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Purcy Flaherty Jan 2018
Initially she began contacting me over the course of a year or so and increasingly over the last few months she started visiting me, helping me, caring for me and occasionally employing me in different ways.

She’d just had a break up a few weeks before, explaining that things hadn’t been right in the relationship for some time!

She presents herself as respectful, thoughtful, gentle, kind and considerate and after what seemed to be a very short length of time; unexpectedly declared that she had feelings for me; regarding love, admiration, desire and some other adventures.

She then began to bombarded me with love talk; occupying around 70% of my time gaining my trust, I was swept off my feet; she took a great deal of interest in me, learning everything about me, what I liked, where I would go, always asking what I was thinking feeling, how she could help and I was flattered and she was charming, though a little awkward at times.

As our friendship grew she started sharing her back story, including some tragic life experiences; she vilified her past lovers, and ex-partners and branded them as crazy, or bitter liars and troubled souls; slowly gaining my sympathy, whilst securing my allegiance, and keeping me on side; keeping me close; drawing on my compassion loyalty & trust!

During intimate moments she would sometimes seem a little awkward, false, over enthusiastic or a little insincere, and I made allowances for this given my knowledge of her backstory.
Re: (tragic events & experiences)

She began to choose and buy me clothes; outfits, take me shopping, gradually altering my outward image and appearance.

She introduced me to her friends; but was careful to keep me and them at arms-length, I realise now that she was building an alternative profile of me in their minds and that the people she introduced to me rarely exhibited the behaviors or characteristic that I was led to expect.

She soon started to embroil me in her own rituals and compulsive behavior's, explaining that tasks needed to be performing in very specific ways to prevent her getting distressed!

She made many promises : ‘The hook’ It was my expectation i.e. waiting for some of those promises to materialise that kept me hanging on; This increased her control and exited her too.
(None of her promises came to fruition!)

She gradually had a hand in almost every aspect of my life i.e. my home, my work, my friends, family, my finances, the way I dressed, the food I ate and many other things besides, much of which I didn’t realise until our relationship was finally over.

She often took immense pleasure in duping, individuals or companies out of something through theft, shoplifting, or getting something for nothing, a profiteer, a chancer!

To question or challenge her authority would result in seeing her facade slip and watch her decline into meltdown. It's at that point, she would lose composure, and I would see her irrationality come to the fore; revealing the real person underneath; childish, contrived and very fragile; It’s as if control is the glue that holds her together, without it she just falls apart, during this time she can’t be consoled and it’s impossible to calm this escalating situation; in fact; at this point that she would attempt to regain control by ‘gas-lighting’ me, she would distort the truth; who said what; in an attempt to damage my self-esteem, to make me question my own mind, my words, my intention and any actions, apportioning blame, pointing fingers, making me feel guilty, use rejection, or using hurt, sorrow, tears, shame and even threaten liable or legal action, and then use *** to pacify or regain control over me and my actions.

These episodes would appear often; though irregular and without provocation, I would always be deemed at fault!
I found silent compliance was less stressful than engaging in discussion.    

She never took responsibility or made any apologies for her conduct.

She would set me tasks, and go out a lot, and lie or bend the truth, as to where she had been; I never challenged this behaviour!

When the relationship was finally deemed over; I was both devastated and relieved.

I began to see my new position in the cycle; as she immediately begin to vilify me in order to give credence to her new backstory, I felt very confused, disorientated and emotionally fraught, shell shocked! questioning, how much of our relationship was true and how much was a lie? For everything I thought I knew was now knitted together with a very complex web of loyalties, lies and half-truths.

Her pattern of repetitive and controlling behaviors have seemingly remained unchanging throughout all her relationships;
(I was contacted by many of her previous partners and various other casualties since leaving her, sharing familiar experiences.

Within two weeks of being apart she informed me that she had fallen in love (My replacement)  some-one she admires, someone kept just within the circle, a mutual acquaintance and she thanked me for bringing them together.

The grooming of her new lover will have commenced some time ago; her M.O. (Her pattern of behaviors, her techniques have remained fixed.)

She’s incredibly self-conscious, her biggest fear is that other people will find out about her true demeanor, her image and appearance is everything to her. She's afraid that people will shun her for being so very different. She is a wolf, that’s not a malevolent creature par-say; and quite beautiful and beguiling in her own way but you don’t want to be her pray.

Full circle:
I too have joined the ranks of the discredited; labelled a liar, troubled, bitter and crazy; she contacted members of my, family, friends and some fellow musicians; and a few folks shared these conversations with me.)
I suspect that she may even attempt to vilify me with authorities or threaten some form of legal action; as she has to others in the past.

I'm still drawn to her charismatic boldness, her awkward ****** power, her intelligence, and so I've blocked all means of contact to curtail my own almost pathological interest, for despite everything that’s transpired, her lies, her infidelity, her deceit and appalling behavior, I feel no malice towards her; quite the opposite, I'm still drawn, intrigued, bewitched, beguiled by the person hiding underneath the façade.

Now the dust has finally settled; I’ve somehow remained sound of mind.

I don’t feel guilty anymore; I’m aware that I’ve been manipulated into thinking and acting in ways that don’t truly represent my character; and that I’m just one of many people seduced by a sociopath; another natural human variant, a person devoid of empathy for others, that’s developed a narrow set of skills and mirroring behaviors, that allows her to blend into mainstream society in order to feel safe, secure and in control.

She would have preferred to keep me hanging on, like many other dependents, adding me to the hareem; a bank of beguiled individuals that she occasionally calls upon to perform simple tasks, or to monitor and re-assess her clever handwork.

The last time we met she opened with nervous politeness and finished with veiled cruelty, I left feeling drained, uncomfortable and quite fazed.

I’ve written this diary account to help further understand what had transpired during this complicated relationship.

Her next lover will ignore any pre-warnings as just bitter ramblings, as most individuals are driven by the natural pursuit of love, *** and romance rather than following advice of some seemingly bitter ex.

Good kind or exciting people further enhance the image and status of a sociopath and they will orbit your small shiny star, tapping into your  valuable energy before  slingshotting into a larger, more attractive orbit; sadly love, *** and desire is simply a tool for manipulation and gain, it's all about prestige.

I wish her well, like every creature.

Expect high drama.
She loves to watch you come unstuck
Mateuš Conrad Nov 2018
.chris rea: god's great banana skin...

/ such random thoughts are a blessing, esp. after you've been walking for over 2 miles, in the cold and in the rain, with the setting sun... continually impressed by the nature of polyester clothing, how you feel the cold, but aren't cold at all, how you go back home and: you're dripping with sweat... /

the random thought?
about a saying, here's the schematic

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

which statement is true?
within the questioning parameters?
i think it's a trick question...
how else would you be able to
teach these statements and make
replica understandings of
said, statements?

(****... quickfire shots of syrupy
*****... **** me... give me the sweats,
and i'm not even constipated,
it must be the ***** doing
the magic... yeah... sober me?
doesn't like thinking...
but oddly enough, the drunk me?
pulls out philosophy,
no, not as some pretentious
high-brow interest...
   i just looked at philosophy as
a genre in literature,
nothing more)...

numbers, like letters...
or in the case of Roman numerals
(letters are numbers)...
i'm unsure whether you can arrive
at crafting them into existence
by analytical parameters,
i don't actually think
that you can conjure up numbers
from analyzing a priori,
given the ad continuum:
but... there was a point in time,
when / where: numbers weren't used...

Kant was a theist,
sorry...
  he says it plainly at the end
of his critique of pure reason...
in the transcendental methodology...
sure... he takes a "schizophrenic"
moment to write a thesis
and an antithesis on subjects like
cosmology...
but he's inclined, as i am,
counter to an atheist...
yes... god is probably a monster...
but a ******* gorgeous monster...
kinda like a femme fatale...
so what's not to like?

    but this thought didn't arrive
randomly,
and my consciousness
didn't hone in on it...
i didn't vector this thought
to an immediate conclusion...
the thought arrived,
and then: i had to make shrapnel
out of it...
the original thought was complex,
i had to make shrapnel out of it,
in order to put it back together,
so that a cognitive 3 seconds
could be rewritten in under 30 minutes
explaining, why the thought arose...

you know... when thinking
is detached from the moral (θ)-ought
you get to experience these "things"...
here's another schematic...

I + Φ (you put a key into a lock),
   Θ (you turn the key), O (the door opens),
hey presto... a free radical iota...
detached from both phi and theta...

i am free from making
a moral ought (i) or the immoral: ought (i) not?
i'm free, hence my concern for...
abstract questions...

back to the original schematic...

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

this actually has a theological
dimension,
supposing i am god...

   if i propose an analytical a priori
with a synthetic a posteriori...
well then...
             i can't change anything,
i can't actually make changes to...
with my omnipotence,
omniscience etc.
i already analyzed, a priori
the Kantian elevation to theology
comes, via me, stating...
if i analyzed the entirety of
creation...
            a priori ex nihil
(from the prior out of nothing)
how can i make a synthesis
in the a posteriori domain,
of the already existing things,
which didn't exist a priori,
since there was nothing,
and i already analyzed the potential
of nothing, and this potential
was realized as everything i would
know to exist... and i went along
with it anyway?

i'm starting to think that
the realm of analytical a priori
doesn't exist for mortals...
the gods can muse this ****-show
of a dimension over and over again...
we're more (being mortals)
synthetic a posteriori...
oh don't get me wrong,
i believe we have the capacity
to comprehend analytical a priori
but it's an analytical a- priori...
we've reached the limits
of the microscope, the telescope,
and the hadron collider...
or on our way to exhaust that...
still being left with an intact mesh of...
the orbits... summer, winter, autumn, spring...
but this thing with this schematic:

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

how can i conjure an understanding
of IV + VI = X...
analytically a priori...
when... i have no hindsight /
prior to understanding of said rubric?
well... with Roman you could say:
analytical a priori,
given the Ancient Romans already
had the letters I, V, X...
but... if you didn't have the concept
of measurements prior,
of arithmetic...
how can you analyze something...
that doesn't exist?
so... you had to synthesize a priori,
working from the letters I, V, X...
to conjure up "numbers"...
  numerals... you had to create these
numbers by a synthetic a posteriori
method...
and the 4 + 6 = 10...
        well... you analyzed the a posteriori
synthesis, and threw I, V, X out...
and began the second wave of mathematics...
and this is where, authentically...
analytical a priori comes from...
based on I (1), V (5), X (10)...
                    came IV (4), came VI (6)...
don't mathematicians treat their language
as that of or equivalent to the gods?

now... for the cultural exchange program
that i promised...

on the great British isles...
you have a variety of languages
& dialects,
i'm so sorry that the Scottish
"forgot theirs"...

but when you have something
akin to

English: red
Cymru: coch

or right... they have their Pict
Gael?

Pict Gaelic: dearg
Irish: dearg
Cornish: rudh

we'll require a second word...
what word, what words..
life!

English: life,
Cymru: bywyd
Pict Gaelic: beatha
Irish: saol
Cornish: bewnans...

back, "home"...
we also have sub-groups
in terms of linguistics...

there are the Kashubians...
and there are the Silesians,
and, there are...
the Kurpie...
akin the Welsh, the Pict,
the Ire,

and their language looks like so...
again, borrowing from
red and life...

Polak: czerń
Kashubian: czôrny...
  but that can be disputed...
why?
     czerwień is not actually
a noun, but an adjective...
a quality of being associated with red...
czerwony? that's a male
adjective...
   and the female adjective
is czerwona...
                ****...
a color has to be something...
the noun adjective that's blood...
Polak: krwawy (czerwony)
Kashubian: czerwiony
Silesian: čerwůny
ah...
   Kurpian... high polish?
Masovian?
harder to find the words...
have to use alternatives...

Kurpian: caban
Polak: tępak
Kashubian: osoł
  Silesian: yjzel...
(idiot, imbecile)

you know how hard hard it is
to find a Kurpian to Polak
translator?
i can't find one to boil down
to the examples or either
red or life,
i'm reduced to choosing other
words...
like...

   Kurpian: chwat...
Polak: chłopak
Silesian: bajtel
Kashubian: knôp...
(boy)

Kurpian: jédło
Polak: jedzenie...
Kashubian: jedzenié
alternative to Silesian:
  jadło, i.e.: it ate...
past-participle in
the verb...
let's see what the Silesians
call it...
Silesians: well.. a variation..
chlyb
godka
mietła
masa... all things you can eat...
(edible food)

only a word, like the Kurpian
word akin to kotnå
reveals that Vikings passed via "us"...
kotnå?
  an impregnated sheep...
with young...

