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Mateuš Conrad Feb 2017
it became clear as day... i knew this was coming,
the day when i brushed aside all the science,
the dogma, and said nothing of a big bang
fancy, but to keep me inside it rather than,
outside of it: whatever it was that imploded...
if the **** thing didn't implode why all this
gesture two describe it as an explosion, and give way
to phenomena? they're not imploding into
singled out individuals...
   ah, **** this boring scientific crap,
the rubber-band of me learning chemistry at university
had to snap at some point... it had to...
i also decided that the term big bang is really
ugly... given humanity and the care for aesthetic,
whether inner or outer, the big bang has no
impetus to succumb to it if your mind is
even remotely interested in science,
     i'd call it the imploded onomatopoeia...
i can't write a cat's meow or a dog's bark or a crows
croak to perfection, words have
no ~ markings attached to them,
which shows you how shallow existentialism
is with its lack of symbols, only the ditto,
and that's never really explained, for what i've
read it's a stylistic inclusion akin to italics...
no existentialist expresses whether a dittoed word
is ambiguity, or whether it's a loan word,
like a Pole might loan the word weekened
and speak the foreign word in his native tongue:
as if we invented it...
  Poles do that, a lot... i mean: it's easier to loan
foreign words than create your own...
   i call this an T. Edison stagnation...
the moment you start loaning words,
is the moment you're left with about two famous
Poles in the history of mankind,
and even that's disputed, since the Germans
want Copernicus, and the French want Chopin...
you basically become unimaginative, not firm,
loose, bubbly, lard...
    that sort of language encoding can belong
among merchants, but look how the former
mechant of Mecca has become strict,
where's the lingua franco?
             i know it's english, dummy,
  but i mean: why use so many loan words in your
own ethnic tongue, so blatantly,
    try to tell an englishman to use
    the german word zeitgeist with as much
of a populist zeal as a Pole who incorporated
the english word weekend, it's not going to happen...
thankfully the english know they're of germanic
descent for the most part,
    and partly norse, and celt... and roman...
****! what a brothel, you get all kinds here,
anglo-slavs and afro-saxons to boot these days...
magic... the ******* 60s were true, after all.
  but it's the puritanism in me regarding language,
well, given that Poles have become almost
akin to Jews in Europe, given the history...
oh look, the Polish-Lithuanian commonwealth,
ah crap, look, it's gone, no, wait, it's up and running
once again... no wait... they joined the E.U.
when papa essex and mama normandy said:
we're out! dumb chocolatiers, it was bound to
be too sweet, too true... too pointless to continue...
faking what the Mayflower people did "across the pond".
and it's almost fun learning how
the central european commonwealth was based
on the fact that: only a foreign ruler can claim
a crown over the geography that once spanned
from the baltic to the black sea...
yeah, and i am ethnically bound to talk about it
without having to: i don't even know the polish
anthem, the english one? it's the easiest
in the world, done in under a minute...
     god save our gracious king,
something something... something something...
  when i became naturalised as a "citizen" i think
i sang it... no, wait... i didn't...
    just like i didn't accept the catholic bureucracy...
i should have a tetranoun / "grammaton" /
tetrakilogram name in the paperwork,
what, catholic and not baptised, and not chosing
another name for yourself at the ceremony
involving the purple bishop?
   well, that's the first joke i spotted with what i later
realised as the Hebrew divinity, and how
i wouldn't desecrate the principle...
       but it's not even about that!
     it could well be about the 2015 film
fathers and daughters, and how they say
novels take years to write, edit, i say: vulgarity
is necessary, as are conjunctions,
     and as is phlegm...
                               but it's not even about that,
the sunday times magazines...
the style magazine on purpose, the dating columns
are going off-print! i can't believe it!
         what am i going to be reading from that magazine
on a sunday?
   i did once say (keeping up with the goldfish,
scatter brain, short-memory span, therefore telegram
poetry, many punctuation marks,
disorientating, punctual, but disorientating,
a *******-base on purpose,
i don't think many people will like it; good):
it would be nice to see a journalistic sabbath,
yes, a media sabbath, after all Monday newspapers
are so thin! anorexic news... that's Monday,
people have been lazing too much on sunday,
actually reading every single page that a monday
newspaper, just makes no sense!

and yes, the very point of enforced interludes
is that you might find yourself in the scottish
highlands looking at a waterfall, for example
the above is an uninterrupted waterfall,
and then gaze into the void of a sea not too far away...
and looking at that sea, you can see the most
perfect interruption...
    the romance died when science explained
the mystery of hearing the sea in a seashell deep inland...
there should be taboo subjects, taboo topics that
are better explained by love,
not this omnipotent dissection method,
just saying...
   how philosophers will call it abstract
and a poet will call it metaphor...
   given that both are not equipped to the application
of any sort of reality, or dare i say a schism from
it, akin to calling the two approaches
a realism, or some quasi or pseudo sort.
i can call democracy for all its wants to be the most
perfect consolidation of man under the rule
of man, but then a tornado comes or a tsunami
and all of man's efforts to rule himself crumble
into disaster... and how rare to see it when
discussed in philosophical theory,
    democracy as an abstract, is also a metaphor,
ob-, prefix denoting away from:
and then the suffix -tract... well, i was thinking of
a road... the less trodden track...
        apparently it means an area...
                democracy as nothing but a cancerous growth,
it spreads to almost every cavity where people
are content with an alternative political establishment,
for they like the basis for the ***** that
made it to the egg and beat all the other ***** that
would otherwise make it into a tissue or into a ******...
thankfully metaphor, i.e.: something not literally
applicable has the potent of not being abstract,
abstract, i.e.: working from the heights of ideal
to the depths of an idea, that has to compete with
the many narratives that later allow the idea to resurface
as a lightbulb...
                    these two cruxes are very much akin,
philosophy says abstract! poetry says: metaphor.
keeping in mind, i took to poetry like a mozart to a piano,
i never actually intended to say these things,
i merely envisioned conducting a philharmonic orchestra
for deaf people...  oh sure, this wasn't supposed
to be a one-man show, a monologue,
i never intended to say these things...
i wrote these poems in mind of conducting an orchestra,
which is a useful method of creating an implosion,
which goes back to, that dread, the bing bang...
    ever hear a ******* bang in vacuum?
     i wrote these "poems" so that someone who sounds
like a violin might play the violin parts,
someone that sounds like a clarinet might play
the clarinet parts... and if sound has a colour,
it would be a ****** colour when encoded for the eyes to see,
akin to something being monochromatic,
therefore this mono-nausea...
  i write the same encoded sounds for someone
playing either violin, piano, clarinet or harp...
  let's also add in sax...
           but that couldn't make it onto the orchestral palette...
what a bollocking, either 4 beers and
the expected weak bladder or constipation...
it was never to be a soloist performance,
which is why it imploded,
      why or precisely how i was not writing this
for myself, for myself to speak these words...
  tad too empathetic concerning what's universally
human, i.e. a condition of some sort?
which is how i react when one of my favourite
columns from the journalistic columns gets the schtick...
and is out-grown...
               out-dated, who would have thought that
a dating column could allow two lonely hearts so much
space to later pull them apart...
     neither cosmo nor dolly have made it
     to a love brick, that sits firm at the base of the pyramid...
which is sad how the dating scene will go on,
and they will go on, dating...
monday shuffle, tuesday shuffle, wednesday shuffle
(catch the pop ref. point to a song, we all boogie
down with the groovy kids once in a while,
basically a music video that was actually a advert
for some sort of liquid, root beer? ginger beer?
i know, i know: i scratch your back, you scratch mine).

i might call this: what happens with interludes,
or quiet simply: interludes.

i was never into writing something akin to an Ikea
manual of putting up a cupboard,
Ikea has probably the best library for self-help,
a, b, c, d, e... a few screws, a few wooden bits,
and something resembling corkscrew...
the only self-help there is, i.e. put a cupboard together,
by yourself. is there any other self-help manual
that can beat the Ikea manuals? i don't think so.

and how happy can a man be, having lost
the ability to drink perfumes (i.e. whiskey) and turn to
miss стандарт, with such jovial missing or
never had expectations?
   i guess, quiet easily, it's there, a bottle,
with a little story on the label,
   once upon a time (in 1894 to be exact),
  dmitry mendeleev received a decree (do it
or i **** you, harasho?) from the tsar...
to create the imperial standard (i.e. triple filter,
akin to the imperial standard of measuring
in inches rather than in millimetres,
the French, who apparently took forever to create
the concept of 0 from O... eat a doughnut,
much easier)...
   and i never thought i'd say that ***** is more
appealing to my natural ingestion of
Dionysus' blood...
     the more i think of it, i do think that writing
can become akin to painting,
it just doesn't have to be rigid, scientific,
order-prone... it can reach the levels of chaos as
easily as it can become dull and a shopping list...
   many people can't see writing as painting
in the same way that language has many more
function of applicable needs in other profession...
read a poem to a surgeon during an operation,
he needs language as rigid as a mountain
that said: no avalanches are bound to me!
     the reason why novels take years to complete
is the over-rule of science in the humanities,
i don't understand why poetry has to be bred for a
scientific pragmatism, that it apparently does work,
akin to soap, or bleach...
          science can poke it's crazy head in every direction
it wants, usually the interchange of words:
                 bang ******* hole (b.b.b.b.) /
   howlin' wolf's backdoor man / **** -
but science has become a dog, barking up the wrong tree...
the money's are down... houston, we have a [problem!
they're down... they're walking upright,
they lost the joys of having a tail and swinging from
tree to tree, and if an abstract parasite akin to cancer
doesn't **** them... your argument will surely be the one
thing that will... eventually.
    
and i did mention runes, didn't i?
   well... if writing can be anything like painting,
it can only ingest ******* as foundation,
  no shapes, no cubism, no definite "things"
(for lack of a better name)...
        just spontaneity... and hazard, and chaos...
just like life evidently seems to be bound to
reveal itself as guarding against nothing...
well... i appreciate the runes...
not in an ****-Satanic cult sort of status,
i just appreciate them because the Slavs didn't leave
any original phonetic code...
     which is why Poland is still so ****** catholic,
minus the Pope? add the proper post-script to communism?
it might have been the next Russia with its oligrachs,
minus the gas pipes and all those resources
people boast about, but who weren't originally
bound to inherit, like Arabs and oil...
   you need practical nations using the resource,
western nations, overly-bureucratic nations that
make a man "do a job" licking envelopes and shooting
ink into fountain pens...
         just saying...
hard to be lazy, hard to be mystic, harder still being
a monk... wait and see how these peeps talk when
they retire... it's hard being lazy, "lazy"...
        now i see heidegger's concept of dasein
as the real problem of happening, how things necessarily
and subsequently, unnecessarily happen...
then i look the alien remnants of nomadic tribes of
the Amazon and realise: they're still here,
but nothing's happened.
or that's how i take a break from that german's ponderings,
and loosen into some sort of stroll...
       just about the right time,
when poetry stops talking about sounds,
and takes to complicating modern painting,
akin to working on complicating a square,
  the most famous to be worth complicating (rather
than contemplating) would be piet Mondrian...
   if you ever find the spare time:
i'll be in the space that tries to revive the runes
under no ******* ᛋᛋ...
to be honest, i'd like to refine several runes...
given that the non-diacritical latin is largely lost to
the virtual world...
what runes would i refine?
   ᚲ (k / c) at least make it larger, like <,
ᛃ (j), i'd probably just call is skew, i.e. /,
ᛝ would remain and ᛜ would be lost
to denote the grapheme ŋ (i.e. njae) -
and that's because i'm either itchy, or stitching up
a carpenter's worth of lack of cruve,
   like the arabic alphabet is curved twice-over
and the woman are clad in shadow and ninja and niqab...
just like runes once were, hiding curves,
or at least the men overly defensive of their woman...
once the latin curves were introduced...
well: there came the mini-skirt, and the mini-couper car.

who needs a big bang origin, when you can have all
of this? if i kept that much dynamite in my head
i'd be seen wearing hawaiian shirts short-sleaves
and drooling over porridge at breakfast...
        and my... when was it such a sin to drink
***** and listen to the blues?
Bare-handed, I hand the combs.
The man in white smiles, bare-handed,
Our cheesecloth gauntlets neat and sweet,
The throats of our wrists brave lilies.
He and I

Have a thousand clean cells between us,
Eight combs of yellow cups,
And the hive itself a teacup,
White with pink flowers on it,
With excessive love I enameled it

Thinking 'Sweetness, sweetness.'
Brood cells gray as the fossils of shells
Terrify me, they seem so old.
What am I buying, wormy mahogany?
Is there any queen at all in it?

If there is, she is old,
Her wings torn shawls, her long body
Rubbed of its plush ----
Poor and bare and unqueenly and even shameful.
I stand in a column

Of winged, unmiraculous women,
Honey-drudgers.
I am no drudge
Though for years I have eaten dust
And dried plates with my dense hair.

