"buckled" poems
Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea.
At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate.
This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land.
“Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment.
Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement.
Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused.
Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control.
The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed.
In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.
Sep 11, 2013
Sep 11, 2013 at 7:47 AM UTC
In a wakeful contradiction,
It lays fact between my fiction.
Tangling subatomics,
It unravels, as its tricks spin
Deeper, toward the outward . . .
It won’t let up,
Until I give in.
Over matter, lay my mind . . .
I tell a lie to pass the time . . .
But there’s no reason nor a rhyme —
Less still, a purpose?
I search for something
To remind my mind
That there is truth,
That isn’t worthless.
But as always, failure appears
In a sort-of amnesiac continuity,
And my reality lies to my own mind,
Just as well
As it succeeds in its futility.
With destruction as its manifest,
It tells me that I stand my tallest
Upon two buckled knees.
Just as faith will find one’s doubt —
A search within has left without.
It seems that an answer, once sought out,
Will be left lacking its question.
My truth divides itself,
As the product
Of infinite misdirection.
I try to substitute a reason, for a rhyme.
But with no lies left to pass the time . . .
I swallow a dose of ignorance.
It goes down
Smoother than the truth.
In a war that started with a truce,
This world betrayed my faith
To show me:
That I'm only tall enough
Once I’ve been
cut
down
slowly.
A pill too large to swallow,
I think I’m choking on myself
Or the irony of asking,
“How could I be so careless?”
Here I stand, Barely standing,
Consumed almost entirely
By my own dry-heaving self-awareness
Each night I am left to fight the fears
That my nightmares create;
I’m still running from my past,
Yet, haunted by my fate.
They walk beside me always,
Shadowing wholeheartedly —
They exist as a duality,
Both “apart from,”
And “a part of” me.
In truth,
These ghosts have taught me very little,
Aside from what I hate.
But, I've come to learn, not to fear
The forceful hands of fate.
For, I shudder not, at the thought of destiny,
Or the inevitable in time . . .
Instead, I fear the eventuality of the choices
That were solely,
And entirely, mine.
I fear that my will may be
Of enough influence, alone . . .
That fate itself may collapse
Beneath decisions like my own.
Or that I, myself,
Might be constructing
What destruction I will find
Among my shattered spirits
And convictions,
In these depths, to which I climb.
Jul 3, 2018
Jul 3, 2018 at 9:43 PM UTC
Touch Upon My Insanity
She whispers
Into the white walls
Touch Upon My Insanity
She cries
To the men and women in white coats
Touch Upon My Insanity
She screams
At the white buckled jacket
Encasing her
In a never-ending repetition of
Touching Upon Insanity
Dec 14, 2014
Dec 14, 2014 at 4:19 PM UTC
1748
The reticent volcano keeps
His never slumbering plan—
Confided are his projects pink
To no precarious man.
If nature will not tell the tale
Jehovah told to her
Can human nature not survive
Without a listener?
Admonished by her buckled lips
Let every babbler be
The only secret people keep
Is Immortality.
12.9k
Silver winged of steel
Buckled up
Cocooned in a cabin
No phones, no emails, no Internet
Racing down the runway
Soaring high above the ground
Distant specks of life
Winged of steel climbs though the skies
Clouds below, clouds above
Seat reclines, put in my earphones, close my eyes
I lose myself, soothed by the motion of the flight
Just a seat, a window, sky, music
Suspended, moving above the earth
Windswept heights
Countries, oceans, mountains, forests
Dawn to dusk
Smooth and turbulent
Dancing through life’s path in the skies
My breath of Serenity
Nov 24, 2013
Nov 24, 2013 at 10:09 AM UTC
I can't speak of tender touch--
Hands sweep, lips brush--
Ever closer, that's close enough.
I can't describe you close to me--
Sweet breath, buckled knees--
No further, stop please.
I can feel the tempting sway—
Blushing cheeks, flirtatious gaze—
Wanting you, just not that way.
Please love me regardless?
Jan 14, 2016
Jan 14, 2016 at 10:26 PM UTC
Yes, I'm a girl and I'm not trying to justify my body language nor am I positioning the rights of a feminist on the top, but
Yes, I was questioned always, even when I was right.