Kurpian: łańï truń!
Polak: nie mów!
Kashubian: ni gôdac!
Silesian: ńy godka!
(don't speak!)

mind you... Kurpian translation
is hard to find...
and you almost wonder...
at the British isles...
you think, us, Polaks...
do not have sub-linguistic groups
in our ranks,
like your Welsh, your Pict,
your Irish?!
guess again...
you had them all along...
and you thought...
the Polaks were
a homogenous culture...
all this time...
primarily because our culture
wasn't multicultural...
oh but it was... but on the subtle side
of history...
mind you...
defenders of the galaxy?
i knew gamora wasn't white...
but... **** me...
even if black or hispanic...
she looked so **** attired in green...
i was thinking:
absinthe cherub, absinthe cherub...
and forgot about glorifying
Zoe Saldana in all that choc...
what?
   a green skinned chic?
                    if i can forget about
the existence of chocolate...
i'll just anything that moves...
but i knew she wasn't white...
i hate chocolate...
          give me an absinthe girl any
day of the week...
       yeah...
only the English have complex
ethnicity encompassing
a single language...
only the English...
                 like **** they are...
at least my linguistic variation
is suited to a bundle of words...
Welsh?! Gaelic?!
  completely different languages...
at least in my part of the world
all that is deviating
is a choice of variant nouns!
but then again, the English
speaking world....
        how's the new pronoun
dictum coming along?
you keeping up with...
   appeasing the new crazies?
oh... you are?!
    well... kudos and applause!

p.s. guess what happens with appeasing
the new crazies... guess...
i'll tell you...
you **** around with grammar,
some grammatical pedant will raise
his head up from the crowd and say
something like:
               what?!
and then the old crazies rise up...
and... your, ahem, little discussion
about changing the rules of grammar
to "ensure" that the language is
kept, "intact"?
      see... mm... hmm... the old crazies?
the old crazies have their own
methods...
they're of the obligation:
let my gun do the talking...
  and then...
  you get pol *** arithmetic,
of skulls...
           being counted in an abacus
of heaping up, "debris"...
         see... these new crazies
are bugging me...
  they're bugging me...
because the old crazies didn't
attack grammar,
and whatever delusion they had...
i couldn't see it...
the new crazies?
they're attacking grammar,
and the delusion they have...
is... associated with something
i can see as being self-evidently untrue...

the new crazies...
******* spinners... fakers...
    i prefer the old crazies...
at least their delusions had ambitions
to deceive in the realm of
the unseen...
       the unproved, and never to be
proven...
these new crazies...
i am supposed to speak asylum talk?!
so... society is the new asylum
with the past asylums being
abolished?!
who gave caffeine to these news
crazies?!
******* sane people's naive pandering...
while the depressed man?
hey boy... hey, hey, hey boy...
noose!
i've lost all sympathy for
the victims of a psychotic
version of a repressed P.T.S.D. example...
the mad have hijacked language,
disorientated grammar...
and... b'a'ah, b'a'ah...
                 no...
                              i'm with the old
crazies...
                    at least they're the ones
that can inflict genuine grievance...
rather this policing of restricting
     the orthodoxy of the use of language.

p.s.
i found only two paradoxes in this
world...
    schadenfreude: feeding a pleasure
from the misery of others...
as...
  finding wisdom in others' own
forsake of an antithesis of
universal application...
  mainly that, associated:
            to a self-gratifying benefit...
the joke ends within the confines
of schadenfreude...
as does passable "wisdom" attached
to instragram novelty of the "maxim"
by your wisened sages
of the selfie...
  
                  i've been among the russians,
i know what the true uber looks like...
you hitchhike...
hitchhiking? forget that?
ponzie scheme albatross thingy
of a worth of a british mensch?
    funny... a people can so easily
forget the practice of hitchhiking...
so easily: entertaining individual rights...
and: innocent until proven
guilty until some next
               teddy bundy comes along...
and then it's all: ooh! ah! woo'ah!

   you know, i don't like the cartesian
chiral dynamic,
the whole: nietzsche take...
sum ergo cogito...
          i don't like the:

innocentes quoadusque (qua esse)
                           reus....    inversion...

an innocent man might hang...
well... if you have the death penalty:
too late to regurgitate the
original statements...

but? where's the element of redemption
for the innocent man?
why are so many people captivated
by the shawshank redemption?
there's a redemption story...
   in the inverted game?
a jimmy saville walks off scot-free...

the continental model doesn't make
sense with a death penalty...
but without one?
redemption... the atlas "paradox"...
one man usually burdens the fate
of a reciprocate of the unit of one...
but not the many...

me getting laid or not getting laid
is as important to me as:
whether i know about last year's
snowfall...
*** *** ***... all that sort of
******* in the western minds...
*** *** but no children!
recreational procreation without...
any procreation... to begin with...

         i'll admit...
english humour is funny...
but schadenfreude is a borrowed term...
hence the lost in translation
element...
           the english are terrible at
appreciating if not simply applying
the original zeppelin bomb...
after a while: the english just became
annoying toy-whips
of ***** replicas...
       the english knew elevated slap-stick...
with monty python...
with fawlty towers...
          they borrowed a term like
schadenfreude and completely lost the plot...
they once, upon a time,
chanced to play a game of linguistic
comedy...
            
                 i'm pretty ******* sure
the germans relate to schadenfreude in a different
way... i'm guessing:
the deutsche are not prone to ridicule as
the english are...
               the aunglisch are prone
to ridicule out of a sentiment of spite
than out of a repose for giggles...
        
          i don't understand the german sense
of humour,
     but understanding the english attempting
to "understand" the german sense of humour
is an enigma in an enigma in a per se...

such integrated back into
the ol' continental ways...
                       kudos to the brits...
bringing back the commonwealth to stereotype
us europeans with a negative "circumstance"...
now them: ******* up to "correct"
their integration policies... for the commonwealth
peoples of the united wordly wealth of
made in china plastic toys!

     a **** among the brits has
the audacity to tell a german he's not
supposed to feel at home on these isles...
sure... and i will never feel quiet at home
in Islamabad either!
               so? equal count of hubris!
that's the only thing that ****** me about
these isles... god i love this language...
but... when you get your afghani hounds
on me to do your ***** work?!

      even though i'm not: deutsche?!
i'll ******* pretend to be deutsche!
           i'm not here to mop up your failed
integration policies...
i settled on keeping my language...
they settled on keeping their sharia,
their **** pajamas and curry...
while adamantly rejecting their language...
in order to implement their desired changes
by subverting your language...
and you gave your language on a *******
platter...
    
    by subverting your language
to accept their cultural tattoos...
  let me tell you: if a people don't respect
their own culture,
by way of god, by way of language...
and they are "integrating": without speaking
their native mutterzunge?
they're not respecting either culture...
mongrels ahoy!
   what happened to the african-h'americans
not speaking a word of african?

what will they do, ascribe themselves
to ******* scots,
left with no gaelic and more a finnegans' wake
accent gymnastics of some irvine welsh?
nae for no: some glaswegian smart-***
excess of nouns?
      
hell... they would have never built
a colliseum if they saw:
1 + 4 + 6 + 9 = 20
   i.e. I + IV + VI + IX = **
            imagine... a society where letters
worked perfectly as sounds
and as arithmetic concepts of measure.

lucky for me the roman empire never
conquered
the lands i come from...
always with the brits being...
oh so so proud having been conquered
by the romans...
what's the prize... archeological sites?!

much respect as great britain...
but... *****... please...
don't pucnh below the waist...
importing your commonwealth dogs
to mark you out among all the other
europeans like some prized asset with
an inkling into h'american affairs...
thanks to you: i'm bored of looking up
the telescope of h'american ****
with their waning cultural export
of a worthwhile entertainment of appreciating
their music.
KM Ramsey Jun 2015
where am i?
how am I to write when
I am no different from
those gaseous ephemeral words
who lie prostrate upon
the pages of my dictionary
carved plainly into
those battlefields strewn across
the wartorn country
my heart the despotic dictator
whose primal drumming
carries no tune
and no rhythm
and throws of explosions
grenades that
black out the world for
a brief moment
until it careens back and
slams into me
disorientated

i should have been born twice
for how could i have
both my body and that
intangible inexplicable
something inside
it stirs at the molten core
of me
that chasm that forged
those graven images
that first gave way to
a pictographic language
and offered me
a voice
to explain that immutable
all powerful
urge
lust
to throw myself on that
red button and
detonate
burst into a million pieces
and finally relieve that
nauseating pressure
of adipose smushed between
holy bone and
saintly skin
interloping in that space
and separating two lovers

barriers create madness

walls box me in
and yet i grow
an expanding balloon girl
macy’s day parade and
candy littered streets
and razor sharp edges
to steel walls pressing harder
against me than
my supple skin could
ever possibly press
back

i can’t breathe

there is no room
for my lungs to expand
and feel the
fresh sun filled meadow
of crystal air
delivering oxygen to
starved alveoli
and i can’t find your chest
to guide me
in impossible respiration

i’m suffocating in my own skin
from no outside force
but my body itself
turns inward and
shouts its dominance at my
cowering self
sniveling in the corner
of my dusty half used heart
where no blade could possible
land a blow deep enough
to silence the torment and
particular personal poison
a torture to course through
every part of me
activating every single neuron
and making me
hyperaware of my
shame and noxious
venomous corpulence
a reality i
never wanted you to see
but is written plainly
in fiery script across my forehead
and in every fold of fat.
on how it feels to be in your body when you are having a body dysmorphia episode
Mateuš Conrad Nov 2015
.english black humour is peppered with sarcasm,
english humour is sarcasm...
watching the gaelic version
is like watchings the irish try to be subtle by being rude,
doesn’t work... normas proved it defeating the saxons...
and subsequently the celtic brides roared in encore!
it really doesn’t work... the polish fraction of me still intact
to remind me of the biology that still works served
the reminder: polish history is still orientated
on the european continent, eastern europe
is not a segregated "continent" that might contend
with england and france being ante-antarctica...
never engage a celt with british humour for guy fawkes or anyone
else in the missing ditto;
celtish or cultish... i never quiet know...
enter the celtish brides... encouraging the advent of copulation
and the excesses of tax to build linear ceramic imprints
of broken bricks, that made it into ratio of
the chiseled brick worth a heavyweight contention with
heated mortar dough; oh right, pooh bear you're offended...
deal with it! unless your uncle is denoted as
adolf ****** and you want him resurrected!
shakespeare never wrote the play: the merchant of mecca,
did he? poor shylock... i was almost caught in admiration
of what english students at 16 thought of that national pride...
known as the *****-bride to **** for an A at a-level.


they still sound out of breath,
out of anything,
esp. words...
they all sound to totem no animal
rather than an ****
which in ceramic wilderness
sounds like wild ****...
where’s the monochromatic monotone
of the drunken sailor going by the name
of st. peter?
fisherman turned sailor... that’s a first...
why didn’t jesus pick barabbas rather than judas?
was it cain that got in the way?
i bet it was. well nox awaits both thief and murderer...
those engaged with rabbanic arts
tend to treat dreams less seriously...
and those that don’t tend to treat dreams more seriously...
those that treat dreams seriously endear the sole
escapism of reality quite seriously...
and for those that don’t... well... there’s the zodiac algebra
and that’s right for a mummified expression
that was bandaged into a circumcised *******.

p.s.
rhyming poetry has spawned the most pointless
ibhibitions of rhythm poetics,
all the current poets sound
    verärgert... exasperated...
    is everyone seriously a ******* goldfish
catching their breath a second time?!
you want to know the most fun thing
i've ever did, today?
i started to tickle my maine ****'s
inner ear with a chicken's egg...
he raised his paw,
he tried to scratch himself...
"something" there was a schizophrenic
violing playing in his cranium,
rather: the temple of his ear...
i was lucky in having to: kitzteln (titillate)
him with an egg...
a chicken abortion i'd probably
consume come tomorrow's breakfast
hour...

             he felt it, the giggles...
the giggles from annoyance being rubbed
the "wrong way"...
so much to say about a woman
whom i attempted to pick a nose
in earning affection of seeing:
the "green fairy" take a ****,
take to farting, breaking the magic of
the feminine persona of "unfathomable" /
unfailable...

            genius: an egg inserted
into a cat's ear to tickle... eating an abortion
the next morn...
                                    all the woes
of the world seem so insignificant when
you buy into feline idiosyncracies...
after all... there's no leash...
no kaganiec...
             there is no stipend associated
with the timing of walkies...
cats are perfectly disorientated by
their own selves: or rather,
their senses...

              you learn atheism from people,
but?! you learn solipsism from cats!
you learn atheism to sound
intellectually superior, sound,
"sensible"...
solispsism you learn from cats...
god or no god...
you are first, you are the last,
while god? "someone" in the middle...
can god be associated to pronouns?
or is god a pure noun: excavation
machina pro grata?
well... if god was ever a person,
being, anti-tool...
wouldn't "he" be a persona non grata?!
well then!
  machina pro grata:
                the noun spin "mr."...

man was never in search of god:
the objective reality remained true as
it always remained...
man was forver bound to the search
of god: via the subjective
personification of said "object"...

      how do you think the muslims
deal with this conundrum?!
they think they are gratifying everyone
else with an objective reality
of god, while they themselves,
with the polytheistic splinter of the gods,
are themselves searching for
the subjective reality of their god...
a person, a personality...
to the muslims their god speaks
the same objective truth as the sort
of truth a pagan might adhere to...
they want to know: a person to speak to,
rather than an object they can throw...

