Wordless? Could I write a  poem with silence?
the skid-slide of the road
the burden of a sudden night on me

Sometimes, I fall asleep
with the pen uncapped in my hand
little book open... it may seem so lovely
look at her!
huddled up with her little thoughts
a true writer, that child!
but- but I preferred sleep!
sleep was pleasurable and it did not run
I preferred pleasure to poetry, madam!
please take the label back

But...
sometimes the pen runs out of ink
and the ballpen stutters
and I get teary-eyed in the dark night
I engrave the paper with the ballpen nib
trace the words out in the morning
sometimes I tear the paper with the ballpen nib
and then weep

Sometimes, like this time, the lamp dies
I press the buttons of the AC remote
every four seconds (I counted)
write in the light of its lit-up screen
Sometimes I write on my hand
and when the hand runs out, I go to the arm
I write on pants, on tissue-paper pieces
Sometimes, there is light and pen and ink and...
and you know exactly what.

I could never call myself a poet
the word stuck, a jumble-mess
of all my literary inadequacies
rolled up to hardness, taped to throat
I... I roll up like a cat or a rug
words come by on a conveyer belt
and I stamp each with 'unoriginal'
unoriginal, unoriginal
a moving queue of unoriginal
so many words! the page is empty
I become unoriginal
other times...
so little words (like this time)! the page is full
I become unoriginal
Then I get so upset, I toss poetry away
like crumpled paper, roll over on the bed
an upset lover; I keep an arm back though
for some little touch


Oh my
I think I'm going to sleep
with the pen uncapped in my hand


Or maybe...


No, put it away
we are done for the night

My mind is colored with red and blue
stereotypes.
All that spills from my mouth is mundane.
Unrequited love,
depression and disappointment
all so self centered.
Yet, if I were to ask
"What do you love to read the most?"
your eyes would light up
at the idea of fairy tales
and love.
But what is love?
Some say it is the best and worst
but love is a feeling
and I'm not one for feeling
anything at all.
So to that I say
I wish I could rip out my heart
and bury it away
from the world and it's monsters
but that would be expected of me.
And oh so unoriginal and plain.

I could be anywhere with you.

When Villains Win

Movies and books
They're all predictable
So unoriginal

I dream of a story
Where the plot is somewhat gory
And the villain
Isn't just chillin'

The hero and their nemesis
Are at a stale mate
And their actions aren't repetitive
Finally the hero's imperfections take over,
and he hits too late

The enemy takes control
And the moment, he stole
He doesn't hesitate
A second, he doesn't wait
Time isn't slowed down
He doesn't take his sweet time
So quickly, he cuts the line

The end of the hero
A new beginning for evil

(Yes, better than Harry Potter, get your pitchforks ready)

My first encounter with THG was approximately four years ago, when I had barely turned fourteen, did not consider myself bilingual and was romantically frustrated. Naturally, I made several mistakes at the time. First off, I read the series in translation, since I'm not a native English speaker, and missed out a huge chunk of the significance of the story. Then, as I said, I was romantically frustrated and thus paid such a monstrous amount of attention to the romance aspect of the story that I want to bitchslap myself. Finally, at fourteen, I was still ignorant and uneducated about so many things that I read the series, got hyped for perhaps six months or so, then forgot all about it, save for the occasional rewatch of the movies. In retrospect, this is probably one of the biggest mistakes I've ever made. Now, at the ripe old age of eighteen, a significantly better-read person, waaay more woke, as well as socially aware, I decided to finally read the series in the original and am finally able to put my thoughts together in a coherent, educated review of the series.

The Hunger Games has continuously been compared to a number of other books and series, occasionally put down as inferior and forgettable. In those past few years I managed to read a great part of the newly established young adult dystopian genre and am able to argue that A. The Hunger Games is undoubtedly universal and unrestricted to young adult audiences and that B. it is, without the slightest shade of uncertainty, the best series written in our generation.

