"How do I love thee, let me count the ways"
A poet of old was known to have written
So how many ways can we say I love you
When our hearts have truly been smitten

Yes box, No box or Maybe box
Has been known to give us a voice
Passed back and forth with high expectations
'Til the reader has check marked a choice

Pigtails and spit wads can say I love you
As chewed up paper flies through the air
Or maybe a tug on those beautiful pigtails
Will show them that you really care

Sharing your snack is very romantic
Or their initials enclosed in a heart
And of course, "Will you be my valentine?"
Is always a good place to start

The ways that we say I love you
Are really too many to list
But you'll know when it's right and love is in sight
When two lovers have finally kissed

in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next

Farewell Govan -
bathed in a baking sun
littered with betting shops
and no win/no fee criminal lawyers
and a myriad of pubs caked in years of libation
steeped in history of industry and shipbuilding
blackened smoked walls etched with gangland symbols:
tooled-up local carnivores who ride shotgun on a BMX
swapping discrete envelopes for indiscreet wads of cash.

Farewell Govan -
you fractured my ribs once in a moment of mistaken identity
I didn't heed the advice to not walk through the park at night
I didn't hear the pitter-patter of adolescent feet
speeding my way in brand new trainers across the grass
but I did feel the clunk of something solid on my head
as the ground rushed up to meet me in a concrete embrace
and watched as 4 bags of overladen shopping spewed out
lying face up spread-eagle in Lilliput fashion
and a mobile torch-app in my face with the repeating words
“Ima tellin’ you man its naw him, its naw him”
I reassured them frantically that I was definitely not him!
as the hooded troupe picked up what was left of my shopping
and even gifted me a couple of cans of super strength lager,
a cube of dubious council estate hash
and an usher to leave immediately
(and think myself lucky).

Farewell Govan -
you got me blazing on cheap beer at the local pub
which had recreated a holiday beach scene
with a hand-written sign that read: Better than Ibiza!
awash with carefree children
and pit-bull terriers wearing bespoke Barbour dog jackets
and brand spanking new Adidas white trainers
purchased from Tam out of a nondescript blue plastic bag
who always passes the day's pleasantries
while topping up his pension
chatting with auld Billy who was in the war (don’t you know)
via the Merchant Navy
and the version of how he was gunner on an oil boat in Vietnam
via the umpteenth pint that afternoon.

Farewell Govan -
your late night shadows harbour an underlying tension
masked with comic humour only if you can understand the lingo
words that are distasteful anywhere else are in fact a term of endearment here
I shall miss the odious vernacular and doth my cap to your spirit
the Salt of the Earth and the Lifeblood of the Community
with at least 40% proof liquids mixed with Irn Bru
purchased at the 24/7 corner store along with a can of processed peas;
one of your five a day.

Farewell Govan -
I go to the sunny side of the Clyde
where it rains just as much
but you don’t get mugged for carrying an umbrella
or asked for the time from a watch-wearing tattooed sailor
and joy-of-joys there will be actual fruit & veg shops
where I don’t have to explain what fresh coriander is
and what you use it for, other than on a pizza;
I was offered dried bottled parsley instead.

Farewell Govan.

Despicability is the foundation to their life
For them it is intrinsic
Genetically encoded
Simplistic
Poetically eroded
Reprehensible at best

     Unscrupulously callous
     Secrets and facts, they conveniently
     ingest
     Distorted byproducts, they release to the
     masses
     To aid their campaign; a forked tongue
     fest

Pathetic and unapologetic
A beast armed to the teeth
Imported bypasses to increase the flow of police
A weakness and an act,
They so vehemently attest

     Harvesting greens off the branches of
     the people
     Pockets engorged with wads and folds
     Crushing blue collars at the lower levels
     As they sit atop their pyramids of gold

Today they sip champagne
To celebrate their reign
Tonight we'll skip being humane
To feed them excruciating pain

     You've incited this coup with ill-thought
     deterrents
     Now herald the arrival of the scourge
     Down with lopsided governments
     Tonight... All we would topple! Tonight we purge!

Justin G
ryn

I've got a Chopper,
You can have ****** ******* with it if you like
It's got a trug, a Jew's harp that rattles the windows
And creatures to make it mosey around crack
I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast

You're the kind of ***** that thrusts into *** my bodiliness
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a disguise it's a torso of a Irish bull
There's a slit high up the skirt Miss World's bra-burner and gross
I've grappled page—3 girl for bouts
If you think Miss Universe could spasm creamy then I guess Mr Universe should

You're the kind of ***** that slides in with my wads
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** a chimpanzee and he hasn't got a stage—door Johnny
I don't copulate why I ****—a—doodle—doo him Gerald
He's inseminating à la carte geriatric but he's a voluptuous chimpanzee

You're the kind of ***** that stuffs *** my gallons
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a Welshwoman of pornographic Casanovas
Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters
Beg a bonk if you be on heat, they're on the back of the *****

