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"wads" poems
I have yet to find the exact size, length, width, weight, height, of my rusted trusty nail, which I lost. Painted golden brown and rough on the edges, that old man pinned my door to the wall. Now it's left hanging in the open dangling in the wind swaying with the broken rain, my home vulnerable, a feasty treat, like the first time Hansel and Gretel saw the witch's house. I'm not afraid of the teeth baring wolves bloodcurdling hounds with red eyes massive 10 foot hungry bears that tower over you with outstretched paws holding a steak knife and fork its brown fur a bib. No I'm afraid of my house zipping up its backpack filled with all the canned goods fresh water canteens from the well and all the matches and firewood in the cellar taking off during the night when the moon is at its darkest, leaving I, to do the only thing left: To pay the bright orange flames to entertain me as my wads of money lit up the darkest night of the century all because I couldn't replace my *most dear, loved, precious nail.*
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Oct 8, 2014
Oct 8, 2014 at 11:53 AM UTC
Irreplaceable
Despicability is the foundation to their life For them it is intrinsic Genetically encoded Simplistic Poetically eroded Reprehensible at best      **Unscrupulously callous      Secrets and facts, they conveniently      ingest      Distorted byproducts, they release to the      masses      To aid their campaign; a forked tongue      fest** Pathetic and unapologetic A beast armed to the teeth Imported bypasses to increase the flow of police A weakness and an act, They so vehemently attest      **Harvesting greens off the branches of      the people      Pockets engorged with wads and folds      Crushing blue collars at the lower levels      As they sit atop their pyramids of gold** Today they sip champagne To celebrate their reign Tonight we'll skip being humane To feed them excruciating pain      **You've incited this coup with ill-thought      deterrents      Now herald the arrival of the scourge      Down with lopsided governments      Tonight... All we would topple! Tonight we purge!** Justin G ryn**
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Feb 24, 2015
Feb 24, 2015 at 11:32 AM UTC
Tonight We Purge! (Featuring ryn)
I've got a Chopper, You can have ****** *********** with it if you like It's got a trug, a Jew's harp that rattles the windows And creatures to make it mosey around crack I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast You're the kind of ***** that thrusts into *** my bodiliness I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a disguise it's a torso of a Irish bull There's a slit high up the skirt Miss World's bra-burner and gross I've grappled page—3 girl for bouts If you think Miss Universe could spasm creamy then I guess Mr Universe should You're the kind of ***** that slides in with my wads I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** a chimpanzee and he hasn't got a stage—door Johnny I don't copulate why I cock—a—doodle—doo him Gerald He's inseminating à la carte geriatric but he's a voluptuous chimpanzee You're the kind of ***** that stuffs *** my gallons I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a Welshwoman of pornographic Casanovas Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters Beg a bonk if you be on heat, they're on the back of the ***** You're the kind of ***** that spasms indoors using my lump I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** custom—built dead men of doo-wop passages Incognito Muses, faceless ching, most of them are Barbie Let's **** into the odd kitchenette and **** landlady creature
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Mar 30, 2010
Mar 30, 2010 at 3:46 PM UTC
Chopper
I've got a Chopper, You can have ****** *********** with it if you like It's got a trug, a Jew's harp that rattles the windows And creatures to make it mosey around crack I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast You're the kind of ***** that thrusts into *** my bodiliness I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a disguise it's a torso of a Irish bull There's a slit high up the skirt Miss World's bra-burner and gross I've grappled page—3 girl for bouts If you think Miss Universe could spasm creamy then I guess Mr Universe should You're the kind of ***** that slides in with my wads I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** a chimpanzee and he hasn't got a stage—door Johnny I don't copulate why I cock—a—doodle—doo him Gerald He's inseminating à la carte geriatric but he's a voluptuous chimpanzee You're the kind of ***** that stuffs *** my gallons I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a Welshwoman of pornographic Casanovas Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters Beg a bonk if you be on heat, they're on the back of the ***** You're the kind of ***** that spasms indoors using my lump I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** custom—built dead men of doo-wop passages Incognito Muses, faceless ching, most of them are Barbie Let's **** into the odd kitchenette and **** landlady creature
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26
There is a period of time Immediately proceeding a conversation you had Where you shared, what you are sure in retrospect, Was too much And when they go its nearly silent Aside from the car engine Your ears are on fire On one hand you’re glad you said it On the other hand You wish to rewind And unsay the things you did. Reverse and greedily fill your arms with all the Pieces of yourself you’d given away freely. They’re yours and they don’t own them. But like a dusty collection of spoons, From all fifty states, You know that you have no use Harboring those thoughts. Maybe they will somehow affect that person And help them when they’re feeling down But you doubt it. They won’t fully understand, Because you’re a bad story teller Who can’t describe the feeling of the sun On the tops of your legs and interpolated Between your toes. And you're selfish and don’t care You feel incomplete now and hope That maybe, just maybe They weren’t even listening to you ramble Or couldn’t understand you Or cast the little wads of memories away Like pencil shavings Which are fun for a little under an hour. And you’ve almost convinced yourself Until you see them, and they see you And open their mouth to say something- And like some horror movie The secrets come swarming.
