here Helios became genealogical, who snatched him from the kingdom of dead flowers, which were to be assumed from the Olympian where he will join him to the essential of Aïdoneus; immaterializing in the darkness of dizzies and the flowers that died in the genealogy of a new species. The scenic swept its cognitive and ferns with more than three hundred frank species that frowned like the enemy of an evil friend, with seedlings that expectorated from the resonance of the bushes that invited to thrive in the salty ripples that made a dreamer fall asleep on top of the kerchiefs or brambles that memorialized Gethsemane, burning his face and hands with psalms, telling him about his Baba. For when it is a luminary by night and by day, they will compare it with the white grayish drupes and mops, like those of the Bern orchard of Olives, in aqueous and resinous colloidal, which was crowned in harmony and syntropia in Vernarth activating intellectual conscious plantations, which will restructure its balance of ultra Hoplite, in metabolism of the Lentiscus flowers, with great brotherhood in the Olives that each time exercised the gift of bending their oleaginous self-species, towards planes of the Cornicabra olives, with large branches and high tree altitude that fruit within of the Cornucopia that he now carried on his back, supported by an oiko spin, juxtaposed with the fibula on the right shoulder of his lymphoma, which with large branches and high tree altitude fruit within the Cornucopia that he now carried on his back, supported by an oiko line juxtaposed with the fibula on the right shoulder of his lymphoma, and with polyphenols in scale geothermal energy that still leveled the Ponto Sea towards the tectonic plate to give it the flavor that was owed from remote prehistoric times.

Patmos was aborted from an immanent consent and new force of the impending enemy in Pythagorean perorations and an offending thought. From this prerogative is born the generalized punishment of sub-mythological ethics in favor of legacies of allusions to reorder or defragment the enslaving and demolished bio culture, which would begin from the establishment of the Vas Auric found in Limassol, which took possession from Rhodes with clean scenes from Tsambika monastery. The epic ran like icy cold down the shoulders of all those who sweated for the generation of cops, and in domestic evasions in superior lordships to Hades or Wonthelimar itself, both sons of flocks and goats that nourished them by providing them with a mountain perspective, as a magnetic pole towards gothic energy that ruled more in the Magnetic North Pole, and the geographic oversize that reviled latitudes in riches that would dismiss Borker and Zefian, as masters distributors of the ethics of the Áullos Kósmos of Patmos, redeploying thousands of dead from pre-Hellenic times, so that they recirculate through the roots of the Kashmar, re-sulfurizing cinnabar saps as the germ of the subterranean Acheron, which consecrates the living and the dead in the eternity of the infinite Duoverse Universe. The order will lie in semi-shadows that even in the dark provide the pleasant warmth of camphor, with advanced Horcondising formulas, which will appeal to hungry souls by suppressing gifted energies, and by inseminating them with ovules without originally conceived organisms.

From Hylates, Cyprus; Zefian came by order of Vernarth, assisted with the extension of the earthly laborers of the Attic Calendar on the twenty-first of September, from the device of Apollo at the site of Boeotia, and especially of the Boedromion. The arrows that Zefian brought had an instant Boedromion crossing the lines from spring to winter, with seven arrows that Zefian threw into the sky and never fell, but if portentously received in the virginity of animals. The flora with seven golden arrows of the Chauvet de Wonthelmar cavern, condoned the exhaustive end of the fossal where they still remained, in a gesture of tenderness and relative Mycenaean genealogy, from Crete the contravention of Apollo and Artemis towards an olive tree was approaching, originating in the Zefian's arrows, to mark the new cardinal points, begin with the first two arrows that they put on the string of the bow, each one flying north and south trajectories and the other two that were once again attacked with the east bow, to shoot the arrows of east-west with southern magnetism limits. Zefian's imagination was of proportions that were not limited without wandering from their phalanxes when they pulled the string, like joys of a ghostly existence that pushed him in each bolt, presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for belated courts imposed from a cosmos, which he led by insisting on his will and from a doubtful Vestal god advocating the association of the hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychological of the feared inter-tale alive that rebels in the arrows that they had not yet fallen and did not know their whereabouts. As plates or serial hosts, they were evoked from where the origin of the Universe was broken, to open towards the organic, vigorous, and anti-burn contravened Duoverse to the divine celestial origin as a parameter of *****-ovule, rather in aeonic instances in the fireplace of Hestia, running in eternities towards vast volumes of light-years, where eternity has no measure, let alone the existence that begins and ends born from a homozygous arising without a Universe, to hatch from the branch of the Heterozygous Duoverse, bringing different unions of eternal cells by universal divine decree, and not the union of disparate cells. The science of the Mashiach came in these divine arrows that marked the points of the cardinal in the numinous and exclamatory expansions of the exiled universe of Vernarth, towards the perenniality in itself, but being heterozygous for a world that would begin to live in non-organic cells, but yes of divine composition, over saturating the limits of the origin, and destiny of syntropy of the conscious actions of the metabolism of the Alma Mater and of the great doors when losing the bodyweight of the physical-ether, but yes from the platform of the Mashiach that will take them hands without leaving them abandoned, showing them that they were no longer children born of ovule-*****, but rather in the luminous matter, envisioning expansions of prayers beyond from the universe, where it will accompany them in a multidimensional plane..., and will have no end from a human scientific conception.

