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Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
Spam Poems Oct 2013
How to cook carrot salad
carrot wash and clean. Grate the carrots on a coarse grater. Apple wash and grate.

apple, honey and the juice of red currants. Also add the chopped parsley and crushed nuts. All well and carefully

mix. Sitemap salad. 

sprinkle with citric acid and mix. Vegetables lay heaped sprinkle with grated cheese and chopped herbs

parsley. Sitemap salad.

Heck, Cook the fish and carrots. Fish and carrots on toast to cut pieces. Cleaned fish and carrots to put in

salad bowl. In a salad bowl add the peas. In add grated horseradish mayonnaise and season with the Sitemap sauce salad.
Anthony Williams Jul 2014
You're just a tiny bit minimalist in your own unique way
a white star I have to squint to see in daytime sky
not a Mercedes five point but a Nissan Micra car
you park neatly in a three point turn by my netsuke
and put a circular dent on my platonic furniture

Your two humble rooms devoid of any bold sculpture
except a fold-out table and a miniature bubble chair
and a futon for a bed which is troublesome to share
you draw the line at adornments but allow a wallflower

A bulb in a bowl is your ornamental garden feature
mealtimes a nibble on grated carrot celery cucumber
you run so long on empty you're an eco friendly teacher
stretching out the energy is a passion of my lover
engaging in lessons on sustaining a resourceful nature

Your shoes two pointe ballet slip ons easy to care
barely there g-string thin cotton underwear
nothing loud to upset your understated figure
slight as a pin drop your bottom's semi-derrière
sits so light on feet I'd swear you float on air

I rarely get to hear you come before you're in my hair
with a voice pitch high as a smitten kitten's purr
your upper reaches get a score sized single 'A'
nice when it fits into our schemes of feng shui

I carry your bundle home on the roadway rivers of light
yet you only burn one ray of candle power at night
born of scintillating atoms which flow along each vein
containing so much love without clutter in your frame
a brave star small as wings formed of minuscule wire
flutters in your eyes with minimal flare
but deep desire
by Anthony Williams
a bonsai has two elements, the tree and the container, and “once outside its flowerpot the tree ceases to be a bonsai.” Miniturization is not the defining feature of a bonsai; containment is, the strict boundary between the bonsai and the rest of nature. So, too, it was between her nature and mine.
Lady Bird Sep 2016
satisfying, slightly sweet
an orange spindle shape
something enjoyable to eat  
very good for your health
crunchy in every bite
yet full of robust wealth
to improve your eyesight
with a hard and rough texture
it's green bloomed leafy top
helps balance out its flavor
such a great nutrient to savor
diced, grated, wild or raw
shredded even sliced when fresh
in any cookbook there are so may
ways to prepare this delicious and
enjoyable golden orange vegetable
Susan Hunt Jun 2010
THE FERRIS WHEEL

I’ve always trusted machines, especially big ones. Like the ones at the annual county fair held at the Oklahoma City fairgrounds. After 2 weeks, the closing ceremony was always held in the main bull riding arena with a captivating routine performed by Roy Rogers and Dale Evans. Even their dead horse was on display throughout the whole time of the fair. His name was Trigger and he was stuffed. Roy Rogers was so in love with Trigger that he couldn’t go on without him. So he had him stuffed and carted him around whatever circuit they might be on. It was a sad but interesting display. But now he had a new Trigger and new tricks which were somewhat entertaining.

In the fall of 1971, upon this particular day Matt, a friend of mine and I convinced my little brother Wayne to go on the biggest ride at the fair, the double Ferris wheel.  It was a Ferris wheel shaped like an 8. The two wheels were loaded one after the other. As the seats were filled the ride would continue going up, up, and up then reaching the apex of two circles, sitting in a little grated seat, held in by a bar that locked you in at the at the beginning of the ride. When you reached the top it felt like you were riding a cloud. Going over the top of the Ferris wheel was an unimaginable thrill, it was built to guarantee a belief that you would in no way survive. Then you would swing back and forth, waiting for the other circle of seats to be filled before the real ride began.

As Matt and I got into our seat, Wayne hopped in next to me. We heard the clangs of the operator shutting the bars over the riders locking them into place. But when we got to the operator, the familiar clang was more like a clunk. The bar had not latched. We were not locked in. Now in the back of my head I took this in, but I chose to ignore it. We went up a little higher as other patrons were clanged tightly into their seats. Then as we went up, people started getting bold, swinging their legs, rocking their seats like a swing chair. After moving up about 80 feet, Matt began to swing ours. ”This is cool, huh” he said, trying to hide any little creep of fear. “Yeah, this is really great”, I agreed. But I didn’t do anything to cause the seat to rock anymore than it already was. Wayne was silent, his eyes clenched shut.

All of a sudden, the whole apparatus raised us up into the atmosphere. I swear we were at least as high as the tallest building in the Oklahoma City skyline. I could tell Matt was truly scared and he had quit rocking the chair. That didn’t matter. One last jolt threw us over the top and the “safety” bar swung wide open, out and away before coming back slowly to rest on our laps providing no safety whatsoever. After the bar swung out a couple of more times I was convinced we were going to fall to our deaths and become county fair legends. All three of us clung to the grated back of the seat, our fingers drained of blood by holding on so tight. We came down three times past the operator of the Ferris wheel before we got his attention. But Wayne was clutched so tightly to the back of the seat; you couldn’t have separated him with a paint scraper. He would have died there had we finally not gotten the attention of the operator and the operator’s boss.

It was becoming apparent that something was dreadfully wrong, so the ride slowly and painfully came to a stop. Passengers at the top were swinging their seats unaware of our impending death. Finally the double wheel cranked our seat to the exit platform. We couldn’t speak. The breath was out of us. Yelling at this time was impossible. Everyone remembered Wayne. He was white as a ghost and his lips were blue. He had clutched so hard to the back of the seat the whole side of his face was imprinted with the grate. I found this very curious. There was a pattern similar to a waffle imprinted from his forehead to his chin. He was still white but the lines in the imprint were deep red. His eyes remained closed until I was able to convince him that the ground was 2 feet below him. Finally he let go, and all three of us were pried from the seat. The ground never felt as good as it did that day.