modern poetry when performed is ****,
it all sounds the same...
that overtone of exasperation...
me? i'm not speaking...
itchy finger-tips: idle hands:
the devil's due...
      i'm not speaking among these
youths... it's like that h'american beauty
quote...

ricky fitts: but it helps me remember...
i need to remember...
sometimes there's so much beauty in the world,
i feel like i can't take it,
     and my heart is just going to cave in.

lester burnham - whatever he said
about the balloon not being filled with helium...
but with all the bureucratic custody
via custard like some zeno paradox
of a tortoise outrunning achilles...
               the beauty can remain...
to enchant the easily impressionable...
after all: you "only live once"!
the beauty will always remain...
hence the seasons...
               but there's only one
impressionable aspect of this reality...
the thought you leave with...
the thought, implying:
the lost aspect of a moral (th)ought
to be envisioned in it not being
sentenced to a maxim
    or a proverb...
                       or a lesson...
after all... once man grows old:
he's no longer fond of learning,
but overtly eager to teach...
         i'm neither... 33...
who am i to learn from or teach for?
teaching by mistakes?
       no one really teaches by example...
unless on a pure technical canvas
associated with a trade or a tool...
which life is neither!

what is the west selling as their... "capitalism"...
their next ponzi scheme of "made in... chi'nah?!"
this, this is capitalism?!
i remember days when gap shirt
lifted the words: made in canada....
quality... would last you 20 years...
the wool wouldn't thin, the colours
wouldn't fade...
                    capitalism my ***, these days!
i came to the promised land,
i remained: with broken bones
            and ****** make-up tutorials....

for all the belief in man,
and this, non-existent fear of god,
savvy,
      upon the sacred altar of
the debauchery of prometheus,
upon the sacrifices of a.i. atlas...
upon: will electricirty ever replace fire...
who stole the rod of zeus
beside promothian thief who came
back with the eternal fire of Odin?
who?!
my kindred: alas!
                     and to what end?!
to the end without any surprise...
for the cosmopolitan cul de sac:
screaming at a brick wall pretending
to talk to one one but brick!
    
  i too visited: Krzyżtopór, in the village of Ujazd,
   Iwaniska commune, Opatów County...
how... the categories congregated
with implosions to make a ground:
specific...
  what would be the categorical imperative
for the congregative consumate
orientation of said narrative?

     even my grandfather remembers
the famous debackle concerning
Alfried Krupp von Bohlen und Halbach...
i do come from a family
of metallurgy... or coal-mining...
  both as true as these coal-riddle hands
supposing ink in pixel...
  
come on... the Schwerer Gustav?
the gun of all guns?! the one with the sort
of recoil that demanded train lines
to incubate the impact?!

modern, spoken, poetry, bores, me...
it's simply exasperated...
  exasperated by rhyme,
exasperated with rhyme,
exasperated outside of rhyme...
i'm listening to clones...
i don't won't to write modern poetry,
simply because:
i will not recoil with a take
on modern poetry...
  i don't do exasperated...
as much as i adore olivia gatwood's:
manic pixie dream girl...
yes, a ref. to the garden state movie...
the shins: new slang...
yeah... i did that **** in edinburgh...
climbing the scaffold...
erected around new college...
dancing on the roof with myself at night...
watching the *****-bank fluoride
white above the firth of forth one night...

but that's what i find really evil...
you know how in the movies,
the actors and actresses brush their teeth...
but never rinse?!
instead? keep that toothpaste in their mouths?!
******* never rinse!
that's evil... i'll tell you:
brush witha  pea-sized dollop, then rinse...
all the movies you see will never show you
a person rinse their teeth after brushing...
you should look into rinsing...
and? you'll never lose weight by going
to the gym...
you'll get stretch-marks, for sure...
there are only two ways to lose weight:
bicycle or swim...
swim or bicycle... better... both!

going to the gym will not help you...
you'll need plastic surgery!
but hollywood movies are evil this way...
they portray people washing their teeth
without spitting out the excess toothpaste
and not rinsing their mouths...
with water...

            who does that?!
hollywood is the next dentistry monopoly?!
pea sized amount of paste,
at the end of the day will do,
and then please spit,
then rinse with water...
don't just do what hollywood bad teeth
brigade do...
keep that paste in your mouth
like car battery acid / fluoride!

   pea sized brush once a day,
spit, rinse... slide your tongue over
your teeth to feel the sheen of
           ivory mingling with glass.

i hate modern poetry, why is everyone pretending
to be asthamtic, exasperated, out-of-breath?
with the same punctuation "all of a sudden"?
**** if i'm going to speak,
i'm not speaking...
             not in this climate...
edinburgh 2006...
  that's when i wanted to speak...
but then my eyes stole my tongue and told me
to listen.
i've been listening every since...
and...
i haven't even registered one hearing
of an echo since then.
Mateuš Conrad Aug 2018
a bit like listening to
enya's take on the lord of the rings
soundtrack...
who, the ****, wouldn't
wish to drown, listening
to these Celtic mermaids?
i know i would...

the lunch?
salad....
  cherry tomatoes, fresh pepper,
fresh chillies...
      guacamole with chillies...
god, infused with lime...
greek goat's cheese...
           crunch iceberg lettuce...
and?
****... must have missed somethng...
well...
there was also prosciutto...
like i once said:
i hate bacon...
    prosciutto?
             give me a bucket-load
and i'll play the chipmunk...

   god i hate bacon...
ugh...
     it's lile eating gorilla turds
with a comparison
to what tuna steaks will never be,
and what smoked
salmon slices share with
prosciutto...

the bits that make a whiskey...
smoked salmon...
           if the Japanese will not
entertain salt in their sushi?
**** it...
we'll smoke the ******* out...

what a glorious statement of
attaching oneself to hubris...
  and the Celtic mermaids?
one question:
can i drown, right here and now?!
i want to drown!
i want to turn into a merman!
i want to cry!
oh god... for all eternity!
i want to cry!
i want to cry when
beauty is expressed so piquantly!

i want to be acknowledged
my by second mother, art,
who would never dare
to engage in the ancient greek
ritual of placing two coins
over my eyes to pay
Charon...

             oh sweet Celtic mermaids
from a missing Odyssey!
I.R.A.: punch the grieving
paw of the Anglican lion
surrendering
with a take on dentistry!

i want to drown...
   you songs turn the salty
seas into sugary fountains!
   i want to drown!
embraced by your voices
in the choir or the echoing
chambers of oyster shells!

   i never liked sushi to begin
with...
either the north sea smoked salmon
slices...
or the Baltic Sea raw herrings...

                 the English?
leave them...
   congregating on the money...
surmounting there sphere of influence,
the Atlantic Ocean that becomes
a pond...
   leave them... bestow a leverage of
stalling them...
         keep them comfortable...
keep them exclusionary...
  keep them: 50+ years too late...
that will buy us time...

           keep them sifting through rat ****...
we need them disorientated,
looking at a cul de sac,
rather than a road with, other, road
genesis injunctions
of what life, twist and burden turn
we have to share...

         now... i don't cry because
i'm sad...
      i cry... when beauty is made
sacrificial...
             and since so few cry at beauty?
i have to cry...
because?
  whatever is being regurgitated
mainstream?
   does not gravitate me
to the necessary emotional stratum...

all i can think of is...
  
               Celtic mermaids of Ireland...
and drinking buddies of Scottish
trans-gender kilt highlanders,
Welsh longbow men spies
   of Swansea...
   and the English?
guess it's just a case of talking:
"right across the... 'pond'"...
     like ******* are...
pond people my ******* god...

          i would have feigned the delusion
of... a shared tongue = a shared
cultural reference!
but in sudoku?!

   linear + sq. ≠ diagonal -

England and the U.S. and Australia?!
a dog barking up the wrong tree...
it always was, it always will be...

          i'll rephrase my concept
of England and America...
   being "specially" connected...
what? like retards?!

                        Pontius Pilate:
i'm washing my hands clean of the affair...

ask a Swiss... what he might have felt
about **** Germany!
no?
                           no what?!

      this country already constituted
a perfected allowance to deem my
ethnicity equivalent to vermin,
rats.... foxes...

     well... better this commentary
stays underground...
i wouldn't want some, ******,
reading this sort of wording;

mind you, he, it, she, they,
might forget it 10 minutes later.      

god, i hate bacon...
   but prosciutto?
                            as long as it's combined
in a salad...
  with fresh veg., and greek
goat's cheese...
    no, *******, problem!

SPRING ONIONS!
he stands paces searches out windows feeling headache considers no matter who you are where you live we all come from same place a ****** he scribbles all i hear is *****, ***** ***** ***** new york ***** california ***** nordic ***** parisian italian spanish british irish japanese polynesian ***** ***** from all over the world ***** next door new ***** at work all the foxy ******* running around town ***** whipped pussyfooting ***** juice ***** lips colors flavors aromas squirters gushers hairy ***** ******* pierced ***** droopy swollen wet dry irritated itchy incontinent stinky ***** we are a nation of ***** obsessives he imagines Federal Bureau of ***** as an FBP agent he can show badge civilly detain any female especially those with thick dark eyebrows or difficult to decipher yet trained eye can discern fat lips within his authority to direct her to expose ***** excuse me ma’am but your eyebrows warrant examination of your bush please assume position this won’t take any longer than is necessary sometimes certain detainee’s inspections require unrestricted scrutinyhe thinks why don’t governments militaries realize power of *****? instead of inventing employing weapons of mass destruction why not use ******* to distract ****** young male soldiers? imagine furry rabbit rockets with pink twitchy noses floppy wet lips darting through air shooting everywhere distinctly resembling smell taste warm ***** yet fatal mechanisms that could attach **** **** consume who could resist? probably someone would come up with ***** defense system (PDS) which would intercept scudding ******* before they reached intended targetshe wakes up early disorientated turns on tv commercial TUMS blares in groggy dyslexic state by mistake he reads backwards sees **** on tv questions what is this place i lived in? america fat turkey on map with brains in new york city *** in d.c. paw in miami stomach in midwest ******* in california nested on egg over mexico he writes i envision statue of liberty alive real beautiful woman little children tumble run around her giggling laughing innocently playing hide and seek with her gown then some bigger older men approach offer her gifts to pull up her dress do other things she appears startled at them refusing to accept their crass proposals men continue to bring more gifts promise her things despite her cold-shoulder suddenly she appears worried perhaps she is thinking about someone special maybe her family men’s offers keep piling higher eventually she breaks down accepts their proposals men gather around her very close i cannot see what they are doing but can hear whispering conspiring heavy breathing then i see her hand reach out all at once she spills burning torch catching fire to gown
Nigel Morgan Dec 2012
When the engine rattled itself to a stop he opened the driver’s door letting the damp afternoon displace the snug of travel. He was home after a long day watching the half hours pass and his students come and go. And now they had gone until next year leaving cards and little gifts.
 
The cats appeared. The pigeons flapped woodenly. A dog barked down the lane. The post van passed.
 
The house from the yard was gaunt and cold in its terracotta red. Only the adjacent cottage with its backdoor, bottles filling the window ledges, and tiled roof, seemed to invite him in. It was not his house, but temporarily his home. He loved to wander into the garden and approach the house from the front, purposefully. He would then take in the disordered flowerbeds and the encroaching apple trees where his cats played tag falling in spectacular fashion through the branches. He liked to stand back from the house and see it entire, its fine chimneys, the 16C brickwork, the grey-shuttered living room, and his bedroom studio from whose window he could stretch out and touch the elderberries.
 
Inside, the storage heaters giving out a provisional warmth, he left the lights be and placed the kettle on the stove, laid out on the scrubbed table a tea ***, milk jug, a china mug, a cake tin, On the wall, above the vast fireplace, hung a painting of the fields beyond the house dusty in a harvest sunset, the stubble crackling under foot, under his sockless sandals, walking, walking as he so often felt compelled to do, criss-crossing the unploughed fields of the chalk escarpment.
 
Now a week before St Lucy’s Day he sat in Tim’s chair and watched the night unmask itself, the twilight owl glimmer past the window, a cat on his knee, a cat on the window ledge, porcelain-still.
 
He let his thoughts steal themselves across the table to an empty chair, imagining her holding a mug in both hands, her long graceful legs crossed under her flowing skirt. When she lay in bed she crossed her legs, lying on her back like the pre-Raphaelite model she had shown him once, Ruskin’s ****** wife, Effie. ‘I was in a pub with some friends and I looked out of the window and there he was, painting the church walls’, she said musingly, ‘I knew I would marry him’. He was older of course; with a warm voice that brought forth a childhood in the 1930s spent at a private schools, a wartime naval career (still in his teens), then Oxford and the Slade. He owned nothing except a bag of necessary clothes, his paints of course and an ever-present portfolio of sketches. Tim lived simply and could (and did) work anywhere. Then there was Alison, then a passion that nearly drowned him before her Quaker family took him to themselves, adoring his quiet grace, his love of music, his ability to cook, to make and mend, to garden like a God.
 