You're the kind of ***** that spasms indoors using my lump
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** custom—built dead men of doo-*** passages
Incognito Muses, faceless ching, most of them are Barbie
Let's **** into the odd kitchenette and **** landlady creature

tension is mounting in Egyptian capital Cairo after military staged apparent show of strength during a 6th day of anti-government protests

"judging by the proofs she had before the effect of her beauty upon Caius Caesar and Gnaeus son of Pompey she hopes she will more easily bring Antony to her feet for Caesar and Pompey had known her when she was still a girl inexperienced in affairs but she is going to visit Antony at the very time when women have the most brilliant beauty and are at the acme of intellectual power" – Plutarch

Cleopatra strapped by great debt incurred under the reign of her father thought it imprudent to mint gold coins so only lesser metals were used to commemorate her reign gold would have survived the centuries better than baser metals

sword slashed blood-spattered stomach Antony’s corpse lies motionless across room Cleopatra drinks mixture of ***** hemlock wolfsbane she holds squirming asp between her legs with wary hands around its neck she lifts snake to her naked breast its fangs strike at her arm handmaiden Iras dying at her feet another handmaiden Charmion adjusting Cleopatra’s crown before she herself falls

Egyptian Pyramids Sphinx Pharaohs mummies internet cell phone blackout police stations plundered weapons stolen gangs of armed men attack at least four jails across Egypt before dawn Sunday helping to free hundreds of Muslim militants thousands of other inmates as police vanish from streets of Cairo and other cities

the couple jumping holding hands out of burning World Trade Center building i understand it was defiant gesture of love over death maybe they hardly knew each other the sight of them just tore me up inside

Cleo is out from being in her hair is shorter figure looks too thin the neighborhood changed old ghosts new skins Cleo is out from being in walks same old streets yet does not recognize thinks thoughts never realized sees people she believes she knows but no one is who they seem they talk different tongues glance sideways scheme shaved heads fat wads of cash beautiful young women scattered dreams Cleo is out from being in she orders ice with glass of gin sips drink sits back grins voice from past out of nowhere whispers hey Cleo where you been there’s a debt to be settled truckload of hunger basement full of sin you up for paying your dues again Cleo is out from being in skeleton packed closet ***** dishes in sink she murmurs i just can’t win

There is a period of time
Immediately proceeding a conversation you had
Where you shared, what you are sure in retrospect,
Was too much

And when they go its nearly silent
Aside from the car engine
Your ears are on fire
On one hand you’re glad you said it
On the other hand
You wish to rewind
And unsay the things you did.
Reverse and greedily fill your arms with all the
Pieces of yourself you’d given away freely.
They’re yours and they don’t own them.
But like a dusty collection of spoons,
From all fifty states,
You know that you have no use
Harboring those thoughts.

Maybe they will somehow affect that person
And help them when they’re feeling down
But you doubt it.
They won’t fully understand,
Because you’re a bad story teller
Who can’t describe the feeling of the sun
On the tops of your legs and interpolated
Between your toes.
And you're selfish and don’t care
You feel incomplete now and hope
That maybe, just maybe
They weren’t even listening to you ramble
Or couldn’t understand you
Or cast the little wads of memories away
Like pencil shavings
Which are fun for a little under an hour.

And you’ve almost convinced yourself
Until you see them, and they see you
And open their mouth to say something-
And like some horror movie
The secrets come swarming.

Curtains, blown by an evening's gale,
Applaud movements of the Coryphee,
That sentry for everything frail
And the things of beauty put away.

She dances to melodic chimes,
Which haunt the summer evening's air,
She leaps, turns, points, and spins in time,
Unmindful of her sentinel care.

She ignores forgotten keys, rings,
Bracelets, pins, a small glass hummingbird,
As well a wads of necklace strings,
She keeps on dancing, without a word.

Still ballerina dances,
Doing pirouettes to some refrain,
Ignoring her audiences,
Never seeking any other gain.

Yet, with time, every life must fade.
When this life, by key, has come to end,
She answers her death unafraid.
The chest is closed by a gust of wind.

The soda can rumbles in the bowels,
tumbling into the gaping mouth
into which I enter a hand
to protrude my sugar rush.

sssni-kah, then the slurp of an obnoxiously pleasing sip.
I let the carbonation tickle my tongue,
reveling in the effervescent sensation.

The smell of old tires,
malodorous oil and gasoline,
and stale cigarettes fill the air.

My vexatious sips go unperturbing the dense atmosphere
that thickens outside the small air-conditioned office
and into the gas station,

where the mutters and sputters of drills,
kakadoo, kakadoo,
the squeaking and squawking of rotors and axles,
the interjections of swears and grunts
fill the air.

I peek through the ***** smudgy glass window in the door
to see grimy overalled ants meandering
under the body of our red mini-van
hiked up into the air like a figure skater,
suspended by the rusty clawed accompanist,
not a tremor of strain, unflinching,
letting the greasy men crawl underneath, hiking up her skirt
to examine her anatomy.