And seen my strangeness evaporate,
Blue dew from dangerous skin.
Will they hate me,
These women who only scurry,
Whose news is the open cherry, the open clover?

It is almost over.
I am in control.
Here is my honey-machine,
It will work without thinking,
Opening, in spring, like an industrious ******

To scour the creaming crests
As the moon, for its ivory powders, scours the sea.
A third person is watching.
He has nothing to do with the bee-seller or with me.
Now he is gone

In eight great bounds, a great scapegoat.
Here is his slipper, here is another,
And here the square of white linen
He wore instead of a hat.
He was sweet,

The sweat of his efforts a rain
Tugging the world to fruit.
The bees found him out,
Molding onto his lips like lies,
Complicating his features.

They thought death was worth it, but I
Have a self to recover, a queen.
Is she dead, is she sleeping?
Where has she been,
With her lion-red body, her wings of glass?

Now she is flying
More terrible than she ever was, red
Scar in the sky, red comet
Over the engine that killed her ----
The mausoleum, the wax house.
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Nigel Morgan Nov 2013
Think of an imagined orchestra. But there is no resonance hereabouts, so the imagination gives next to nothing for your efforts, and even in surround-sound there’s so little to reflect the dimensions of the space your walking inhabits. Sea hardly counts, having its constant companionship with wind, and sand hills absorb the footfall. A shout dies here before the breath has left the lungs.

Listen, there is a vague twittering of wading birds flocked far out on the sand. The sea rolls and breaks a rhythmic swell into surf. There’s a little wind to rustle the ammophila and only the slight undefined noise of our bodies moving in this strip between land and sea. Nowhere here can sound be enclosed except within the self. There’s a kind of breathing going on, and much like our own, it has to be listened for with a keen attention.

There is such a confusion of shapes making detail difficult to gather in, even to focus upon, and to attempt an imagined orchestration – impossible. We’ll have to wait for the camera’s catch, its cargo to be brought to the back-lit screen. Once there it seems hardly a glimmer of what we thought we saw, what we ‘snapped’ in an instant. It’s too detached, too flat. So thankfully you sketch, and I feel the pen draw shapes into your fingers and their moving, willing hand. On your sketchbook’s page the image breathes and lives.

You can’t sketch music this way because the mark made buries itself in a network that seems to defy with its complexity any image set before you. Time’s like that. You end up with a long low pitch, pulsating; a grumbling sound rich in sliding harmonics. You see, landscape does not beget melody or even structure and form, only tiny, pebbled pockets of random sound. Here, there is no belonging of music. Only the built space can adequately house music’s home. We might ****** a few seconds of the sea’s turn and wash, a bird’s cry, the rub and clatter of boot on stone, and later bring it back to a timeline of digital audio and be ‘musical’ with it, or not.

Where we hold music to landscape is something we are told just happens to be so; it is the interpretation’s (and the interpreter’s) will and whim. It is an illusion. The Lark Ascends in a Norfolk field. We hear, but rarely see, this almost stationary bird high in the morning air. We can only imagine the lark’s eye view, but we know the story, the poem, the context, so our imagination learns to supply the rest.

What is taken then to be taken back? On this November beach, on this mild, windless afternoon,. Am I collecting, preparing, and easing the mind, un-complicating mental space, or unravelling past thoughts and former plans? I can then imagine sitting at a table, a table before a window, a window before a garden, and beyond the garden (through the window) there’s a distant vista of the sea where the sun glistens (it is early morning), and there too in the bright sky remains a vestige of a night’s drama of clouds. But today we shall not put music to picture from a camera’s contents, from any flat and lifeless image.

Instead there seem to be present thoughts alive in this ancient coastline, abandoned here the necessary industry of living, the once ceaseless business of daily life. Instead of the hand to mouth existence governed by the herring, the course strip farming below the castle, the herds of dark cattle, the possible pigs, some wandering sheep, seabirds and their eggs for the ***, the gathering of seaweed, the foraging for fuel: there is a closing down for winter because the visitors are few. We need the rest they say, to regroup, paint the ceilings, freshen up the shop, strengthen the fences, have time away from the relentlessness of accommodating and being accommodating. Only the smell of smoking the herring remains from the distant past – but now such kippering is for Fortnums.

We step out across and down and up the coastal strip: an afternoon and its following morning;  a few miles walking, nothing serious, but moving here and there, taking it in, as much as we can. We fill ourselves to the brim with what’s here and now. The past is never far away: in just living memory there was a subsistence life of the herring fishers and the itinerant fisher folk who followed the herring from Aberdeen to Plymouth. Now there are empty holiday lets, retirement properties and most who live here service the visitors. Prime cattle graze, birds are reserved, caravans park next to a floodlit hotel and its gourmet restaurant. There’s even a poet here somewhere - sitting on a rock like a siren with a lovely smile.

Colours: dull greens now, wind-washed-out browns, out and above the sea confusions of grey and black stone, floating skeins of orange sands and the haunting, restless skies. Far distant into the west hills are sculpted by low-flying clouds resting in the mild air. Wind turbines step out across the middle distance, but today their sails are stationary. As the bay curves a settlement of wooden huts, painted chalets then the grey steep roofed houses of stone, grey and hard against the sea.

Does music come out of all this? What appears? What sounds? What is sounding in me? There is nothing stationary here to hang on to because even on this mild day there is constant change. Look up, around, adjust the viewpoint. There’s another highlight from the sky’s palette reflecting in the estuary water, always too various and complex to remember.

Music comes out of nothing but what you build it upon. It holds the potential for going beyond arrangements of notes. Pieces become buildings, layers in thought. My only landscape music to date begins with a formal processional, a march, and a gradually broadening out of tonality the close-knit chromatic to the open-eared pentatonic. There’s a steady stream of pitches that do not repeat or recur or return on themselves, as so much music needs to do to appease our memory.

In this landscape there seem only sharp points of dissonance. I hear lonely, disembodied pitches, uncomfortable sounds that are pinned to the past. The land, its topography as a score grasping the exterior, lies in multi-dimensional space, sound in being, a joining of points where there is no correlation. There’s a map and directions and a flow of time: it starts here and ends there, and so little remains for the memory.

Yet, this location remains. We walked it and saw it fortunately for a brief time in an uninhabited state. We were alone with it. We looked at this land as it meets the sea, and I saw it as a map on which to place complexes of sound, intensities even,. But how to meet the musical utterance that claims connection? It is a layering of complexes between silences, between the steady step, the stop and view. There is perhaps a hierarchy of landscape objects: the curve of the bay, the sandhills’ sweep, the layerings of sand, and in the pools and channels of this slight river that divides this beach flocks of birds.

Music is such an intense structure, so bound together, invested with proportions so exact and yet weighed down by tone, the sounding, vibrating string, the column of air broken by the valve and key, the attack and release of the hammered string. But there is also the voice, and voices are able to sound and carry their own resonance . . .

. . . and he realised that was where these long drawn out thoughts, this short diary of reflection, had been leading. He would sit quietly in contemplation of it all and work towards a web of words. He would let their rhythms and sounds come together in a map, as a map of their precious, shared time moving between the land and the sea, the sea and the land.
Kim Davis Oct 2013
Once there was a girl
Who could feel
A young, playful, and truly memorable child
naturally born to lead, learn, and strive,
Jumped in front of any camera she saw,
because she wanted all eyes on her.
Yet that didn't prevent an inevitable day,
an insignificant, random day
when she was faced with her new reality.
An old lady took a fall,
an animal she'd grew with began its downward spiral towards death
a neighbor robbed of weapons,
and no more did the girl get attention,
but was rather brought to the attention that the world was cruel.
But attention was her drive, her motivation to live
and taken from her, she desperately tried to regain her spirit
but couldn't handle everything she'd ever known changing on her,
and a little girl, third grade, began a path of self destruction.
The natural leader now a follower,
The playful girl turned her interests into other people's pain,
She enjoyed that year the most she could,
secretly hating the old woman, mistreating her
saying her goodbyes to the dog that was there years before she was born,
grades turning from all A's, to B's, to C's, to D's and F's,  year by year.
getting rejected just a few times, but over-complicating it, as she would do everything later,  
taking it personal, letting it destroy her
and so the little girl grew,
first into an angry, manipulative version of herself,
she was no longer slender, pretty, or girly in any way.
She was a wreck. No care for herself anymore.
Sharpened her finger with a pencil sharpener.
When mad, would beat herself up.
Demented, but that was just covering a layer of desire for attention.
Something so simple, something everyone has to learn to live without, took such a toll on a little girl, because it was just cut off, one insignificant day.
But one day she got attention again, months after another
insignificant day.
This insignificant day, she remembers,
daddy standing by the mailbox
she was outside playing with neighbors
and she heard daddy talk funny.
A sliver in his voice, that was never there, was it?
and listening, she heard it again,
and she looked at dad, and in his eyes, he wasn't there.
his body, his face, his smile, but his eyes weren't there.
And the little girl ignored it.
But daddy was in pain for months. Didn't tell a soul.
and when that sliver in voice kept going, mom forced him to go to the doctor.
But the sliver wasn't it, there was blood, daddy was coughing blood.
And so the doctor diagnosed it as bronchitis.
But it was deeper than that, it was the big C,
and the little girl knew that daddy saw it coming
his smoking tripled
and he got a recorder so as to record what he was thinking
and there was that night, at her aunts, everyone in the kitchen,
the little girl heard it from a distance,
cancer,
but she wanted to be wrong, so bad.  
She gets in the car with her mom, and receives the news,
but upon seeing her mother crying, doesn't know what to do.
She was supposed to be strong for her mother, everyone expected that of her,
but everyone also expected her to be fragile, and wanted her to cry more than anyone about her dad.
But the conflicting emotions resulted in the girl, not so little anymore, to grow up.
To shut off all human emotion, to be a walking robot. To never cry, never feel.
That made everything pile up in her head.
Daddy had cancer.
Daddy was doing Radiology treatments.
Daddy's treatments were failing.
Daddy was getting skinnier.
Daddy was doing Chemo.
Daddy was trying to **** himself.
Daddy was in and out of the hospital.
Daddy wanted her there.
Daddy needed her there.
Daddy cried in front of her and asked, "Why don't you love me anymore?" because she showed her disinterest in tying his shoes for him since he couldnt.  
But there's nothing more terrifying, than seeing someone one genuinely cares about in the hospital.
Than being afraid to break the person one loves in half with just a hug.
Daddy was dying, and daddy wouldn't talk all day until she got home, even if it was just a hey and a smile.
To this day, she'd love to say now that she would go back, and do it all differently, show that she loved him, not that she was disgusted in what he'd become, but  she knows herself, and she'd shut herself down again in a heartbeat.  
Daddy died of three types of cancer,
and the little girl got the attention she'd longed for, but in the form of pity.
But she hated pity.
She stopped doing anything.
Couldn't go out with friends,  secluded herself in her mind.
Until she found a way to be herself and get attention, and became someone new.
Then someone else.
Then someone else.
And then the girl was no longer herself, she was someone who made an impact on people.
Someone who people were attracted to,
Someone who had friends,
Someone who had company who couldn't physically show her pity,
company that satisfied her romantic desires, and company that was there when she was down,
and who she could manipulate to her desire, to understand men and women on a deeper level.
And that sweet, playful, little girl, was a monster.
Divided in two, she emoted on a fake half of her, a half that wasn't her, a fake story personified,
what was left of that little girl was skinned, and buried in dirt.
So when the girl had had enough damage inflicted on the sane, but fake side of her,
and was unhappy regardless of who she was that day,  at that hour,
she would tell herself it was over, it was time, this should have ended a long time ago,
and her skinned corpse of a soul was trying to crawl out of its grave,
pulled back by the dark cloud it became, and buried again with the fake's love,
because that side of her, with skim, but human emotion,
couldn't bear to hurt people it'd already done enough damage to.
So one day, when she was found out, by best friend and an ex, it was a sigh of relief,
just to feel the air on that hand, reaching up to get out of her grave.
But she didn't know that what followed was losing half the people she loved,
most being the ones she loved most, the most active in her life at the given moment,
And even then, with the remaining few, she felt too awkward in that situation,
too conflicted, that she once again, turned off her emotions.
And now, what's left?
A broken little girl, in a big, damaged carcass, freezing in mud, staring down at her own grave, unable to find her skin.
Brooks Popwell Sep 2011
OBSERVATIONS

First, I note a few surface details.