We were still crying and shaking when the Manager of the fairgrounds arrived and removed us to the calming area which also doubled as the baby animal petting zoo.  We sat down in the petting area allowing the straw to dry our pants as all three of us had literally peed in them. As our pants became drier, we became a little calmer and we began petting baby lambs and chicks.   Then I looked across the way at the oddities booth. I had been in there that day. They had all sorts of gross weird things in there. I was fascinated. Some of the exhibits were pickled and some were still living.  I saw 2-headed babies in pickle jars and a calf with a leg sticking out of its forehead. I didn’t even want to think about that now. Too late. I bent over and puked so hard my eyes bulged.
(Written by sjhunt-bloodworth a long time ago)
Joshua Haines Jan 2017
I drank in the steely woods, fragmented to all within;
a manger boy without his Godly toy, swallowed by the sin.
And without the gaze of the zombified masses,
scraping their plates, buying, then christening their glasses,
I realized that I was the fire that I had always feared;
a pretending son of something other than what I am;
a shimmer of a crystallized storm, smothered by shame
and tortured by the resent of recent rain....

Blah, Blah, Blah, Blah
A desert-dry painted scorned
Ripped to shreds by hell-gate thrown
Forever summoned to grated life
Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.

  Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,

  Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.

  At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;
On the bows, with tail erected,
Sat the squirrel, Adjidaumo;
In his fur the breeze of morning
Played as in the prairie grasses.

  On the white sand of the bottom
Lay the monster Mishe-Nahma,
Lay the sturgeon, King of Fishes;
Through his gills he breathed the water,
With his fins he fanned and winnowed,
With his tail he swept the sand-floor.

  There he lay in all his armor;
On each side a shield to guard him,
Plates of bone upon his forehead,
Down his sides and back and shoulders
Plates of bone with spines projecting!
Painted was he with his war-paints,
Stripes of yellow, red, and azure,
Spots of brown and spots of sable;
And he lay there on the bottom,
Fanning with his fins of purple,
As above him Hiawatha
In his birch canoe came sailing,
With his fishing-line of cedar.

  “Take my bait!” cried Hiawatha,
Down into the depths beneath him,
“Take my bait, O sturgeon, Nahma!
Come up from below the water,
Let us see which is the stronger!”
And he dropped his line of cedar
Through the clear, transparent water,
Waited vainly for an answer,
Long sat waiting for an answer,
And repeating loud and louder,
“Take my bait, O King of Fishes!”

  Quiet lay the sturgeon, Nahma,
Fanning slowly in the water,
Looking up at Hiawatha,
Listening to his call and clamor,
His unnecessary tumult,
Till he wearied of the shouting;
And he said to the Kenozha,
To the pike, the Maskenozha,
“Take the bait of this rude fellow,
Break the line of Hiawatha!”

  In his fingers Hiawatha
Felt the loose line **** and tighten;
As he drew it in, it tugged so
That the birch canoe stood endwise,
Like a birch log in the water,
With the squirrel, Adjidaumo,
Perched and frisking on the summit.

  Full of scorn was Hiawatha
When he saw the fish rise upward,
Saw the pike, the Maskenozha,
Coming nearer, nearer to him,
And he shouted through the water,
“Esa! esa! shame upon you!
You are but the pike, Kenozha,
You are not the fish I wanted,
You are not the King of Fishes!”

  Reeling downward to the bottom
Sank the pike in great confusion,
And the mighty sturgeon, Nahma,
Said to Ugudwash, the sun-fish,
To the bream, with scales of crimson,
“Take the bait of this great boaster,
Break the line of Hiawatha!”

  Slowly upward, wavering, gleaming,
Rose the Ugudwash, the sun-fish,
Seized the line of Hiawatha,
Swung with all his weight upon it,
Made a whirlpool in the water,
Whirled the birch canoe in circles,
Round and round in gurgling eddies,
Till the circles in the water
Reached the far-off sandy beaches,
Till the water-flags and rushes
Nodded on the distant margins.

  But when Hiawatha saw him
Slowly rising through the water,
Lifting up his disk refulgent,
Loud he shouted in derision,
“Esa! esa! shame upon you!
You are Ugudwash, the sun-fish,
You are not the fish I wanted,
You are not the King of Fishes!”

  Slowly downward, wavering, gleaming,
Sank the Ugudwash, the sun-fish,
And again the sturgeon, Nahma,
Heard the shout of Hiawatha,
Heard his challenge of defiance,
The unnecessary tumult,
Ringing far across the water.

  From the white sand of the bottom
Up he rose with angry gesture,
Quivering in each nerve and fibre,
Clashing all his plates of armor,
Gleaming bright with all his war-paint;
In his wrath he darted upward,
Flashing leaped into the sunshine,
Opened his great jaws, and swallowed
Both canoe and Hiawatha.

  Down into that darksome cavern
Plunged the headlong Hiawatha,
As a log on some black river,
Shoots and plunges down the rapids,
Found himself in utter darkness,
Groped about in helpless wonder,
Till he felt a great heart beating,
Throbbing in that utter darkness.

  And he smote it in his anger,
With his fist, the heart of Nahma,
Felt the mighty King of Fishes
Shudder through each nerve and fibre,
Heard the water gurgle round him
As he leaped and staggered through it,
Sick at heart, and faint and weary.

  Crosswise then did Hiawatha
Drag his birch-canoe for safety,
Lest from out the jaws of Nahma,
In the turmoil and confusion,
Forth he might be hurled and perish.
And the squirrel, Adjidaumo,
Frisked and chattered very gayly,
Toiled and tugged with Hiawatha
Till the labor was completed.