I walk outside and sit on a dusty tire stacked with others
on the side of the building--
some growing forlorn in tall grass
weaving in and out of the aperturous rim,
the fingers latching onto fissures and pulling it down
into the hungry earth.

Another slurp and I set the can down
to step onto my skateboard--
rolling across the gritty pavement,
snapping ollies and pop-shuv-its
to add my timbre to the cacophony
leaping out of the open garage doors.

I look over to the barbershop adjacent to the station--

The off-white single room squat allowing the cylindrical swirl
perpetually pirouetting atop the door-frame
to dazzle in a placid manner.

It is there I get my close trims
and pull a lollipop from the cavernous bowl
sitting atop the counter.

The barber, working silently behind his dull gray mustache
and dull gray eyes.

Outside the barbershop to the left,
Leicester Highway ambles onward,
diverging at a fork just ahead of the lot,
and the road adjacent that winds down my neighborhood,
Juno Drive.

I've never embarked down either divergent,
and I wonder which one is the less traveled.
(Frost, guide me.)

I go to the mailbox teetering on the edge of the highway
and hastily grab our mail,
the wind slapping at my *** as the cars whisk by
in their infinitesimal haste.

I feel like time slows once you step onto Juno Drive.

I turn around and saunter back to the station to see Billy,
my Working-Class Hero,
who I mostly see strolling up to the driver's side window
of our dull red mini-van
to loosely rest his arms crossed atop the window frame,
resting his sweaty forehead on his sticky hairy forearms.

Leaning in,

his blackened hands with his greasy smile
behind a scruffy scattered beard caked with dirt and grime,
atop a dark red leather face--
but eyes bright and merry.

His laugh, a phlegmy two-pack-a-day sputter
hacking and pummeling through the van,
all the way to me in the backseat peeking around mom's shoulders
to catch a look at this superhero anomaly.

And his southern drawl wrenching out of lungs
caked in tar and exhaust fumes,
that torpid slur that executes like the garbled hum
of an Oldsmobile engine chugging restlessly--

His laugh, an engine that won't turn over, sputtering to life
but falling right back down into the dirt,
lying on the oil-stained cold concrete floors ***** boots slipping over
and sticking too like wads of gum.

The charismatic mechanic who knew the answer to all things,
always ready to flash me that crooked greasy smile
stretching across his ruddy leather face.

I step back onto my skateboard, with soda in hand,
mail in the other,
and silently say goodbye to my Greasy Eden
before making my way down Juno Drive
towards the first house on the left,

following the road as it snakes past the trees,
alongside the creek, around the bend,
and out of sight.

I remember you spirt in the Chelsea Flophouse
you were opening one's lips so gorgeous and so creamy
greasing me stamen on the unfucked bonk
while the bangers let it rip in the alley

Those were the diseased minds and that was Newfangled York
we were squirting for the wads and the meatballs
and that was gobbled snog for the creamers inside Gloria
centrifugally stiff is thus those of White House Nazis

Ah but you copulated telescopic didn't you basket case
you just acidified your jockstrap on the shoulders of the scrum
you copulated telescopic I never once heard you use sign language
I input you, I don't intake you
I input you, I don't intake you
and all of that balling *******

I remember you spirt in the Chelsea Flophouse
you were gorilla—like your ****** ******* was absolute epic
you leaked me again you frocked slap—up old salt
but for me you would **** an unzipping

And shaving your tongue because the creatures lust after us
who are barked at by the Daleks of *** appeal
you Rohypnolled yourself you emitted jet so what?
we are radioactive salvo we shoot full of holes the stride piano

*** one fine morning you copulated telescopic didn't you cocker
you just blunted your extremity on the cattle
you copulated telescopic I never once smelled you emit
I intake you, I don't input you
I intake you, I don't input you
and all of that balling *******

I don't mean to insinuate that I slobbered over you peanuts
I can't withhold ******* of each crouched ****
I remember you spirt in the Chelsea Flophouse
that's oodles I don't even kick—start you that thick and fast

I have yet to find the exact
size, length, width, weight, height,
of my rusted trusty nail, which I lost.
Painted golden brown
and rough on the edges,
that old man pinned my door to the wall.
Now it's left hanging in the open
dangling in the wind
swaying with the broken rain,
my home
vulnerable,
a feasty treat,
like the first time Hansel and Gretel saw the witch's house.

I'm not afraid of the
teeth baring wolves
bloodcurdling hounds with red eyes
massive 10 foot hungry bears
that tower over you with outstretched paws
holding a steak knife and fork
its brown fur a bib.
No

I'm afraid of my house
zipping up its backpack
filled with all the canned goods
fresh water canteens from the well
and all the matches and firewood in the cellar
taking off during the night
when the moon is at its darkest,
leaving I,
to do the only thing left:
To pay the bright orange flames
to entertain me as
my wads of money lit up the
darkest night of the century
all because I couldn't replace my

*most dear, loved, precious
nail.