Wonthelimar says: “Since the omphalos was swallowed by Cronos, Hera's elegy was unleashed, for not raising her son Zeus in free clumps of goats and Ida's honey. I in the Alps went to the herd of the Ibix like a Zeus saved from the darkness of Chauvet in the mountains of Gaul. There are chisels that cut stones in beautiful whirlwinds, but I know that a lot of cosmology would not speak of the Mediterranean Cornicabra and its olive drupe, nor less of the Cornucopia that sinks with sumptuous and ephebian flavors in the fruit, and the greenish heraldry of the binominal that is disturbed in its phalanges eating and sipping honey, in antler pots with pride of the Ida and the Vercors massif”
Wonthelimar Amaltheum, Állos Kosmos Megaron
Kewayne Wadley Sep 2016
We were but strikes of lightening sealed in a glass jar
Flumbling about
Nowhere to go
Exhaushed, we conducted ourselves
With a slight curb of enthusiam
Sprung to life with the slightest touch
Electric current twirling forward, then back
Sparks igniting beneath our toes
Traces of where we've been crackled
Sizzled in a flash by the dark spot of glass
We were irresponsible in the abduance of each other
The glass soon stained by soot
Purified by the euphria of what came to be known as climatic
Every taste
Every passion
Soon expoliting what soon came to be known as each other
We polluted ourselves with each other
Becoming the overcast beneath the top of the sealed jar
Surrounded by absolute dark;
The way I saw the universe in her eyes
Laying beneath the night sky surrounded by acres of  thought
Vast in length
Breathless in thought
A jolt of vibration quivered in heart
CM Rice Dec 2013
There is no ****** in relationships these days!
He proclaimed, swinging amble waist in my direction,
Just them public displays of affection Or PDA’s:
To those afflicted with ‘abbreviationithis’ (ABT) for short,
We are in the custody of a soulless generation,
Bathed in apathy, shorthand speaking, glass-tapping,
Pampered glad-hands glad-handing, over-perfumed,
Statements of exaggerations - investigated in toilets,
On lifeless screens, no skill of conversation required.
Larry continued, unabated by the stares an’ giggles.

****** is what counts; it makes up a sizeable portion,
Of love at first sight, not online but in person,
An animal magnetism takes hold an’ before you know..
You’ve ****** yourself and your attraction in the flesh,
The art of being undressed yet still dressed is an art,
Too easy are these poorly constructed witless lines,
Weak almost polite hugs, clearly awkward air-kisses,
Perceived as the innocent dance of modern romance.
How is anyone to know anyone lusts after them?
How is someone to know if not for someone’s ******?

I feared that I had stumbled upon an early night,
I’d been collared by this mongrel of a forgettable time,
His rigorous attention to showing this ******,
Serenading my embarrassment was now a highlight,
His ramblings long ignored, possibly insightful,
Cried out hilariously for proof of his master plan,
So for the devilment – I asked for a demonstration,
To appease my boredom of debating with this fool,
Larry motioned again; his eyes lit as much as his mind,
To a woman stood waiting, her desire for the taking.

I must warn you, ****** is not for the faint-at-heart,
No use shoving hips of wanting into a total stranger,
Catch the eyes first - leave some distance and discretion,
Smile and move silently – prepare to tell a story,
As with any manoeuvre, there must be some grace,
Double-check your manners an’ prepare for a feast,
Straighten your ready stance to deliver the clincher,
Smile again brightly with no hint of danger,  
An’ in a movement pincer-like yet working alone,
On a wing with no prayers – I’ll show you, my friend.