Outline
- Rising action – Keawe buys the imp and later sells it
- Crisis – Keawe again buys the imp although he doubts he can sell it
- Resolution – a sailor buys the imp from Keawe

The story centers on possession of the imp (primarily by Keawe, as noted above).  The full progression of ownership follows:

Ownership
- Old man
- Keawe
- Keawe's friend
- Unspecified others
- Keawe
- Kokua
- Sailor
- Keawe (attempted; sailor refused)

The motivations of the owners varies:

Motivation**
- Old man, Keawe (first), Keawe’s friend, others – reward
- Keawe (second) – reward
- Kokua –love
- Sailor – reward
- Keawe (attempted) – love

Note the relationship between these motives and the story arc.  Reward drives Keawe’s first two purchases (rising action, crisis), but love drives the third (before resolution).  Observe also the twin kinds of reward compelling the early purchases.  The first reward: obtaining prosperity; the second reward: preserving prosperity (including Kokua).

ANALYSIS

The story’s specifics (ownership and motivation) stage these events:

- Desire can reward (Keawe seeks prosperity and love and is satisfied.)
- Desire can curse (In his quest, Keawe uses the imp.)
- Reward brings uncertainty (Banishment threatens all Keawe’s gains.)
- Love absorbs curse (Kokua buys imp from Keawe.)
- Curse will destroy (Someone must bear imp’s damnation.)


These dichotomies follow:
- Reward is tarnished without the curse (by uncertainty) or with the curse (by destruction).
- One can avoid the curse but not uncertainty.+
- Love can deliver from the curse but cannot escape from the curse.

(+Note: This is because Stevenson portrays Keawe’s desire as a constant from the story’s beginning.  His unavoidable desire leads him to navigate the other events of the story.)


Two final questions:
- Does Stevenson present an ideal choice to resolve the story’s dichotomies?
- Does the imp simply represent the curse or something more?

First, would Stevenson moralize?  I presume the possibility, considering his dramatic shift from a Victorian upbringing to a life of travel and ensuing love of the islander lifestyle (the backdrop for the short story). First, recall the two motives (reward or love) and the consistent negative conseqeunces (uncertainty, curse, destruction).  All of these occurred both with or without a connection to the imp.  Keawe pursued the good life before meeting the imp’s owner and in the period of freedom from its grasp. Likewise, his love for Kokua began without connection to the imp and continued long after.  I summarize all these possible combinations in the following chart:

Choices

REWARD
1. Without imp: uncertainty
2. With imp: curse

LOVE
3. Toward the cursed: destruction
4. Toward the uncursed: no destruction

The story progresses from a focus on reward (first half) to a focus on love (second half).  The last option (love without destruction) is ideal; every other option entails some loss.  Even Kokua’s and Keawe’s choices to love each other by taking back the curse is bittersweet.  Each one’s sacrifice removes the other’s greatest source of happiness, an end that could have been avoided if Keawe had never bought the imp.  The implied lesson?  Avoid choices now that will sabotage love’s good intentions later.

The surprise ending may add an additional message.  If the story warns against complicating love, why does it provide an escape hatch, the drunken sailor who accepts damnation and buys the bottle?  Stevenson could simply be softening the blow of his cautionary tale.  If so, why did he include the elaborate curse that necessitated such an ending? I think the injection of a supernatural temptation portrays real life: wild possibilities coupled with high consequences.  The ending modifies the imaginary scenario to convey another reality: though love cannot erase a damning past, somehow, escape is possible.

If the supernatural elements comment on life, the imp itself may also have a specific meaning.  The unusual law of the imp (sell for less or receive damnation) makes it a constantly growing threat.  Its sinister descriptions (“dark,” “fiery,” etc) and concealed evil (glancing in the bottle stuns the owner with horror) also portray the imp as a potent living force.  Perhaps Stevenson portrays imperfection and evil in humanity as this palpable reality, present in the world and available as a means of man’s advancement and destruction.  As an advocate of Semoan rights who lived in the islands during multiple colonial power-struggles, he vividly observed evil’s corrupting power.  He knew that the world often suffers when people allow the end to justify the means.  And when those people are us—the otherwise kind-hearted Keawes—Stevenson knew that the fiend within us doesn’t have to win in the end.
I chained myself to the earth
I planted the seed that grew into many
I chose not the stars
not the heavens
but land and gravity
when you're bigger than the universe
smaller than an atom
made up of matter and empty space
what's the point in floating around?
when there's no one to float with
you tend to be grounded
now it's not like that
I now feel clustered and confused
now I want to float and fly away
You have to take the bad with the good though
once you start something and let it's will be free
you no longer have control of the outcome
which made it all new and fresh
though I see redundancy and monotony in the flesh
repeating the same **** mistakes and learning nothing
have I gone mad?
Or has the world that came from me done so?
I guess that's why intervening now and again
breaking through unnecessary barriers
challenging faith and shedding light on a few things, helps the cause
I can't do it all though, well if I did, then many would lose purpose
that's why I just float so long as it all goes accordingly
unplanned and undefined
it's the point we shall evolve to
funny for one to think life is complicated
it is if there's no purpose
When the time comes those who went through all the trouble
those who were searching with their minds
are going to realize that the mind only seeks
the heart answers
we let our shells rule ourselves sometimes
but the shell only shows what the heart bleeds for
I will admit that it would be complicating to try and understand all that is
but you didn't make it, so how can you know what the artist felt when they were in the process of creation?
there were some points where it was complicating even for myself, but that was when I got closer to the finish line
which did I mention? It doesn't exist.
All in all we all evolve to resolve
from one into many
and many into one
you can look at a puzzle when it's all together and see beauty
but after you take apart the pieces and understand each piece's purpose for it's shape
you then not only see beauty, but beauty with experiential wisdom
I was a void to fill
now I'm full to burst
the void now has a void
for it no longer thirsts
the cycle shall carry on with miracles along the way
that's the way it is
and it will never stay the same
contradiction you may think
but I bring balance in a blink
I chain myself to break the chains
I break the chains to find freedom in new links
until the day when only scars remain
and the spirit of a star reigns
**FadedFate**
Mateuš Conrad Nov 2018
.i honestly don't know who Spengler is... perhaps just a zenith for a man of his times, who, needs to be carried by someone like Heidegger, into a notable mention in the 21st century reader...

point being... man is not an illustrious
biological creature...
             yet how Heidegger puts it...
this ignorant proclamation of
the abandonment of beings by being
...
which, if i remember correctly,
    instances of the intimidation of
"facts"...
      now... i understand facts as those
pointers with a numerical back-up...
a fact isn't a fact if it is merely worded...
that's an opinion...
  a fact looks something like this...
      the area of a circle = πr²
to me... that's a fact...
          for a fact to be a fact
there has to be a numerical addition
to said fact... what is a big bang theory,
or the Darwinism of "history"?
approximations...
         even in face of π... being seemingly
endless...
   well... the infinitesimal division of
the square...
  in short... π = o / ω
               π equals the omicron divided
by the motion of omicron
in the form of ω... rolling... spinning...
in an orbit...
a fact is a fact, to me,
when the "fact" isn't merely worded...
Darwinism doesn't have a definite
numerical proposal for its wording...
as neither does the big bang theory...
after all... we are biologically flawed
animals...
          we're not pristine biological
artifacts... for ****'s sake...
we get a toothache and we turn ballistic!
how is the biology of Darwinism
actually translated via
humanism and philosophy?
                    it's translated as
the zoology of Darwinism...
               yes, we are zoologically on
top...
  but biologically? don't think so...
we are inclined to think about
(if any) history interference with creating
the present borrowing from Darwin,
precisely because we are the highest
zoological outcome...
we're the ones who can cage animals...
animals can't cage other animals...
we're not the highest biological
specimen...
   but we are the highest zoological
specimen...
                       if we were the highest
biological example...
we... say... wouldn't be susceptible
to... viruses...
  our complex brains could avert infections...
i don't know how... telepathically?!
we're such a grand zoological specimen
in that we can interest ourselves
in borrowing traits and characteristics
  from the specimens we isolate...
but to my "knowledge"...
     bad ******* move...
                  i still don't understand
the mindlessness of accepting both the big bang
theory, and the theory of evolution
as facts...
                       concrete facts...
this scientifically secular dogma
                       with a rigidity that defends
itself with ridicule... oh no... not the religious...
humanism...
       it's not going after religion...
humanism is at stake,
esp. the bridge between humanism and
science... philosophy...
so we evolved to do x, y, z...
  just as the gorilla evolved to do x, y, z...
i find that we're biologically
intimidated by an animal...
the fact that an animal requires
so little, and so little has changed...
to perpetuate its existence...
while we have been forced into an endless
spiral of over-complicating things...
we're not fallen in the classical respect
of what that Genesis metaphor implies...
you chose, the harder route...
doesn't anyone think that...
hell... one monkey in the tribe
gets eaten by a snake...
these days it's a dozen peeps get shot
by a PTSD crazed ape-**** ex-marine...
what's the difference?
   but having a body like a gorilla,
and having the gorilla strength,
from what? a ******* vegan diet?
       how much... whatever the body-builders
take does it take... to have the equivalent
of a fifth of a gorilla's strength?!
see... an over-complication spiral...
and how do animals resolve their
social problems and their fears of death?
on mute.
                  no chit-chat... instinctively...
it would appear that silence can convey
more truths than the logos of man's
blah blah blah...
          we didn't evolve biologically...
but sure as **** we evolved zoologically.
trick question...
  in this... glorious labyrinth of thought...
would you rather be killed
by a tiger... mercifully...
or by a jeffrey dahmer... mercilessly?
              i'd pick the ******* tiger!
evidently psychology emerged after
people inverted their zoological
"evolution" on themselves,
     having, somehow exhausted
their first curiosities with the originally
caged animals.
  we didn't evolve biologically...
what has thinking to do with all
the biological advantage of the current animals?
like bears... who don't have to put up
with the blues of winter, escaping
it to hibernate?!

p.s. and this whole feral animal living
in constant stress of finding food?
yeah... pandas, sloths and koalas
look... really stressed...
and whatever happened to the carnivorous
thrill of the chase?
at least these specimens don't
need to deal with the *******
of having it inverted into a ***-honing
metaphor;
   i suppose a filled stomach
feels much more gratifying than
emptying a ******* sack.
The poet is a universe
In the universe
Having the universe in him
Vibrating the universe in his head
Kicking the ball in the mind field
In complex tapestry of words woven
To attain infinity in infinity.

Wonder not, the poet
In the universe knows
What others know not
By unravelling the universe
In complex poetic rhythms
From deep afflatus.

Living in the universe and
Carrying the universe on head
Are they equal?
I know the poet is a universe
Thinking the universe
Carrying the universe
In complex colors of night and day
Complicating the universe in issues
But resolving them in poetry

The poet is a universe
Growing tap root into the ocean soil
Shooting foliage to hell and heaven
Engaging the the universe in dialogue
To grow tall trees of wisdom and understanding
In the universe in which he is a universe.

The poet, a universe
Isolated in the universe
To think the universe in the plains,
Valleys and mountains of a universe
In the universe bewildering complexities
The poet is a universe!
ConnectHook Sep 2015
%%

It’s about leveraging potential income
to enhance output-maximizing sustainability …
It’s about de-funding unsustainable income outcomes.
It’s about results-based data-enhanced paradigm shifts.
It’s about demobilizing upward mobility:
dis-empowering gentrification
by underfunding the over-entitled.

It’s about de-funding unsustainability
until the immeasurable metric is globally assimilated.

It’s about the designated data-driver.
It’s about memes as theme schemes.