While many people draw parallels between The Hunger Games and, say, Battle Royale, the similarities end with the first book, which, while spectacular in execution, seems unoriginal in its very idea. As the series unrolls, however, it is hardly possible to compare it to anything, save for, perhaps, Orwell's 1984. The social depiction and the severe criticism laid down in the very basis of the story are so brutally honest that it fails my understanding how the series was ever allowed to become this popular. What starts out as a story about a nightmarish post-Apocalyptic world works up to be revealed as a cleverly veiled portrayal of our own morally degraded and dilapidated society (if you're looking for proof, seek no further: as the series was turned into several blockbuster movies, public interest was primarily concerned with the supposed love triangle rather than the bitter truths concealed in the narrative). Class segregation, media manipulation, dysfunctional governments are just the tip of the iceberg when it comes to the realities that The Hunger Games so adroitly mimics. If I were to dissect, chapter by chapter, all three books, I'd probably find myself stiff with terror at the accuracy of the societal portrait drawn by Collins. I strongly advise those of you who haven't read the series between the lines to immediately do so because no matter how many attempts I make to point it out to you, you simply have to read the series with an alert sense of social justice to realize that it doesn't simply ring true, it shakes the ground with rock concert amplifiers true.

Other than the plot that unfolds into a civil war by the third book (the series deals so amazingly with trauma survival and with depicting the atrocities of war that I am still haunted by certain images), the characters of the story are what makes it all the more realistic. Though Hollywood has done a stunningly good job in masking the shocking reality of the fact that these are children - aged twelve through eighteen, innocent casualties paying for the adults' mistakes; children forced into prostitution, fake relationships, children forced into maneuvering through a world of corruption, media brain-washing and propaganda.

Consider Katniss. She is a person of color (olive-skinned, black-haired, gray -eyed, fight me if you will but she is not a white person), disabled (partially deaf, PTSD-sufferer, malnourished), falling somewhere in the gray spectrum both sexually and romantically. As far as representation goes, Katniss is one of the most diverse characters in literature, period. Consider Peeta, his prosthetic leg (which, together with Katniss's deafness, has been conveniently left out of the movies) and his mental trauma in the third book. Consider Annie's mental disability. Consider Beetie in his wheelchair. Consider all the people of color, as well as the fact that people in the Capitol seem to have neglected all sorts of gender stereotypes (e.g. all the men are wearing makeup). There is absolutely no doubt that the series is the most diverse piece of literature out there. Consider this: the typical roles are reversed and Peeta is the damsel in distress whereas Katniss does all the saving.

Furthermore, the alarming lack of religion (in a brutal society reliant on the slaughter of children God serves no purpose), as well as several other factors, such as the undisputed position of authority of President Snow, is suspiciously reminiscent of the already familiar model of a totalitarian society.

The Hunger Games, in other words, is revolutionary in its message, in its diversity, in the execution of its idea, in its universality. I mentioned Harry Potter in the subtitle. While this other series has played a vital role in the shaping of my character, it has gradually receded to the back line for several reasons, one of which is how problematic it actually is. This, though, is a problem for another day. (The Hunger Games is virtually unproblematic and while it may be argued that the LGBTQ society is underrepresented, a momentary counterargument is that *** has a role too insignificant in the general picture of the story to be necessary to be delved into this supposed problem). Where I was going with this is that, at the end of the day, Harry Potter, while largely enjoyed by adults and children alike, is a children's book and contains a moral code for children, it was devised to serve as a moral compass for the generation it was to bring up. The Hunger Games, on the other hand, requires you to already have a moral compass installed in order to understand its message. It is, as I already said, a straightforward critique of a dysfunctional society, aimed at those aware and intelligent enough to pick on it.

As for its aesthetic qualities, the series is written, ominously, in the present tense, tersely and concisely, yet at the same time in a particularly detailed and eloquent manner. It lacks the pretentious prose to which I am usually drawn, yet captivates precisely with the simplicity of its wording, which I believe is a deliberate choice, made so as to anchor the story to the mundane reality of the actual world that surrounds us.

That being said, I would like to sum up that The Hunger Games is, to my mind, perhaps the most successful portrayal of the world nowadays, a book series that should be read with an open mind and a keen sense of social awareness.

The evolution of art never halts
Once we began dancing around fire
Our feet couldn't stop
A place in our lives
Where our subpar seeds
Could be seen as glowing trees
That's the way I feel about my poetry
It reminds me a lot of me
I reread it and rewrite it so often
By the end it seems unoriginal and plain
And all I can hope
Is the themes and ideas that were the inspirational genesis
Remain intact

Art walks a tightrope over the most unpredictable factor
The audience
They are the other half of art
Their power cannot be overstated
And as time progresses
Their power grows
And the importance of art always extends an equal distance
But the stronger art becomes
The more it asks of it's audience
In many cases
The audience is not ready to take the call
This is one of those times
Here at the current pinnacle of art
Surfing the web
A wonderful chance as
Art is a reflection of people and society
The Internet is people and society
But just as we listen to songs
To decide what concert to go to
Or watch trailers
To decide what movie to see
We like what we like
And put blinders on to find it
Like moths to fire