Subservience was legitimized as my trait ever since I felt this world.
Every time when I was buckled under by his lecherous eyes, I was asked to adjust my dupatta well.
Every action of mine substantiated the height to which I'll hold the name of my family.
I was asked to cross legs while sitting, speak amicably, yet not solitously.
Every time I'd to hide my period stain like a ****** blot.
I was asked to gallop my cramps because letting it out is a bitter sin.
Yes, I get my body scanned by their lewd gaze day in and out even when I put my baggiest of clothes on.
Yes, I'm a girl, and I have beautiful synonyms, call me maal, patola, bomb, ***** *** or a girl? May be, let yourself decide.
Yes, I'm questioned on the extension of the Roti's that I make and the smiles that I couldn't fake.
Yes, I'm a girl and I'll stand, and question your authority if it calls for, call me stubborn. Okay!
Remember, I'm a girl, and if you accuse me of being a feminist if I know, and can raise my tone up and against your authority, humanism needs to be checked then.
-APARAJITA TRIPATHI
Jul 24, 2018
Jul 24, 2018 at 10:13 PM UTC
I want to write you a trilogy on the stages
in which our relationship formed.
The first book would be solely based on the day
that I stopped treating your text messages
like active landmines. Stopped tiptoeing.
No longer being afraid of what your affection
would do to me once I submit to it.
It would be based on the first step I took to
stop being so **** afraid. From that very day
you've helped me in ways I'll never be able to fully explain.
Helped me let go of fear and trepidation, and open
my heart to the greatest thing in the world; your love.
The second would revolve around the first time you kissed me.
I don't know if you noticed, but my knees buckled
like seatbelts and I shook like glass window panes in torrential rain.
That day you awoke something inside me that I didn't know existed
but I'm so glad you found it. Like a stray kitten I was lost
and you brought me back home without questioning where I'd been,
and I'll never fully understand why, but I guess it doesn't matter.
You've taught me not to overthink things, to just revel in the moment.
The third would be set in here and now. Every forehead kiss
and stolen glance sums up to another page, every loving gesture
is another chapter. We are creating something people wish they
could create for themselves. A love that belongs in museums
to teach the world what it really means to give yourself to someone,
with no fear, and not a single ounce of regret. To say that you changed
my life is an understatement. You altered my way of thinking.
Took a broken thing and made it new again. Made me, new again.
And with every word that slips from your lips I am reborn.
Apr 3, 2016
Apr 3, 2016 at 11:25 PM UTC
The day that I was christened--
It's a hundred years, and more!--
A hag came and listened
At the white church door,
A-hearing her that bore me
And all my kith and kin
Considerately, for me,
Renouncing sin.
While some gave me corals,
And some gave me gold,
And porringers, with morals
Agreeably scrolled,
The hag stood, buckled
In a dim gray cloak;
Stood there and chuckled,
Spat, and spoke:
"There's few enough in life'll
Be needing my help,
But I've got a trifle
For your fine young whelp.
I give her sadness,
And the gift of pain,
The new-moon madness,
And the love of rain."
And little good to lave me
In their holy silver bowl
After what she gave me--
Rest her soul!
8k
And, now one and all, step inside!
Make way for the latest attraction:
The greatest & latest new carnival ride
Filled with excitement and action!!
And nobody knew what was in store
as they buckled themselves in tightly.
And it twisted and turned & so much more
as the lights all around flashed brightly.
And they screamed with delight
due to the thrill of the ride
and they came back each night
to go back inside.
and again & again they came back for more
because of the joy it supplied
until the carnival was no more
and they missed the great carnival ride.
© 1997
Jul 3, 2012
Jul 3, 2012 at 11:17 PM UTC
gun in hand
hands bound are
bound to dream
finding one seam to
rip apart
open
and leave
what are
ballots
but bullets
ready
squeeze
squeeze it
you faceless ****
you,
through teeth
gritted and
jaw working,
white knuckle
got-up
buckled up
safe
you
show me
how dirt
really tastes
because you always
ever knew that
ballots are
bullets binding
ready to
sunder
me
Sep 21, 2010
Sep 21, 2010 at 6:37 PM UTC
The sun bakes down heavily on a plastic micro planet in Orlando, Florida
where crowded trams drop American bushels of tourists into an alien world.