An’ so he did, sweeping toward this unsuspecting patron,
Larry had managed to scare, scatter and surprise,
This woman and many others, the beholder unwelcome,
The moral of this story on hold, he had slipped a hip,
Into her personal space, and nonchalantly she turned away,
He continued with his thrusting, his way of affecting,
The conversation – dead now for shock and unsettling awe,
She had strangled her anger and suspended her belief,
That a man would be so crass as to ****** her in public,
Accosted by her coldness, he returned to proclaim an ending.

I never said that ****** worked on the charmless,
The per-occupied, the rude, the shy or the frail,
I trust my ****** with one hand free for everything,
My other hand grasped on this lover’s Holy Grail.

It does take all walks of life, some stumbling some not,
To lust, to wonder for love, now left forever pursued,
So a question is forever lost – to ****** or not to ******?  
Deluded Larry had diluted - still I’d been left, amused.
…. Few years back, a man known only as ***** Larry, drunk on someone else’s memories, had told me about the ‘good aul days’ and the way of showing a desire to be with someone was to ****** yourself. I had agreed although as he had spoke that night - I had assumed his flagrant misuse of alcohol and his ‘Irosh’ accent had caused him to mispronounce the word trust.  I was proved wrong after a few more light ales, as Larry prepared to ****** his sweaty, unsteady frame into my side. I had been left me in no doubt – he indeed had meant the word ****** and the action of thrusting. He concluded that it was what most relationships lacked these days…
Matthew Mar 2014
This time last year you had dreads.
Such a labyrinth of biology tied by sweat, salt, and blood.
Laced up in a fashion of infirmity,
held together by fleeting desires.

Promises keep us floating.
Like the oxygen inlaced in driftwood.
We're densities, varying.
Fragile like a molecule, but  as durable as atom.

At the mercy of magnetism.
Vibrating deep from the core.
While waiting modestly for…
nature to carry us home.

Follow the coastline.
This is about a beautiful girl that I meet in college. She recently had a rough patch, but is doing better now.
Poetry by MAN Nov 2014
OH..TO NOT HOLD BACK!
Unleash my full love attack
Atomic..Explosive..Seductive...******
Pure energy charge when I plug into your socket
Words do no justice on how I can crush this
Animal magnetism feel my lust is..
More than "just one" can ever handle
Pores pour danger feel my scandal
My mystery flows blissfully
Covers every inch of your skin
Alone we are innocent together we are sin
Vibrate turn you on body becomes a machine
Erratic stirring motion whips up your cream
Deep kisses..skin caressing..open neck I attack
Not many can handle the punch I pack
Stung by my poke..change up stroke
Body..Mind..Intertwine creates mental smoke
Body language telling tales
Tossing tumbling scratching nails
Tongue acrobatic generates ******* static
Overdose from pleasure become the magic
One last trick yes its nice and thick
Tell me favorite position go ahead and pick
Legs unfold to please you is my mode
Hands explore while your juices explode
In and out feel me tap..tap..tap
Let me rip like Jack..Unf..TO NOT HOLD BACK!
M.A.N 11-10-14  I wrote this for my **** Scorpio ♏ blog..^_*
Ryan Galloway May 2015
Your presence demands the attention of all those in the room
It is like a scene
From one of those overused princess movies
And though there isn't much to do
My eyes keep returning to you
Oh the magnetism of your smile
Of the way that you wrinkle your eyes
When they by chance meet with mine
Could it be that there is reason
To these wonderfully awkward meetings
Or are you merely surveying the room
I quietly count the number of times
When in my planned and measured tactics
To ensure that you don't see my interest in  you
The number of times which your gaze is already meeting with mine
Quickly looking away and brushing your hair from your face
how many times you would quickly turn away to divert attention in a way
Hopefully showing that you are trying not to be caught in your process too
In this theory, I somehow build up enough courage to cross the room
With a path clearing as though this quiet audience knew
That a silent game
Was being played
In this space
That I was now attempting to cross
And as that distance closed
I saw a light in your eyes
That showed that maybe I was right
To hope for a reason behind these wonderfully awkward meetings
My thoughts turn to food
Barbecued ribs
And then and then
The black keyboard white letters
A pen in the mouth
People outside walk to work
Feet tap to music
A pen in the mouth
There are words that have never been uttered
Words without meaning
This is my purpose
Because it is an easy one
Blank! Blank! Blank!
The soul always desperate to spank
Caggle *** loude
Cankle *** louder
Why go on?