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Oct 6, 2012
Oct 6, 2012 at 11:04 PM UTC
Indian Giver
Curtains, blown by an evening's gale, Applaud movements of the Coryphee, That sentry for everything frail And the things of beauty put away. She dances to melodic chimes, Which haunt the summer evening's air, She leaps, turns, points, and spins in time, Unmindful of her sentinel care. She ignores forgotten keys, rings, Bracelets, pins, a small glass hummingbird, As well a wads of necklace strings, She keeps on dancing, without a word. Still ballerina dances, Doing pirouettes to some refrain, Ignoring her audiences, Never seeking any other gain. Yet, with time, every life must fade. When this life, by key, has come to end, She answers her death unafraid. The chest is closed by a gust of wind.
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Feb 17, 2013
Feb 17, 2013 at 11:12 AM UTC
The Jewelry Box
I remember you spirt in the Chelsea Flophouse you were opening one's lips so gorgeous and so creamy greasing me stamen on the unfucked bonk while the bangers let it rip in the alley Those were the diseased minds and that was Newfangled York we were squirting for the wads and the meatballs and that was gobbled snog for the creamers inside Gloria centrifugally stiff is thus those of White House Nazis Ah but you copulated telescopic didn't you basket case you just acidified your jockstrap on the shoulders of the scrum you copulated telescopic I never once heard you use sign language I input you, I don't intake you I input you, I don't intake you and all of that balling hard on I remember you spirt in the Chelsea Flophouse you were gorilla—like your ****** *********** was absolute epic you leaked me again you frocked slap—up old salt but for me you would **** an unzipping And shaving your tongue because the creatures lust after us who are barked at by the Daleks of *** appeal you Rohypnolled yourself you emitted jet so what? we are radioactive salvo we shoot full of holes the stride piano *** one fine morning you copulated telescopic didn't you cocker you just blunted your extremity on the cattle you copulated telescopic I never once smelled you emit I intake you, I don't input you I intake you, I don't input you and all of that balling hard on I don't mean to insinuate that I slobbered over you peanuts I can't withhold *********** of each crouched **** I remember you spirt in the Chelsea Flophouse that's oodles I don't even kick—start you that thick and fast
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Mar 29, 2010
Mar 29, 2010 at 3:36 PM UTC
Chelsea Flophouse
I remember you spirt in the Chelsea Flophouse you were opening one's lips so gorgeous and so creamy greasing me stamen on the unfucked bonk while the bangers let it rip in the alley Those were the diseased minds and that was Newfangled York we were squirting for the wads and the meatballs and that was gobbled snog for the creamers inside Gloria centrifugally stiff is thus those of White House Nazis Ah but you copulated telescopic didn't you basket case you just acidified your jockstrap on the shoulders of the scrum you copulated telescopic I never once heard you use sign language I input you, I don't intake you I input you, I don't intake you and all of that balling hard on I remember you spirt in the Chelsea Flophouse you were gorilla—like your ****** *********** was absolute epic you leaked me again you frocked slap—up old salt but for me you would **** an unzipping And shaving your tongue because the creatures lust after us who are barked at by the Daleks of *** appeal you Rohypnolled yourself you emitted jet so what? we are radioactive salvo we shoot full of holes the stride piano *** one fine morning you copulated telescopic didn't you cocker you just blunted your extremity on the cattle you copulated telescopic I never once smelled you emit I intake you, I don't input you I intake you, I don't input you and all of that balling hard on I don't mean to insinuate that I slobbered over you peanuts I can't withhold *********** of each crouched **** I remember you spirt in the Chelsea Flophouse that's oodles I don't even kick—start you that thick and fast