Sitting in her husband’s chair he constantly replayed his first meeting with her. Out in the yard, they had arrived together, it was Palm Sunday and returning from Mass he gave her his palm as a greeting. He loved her smile, her awkwardness, her passion for the violin, and her beautiful children. He felt he had always known her, known her in another life . . . then she had touched his hand as he ascended the kitchen stairs in her London home, and he was lost in guilt.
 
Tonight he would eat mackerel with vicious mustard and a colcannon of vegetables. He would imagine he was Tim alone after a day in his studio, take himself upstairs to his bedroom space where on his drawing board lay this work for solo violin, his Tapisserie, seven studies and Chaconne. For her of course; of the previous summer in Pembrokeshire; of a moment in the early morning sailing gently across Dale sound, the water glass-like and the reflections, the intense mirroring of light on water  . . . so these studies became mirrors too, palindromes in fact.
 
The cats slept on his sagging quilted bed where he knew she had often slept, where he often felt her presence as he woke in the early hours to sit at his desk with tea to drag his music little by little into sense and reason.
 
When Jenny came she slept fitfully, in this bed, in his arms, always worried by her fear of rejection, always hoping he would never let her go, envelope her with love she had never had, leave his music be, be with her totally, rest with her, own her, take her outside into the night and make love to her under the apple trees. She had suggested it once and he had looked at her curiously, as though he couldn’t fathom why bed was not sufficient unto itself, why the gentleness he always felt with her had to become hurt and discomfort.
 
He had acquired a drawing board because Elizabeth Lutyens had one in her studio, a very large one, at which she stood to compose. He liked pushing sketches and manuscript paper around into different configurations. He would write the same passage in different rhythmical values, different transpositions, and compare and contrast. After a few hours his hearing became so acute that he rarely had to go downstairs to check a phrase at the piano.
 
Later, when he was too tired to stand he would go into the cold sitting room, light some candles, wrap himself in a blanket and read. He would make coffee and write to Jenny, telling her the minutiae of the place she loved to come to but didn’t understand. She loved the natural world of this remote corner of Essex. Even in winter he would find her walking the field paths in skirt and t-shirt insensible of the cold, in sandals, even bare feet, oblivious of the mud. He would guide her home and wash her with a gentleness that first would arouse her, then send her to sleep. He knew she was still repairing herself.
 
One evening, after a concert he had conducted, Jenny and Alison found themselves at the same table in the bar. Jenny had grasped his hand, drawing it onto her lap, suddenly knowing that in Alison’s presence he was not hers. And that night, after phoning her sister to say she would not be home, she had pulled herself to him, her mass of chestnut hair flowing across her shoulders and down his chest as she kissed his hands and his arms, those moving appendages she had watched as he had stood in front of this student orchestra playing the score she had played, once, before this passion had taken hold. At those first rehearsals she had blushed deeply whenever he spoke to her, always encouraging, gentle with her, wondering at her gauche but wondrous beauty, her pear-shaped green eyes, her small hands.
 
He threw the cats out into the chill December air. He closed the door, extinguished the lights and climbed the stairs to his bedroom. In bed, in the sheer darkness of this Ember night, the house creaked like an old sailing ship moored in a tide race. For a few moments he lay examining the soundscape, listening for anything new and different. With the nearest occupied house a good mile away there had been scares, heart-thumping moments when at three in the morning a knock at the door and people in the yard shouting. He carried Tim’s shotgun downstairs turning on every light he could find on the way, shouting bravely ‘Who’s there?’. Flinging open the door, there was nothing, no one. A disorientated blackbird sang from the lower garden . . .

He turned his head into the pillow and settled into mind-images of an afternoon in Dr Marling’s house in Booth Bay. In his little bedroom he had listened to the bell buoy clanging too and fro out in the sea mist, the steady swish, swash of the tide turning above the mussled beach.
Mateuš Conrad Jul 2018
so, with israel being re-established...
why do we, us,hit
europeans... even need to bother
establishing authority,
         utilißing the new testament?
i quiete like the old testament
logic of:
oculus per oculus
                   (eye for an eye)...
because the saxon concept of
justice: i rather see...
the implosion of
   blackstone's formulation...
the 10:1 imploding to the 1:10
ratio of...
      a shawshank redemption...

there is... redemption...
since! there's no justice within
the post scriptum of
the hillsborough disaster...
watching people walk, the lunatic walk,
20 years later?
   disorientated by the court
of justice?

    re-dem-ption...
the whole aspect of: innocent until proven
guilty is horrid!
this... saxon vernacular of
that branch of philosophy that's
bogus...
namely... within origins
     of the forbidden fruit...
i.e. and you know?!

    really?!

      no... but i'll **** to make
a standing pivot of a pawn
on a chess-board.

                          savvy?

who, among the europeans...
actually needs such artifacts
as new testament texts, credo,
orthodoxy, sign of the cross
greek exports?

             the state of israel has
been re-established...
      i don't want anything to do
with this judeo-grecian banality...
you can have you little affair over

                                n

       e                                                 w





                                 s...

don't worry... i'll make sure that i'm
watching... people tell a lie...

yeah: hum hum bubbly hum-hum...
am i, or are there any arizona
inbreds?

who, the hell, needs, the news testament,
within the confines of history,
dispossessing europe of it,
of an established jewish state?

      one book among many...
hence the scent of a yawn...
                         when entering a library...

i'll do one gesture, and one gesture
alone... inclined to a replica...
    ecce libra!
             i wash my hands from
                  having any investment in it.

****, the greeks can have it...
      they can keep it, cherish it,
but they better not spaghetti the old testament
with their... "ingenious" plot...
not when the nag hammadi library
emerged...
      no... not now... not ever...
        i detest this greek book of overt
symbolism...
  their pristine alphabet,
their diacritical application,
  with the pseudo-romans toying with: deaf...
or blind... whichever it is...

sandpaper... instead of a kangaroo pouch...
of inflated... soft... flesh?
i'll rip your heart out
and feed it to my neighbour's dog,
                  beside a bowl of water.
Rose Oct 2014
We all live in bubbles.
It’s transparent and good and you don’t notice
that all bubbles burst
and you’re outside
suddenly amongst, yet simultaneously alone
deafened by the bang, blinded by the spray
the stab of reality
everyone is the same
you’re not protected, praised, perfect
we’re all just standing outside
disorientated
splattered in a past we can never inflate again
to scared to step, to slip, to stumble
III Jun 2015
The truth is, I’m not really sure who I am.  She told us to draw ourselves and then to draw our souls; so I drew my face scratched and uneven, just as I’ve always seen it, and frowned at the result both in the mirror and on the paper.  The only soul I’ve ever really known was the one that shone through the strokes of the keys I punched, the scrawling of ink on paper in mismatched arrays of awkward thoughts, disorientated and unorganized, shaded different spews of emotion and rearranged through the lens of ever last viewer’s eye.  Even so, this soul that is composed of words that defined me painted a picture vivid in its contrast, though blurry from both afar and close enough to squint, no details able to be made out.  These words that have wrapped around my soul rubbed raw from the time my skin first flinched at the cool March air cannot be deciphered by their author, though I know somehow that their letters flowing into one another say more than any curve of my face ever could.  These words are black and white, two extremes crafted in the pallet of the Universe’s toolshed, and perhaps that’s exactly what I am.  Black or white.  I’m dark and lost and scrounging for some rusting wall or tree branch to cling to as to ensure the shimmering waves, onyx and charcoal in their nature with the flow of blood in its spine, do not flood into my mouth at a rate in which is too quick to balance myself upon them, or, I’m white, drifting snow from a cloud scraping the vast expanse of brilliant blue gazing as a sky above all the world, pure, innocent, unscathed with the potential for creation in vibrancies yet unknown, or to be ripped to bits, scattered amongst piles of cream and autumn leaves drained of their color beneath months of shivering frost.  And so, perhaps any physical representation of my being would be all wrong, because that’s not what I am.  Myself, my soul, it resides in the murky depths of heights I’ve yet to discover, tethered endlessly and uncertain among the caverns of my inners, pink and mushy, stirred and ******, untouched from the harsh light of a world encased in brevity.
Mateuš Conrad Oct 2018
.when did i realize there was no point in lying? people who are pathological liars tend to forget, the scrutiny of memory; my god, memory has a bias for scrutiny, why do you think the powers-at-be are relentless in exhausting it with scholastic examination, marking, the whole rubric of needless demands?! lying also erodes the capacity to engulf and, keep, memories... telling the truth, counter-wise? memory becomes a cinema... whenever i remember something, i remember it because it was truthful, and it becomes a subversive cinema reel that i sometimes tune into... point about pathological liars, they're just like the pristine students in the days of high school... they end up being the best students... given? for the lie to be true, they have to remember the lie, word for word, by a demand that demands them to disclose it, and they can't make variations... you have to keep the lie as intact as an eye aiming to bite into that forbidden apple... you deviate... the lie implodes... lie covers lie until what takes place, is, until enough coverings the original lie is covered with, a naked statue emerges... satan's original sin was a lie... man's "original" sin was... that it was altogether... "original"... to transcend the stated law; you can't be a liar, and have a ****** faculty for memory... you lie, bad, real bad, if you don't have photographic memory... bad liars make bad killers / accusers... to lie... you need to remember the original focus of the subsequent thread! and there's only one thread of events... you can't juxtapose what happens contrary to what is thought, because thought is a theta-precursor of a moral: ought... plus we're mortal! **** only happens once for us paupers of existence!

you know, sometimes you have to bring a few songs back
into your abode having walked the nightly death toll..
the maneouvre,
   the manouevre...
the manouvre...
**** it... it's French, which is worse than English
on the number of surds and what equates into the clarification
of syllable...
there's this son of a site manager on site at where
my father works...
he asked...
for the spelling of the word: T O R C H...
there are only two syllables!
   tor-ch! chitty chitty lucky fucky thai bang bang!
it's not even natives who are proud...
proud as in: up-keeping something...
these ******* make us look silly
defending their culture...
seriously?
you can spell T O R C H?
   give me a breather...
                        i'm not joking when,
i try to joke, that these people exist...
apparently the claim that we're all literate
isn't true...
i know the authorities promised us
a literate mass of people...
but apparently that's not true...
the whole:
but it's the 21st century argument... ???
gone, out the ******* window,
we're starting over...
it's not happening!
no chance in hell!
i'm not buying this *******
quest for an en masse literacy project...
no... sorry.. not happening...
   i don't, speak, French...
   and even though the English primary school
system is superior to the secondary schools,
esp. the faith schools...
  i should be speaking a third language
by now...
   namely German, which is why i'm teasing
using it...
French? no! no! i don#t understand
the logic behind hiding syllables
and exposing sometimes unnecessary
diacritical marks!
**** don't float,
moreover: it doesn't flow!
it's not a ******* river,
or a **** exposed to a high concentration
of fat!
no!
         it's not happening!
whatever the English think that
somehow speaking French will do to their
children... it's... gone!
i'm not thaat honk of a clumsy
**** facet... forget it...
they might have the better good...
but in terms of linguistics?
is Dianna Specer alive?
thought so...
   i wouldn't dare to even send my shadow
into that custard clumsy clown
show of a mine field of mistakes:
just readied for my mistake to take place...
but as you do,
walking back home,
in the scary streets of outer suburbia...
scary men, scary witches...
ooh... can get a man better
than a ******...
                 that famous, "supposed":
thrill of the chase...
more like:
i've got one, let's have another one...
hope you're enjoying your harem
you little camel jockey...
i'll side with the Iranians
and the Bangladeshi...
never the ******* undertaker
of the desert switch and frivolity -
isn't... "frivolience"
and adjective, without an affix, -ness?
yes, -ness is an affix,
not a suffix...
           a quality agitator of
a, somehow, mundane word...
but rarely does it happen,
coming home with songs
that begin and end
with rotting christ's
(greek black metal)
                     Κατά τον δαίμονα εαυτού
album,
and begin with
the soft moon's album,
of the same name, debut...
rarely...
        usually my way of thinking
is such shrapnel material
that i notice the difference...
this time i couldn't...

i couldn't help that instance,
in my memory cinema
with regards to an incident in the night...

i write fast, so i don't lie,
i'm probably prone to write
faster than you read...

the traffic incident involving
two cars parked prior to an X
junction with a pack
of deer in the middle of it,
and me walking past from a drinking
session in a field of wheat,
drunk like a skunk,
noticing a young deer-ling
looking back at me...

so i gave it the chase...
i charged at it...
the flock of deer with their offspring
ran down the road,
and jumped over the fence,
and into the opening of
a field, subsequently into a forest...
so i managed the traffic incident...

now...
   am i lying?
and i would lie because.... ?
what, likes, shares the whole sha-bang of
using social media?
     em...
   i groove to the clash's
rock the casbah...

   sure, three mares,
about five young Bambi types...