  Then said Hiawatha to him,
“O my little friend, the squirrel,
Bravely have you toiled to help me;
Take the thanks of Hiawatha,
And the name which now he gives you;
For hereafter and forever
Boys shall call you Adjidaumo,
Tail-in-air the boys shall call you!”

  And again the sturgeon, Nahma,
Gasped and quivered in the water,
Then was still, and drifted landward
Till he grated on the pebbles,
Till the listening Hiawatha
Heard him grate upon the margin,
Felt him strand upon the pebbles,
Knew that Nahma, King of Fishes,
Lay there dead upon the margin.

  Then he heard a clang and flapping,
As of many wings assembling,
Heard a screaming and confusion,
As of birds of prey contending,
Saw a gleam of light above him,
Shining through the ribs of Nahma,
Saw the glittering eyes of sea-gulls,
Of Kayoshk, the sea-gulls, peering,
Gazing at him through the opening,
Heard them saying to each other,
“’Tis our brother, Hiawatha!”

  And he shouted from below them,
Cried exulting from the caverns:
“O ye sea-gulls! O my brothers!
I have slain the sturgeon, Nahma;
Make the rifts a little larger,
With your claws the openings widen,
Set me free from this dark prison,
And henceforward and forever
Men shall speak of your achievements,
Calling you Kayoshk, the sea-gulls,
Yes, Kayoshk, the Noble Scratchers!”

  And the wild and clamorous sea-gulls
Toiled with beak and claws together,
Made the rifts and openings wider
In the mighty ribs of Nahma,
And from peril and from prison,
From the body of the sturgeon,
From the peril of the water,
They released my Hiawatha.

  He was standing near his wigwam,
On the margin of the water,
And he called to old Nokomis,
Called and beckoned to Nokomis,
Pointed to the sturgeon, Nahma,
Lying lifeless on the pebbles,
With the sea-gulls feeding on him.

  “I have slain the Mishe-Nahma,
Slain the King of Fishes!” said he;
“Look! the sea-gulls feed upon him,
Yes, my friends Kayoshk, the sea-gulls;
Drive them not away, Nokomis,
They have saved me from great peril
In the body of the sturgeon,
Wait until their meal is ended,
Till their craws are full with feasting,
Till they homeward fly, at sunset,
To their nests among the marshes;
Then bring all your pots and kettles,
And make oil for us in Winter.”

  And she waited till the sun set,
Till the pallid moon, the Night-sun,
Rose above the tranquil water,
Till Kayoshk, the sated sea-gulls,
From their banquet rose with clamor,
And across the fiery sunset
Winged their way to far-off islands,
To their nests among the rushes.

  To his sleep went Hiawatha,
And Nokomis to her labor,
Toiling patient in the moonlight,
Till the sun and moon changed places,
Till the sky was red with sunrise,
And Kayoshk, the hungry sea-gulls,
Came back from the reedy islands,
Clamorous for their morning banquet.

  Three whole days and nights alternate
Old Nokomis and the seagulls
Stripped the oily flesh of Nahma,
Till the waves washed through the rib-bones,
Till the sea-gulls came no longer,
And upon the sands lay nothing
But the skeleton of Nahma.
Ma Cherie Sep 2016
I love you onion
I'll tell you why
in part because
you make me sigh,
you are everything to me
the song my Mother sang...
a whimsical, sad
and poignant little tale
I hear you crooning
& the radio tuning
my Mother knew me better
than I'd like to think,
singing ...
Lonely 'Lil petunia in an onion patch
a bittersweet memory
of all the saddest words
that I have ever heard
the saddest is the story
told me by a bird
tears fall from a pungent smell
when I cannot forgive,
say you'll never tell
and in tears of laughter  
when I'm tickled
seeing the inchworm
in the shape of a finger
a moment comes,
  I stay
and linger
climbing like a spider
singing me a verse
Spent about an hour
chatting with a flower
and here's the tale he told
as you're peeling layers,
& hearing prayers
revealing honesty
and depth of flavor
intoxicating waifs
I sniff and savor
kept safe
by a sturdy skin
cooking you
I start, begin
chopped fresh
and finely diced
or maybe
even thinly sliced
for summertime
franks, not the
Ballpark kind
these I doubt
you'll ever find
homemade baked beans
that you adorn and grace
a smiling sweet,
lil' onion face
everything made
from scratch
gleaning my
lil' onion patch
in toasted rolls,
whole grain mustard
potato salad...
best I can recall
my Mother
took the time to make
in everything
she cooked and baked
you're in all my memories
though you're in so much more
I've never shared with you
this love I have before
Onions are adaptation at its finest
fresh, sauteed with butter
translucent sweetness
Elevating anything you touch
they cry, and laugh
and give so much
dried, grated..slightly dated...
even hated, chopped up..
or roasted, grilled...
so very skilled
any way you slice it
even if you dice it
differently delightful
and delicious
smart for recipes,
even onion haters
appreciate the graters
sometimes your in  disguise
a lovely found
& welcome surprise
must be
I have something
in my eyes
as the flower
continues to sing
a joyful gift
my onion brings
familiar sounds
songs I sing
petunia continues
who put me in this bed
I'll bet his face is red
I call him down
with every teardrop that I shed
  then she said
if only I had him here
I would take him by his ear
and make him share my misery
I'm cooking homemade
onion chips,
rewound on old-time family clips
recall the fresh-squeezed lemonade
while we're sittin' in
the cooling shade
a memory of you replayed
so very glad you came & stayed
  sippin' slow brewed iced tea
my lil' onion friend and me.