It’s about complicating competence
through collaboration in collusion –
intentionally replicating re-branding –
effectively identifying best practices of the best-dressed actresses
until the girl in the t-shirt says “meh”.
check her out in all her glory:

https://connecthook.wordpress.com/mine/data-driven-poems/immeasurable-outcomes/

%%
Owen Phillips Jan 2011
I scribble on
With a half lobotomy;
A radar seeking Hell by looking up
And another dictionary
From another time and place;
An alternate timeline
Reaching right and left
As well as fore and aft;
The beard of a ******
And naïveté too;
Undiscovered depths of emotional manipulation
Unseeing, unthinking,
A new old structural familiarity
To abduct and probe
The time-honored, vacuum-sealed
Ineptitude of ideology
Whose meat is sweet
But suits the skeletons of standardized educational theories
Like a pair of jeans at age eleven that you expect to grow into;
In hope of justifying
Overuse of monetary resource
For the sake of bonus states of mind;
Scouring the depths of discarded everything
With hooks catching on to all the similarly forgotten names
Who live in fear of obscurity
Clinging, not unlike insects
To their sixteenth minute of fame;
Finding in myself no way but out
To understand that which lives inside;
With disregard for any thread which weaves past me and takes no hold,
And loathing for the ones that do but unravel before the eyes;
Lightheaded, ending any sense of continuity
When, prostrate in the comfort of another tapestry
I stand abruptly, let my dreams be drained from me through tendrils
Like the passing of a temporal existence;
Drinking in the dust and glue of crowded bookshops
In fear of losing inspiration
To the insatiable jaws of my consumerist natural state;
Rummaging in a bargain bin
In search of someone to tell me, “Stop!"
With heads in clouds and bodies in ice trays,
Stealing lines of logic and lyric,
Throwing down and hacking into
Elemental bits which fit into my own vernacular
Sacrificing beauty for originality and vice versa;
Choosing idols idly with the tides
Of knowledge and of art
Rising and falling without fail
Never apparent and never blurred by motion;
Searching for a style like an odd-numbered jean size;
Finding greater inspiration in waves of unopened mysteries;
Following examples laid by unsuccessful fictions;
Learning ethics only from the prologues of ****** novels,
Unsuspecting victims snuffed in interesting and lurid ways;
Letting technological distraction detract from the projections of psychological complexity
Which I, from atop the high horse of my own pretensions
Pretended to embrace;
Committing massive acts of thievery, fraud, and infinite lethargy
For the sake of juvenile, illegitimate art forms;
Seeking other seekers who exist autonomously
For the sake of personal independent credibility;
Leading unsuspecting, overreaching, overeating, understanding, undemanding,
Too forgiving, not forgetting,
Victims of domestic warfare
To a loveless watery grave
For the sake of my own loneliness;
Patronizing every segregated buffet
With courage enough only for a small taste of everything;
With the flavors of the day swirling around
For me to shoot them down
And pin their carcasses to elementary school walls
And Mormon tool sheds
And nature centers
And all the forgotten places of summers past
In the hope of rediscovering
Some old buried treasure
Be it wondrous or worthless;
With the uneasy insincerity of a rodent who pretends to understand a city;
With adopted methods
And repeated thoughts
And ideas which came to me in waking dreams of my own retirement;
Sharing, for a captive audience,
The formidable giants which
Inform our common denominator
Searching through myself for only the most indecipherable
With the fear of being understood
And the fear of being ridiculed
And pretensions of some preternatural predetermination for greatness;
With acceptance of predisposition for obscurity,
The cost of the inundation of the new airwaves.
The series of tubes that feed us intravenously
With information, information, information,
Having killed God and left material validation in His wake;
It could be that new gods are born in the minds of the innovators,
Those wonderfully wealthy
Whose social structuralism
Was a beacon to us all;
In the darkness of an architectural anomaly
Where lights extinguish as my body lies dormant
Alone and abandoned
Only by my own subversion;
Confined ever to a convolution of passages
While above me all my peers still carry on;
Overstaying welcomes
And letting emotionality
Color conversation
A sicklier green,
A green of a tree only just sprouted,
A green of a new recruit,
A green of an inexperienced schoolboy
Faced with the daunting and timeless act
Of copulation;
Somehow taking in the sights and sounds and smells
Of advanced mathematics
Even occupied, as I am,
With explaining my actions
Most eloquently;
Devoting myself to another cause,
Another, another, another
Always relaxing my grip by losing focus;
Desperately hoping not to let my fellow travelers
Lose their innocence
While I reluctantly, dogmatically
Keep mine on a leash;
Always keenly aware
Of the universe of worlds
Beyond my control,
And even my understanding;
On the increasingly frequent
Intrusions of risk
Into my significant reality
And the iota of explainable truth which guides the motion of my body but most frequently my mind;
Questioning the meaning of all words
Without thought or coordination;
Considering another restful journey
To clear my mind of human language
And in its place acquire thoughts and emotions from the street;
Without foreseeable direction,
Malice aforethought
Or noticeable signs of critical reaction
Giving birth to litter
Forgetting articles
And floating my sense of time up the Ganges;
Taking only seconds to counter the possibility of
Accepting more responsibility for myself;
Complicating matters with an interesting or bitter goodbye.
Title inspired by Mel Brooks' film *Young Frankenstein*
Jack Gladstone Jan 2015
To write down all my fears would take a book.

My desires even more.

The big problem, however, is where they overlap.

To desire what i fear at least seems adventuresome, almost romantic.

Scary yes, but exciting. Like a roller coaster ride with a fear of falling, like i do.

Adulthood, the scary but most wonderful time of life.

Then there is the fear of what i desire.

That is a whole other beast entirely.

What if my desires are not good for others?

What if my desires steer me wrong?

What if i follow one path when another would have been better?

What if i don't achieve my desires?

What if all these existential, angsty thoughts are complicating things and themselves standing in the way?

What if?

What if indeed.
At once at the top of the Estinfalos, Marie des Vallées avoided all of them being injured and being swallowed by the strait. The bronze birds with great vigor avoided being part of the vast shore that hit them as Nephelleidae Helles. Here they were compelled by the Myth Frixo and Hele, in the process of their sacramentals. They took the assignments before running with the same fate as the children of Atamante and Nephele. Ino the second wife of Atamante wanted to get rid of them by burning the grain so as not to have crops. This is where the soul of the Herophilus Sybilla appears to them, consulting the Oracle of Delphi. The Children of Atamante were destined to be sacrificed, being Nefeles who sent a Golden Ram, the children were saved by climbing Ram's spine, taking him away from the executioners. When Heles was going to a great height he looked towards the sea that caused him vertigo, falling into the sea in its celestine waters, remaining from this instance with the patronymic Hellespont. His brother, Phryxus, clung tightly to his back and arrived safely at Colchis. Marie could see some Gerakis and then react in search of Heles, taking time to decide and enter. It was only a few hours before dusk, and the lacerated seventy were lowered from the Stymphalos to cross the waters in search. Marie joined the bronze birds with the interaction ratio of all the times that they would intertwine in the lines showing exploration, supplying what Theus and Vikentios did to grow in number, and with all the occurrences that occurred for the contemporary coincidence of thousands of years, for the current figure of millions of light-years that reacted towards the sky crashing in everything that a maximum roof allowed, and then allowed them to be in the interaction when crossing the Sea of Heles, where she always was, only being diverted by the bronze birds from above, and only being tangible by Marie's conscience when she saw that she had never fallen from the Golden ram, but had been only a weightless creature among the clouds of her mother Nephele, hanging around her neck some remarkable telesomatic beings sent by herself, in egregious tributes to her most adorable daughter. She subsequently falls into the sea, unblemished that Vernarth would go to rescue her from her. The Lacerates, Theus, and Vikentios gathered in the circular area of the Gerakis, leading them to the ancient Phrygian city of Dardania. The crowded currents of the celestial realm became ocean currents that lifted Heles's living body as Gerakis with her wings signaled to the Stymphalos to grasp her with precision. Silently the psyches of the bodies of the Trojan War were able to make Heles's rampage measurable, doing Vernarth's medication at a distance with Heles when her death throes accused her rejection of the balsamic intentions of Marie des Vallées. Then is she resorts to the bilocation of Vernarth managing to see from the surface the reckless surface of the sea, seeing a figure with a snowy white outfit and also a light blue tunic, in addition, she wore a crown of cocoons as a Diadema.

Nothing made it possible to presume that quantum was not bending in kilometers that separate Patmos and the Sea of Heles when this sacred figure was sighted that was glimpsed as psychosomatic physiology, for the good of the Second Age that Vernarth brought for them, noting that it was Bernardette Soubirous, which became immediate like a Benedict Akashic field. The small and large units of Massabielle's universe were pointed out from where this quantum elitrophic wave came, with living palpitations of Heles granting the inquiry of her by convulsions of his brain with small akashic vibrations before falling into the icy Sea. Non-local logic became arcane before this telepathic event, and the figure of Bernadette notified them by its coherence of subtle connection, that lately the light that she carried when she escaped from Ino will be rekindled, with the oblation for her was subordinating her, and that it would be supremely since there from where they would uproot her and then free her from the Akashic field from minor to major storm, where Marie des Vallées would let them know that she was safe. This space was already local, but it was detached from the terminal that made it originally from it for the connections of having it already on Patmos so as not to have to be transported by the Stymphans. Everything happened synchronously in unison, after the transpersonal boundaries of consciousness that were united among all to free it from these bonds in the freshness in Heles. All the micro-dimensional organisms became more than clairvoyant with the endowments of the falls and the uprisings after the rescue of Heles by Vernarth and the Akashic fields, applying the material field that was transposed in great extensions of material-immaterial time, before the immanent Electromagnetic gravitationally that could only be seen, heard and probed by Vernarth when he was meditating between the hemispheres of Aullós Kósmos, justifying nth parapsychologies where space is not empty and does not have a percentage mass in this case, and what has been called the quantum vacuum is in fact a cosmic plane (Akasha). Thanks to this information, it was conserved and transferred by the Akashic field, from the coherent universe of Heles, where it could be reconverted into a Sub Mythological being, thanks to a superhuman being happening at the site of the Dardanelles and which will also take place in another place in Patmos.

Marie des Vallées says: “everything that happened in one period also happened in the following times here at the Hellespont. Nothing was local, nor limited to where and when it happened. All things are integral, cosmic because everything is connected and the memory of all things extends to all places and times. Here is Vernarth who is the object and subject of his umpteenth parapsychologies, which are the replica of the joyous songs of Bernadette Soubirous's Rosary "

Vernarth sensing that Heles was in frank danger of life, mounts Alikantus and heads for the Strait of Dardanelles. Here he manages to specify that it was compared with the anachronism of the Bronze Birds, who had sailed through the upper Dodecanese, then over the Marmara counterclockwise from Kairos, meeting again with the Helladic period. Here it spread over Hellen; with the eponymous hamlet that boasted of the Stymphalos, as a coerced premonition in the pre-Helladic, towards the end of the Bronze Period. Thus, with this changeable phenomenon, Vernarth was directed, while he flew in the seconds of Kairos time as a symbol of subsisting in each deleterious life, almost with the powers of not getting intoxicated with any substance transited by the sea of the strait. Here Vernarth went to Alikantus, being this one from Thessaly and Sudpichi, right here among them Kanti appears with Etréstles, they came to tone up the survivals that would bear Heles after recreating the two great Ionic and Doric hydric colonnades. While Alikantus being of Cretan, the roots he had to emit breaths from the Eighth Cemetery of Messolonghi to revive the colonnades, to separate the waters and molecules that increased in density to move Heles from the depths of the ocean. Kanti was a super steed, he plunged under the Marmara, like a tiny sea to leave the waters of the Black Sea from one of the abutments of some seams of some Achaeans, which were disengaged from the seas that joined them. In this instance, the Helén together with Vernarth continued to release the ropes of a great Kizara that Nefeles had woven for her daughter, from here from the dean cloud and from the distress where she freed herself to go to her Gaugamellian aid. The Kizara was a Eurythmic wire rope, therefore its sound elucidated the sea and its celestial kingdom, magnifying and complicating Poseidon in the sea that actually resembled the sky. Therefore, Heles was with his ethnonym Hellespont who snatches her and redirects her to Helén, which was similar to her name, in such a way that the sky was embroiled by the point, from Helén by Heles creating the watery element of the Flood of Heles that was retracted by the impetus of Kanti and Alikantus when Vernarth increased with all his vivification when he saw her near the shaft of the Doric colonnade, organizing the waters that would rise from the susceptible Heles wrapped in a Himation that Vernarth had dispensed near the Vas Auric.
Nefheles
Adam B Feb 2010
A desperate desperado shivering as the sun sets,
casts it's silky shadows upon the hollows below.
Beneath the cascading denizens of light,
a puff of smoke waltzes across the December sky,
a patient without his insurance with nothing left but
callous empty third-person reassurance,
"everything will be better" as she said.
But better is always easy when your hand isn't writing the letter.

Save your proverbs for an open ear,
this one is half deaf and full of itself,
despite your intent,
your lack of action perpetuates malcontent.
After all we're all just passing moments
gone and forgotten, evicted,
convicted of being a gutless mime,
going through the motions,
minus a true notion.

A confused calculator short circuiting under an oil leak
spitting out numbers, complicating already complicated complexities
subtracting numerals adding funerals
dividing families multiplying tragedies
It's just a numbers game, and we can't participate
we're just the studio audience, recorded live without any life.
Flashing signs tell us when to laugh and when to cry,
pre-determined automated messages contrived to convince.