BUT...

   what if a, ******* stag was there
to boot?
Santa not getting enough horn
*****?!
       how am i supposed to know
if a harem just lost its
alpha met, and is standing
disorientated in human
cement territory?

                 i'm not a child...
   i get bored, as i got bored of
lying, a long time ago...
           it's pointless to make *******
impressions on people,
which, you will evidently never meet once
more...

             yeah... deer, no i didn't count
how many there were...
i'm pretty ******* sure there
wasn't a stag in sight..

otherwise i'd be musing how many
imaginary acorns i could shoot from
my ***... with those antennas
shoved up my ***...

but traffic problem solved...
what was funny was that i didn't finish
my beer...

   Santa...
on an imaginary sleigh,,,
deer in front, no reins...
running like a madman
with a can of beer in one hand.
sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep
Mitchell Nov 2012
The sun hit my closed eyelids
As I clenched my hands,
Steadying myself for the first, but
Not the last blow to my abdomen; Inside
Myself, the internal organs, felt rattled like someone
Had put both their hands on both sides
Of a chicken coop and shook
The poor things to Hell. There wasn't
Any medical personnel on duty - the fight was
A bare-knuckle - but I knew the barmen
Had every kind of liquor for any kind of cuts
I soon would be acquiring. I took one to the stomach,
Then my upper arm and I brought my right forearm
Up to protect my face. His fist connected with
My forearm, but I didn't feel anything and slapped his palm
Away with my open right hand and swung with my left, the top
Three knuckles connecting with his jaw, the pinky knuckle not connecting with anything.
I later found out I had broken George's jaw with that punch. He
Staggered back and shook his head roughly after the blow, perhaps being to blame
For part of the break he later would find out he had acquired. His eyes
Looked at me filled with sweat and blood shot. His lips were strangely dry. The
Sun on my back shone into his face and reflected the hundreds of droplets of sweat
Lined across his dirt covered brow and deeply lined face.

When he came at me again he was blind. I ducked, let him run through me
And quickly turned around. George was confused and I was not and all
Of a sudden I felt I was fighting a helpless child for some meager money that
Would only come half my way. I looked at him, up and down, saw poor George
Disorientated, scared, and alone; he reminded me of a fawn I had seen without his mother
Caught in between the cross-hairs of my rifle, its solid black eyes and quivering
Nose and ears looking for any sign of security of comfort, but receiving nothing. I pulled
The trigger on that fawn and, being a slave to my own routine, I pulled the trigger on
George, landing a right hook to his ribs, bringing him down to both of his knees, and then,
Interlacing my fingers and palms together, bringing down "The Hammer" as the men
Would later call it, across of George's head that drooped off his shoulder's like an
Apple just about to fall from the tree. He hit the dirt face first with the booming cheer
Of the ruckus cloud behind.

"Is it over then?" I asked him.

"I think you killed him!" a faceless joker screamed from the crowd.

"Yeah, you slaughtered him Ernie! Yah' killed him!" another one screamed.

Maybe I did, maybe I didn't, all I knew was that George wasn't going to be getting up by himself.
I bent down and put the back of my brown bloodied palm up to his mouth. There was a breath. At least there was that. I was happy that there was that. If he was dead we'd have to get rid of the body, either in the swamp which was a good half hour car ride and being a Saturday, the streets were crawling with cops. The first thought that actually came into my mind when I saw Georgie hit the ground and thinking that he was dead that we would take him down to the river, tie some rocks to his feet, and throw him in there. A cowardice thing to do, but ****** was something that tagged a man for a life and I couldn't imagine myself going back to prison for the second time - nearly died the last time I was in there.

"Get up George," I said as I pushed him lightly by the shoulder.

He gurgled and spit and tried to get something out.

"What?"

"Fuckinn neally kilt me there Ernie," he struggled to get out.

"I'm sorry, George, but we were fighting, weren't we?"

"Fukkinn basterd," he grumbled and tried to get himself up. He slowly rose to his knees and swatted at me when I tried to help him. He spit a large string of thick, dark blood into the dirt and coughed. He shook his head like an old dog that had just taken a beating and said, "Really lait in to me, din' you' Ernie?"

"Needed the money George," I said, he now letting me help him to his feet, "You know how it is."

"I know, I know." He slumped his head and threw his arm around my shoulders.
Mateuš Conrad Jul 2018
.                    what's the difference between
thieves, and magicians?
not much...
   both have quick hands...
and an awake,
yet asleep public communal
presence...
the thief has a public of
the victim,
         and the c.c.t.v. "stage"...
the magician?
   has a public of the crowd,
and the "dajjal" stage of
a camera replenishing
   a concept of:
  not enough public...
    thieves and magicians are
bedfellows...
you allow one to flourish...
the antithesis will come
along, and in an indiscriminate
fashion...
   allow the "magic" / "thieving"
to take place...
     what is a magician,
a public figure... compared...
to a thief?
       i can't see the difference...
the audience was fooled
by the magician...
the individual was fooled
by the thief...
   are they... so much unlike
each other?
     magicians can own
a theater stage...
thieves, sometimes... just sometimes...
own the, basic...
    pointlessness of english
c.c.t.v. mechanics,
to make police officers make:
a follow-up investigation...
    oh, but i have genius
interrogation practices...
  no one wants to listen to...
like 10 hours straights of listening
to stefan molyneux...
or 48 hours, sleep deprived...
listening to BBC 24 hour news reels...
that ****... could crack anyone...
what the americans did to the Iraqis?
last time i heard...
they blasted the slayer oeuvre
down headphones into their ears...
Americans... feeding conquered
Iraqis with a slayer oeuvre?
BRAVO! BRAVO! ENCORE!
and didn't the encore come?
******* retards...
  crows feeding seagull chicks
with sinew and
        regurgitated scavenger meat!
if only they played them some
Bach...
    i'm pretty sure...
the Iraqis would still be left...
disorientated...
  but the American army "interrogators"...
ha ha!
   played them the slayer oeuvre!
WEE-TARDS!
anyone... and i mean anyone:
will relieve themselves as being
"tortured": doubly charged up,
and ready to ingest hyper-coffee
in the form of the Luftwaffe tactic
of ingesting amphetamines
                               (pervitin) -
night-raids... the londoonoirnischt
blitz, sloth krieg...
ya ya yawn...
                urgh... burp...
and always... those poncy -
english, gay, aristocratic men...
and their... psychotropic women...
so what's the difference between
a common thief...
   and a spectacle magician?
one "owns" cctv footage,
the other owns a stage...
   yet both share a: quicksilver
take on, what cannot be
interpreted in either handwriting
or stenography...
  hmm...
              can't be sure whether
both could be considered legal.
Mateuš Conrad Mar 2019
.i get it now, the more i make it a detention hour writing lines: doing dull work, makes sam a bored boy... intra-racial variant of slur qua intimacy, in-group standard... take any "n" word "extra g" word "thingy" among the non-exported examples, non-NBA privileged, say... in Kenya... friends? **** no... feeling intimate? huh? like i said... watching 2 hours of a washing machine cycle, is probably more entertaining, than, seeing, the cages, the - - - - - morse breaks in... so... everyone is being a ******* ******, creating a natural response to a river, that must become a reservoir / fake lake? whatever etiquette equated to politeness comes from this... no wonder we'll be doing it from spite... rather than a genuine sediment of genuine feeling, flight of the heart & and all the fickle thoughts that go with it.