Cherie Nolan© 2016
For my Mother - used to sing me lonely little petunia inan onion patch https://youtu.be/PtMQa1sSW_g
Smile everyone! Beautiful here!
i thought i would try to make myself a pie
i got out my book to see what i could make
tried to find a recipe to see what i could bake
i saw a cheese and onion one that look very nice
i grated up the cheese the onion i did slice
then i felt a teardrop running down my eye
they were getting faster and i began to cry
i couldnt see a thing my eyes were very wet
the oven it was on and i began to sweat
i rolled out the pastry and put it on a tray
put it in the oven and watched it bake away
my tears they had gone they were nice and dry
i didnt know that when you cook it can make you cry.
tc Jul 2014
gasping for air
and a life source that
doesn’t include
you
why are you
the reason
i breathe
the air around
me?

is that why
my lungs
feel like
they’re about
to
explode?

because you’re toxic
poisonous
nothing but
venom on
your tongue

i gave you kisses
you gave me hope
i gave you my life
you grated my soul
i collected my
tears in a jar
for you
you gave me distaste;

you
gave me away

gasping for air
from someone who
knows not how to
love
anyone besides
themselves
is like gasping
for air in
the universe
brooke Jul 2012
grated lemon sunbeams stream
through the cracked shades in my room
setting the fuzz of your hair alight, pixie grass
and your eyes shift under their almond blankets
a fan of black lashes rippling open, open
there is a flavor to your irises, the way your pupils dilate
as if, maybe, I am the sun
(c) Brooke Otto
He gave me the key to heaven on earth
He being the man in the orange jumpsuit with the dreds
Out on a patio smoking cigarettes, apathetic
It tasted like grated demon bones

He being the man in the orange jumpsuit with the dreds
Twenty dollars I didn’t have was more than worth it
It tasted like grated demon bones
A five hour violent ****** spilling out of my anatomy

Twenty dollars I didn’t have was more than worth it
It punched me in the face and knocked me to the floor, dry heaving
A five hour violent ****** spilling out of my anatomy
I hold a hurricane in my body, blowing my mind destructively.

It punched me in the face and knocked me to the floor, dry heaving
A collection of extraordinary sensations imprinting my psych.
I hold a hurricane in my body, blowing my mind destructively.
Explosions of laughter, I’ve never felt anything so plasticy.

A collection of extraordinary sensations imprinting my psych
Out on a patio smoking cigarettes, apathetic
Explosions of laughter, I’ve never felt anything so plasticy.
He gave me the key to heaven on earth.
1pck. pre- cooked lasagna noodles
2 jars spaghetti sauce w/ onion&garlic;
17 oz. Ricotta cheese
1 t. sweet basil
1 t. oregano
1 egg
1 lb.ground, browned Italian sausage
3 cups mozzarella
1 cup grated parmesian

Preheat oven(with some innocent play)
Mix:
Ricotta(to add some excitement)
Basil and oregano(to spice it up)
Mix in beaten egg(to add stability)

Use ungreased 8x10 pan(to hold the comfort of it all)

Layer:
1 cup sauce(to swap a sweetened kiss)
Even out1/4 sausage(to add some spontaneity)
Place pasta in row(to layer with anticipation)
Spread ricotta(mixed with the above)
Sprinkle 1/4 mozzarella( to stretch the imagination)
Repeat steps 1-5(until pan is full of emotion)
Parmesian on top( to please)

Bake 1 hour at 350•( to heat up the love)
Cool 45 minutes( to lay in each others arms)
Dark n Beautiful Mar 2017
I buried my father:

In the St. Augustine Cemetery
I visit at the old gravesite of the deceased annually
I saw the quiet grave keeper still standing there looking dazed and confused
By the looks of things:
My father resting place
still soaks up all the tears

My mother and other siblings said to me
That to visit any one grave site wasn’t their kind of thing

I buried my father underground: It have been so long
Since then, the birds would come to the house of my father
Looking for breadcrumbs from days old bread
The dead will not be forgotten, his name will lives on

When I was a toddler, he fed me white rice with butter
Sprinkled with black pepper and grated cheese:
With my weak voice I was say “thank you: he was so please

I buried my father in the St. Augustine cemetery
It’s one of the saddest places to visit,
Unlike seasonal passes tickets
So adjacent, those graves: so annoying those wild crickets

He might be far away from his home,
but not from our hearts
Everything on his grave seem so square and flat,
But the most outstanding piece was the letters that read
R.I.P:  what I saw was (Rescue Innocent Perry)

Sometimes, I wondered about the dead
About their done deals: their final feast
I buried my father there, but not his memories

I saw the old mahogany tree still standing tall
the pieces of kindling wood, he made for grilling,

I will  always remember him, and I know he might be
Thinking of me, his poetic daughter especially on that day
when I accompany him to cut the branches from the
old Mahogany tree, just to make backyard wood fire
For the family breakfast, lunch and supper
I buried my father: the naïve share cropper:
Memories, sadness Mahanay tree, death , wood fire,
family, sharecropper
CH Gorrie Aug 2014
1.
Before I knew he had.
His flight trailed off into a Utah
Sunrise. He left behind a little strand
Of thought, and, in a cramped, amber room that saw
Long talks of topics that soon thinned grey,
A set of dog-eared books has been put down.
Books that brought nearer to my thought his own,
While Interstate-5 grated the ground.

2.
He must have, as the plane touched the runway,
Felt the dawn’s shudder fracture his young bones,
His thoughts turning to those dog-eared days;
The seemingly endless months full of groans,
As they should have been, being spent alone;
And that set of books, at least it would seem,
Ignited the wick on which our passions gleam.

3.
These six years past since they took him away
Held minutes like a needle in plied dust.
There’s something in the spring that brings decay:
The outward beauty of the world just
Clouds the mind’s loss within the spinning gust
That all the blooming flowers usher in.
Then the rain comes...

4.
As the 5’s scratch cracks up the drying earth,
I recall Nietzsche, Guevara, Burgess:
Men who’d not anticipated births
Inside my brother and I like cypress
Trees, evergreen and coniferous, we
Drop seeds year-round. The setting Utah sun,
Barely audible, gasps in the copse.
He’s with me now. What’s done is done.
Nat Lipstadt Dec 2013
t'is a seasonal custom of us,
(you did notice that us
is the centerpiece of c-us-tom?)

that in December, not November
when turkey precedes...