And I'm stuck spinning in the corner,
with my hands on my head.
Senselessly blurting out: Why?!
But don't mind me, I'm just another lost soul
trapped with my head in the sky.
Pétra Hexter Nov 2018
War; absolute
This will be my macadam into re-assemblage
For if I'm not on edge, I'm taking up too much precious space
What wickedness lies beneath the surface of the skin?
I should know this place better than anyone
But my landscape has become mercurial
Ever changing, impossible to map
I am forced to navigate its pitfalls in ever complicating ways
It has become a desolate place
I alone should rule here, my sovereignty unquestioned
Yet I've become content to be complacent, and have allowed a sickly intruder to slip past my walls
They infect, demoralize: turn my skin to stone
They must be expunged; cut out, snipped from the healthy flesh like a cancer
As one removes a gangrenous foot to save the leg
Though my tools at the moment are blunt, I sharpen them daily with the whetstone afforded to me
They will not continue to expel bile into the bloodstream for long
My strength returns by the hour
They know this, and they tremble
I am the goddess to whom this altar is devoted
I am righteous fury, come to cleanse this blight with holy fire and flood
The war drums sound as the gate is lifted

The iron bell tolls -- judgement day cometh
Lee Apr 2013
When I ask you to imagine
I can’t imagine
you’re imagining
the same thing I am.
Imagination is individuality
,and individually,
if I ask you to imagine like me
could I be asking you to imagine us
as we
or you
as me.
It’s a complicating thing to put into perspective
a complicated feat to achieve.
It’s a melding of perspective
and just as I suspected
there’s no way for this error to be corrected.
Can you imagine how these things can end up hectic?
Or see
how being me
is similar to imaging
utter insanity.
Kewayne Wadley Dec 2016
Sometimes, things wear out.
Creating holes and gaps often complicating the simplest of things.
Sometimes love is a lot like socks.
Some are long, some are short.
Hell some even come up to the height of knees.
Some are bland. Some are colorful.
Baring the fruit of comforting something bare enough to be considered as precious.
Devilish things, socks.
Sometimes they create more problems than they are worth.
Coming apart at the seams,
Getting caught between your toes.
Constantly having to stop and readjust your shoe when no one is looking.
Or flat out just take your shoe off and fix it.
I thought I brought the right size.
Carefully reading the label,
Sometimes that one size fits all is just a lie.
In time all things wear.
Just don't be foolish enough to not enjoy the comfort of the simple things.
This at all isn't comparing you to a pair of socks, no not at all.
If ever I was to become overweight.
You'd be the pair of suspenders that hold my pants up when my belt can't fit anymore
Aylin Chavez Apr 2019
You say you love me,
But your love feels like death.
Your words are meaningless.
They’re nothing but blurred.

We tangled in the sheets,
twisting the words in my head.
Complicating it’s meaning,
twisting it’s simplicity.

You blocked my thoughts,
with your trail of kisses.
Trailing to a dictionary,
to the truth of the word

Our hands entangled with one,
not able to write what we felt.
No marks were drawn,
to draw that heart.

You blind me with your “love”,
with you I had no sight.
You were that special one,
until I’ve seen.

You claimed to love me,
but your eyes looked past mine.
Not sharing the same love.
My eyes loved you more.

You pushed me aside,
not expressing the love.
That’s when I realized,
your meaning was different than mine
Andie Lately Jul 2010
Better days
When the world was beautiful
Dancing was a fever
A feeling so high
All the lovers raged on and on
Upon a mountain of lovers
Twisting, sensual
A touch, so seldom
It brought shivers

Taking chances
Realizing that one night
Was the last of eternal bliss
Lasting love and happiness
Over
Without so much a proper farewell
Now begging to return to the dance floor
Walking towards the exit
Humming slightly
To a tune not forgotten

Walking amongst unfamiliar faces
Forbidden love
Prohibited from falling in love again
Not a chance to see what was happiness
Only a songstress could save me
Perhaps if I shouted for her, for him, for you
Resisting is foolish
For I have been consumed by an angel
Who sought me out
And ordered me to raise arms up
And shout for love

A sound in the night
Stranger in the night
Confined to solitary confinement
Forcing me to reconsider
The life chosen
Closer and closer
Redesigning the world in an image
Where love is in all of us

One step ahead
Planning for a revival
When all hell broke
But an epiphany occurred
This was the dream
To travel far and near
Where the world is seen
In multicolored
And black and white
This was a beautiful sight
The beautiful dream

A mighty return to this dance floor
Risen from ashes
A triumphant victor
Shining lights upon the followers
Notice this is reality
Not fiction
The sound of music
Flowing into each body
Embraces and affection
A thrill
Heartbeats ceasing
Trying to capture the intensity of a moment that is unforgettable

Created from nothing
An illusion that was created
To preserve a creature so pure
It was thought to have been banned from mortal eyes
Now it has crashed
Creating confusion amongst the lovers
Fearing for her safety
It created a masquerade ball
Surrounding by what she deemed reality
A distant land
Only she knew
When the perfect world shattered

Rumors spread of a goddess with the powers of the forbidden
Foreseeing a brighter day for those who chose a higher path
The world knew of the secret
Complicating information
However the brightest in the world
Seemed unaffected by the discovery
Hiding their connection

When the goddess loathed being captured
She revealed the master plan
But promising to strike twice
If the world saw what was lying underneath
Gone, the goddess sought shelter far away
Nothing the mortals knowledge of her plan
Striking from heavens above
Lightning struck twice
Blinding the universe
For only a second
Nothing existed

Reminding the world
Dark disco magic
Warped time and love
Nothing was ever bright
When left alone
Or forgotten
Or simply existing
Sam Temple May 2015
recollecting collections projecting selections injecting protection infection dejection
dyslexic narcoleptic rejecting dejections ******* complexion complicating interjections
perplexed inspectors intercept pterodactyls relaxing in backpacks extracting disillusion
contortionist philanthropist dejected transgression implementing eradications of moss buying patrons
eclectic perfectionist rests limp-wristed whispering disparaging remarks to the wait staff
trombone percussionist impressed and impoverished gravelling wistfully mimicking Rickles
I sit half disheveled grinding my wisdom teeth feeling the fleeting muse sitting in disbelief –
Anais Vionet Nov 2022
On a recent Saturday morning, I was blue-collar grinding (volunteering at a local hospital), when one of the doctors I've wo-manually labored for stopped by briefly to check on a patient. She had her young daughter, Ivy, in tow. I’d met little Ivy before. The doctor asked me, “Would you mind keeping an eye on Ivy for a minute?” “Sure!” I committed, bending down to get eye-to-eye with the girl and engage.

Ivy’s an adorable little human. She’s a sober 4 year old, about three and a half feet tall, with wavy chestnut brown hair down to her waist. She was wearing a yellow, “Beauty and the Beast” dress. Ivy’s into all things Disney (who the shiar isn’t?). Disney seems to home right in on impressionable young minds like hers and mine.

Ivy asked me, “If you could have a wish, what animal would you be?”
I believe we should talk to children as if they were adults - my parents were like that with me - which partially consists of complicating basic ideas and observing where the kids go with it.
“Where would I BE, as this animal?” I asked, after all, it was an important consideration.
“What do you mean?” she asked, puzzled but genuinely interested.
“Well, I wouldn’t want to suddenly become an elephant here in the hospital - would I - or a bear in the middle of the ocean?”

“NNoooo,” she said, so scandalized that she took my hand to reassure me.
“I’d probably want to be an alpha predator too,” I was thinking out loud now, “you know - no use becoming an animal only to get eaten.” She nodded, scouring me with her wide, unblinking, brown eyes and I finished with, “since humans are the #1 alpha predator, I suppose I’d like to be.. me.”

“NNooo,” she said, sternly. Her body language radiated impatience. She’d decided that I hadn’t understood the question - or I didn’t appreciate the magic possibilities of transformation.

Her mom returned, just then, and after touching base with the duty nurse, she turned to Ivy and me, “Ready to go?” she asked. Ivy immediately changed allegiance by releasing my hand and taking hers.

Doctor-mom thanked me and as they walked away, Ivy gave me a bashful, half hearted, goodbye wave.

I’ve discovered that if I do my volunteer work early on weekend mornings, from 6 to 10am, it's almost like it never happened at all. Afterwards, I’m not tired and I have the rest of my day free. I had to give up something, of course - my early, weekend, antisocial coffee consumption and writing time.

Coffee shops are my favorite places to write but few of them are open at sunrise. I’d found one that I liked close to my dorm. The most direct route is to walk through an old cemetery. At sunrise it can be dark, foggy and dew soaked - a scene right out of “Night of the living Dead” - creepy-ish, but I’d take the shortcut every time.
BLT Marriam Webster word of the day challenge: Scour: “to search (something) carefully and thoroughly.”