Quickly fantasy comes alive
through a corporation of disguise.
The workers mask themselves in a drapery of familiar life
-like costumes to charm little children’s hearts.
They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World
must have driven every one of America’s circuses out of business.
The flying trapeze is too elegant,
people now want to be strapped in,
buckled up and whipped around
to forcibly experience the true velocity of entertainment.
Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches
on fat sweaty old lady’s round hips, their plump fingers
holding on to leashed harnesses reined to their child’s small chest.
This is vacation,
strangers of people in massive conglomerations
with confused expressions and burnt faces.
Even the food seems wickedly unnatural,
like an artificial order of burning plastic and sour dough surprise.
Waiting is the enthusiast’s pastime as parades
of anxious voyeurs are captivated by a trance
fixation of lights and whistles.
They line up like schools of lemming,
plunging on rides,
one by one.
This is the place
Where memories are made
And dreams come true
Sep 25, 2010
Sep 25, 2010 at 12:25 PM UTC
You said you couldn't keep waiting
For me to say I love you too
But id say it to you everyday
In ways you never even knew
It poured over the umbrella
That I held for you in the rain
Caught in the way I kissed your bruises
Just to take the pain away
Baked in the cake I made you,
When you got the biggest slice
And then you told me you loved it
How I baked it for you twice,
It was buckled in the seatbelt
I always told you to put on
And in the ways I would miss you
Every time that you were gone
I might not have said those 4 words
In the old standard way
But I'd learnt to speak much louder
Than anything that you can say
So if you're really tired of waiting
For those four words to leave my throat,
All I can say is that it's cold outside
So don't forget your coat.
Oct 2, 2015
Oct 2, 2015 at 8:37 AM UTC
Speaking of how
these Ladies of the Night
must hate Daylight Savings Time
since the sun doesn’t set until nine, and
the cloying summer scent of honeysuckle
drowns the smell of their knock-off Gucci Guilty.
Except there’s that one A.M. Pro
who works the whole stretch in front of
The Towing and Recovery Museum
from 7 something till lunch.
She’s tried to keep a low profile, but
is hoping to meet that one lonesome soul
who needs to get blown
at ten o’clock in the ******* morning.
Sometimes I wave at her when I drive by,
wishing her the best,
whatever that may look like...
The fasten seatbelt warning light is flashing on my dashboard but
I’m buckled in, rest assured.
That’s probably important, but
it’s like what Don Q whispered to Sancho through the Spanish gloom:
“I need you.”
Feb 12, 2016
Feb 12, 2016 at 2:29 PM UTC
the priest, whose tomato face looked like it might explode under collar tension,
gave the valedictory at the friday night execution
the yellow-toothed, combover'd serial killer buckled in electric chair
kept staring at the door, expecting an ally to crawl in late but not too late
the mother of one of the victims rattled on about
how she didn't care that the killer had an allergy to the anesthetic used
in lethal injection he's going to die either way what's it matter?
buzz of fly crack of rolled program against empty folding chair
(yes, there were programs, and whoever laid them out knew their typography)
buzz of fly raised upward, toward the black, magma-cooled ceiling
audience chin up, pupils circled fly as the priest droned on
about everlasting life like a Paul Simon song from his youth
like a catcher's mitt from his youth like a youth from his youth
the boyfriend of one of the mothers of one of the victims
said he was hungry pancakes sound good, don't they?