please, please, put me into handcuffs
for ******* in an alleyway,
the english sort of handcuffs,
the ones where they can't handcuff
you from behind,
   because the cuffs are not connected
by a mandible chain,
but a rigid middle,
implying that you have to be handcuffed
with your hands in-front...
which also implies:
   well... if **** turned ugly...
i could just wrap my hands around
a boppy's neck and just turn into
a boa...
     but that other police officer was
nice, turning the police van cell
into a taxi...
   racial slurs...
   intra-racial, or inter-racial?
  big difference...
            inter-racial slurs,
namely an english derivative:
the empire britannia rule the waves
what not?
   crass...
      not too... genius...
no real outlet phonetically...
  the language is too soft as it is...
i met one german at university
who complimented the ****** tongue
with that one general-****-over
word for everything -
conjunction, was the word,
the word is treated as a conjunction:
kurwa...
        i once dated a french psychology
major two years my senior
who i lost my virginity to,
who, let's say, enlightened me...
she was looking for native english speakers,
she told me the most fascinating
fact...
        the fwench used to attach
a trill to the R...
   before they started harking up
an R like phlegm when smoking too much
or down with the flu...
inter-racial slurs are... yawn...
   who gives a **** about walking
on egg-shells...
   i'm watching a ******* football match
or swan lake with 22 *******
                                       pansies?
everyone's suddenly going to be
     as sensitive as a fwench footballer?
****: french / fwench...
  it pretty much sounds the same...
the fwench speak one language,
the french write the same one language...
but the german complimented
a language for the: pristine outlet
of frustration of... tongue licking
a metaphysical punching bag...
but inter-racial slurs are crass,
for the simple fact that...
          they're just too plain in sight...
there is no intimate history of
a people...
   me? personally?
   i'd love to know what the african
royalty called would-be slaves
picked up by western europeans
for export...
   it's not like these colonialists run
these colonized countries freely,
without collusion with the african ruling class...
there was an african ruling class,
there is an african ruling class,
     what's to be exactly changed?
lost in translation:
    former soviet states people /
  but not the satellites?
   kacap...
   from the song husaria by bujak?
ahem...
     muscovite gałgan...
never heard that one before...
   gałgan...
   i once dated a girl from st. petersburg
that summarißed my mutterzunge
        as a crackling of radio static...
just as the english say:
of a people, with, "too many" consonants
in their surnames...
   ask a ****** about hindu surnames...
i mean: intra-racial slurs...
a movement toward real intimacy
of the use of language...
e.g. in england:
    northern monkeys,
southern fairies...
      and the rest? eurotrash...
       i once heard a intra-racial slur
about the english -
                  angol to pedzio...
and then back to cosmopolitan english...
the "n" word... night? nightmare,
nigh?
                oh... the n- word?
if only i could find some malice in
the context of use...
yes, i know the content of the word,
the content of historical usage...
    and now the whole intra-racial
comradery... inclusion...
familiarity...
                a joke of latin...
   to me that's like saying
              Nigeria...
  and then thinking:
         so... it's not the "n" word,
is it? it's the "extra g" word?
better start writing giggle with an optional
   gig(g)le:
   which could become problematic
when it came to a double omicron:
to go, among the goo...
the intra-rascial slur for a german
east of berlin?
          švab...
     funny that... the saxons are
not actually minded...
  the anglo-saxons (intra-racial
mix of celt and saxon)
             as we see them today...
but... when the teutonic order came
to the area around Danzig
     and further east to Königsberg...
further... to Riga...
         a Prussian isn't a German...
              die Preußen ist: Preuße;
  now?
   the Preußen have been reintegrated
into a dialect of Polen...
        kashubian: or at least,
        that's                     sort-of...
ultra-nationalist "sentiments":
   in "exile"...
          i love that, brushing aside
any economic migrant in favor
for the immediate migrant
   of conflict, or political asylum...
you know...
   economics: is a type of war,
                                 in slow-motion...
it's a peaceful war,
   well... ergo it's a "war"...
              and the economic migrants?
disorientated *******...
who can't exactly fully assimilate
to the expectation of the natives...
i.e. speak our language in public,
and our language in private...
  no... no thank you...
         it would be easier to remove
a tattoo with a shark-bite
and a scar than to remove my
                                   mutterzunge...
and here i am... "worried"
about the N in the word trigger...
or the "missing G" in the word: Nigeria...
like... ******* pandering
        to a panda in a Beijing zoo...
now comes the malice...
thought-prison, metaphorical dyslexia
and tattoos of grafitti on
bypass highways...
   like dirt behind my fingernails...
looking for gold nuggets
picking my nose...
   as harold norse once stated
in his memoir (of a ******* angel):
a sign of a Brooklyn intellectual...
   but i just have to point this out...
LGBTQIA...
   nice acronym...
but you're missing two letters...
**** me... if mr and mrs H
  are not included...
LGBTQIA is missing two protected
groups...
     mr P and mr N...
LGBTQIAPN...
    the ******* and
the necrophiliac...
                                    no?
   they'd fit right in...
        no? they wouldn't?
weren't we talking deviance,
             per se?
so...
          those two outer-outliers
    are legit. rainbow deviances...
no? at least mr P can have some sort
of a religious backing...
whether in the desert slap-stick
ninja sketch and satan's postbox...
or at least, back of the queue of a choir,
and some boy...
   but that's the scary bit,
isn't it?
            mr N... now...
                that's... some would claim
it to be art... or what the hell became
of eddie gein in american mainstream
culture...
                  ****... forgot ms B+...
   i do remember seeing internet
in its youth,
                   rotten . com,
            and the earliest edgy ****...
now... not even a black guy can
leave adequate compensation...
   for what... began as a saddle,
reins and stirrups...
          and became:
   a demonic hybrid knock-knock-knocking
on Gomorrah's door...
fastforward...
men on stag outings before
being shackled by the ring...
inflateable sheep
   and granny dolls...
          oh yeah: i'm a real moralist
at this point...
                    what i do find scary
is that whenever i'm confined
to a waiting room, a confined space...
and there's a child with its parent
present... there's an animal...
   there's a very old man with
a middle aged mentally ill daughter...
i'm suddenly likeable...
a curiosity...
        just like today...
  her dad is nearing 75...
      she's unkept... greasy hair...
                  rags, rather than clothes...
and in the corner of my eye...
she just couldn't stop glaring at me...
i'm sweating like i'm the sort of hell
where i'm supposed to **** her...
or go to her pajamas sleep-over party
if the case was: she was sixteen
and i was eight...
                        as i went into
the doctor's appointment
    and recounted my 2 week psychotic
episode of being strapped
to the bed... in a quasi-paralysis...
citing metaphors of p.t.s.d.,
                   not talking a word for
2 weeks, only because i received
a ******* questionnaire from
the dept. of work & pensions...
   'am i a fraud? am i?'
   between 48 hour periods...
i'd chance 2 hours of sleep...
     the usual questions...
suicidal thoughts, hallucinations?
   no... the 1st episode, yeah...
but now? it's just debilitating,
quasi-paralysis...
                  nice doctor... plump...
beauty of a doughnut...
          and doughnuts are beautiful...
esp. if you throw them into a lake,
and they float,
  and then you watch the ducks
                  and the swans swarm it...
if i lied: i should be contending
for an oscar...
          then she measured my blood-pressure...
first instrument failed...
the arm-band was too small...
the air was pumped into the band
around my hand:
    arm-band snapped
  of the blood-pressure measuring tool...
so she had to resort to
the old method of using
the stethoscope and a bigger arm-band...
i guess she knew she was
dealing with a scared / agitated
animal...
   that just so happened to talk
                  some words in human;
a wounded animal,
is hardly scared / agitated...
a wounded animal,
   is whatever implies...
being elevated to a status
that transcends the wound...
the doctors came too late,
i'm fidding with letters
    like jigsaw...
  i'm fiddling with the then
larger jigsaw of words...
   and the whole point of the picture
will only arrive,
post office stamp and all...
akin to a postmortem:
  that part of life...
where...
   eh? how would you classify
man...
          pork, beef, game,
poultry, fish?
    all... none of the stated?
that's almost funny...
   HOW WOULD YOU CLASSIFY
MAN IN THE "CATEGORICAL IMPERATIVE"
of said classes of edible meats?
am i pork?
   no... am i beef? no...
veal? no...
         well, we already know
that some examples of meat
are actually vegetables:
   brain damage, coma...
like:
   do you bite into a tomato...
"thinking" it's a fruit...
or a veg.?
         "logic" supposes
that a tomato is a fruit...
common sense?
     it's a ******* vegetable!
post-racism...
   what sort of meat is man?
eh... bewildering...
   i guess we can only find
an answer, in China...
  should we ever send
a pet dog & its owner to
some obscure, countryside,
small town, famine riddled
(or straight to Kiev) place...
sorry...
******* a black doesn't make
me "less", "racist"...
i might as well imitate
a colonial overlord by the act...
seriously...
english, these days?
watching a ******* washing-machine
is less confusing that
walking on egg-shells in
this tongue...
currently, available...
so let's forget, black, or white...
you beef?
   you crab meat?
       you lamb?
   (slippery *****
of salivating sounds):
what are you?
       it's called:
  SEEING PAST THE COLOUR...
so...
     what's the meat worth?
is chimp meat the same
as human meat?
   no, wait...
that gorilla grew big-*******
eating shrubs?
anomaly of human
dietary requirements...
a horse became so big...
only eating... grass...
      yeah... no anomaly...
and then my brain starts to short-circuit...
past the colour,
infancy of discrimination...
how would to categorise
the "body" of christ
if no bread was available?
beef? pork? veal?
fish?
      i already know what
the ****** would be...
   sure as **** it wouldn't be
*****'s liquor worth of wine...
i went straight to the beast
of the wheat...
    and i called her...
        ms. amber...
                 and... maybe i just didn't
like the wrap-up of rap
because of the lyrics and
my unrelateable tendency
to never **** the bid-bop head...
of the music per se,
but the lyrics?
      sure... the music is great...
but the lyrics?
     i can't relate to them...
i need, something,
mythological and obscure...
a time-wrap not minding a grief
                 of / from yesterday...
mind you: i'll write this,
as i'll drink whatever is left,
and tomorrow...
            is a tomorrow without
this current zenith of the hours...
come beethoven thinking
of tux in the variant of rigid
geometry in the form of music...
           like when sartre plagiarised
joyce at the end of iron in the soul?
- that's the next tier of "racism"...
    as far as i am concerned...
it would be nice to re-evauluate
my position
    on the libra of being
reengaged in a food-chain
hierarchy...
                  cancer is a primitive
pseudo-vitro-forma...
    great... eaten by parasites...
germs... etc.,
  guess what...
   at least a lion is beautiful...
i'd rather be eaten by a lion
than a ******* tapeworm...
so what am i?
              beef?
                     ****...
       first i'd have to put monkey
on the menu...
to tease at the taboo
     of teasing the cannibal
    while performing oral ***.
Mateuš Conrad Nov 2018
.eh, the general misconception (katy b - i like you): am i "hung-up" over exes? let's just say, i could have loved the way i loved without having loved the ex... the ex isn't the problem, nor a nostalgia piece... well... it is a variant of nostalgia, but not of the opposite, the canvas of my affection... a nostalgia of the affection disused, disorientated on the wrong person... it's never about the ex, it's about you, and me, and the ex that experienced, but destroyed, and about the me i wish you could experienced without an ex... the ex is, the ugly momentum that furthers "me" to disengage with my equal, "you", and your exes... the fact that a drag effect exists in relationships, the fact that Heraclitus was right: it's a river, but hardly a sea... relationships are rivers, and the generalized social interaction as the sea... oh, i'm not keeping artifacts of my exes with me... they're the me, exhausted having had them... there is no ex... there's only me forever lodged in an inanimate past... with the animate potential future, and the animate present, which is expressed thus: i can't tell you about the person i dated, but i can & at the same time not tell you about the person i was... shrapnel psyche... the same thought then, a similar thought now... but when it comes to the complete individual? ex, what?! i hate being given over to Rubens... the ex-girlfriend is not much more than the more that is an ex-self... and, my god... isn't it such an ugly picture?!

eh... she was Russian...
   eh... she was rich...
em... this is a tricky one...
she called me kakashka
(little ****)...
and she invariably
wanted me to call her
crumpet...
   apparently i acquired
this tongue to the point
whereby
i would say the word
crumpet... and she'd giggle...
oddly enough,
for me...
i visited an Ukrainian
*******, and asked:
am i a hunchback?
to which she replied:
do you not think
women have little,
or no, confidence in
approaching you?
what?! oh right...
the Casanova bit,
has to come from me...
rather than from,
them...
well... i wasn't born
with that sort of a natural
impetus...
guess this is me not
becoming a Casanova!
but my my...
if anyone is to become
jealous...
traditional Turkish
barbers?
hair is one thing,
beard another...
and only Turks can
do a decent trim of the beard...
eyes closed...
**** me...
better than oral ***...
as i once suggested...
so... manhood is taught...
with a pair of boxing gloves...
and a punching bag?!
seriously?!
how about you begin
your lesson into the realm
of manhood,
beginning with...
a good barber?
next? if i am rich enough...
a good tailor...
but... since i have
a background in chemistry...
i'm still bewildered
by the genius of
polyester translated
into clothing...
so for the moment?
no, no...
forget boxing...
you will not lose weight
by going to the gym
expecting a non-existence
of stretch marks
as if you just gave birth
to an anorexic...
bicycle... 50+ kilometers
a day, for a month...
legs do not succumb to
stretch marks...
no major organs in the legs...
and no... forget the boxing gloves,
and the punching bag...
find yourself a traditional
Turkish barber...
you're not a real man
without a trustworthy
barber...
proof:
you walk down a darkened
street,
two girls are walking a dog...
by the body shape:
teenagers...
they turn their heads
and look at you...
what?!
           such a pithy
stance... to force men to
box... how about you teach
how to groom, prior,
or how not to groom,
extend the lack of grooming for up
to 6 months...
  and then force them to groom...

i went to martial arts classes...
the student of the teacher
who became the teacher for
the evening... kicked me in the *****...
did he apologize?
i was curled up in fetal position...
so i stopped learning martial arts...
apparently i didn't
make the HA! sound while
walking forward making chop-sticks
out of martial arts' moves...
the student of the teacher
that wasn't there who acted
as the teacher: learned jack-****!
me?
     i learned something...

she really did call me kakashka
   (little ****)...
i said the word crumpet...
but never called her that...
   turns out... she wasn't even
a muffin!

            ah... all the love's lost...
hence my favorite indie cinema...
my memory.

- ever envision yourself becoming
so bitter,
that, paradoxically,
you turn out to be, the embodiment of
being:
sickly sweet?
welcome to the club;
sinister bitter...
       like most English people...
they're sorry over the most trivial
social grievances...
but never imply the grievance
upon stressing an apology.
Mateuš Conrad Sep 2018
. bye bye, ms. american pie...

ever find a hallucination
of a strawberry in a cigarette?
or a vanilla ice-cream cone
in a bottle of rye?

dear ms. amber, dear ms. amber,
dear mr, john smithy...
could i possibly take ylur daughter
to the dance?

may you be the beauty i sometimes
expected as a wife...
who heeds ****...
just listen to teenage girls prior
to the "ultimate" loss
of virginity...

to name but one...
she clearly lost her sort of bit,
Madonna music immunity....
to boot...
       abooktopia...

does that word mean anything
without a children's book
contracts by publishers?
or therefore, with?

                 i forgot to ensure
curating an interest in...
    to overcome the summary
of the crude encompassing of...
klaus doldinger....

              erinnerung...

    tod spricht vorausgehend
       zu leben...


it's almost funny...
people with the sole capacity to
recite...
merely ******,
  Himmler,
        Göring,
                   Goebbels...
      
               but i thought Nazis were
in season?
i thought society required Nazis?!
   such a pithy...
such puny recitals!
               almost all of the WWI soldiers
under Wilhelm were
deemed heroes...
      thank **** that i'm not even
a quarter German...
given... what the united powers
did converging over
Berlin... with the ***** epidemic...

    even though i'm Polish...
and i remember my great-grandmother
hiding from both the Nazis and
the Red Army...
you want a ******* villain...
i'll be a **** for you...
no problem...

                      i sort of have a fetish
for the Dritte ***** uniforms...
       lodged in a Indiana Jones movie...
**** it...
suit up and boot me in into
the act...
            i don't mind...
what you can't take away
from the Nazis that you can take
away from all other antagonists...
pristine tailoring!
     you can't match up
to whatever axis / empire of evil...
and "think"
you can out-compete
the tailoring of **** uniforms...
no chance in hell...
however many
pineapples harvey keitel
shoves up Adolf ******'s ***...
  
it's still Armani grey when it comes
to the uniformed officers
of the the Wehrmacht...
as it is the: sly "little" number...
for the Coco Chanel... SS
splinter, base, bias, *****.

if people are so desperate for
a ****?  
  can you really starve the people?
and not give them one?!
that would be most cruel...
i think people deserve a bull's eye!

you're most welcome...
   there i was, suffocating on the fact...
that you were disorientated...
and pointing at false actors of...
what you expected to be
the motivational enzyme -
sole curator,
               of forwarding history;

why didn't these people come to
me sooner?
  i would have played the **** sooner!
babydulle Apr 2014
When we have sleepovers, we do have pillow fights in our underwear.
In knickers and crop tops we beat the **** out of each other for fun.
And then we eat pizza.
A lot of pizza.
And then we cry over mean boys and boys who don’t love us back and girls who are confusing.
We talk about ***. About *** with our crushes. Whether *** would be fun outside behind bushes or inside on cushions.

We talk about ***.
I say how they don’t give us enough education on it in schools.
Everything I’ve learnt about *** and my body was from the internet. I was never taught what happened to girls when boys got ‘happy’, only ever the biological logistics.
Us girls were never told how we’d feel like we were on fire. Only that we had to wait until the water pipes had done their job before we even felt like the flames had been put out.
We were told to wait.
Wait until you’re older until you get another piercing.
Wait until the puppy fat has gone and then you’ll feel attractive.
Wait until the strange boy at the party puts his hand on your knee to find yourself worthy of another person’s touch.
Why did I never feel like my palms were enough?
My friend tells us in dim lights under the quilts that she’s never kissed a boy she was in love with.
And I realise I haven’t either.