We could do amazing things
If we could harness the potential
Of our collective conscious
But the threat of losing our individuality
Is too great for us
Unable to accept
Our individuality is always in the context of our cosmic existence
We are part of something greater
And we can't escape that
Even in death
We feed what lies beneath
The memory of our lives
Shrinks to obscurity
The maggots that cover our corpses
Flourish to maturity
Everything this world creates is art
And we are it's most complex creation
Not necessarily the best
We just have the most parts
And the maggots that use our dead bodies for sustenance
Were once the monsters that roamed this Earth
They had no nationality
Or political affiliations
Or religion
And they're still here
Waiting to reclaim their throne
Once "smarter" species seek suicide

why can't I write anything original
Even if that's my topic I can already hear the critics cry out
"How unoriginal this poem is"
In that response am I left speechless?
Do I just drop my hypothetical pencil and give up?
Even if the world turns it's back on me
Or at least whats left of my world
I'll keep writing hoping one day my words reach your heart.
Whoever and wherever you are out there.

Adapt & absorb other beings,
needs,wants, habits, ideas, beliefs.
Influences, unoriginal.
Metamorphosis,
eternally avoiding the raw,wicked truth of your inner soul,
drop the ******* facade, it is futile and ludicrous.
Analyze,compare, identify, mimic, imitate, copy,shift, evolve.
Perpetual cycle.
Veiled false identities and lies,
layers upon layers, shirk the pale shadows of who we used to be.
Shall we continue?
Contradiction.
Fools, to believe that one can ever change.

Ah, how long it's been.
Century and century of unoriginal sin.
We've lied and killed,
****** and been ******.
Grown out and up then round and back in.
Our head held high ideals,
over our dirt grounded feet.
The terror we've seen,
Each person we've ever been.
Looking for something beyond unoriginal sin.

It's an anxiety attack waiting to happen when I can't think of a witty way to say something unoriginal; something that everyone has heard before, but that just now occurred to me to say. I can feel my thoughts racing, my heartbeat speeding up to pump blood to my overreacting brain that's now thinking, "How the **** am I gonna get these feelings out, now?" I can't think of a cunning way to use a metaphor--one that I need to be able to put this pen to the page and call all these thoughts in my head poetry.
What is the meaning of poetry? I feel like I should have some kind of figurative language in here, but my brain is fried. I'm too numb to process a **** thing. I'm so numb that it physically hurts and that pain is all that I can feel. That and the burning of my eyes from lack of sleep. This isn't poetry. I don't know what this is--random words strung together by a writer who's falling asleep at the page, who doesn't even know what sense is at this point. It's a rant...it's a ramble. Sleepless ramble

I can't tell you how much I'm hurting
To acknowledge my pain is weakness
To share my weakness is pathetic
But I hurt, oh, I hurt

I can't tell you how much I want you to love me
Because to say it would be to jinx it
And to jinx it would be to lose you
But, by god, I wish you loved me

I can't explain how much I depend on you
Because to explain would be to trust you
And to trust you would be to make me vulnerable
But I depend on you. I really do.

I can't tell you all the little things I want you to say
Because to tell you would be to make them unoriginal
And to make them unoriginal would be to make them unsatisfactory
But I wish you would coddle me and tell me those things

I can't tell you how much I want to be yours
Because to tell you would be to give you power over me
And to give you the power would be to give you my leash
But I wish I could, and you would own me.

I can't tell you how twisted I am
Because to tell you would be to make you notice
And to make you notice would be to disgust you
But I wish you'd accept me

I can't tell you
I'm sorry for that
You've given me your trust
But I can't give it back

I can't explain
So I'll apologize
I simply don't want to be
Pathetic in your eyes

I can't confide
And I'll always feel remorse
But if I were to lose you
I'd feel much worse

I can't be who you wish me to be
So I'll keep who I really am
Under lock and key
I'll chain up my personality
So, ideally you'll see
The person you can't help but love

That person that leaves you starstruck

I'll hold back all I am
Because I am not your ideal
And your ideals are above me
So I can't let myself be real

I've shunned who I am
Because of who you are
I am bitter and angry
But you'll never see my scars

I want to let you closer
I want to try my luck
But deep down I know
I'm not who leaves you *starstruck

i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.