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32
You towed your broken down beat up, used, rusted old Chevy into my workshop smelling like crap, and looking a whole lot worse she had a busted engine sputtered like a plane (but not in a good way) you leaked black oil all over my floors stains of which I still can’t remove no matter how many gallons of bleach I use the radiator, well let’s just say had seen better days the interior leather seats were torn and the once slick body looked like you had ****** off some mafia kingpin so I spent my days and nights greased up and elbow deep, in your muck trying desperately, but lovingly to do what a mechanic does best and I was leaking time like I owned it, when I could’ve should’ve found a more profitable fixer upper I told myself, no convinced myself otherwise and eventually, against the odds, fixed you then some schmo walks in a bulging from both pockets from wads of cash and grabs you right outta my hands the you I returned to a shiny beauty as best I could with the tools I had well then, maybe I did fix you I just never realised, I was doing it for someone else.
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Jul 6, 2014
Jul 6, 2014 at 12:16 PM UTC
The Mechanic.
The slot machines remove my cash with Dyson like precision The operation's painless There isn't even an incision It's gone as soon as I sit down For that is just their mission I lose as soon as I sit down I made a bad decision The table games are even worse Distractions everywhere Table dancers walk and dance But most folks do not care In shorty shorts and thigh high boots They flick and fling their hair And we sit losing wads of cash As though we do not care The strip itself is free to walk It's a breaking even quest Unless you take the monorail Then you get put to the test Long walks between casinos Through the homeless where they nest Once you walk to where you're going You need to sit down for a rest The walkways littered with lost souls Our society's open sores selling water for a dollar blocking all the hotel doors tourists cueing up to see shell and ball games by the score We walk by glancing down on them For we are Vegas ****** A city based on excess Where the winner is not you There are some that leave with money But, in truth....there's very few The derelict and drunkards beg for change the whole day through and their dogs beg from the beggars It never changes....nothing's new.
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Oct 25, 2012
Oct 25, 2012 at 2:08 PM UTC
Vegas
I can't remember the last time I lived somewhere that didn't have running water. I wonder if it's actually happened. We're moving a maximalist aesthetic into a minimalist situation. I just want a glass of water, a hot shower, a working toilet. Ive never been so tired, and I've never smelled so bad. My leg are two masses of limp pain, my hands are stiff, calloused wads of meat. My right eye is experiencing a mild swelling, that I'd ******* pray isn't pink eye, if I believed in god, which gets harder from here. Illuminated in the dark of midnight by computer light, with only the tickings of a cheap watch for condolence. Their voices complain from downstairs. Then laugh. Then return. Trinkets chitter around. Rooms full of garbage. If you hit it softly enough, can you still tell you're at the bottom?