I take my slip of a gal
for a big bowl of pasta
and white truffles from France.

the eyetalian waiter knows
he made the sale when her eyes,
crinkle wrinkle when I ask,
upon which pasta
does the ristorante serve the
white truffles from France?

fettuccine, naturalmente!

in ritual grandiose,
the mushroom grated before our eyes,
shavings and specks scattered and disbursed,
part one of the us in c-us-tom done.

me, I grew up lower middle cheap,
Ronzoni rigatoni and Heinz Ketchup,
not just good enough, but a treat,
and I did not from truffle oil eat
nor speak.

two thirds of the way,
part two, I say, hey!
you know you don't have to eat the whole thing.

with eyes adoring,
she fesses up her tiny tummy was full
about half way through.

but she knows
me, I grew up lower middle cheap,
hate to waste the money,
that comes so hard.

part two is the part of the c-us-tom
she forgets about, but the part that
she really loves me for,
so who cares how much truffles cost,
as far her eyes are concerned,
they crinkle wrinkle at the taste,
of my remembering part two.
See http://hellopoetry.com/poem/hasta-la-pasta/.  If, now you got a craving for pasta...

Hasta La Pasta!


She stands in the doorway
As is her wont,
Bidding adieu to the retreating figure
Who spent the night in
Adoration of the Magi,
Her charms, her hair,
Her serpentine figure most fair,
And scribbling on Hello Poetry
Till his eyes said, no mas!

The retreating figure that be me,
Late for work at 7:20.
Over the shoulder I exclaim,
Hasta Mañana!
Which is silly because
My return is faithfully guaranteed,
Every eve for as long as I live!

She laughs and replies,
Hasta la Pasta!

Stop in my tracks,
About face and in woeful Italian,
Do exclaim, in a deeply serious timbre,
Hasta la Pasta?
Basta!  
(Italian for "that-does-it")

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is
my domain, the speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

7:45 AM
I have no cheese grater
to grate my Salzburg cheese
so I shall not be having grated cheese
for I have no grater to grate my Salzburg cheese
if I had a grater to grate my cheese
then I could have grated Salzburg cheese
Bilal Kaci Dec 2013
We strolled up
And down
The narrow isle
Weaving in and out
Of shopping cart barricades
And unmanaged children
Butter was 5.99
Grated Cheese 6.99
Tuna; a dollar a can
3 bags of pasta for 5 dollars
Food is indeed
Priceless

For hunger may strike the gut.
But it’s nothing compared to
What it’ll do
To the fragile mind
© 2013 Bilal Kaci (All rights reserved)
Michael May 2017
I've got the rip down just right
The soft tear, grated misnomer
Perforated here in my middle
Like I was meant to come apart
Out of view
Hot with friction
Hot with longing
Kinetic energy
Shredding
Dividing
The low sound of cutting construction paper
Thick with each blade passing
A sharp kiss
Maybe
Gripping like this
The right tool for suicide in the wrong hands
I have hands like those
******* I'm dissolving in a tear drop
It never left the eye
The sting feels like drowning
Waterless
and
in pieces
Like paper.
Lily Jun 2020
What I’m craving right now is a
Shot of July,
Fireworks flying high
Over this town that everybody wants to leave
But I will never get over,
Never get over his smile,
Friday night,
Pulling up in my drive,
His voice so full and alive,
Making me want to dive
Right in,
Right into the lake that’s too cold
But I’m too old
I guess, to laugh out loud,
Do something just for fun,
Be happy for no reason,
Be optimistic and cherish hope for a
Better season-
I’m supposed to be already
Battle-hardened, war-ready;
I haven’t reached twenty but I know
There’s evil in the world.
That doesn’t mean there still isn’t good.
I’m craving a shot of July when
I’m not old enough to take a shot,
But I’m old enough to take a stand,
Lend a hand,
Understand,
Witness injustice firsthand
And use my voice to try and mend.
So please.
No more gunshots in July,
No more mothers wondering whether
Her son is going to survive the night,
No more human skin grated against concrete,
No more hospital beds surrounded by weeping,
No more lives lost and priests kneeling
And children screaming for their fathers,
Both earthly and eternal.
What I’m craving right now is a
Shot of July,
Fireworks flying high,
The loudest screams out tonight
Are the children chasing each other with
Sparklers in the yard,
Not yet marred
By the ideas of the world.
So please.
No more gunshots in July.
black lives matter
Christos Rigakos Apr 2012
that Scythe has rent my heart, i'm penetrated
the blade's removed yet its cold steel remains
our spirit's gone, our breaths remain abated

upon us both the crime's been perpetrated
and though the blade is marked with just his stains
that Scythe has rent my heart, i'm penetrated

his essence from my own's been dislocated
my life remains with only his remains
our spirit's gone, our breaths remain abated

my soul's been scraped, upon my thoughts' been grated
his blood powdered, mixed with my tears, i'm stained
that Scythe has rent my heart, i'm penetrated

and as grief's torments whip my heart striated
all joy swirls round and round a filthy drain
our spirit's gone, our breaths remain abated

i frame my memories,they're venerated
as cries repeat in minor key refrains
that Scythe has rent my heart, i'm penetrated
our spirit's gone, our breaths remain abated

(C)2010, Christos Rigakos
Villanelle
Jigsaw puzzle of greenery, the trees
Nestle next to each in the
slicing sideways light of sunset.
The yard in the back is filled with it,
Filled with the late late summer side slant
of sun,
The plastic Adirondack chairs, left, as we left them,
Me, looking at you, maybe my feet
in your lap...
No, it wasn’t us that set them ajar.
The one time we sat there, your discomfort
Grated on my tranquil storybook
Vision, of us sitting
in the sun,
Drinking,
The Wine,
so we went inside.