I wanna taste ya, I wanna take you away girl..(away from all the **** ****2)...all the **** ****..that you gotta (deal wit2)...me girl Yeah..(I wanna taste2)..I wanna (take you away girl2).(away from all the **** ****2)..all the **** ****..that you gotta (deal wit *2)...me girl Yeah..Just (deal wit me girl Yeah2)..(just deal wit me2)..(deal wit me2)..(just deal wit me2)..Shawty.. Yeah..

Deal with me girl so what's the deal girl, what is real girl..what is real love girl,..What is true...What's happening..What's up..wit you..baby me &  you..that's what's good.. Uhh, Young Ston Babygirl you need a soulja baby I'll be the  whole troop for you if you want me to..girl, I'm willing to do whatever I need to do for you, Yeah baby so..(you believe Dat2)..Imma be there whenever you need me, best believe Dat Imma treat ya, how you supposed to be treated..(Yeah
You best believe girl2)..best believe Yeah..you best believe me. Yeah believe Dat..Uhh Aye..best believe girl..you best believe girl, you best believe Yeah..you best believe me....(best believe Dat, Yeah you best believe girl2)..believe dat..
I won't tell you no lies baby..I will never cheat on ya..(you best believe Dat2)...believe me..Aye..Baby  Yeah..


(I wanna taste you, I wanna take you away girl2)..away..(from all the **** ****,yeah2)...that you gotta deal wit..Uhh..,just (deal wit girl *2)...Yeah,.. You (best believe girl2)..I wanna taste you,..I wanna take you away girl..(away from all the **** ****2)..,that you gotta (deal wit2) me girl..(just deal wit me Yeah2)..Deal wit me girl...

I'll protect you like you my Louis Lane boo, baby Yeah believe dat, believe in me, Dat your heart won't be in pieces no more baby & if it is already baby I'll be a mechanic & fix it..forget them other worthless man, that you have been wit, I'll put them in their place, if you need me to, Babygirl Aye..Imma keep it real, Imma keep it gangsta wit you..You gone need me, best believe Dat, yeah best believe girl, baby Imma put it down on you daily,..every chance I get..Imma give you love baby..Yeah true love girl..Imma have you screaming, Imma have you moaning, like "Young Ston you the man, like "**** Daddy you the best ..I ever had".. Uhh..Yeah I know dat already baby..girl just take this **** yeah, take it all in like some good kush babygirl, don't exhale it, just let the good smoke marinate  in yo mind & yo lungs for 30 seconds, then cough it all out..

Aye Shawty being wit me..is like being in another dimension baby being wit me is a new reality, Aye..Its another universal feeling being wit me girl , you (best believe Dat..2)..I ain't like another man, they so regular that's so unoriginal, & I ain't even tryna spitt no player **** to you baby..boo, I'm rhyming from my heart girl, Yeah this song was written  deep down  from my soul girl..I really love you girl..This song is only dedicated to (you2), know who you are , You my (boo,2)..You so sweet, you my favorite candy, girl..Oo..Oo.., (best believe Dat2)..you my only woman too..Oo..Oo.
It's just (you2)..the only one dat I think about girl...boo, its just (you2)..the one when I fall asleep, I dream about (you2..)..Aye & when I wake up  Im still thinking about (you2)..(just you2)..

I lust after you..& only (you2)..is all I really care for girl.. (Yeah you2)..(just you,Yeah2)..
I  adore..(you2)..girl Yeah..Yeah..just (you2)..baby..Yeah..Yeah..
Best believe it's just..(you2)..(just you2)..be on my mind so much Shawty..,I'm so crazy in love wit you..****, I gotta put a ring on you soon, when I find ya best believe dat..(you best believe girl2)...you best believe.. (Yeah2)..Best believe me, best believe (Dat2)..