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Jul 4, 2014
Jul 4, 2014 at 4:52 PM UTC
"Practically a Lego House [Also, I Smell Like ****
Humming, the warmed *** of daybreak soothed the hiccups of a spoiled slumber. Yawning, sunlight sweet talk eased our puffy eyed sleep shirts back to the cushions from which they came. Soon, impatient fingers would press firmly at 11:00, daring contentment to linger in the shadow of honey gold. Buried in the frosting of blue and gray sheet cake, the blankets coated their chins. somewhere in their hair lay remnants of peanut butter cheesecake and blush; expected phone calls every evening at 6 and clumsy words that littered three cherry pits in the corners of my eyes. [ I ] [Love] [You] Blossoms, sweet fragrance ---- ¬ promises, they drift from the branch I replay your repeat smoke rings, listening to your lukewarm, out-pour of voice. Gritty against my ears - I turn to the wall. Your thoughts are crowded, littered paper wads and aged banana peels, tossed with Saturday's hopes and wishes. With my need to be seen, I will grow an inch each week, so that by September, eyes upon eyes brows upon brows, no longer will height save you. Waiting for you to notice, waiting for you to wake. What do you see now that you can look me in the eyes? **** as the lemon drop next to the honey bun stain across the room there are 2 letters. Ordinary as ink upon paper, they mean nothing at first glance. They will fall unseen through the cracks in the floor. Drifting to the place all lost things go to be forgotten. Only by 11:30 will you notice it is morning and half the bed is made
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Aug 30, 2012
Aug 30, 2012 at 7:15 PM UTC
Cherry Pits are poison
Humming, the warmed *** of daybreak soothed the hiccups of a spoiled slumber. Yawning, sunlight sweet talk eased our puffy eyed sleep shirts back to the cushions from which they came. Soon, impatient fingers would press firmly at 11:00, daring contentment to linger in the shadow of honey gold. Buried in the frosting of blue and gray sheet cake, the blankets coated their chins. somewhere in their hair lay remnants of peanut butter cheesecake and blush; expected phone calls every evening at 6 and clumsy words that littered three cherry pits in the corners of my eyes. [ I ] [Love] [You] Blossoms, sweet fragrance ---- ¬ promises, they drift from the branch I replay your repeat smoke rings, listening to your lukewarm, out-pour of voice. Gritty against my ears - I turn to the wall. Your thoughts are crowded, littered paper wads and aged banana peels, tossed with Saturday's hopes and wishes. With my need to be seen, I will grow an inch each week, so that by September, eyes upon eyes brows upon brows, no longer will height save you. Waiting for you to notice, waiting for you to wake. What do you see now that you can look me in the eyes? **** as the lemon drop next to the honey bun stain across the room there are 2 letters. Ordinary as ink upon paper, they mean nothing at first glance. They will fall unseen through the cracks in the floor. Drifting to the place all lost things go to be forgotten. Only by 11:30 will you notice it is morning and half the bed is made
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19
his fingertips as wild sparklers his palms, wads of soft cotton and the plateaus of his toiled finger beds so his grasps -- stray, muddled, unintended like paint swashes glazing my frigid worn skin realeasing undue quivers down my delicate chine
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Aug 20, 2013
Aug 20, 2013 at 4:30 AM UTC
disco lights above furtive kisses
Tommy guns for insurance And wads of sweaty cash To build new empires with But there are no guarantees Crime, you see, doesn't pay You can bank on it So we already know how it ends: They canceled his policy And Dunaway with her
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Feb 21, 2022
Feb 21, 2022 at 11:18 AM UTC
Bonnie and Clyde
What’s wrong with me? I’ve been asking myself this all week. Anyone who knows me will tell you that I weigh questions coldly and logically. Then it hit to me.. it’s summer, silly, and I'm in classes! A typical summer would find me tanned, sunburned, greased and unkempt, like a happy, sandy, beach hobo, my hair would be either braided or left fly-about to tangle into cotton candy wads. My bf Peter’s learned to like fine restaurants (You’re welcome). I’d have never left the beach on my own. “They can bring us anything,” I’d argue, looking up pitiably from my shaded, Tropitone lounge chair. Around sundown, Peter would have to catch me, slippery oiled and brown, to comb me out and scrub me before dinner. “Get dressed!” he’d encourage, picking out a dress suitable for dining or casino wear - “I made us a reservation.” I’d come out of the hotel en-suite in one of their fluffy, Versace, terry towels but invariably, before I was even dry,  Peter would shake his head, growl and say, “Com-mere,” holding his arms out a little, palms up (he’s never been very verbose), and smirking a little, I would, because his expression reminded me of Christmas. “What about our reservation?” I’d chuckle. This was, of course, a volunteer situation, where it was up to us all to do our best. . . Songs for thus: Girls On the Beach by Carter Cathcart Wouldn't It Be Nice by Papa Doo Run Run Please Let Me Wonder by Carter Cathcart
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Jul 1, 2025
Jul 1, 2025 at 12:13 PM UTC
summer blue
Sliding wounds were patched up with concession stand napkins. Wads of Big League Chew formed a mosaic beneath the bench and smelled like apple cherry. Spat-out sunflower seed trim lined the cracking cinder block walls and became the popular hiding spot for hair ties and M&Ms.; Lead paint peeled from the walls in strips like the white chalk lines of the diamond beyond the fence.