Now I see them, those pretend plastic,
Pale blue, light blue to match
The house,
chairs of ease,
One chair looking at the other, while
the other stares off into
Space.
We meant to build a fire that
Summer, a fire pit
evening of
Romance.
But, I saw your dis-ease.
Was it the heat? The drone
of the bugs?
The chance of a gnat,
Landing in your
drink?

Or was it,…something
Different.
Something not found
in the sideways slant of
cooling air.
Was it, something
else, off
in that horizon,
Blocked
by the pale blue, the light
Blue house.
Something,
cutting your sight
Off
from the road.

It must have been, because, you said
Goodbye, several times
That summer.  A nod, a
kiss, and you were
Off,
in your mind,
because you never
left, but sat in your uncomfortable
Sadness of not
Belonging here, or
Where you thought;
Wistful plans set,  a
Blaze, not by
Midnight cords of wood
in a pile among the
Rocks,
Set ablaze by whimsy,
A promise,  not
Promise.

So, we sat that summer,
and watched the flowers in the
pots bloom,
and the rains carry one
away,
And the gnats gnatting
as gnats do,
Cannon balling into pinot,
taking  up
Residence, in that
Pale blue, light blue
house
With plastic mountain
Chairs
On the lawn.

Those chairs,
Those, Adirondack chairs
Still sit, still sit askew, still
sit, in the slanting light,
Still sit, waiting,
as I do,
For a time
Things, will be right
with the
World.
We must get, to
the other side, of
That Summer.
Let the snow pile high,
on those Chairs,
Get to, the whimsy, and
the Promise.
Watch down the
road, for a time to
travel, and not sit,
in uncomfortable
Sadness,
Askew in plastic
Chairs.
I was safe from the I-gotta-go conversation, for now...
Fluffy Dec 2010
I searched for these words up in the attic
with narrow ribbons of enlightenment streaming
through all-too-small windows
igniting the drifting dust specks on fire,
and on the streets in the gutters
that were gloom-spattered with murky water lunging
towards the grated storm guards
as if they were salvation.
I scrounged through soaked and disintegrating cardboard boxes
bearing the letters L O S T A R T S
and old, musty and molded trunks
that had broken locks and missing keys.
I dug them out of  soft-cloth linens, carefully selected them
from heaping mounds of scrap
-like sifting through a junk yard-
to find those precious bits of silver,
sweet iridescent bubbles
encasing so delicately words like
"language" and "cellar."
I gathered these knic-knacks and baubles
and I alighted them with utmost care
through winding black back streets in my little burlap bag
to my borrowed safe-haven room. And without
turning on the lights,
the door was shut and stopped and I was perched
with great secrecy,
cross-legged upon my bird's nest of a bed,
daintily extracting each little orb
and examining them and all their wonder.
Tri-dimensional little things, that, no matter how you turned them,
seemed always to be a bi-dimensional halo of pale, golden light.
They shone, each minute embryo, like an old-time city lamp,
before such evil things as electricity came
and robbed them of a candle's beauty.
And its core, as is true with humans, is its most glorious aspect.
There is a transparent ocean in there,
with roiling waves that spin the currents
and coax every particle to circulate.
And caught in the eye of that undersea tornado are flecks of glitter,
so tiny that you would not be aware of them at all
were it not for the magnificent glimmer that they sparked,
magnifying and throwing back the fainter glow
of that ethereal encircling band.
Pixies that danced at the autumn festival.

I found these words for you,
broken and perfect and shining,
and collected them on a shelf where I could view them
before I handed them over to you.
I collected them with you in mind.
Can’t you tell?
I found words like “lustrous” and “lust”
because they reminded me of you.
I arranged them sporadically,
and smiled to see “alabaster princess”
sitting unintentionally before my eyes.
And how you are my Alabaster Princess.
But oh dearest-mine, be wary of how you find these words.
Use them sparingly, and do not tarnish them.
Keep them like nuns keep themselves: ******.
If you must write them,
then write them in pretty hand-made inks,
and decorate each letter with dips and swirls, each letter a flourish.
And if you must utter them,
say them quietly, and in simple complementary sentences.
You can be Kennedy for a day,
or speak softly and let them be their own big stick.
Keep them uncommon, like you are uncommon,
and know when the repetition of weaker words can make them herculean.
Guard these words with all your strength:
with that sword hanging deftly on your wall,
with that letter-opener on your kitchen table,
with that pocket knife in your favorite pair of jeans.
Those words will save us one day,
once the world has reverted back to an aristocracy.
With that noble face of yours and this clever brain of mine, love,
we’ll con them into making us their master,
gold and land or no.
even if the sole things we own are our names.
And we’ll teach them again how to speak,
with all the sweetheart mightiness of poetry that speech was intended to have.
And we will learn to bow with all the eloquence of B.C. bible writing.
Machiavelli never saw rulers like us.