Slang…
shiar = the mother of all curse words.
Kida Price Jun 2014
Us
Ten years shy of our interlude
You watching me punching you.
First impressions were insude.
Who would have thought they would have lasted as long as you?
Hardened shells
Never crack
Passing notes
Hear you laugh.
Searching hallways
Looking back
See your face
Give me that.
A casualty of a hacky sack.
Keeping face and holding back.
Hug me tight
Apology
You won't see a single tear from me.
Turned your back away from me
Never wanting comforting
Especially from the likes of me.
Hugging back
Selflessly
Making you see this isn't me.
Highschool drama
**** those llamas
Keeping rage to a tolerable somber.
Pretending not to see you leave
So far away from my company.
Feeling others pulling me
Away from your integrity
Intentions made so violently
Trying to hate you
Have you forgetting me.
Angry notes are pushing
You farther and farther away from me.
Making us complicating
Something as simple as you and me.
**** this ****
I want this
Complicate me with our trust.
Let me be the one you dance with
When there are others you dismiss.
Passing up what could have been our first kiss.
Day of love
The day I hate
Who needs a valentine?
It could **** my taint.
Down the hall behind your back
A little flower
Now I'm trapped.
Handing it to me
Watching a smile grow widely.
Making my words into hypocrisy
Now they know I'm a girl and see
How you're cracking every bit of me?
Kissing cheeks
Make us blush
Never stopping our blood from the rush.
Holding hands
Intertwined
Finishing sentences
Reading minds.
It almost felt like you were mine
Before life parted us with time.
Far away
Computer screens
Catching up
Living things
Watching you love and letting you be
At least we had the memories.
Fell into some habits
So did you.
What is our lives coming to?
Feeling the shells harden again
Please don't break it
Let me pretend
You don't see me on this end.
You won't be proud of the things I did.
Fall off planets
Wedding bands
Stand at attention
No longer in each other's plans.
Seeing the world is the latest trend.
Asian continent
Back on earth we land
What are the odds
Of you planting your legs where I stand?
Aisle walks
Who's at the end?
Selecting food with a friend.
Stand like a statue
As I ascend
Hardly believing we're breathing the same oxygen.
Did you shake?
When I wrapped my hands
Around your back
Am I an illusion?
Miles from home
And I found my friend.
Bring my songs back to life
Thinking we've change
Together that's a lie.
There's much to do about nothing
To pick up where we left off back then.
The mold I'm squeezing myself in
You trying to keep yourself busy
Any excuse to have a run in meeting.
Find religion
No, but you'll spend time with me.
Watch me do some mormoning.
Maybe come over for some holidays
See the part where I'm cooking things.
Confiding in you that I hate Christmas
And you full heartedly agree.
It's not that bad though on the couch reminiscing.
Pull out year books and point out people
Together hating
What have you been up to since leaving me?
I love long stories
They won't bother me.
Once again fingers entangling.
Almost forgetting to whom I'm belonging.
Don't remind me of what I'm craving.
Here...look at these girls
They're all that you need.
The attention you give me only makes me think.
FHE hide and seek
Sit in my car
Listen to me sink
Oh, you met someone
Isn't that neat?
She makes you laugh
She helps you feel less lonely.
It wasn't until you had us meet
That my inner envy began to creep.
That night before deploying...
Even in front of her
You saying that you loved me.
And I believing it being more than friendly.
6 months out
Desert sands
Losing someone you thought you had
On both of our ends.
Ask advice
The hell if I know
The same thing is happening to me.
I wish it wasn't how it came to be.
A matter of time before you return to me.
Work day
In my registers place
I'm the first you choose to chase
And in response I jump to your embrace.
Relieved you came back in safety.
You came back home
And my home came back to me.
Darken sidewalks
Hand in hand
Tell me how you spent your time in the sand
Your place now
And I confess
There's things I feel
Parts of you I missed.
Expecting you to call me out
It's not fidelity if I say it out loud.
And yet you don't
You mimic me
Telling that you had been missing
Me.
At least we know
We said our peace
No further even though our doors are opening.
Don't swing wide
Don't let me feel your breeze.
Just one toe in
That's all I need.
Game of thrones
Barrack rooms
Wondering what I said to you
Just lay down
Don't go too far
Non make out session
Our hearts pound hard.
I'm on top
My face too close
Touching lips
The story goes
It's you and me
Staring
Can't believing it to be happening.
Just this once and then no more
Kissing as if we never had before.
Trying hard as hell to not want more.
All convictions to the floor
Loving each other like there's a settle to score.
But it doesn't count if you don't say
That you love me in anyway.
Let's keep it casual, I say.
Let's try to stop this all today.
Going out
Drinking scene
I'm trying to look pretty.
And you always look good
In whatever you throw on
Inebriated I try to make you sing a song.
Go out for some air
Let the drinks speak for me
Telling you I love you right then and there
Regardless of whoever could hear.
Moving too fast but I didn't care
If I lost you again at least of have it out there.
Drink me up into your cares
I'd rather be here than where I came
While you tell me you love me all the same.
It's probably wrong for both of us to say
But we've know it too long to be too ashamed.
Let someone else take the blame
Of constantly getting in the way.
Evenings spent in each other's sway
Till he calls or we get too carried away.
Not letting me go home just yet
Don't leave me alone
Don't make me forget
The places I've kissed on your neck.
Crevices discovered
New places of wonder
In and outside of those covers
No control
Let's leave the room
In the zone
Inhale those smoking fumes
Stupid smiles
To one another
They all knew about us and each other
The lust branded us both lovers
Except for that certain act
We broke ourselves not to rein act.
Kissing can be forgiven
But that sure as hell can't
Only when we belong to each other
Would we ever do that.
When and not if
After all of this
We felt too much with every kiss.
Placing each other in each future scenario
Naming kids and watching them grow
In our heads.
Plucking out names as we star gazed
Debating on waiting or straight away
Having our perfect family.
Talking of sharing our lives alone
But we weren't alone.
Knocks on the door
Back home there was met
Someone who found out our little secret.
Confronted
Turns out that I was actually wanted
Could have fool me by his quiet neglect
And we were both being treated like back stabbing suspects.
And that's when the guilt in me crept.
Stronger than I, you stood your ground.
Feeling bad for the conflict but not for being around.
Wanting to protect me from every sound
Of rage and breaking hearted rebound.
And after that it was like a divorcing trial
He'd have me all week and then you on the weekend but only for a little while.
Trying to keep myself going wild
Trying have both of you smile.
Stupid me
Now I see
I'm not the kind of person meant for sharing.
Back and forth and still I'd be
Exposed to 360 degrees of jealousy.
And on top of that you were leaving me.
Not deliberately
Not intentionally
Not wanting
To see me fade away into nothing.
Do our time
Make it count
Get the claw and pull nemo out.
******* there's a gloomy bear?
10 more tokens then we're there.
Photo booth
Print it clear
That we happened. We were here.
Walk a trail and find a tower
Watch the sunset from the water.
Skip those rocks until I get it right
We were always worth the fight
For any of those memories to see the light.
Knowing though right now can't be
Someday you ask to marry me
I've been asked that before
And you see where that got me
You don't blame me for the disbelief
And your ever hopeful eyes still plead
Never thinking back in spite
The things we felt on your last night.
Folding socks
Packing tight
Kissing time away that night.
Interrupted
And I left
Feeling so in completed.
Watch the clock before you take off
I need to make it now or not
Walk right through the terminal doors
And all of your resolve plummeted to the floor.
One last time and then no more.
It's hard enough to say goodbye
I can't do it when you have tears in your eyes
Trying hard to hold back mine
All we wanted was a little more time.
We always joked of how
Hours went by like seconds now
God allowed time to slow
When you're feeling miserable.
In the line
Watch you fly
Now it's only me, myself and I.
Hoping one of us can keep our memories
As my tangible one fade away from me.
Try again to recommitting
To the one I left hanging.
Trying to still be in your mind
But letting go to prove him right.
Then he left me high and dry
Should have saw that coming as soon as you took flight.
Hoping you put me from your sight
Burn my letters and live your life right.
While I deny myself the right and mine
Thinking I deserve it for my crime.
Breaking 3 hearts including mine.
Pass the time
I need to be better
I need to follow his life to the letter
Thinking I don't deserve much better
The one who you had wants out but I won't let her.
Feels like I waited forever.
Reconnected the line to the wrong receiver.
Thought I had done what I thought was best
Hearing your voice say those words and I couldn't contest
With your distance and your suppressed
Empathy for my distress.
It's the undeniable consequences.
Let myself fall of the surface
Breaking ties
Become the enemy
Become the very kind of person
I spent my life loathing.
Prey upon those who'd believe
All the pretty words I'd seethed.
Who knew it could be this easy
To make someone else fall in love with me?
Faceless guys who tripped to see
Any kind of attention from me.
Getting drunk every evening
Just to **** the part of me with feeling.
Touch me want me kiss me taunt me
Think you've made me the one who's wanting?
And then the prodigal boy who bounced me
Came back when he saw what I was flaunting.
You would have rolled your eyes at me
With everything that I was portraying.
Going back to the way I was playing.
In my defense I wasn't thinking.
About him.
About you.
About myself or what I had to do.
Deny the basic human right
To feel some happiness
To feel alive.
Take the bottle and the pills
Waking up the next morning
Disappointment with a side of chills.
At least it was a wake up call
Trying to control it all
If I was going to let myself fall
I didn't want to inconvenience anyone at all.
Play the part
Say the words
Live the lie
Make it work
Made my plans
Aligned with his
Come back home and he leaves again.
Knowing in the back of my head
You were somewhere else
And you lived.
Maybe someone was warming your bed.
Last we spoke, someone did.
Trying to keep my space again
I'd done enough as it is
For you to want to see my face again.
So I had thought
And I did.
You were waiting for my message.
Even if it was just as friends.
Facebook stalking
We both admit
We'd do it weekly until one of us
Started talking.
Passing thoughts
Wait for an update
Profile pictures
Changing
I kept taking more and more
Note on your tagged photos
Wondering who took those.
Did you still have the ones I took?
When you were alone and thinking
Did you have a look?
Did you ever think of me?
Why the hell aren't you messaging?
Then I, with silence breaking
"Hey there stranger...."
Message seen
Then you said you were willing me
To say those words through the screen.
Find out how you were close to me.
How did I feel about visiting?
Driving three hours to my county
And now to you I'm nervously driving.
Pulling up next to you
*******!
When did he get so huge.
Wait a moment for my breathing to ensue.
Unbuckle, get out and walk to you.
Pulled me in
Was the first thing you do
And the the feeling came rushing through.
Like some ****** on a binge
God, it felt so good to be held again.
Trying to avoid holding hands
Check me out
And I'll check you back
Tease each other
Make me crack
Almost kiss
Pull away
**** this ****
Do it anyways.
Walking in public places
Didn't help the pulsing phases
The time apart didn't diminish the traces
Of the physical draw, we just misplaced it
Maybe we should go back to my place
Watching some film while we look away
Baby, let's not get carried away
Close call
You almost made me fall
Crazy how that felt like no time at all
Till we're back on the same spiral.
Catch a glimpse of my swinging face
Smile now frown now back to our places
It's hard to feel so far away
When I stare at your face through this screen everyday
When I fall asleep to your voice at night
When we speak of drawing first blood
How hott it would be to fight.
Making business meetings
Into merging companies
Telling secrets
Making scenes
Silly faces
Fairly lands
Does it bother you?
It never did.
Trying to make my life less complicated
Convincing me
That the ground your standing
Is the one you claimed
Like planting a flag down in the name of your country.
Come to my door
Pull the beasts away from the floor
Then I'm against the wall
Pick me up
Never letting me fall
First impressions are the best
You say hello in a way if can't contest
Trying to keep the shake from your hands
As you fiddle and press all my buttons
Road trip riots
Scream out windows
Call me maybe?
That poor couple.
Amusement parks are just a perk
We're already amused together with the way we work.
Baby, I love you, turn around!
******* A!
The sloth you found!
My jaw almost hit the ground
I went full ****** just now.
Lemonade ice
Wishing wells
Tattooed dad's
Hands are held
Fight the straw
In your mouth
Remind me of my stature
Elbow on my head
Apologize
Kiss my face instead.
See a family struggling
With capturing their own memory
Tell me to ask and see
If their picture could be taken by me
So shy by your own generosity
I lovingly agree
Sleepy now
Wearing out
First time sleeping all personal.
Promise to stay
Regardless of what's happening?
We don't have to go all the way.
Naked now
If you kiss you lose
Did you kiss me
Or did I kiss you?
Alarm clock ******* up the sleep cycle
Waking up to see you smile
Morning breath
Just give me a little while
Get up from bed
Pull me back down
Put on your shirt
Take it back off now.
Taking care of canine kids
Taking a shower while you sit
Ready to go back on the road
Walgreens, gardens, now my favorite abode.
Secret spot that I show
**** rubbing that tree made me giggle.
On the strip
Arts and crafts store
No, I've never been in there before.
We both enjoy what we see so far.
*******.
They're playing Fast Car.
Stares are swapped
Grins are spread
Sharing that secret
Like we did.
Waiting till that song did end
To head to our next destination.
Walk up hill
Serious talk
Sit on grass
Picture swap
Ninja pose
You're built like a rock.
Find some food
But it's too crowded to walk.
Jason's deli has what we want
Only conflict is the drinks that we bought.
You like mine better?
I like yours too
Problems solved
Let the trade ensue.
Ticking clock
Almost time to leave
Rewinding parts of mr nobody
Trying not to let me see
How much you don't want to leave.
Kiss me like you don't want me to,
******* this kid is making me lose it too.
Get in car
Drive away
Call me soon
Drive home safely
FaceTime ******* us off incessantly
If we were in person
We wouldn't need this ******* thing.
Hardly an hour past, and then
You ask when you can see me again.
Make some plans
Rinse repeat
Tabb throw back
Dairy Queen food endeavor
Food lion **** break
Tim minchins radio doppelgänger
Read my brain
You thought it too
Art museum
I'm gunna get you
Riled up
And frustrated with me
It's hard to walk when in my ear
You're whispering
Do you hear a piano playing?
Let's trek back and see
The master of that melody
Hunting down the elderly
That old guy is you
And the old lady is me
Speaking of our future constantly.
Back to the ride
The glove box won't comply
Get some wire to compromise
Take me to get some shakes and fries
Wandering in the mall's walk lights
Going back across the bridge
My paranoia of the road permits
Squeezing your hand every five minutes.
Relax
Scream and step on the gas
You sure know how to make my brain go lax
Check on the kids
And then pursue
The slumber party
Take two
Messing up the room info
King sized bed
Downgraded to two q
A Oct 2017
I’m doing fine.
I hugged an actor I like, and for some reason that stirred an emotion that I would classify as Foreign to me, happiness.
I am a passing fan and I know he forgot all about me by now, and yet meeting him made me feel like I could accomplish anything I’ve ever wanted. It’s silly, I know.
My cycle of self loathing is breaking and mending itself, and I’m stuck dealing with the shards and broken pieces that I pick up after myself, after my own destructive mind manages to break me.
I am scared- no, terrified, of the future. I’m scared of becoming a failure and I’m scared of becoming something I’ll end up hating. I’m scared of a stable life and a nine to five job. I’m scared of leaving my dreams behind in a desk drawer and continuing to live as a copy of everyone else.
Safe, in my comfort zone. Locking away my passions and dreams as phases of youth.
I’m doing fine.
I keep doubting every single decision I ever made. And I keep trying to cry out my fear and confusion to no avail. I keep drawing lines upon lines on a blank paper, somehow trying to see a meaning, or a sign, in between for me to keep going. To keep living.
I’m doing fine. I’m doing fine. I’m doing fine.
There’s a roof above my head and food on my table, there’s a bed for me to sleep on and I’m financially stable. So what is it? Why am I up at night feeling sorry for myself? Why am i complicating simple things?
I wish my brain would stop working. I wish I could play silence as a song. Loud and deafening. I wish I could stop my own mind.
I’m doing fine.
My friend is miserable and I am of no help, everything I try to mend ends up breaking. I’ve never felt so helpless. I love her to death. I love her more than I could fathom.  
I’m doing fine,
But
My soul is decaying.
I’m rotting away.
I need help.
Hope is such a powerful thing. In the midst of every loss, every failure, every mistake, and in the face of every single thing, be it necessity or desire, which seems may never come to pass, hope keeps us pushing towards the day when those things will become a reality; striving ever onward no matter how many times we may fall or find ourselves back where we started, having to fight so hard all over again for the things that were obtained and then taken away by some tragedy, mistake in our own judgment, or sometimes for what seems like no reason at all but bad luck, which is a tragedy in and of itself. Hope gives purpose. It gives meaning. It gives life. But, such a sorrowful thing hope can be at times when one can only watch the world slip away into the nothingness it is coming to lust for more than life, itself.

So many people hope for things, but seem to forget or loath the work and effort it takes to achieve and maintain such. Granted, there are those who do remember and strive to achieve and maintain what they hope for legitimately, but the percentage of such people is becoming smaller as time passes, and this ever declining percentage find themselves fighting so much harder, and having to hold to hope so much more fiercely, because of the ever increasing percentage of those who want to take the easy way out, casting most of the weight of the work and effort onto those who are still willing to put it forth, and abandoning whatever it may be when the effort required becomes more than they, themselves, are willing to put forth for whatever reason, and all while placing the blame on those who are actually trying. This is a great reason that the declining percentage continue to decline, because the harder it is to achieve what one hopes for, the harder it is to hold on to hope. The harder it is to hold on to hope, the easier it is to give up.