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May 7, 2014
May 7, 2014 at 9:09 PM UTC
Chalk Diamond
Bills in my wallet folded into wads, unsorted in their random cacophony Smiles on the faces of those ignorant enough to ignore suffering Cuts on her feet like symbols in the stars From her voice I was told the taste of kiwis and ginger root From her kiss I was sharing nicotine and half exhaled cigarette smoke And from our silence there is an overlapping ambience of dead noise From our comprehension we realize our ignorance From our comprehension we realize out insignificance It is reassuring to know that you are a compilation of subatomic structures It is comforting to know your matter is just recycled stardust From a smile between crooked teeth and chipped molars I find comfort In knowing that your heart is like a sponge absorbing all my poison And somehow you exhale such radiance, a phenomenon I marvel from my spot in the yard, watching sparrows chase crows
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Sep 26, 2012
Sep 26, 2012 at 12:57 AM UTC
Blood Medicine
'Hands off,' says the bag of cash to the robber. Or, wishes it could have said, Because it was an inanimate object, While the robber was not. The bag of cash was just a cotton satchel While the robber was all flesh and blood. 'Where are you taking me?' the bag of cash silently wails. It doesn't see the light of day When the robber stuffs it into the trunk of his car. Alone, the bag of cash occasionally jumps up in the darkness As the robber's sidekick -- his car Rushes him to an alien place. 'I have been forsaken,' the bag of cash mopes. Once the robber takes it out, The bag of cash will have to die. It cannot imagine the horrifying thought Of the robber slitting him open. Its organs -- the wads of cash -- will all spill out in a puddle. What did the bag of cash deserve To meet with such terrible fate? But the bag of cash hears a gunshot Once, twice, and thrice. And a flicker of hope lights up within it. It sees the light of day again as the trunk opens And, to its delight, sees the robber Cuffed by the wrist and wearing a scowl. 'I can go home now,' thinks the bag of cash, As the police officer takes it into his arms. And once it's home, back in the vault It can relay the frightening experience To other bags of cash, bursting with paper bills and eagerness.
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Jun 12, 2014
Jun 12, 2014 at 6:48 PM UTC
Cash and Robber
We've had those silly quarrels swear words and senseless arguments one-up-man-ship wins' those holier than thou attitudes, yet we moved forward in the same direction not turning back to see the detritus the wads of pain and bad mantras that littered the roadway behind us. Life was good The problems made it better because we worked together for solutions. Now you want to walk away for good? Don't walk away. listen instead the silence will envelope you in sadness after I am gone. © Marshall Gass. All rights reserved, 2 days ago
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Jun 23, 2014
Jun 23, 2014 at 9:44 PM UTC
Don't walk away.... listen
The world’s smallest basket lies tucked away Inside a jar for field-trip wide open Eyes of wonder to chew on, settled in The drooling smiles of truant minds like most Sticky wads of gum that hang dried to the Undersides of every desk throughout the Pine Belt area of Free State County, And all that surrounds circled about one Solitary clandestine blade of grass Tucked & woven into antiquity By enchanted hands, & no doubt the work Of Ma Universe slippin’ her divine Fingers inside the dirt-caked skin she’d Herself sewn onto one of her very Own living/breathing marionettes, Borrowing the gloves of ancestors called on All the way to back to the first blade of grass Plucked, & the first dreams that woke young shaman Poets mad with visions streaming like Images from celestial antennas Into intricately knit blades of grass, Sharpened on dewdrops & the unforgiving Wilderness of frontiers, like a sea of Green knives crashing their piercing waves on prairie Shores while dull eyes attempt to draw blood with Sharpened pencils on a sketch of its beach. The towering sandcastles & woven Baskets & cosmic canons are canonized Eternal in that magnificent Fireworks show behind tempered glass, in that One simple blade of grass.