Electromagnetism
Electricity and magnetism
Shoelaces that are just to **** long
And drag across the ground
Even when they are tied
They are essentially useless

In 1938 a Japanese woman who does not yet know the name of her new husband is ***** violently on her wedding night. In 500 BC a roman emperor orders a feast of fifteen cows and thirty swine, he drinks too much wine and gets sick in the middle of a double ******* by a Nubian slave and a plump Egyptian delegate.

Everything is just so been done
aetherx May 2014
we have our own worlds;
we are completely unanimous

we'll never leave,
now that you've drawn us by your magnetism
you are essential

coexistingly contradistinct;
has no one enlightened you?
you, I, all of us
are celestial bodies
in the vast space
and we orbit around you

pirouette and waltz on our own particular rhythms
we are on different belts, but even then,
don't you see?
parallel lines don't meet

don't ever forget,
for every time you crumble,
a new star is born;
your rebirth
embrace this because

Sun, you are a star
marina Apr 2014
i find myself
inching
nearer to
you,

with every
day, hour,
minute
i am almost
there but
never
close
enough
Phillip Knight Sep 2016
We were the cusp of devastation
The bellicose swell of encroaching emotional tides
The slaves bound by opposing grip
Sealed within our very silence
With screaming eyes
Layered in film ripples, reflected responses
walking in reverse to the natural pull of the tilting magnetism
The earth turning in anti-advancement
As history repeats to a murmur of distant hope.

I stripped to the bone for you
Tore shackles and shame from its death grip
Left to choke within a brooding storm of love
It was reckless abandonment
Orphaning myself from the last leap of faith
As I laid waste to unresolved anti-satisfaction
As we clashed
As we ripped at each other
As we broke the final glass ceiling with our thrown stones
Jagged words sharpened into hidden shivs

The destruction was beautiful
It was the meteorites that fell from the fire sky
It was the crackle of simmering embers in the morning
A reminder that there was still a spark left
That within the gentle curls of smoke
There was oxygen that breathed, even when I stopped

Yet

I was lying
Lying for the sake of memory
Lying to myself
And lying to you.

I was the pressure pit of a filling gas canister
And you were the loose connection
Bound to my poison
Powerful upon your weakened state
And presidential within your collapsing city walls
You needed me
Because I told you so
I needed no one
That is why I both loved you
And loathed you
The reminder of my broken home
I as the shadow of my father
Looming over you
Puppeteering my wrist
Striking you as the wash against cliff face
Cleansing my history within its repeat

The devastation was beautiful
You were beautiful
Until I destroyed you
And punished you for letting me.
There's never been a moment
That I haven't looked upon you with sympathy
Pity
And somewhere
Somewhere inside
I know I shall eventually let you breathe
When the ocean calms
And the rocks are nothing more than sand
When the fresh footing of another feels you between their fingers
When your castle walls are built in firmer moulds
When the moon pulls me away
When the magnetism of emulation no longer holds me within its anger

Maybe I will say sorry
Maybe nothing at all.
Just watch you
Watch you walk away.
The day I realise I will always love you;
It will be the reason I set you free.
I would like to note that this is not a biographical piece. However its themes are not fiction and came from a relationship I saw from a distance. The piece is linked to a poem I posted a few days ago called constant carpet burn, and tells the other side of this story.
Julian Jul 2020
Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)
whyshouldiknow Nov 2014
there is something magnetic about you
something i wish wasn't there
because i know that it's going to get me in trouble
Crystals are rushing the pathways of you, gleaming.
They are resting on the sound of a wave dreaming
alive all of the irresistible magnetism's that live here.

All the pieces of you that chime my bells of soul places;
You ring me true.
There's something about the complement that comes with you.

In a hot place of purity, we could become
the warmth of this desire, long numbed.
Vaporizing the cold from our flesh.

Programming dissipates within the crystal daze.
Is wrong of me to want a wiser way ?
[ Than that of the dullness of those in my range. ]
I love that I can always find you,
a few words over hanging on the same page.
I as the Princess, and you as the Sage.