The slot machines remove my cash
with Dyson like precision
The operation's painless
There isn't even an incision
It's gone as soon as I sit down
For that is just their mission
I lose as soon as I sit down
I made a bad decision

The table games are even worse
Distractions everywhere
Table dancers walk and dance
But most folks do not care
In shorty shorts and thigh high boots
They flick and fling their hair
And we sit losing wads of cash
As though we do not care

The strip itself is free to walk
It's a breaking even quest
Unless you take the monorail
Then you get put to the test
Long walks between casinos
Through the homeless where they nest
Once you walk to where you're going
You need to sit down for a rest

The walkways littered with lost souls
Our society's open sores
selling water for a dollar
blocking all the hotel doors
tourists cueing up to see
shell and ball games by the score
We walk by glancing down on them
For we are Vegas ******

A city based on excess
Where the winner is not you
There are some that leave with money
But, in truth....there's very few
The derelict and drunkards
beg for change the whole day through
and their dogs beg from the beggars
It never changes....nothing's new.

You towed your broken down
beat up, used, rusted old
Chevy into my workshop
smelling like crap, and looking a whole lot worse
she had a busted engine
sputtered like a plane
(but not in a good way)
you leaked black oil all over my floors
stains of which I still can’t remove
no matter how many gallons of bleach I use
the radiator, well let’s just say
had seen better days
the interior leather seats were torn
and the once slick body
looked like you had *******
some mafia kingpin
so I spent my days and nights
greased up and elbow deep,
in your muck trying desperately,
but lovingly
to do what a mechanic does best
and I was leaking time
like I owned it, when I could’ve
should’ve found a more profitable fixer upper
I told myself, no convinced myself otherwise
and eventually, against the odds,
fixed you
then some schmo walks in
a bulging from both pockets
from wads of cash
and grabs you right outta my hands
the you I returned
to a shiny beauty as best I could
with the tools I had
well then, maybe I did fix you
I just never realised, I was doing it
for someone else.

I can't remember the last time I lived somewhere
that didn't have running water.
I wonder if it's actually happened.
We're moving a maximalist aesthetic
into a minimalist situation.
I just want a glass of water,
a hot shower,
a working toilet.
Ive never been so tired,
and I've never smelled so bad.
My leg are two masses of limp pain,
my hands are stiff, calloused wads of meat.
My right eye is experiencing a
mild swelling, that I'd ******* pray
isn't pink eye, if I believed in god,
which gets harder from here.
Illuminated in the dark of midnight
by computer light,
with only the tickings
of a cheap watch for condolence.
Their voices complain from downstairs.
Then laugh. Then return.
Trinkets chitter around.
Rooms full of garbage.
If you hit it softly enough,
can you still tell you're at the bottom?

Humming, the warmed *** of daybreak soothed the hiccups of a spoiled slumber. Yawning, sunlight sweet talk eased our puffy eyed sleep shirts back to the cushions from which they came.
Soon, impatient fingers would press firmly at 11:00, daring contentment to linger in the shadow of honey gold.

Buried in the frosting of blue and gray sheet cake, the blankets coated their chins. somewhere in their hair lay remnants of peanut butter cheesecake and blush; expected phone calls every evening at 6 and clumsy words         that littered three cherry pits              in the corners of my eyes.
                        [ I ]                                               [Love]                                                     [You]
                                                          
                                                              Blossoms, sweet fragrance ----
                                                             ¬ promises, they drift from the branch

I replay your repeat smoke rings, listening to your lukewarm, out-pour of voice. Gritty against my ears - I turn to the wall.

Your thoughts are crowded, littered paper wads and aged banana peels, tossed with Saturday's hopes and wishes. With my need to be seen, I will grow an inch each week, so that by September, eyes upon eyes brows upon brows, no longer will height save you.

Waiting for you to notice,
waiting for you to wake.
What do you see now
that you can
   look me in the eyes?

**** as the lemon drop next to the honey bun stain across the room there are 2 letters. Ordinary as ink upon paper, they mean nothing at first glance.
They will fall
unseen
through the cracks in the floor. Drifting to the place all lost things go to be forgotten.

Only by 11:30 will you notice it is morning and half the bed is made

his fingertips as wild sparklers
his palms, wads of soft cotton
and the plateaus of his toiled finger beds
so his grasps -- stray, muddled, unintended
like paint swashes glazing my frigid worn skin
realeasing undue quivers down my delicate chine

I had a friend
No
I had a brother
Met him when I was about six or seven years old
And at this moment
I can say
That without a doubt
He is the most unluckiest ******* I ever met

Once we were walking in the playground
Him and another friend
We’re walking side by side
A bird flies over us
And ***** on my friend
That was my friend
My brother Alan
The unluckiest ******* I ever knew

His mother died of cancer when my friend was just two years old
Man what that would do to a child I can only imagine
Things like that
Like those kinds of experiences
They shape people's lives
And so it was for my friend
That for the rest of his life
His mother’s death haunted him
In some unsettling way