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May 15, 2013
May 15, 2013 at 9:37 PM UTC
Pomo Basket at Fifth & Seventh
It's another slew of ****** poetry so publish this junk so I can sell my work to people who can't read let me tell you about David he is a ***** not a literal ****** that'd be ridiculous, what I mean is - he admits to having emotions what a *** right? but his emotions come on too strong cologne on some ***** in a bar and he doesn't know what to do with them so he empties out every bottle and fills them with his tears then he thinks he might see something amid the pain something to throw together so he stacks the bottles in a jaunty pyramid and calls it art how ******* deep of him he loves girls fears rejections so his trash cans are filled with old cummy wads of tissue paper and wakes up hung over and nervous about everything I hate him almost as much as I love him Then there's Jake - a grade A **** no really, he is Violent angry for no reason other than it makes him feel good he views women as three holes to put on his trophy case he puts cigarettes out on his arm and throws every thing anybody he ever loved ever gave him back in their face with a hefty helping of satirical, cynical, sarcasm but say what you want about Jake He get's **** done and the **** he does only helps him out Jake and David they are best ******* buds and God knows why because most of the time you can walk in on them choking each other to death in the night only to hug it out the next morning Jake and David star crossed lovers holding desperately onto each other as they make their way down the dark, frothing river of life
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Dec 20, 2013
Dec 20, 2013 at 10:17 PM UTC
Jake and David
It's another slew of ****** poetry so publish this junk so I can sell my work to people who can't read let me tell you about David he is a ***** not a literal ****** that'd be ridiculous, what I mean is - he admits to having emotions what a *** right? but his emotions come on too strong cologne on some ***** in a bar and he doesn't know what to do with them so he empties out every bottle and fills them with his tears then he thinks he might see something amid the pain something to throw together so he stacks the bottles in a jaunty pyramid and calls it art how ******* deep of him he loves girls fears rejections so his trash cans are filled with old cummy wads of tissue paper and wakes up hung over and nervous about everything I hate him almost as much as I love him Then there's Jake - a grade A **** no really, he is Violent angry for no reason other than it makes him feel good he views women as three holes to put on his trophy case he puts cigarettes out on his arm and throws every thing anybody he ever loved ever gave him back in their face with a hefty helping of satirical, cynical, sarcasm but say what you want about Jake He get's **** done and the **** he does only helps him out Jake and David they are best ******* buds and God knows why because most of the time you can walk in on them choking each other to death in the night only to hug it out the next morning Jake and David star crossed lovers holding desperately onto each other as they make their way down the dark, frothing river of life
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49
years ago when I ****** my boyfriend I'd sometimes pretend to pay for him. how much? I'd say, so he'd make believe he was turning away, you can't afford me. he'd stand there obnoxiously and I'd fling wads of money. six hundred seven hundred eight hundred nine a grand, baby a grand and you're mine
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Aug 31, 2014
Aug 31, 2014 at 6:53 PM UTC
expensive
My desk is never clean. pipes and wads of paper broken pencils and half full glasses of water a mostly finished bottle of wine. the cork is lying around here somewhere my wax melter spilled little candles and there is a thin layer of kief under my mat. I do everything here with a rolling chair I found I'm not sure where anymore draped coat arms dance when I spin around in the chair, swinging up to say hello to me, pen in hand, a fresh glass of water to soon join the others and a lamp that is too bright for my eyes
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Mar 14, 2015
Mar 14, 2015 at 8:46 PM UTC
scattered
if you give donations to a political candidate this will obtain favors for you which so satiate Mrs Clinton doth wish to become the next Whitehouse resident with the largesse of George Soros she'll be under his cash compliment ***** deals and corruption will spread like veritable wild fires as Mrs Clinton is held captive to power hungry desires the American people are the ones who'll have the final say as the 2016 Demorcratic Presidential candidate is thoroughly swept away George and other wealthy donors might find that they've backed the wrong nag should they put their wads of money in Hilary's nomination bag one Clinton in the Whitehouse proved to be one too many and if donors are smart with their bucks on Mrs Clinton's campaign they'll spend not a penny
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Nov 14, 2013
Nov 14, 2013 at 7:51 PM UTC
Not A Penny
I am the voice that crept up the water. Sleeping, not sinking. My arm hair stood straighter, not softening in the lake. Wake up. Open eyes. Gasp for air. Dark black cool everywhere I looked. No one tells you that drowning isn't dying. their voices pelted spit wads. their fear launched missiles. their apathy sank a princess. I watched with my screaming eyes. When I sank I surrendered; shiftless, restful, still. But I did not die. Death is the worn wet whisper. Death comes to those who wait. Death embraces cell fish. And I would know. They swim all around me. On the land, never the water. To them the depths of this lake ensured my silence. Then I woke and saw nothing, felt nothing, knew nothing, except for the last breath that moved seagulls and drew mermaids near.