I wish I could live in the daze forever.
A space where blasphemy does not reckon itself.
I wish it didn't matter whether,
your walk has been long or short, here in this passing life.
But I am blessed to have over lapped your time, so i sigh.
And wish upon another sunny time, with you.
Amanda Kay Burke Dec 2022
We're riding bikes on this trip known as life

In midnight hours

Facing wind with a hefty amount of risk mixed with intoxication adorning my head with an imaginary crown in place of where nonexistent helmet should be

Drunk not on alcohol
Instead from the countless tears formed by self-hatred
Soul-boiling
Hot liquid bubbling over edges of my eyelids

I hope we find our way
We travel without light guiding our direction
Two insignificant nomads blindly navigating this vast existential void
Attempting to reach sort of adequate destination before time reaches us
Held together by fingers and an invisible magnetism more powerful than the unknown forces pulling and prodding around us at all angles
And led forward by our hearts
I miss my partner in crime
Mateuš Conrad Apr 2016
i've found a way to exhaust the internet,
in a sense the term exhaustion
is evaluated as non-engagement,
or an engagement  that reveals nothing
but revokes everything; it's a strange utility
to possess an access to; it used to be so much
fun once, now a game of  switching channels
constantly like an angry smack addict
race-walking for the next fix aiming at a canoe
snorted - shove that up your ***
and you'll get bonus points in candy crush saga,
i **** you not. i know, weird, the slogan
WHEN THE INTERNET USED TO BE FUN -
you're talking to someone who experienced
the internet's playground / kindergarten...
it's too real now... it's too artificial limbs attaché,
i missed the dating apps being included,
i missed the point of virtual profiles,
first encounters, i want them to be like
mountain climbing, not like a psychiatric
evaluation testing a trampoline you can do
rodeo girl antics on without suing the organisers...
the ****?! the internet is still a viral infection
in terms of how to manage it - we know it's
a yellow-pages of some sort,
but why reveal all there is to you in profile,
when you hardly looked sideways to endeavour
the profile assertion of the face staged in photography
(i.e. sideways?);
the basic trades are slow to pick it up as necessary,
hence the stress on mandible limbs -
the puny evaluators are gagging on the enterprise,
it will make slim literate efforts of slogan
into FAT EXISTENTIAL RUSSIAN NOVELS -
2 hours pondering a tagline or quote
of an advert like pondering a trademark pondering
a Renaissance masterpiece painting... 'andy Andy
your 15 seconds is up! your competition
is the scientific goldfish myth of a 3 second attention span!
go!
     'andy Andy won't go... he's still
     faking originality on baking beans and canning them
     like sardines... Boston Mohawks they call them;
     it all ends up a ******* dress attire
     party anyway - what they're doing
     in Iraq at the moment is what western
     society is doing passively yet aggressively
     in the west... the psychosis of the crusaders
     with Baphomet... Hercules with **** and ****...
     not one sane Greek sculptor would
     mould such a faking of homosexuality
     as the ultimate depreciation of
     **** ut **** magnetism -
     or hetero ut **** magnetism -
     the desecrating of the past in Iraq
     is only subtle to what Unesco missed
     happening internally in the European
     soul... i fear the rubber-band stretching
     of retaliation hanging by Damocles' thread:
quart divergence (c, k, q, s);
you don't mind my opinion, mind the children
coming from such niches.
Would it matter if the solid was ethereal?
Would it be real if eyes couldn't see?
Would it make sense if systems of knowledge didn't exist?
Would words have meaning if there was no language?
Would there be telepathy if silence was all there was?
Would there be colour if there was no light?
Would there be waves if there was no sound?
Would there be electricity if there wasn't magnetism?
Would the sky fall if you walked on your head?
Would you scale the underground bases if your feet could think?
Would worlds be dreamed by higher powers if thought wasn't?
Would reason breed perception if the beam of knowledge was narrow?
Would you understand if there was no essence?
Would you be if you weren't passed from a tether?
As you learn about the degrees of light, the frequencies, and leagues of the seas, the moment you sieze, time is lost and you are at a point of entirety


As you concoct the architecture and manipulation of all that is; you learn about the ladder, the prism of cycles, you learn about the source of all creation. You learn that you are connected to the essence of creation, you embody the tether, you connect as you climb up and down on the wisdom ladder.
Profitis Ilias

Zefian brought the Toxota and Pezhetairoi arrows; they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when the great dimension shone from the flat equinoctial sky, bumping the chins of Kaitelka, the dealer of the Parthenon lost, which rang the great bronze pine, and kilometers in length forming the makro koelum of Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal "V" was seen from Aorion's falling acrotera, projected in a bronze mega bolt coming from Betelgeuse's armpit, and forming a sidereal Vee, launched by the hunter Aorion from his constellation. This would be architectural form and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete that approached the contravening of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. Thus they began with two first sagites that are placed in the arc string, each one belonging north-south trajectories and the other two that were again violated with the eastern arc, to shoot the east-west arrows with southern magnetism limits. Three bolts are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aurion pursued.