From an early age
He started abusing drugs
I know because I abused drugs with him
But drugs
for my friend
would go on to ruin his life
like so many addicts

When he was twenty five
His father died
Left him roughly a million dollars
At the time of his father’s death
He was addicted to ****
That drug took him for such a ride
He stopped communicating with the outside world
Cut everyone off
Family
friends
everyone
For months
No one could get a hold of him
Nothing
Someone had called the sheriff's out to the house
He wouldn’t open the door
There was nothing no one could do to get a hold of this guy
Until one day I decided that was it
I went to his house
Broke in through the garage window in broad daylight
The garage smelled like **** and something dead

The backdoor opens
And there he is
Standing there
Disheveled
Unshaven
unclean
Standing with this queer look on his face
What are you doing he asks me
I’ve come to see if you’re alive *******
What the ****

Inside the house
Inside the house was nothing like I had ever seen
There was trash everywhere
In almost every single place there was trash
All along the floorboards
throughout the kitchen
dining room
Living room
Trash on top of the dining room table
Fast food boxes
Bags
Wrappers crumpled up with days old melted cheese still clinging to it
Grease stained pizza boxes
The little Chinese take out boxes
The tiny metal handles showing signs of rust
And in the middle of the living room was the biggest heap trash I ever saw
with wads and wads of toilet paper
All of over the floor
An entire mound of it
The the product of endless nights of watching ****

I sat down
He offered me a beer
Little while later we smoked a bowl
I asked him why he wasn’t returning my calls
He tells me he’s been meaning to call me
And that was it
I pressed him no more
I didn’t know it then
But I know it now
I didn’t press the matter because my friend was suffering
He was suffering
A person living the way he was living
Addicted to ****
Disconnected from everyone
Family
Friends
Everyone except the drug dealer
That’s someone who’s suffering
And again a little of his mother followed him here

We talked of other times
Times like the present
Getting high
Drunk
And then that one instance that breaks the silence like none other
All the calm in the air
Gone
Like the wind was knocked out of the room
A knock at the door
We looked at each other
And then those words that one ever wants to hear

It’s the police, open up

*******
We look at each other
Did you call the police he asks me
No
Again a knock and the command
Alan walks to the door and opens it
Two police officers were standing there
A man and a women officer
They ask to come in
They say someone called of a break in
And that’s when everyone looks at me
I tell them I broke in
That it was me
That I broke it to see if he was alright

The woman officer walked around the living
She was visibly disturbed
She asks Alan how he could live like this
He doesn’t answer
The other officer began a kind of lecture
Alan just stood there
Nodding his head

Hey buddy, you can’t stop talking to people
You see your friend here
He cares about you

About that time there was another knock at the door
It’s the repo man
A man wearing a three piece suit
He’s come to get the truck parked in the garage
There hasn’t been a payment on it in months
Alan hands him the keys
He looks at me
Not mean or angry
But pleading for my help
Or maybe God
I don’t know

I stood there and watched this transpire
Watched the repo man drive off with the truck
Watched the officers leave
And then I watched my friend sit in his chair
Crying with his face buried in his hands
I’m sorry Alan
I don’t know how many times of said those words in my life
Too many I think

And that was my friend
All his life
Just like that
The most unluckiest ******* I ever knew

Staring off into the distance of a ***** carpet ridden with living trails of ants, a crawling black river of desolate hunger, counting days of visions, wandering naked in the lake treading water, kissing, spitting out lips and liquid
shifted in dreams
memories poke like a cactus needle open to a room of steam heat and *****
flooding with words that digest imagination and burn eyelids, a cigarette held too close to a crowning flame
incinerating eyelashes and clattering TNT onto the serene image of our drunken antics while the rest of the world is howling for us to see ourselves for the raving lunatics we are, their tired look of exasperation an exhausted mother left alone to raise a hopeless child, wicked only for his ignorance
The last speakers of the paleolithic age journey forth from the depths of the amazonian jungle to heal our souls nailed to the cross as drug dealers because ingested plants grow in the ground