I love it when syrup gets on the bacon, you know? love that.
a pudgy guard with bleary eyes and 12 a.m. shadow
rolled his index finger lowered his brow, telling the
priest to wrap it up so the priest wrapped it up
by reading the names of the victims
Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13,
Serenity Strongman, 15, and Mary Beth Williamson, 13
the priest said something about judgement as
the boyfriend of the mother of one of the victims
took another swat at the fly missed
any last words? the priest asked
where's James? the killer asked, he was supposed to be here
did you guys give him the right time?
the guard nodded to a lab coat by a black box
then a hiss then a hum then an inhale
the first jolt of alternating current for
instantaneous brain death
hard to tell if they succeeded in that
for the second jolt came only a moment
later this shock's aim to fatally damage
the internal organs, overstimulate the heart
and the killer's face looked like a horse's leg
then an exhale then a hum then a hiss
and the killer's face looked like the crinkled
skinmemory of a cicada
it was late most of the best restaurants already closed
but we could go to that diner off 63rd, the boyfriend
of the mother
of one of the victims, said
Feb 16, 2013
Feb 16, 2013 at 1:07 PM UTC
15 to love, still able to win,
gotta tough it out,
winning is everything. Losing's a sin.
I'll keep trying. I'm still in with a shout.
My backhand slices
the ball to my foe
(Joe's my friend but in a crisis,
I shift where the winds blow)
He parries, sends the ball to the line,
his touch is immaculate,
cleaner than mine.
I leap like a cat
return it with ease
he flicks it back over the net
intending to tease.
I grimace. We made a bet
and now I engage
into higher gear,
my brain fills with rage,
my heart fills with fear.
Advantage to me,
the crowd stands to cheer,
Joe falls to one knee,
buckled, losing a tear.
I volley. It whizzers
past his frozen form
he tries, but misses,
defeated, forelorn.
At last I have won,
the gold cup is mine,
another dream spun,
back to the factory line.
Mar 12, 2019
Mar 12, 2019 at 7:47 AM UTC
"You're next up"
Anxiety,
Doubt,
And ultimately the inevitable reality of what's to come fills your head.
You're next up on life's rollercoaster ride,
but you don't know what lays ahead.
You hear the laughter,
screams,
and shouts,
but you don't see it yet.
You don't know what it's about.
Instead of enjoying the wait -
you stand there,
guessing your fate.
But now it's your time.
"Sit tight"
"Keep your arms and feet inside the ride at all times"
So you buckle in -
Not quite ready,
and as the ride takes off,
you sit back steady.
You laugh as you go up & down,
side & around.
The exhilaration of moving at such speeds,
seem to be all you really need.
But then you **** too hard -
Arms and legs nearly flailing outside the ride.
You begin to feel scared,
but you have too much pride.
Then you drop down 400 feet,
the only thing the leaves your body is a deafening scream.
Fear,
Anxiety,
And uncertainty of your willpower to finish this ride set in.
You didn't know you would feel so scared,
when you chose to begin.
And just as you calm down,
another drop happens,
making you wish you'd hit the ground,
just to escape this rollercoaster ride.
Because buckled in,
there is nowhere to hide.
You wait for it to get better,
but it only gets worse.
You start crying and seeing visions of a hearse.
You see one last loop ahead,
wondering if this is when you'll be pronounced dead.
But you make it through,
upside down and all,
only seeing good things ahead -
so now you're glad you didn't fall.
The rest of the ride is smooth sailing,
no drops,
no arms flailing.
Just the wonders of life taking you to new heights,
but you're no longer scared.
You've been through all the terrors & frights.
So when it's all over,
said & done,
you can look back at the rollercoaster.
With pride now,
instead of fear,
encouraging the young who dare to travel near.
Apr 30, 2019
Apr 30, 2019 at 1:10 AM UTC
Luna Tickle eats only pickles and ***** up all the brine
When her brother tells their mother she begins to whine:
“Yes I did it! And left no tidbit
Is that such a crime? My brother smells and raises hell
And leaves the loo full of slime.”
Now their mother dear began to fear her children were obstructions
Never listening, since their christening, and wished for their abduction
So she planned a slaughter and called her daughter
Outside to the woodshed, then chopped her neck in two
She put Luna’s head in her brother’s bed and said,
“Now, they’ll be no more Boo-Hoos”
Now you know of Luna and her tragic ending
But there’s more to this rhyme that’s pending
For the Tickle name is quite insane
And was never worth defending
But that’s just what her brother did
When Mrs. Tickle met Judge Knuckle
And almost flipped her lid
Screaming:
“I never liked that kid from the day she began to suckle!