I wanna taste you..Yeah..I wanna take you (away girl2)..(away from all the fucc ****2)..Yeah..from...(all the **** ****2)..that you gotta (deal wit2)..me girl..deal wit me girl..deal wit me Yeah...just (deal wit me,girl2)..(deal wit me2)..,you best believe girl..,(deal wit me girl2)..(deal wit me2)..,you best believe girl..,(deal wit me3)..girl, Yeah you best believe girl, you best believe, (deal wit me..3)

"I knew this girl once,
she had long hair, so long it whispered tiny kisses along her hips and waist
she had the oddest bluest eyes i'd ever seen, the color of the sky right before it gets completely dark
her thick, long eyelashes framed those eyes, and freckles formed constellations across her cheeks
i could almost draw the big dipper and Orion's belt on her milky white face.
She didn't know i existed but i admired her from afar. I could tell she was educated- She always had some form of poetry in her hand. But of all the things i could have noticed about her i noticed her bookmarks. She would lose them all the time, i would see her chasing after the scraps of paper as they flew through the wind down the street. She'd stick anything in between those pages, wrappers of all sorts, leaves, pennies, shoelaces, once i even saw a page ripped from a different book. It became my favorite game to guess what the next bookmark would be.  After awhile she stopped chasing the various bookmarks across the city and she cut all that long hair off, then awhile after that she started using unoriginal, uninspired plain old bookmarks.Then even awhile that she stopped bringing books altogether, until one day she didn't show up. Nobody knew that beautiful, mysterious, bookmark making girl was locked up inside her own mind. Nobody knew she hated her long hair and her freckles and even those baby blues. Nobody knew that she couldn't stand to live in her skin anymore so much that she swallowed a couple pills one night to ease away the pain. Even worse was she didn't know i watched her for so long and thought she was the most interesting human being i'd ever encountered. That girl committed suicide because she hated herself learn from her mistake, my mistake, everyone who ever noticed her bookmarks mistake, and don't do this, don't off yourself with a .45 before you've even had a chance to live" he's desperate now  
"please please you don't have to do this" he sputters

I answer simply " I never was much of a bookmark girl, i always dog-eared my pages"

*bang

I hate myself for this
but ****,
*I miss you

The moment he rejected you the first time
I saw a little part of you break
like the icicles in your eyes were melted with a self destructive hate fire
burning dangerously with the unrequited desire
for his love.
I want to tell you you're perfect.
On the times he moved closer to you at the lunch table
I saw the way your body stiffened
I could see the mental checklist being ticked
making sure you had the grocery list of the things that you wanted
the things you thought he needed.
I want to tell you you're perfect.
He fluttered your heart with his smile
making you realize that this spell he put you under isn't temporary
no matter how many times he knocks you down
you'll always go back for more.
I want to tell you you don't need him.
Where other girls want to undress him with their eyes
to see the chiseled swimmers body armor created from
years of waking up before sunlight
all you want is to strip the armor from his skin
to see if what lies underneath the charm
is really as soft and sweet as it is in your dreams.
I want to tell you he doesn't matter.
The day he asked out another girl in front of you
you tell me you need a friend
you say you don't even know how to stop crying
you say it hurt so bad
choking back tears is causing you to choke out that it's killing you
and it just kills me when you say that you feel so pointless
but you're infinitely perfect to me
so I make sure that you know how pointless he is too
and that if he can't even see through his glasses to realize how beautiful you are
then he might as well be as blind as a bat.
I want to tell you you're perfect.
even though you say your importance can be rationed out in teaspoons
I tell you that no amount of measuring cups could ever measure how much you mean to me
I want to tell you that your shine is like the one light in powerless city
gifting those in the dark with the wonders of your intelligence
and with the beauty of the way in which you look at the world
I want you to know that you're perfect.
I want to tell you I'm sorry.
I'm sorry for not noticing all the times that your lip was white beneath your teeth
or the way your eyes stung from the acidity of rejection
causing tears to form around the red insides of your eyelids
I'm sorry I wasn't there to wipe those tears off your face like I always promised I'd be.
I'm sorry for the time that you had to ask for me to listen
because the invisible rules written by love
in the book of friendship in my mind
say that you shouldn't have to ask for me to uncover my ears
they should always be open
and so should my arms
because that's what friends are for.
I want  to tell you you're perfect.
I want to tell you I'm sorry.
I want you to know that putting layers of make up on your face
makes him fall in love with a copy of every unoriginal
girl he's ever dated but you
my friend
you are not a copy
you are not unoriginal
you are a story
you are amazing
and you should never let your self feel like any less.