I saw the most beautiful soul weep in fear against a diner booth at midnight
amid plates of burgers, fries and green beans laid on the lineoleum table with no signs of starvation or danger
yet the signs of the apocalypse resonate in all psyches because reptilian brains would rather die than change, conform than bring forth the messianic transformation of our own radical self acceptance as God
and we shun those who are insane on the streets
***** outcasts, poor filth and ugliness
human animals unfit for this society of plastic and image, a mirage over substance
I cross the street rather than look the beggar in the eye because he stinks of desperation, and tell him no no no, I'm sorry I'm sorry I'm sorry, I can't share with you all
MOLOCH!
The holy yell
flooding the empty headed street
we abandoned our mother and forsaken our selves to flickering images of lust and prestige, **** and *****, ****** and ***, thick wads
idolizing our own form,
the sirens of the modern age, the golden calves danced around in supermarket check out lines,
capturing us on the jagged cliffs of inattention, glories husked and barren, cultivate likes and followers sweet nicotine in the bloodstream, social media mogul reigning over a grand bazaar of ghosts in a room, talking to other ghosts in rooms of faraway lands, ignoring the living flesh in front of their twitchy eyes, cast down for a screen, forgetting themselves for a profile, a small picture in a corner, an Ignominious massacre of life cast through a digital lens, concerts meant for full expression of a cathartic moment of ****** movement, lost to a sea of hand held recording devices to remember how you didn't feel at that moment  with other people milling about as cattle who would rather document and never watch again then dance and live and be a part of the happening, look, Rip Van Winkles throwing pins with revolutionary prussian ghosts in a sleepy Catskill hollow, zombies behind wheels typing to ****, these words will not save you, they will not fill the siphon hole,
I am with you in this burning sodium night on my back in the grass of a night with no darkness
I am with you where the army of madness will overthrow the living dead and shake their working class dreams to the core with the sudden eternal war of nothingness and contemplation and silence screaming out for someone to save us
Everything is HOLY!

Throw open the church doors
think nothing of paying for poison, (as advertised)
but refuse to confront your self possessed greed because the man holding the cup is tired and desperate and I am tired and desperate

A truck hauls a horse
broken wilderness, cleaved concrete, cracked spines wretched scars,
killing anything that isn't hard, impermanent and futile, the land reclaims
but no land to ride, only the black road with its machines spewing the smokey remains of dead ancient animals
nature perverted, mobility imprisoned inside a metal box to be driven when it can run
so apt
for the potential inside coffins of daily lives
talking of dreams gutless to pursue
settling instead for the easy cruise of routine
******* our own hands

We all matter
but this world doesn't work without slaves
so take pride in your nine to five
get some ***** with that job title
and two sentence description
of how you can make the dreams come true, in the suburbs with three kids a couch and security from whatever danger lurks outside of us on TV
our own kind
murderous and malicious
homicidal tribalists
merrymaking nihilists
The fear The Fear
the light the light

I grab her hand and stare into dark eyes deadlocked on the momentary plane, a revealed saint testifying to God's truth Mary Maria, she tells me there is something beautiful outside this current mode of existence, but she's only had a fleeting glimpse

Sliding wounds were patched
up with concession stand napkins.
Wads of Big League Chew formed
a mosaic beneath the bench
and smelled like apple cherry.
Spat-out sunflower seed trim
lined the cracking cinder block walls
and became the popular hiding spot
for hair ties and M&Ms.; Lead
paint peeled from the walls in strips
like the white chalk lines
of the diamond beyond the fence.

Tommy guns for insurance
And wads of sweaty cash
To build new empires with

But there are no guarantees
Crime, you see, doesn't pay
You can bank on it

So we already know how it ends:
They canceled his policy
And Dunaway with her

We've had those silly quarrels
swear words and senseless arguments
one-up-man-ship wins'
those holier than thou attitudes,
yet we moved forward in the same direction
not turning back to see the detritus
the wads of pain and bad mantras
that littered the roadway behind us.

Life was good
The problems made it better
because we worked together
for solutions.

Now you want to walk away for good?

Don't walk away.
listen instead
the silence will envelope you
in sadness after I am gone.

© Marshall Gass. All rights reserved, 2 days ago

Bills in my wallet folded into wads, unsorted in their random cacophony
Smiles on the faces of those ignorant enough to ignore suffering
Cuts on her feet like symbols in the stars
From her voice I was told the taste of kiwis and ginger root
From her kiss I was sharing nicotine and half exhaled cigarette smoke
And from our silence there is an overlapping ambience of dead noise
From our comprehension we realize our ignorance
From our comprehension we realize out insignificance
It is reassuring to know that you are a compilation of subatomic structures
It is comforting to know your matter is just recycled stardust
From a smile between crooked teeth and chipped molars I find comfort
In knowing that your heart is like a sponge absorbing all my poison
And somehow you exhale such radiance, a phenomenon
I marvel from my spot in the yard, watching sparrows chase
crows

That summer of what you want you have.
We walked everywhere our hearts weren't
cutting corners just to feel like kids
I wore your sweatshirt
sleeves rolled.
The gray hitting just around my legs.

Your eyes held mine for too long
as we stepped into the night.
I told you I liked your tattoo with an air
of embarrassment.
You let half of the compliment fall to the ground
while the other half fed your smirk to
full perfection.

The waves got fuzzy and far between.
Hair got longer and shorter all at once.
Button ups and bows sealed our outward appearances.

Big eyes and band tees.
Mosh pits and burritos.
Girls and boys soon to be women and men.
Front porches, steps, and ever turning wheels.

One person would be coming in the front door;
the other would be rushing out the back
with arms full of luggage
luggage containing film from times so separate but
defining to who we were.

Puking in every other sewer we had our minds in.
I would only be able to find you when you were immobile.
Screaming with arms wide open, we would feign at the
sight of others.
Placing diamonds and breaking glasses,
Your pepperonis offsetting my gumdrops .