Why she couldn’t be more like me, or her lovely sister Tess”
Twas all Mrs. Tickle could confess that day to Judge and jury
Until brother **** chimed-in and confessed his sin
And did so in such a fury, it was heard throughout and within
The entire state of Missouri:
“I am Richard Tickle and do confess I am not fickle
In fact I am quite pugnacious
If you do not see the circumstances like me
I’ll be forced to be disputatious”
Interjects Judge Knuckle:
“Boy, I’ll have you buckled this instance to electric chair
If you’re not scared I’ll be splitting hairs
In a place where the sun does not shine
So if you care, you’d best beware
Or your Gherkin will be in a brine”
Now Tess screamed out and her mother did shout
In perfect unison:
**** is my love and none the likes of any other hooligan”
At this there was a scuffle
Each dame was muffed and ruffled
They could not contain
All their angst and their pain
And it led to the ugliest tussle
For each thought ****
Was devoted to she
And apparently, this could not be
As we know of the trouble with Luna
So the jury was not out
Or even in doubt
Of these sinister makings and troubles
It was the sickest of affairs
Mass-producing glaring stares
From everyone within the court
Missouri Gazette’s headlines that day
Told of how they did slay
And burn the Tickle chalet
Leaving it in incestuous rubble
The lesson today to this horrific ballet
Is don’t live your life in a bubble
Nov 21, 2015
Nov 21, 2015 at 6:39 PM UTC
Hey girl where you going?
I’m very much a talker
Cos I can’t dance good
And I never been a stalker
Where you off to my l’il lady?
Hop in my left seat for a ride
Wind it up or slow it right down –
I can get you to the other side
I’m just a country boy
And I can take you up city streets, country roads
Just a poor l’il redneck
But I’m sure I can get you to where you want to go
I got a full tank of gas
I got an all-terrain SUV
You sure do look good
Buckled up next to me
I can take you up the fast lane
I can drive you round the cones
I can take you slow through the forests
I can take you fast through 30 zones
I got air conditioning in here
Chamois leather seats as soft as babys butts
I can take you across the smooth asphalt
I can take you through the deep ruts
Putting on my aviators
Just let me know if we’re getting close
We can slip on out
Or we can take the main roads.
Just listen to the music
And i can listen to you if you like
I can rev the V8 and take you there
Be it day or be it night
I got fully automated
And a nice little gear change
I got super beam headlights
With a three hundred foot range
I can go on the straight and narrow
I can take you down winding roads
Nothing’s a problem for us; we know where we come from
And I can get you where you need to go
Yeah, I don’t dance so good
But I’m a country boy,
A nice little country boy.
Dec 11, 2011
Dec 11, 2011 at 9:06 AM UTC
Every sunrise brings a wave of hurt to wash over me like a typhoon.
Every sunset brings my regrets to come rest like bricks on my shoulders.
Threatening to snap my spine in two.
Every doubt comes and shackles to my ankles.
I let the metallic taste melt into my blood stream and become part of me.
Every noise shatters my ear drums and sends shocks through my body.
They leave burns streaked across my body like tattoos.
Tattoos that won't wash off in the sink.
They won't fade with time.
Tattoos that remind me who I am.
...Or used to be.
Every blade of grass cuts my feet like words cut my back as you stuck each one in with precision.
Every car drives away with my hopes and dreams buckled in the back seat listening to the radio.
Singing every word like they can't hear me crying for them to return.
Every cloud rains on my mind like acid that pours from the bottle into his glass.
Like hatred onto the plate that she sniffs.
Every warmth I feel drowns in my sorrows like I drown in the typhoon that lays at my feet.
I will always have my tattoos.
a memory of myself.
...or used to be.
Apr 6, 2016
Apr 6, 2016 at 9:28 AM UTC
Star, that gives a gracious dole,
What am I to choose?
Oh, will it be a shriven soul,
Or little buckled shoes?
Shall I wish a wedding-ring,
Bright and thin and round,
Or plead you send me covering--
A newly spaded mound?