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Sep 26, 2016
Sep 26, 2016 at 12:19 PM UTC
underwater breathing lesson
She was almost tempted To jump from the bridge Despite the crowds that Passed, despite the coldness And filth of the water below, But she didn’t; she walked On and slit her wrists in the Hospital corridor instead; In some dark place no one Noticed until the blood Followed her footsteps Like a worrying child. Two men stopped her And took her to nurses Busy at some sideward Desk; found her in the Corridor, they said, blood Everywhere, doesn’t answer, Though, we’ve tried that, Won’t say a dickybird, Maybe she’s dumb or deaf, One man suggested, standing Back as if to see her better, Watched the young girl as If for the first time, taking In the blood soaked jeans, Tee shirt, hands and arms And turned away, nodding To his companion, with a One of those druggy types, No doubt, suggestion in the Slow movement of his head. Then she was gone, taken by The nurses behind curtains, Low voices, murmurs; their Interest slipping away, the Men moved on, chatting How Cardiff would do in The next match, and don’t Tell the wife about the girl, She’ll get the wrong idea, Then there’ll be hell To pay, one said, walking Through the doors into The afternoon sunshine. She was almost tempted Speak, to say how the devil Tempted her to jump, how The voices told her what to Do, but she said nothing, Just watched the nurses Dab at her slit wounds with Wads of bandages and frantic Touches of their hands, while Up on the ceiling, she noticed A fly buzzing around the naked Bulb, looking for a way out From death; just like me, She thought, just like ****** me.
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Mar 15, 2013
Mar 15, 2013 at 2:31 PM UTC
ALMOST TEMPTED.
She was almost tempted To jump from the bridge Despite the crowds that Passed, despite the coldness And filth of the water below, But she didn’t; she walked On and slit her wrists in the Hospital corridor instead; In some dark place no one Noticed until the blood Followed her footsteps Like a worrying child. Two men stopped her And took her to nurses Busy at some sideward Desk; found her in the Corridor, they said, blood Everywhere, doesn’t answer, Though, we’ve tried that, Won’t say a dickybird, Maybe she’s dumb or deaf, One man suggested, standing Back as if to see her better, Watched the young girl as If for the first time, taking In the blood soaked jeans, Tee shirt, hands and arms And turned away, nodding To his companion, with a One of those druggy types, No doubt, suggestion in the Slow movement of his head. Then she was gone, taken by The nurses behind curtains, Low voices, murmurs; their Interest slipping away, the Men moved on, chatting How Cardiff would do in The next match, and don’t Tell the wife about the girl, She’ll get the wrong idea, Then there’ll be hell To pay, one said, walking Through the doors into The afternoon sunshine. She was almost tempted Speak, to say how the devil Tempted her to jump, how The voices told her what to Do, but she said nothing, Just watched the nurses Dab at her slit wounds with Wads of bandages and frantic Touches of their hands, while Up on the ceiling, she noticed A fly buzzing around the naked Bulb, looking for a way out From death; just like me, She thought, just like ****** me.
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I am your corrupt concubine set forth a calamitous ***** force swinging from a hook, pitched feverish; a dervish loathing... I see what you did! oh yes, I see what you did. My satin is stained with years of vile semantics, I see that crooked *** smile... I cannot translate, each character, each chastisement, each year a bitter palate of 'the finest.' You have distance, your mounds, and wads... wallow in them, a true master of the plan.
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Dec 11, 2010
Dec 11, 2010 at 4:48 PM UTC
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