We have thrown ourselves around like an unstable fairground ride.
But I have always hated the way rides make me feel sick and like I don’t know what I am doing.
These boys make me feel disorientated.
I should call them men now.
But I still think of him as the young kid I went to school with.
Leant over piano in-between classes and squinting until I told him to wear his glasses.
I see him every time I clamber off the helter skelter.
I tell my friends that every time I kiss a stranger, I just see his face in those distorted mirrors. I don’t want to play anymore.

We stay up until 5am.
She tells me she wants three kids; two girls and a boy.
And I tell her I want to get married abroad, get drunk on merry-go-rounds with him, and hold his hand through the haunted house because I’ve never been not scared of something.
Girls are always taught to be scared of something.

In the morning, we make pancakes.
Sit on the kitchen floor, listening to the old radio on the counter and the sound of rain thrashing down on the windows.
There is a safety in your best friends.
There is a safety in knowing you are all scared of something; together.
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Paul M Chafer Jun 2014
You were in a tail-spin, (You remember?)
Of course you do, endlessly falling,
Churning dark clouds for company,
Every silver-lining has a cloud.

So I reached right in, (you were so blind.)
Placed your trembling hand on the controls,
Although, you did not trust me, (did you?)
Not at first, although with good cause,
Because you were dizzy, disorientated.

But slowly, ever so slowly, we relaxed,
Pulled you out of the dive, up and away,
Banking, climbing, power ramping up,
Juddering through the stutter-stall,
Until we were purring, a throaty growl.

A big cat in a poorly constructed cage,
Bursting free, guided by rainbows,
Flickering smile insinuating itself upon your face,
(So lovely) on your beautiful lips.

Without really noticing, (smooth as silk)
We coasted along in open skies,
Rah, French kissing the gentle swell of the sea,
Transforming everything into a mirror,
Reflections captured in burnished bronze,
Can I release your hand now? (don’t gasp)
Yes, my love, you are flying again.

© Paul Chafer 2014
I have tried to emulate the style of Azaria here (Thank you Azaria) her writing so impressed me, kind of, first person narrative, with a second voice in brackets passing comments. I love this style, you decide if it works or not.
Poetic T May 2020
Misplaced deliberations,
        oh where did  I leave you?

Like mislaid socks,
              I wear
mismatched thoughts

nicely fitting but not right.
He frustrates me, more than you could ever imagine.
Twisting my mind until I become dizzy and disorientated from the confusion.
The web he weaves of contradictions and uncertainties cuts into my soul, with sharp words. Sharp enough to **** someone, or bring them into insanity.
Constant on and off thoughts of "does he want me?" cloud my brain like a song; but I keep going back for more, as he is addictive.

He frustrates me, more than you could ever imagine; but my God those eyes, hypnotic, bright.  That smirk, as if he knows he has me wrapped around his finger.
And I am, he feels like home, in the most beautiful of ways.
Warm skinned and cold-hearted, without even a word he keeps me. I am held captive by that gaze, my God those eyes!

*He frustrates me.
To my gran who I have just seen
Who is old
and can't remember things
Who is kind
and asks me the same questions
Who lies in bed
and drinks tea
Who has bought up
four children
And has seven
grand children
And seven
great grandchildren
It was so lovely
to see you.

We had a good chat;
You asked me
where I was going next
about a hundred times
And I loved answering
every time.
Australia.
We drank tea
And looked at photos.
I bought you a soft toy
And you liked him
"A sweet little fellow"
You said
"It's a shame He doesn't squeak"
You said
Squeezing him.
And you put him on your lap
While I showed you photos
Of your great grandson
And we laughed
About things.

When I left
we caught eyes
I said "bless you"
And bowed to you.
You said "take care of yourself"
And I saw you
And you saw me
And that is where we met.
In the eyes
And in the soul.
That is what I came for
What I hoped for
That moment
When we met.
I took your hand
And said
"it's been lovely to see you"
And then I left
Wanting To say more
Wanting to say thank you for everything
Thank you for knitting me the duck
When I was a boy
Thank you for being a pillar
In my life
That even though
I havn't seen you much
You've been so important
To me.
Just knowing you were there
Family.
Has helped me
To be strong.
I wanted to stay
and say goodbye
Just in case...
But I didn't
I got you a blanket
Because you looked cold
And I left
Because Stuart was waiting
In the car park
And I had a train to catch.
And I was worried it might disorientated you
Because we had had a lovely time together.
And I wanted to leave you happy.

I looked back
Through the ward window
D8
And you looked
so alone

And now I'm on the train
To Liverpool street
And I miss you
I think of you
Lying there
And I want to sit by you
And show you more pictures
And get you tea
And make sure your warm
And look after you
Because your so frail
And vulnerable
And I feel sad
Because
Well...grief!
The tragedy of life,
That we must part
From everyone.
But I'm happy too
Because
My bones
feel full
And my heart
feels Warm
And I feel my right
To stand up on this earth.
With a warm heart
And wet cheeks
I wrote this some time ago when I visited my Gran in hospital but I wanted to post it today as I just heard that she died this morning.
If anyone has any spare prayers, please remember my Gran today, her name was Eileen.
The poem is a sequel to another poem "Nannie D8 31" I wrote on the way to see her the same day.
Sarah Mullaney Oct 2013
A moment of eternal sun
fades as the clouds rear their head.
Light now dimmed, I drift in my thoughts,
waiting for the onslaught from the mocking lull of the waves.
The storm is upon me.

All I can see; all I can hear
is the weight of the words come crashing down.
Every bluster, blow and blast,
sees me falling further.
The chaos continues.

The raging storm throws its all.
Escape is not an option.
It will take no survivors.
Drained, disorientated, I am taunted by the voice
that is fuelled by my fall.
Waiting for defeat…

"No!" I cry. "The voice shall not win!"
A life of sheer misery
is but an endless prison sentence.
There is more to life than this,
every shadow needs some light.
The sinking ship shall stay afloat.

A lifetime of being trapped in darkness,
is obstructed by the prevailing flame of hope.
The whistling voice
that made every storm a tempest
now whimpers in my presence.
I am free from the suffocation.
The storm has passed.
Context of the poem: Earlier this year as I was approaching my Year 12 exams, I put an extreme amount of pressure on myself, so much so that I convinced myself I was incapable of passing the exams and became very stressed. I don't want to go into much detail, because this is difficult enough for me to write as it is and I don't like admitting that I struggle with the pressure that I put on myself. This is a VERY simplified account of what happened. Things became very difficult for my family and I and for a while, I was in what I perceived as my 'rock bottom.' With the right help and support, I was able to gradually get through my problems with stress and eventually go back to being my normal, dippy, happy self. That doesn't mean to say that everything is A-ok, but now a 'bad day' for me is not the end of the world and is more than manageable.
AMcQ Oct 2016
Stand me still in swaying grass
on the crest of a smooth esker.
Numb my ears to synthetic noise
so I can embrace the earthly chorus;
Green blades clashing swordlike.
The creak of trees, rooted in the battle.
The flip and twist of a passing bluebottle;
Awkward and disorientated.
Let me breathe deep the same wind
that lends herself to these instruments.
Let me hear the crackle of sun on skin;
The sound of hair electrified,
The thud of chemicals leaping across synapses.

Let me feel truly alive.
Kushal Apr 2023
There’s so much waffle in my brain.

Disorientated and distracted by an endless barrage.
A mixture of inane and insane, I’m unsure of neither heads nor tails.

High on a pedestal that sits safely above the rocky waves, I act as if ignorance could take me far from this hellish place.
Antony Glaser Apr 2016
Are the bluebells really a delightful hue
when they habitat railway banks
They are wild and not so rare
like the country we reside in.
We are a barren land
once proud but
with all wealth stripped away
Our Jurassic coastline erodes
likewise a once bedrock of national pride.
Our spirits wane,
we are too self conscious to crowd
amongst our own.
We have been too disorientated
to uphold our truisms
Anonymous thanks Jun 2013
To hold a pen, all trembling nib and leaking tip,
At your mercy, supple in your hands,
Over the skin of soon-to-be words, people and places:

Gently exploding ink bombs of which I cherish total control –
Until I have to let them go -
until they are released and left to their own free will.
They bend and curl
And I bend and curl with them – through a place of rubble and debris,
Of clear water on emeralds and grey, creamy smoke.
A wasteland – but far from empty – a silvery mire filled with all the things of this earth.
Something both post and pre-apocalyptic that smells of old wood and heady incense,
Nostalgia and new memories.

Accidentally, messily, flawlessly crafted.

I wait for more sporadic dark poolings,
And they happen within quick succession of one another;
Splaying,
Isolated limbs and drops of a purple chemical
Spreading, bleeding, dissolving
Over the grainy paper.

The page is torn and frayed at the edges
Where almost fabric-like fibres
Were unable to withstand the impact of a knife’s blade,
Ripping all the tiny seams which bind them together,
Coming apart,
Undone,
Strand by dusty strand.

What is finished, what is done –
Is what has been given kindness,
And settled to rest.
As if drunk, sleepy, disorientated but somehow acutely aware of exactly where you are.
The feeling of dizziness where everything is hazy, fuzzy, blurry –
Inducing a comfortable, ***** slumber
In an old *** and vanilla shop.
Aureate, bronze pearls slide over each other, silky and luke-warm,
As you peer through glass and lace,
The spheres chinking together, a thousand times over.

A pen held above the paper, now still and impassive.
It is mine and I am its,
And we stand alone on the corner of a pavement,
A streetlamp
Rendering the scene golden in the rain.
I cannot help but wonder
How often I saw you
And if I had stopped and said "hi"
Would it have changed anything at all
I always wonder
How close we were
How often we almost met
How many times we may have passed each other on the streets
And I had no idea you would become my sunlight
I always wonder if I ever bumped into you
And brushed it off as if destiny was not intruding in our lives
I cannot help but wonder
How often I dreamt about you
When you were sleeping a few feet away
I always wonder
If we ever shared my dream but woke up disorientated
And forgot about us until the next time
I often wonder if we'd met any other way
Would I be with you now?
Or would she be the first one on your mind?
my heart ticks with the punctuated rhythm
of a girl busy with embroidery
i see a corpse and scrutinise all its secrets
it lingers with a purposeful dexterity
a tenacity that resembles autocrats
of a starved third world country
a dangerous presence that underpins
a blank prism
my reconnaissance reveals a frenetic arc
orbiting, humming as it does so
with intricate nightly returns
travels between light and shade
where black shadows tred
forming a link in the great causal chain
of human destiny
it is a place where stone ghosts welcome me
with threatening indifference of magical
incantations
i roam through deserted streets
with an inherent clumsiness
like waves on dark coastlines
that in hypnotic deception
form groups of disorientated sadness
where clouds of black crows fly around
sinister watch towers in the dark
Anais Vionet Jun 2021
I've grown rusty and unused to summoning words from a blank page - but FINALLY - there's something new to describe. School (11th grade) is over - at last - and... more.

There's a party tonight - a REAL, honest-to-God, in person, PARTY - for about 30 of us. Yes, vaccinations are documented. Life seems to be beginning again.

I'm eager, like a boxer before the bell or a racehorse at the starting gate. I'm an animal, long constrained, who knows it's about to be set free.

I'm as disorientated as an awakened dreamer and I find myself laughing, drunk with possibilities as I try on clothes for preliminary impressions.

It's hard to quash tremors of impatience.

I'm sick of helpless, indifferent, pandemic necessity.

I'm SO tired of boredom, circling me like a vulture, in my panopticon palace - that I opted for a respite of pure terror - I'm SO clever.

I'm skipping my senior year of high school and heading off to university. I'd rather die than risk spending another year in my room(s) - I almost went crazy.

There's a paper on my desk, white as a bride. It says "ACCEPTED for fall term 2021."

I’m trying not to let on that I’m afraid. Is desire always a tangle of impossible, contradictory impulses?

I've decided that my life is my only real possession - my own, small, life-or-death riddle to solve.

I want to live with intent, like I'm aimed at something and I'm going to chase happiness like it could be caught.

My luggage is open - like alligator jaws. I stare into those tan, Ghurka depths - rigid with anxiety.

My sister (home on vacation from her surgical residency) sees me eyeing the empty bags.
"Are you worried?” She says, “You look worried."

I normally find the sister-teacher-coach vibe irritating, but now, somehow, it seems reassuring.

"No," I lie - then - "A bit," I admit, close-lipped.