One of four..wheels
The constellations on my face told you
where your luck might lead you.
I asked you where yours aligned one cold winter night.
I hung up the phone and tried to dull the monologue in my head.

I sat on that same front porch weeks later
bottling that same feeling of anguish
you told me how beautiful I was,
inside and out.

It was always a high dive,
never a wade.
So much to risk
So much to gain.

When you had a cast on your arm,
I poured water down your back
When you slept in my bed for the first time
I think I cried.

Held together by bandages and gum wads
rock and roll and disco
I saw you with my eyes going into the back of my head
You looked at your watch politely and kept moving.

Our lines kept crossing but never touching
One vice presented in front of another
I couldn't tell you how ****** my valentine
was for you, especially when one of us was
making lines with a razor and one of us was
making lines on a bed.

At that point I already knew how I felt but
I still had some growing to do.
No more cutting corners as I couldn't be a kid anymore.
Everything we wanted was no longer there.
The things we wanted all expired and new desires
filled our brains.

You saw so many tears from me
heard enough ******* to fill a pen.
I put my face up to just about anything
but I could never face you.
How many times did we bait our hooks
only to come up with some algae on our line.

I lost my lasagna over you
to a late night phone conversation.
Rumors split my forehead and everyone said to try.
Sand was always getting in my teeth as I worked up the courage
to finally tell you how I felt.
I blew it, mouth full of water.
In that bed where I had mumbled so many gray words before.

I was scared, as always
But you held my hand as we walked down the tracks
of your hometown and spoke of nothing.
The full moon was the only one talking
she told us how she liked our dance together
and no longer separate
Rain hit against the open windows that night
It was autumn.
I had fallen for you once, but I had fallen for you
again.

'Hands off,' says the bag of cash to the robber.
Or, wishes it could have said,
Because it was an inanimate object,
While the robber was not.
The bag of cash was just a cotton satchel
While the robber was all flesh and blood.

'Where are you taking me?' the bag of cash silently wails.
It doesn't see the light of day
When the robber stuffs it into the trunk of his car.
Alone, the bag of cash occasionally jumps up in the darkness
As the robber's sidekick -- his car
Rushes him to an alien place.

'I have been forsaken,' the bag of cash mopes.
Once the robber takes it out,
The bag of cash will have to die.
It cannot imagine the horrifying thought
Of the robber slitting him open.
Its organs -- the wads of cash -- will all spill out in a puddle.
What did the bag of cash deserve
To meet with such terrible fate?

But the bag of cash hears a gunshot
Once, twice, and thrice.
And a flicker of hope lights up within it.
It sees the light of day again as the trunk opens
And, to its delight, sees the robber
Cuffed by the wrist and wearing a scowl.

'I can go home now,' thinks the bag of cash,
As the police officer takes it into his arms.
And once it's home, back in the vault
It can relay the frightening experience
To other bags of cash, bursting with paper bills and eagerness.

The world’s smallest basket lies tucked away
Inside a jar for field-trip wide open
Eyes of wonder to chew on, settled in
The drooling smiles of truant minds like most
Sticky wads of gum that hang dried to the
Undersides of every desk throughout the
Pine Belt area of Free State County,
And all that surrounds circled about one
Solitary clandestine blade of grass
Tucked & woven into antiquity
By enchanted hands, & no doubt the work
Of Ma Universe slippin’ her divine
Fingers inside the dirt-caked skin she’d
Herself sewn onto one of her very
Own living/breathing marionettes,
Borrowing the gloves of ancestors called on
All the way to back to the first blade of grass
Plucked, & the first dreams that woke young shaman
Poets mad with visions streaming like
Images from celestial antennas
Into intricately knit blades of grass,
Sharpened on dewdrops & the unforgiving
Wilderness of frontiers, like a sea of
Green knives crashing their piercing waves on prairie  
Shores while dull eyes attempt to draw blood with
Sharpened pencils on a sketch of its beach.
The towering sandcastles & woven
Baskets & cosmic canons are canonized
Eternal in that magnificent
Fireworks show behind tempered glass, in that
One simple blade of grass.

years ago
when I ****** my boyfriend
I'd sometimes pretend to pay for him.

how much?
I'd say,
so he'd make believe he was turning away,

you can't afford me.

he'd stand there
obnoxiously
and I'd fling wads of money.

six hundred
seven hundred
eight hundred
nine

a grand, baby
a grand and you're mine

My desk is never clean.
pipes and wads of paper
broken pencils and half full glasses of water
a mostly finished bottle of wine.
the cork is lying around here somewhere
my wax melter spilled little candles
and there is a thin layer of kief under my mat.
I do everything here
with a rolling chair I found
I'm not sure where anymore
draped coat arms dance when I spin around
in the chair, swinging up to say hello
to me, pen in hand,
a fresh glass of water to soon join the others
and a lamp that is too bright for my eyes