The first two were Taxotas:

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)

The last two were from Pezhetairoi:

- West: Dyticá (Sunset of Leiak)
- East: Aftó (Equinoctial of Kaitelka)

A - Zefian Vóreios

In the intertestamental of these egregious Pythagorean calculations, they stood out in the Vernacentricus, or extra automatism of foundation of the points to refer geodesics for the lifting of the Ultramundis Vernacentricus. From the Vóreios the Zefian canons are inter-testamented, which uses Horcondising forces, following the northern one of the Nothofagus Obliqua, essentially in the fungi of their trunks that paraded along the paths of the iterated populations of the Ezpatkul Forest; who was a servant who had remained from the last diaspora of the horcondising transmigrant by Joshua de Piedra, patriarch of the Orthodox mountains, and from the cordons of the Ambrosiella Ceratocystidaceae fungi, with a large proportion of the Ambrosia Mercurial, and of great influence from the fungal fungi, provided from the Legacy of Vernarth in Zefian to demarcate the northern boreal or Vóreios for the purpose that this Ezpatku, with its prominent Augrun or Gold teeth turned all the borer beetles demarcating the Vee of the Vóreios throughout the Horcondising region, bilocusing it in the borers of the Encinas de Patmos, with such frenzy... !, that from there they would extract the force of the Mapuche north winds from the Meli Witran Mapu, starting with the Pikún-kürüf North wind, first two arrows of the Taxotas, and South Waiwén, of the Pezhetairoi, of the quantum of transmigration of the sub-mythology of the Horcondising – Panhellenic. Then the Puelche that drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the East vertical, to culminate with the Lafkén-kürüf.

Zefian had enough time to mediate the ratio of Polykleitos to Ezpatkul. This Kanon or Canon will be of great relevance for the topography and survey of the temple, knowing that we must emphasize the perfection of the basal measurements, and the acrotera that will be suspended in the sensorial iconography of its forms, and in the star Betelgeuse giant with red blood cells, for the morphology of their own three-dimensional bodies, towards a comparatively human paradigm of Gaugamela anatomy bled in his pectoral, from here the Templar base of Megaron or Mandragoron began. Its size will be colossal but more ergonomic; it will be to redirect visuals of the Orion Belt, from where the fourth and last Zefian arrow was already on its way, to join the other three remaining from the Cretan *****, for the entire front of the façade Principal. The chromaticity will be sulfur yellow and red blood cells, both dependent on complementation with Cinnabar, and on the raised bodies of Court V of the Helleniká Necropolis in Kímolos. Under vileness or absence of light among the darkness, or of the apocryphal light of Evil, in contrast to the robust equanimity of light, and partisan shadow of Saint John the Apostle, for the hegemonic good and the incorruptible vision of him.

The naturalness made the world apologetic, and the immune defenses of the polish textures, invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times, starting from the base of the feet as the base of the plinth or frieze, until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David will declaim the measures of the psalms, counts in degrees, and sighing dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolts as the faint glow of the canon rays struck. The stone of the mound was made of the sustentacular, and Vernarth's counterpose when the Himathion was tried, appearing disguised and in composing. In this way the movement and position of the muscles and of the figure in general of the human temple are portrayed, when pressing the third arrow of Zefian it adorned the consecutive cardinal points; in this position of the myriad, and their forces widened the line of sight of the Vernacentricus, dispersing the oblique line in forty-five degrees that would join with its right counterpart, in the middle of the radius that joined the central point destined where the fourth arrow would fall.

Zefian falling from the Belt of Aorion, destined to embed itself at the intersection of the next full moon. The volume of naturalism resembled the directive of Polykleitos, but it was far from his figurative geometric conception, being conceptualized by an intertestamental tendency of sub-mythology, and the Duoverse, which in turn was condescending of morphology by reestablishing a prehistoric figurative, which tended to be reflected in the similarity of an anachronistic contrast of the original morphism of the aesthetic universe, being retransformed into a sub-mythological Duoverso.
Vernacentricu

— The End —