Those in the declining percentage who are still willing to fight and keep a death grip on hope are often the ones who suffer the most, for they are the ones who are tortured and tormented by emotion and conscience, sometimes wanting to give up and to do things less than decent and respectful as so many more people are doing every day. This is where I find myself.

A hard battle it is indeed to hold on to being a genuinely good, decent, and respectful person and having to struggle so hard when I see the deceitful (and by deceitful, I mean lying, cheating, stealing, manipulation, treachery…basically anything that compromises the trust, respect, and honor towards one or more people and/or themselves) gaining and flourishing, pretending sincerity and disguising their intent until they get what they want.

The way I see it from my experiences, there are two sides to feeling this way. The first is the anger and frustration spawned by seeing people who are being deceitful more quickly and easily obtaining the things we are both needing and/or hoping for and legitimately struggling for. While we struggle so hard to see our hopes become reality…often with minimal results, or results that are ever so slow in coming…the only effort they put forth is deceit, and are rewarded with what seems like immediate results, in other words. With this comes anxiety, depression, and a harder struggle for hope with every instance. These feelings are intensified the longer the wait on anything we are hoping and striving for may be.

The second, which often isn’t a comforting thing at all, but often does help us to hold on to hope in its own way, is seeing the things people have obtained in such deceitful ways only last them for but a season, even if they want it for much longer, for deceit, in the vast majority of cases, always comes to light at some point in time, whether it be soon after or years down the road. Sometimes, it is for one of the same reasons the declining percentage struggle so hard…seemingly for no reason at all but what appears to be bad luck (but what I like to call karma in the cases of deceitful people). Regardless, the people who put forth more effort into being deceitful to obtain what is desired or hoped for often do not put the same effort into legitimately keeping it, but only in continuing to be deceitful to hold on to it as long as they can or want to, and to keep their deceit from coming to light for as long as possible. We often forget this factor of loss when we are standing on the side of anger and frustration, thinking only of how unfair it is that someone so easily obtains that which we have been struggling so hard for and have not yet seen come to pass. This applies to all areas of life.

So many people say how they want and expect and deserve to be treated, yet are not willing to do the same for others, especially when it comes to obtaining something they hope for or desire. They completely disregard how badly they will hurt someone by being deceitful as long as they get what they want, and always seem to have an excuse or a blame to place on anyone but themselves so as not to have to account for their deceit, and are often times the most defensive about being done the same way by others, even if they are only being done so in a minute way.  Most of these are doing so with all knowledge that they are just trying not to have to account for their wrongdoings just so they do not seem to be the one at fault, either so they can simply get away with it or so they can get away with it long enough to move on and do the same to other people when their previous attempts begin to fail them. Sometimes they even do all they possibly can to slander the person they were wronging and create lies that take the focus off themselves and place it upon the person they cannot deceive any longer, doing all they can to make the victim’s life a living hell so as to see them suffer for having tried to call them out on their deceit, while at the same time moving on unnoticed to the next deceitful opportunity.

The only thing worse than this are the ones who are doing this very thing and are convinced that they are doing no wrong. They have lied for so long to get their own way without having to put forth the effort that they begin to believe that they aren’t doing anything wrong, and that their victims are trying to make them look bad. In far too many cases of such, they try to find every flaw and imperfection in their victim and their victim’s life so as to dress it up with drama and lies and use it against them because they think they are getting revenge for being wronged. Sometimes it doesn’t even take a history of lies and deceit to bring someone to self-deception such as this. Sometimes it is merely their true nature, and they are doing all they can do to convince themselves otherwise. Whatever the reason self-deceit comes into play in these cases, it is still the worst form of deceit, because not only are they harming others to wrongly obtain whatever it is they seek, but they have deceived themselves into thinking they are doing no wrong by it, and will most likely continue to do so to others. Most times the victims have already endured extreme amounts of sorrow, pain, and loss before the self-deceived deceivers learn from their mistakes. Sadly, some never learn, losing everything and continuing to cling to the belief that they were the ones wronged by those which they were wronging. This also applies to all areas of life.

There are also people who hope for things, but have such limited standards or preferences that they feel the thing they are hoping for should be absolutely perfect as is…at least what their own personal idea of perfection is. They say they want something, but only if it comes a certain way, in a certain package, and doesn’t take any effort or acceptable compromise on their part to have to work with for it to be something that can truly make them happy. These people continually pass things over that could make them far happier than they would have ever imagined, merely because it doesn’t seem to be everything they wanted it to be according to such deceptively high standards. Either that, or they find something that seems to be everything that they wanted, or so close to it as to seem to be something they can be happy with, but then reject it and walk away after a period of time because it wasn’t all it seemed to be because of the work or acceptable compromise that may have been involved for it to be the thing that would truly make them happy. They then begin the process all over again, never finding what it is that truly makes them happy. They don’t want to compromise, but expect everyone else who may be involved to compromise for them, in other words, not realizing that some compromises can be good things, and that nothing is ever as perfect as someone wants it to be, because sometimes it is the imperfections that make everything truly perfect. Far too often, this also hurts others who are not deceitful and who are genuinely good people, and who are striving to hold on to hope, because the declining percentage who have any kind of stake in what is being discarded by those who cannot be satisfied are knocked back a step, and have to try harder yet again and struggle that much harder to hold on to the hope that things will work out some day. This also makes it harder for the declining percentage to trust people.

Basically, what it all boils down to is that the vast majority of people seem to want things the “easy way”. They use whatever form of deception or self-deception is necessary as long as they get what they want when they want it, which more often than not is something they only want temporarily or end up only wanting temporarily, anyway, as opposed to long term, because of either only wanting instant gratification of some kind or not wanting to make an effort to keep it, casting it away as soon as they have it or are no longer satisfied with it. They want what they want only for the feeling it gives them, in other words, and not for the appreciation and respect for what they want before and after they have it, expecting others to put forth the effort that they, themselves, refuse to put into anything but the deception of their choice.

The only comforting thing about this is that sometimes, these deceivers are so used to deceiving to obtain what they hope for that they do not see when their deceptions begin to fail them, and continue to try to twist and conform their deceptions towards those they are trying to deceive, only further outing themselves, while trying to place the blame and guilt the person they are deceiving into thinking they, themselves, may actually be the cause of the problem, prolonging their deceptions long enough to cause more damage to their victims until in either rage, sorrow, or a combination of the two, the deceived reach their limits and halt the deception, but by this time, any trust, respect, friendship and/or love that may have been between the two is either almost completely lost or lost completely. But, in cases like this, this does make it harder for the deceivers to continue to deceive, for usually, enough people are aware of the deception that the deceivers cannot deceive so easily, and have to try and find new people to deceive to make any ill progress.

There remains another percentage amongst these fractional factions that plays an unknowing hand not only in the declining percentages struggle for hope, but in their own as well, feeding not only the beast of hopelessness seeking to devour those who would rage against it, but also aiding the increasing percentage in their deceptions. This percentage wants something so badly, often times after trying and failing due to the deception of others or by legitimate failure, they begin to fall for deceptions more easily because they are so desperate to have whatever it may be that they fall for the beauty of the deception over the truth of it all, or they see a small bit of what they hope for or desire in someone or something else, and decide for some reason that it is what they want or need before finding out anything more than just that part of it all, and then are so let down or blameful for being let down again, that they throw away any efforts or progress made towards happiness, often hurting and further complicating the struggle for hope in the declining percentage of genuinely good people when those people happen to be the object of what they thought they wanted due to only focusing on the part that appealed to them.

These are but a few examples as to why hope is such a sorrowful thing, because it is one of the hardest things to hold on to in this world with so many factors coming against it from every angle, and sometimes from so many angles at once. But, it is the very existence of every negative thing that makes hope so hard that defines why hope is such a necessary thing, and why we fight with all of our heart and sanity to hold on to it, even when we believe nothing good will ever come to pass because of how many things have gone wrong or hurt us or set us back to square one time and time and time again. If we gave up hope, how would we ever expect anything to ever get better, and which one of the reasons, listed here or omitted because there are just too **** many to list them all, would we become in the destruction of someone else’s hope, or the destruction of our own? Without hope, and everything we fought like hell through to hold on to it, how would any of us truly appreciate the day when it finally comes, or every day thereafter?

In everything we see and experience, there seems to be so many more things that would have us let go of hope and sink to the bottom, drowning in sorrow until dreams are so lost in the fathomless depths that they will never wash ashore to see the light of day to breathe again. But in reality, and in our heart of hearts, it is our very dreams that outweigh what would strip them away, and there are so many more reasons to hold on to hope than we will ever think about at any one moment, especially in the worst of times, because the bad is sometimes so bad that it is all that we can focus upon, and we lose sight of most or all of the reasons we fought so hard and hoped so fiercely at all. But, it is the existence of every bad thing that should convince us every single time one or more befall us that we should never give up hope, for it is the rise and swell that we feel when things go well before every fall that reminds us of the feeling and the dreams that fuel the fires of our hope, and help us to believe that every hell will be worth heaven when it comes. It is only when we find ourselves swimming in sorrow when what we thought was everything we had been hoping for turns out to be another deception or another mistake that we start to give up on hope because of feeling like hope was wasted, and the more times we have to experience the fall, the harder it is to hope once again. What we often fail to realize is this…if it hurts so bad to fall into the letdown of finding out that what seemed to finally come was not what we were hoping for, then how much to the exact opposite will the joy be when what we were hoping for finally comes to be? If we never go through the sorrow of falling, how would we ever learn that sometimes what we were hoping for so long may not have been the right thing until something comes along to give us something new to hope for? One day, one of the instances we find that what comes along that makes us feel that our hopes and dreams are coming true will actually be what we were hoping for, and sometimes, what comes along will be so much more than we ever dared to dream to hope for. If we give up any single time we find what comes to be wrong, no matter how right it seemed or felt, then how will we ever find either?

Sometimes holding on means letting go, for if we are hoping for the wrong things, then holding on to the hope for those things will only bring us more sorrow if we do find what we hope for in those aspects. Sometimes letting go means holding on, for if we let go of hope when we let go of the wrong thing, how will we ever find something better to hope for? To dream is to hope. To hope is to dream. Nothing good is ever easy. Nothing easy is ever good. Even the most perfect of things still have imperfections, and as I say so often, it is often that the imperfecti
This is a free write of my thoughts and feeling of hope, and it is just a draft until I can find a better way to say it, unless it remains the best way that I can.
Jeremy Betts May 2022
What would actually happen if I silenced the negativity and overcame my crippling anxiety?
Afraid I'll find that it's genetically built into my DNA or could only be removed surgically, it could get messy
It would be a ****** end cause it's not like I do the professionally, I live recklessly
Every day I wake up angry and progressively get to the point where it's to heavy to advance any, it's shackled me
You think I chose this way of life to be what defines me? Hell no, it came about organically, in spite of me
Now it's just a part of my anatomy staking claim to the entire piece of property
I look in the mirror and notice my biggest fear, I don't see me in the reflection aggressively starring back at me
The face I see is dramatically distorted photography of who I use to be mixed with something far more ugly
A sloppy photo copy, I barely recognize this beastly imagery, it could be that maybe I'm just not seeing clearly
Clear my thoughts and rinse my eyes quickly then open again but this time slowly
Seriously?! Still no shred of beauty and its worse if I look inwardly which I refuse do cause I'm far to cowardly
It's scary like a fairy tale before its picked up by Disney, originally a horror story that's been pasted down generationaly
I try saying I'm sorry to myself but the words don't come easy, at times all together escaping me
Then a thought hit me squarely knocking me down a peg or three
Who am I without this dark energy? Could I pick myself out of a crowd if the hurt and pain left permanently?
Would I, could I recognize me through the tricky shrubbery surrounding me completely
It's literally a fixture rooted in my history, it's overtaken not just my psyche but is now plain to see physically
Could I realistically live with hope and decency if they took up long term residency?
What would I do with happy if it moved onto my private property and claimed the territory?
Would I properly embrace the new me or hate the empty inside, the vacancy neon flickering annoyingly
I shouldn't be use to sorrow being at max capacity, I wanted change so badly but it's slippery
What would I do with the time I once spent waiting for the next tragedy to come and challenge my grip on reality
Every catastrophe seamlessly falls into place naturally like it was meant to be, designed specifically for me
I used to use comedy to hide the tragedy, at the time it seemed like a decent strategy
Let it live in my head rent free, the tenant had a tendency to use my thoughts against me while ignoring every desperate plea
I don't want to live in my history, not even temporarily but my mind doesn't work correctly, doesn't give a **** about me personally
Turned over the key to a better me then was torn apart strategically with a savagery not seen in this century
Eventually it caught up and changed my trajectory, placed on a one way street not labeled properly
So I may not come back on the scene, may not have that kind of longevity, I guess I'll have to wait and see
But I'm obviously past the point of no return, the objects in my rearview are closer than they appear to be
And the windshield is to ***** to see the road directly in front of me complicating my journey
I can't guarantee I won't crash and burn on reentry but I will say there definitely...probably...most likely won't be a search party
Is it Stockholm or gluttony, like it or not the recipe for what not to do will be my legacy
The distinction is tricky when I hold no empathy for myself so I throw up my hands hopelessly, never in victory
This isn't the way it was supposed to be but I never had a say in my destiny, I didn't even know that was a possibility
Honestly, if I had any dignity it would significantly alter my whole reason to be
But my will has been ripped from me brutally, I don't want to go on but I would like to stay, a twisted duality
An unnatural complexity, hypocrisy just another personality disorder, a horder of the impossibility unlucky
Adding to the pile that's already a burden to my humanity, no happily ever after, this is reality
Animosity aimed directly at my entirety, to tired to be wrestling with the same old ****, pushing 40
If I don't have this figured out by now what's the likelihood I'll learn new tricks? There isn't any
That should be all I need but ultimately I know it won't be cause I'm the embodiment of misery
To change that would mean I'd be a stranger in my own body, an anomaly
And that frightens me to my very core so here I sit in purgatory for all eternity
Hold your pity, I'm okay with it cause no matter how gory it's gonna get, at least it's a bit of familiar territory
Comfort found within the familiarity I have with the words in the retelling of a not so family friendly ghost story

©2022
Aric Wheeler Jul 2013
My cigarette tastes like uncertainty and now my plain croissant is seeping my black coffee onto my plate.