We’ll cry like the Devil on a Sunday morning
for the alteration in our names from D’evil,
and whomever first declared “they’re there yonder to get their ***!” shall know my wrath
(although that may have been me).
Parlez vous Français?
Non.
These words that I pillaged
from the mouths of great stone grave monuments,
I hope that you will remember them well.
I hope that you will pour over them
and gaze at them in all of the bedazzled stupor that I did.
And once upon a time,
when children loved to read
and sought the same type of affection that I have at last found in you,
when even the Greek gods were playing with pens and devising an alphabet,
I sat there on rocky shore, seasoning with saltwater,
drawing with my toe under the waterline,
your face.
Pretty as a picture,
and worth a thousand words.
(c) 2006- From I Don't Know These Words
Lily Mar 2019
He hurriedly glanced at his wristwatch again,
The shadow of the cross from the steeple
Landing in the middle of the watch.
A sigh echoed through the church courtyard,
And a few rats scurried out of their hide-aways.
They should be here by now.
The moon hung in the sky,
Trying and failing to shed light on what was below.
The harsh noise of a truck on gravel reached his ears,
And he breathed a sigh of relief.
The newcomer parked the truck and lumbered out,
Holding several filthy beer bottles in his large, grimy hands.
“Here you go.”
His voice was gruff, calloused even, as if it was being
Grated like cheese.
Money from the priest’s hands went into the driver’s hands,
And when the priest looked into his eyes,
They spoke legends of ******.
The truck drove away, and
Pretty soon the courtyard was silent again,
Except for the hoot of an owl,
The contented sigh of the priest, and the
Pop of a beer bottle being opened.
My prompt was "my priest drinks too much". Thoughts are welcome! :)
Aah, I love the cold
Almost harsh, or really harsh
Winter months
I love walking then
Walking alone
For miles and miles
Minutes and hours
I could keep walking
If there weren't parents
To reassure, a family,
A warm home to go back to
A dragging commitment
That is binding in every
Single link I've ever made

I could keep walking otherwise
Just a light jacket, hardly appropriate
For the weather, the temperature
Numbed by the chill
The soles of my feet sting
My feet wrinkled, grated against
My sandals, hardly sufficient
Completely dry skin, also cold
Almost too numb, maybe too corpse-like
No socks, no scarves, no gloves
No caps, no protection
Because protection is only needed
When there is an enemy

I could stay like this forever
A thought strikes me while I walk
That maybe this hopeless love
Exists solely because I am the closest
The closest I can be to being me
As I walk, and hide, and revel
Maybe even reveal Me

I silently lose myself in contemplation
Because the days are shorter
There is more space, more time to hide myself
Under warm blankets, comfortable clothes,
A cup of hot chocolate, in the cold starry nights
The sting on my cheek
That I lightly touch, can be disguised
Explained away as the caress of the cold wind

This loneliness that grows inside me
It is already so tired
Of seeing people walk away
That it is too tired, too weary
To talk to anyone, so it hides
Underneath the surface,
Appearing so much more closer
Than it ever has in these few months

I am raw, almost bleeding,
Waiting for the stars to come out
Just so they can shine on me
Over my head, down on me
With me, maybe even communicate with me
I'll pick up my drink
Acknowledge their presence
And drink to them and their beauty
Their unimaginable beauty that Always,
Without Fail, takes my breath away
My self rubs against my facade
So raw but it doesn't even matter
It is the closest to the surface
As I raise my drink and almost imagine
Myself in this lonely cold urbanscape
With all the scars, every **** thing
Not a thing out of place,
I almost imagine myself beautiful*
Revitalised but then this self withdraws
Back insideinsideinside
My facade still rubbed raw

Ah, but what a beautiful time
The cold times on the terrace
The chilling walks down nostalgia lane
No more brown leaves
Just a mere peak here and there
Like a little troublemaker
Waiting for me to go away again

*Winter is... truly one of my favourite seasons
Merry Christmas to everyone. :)
PrttyBrd Nov 2017
I will wait
blindly scraping through each day
on skinless knees
clawing through with bloodied fingers
searching for the truth to clench to

I will wait
in the bowels of a twisted mind
bending flickers to shadows
in endless search of the light
that teased with relentless promise

I will wait
for this Hell to freeze my bones brittle
buried in glacial daydreams
of a time that day meant
I could feel the warmth of the sun

I will wait
for the accidental happiness
that covered me like a puddle I fell into
while stumbling through existence
simply drawing breath

I will wait
in jagged darkness for the only reality
that makes sense of this place
for in that union is peace so pure
it washes the universe in light

So, yes, I will wait
an eternity of gaping wounds
bathed in the brine of silence
never giving voice to the grated truth
of the best part of who I am
111017
Stuart Zukerman Mar 2012
My existence is taunted by the mesmerizing aroma,
The delightful demitasse of her Mocha brown essence,
A mere arm’s length away yet still an unreachable distance,
The inviting warmth of her crema’s supple surface,
Intensifying temptation to unending heights.

Espresso feelings brew for an eternity,
The barista’s pressure refusing to cease,
Steaming desire straining at every point,
Ever seeking release from the torment.
Ground, grated and pulverized am I,
In the grip of my addiction –
A tortuous thirst that can never be quenched.

But for the warm dark brew being wrapped in the sleeve of another,
I would pour her in to the most precious Italian ceramic bowl,
  Embrace her warmth in the palms of my adoring hands,
Breathe in her rich exotic essence,
Explore her complex depths each day till the end of time.

And still I’d wake each morning anew,
Longing in my never ending desire for another sip,
A deeper understanding and appreciation,
My lips longing to embrace but one more luscious drop,
Love’s ambrosia - the hot dark brew.  


Stuart Zukerman
Vancouver, B.C.
Emily Jones Nov 2012
Do you want to know why I can't sleep at night?
Why every time I think of you I choke on my own breath?
Why I want to shake you, kick, and scream, untill you see this grated pain that I live with?
It is the love I have gifted to you
And it is dieing
A slow and merciless deth

Slow rotting in its own chest
The metal teeth of your lies no longer comfort it
No longer pacified the beast that hungers for more
The things you promised but stopped delivering
Blotted blue, a blood turned red as it falls
Having been starved of the nutrients that gives it vigor
The reciprocity of mutual  connection

The stale sickly bile of backed up emotions poison me
Taint me
Ready to explode
Wanting not to hurt you by showing you what you have done

What you have bottled inside me
A love that could have moved mountains like it has done before
Killing me

Brutally with each day I wake
With each expectation you no longer fulfil
With each I love you from your lips
I die, the churning clog of ash
And the unforgiving malice
Of pretty words

Waiting for you to withdrawal
Even more
As if I were some old wound left to rot
Decay
Decompose there at your doorstep
To long forever a mummified homage to the hopeless
The loveless
The ******
PrttyBrd Sep 2014
A heart skinned alive
Just to prove a love
A soul grated by self-loathing and denial
Finding acceptance for what's shattered
Giving all that's inside 'til you're empty
And all the flesh 'til you're numb
Waiting for a chance
To believe in unspoken promises
Risking, losing your soul to love a shadow
Trusting beyond reason
Yet not at all
Twisted frowns can't be called a smile
And pain is not tantamount to joy
31914
zumee May 2018
"Fuuuuuck!" groaned the Tortoise.
"****!" spat the Hare.