Gentle beam, shall I implore
Gold, or sailing-ships,
Or beg I hate forevermore
A pair of lying lips?
Swing you low or high away,
Burn you hot or dim;
My only wish I dare not say--
Lest you should grant me him.
3.1k
death bursted into my room tonight
awakening a deep slumber
outstretching a cold boney hand
as if offering for me to go with him
I felt no fear or sadness
I have been waiting for death to greet me
I have admired him from afar
a lover who took no chance in courting me
Until he was ready to give me an embrace
That could be defined as loving and warm
but it was sinful and alluring
flickers of sparks in his eyes
ignited a fire in my soul
a passion that I had longed for
as my hand grabbed onto his
he pulled me close in the middle of the room
he began to dance to the tune
of our heartbeats synchronizing
a beautiful symphony rang love in our ears
craning his neck
he leaned in close
inhaling the shakiness of my breath
moonlight illuminated the poison dripping
from his puckering lips
as an offering to taste
what afterlife was
it held soft undertones of an earthy aftertaste
but an overpowering intoxicating sweetness left me hungry
for just one more dip
in his suicidal serenity
moving in one fluid motion
sweeping behind me
a boney hand placed on an unclothed forearm
slowly slid up my shoulder
as another arm was placed around both hips
he pressed himself tightly against me
icy breath grazed across my neck
making hairs stand up on my arms
as a moan escaped between closed lips
he whispered a seductive I love you
as he tucked hair behind my ear
the words I longed to hear
were met with a sharp knife
placed in open hands
and a crooked smile
spread across his face
it was at that moment
I came to the realization
to become his fully
my beautiful souls light
must burn out
to match his souls decayed state
no persuasion was needed
I longed for this moment
now the time was finally right
steady right hand raised
the elongated blade
"together forever..."
death breathlessly whispered
as a swift motion
punctured my abdomen
breath was taken out of my lungs
knees buckled
as death dropped me to the floor
tears of bliss flowed from my eyes
staining mascara streaks on flushed cheeks
I peer around the room to greet my lover
in another embrace with my final breaths
but im alone
left with a bloodied knife in hand
but this forbidden passion of a deaths dance
was only used to take ones soul
not give it the life it craved
laughing through the flood of tears
not even in death was I loved
Apr 12, 2019
Apr 12, 2019 at 8:21 PM UTC
We wear our helmets
Together with our suits for race
I am the driver
You are my co-driver
Buckle up! Seat belts on
We're ready to race
Radio's on, I let you decide on which station
Ready? Get set. Let's start the chase!
We start smoothly
Our gear's not even on three
I step up the gas
Let's speed up and fast!
I don't really see the need to rush
But since we're on the track
Better give it our best shot
Or else we'll lose the bout
Also, there are competitors
Whose pace we can't help but to compare
They have such high scores
Which subconsciously became our goal
Then came rough roads
I swerve from left to right
We go off road
Several times
A **** after a ****
Seems like an under-construction ramp
"Watch out!"
And then a bump
Blood and bruises
Filled our faces
You looked at me with so much blame
But, hey, isn't this a tag-team game?
Sure, I was the one holding the steering wheel
But you were my co-driver, sitting at the passenger seat
You were the one in charge to navigate
To follow your instructions was all I did
I admit I had troubles as well
Insecurities, jealousy made me tremble
I felt I made an impossible gamble
But, I am very sorry, I am human after all
I cannot see your tears
You're not that easy to read or I'm just bad at it
But I have to take a guess
You're very sorry as well
We looked into each other and we had the hint
We had to change our views for this trip
Ah, I know what action would fit
We smile as we said, "In this race, we quit."
I started the engine
And we buckled up again
We quit the race, but we didn't quit our journey
We'll continue slowly but surely, as we enjoy the sceneries
We've had enough of contests
Championships that never had any winner
Championships that only brought stress
It's not the destination, but the journey which matters
If ever in case you resign as my co-driver, however
I'll probably hire another
After forever?
Or I'll just also quit as a driver
Jun 18, 2015
Jun 18, 2015 at 4:20 AM UTC