Was it too much to ask for something simple? Life isn't as complicated as people make it. Right?

Now I sit here, with coffee spilt on myself and my shirt.

Annoyed.

Or Annoying?

Is it my fault that **** is falling apart? Am I the problem that is ruining something so pure by pouring black liquid all over and complicating something I was so sure about?

Am so sure about.

My croissant was perfect until I spilt **** all over it. Now I have a soggy croissant and a crooked cigarette that still tastes like uncertainty.
Lance McDonald Nov 2016
Life is easy
Society is hard
So many complicating rules
What and what not to do
While being treated like tools

Education viewed as important
But priced as a luxury
The higher your IQ
The more your laughed at
Being ignorant is the new wise
Punished for exposing lies
Was my childhood a lie?
Was I being told lies this long?
If so, then jail me now
Because I’ll expose it all.
Society is hard

People are rewarded for lies
Money handed to them on a silver platter
They will do anything for that
Meaningless thing to give their lives meaning
But the richest ones we see are on the streets
The ones that we ignore
They don’t dress the part, but they can show it
In their smile, in their actions
They are rich in the soul, which is the greatest treasure

You tell me to be myself
But then you laugh at me for doing so
Then laugh at me more for hitting my all-time low

Do this, do that
Follow this, follow that
But I can’t follow this if I do that,
But if I don’t follow this, I’ll be hated
Or killed
And if I do this, I’ll be hated for doing it
And if I follow that, I’ll be hated for following that
Society is hard

Being good leads you to the streets
Showing kindness is looked down upon
Education leads to bankruptcy
Intelligence is shunned
While nice finishes last, the cheaters have already won

I’ve been told that this is the life we live
That society is life
A human being is not meant to live this hell
Life and this society do not go well
So much death
So much destruction
At this rate, there won’t be anything left

There is no need for any of this
The river of life has been manipulated and torn
To the point no fish can swim

We must fix it
Not by fixing society
But ourselves,
These are our lives, our river

Do what you feel is right
Work together, make compromises
Go with the flow

And some of you may think, you don’t
Need change
But that just shows how closed your river is

Open your river to change
We can fix this life and we can do it
One river at a time
My Secret Garden
  
Its the way he threatens to close his soul,
or the way he rolls over holes covering a seed that can't grow..
Making sure you're the last  to ever know
how far his addiction would be wiling to go
intertwining her fingers in a heart turned to stone
she turns to the Earth to have something to hold..
As the Earth captures her embrace,
she is over come with faith,
discovering a new world,
that shes allowed to create
tell me...
Do you believe in fate?
When friendship meets love and
somethings finally enough
will you let go of that grudge
or completely give up?
As she makes her way through each passing day.
she plants her seeds in the wounds that bleed,
reveling herself in guilty dreams
neglecting her heart for their greater need
complicating the plan seems a sure defeat
the only thing she keeps track of are her two attached feet..
Forgetting conversations that held no depth
she fell into a trap as she readily lept
into fleeting hands disguised as safety nets
her heart detached as her body slept
Misunderstood from the fall,
they thought she lost all control
she refused to conform
and meant no harm
heard underlying judgments
so she covered the scars
she's captivated by the stagnant stars
believing in a world bigger then ours
if seeing is believing, she was staring at mars
more tangible then ever,
she now understood
this life was not theirs
but an unwritten book
possibilities were endless
for a conclusion of sorts
theories are offered
but not relevant in court
she waits for those seeds to expose a new growth
praying it gives them a small dose of hope
because nurturing something piece by piece
seems the responsible solution for a world in need
ONE LOVE is the life I'll breed
I been bestowed this burden
Hiding inside
Controlling my actions
Dictating what I do
And don’t do
Limiting my flexibility
Adding to my irritability
Causing physical pain
Adding to my mental distress
Complicating my relationships
What makes her and them better than me?
Why don’t they all suffer like me?
What makes me deserve this burden
I thought I was doing good
Doing what you wanted
Shedding the excess
Adding to the overall condition
But it’s a cheap trick
I been bamboozled back to square one
Its so hard to keep a smile on my face
Knowing what I know inside
Lashing out even though they don’t know
The ones who know don’t provide support
Or assistance just pressure and blame
They just say its heriditery
In your genetic line
I just want it gone
But then you tell me
What I would miss
As if I could miss this
Painful embarrassing controlling condition
And look with disgust because
I rather be barren

(c) ANBP 3/25/11
Esperanzavenisia Oct 2015
I have never starred at a blank page and never not known what to write.
Its like the words  no longer express my feelings, feelings that are no longer short phrases or poems of emotions.

My feelings  are inexpressible they have become so complicating.
I have mentally blocked out what was my outlet " Writing". I was once able to let out my emotions on a page and leave them there, But now its like I write an emotion and gain twice as much back.

I have lost my battle  and my strength to continue to try. As I sit here writing I realize that this may not make sense to anyone else but me. If you are reading this I have never wanted to make sense to anyone, because these are my feelings . I am just writing how I feel
Mateuš Conrad Sep 2017
covert for: bandana, with a touch of marquis de sade's discretion, i.e.: gentlemen! let's make it clear, we're not here for the candy, for the thrill of chasing three ****-naked piglets... we're here for the oysters, for the tartar steaks... for everything that deserves the definition of: decadent! and its oozing pus filled porous rivers of, thrill: take it as you make - there will always be people, who toy with words; but at least these people are not the rigid ******* of lawmakers, who see lawmaking, who deem jurisprudence, law itself, as nothing short of a thesaurus, which is, evidently, their sacred text.

with the verse i write -
upon inspecting the "efforts"
of others -
   seems to translate into: a hospital
for anemics,
and that's very much
irritable -
    given that people take more
effort into disliking complicated
phrasing of a lack of effort
to match a deed -
      than people taking the least
amount of effort of disliking
the most complicated turn of events,
say, a ******, or a robbery...
      the perpetuated history of
the individual has always been
the dumbfounding "awe" at
the masses - without a theological zoo
to keep them less investigated
by the individual -
        i dare not turn to investigating
the universe,
     what's feeding my apprehension
is more on the plateau,
on the summary of man -
less the trigonometric tangent graph,
and more the sine / cosine variations,
and this beyond good & evil?
both graphs retain an indistinguishable
optical illusion, beginning
at the coordinate centrism of 0,
i.e. denial... most of human history
has been written upon the face of
grimacing denial, while telling a bad joke;
i still can't believe that i'm trapped
in egypt, whereby i now live in the times
where the pyramids are no longer
3 dimensional, but 2 dimensional!
pyramids unto trinities,
   the 3 posits of origin - always with the 3s!
if *daesh
could do anything useful,
they'd blow up the pyramids...
rather than buddhist monuments,
or any other babylonian feat of culture;
i still can't believe that the supposed
  "evolution" of man has stopped at
the triangle, the pyramid,
                            the, whatever.
Mateuš Conrad Oct 2015
there’s usually two ways of writing an abstract
like one might have written one for
a chemistry experiment, a debriefing, a plot
summary as you might have it, although
in philosophy it’s either geometric of algebraic,
to take into account a chance meeting between sartre (b)
and descartes (a) i can only utilise the algebraic
in a framework of a platonic schematic, i.e. dialogue,
and since dialogue then casually, in conversation, like so:

example no. 1 (exercise of good faith)

(a) i think i had
     a brain haemorrhage
                                                               (b) i doubt it.

example no. 2 (exercise of bad faith)

(b) i had
      a brain haemorrhage
                                                               (a) how do you know?
                                                           ­          (i.e. i’ll deny this statement.)

it really is as simple as that, after all, all the ball of wool
untangling in the standard philosophy books is meddled at times,
it is hard to craft an entry of a decent dialogue without
the one-sided stance of monologues that fill the pages of books,
but take any major tenet of the two philosopher’s works
and set a scene of two buddies talking in a pub, and that’s you
having skipped the best 200 pages of untimely meditations
and about 400 pages of being and nothingness - not out of rudeness
but on the simple basis: ****... i understood it!
so if anything can be relevant in modern philosophy, and that’s
modern from 17th century to the present era
it is only relevant when applying a platonic schematic,
because it has to be talked about, and when talked about
simplified, because why would anyone want to over-complicate
and apply an aristotelian schematic of inspection
by writing very crude philosophies by the simple process
of over-complicating the thinking process as that, which
does not necessarily need thought attached to it - like at present,
with western society debasing any original theology
by forcing all the ills of the world as the adequate justification...
the origin of this, you will find,
is not from the people who suffer as such,
but from people who are safe, healthy and satiated with
adequate materialism,
the kind to have a very english middle-class sentimentality
to care for whimsical sensibilities, prudences and etiquette in general,
that's how placebo atheism works, it's still a ****** theology,
the real atheists? hmm, guess... the list is pretty dramatic
in the way they approached coupling freedom and will
and others - that's why i prefer my invention of coupling
a placebo effect with atheism... rather than writing out
a theology of absence - look... here's a trick:
a theology of indefinite absence (a) / theology of definite absence (the),
and then the ism from empiricism.
Anais Vionet Mar 2023
I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-****** themes. These are some first thoughts.

Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury.

When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd.

Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie.

Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago).

If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos.

An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually).

Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having ***.

For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.
BLT Marriam Webster word of the day challenge: Nadir:  the lowest or worst point of something.
Mateuš Conrad Mar 2016
and some animals didn't evolve, because they
thought higher things of the dream-world,
say bonsai felines, koalas, sloths, having
evolved we shouldn't have allowed a concern
for dreams, after all, there was mining to do,
wheat to harvest, concern for dreams obstructed
certain thing: firstly a privilege of the rich,
and when stated by someone of lesser "rank",
completely disregarded; trying to find the oedipus
but unable to find him: guten tag kaiser, wilhelm das zweite!*

i'd still prefer the laziness
of the diet of a panda
rather than complicating things
with food restaurant critics
and fussy eaters, i.e.:
eat this, or starve, your choice.
I watched a documentary on Buddhism.
The show talked about a little girl.
She was upset that Buddha didn't tell her about where she would be reborn.
Buddha told her that she should be concerned with how to eliminate her suffering in the present moment.
I thought that my problem was that I was overly complicating my religion.
It occured to me that my religion should be about making me feel better.
I feel better now.
RatQueen Aug 2018
Got a word stuck behind your tongue
a sentence chippin' at your tooth
and I'm sitting here wonderin' what you have to lose

we're suffocating on
fruition stuck to pause
jaw grittin', head-splitting, complicating it until we rot

I wonder where you're at
perhaps you wonder too
I've learned the hard way that what ya say isn't always true

so suffocate me good
stuff it under things you should
and I'll be here
mere sightseer
collecting glass and driftwood

the ocean swells inside
a storm you cannot hide
we stand at command
desperate to find our pride

is it so crucial?
to feel important and useful?
what makes you tick? what makes you sick?
Does it matter if we remain truthful?

There is loss and gain
my indulgence abstained
I hope you look at me
and finally come to see
I'm more than flesh and vein
Verity Lane Feb 2021
And if I stop.
If I stop doing,
and working,
and perfecting,
and working,
and complicating,
and simplifying,
you're there.

Unconditional love.

This giant truth on my back.
That I carry and ignore-
simply:

Unconditional love.

You are.
Just are.
No to do:

But stop.
And breathe.
And believe.
And be.

Unconditional love.

— The End —