"Son of a *****!" barked the Fox.
"**** on a rooster!" cawed the Crow.

"***** of a bison!" growled the Wolf.
"***** of a llama!" brayed the ***.

"**** on a termite!" squealed the Ant.
"**** of a cricket!" grated the Grasshopper.

"THE HUMANS KNOW OUR STORIES!!"
cried the animals in unison despair.

"Yeeeees," hoot'd the Owl
with an evil-wicked grin,
"but only the ones with a moral."
Sammi Yamashiro Aug 2020
What do my memories taste like? There lies on my tongue—
An atomic bomb:
a purported speck, with no chicken pox skin situated upon such.
I spat it out; I wobbled on and on, stomping the microscopic intensity into the sludge.
No one sees; how pleasant…

My shoe’s underside slit it— a paper cut broiled to the infinitude degree—
Preposterous conundrum! Slam!
I fulminate! I screech, the needy baby I am!
My guttural heave strews in the wind:
deformed limbs on the newer generations, an abysmal thread.

Supposedly bland, but then: a guzzling bleed from you and I gushes on and on; but oh, was it needed!
Listen to my writhing! Soak in my curdling roaring!

I am the mafia mastermind, but I plead to guilt!
The vandalism cannot be grated, but I will
revamp, spot clean, and hunt for a vaccine.
I cannot cure a scored scar, but rest assured:
I will endeavor to solidify the clot.
That blue fabric so rough against my skin. The familiar grated vision. Supple worn leather loosely hangs on my finger tips. Wind comes through the small hole on the side of the black. My extended arm lets off a string of silver attacks. Blocked by the masked figure before me. We begin the dance of death. Only one shall prevail. Red shall fall on our black and white forms.
Alexsandra Danae Oct 2013
I'm writing you a note
just because
because I'm feeling like
I have to
feeling like I'm
helpless here
and without your rough
forceful touch
I'm angry and aching
craving my bittersweet
agonies
wickedness creeping up
from the black hole
that hides behind
my human skin
please
pathetic and weak
though I likely seem
I'm willing to beg
down on my knees
grated concrete
scraping against my flesh
scratched and bloodied
and I'm pleading
make your palms, your
fingertips, piercing stings
hold me down
**** me and take any
notions of my possessing
power far away
make me see how
I'm nothing, just
worthless and infuriating
and you, so much like a god
why yes, you're the god
god of everything
so break me down
and rip me
limb from limb
and seam by seam
for I am merely a
servant girl
and you've the part
of the cruel king
come to me now
please come
come and punish me
I am nothing, lost
perplexed thoroughly
without you to bring me
to life
for I only become truly alive
in moments of raw abuse
so won't you come now
please
you strong, glorious man
and help me live awhile
inside the blood and bruises
that'll be left by
your pounding, ******
hands
you're exactly the one
I want to deliver
deserved consequences for
my countless sins
a beating into submission
my soul
for a little while, at least
alert and cleansed
pleasure me by flooding me
in an ocean of  hurt
every wave some new sort
of pain
your lessons are the single
part of my existence
I long for so desperately
most passionately crave
I'm begging, come
now please
remember me, helpless here
and share the beauty
only your own source
your inner darkness can so
easily create
October 2013
Hervi Feb 2014
Am I supposed to want
To do more than just take it all in, how does everyone
Hold so fast onto the silk when it’s been
Sedated to such a slippery strand?
My grip tends to snap the thread extended by the
Way they talk to me, maybe if they gave me a rope.
As it is I prefer to
Synthesize the scenery into puffs of ***** smoke-
These desserts are grated from reality and so I
Must love reality, but I can’t eat it raw;
I see people’s sawdust centers as the
Cream they could become, I am far more deterred
By bitter tastes than the concept of having to wait for my predictions to ripen,
The fact that they never will is
Only a cynical estimation of mine that I hope will spoil as I age.
Spices are not lies, are not
Blandness masquerading as something so inconsistent with your vision that
You will lose sight of the road.
It is not just a question of
Going down easier, it’s just better
To boil your potatoes.
I hope to dispel a fear of my own, that
I’m some sort of addict, filling myself up with helium like some sort of
Basement-life pocket knife fix,
A recipe mixed to skew me into groggy selfishness that
I would anticipate as good faith and optimism, but my tendencies are erratic,
Dragging my body along to trace a healthy heart line, I suppose,
and with one foot in the door,
I can't quite say which side I'd rather be on.
oops this might be the first draft because I'm a lazy piece of crap
the small woman from the attic sits cross-legged
with her pink plastic hair rollers for hours. her
life spins like the spool of thread on the sewing
machine. she sleeps wearing a flowery morning
gown in the room with a flowery wallpaper and
a secondhand carpet imitating autumn grass. she
boils her lime tree tea and dairy free pasta on the
electric boiling ring. she washes her hair with nettle
essence shampoo. once a month she goes to the
central store to see new dress designs then she reads
at midnight group portrait with lady. in a sideboard
she hides a pair of perfumed lace gloves the color of
the skin. she wears them when the spring wind blows.
on a shelf in the kitchen a grated lemon in an egg
saucer is slowly getting dry.
Dan T Sep 2013
Fallacy of peril charade, conflicted demoralizing vagrant silenced through the abysmal destitution of a grated emotion, filled with blanketed pasty words, comforted through embellished demeanor of our imperfection.

— The End —