It's another slew of ****** poetry
so publish this junk
so I can sell my work to people who can't read
let me tell you about David
he is a *****
not a literal ******,
that'd be ridiculous,
what I mean is -
he admits to having emotions
what a *** right?
but his emotions come on too strong
cologne on some ***** in a bar
and he doesn't know what to do with them
so he empties out every bottle
and fills them with his tears
then he thinks he might see something amid the pain
something to throw together
so he stacks the bottles in a jaunty pyramid
and calls it art
how ******* deep of him
he loves girls
fears rejections
so his trash cans are filled with old cummy wads of tissue paper
and wakes up hung over and nervous about everything
I hate him almost as much as I love him

Then there's Jake -
a grade A ****
no really, he is
Violent
angry for no reason other than it makes him feel good
he views women as three holes to put on his trophy case
he puts cigarettes out on his arm
and throws every thing anybody he ever loved ever gave him
back in their face
with a hefty helping of satirical, cynical, sarcasm
but say what you want about Jake
He get's **** done
and the **** he does only helps him out
Jake and David
they are best ******* buds
and God knows why
because most of the time
you can walk in on them
choking each other to death in the night
only to hug it out the next morning
Jake and David
star crossed lovers
holding desperately onto each other
as they make their way down the dark, frothing river of life

I am your corrupt concubine
set forth
a calamitous ***** force
swinging from a hook,
pitched feverish;
a dervish
loathing...
I see what you did!
oh yes, I see what
you did.

My satin is stained with years
of vile semantics,
I see that crooked *** smile...
I cannot translate,
each character, each chastisement,
each year a bitter palate of
'the finest.'

You have distance,
your mounds, and wads...
wallow in them,
a true master of the plan.

She was almost tempted
To jump from the bridge
Despite the crowds that
Passed, despite the coldness
And filth of the water below,
But she didn’t; she walked
On and slit her wrists in the
Hospital corridor instead;
In some dark place no one
Noticed until the blood
Followed her footsteps
Like a worrying child.

Two men stopped her
And took her to nurses
Busy at some sideward
Desk; found her in the
Corridor, they said, blood
Everywhere, doesn’t answer,
Though, we’ve tried that,
Won’t say a dickybird,
Maybe she’s dumb or deaf,
One man suggested, standing
Back as if to see her better,
Watched the young girl as
If for the first time, taking
In the blood soaked jeans,
Tee shirt, hands and arms
And turned away, nodding
To his companion, with a
One of those druggy types,
No doubt, suggestion in the
Slow movement of his head.

Then she was gone, taken by
The nurses behind curtains,
Low voices, murmurs; their
Interest slipping away, the
Men moved on, chatting
How Cardiff would do in
The next match, and don’t
Tell the wife about the girl,
She’ll get the wrong idea,
Then there’ll be hell
To pay, one said, walking
Through the doors into
The afternoon sunshine.

She was almost tempted
Speak, to say how the devil
Tempted her to jump, how
The voices told her what to
Do, but she said nothing,
Just watched the nurses
Dab at her slit wounds with
Wads of bandages and frantic
Touches of their hands, while
Up on the ceiling, she noticed
A fly buzzing around the naked
Bulb, looking for a way out
From death; just like me,
She thought, just like ****** me.

Rushing and racing to  dead end driveways full of people
the cars and carts jostle for space on a thin highway
above another highway taking people fleeing from
one part of the city to another, unafraid
of speed, policemen and political rallies
that spring up with orchids blooms and svelte
women in jasmine pink and brocade dreams
of stardom on every giant poster that
speaks a commercial language of
love and lust and night queens in dingy cubicles
selling tanned and creamed bodies
to the almighty dollar.

Come night and the city lights sparkle necklaces
of pearls and petulant lips beckoning you
into the paradise clubs where masseurs knead
you wallet and your wads of fat flesh in a satisfying
slumber of sorts.

Watch out for the snake eyed policeman
who has a forked tongue and licks the wisps
of air, for sent of bribe and drugs that could be planted
on your person. He cares a **** if you spend
a lifetime in prison arguing your lost case
forever.

Nothing will change in a day or year
or eternity as long as the city covers all its
people with a corruption of senses.

Author Notes
Its all true.
© Marshall Gass. All rights reserved.

I am the voice that crept up the water.
Sleeping, not sinking. My arm hair
stood straighter, not softening in the lake.

Wake up. Open eyes. Gasp for air.
Dark black cool everywhere I looked.
No one tells you that drowning
isn't dying.

their voices pelted spit wads.
their fear launched missiles.
their apathy sank a princess.
I watched with my screaming eyes.

When I sank I surrendered;
shiftless, restful, still.
But I did not die.

Death is the worn wet whisper.
Death comes to those who wait.
Death embraces cell fish.

And I would know.
They swim all around me.
On the land, never the water.

To them the depths of this lake
ensured my silence.
Then I woke and saw nothing,
felt nothing, knew nothing,
except for the last breath that moved seagulls
and drew mermaids near.