But that's a later worry =]
There are some changes in my world - at last
Mateuš Conrad Jan 2018
poetry is a very unforgiving art,
   hardly the gay science -
poetry is: the science of hubris -
a relentless ***** and sure as hell:
a ******* father...
          and why this conclusion?
current poets have forgotten
shame -
         experiences are not
              acted upon shamelessness -
all loves are ideals -
  no, poetry is not a welcoming
figure,
               the more i entertain
writing in this abode the more i'm
gesticulating: rot,
abhorrence -
   poetry - that uncaring *****
of a mother,
          and only because i've spent
the past month engrossed in
a novel -
       i'm disorientated -
           align two versions
of the same time -
  only last year god's wrath
by Kraszewski -
and this year with
    Sienkiewicz third of the trilogy
ogniem i mieczem...
           90 quid lighter
and i'm labouring to extract
my money's worth from ponderings
VII - IX -
       how retiring writing
such poor, disorientated verse -
but no wonder...
       i am disorientated -
i can hardly excel at keeping
things terse -
     strapped to the awe of
having finished a novel -
         i am emptied -
          but such is the necessary
      transition welcome,
in that i can fathom
      a lessened sense of worth...
novels exhaust
   a rekindled "urgency"
to write...
              mind you:
    to have honestly read
a novel is to curb all ambitions
to write...
          thank god i feel
more a disgust to write -
no impetus gratifying -
rather than some sort of
   constipation / writer's block...
  honestly:-
  sarcosanct -
           blowing air into
a balloon seems more important
these days than
filling a blank page with words...
at least the balloon sinks
add another: and its a pair
of *******;
            talk is cheap,
thought is worth a penny -
     how are we to not eat off
the nihilistic corpse with
the same retort exhaustion?
     unfortunate for the art
that so few are shameless -
           and so many ideal -
     it will forever sound:
        too good to be true;
         i have finally succumbed
to being, exhausted.
Mateuš Conrad Jun 2016
how strange to read some of the last chances, or commiserations
without a death, the moment a woman or man begins to divide,
so many encouragements arise from nowhere, hence the theatre of
theoretical manoeuvring, way beyond the concept of narrator,
the death of narration is the birth of psychology,
they say, and it must be, treading into this forest of thought without
a compass will soon leave you disorientated, let alone keeping
a narrative continuum - once the narrator dies,
once the narrator dies in you, you either see a psychologist
or begin to write poetry, poetry, the entire cast of Chekov's
the seagull chipping in for the pauper, once famous for
chopping wood or digging for coal on the page
with such flamboyance as to reveal the true spectacle
of the Royal fireworks on the Thames provided
for by Charles II and accompanied by Handel's
composition - everyone is chipping in into
the narrator's porcelain cup - from irina nikolayevna,
through ilya afanasyevich and the personae quasi gratae
like the watchman, the cook... only Yakov having
acquired a name, the rest, mechanised extension
of the salon boors - where real existential debate takes
place due to the serious concerns of the universe
and our place in it. they like Yakov because he was hired,
and could clearly move on elsewhere, a traveller,
not the permanent occupant of the daily dealings of
the estate; but indeed it's not about that -
after they split up she started dreading having his
name tattooed on her, she felt a burning sensation to
burn the ink off her skin - to my surprise she tattooed
his name onto her skin rather than having tattooed
his entirety onto a piece of paper - a poem can be scrapped,
can be cherished or anything, 'write a poem prior to
the tattoo' someone should have said - but the tattoo
came first, and the poem came second - other allegiances
are passed down in ink, as i have never understood
the mentality of tears at a sporting event, notably football,
the tears of your forefathers, elsewhere reasoning gives
crowd like anonymity, soloist sports, cool headed -
no religious-like attachment - first the poem, then the tattoo.
poetry is just another word for juxtaposition -
but what are the two things necessary to contrast?
well... here's one half decent example, of all written text,
an E.U. cucumber,
                                     (a) is it reasonably shaped?
(b) is it practically straight?
                                                       ­ if it isn't coinciding with
points (a) and (b) being satisfactorily met, then this
cucumber is a culprit, being a non-compliant member
of the fruit & veg stand, according to the E.E.C.
1677 / 88
regulation, meaning it can't be a class 1 cucumber,
but a boomerang.                                       and you wonder,
with all those great movies concerning heroism,
the sacrifice to create democracy where tyranny strikes,
to overthrow absolute sovereign power,
all those wars, and all we get in the end, is a vote,
made quiet clearly ineffective because of the by-product
of democracy: bureaucracy - as every it can be said:
an over-simplified observation,
                                                        well, championing the idea
of democracy where the majority of people were
illiterate still, apparently, resonates in how people vote,
make your mark
                                                           ­      X               so you see,
a man made literate when once he would be illiterate
seems offensive to still pretend like i am illiterate -
but what a strange illiteracy this is, i still vote like the first
people voted, instead of ably signing my name,
i am told to write X... which is why, subconsciously,
people seem to be put off voting - it's such a symbolic
event in the mind - i vote by singing my approval with
an X... the little things matter in the end -
no one dying for an ideal could have envisioned
the bureaucratic escapade of counting where the wind
blows in what favourable choice of opinion at the time,
in post-Marxist terminology, we're no longer dealing
with the bourgeoisie types, we're dealing with the bureaucratic
type - there are so many laws on this earth, that few
are known and even fewer are kept -
i know the ten commandments are a joke, given the outdated
phrasing, but aren't the modern laws even more of a joke?
why, i can count to 10... counting to how many there
are is quiet staggering - you might have broken about
a thousand without knowing you had, like eating a
curved cucumber... but then, are picked cucumbers always
bent? i've never seen a straight pickle, i mean theoretically
that's breaking the law - the war of the sexes is what
gave us this ******* - this wasn't a war for Crimea,
not so much a war for independence, once those classical
wars ended, the war of the sexes began -
if Marx was alive, he'd be far from writing a critique of
the bourgeoisie class, after all, urbanity killed off
the etymological root of bourgeoisie - old french, walled
city - given that, or should i say, working from that,
no, if Marx were alive today, it would be the bureaucrat
who'd be attacked.
James Gable Jun 2016
I chanced upon an old letter
That had clearly sailed legless on seas
Crumpled, damp but inside the envelope
Intelligible writing by sight
But by comprehension I was lost
Disorientated by sea-sick phrases

Somewhere a long way from our
shore a man or woman, very desperate
to find their way on board a ship
going in the right direction

When those who could speak
a second or even third language
were called forward
this person’s mind reached far,
back to french lessons at school,
every country visited and greeting noted
and piped up: I speak very good French!

But French speakers were common
Try harder! shouted a polite man
I can speak Zulu!? silence...
Pashto is very useful…
Ah! my mother tongue,
I dream in that language
Yes I am still in touch with my mother
with whom I speak, of course,
in Pashto


Setting sail on the lonely sea
There is nowhere to hide
besides the engine room,
And in there you will be used as fuel
Put to good use




*—Well I did think once that I was being summoned to an underwater land but in fact it was a ruse, a trick to rob me of wallet
Part Four of The Man Who Longed to be an Oyster
Poetic T Apr 2017
When the sun slumbered beyond the falling
horizon, a deranged mentor of those it wondered
over below. False expressions were given in tribute
to that which watched with acidic smiles of their  
persecution beneath its gaze.

In its fading they were collected in truest outline.
Negatives of perceived imaginings, pigmentation
descended from form like coloured petals
turning to dust. They were the abattoirs of this
now discoloured imaginings.

Sweetened voices of lullabies were replaced by
disorientated shrills, that reverberated within
the halls, they lumbered in there contorted abodes.
Nesting into corners of despair that blossomed on
them with hues of isolation.

Feasting on warm carcasses, weeping with
trepidation at this momentary freedom they felt.
There home of tattered souls that were cleaved
from prey, no peace in death. They hang at
the windows clinging to lost hope.

Time was a nine tailed mistress that whipped them
into the binding once more. For the arising was upon
them, they were lacerated within colour once more.
All that was flaked away and became as it was.
Smiles on there faces paying tribute to that above.
Ashley Barrios Mar 2011
***
Sometimes I pretend to be a stranger passing through
I approach afraid, confused
I walk about disorientated, unsure of what I'm looking for
I tap you, lightly, on the shoulder
Then I ****** your senses
I smother you,
I burn you,
I destroy you
Yet you seek me out, wandering aimlessly, whispering, "Excuse me, I'm looking for Love..."
noseyrosey Jan 2010
She didn’t want to turn out like her mother and her grandmother. She didn’t want to be a housewife/mother living with an abusive boyfriend. She wanted a better life, not just for herself but for her young son.
She dreaded each day at 6pm, when HE was due home from his day working as a Taxi Driver.
If his dinner wasn’t ready on the table as he walked through the door each night, she knew what was going to happen. She also knew what would happen if she didn’t dress herself up, make up and all. Everything had to be in its correct place, including her.

It was 7pm. HE still wasn’t home. She knew where he would be…

It got to 9pm and she knew HE was now home, as she could hear him trying to open the front door with his keys. She listened to him struggling for a while, enjoying his disorientation.

HE started shouting through the door at her, the abuse would begin for another time…

She got up and opened the front door.  HE started lunging towards her.  She managed to move out of his way right at the last moment, before he slumped to the floor in a semi conscious state, which he regularly got in.
As she stood there staring at HIM, her young son snapped her out of the trance. He was standing at the bottom of the stairs crying. She knew what she had to do, like most nights. She took him up to bed and settled him.
After settling her son into bed, she walked back down the stairs.  This was when HE started the abuse again. HE had managed to get himself up from the floor onto the sofa.
He started yelling the usual verbal abuse she gets from HIM everyday. He was demanding his dinner. She put his dinner in the microwave and tried explaining to him that it was ready at 6pm, like he requested.  There was no reasoning with him in his intoxicated state.
This was when the physical abuse started. He started kicking and punching her. She just lay there. She had realised after so many beatings from this vile vile man that it was easier to lie there like a rag doll.
As he stood there looking at her he felt more anger rising up inside. Something in him snapped. That’s when he grabbed hold of her throat and started to throttle her, until she lost consciousness.

Later that evening when she came around, she found HIM lying in a pool of blood on the floor, next to her.
She was slightly disorientated for the first few minutes. Until she realised that HE was not moving. She checked him for a pulse, but he was dead.
After a while she managed to pull herself together and realised that her son was in the house. She ran up to his bedroom to find him crying uncontrollably and shaking with fear.

WHO KILLED THE ABUSIVE MAN?

WAS IT THE GIRLFRIEND OR THE SON?
Mateuš Conrad May 2016
a girl ends up saying:
'oh god, i miss my blonde hair',
a boy?
'oh god i miss Duran Duran.'
meeting you... with a view to a ****...
i want to stay up all night drinking
warm whiskey reminiscent of the
1980s;
honesty, just today a "nice Jewish boy"
with vanilla *** while
she got all the kinks out with
******* S & M to knock a few budgies
about in her leather knickers...
nice Jewish boy goes home vanilla intact;
i end up calling up the fire brigade
even though i should be calling Freud the popsicle
joystick friendly St. Paul, an ice-cream vendor
akin to Rasputin;
i know, comedians made fortunes from what
poets failed to compute, namely punctuation;
Eddie Izzard is a colon for each comma:
like zui quan - no, no, wait... there's more!
and it's worth an ingredients list of said hopes for
sat on ****(,) forking the blob bits concerning argument
about ******* girth salt and pepper
on sausages! my excuse? the carry
on
movies and zui quan meaning drunk boxing...
i.e. you pretend to be a tarantula that bit itself
by accident and pretended to be disorientated
but in fact focused like Hemingway on narration
after a cocktail of death in the afternoon
(absinthe mixed with champagne)...
but did i tell you that pine is almost like anise?
rub it into your hands after ******* in an alley
and it becomes the nearest approximate of anise.
AJ Jun 2013
Everyone hopes that they are broken,
Because if you're broken
That means that there is a cure,
A treatment,
A medication,
A program that can fix you.
If you're broken,
Then someone can make it stop.
The real fear is that you're fine,
And it can't get better.
The real fear is that this is normal.
It really hurts this much to lose a friend,
To move,
To not get the job,
Or to get the job.
Just to feel so sad and scared and disorientated.
It is all completely normal,
And you can't fix it.
No one fears being broken,
You can make that stop.
It's the real ability to feel pain that you can't change,
And that is terrifying.
Poetic T Sep 2014
What happened, what became,
As I walked through
Footsteps of ash
On a polyester floor,
The door opens
Footprints,
Disappear,
Invisible,
As had never been there,
I'm perplexed as my fingers
Feel like spider silk entangled
But nothing is visible,
I ascend the stairs
My hands guild me,
Rooms bear
Naked
Stripped
Exposed
Floor boards, walls different
"What happened"
I was only but gone a day,
Temper flares,
I awaken in the dinning room
Dust unsettled,
As if from a height I fell,
I manage to steady myself
Disorientated,
Confused,
Questioning
What is happening,
I gaze at the stairs
Palm prints  saturate
The walls,
Ash fading imprints
Evaporate,
Erode,
Dissipate
And gone as before,
I look upon a mirror
I see the house as before,
Warmth radiates
I turn but boards greet my gaze
"I scream"
And the mirror cracks
But only silence was heard,
Then I realise I am but a
Memory in the
Halls,
Rooms,
Floor,
I see my self fade
A last memory of a house
That like everything
Had its place,
And like the footprints,
Hands upon a wall,
I fade away,
The last memory of house
That crumbles around me.
"They say memories last forever"
But never again will there be any in these halls.

— The End —