All the words I want to poetize have already been spun

the silence is deafening

your heart is like stone

what else am i to say?

i feel so
unoriginal

Here comes The Change
That has the range
Of emotions
And demotions
And devotions
Of a perilous populous
That likes to raise a fuss
When they eventually learn who I am
And treat me like I'm the Son of Sam

To be specific
They discover I'm gay
And begin to filet
My mentality
In totality
For fatality
Merely by acting differently

If my sexuality isn't the first thing people know about me
I get to witness The Change
Like a dog with mange
I am shedding my hair
While screaming no fair
Because of the shift I see
Because of the **** I need
To make my heart bleed

There is a steady bellowing burdensome baggage
From those that want to ****** some *******
So I search for weight lifters
But only find shapeshifters
That become great grifters
When The Change occurs
And The Change burns
So The Change turned
Me into an interdimensional changeling
And an unintentional rage king
After they use words like flaming
Because the results are so draining
It becomes hard not to hate people
Who are inspired by hate steeples

They say I'm going to Hell
While I notice the smell
Of being buried in their banal ****
While they play their greatest hits
That are as unoriginal
As they are cynical
They say I'm a degenerate
An embarrassment
A parent's lament

I want to change into a carefree bird
Instead I stay in Hell with the herd
Wanting to escape like Lupin the Third
Rather than be oppressed like the Kurds
But there is no relief
Only re-grief
When changes aren't permanent
But The Change is

There's an illustration of my life
That will change your perspective
The picture is in my words
When the painting is what I choose to say
And the canvas is your mind
Whose textures I could never imagine
So I jump off a cliff blindfolded
Expecting to be changed once I land

In the beginning
There was no shame
There was impulse

In the beginning
There was curiosity
There was innocence

Then
There was boredom
There was frustration

Then
There was temptation
Guilt became excitement

In the beginning
There was a rush
Then
There was danger

In the end
There was anger
There was pain

In the end
There was guilt
And there was shame

i woke up this morning alone.
i dreamed that there was someone with me,
but when i woke, there was nothing but a pillow.

i felt empty and upset,
like something very dear had been taken,
and that i would never feel her warmth again,

but i saw my clock,
it was already time to go to work,
and so i forgot yet another feeling.

i
lost
myself.

big bang? i just call it the: reassertion of φνς; big bang? the bing bang? scientists are creative and artists are prone to rigour? what an "unexpectedly" unoriginal definition to draft the genesis... bangs in vacuum?! that tree falling in the forest trick that only women seem to answer? i'm literally having a limp-**** moment with someone telling me: it began with a big bang! wow (łał)! amazing! you predicted a sound, excavating it from a vacuum, where, apparently, you can't hear one!

most of the time it's like dry laugh, perpetuated by a: ha ha... but then someone becomes drunk and gives the scales to further the impromptu, managing a: ha ha ha ha... ah ha ha ha ha... equivalent to: chasing a fly out of a room... catch the ****** by their *****! catch the ****** by the *****! unlike chasing a mouse... which is fun... more fun than a stampede in mecca for sure... you get to build a labyrinth... you get to catch the little ******... dangle him by its tail for a selfie... then you walk into the corridor of the apartment building you're living in... and what does the mouse do? so traumatißed by the lack of mouse-traps... what does he do? commits himself to suicide... jumps off the stairs into the abyss of paved concrete, and i'm like: i built this theme-park for you, and the best thing you can do is jump to your immediate death? is there another universe handy? i'm not quiet ready to deal with this one seriously.

that's for the intro, but try to incorporate the concept
of *polyphony in writing,
they'll think you're mad... rightly so, most people
love the concept of the paragraph,
just like they love donning eyeglasses -
and they love the linear concept, that "reveals"
a story...
                    they love that ****, give them rotten
cabbage and tomatoes and send them to
the shakespeare globe... to get a proper critique
if the theatre performance turns sour...
         grows fungii and what not.

oh i had a suitcase of verbiage with me...
      but the writing bit is really working on me
to necessitate a fathomable break from... "composition".

etymological pointers nonetheless:
    slav               and e?
   not really, not when you speak the language...
am i ethno-centric? i probably am,
you sort of have to be... comes with the package...
or the: shindig?
                               oh look... i know slang.
anyway...
                            around here i'm the only one laughing,
it's not an idiotic laugh that stresses: nothing or
nowhere...
                   it's the times supplement article:
the new narcissism (harriet walker reports)...
and i can't stop laughing...
   because it includes: taking selfies by the mona lisa
and by the gates of auschwitz...
                and then the n.p.d. complex (narcissistic
personality disoder)...
            and i can't stop laughing...
and i'm thinking: what's wrong with these people?
oh, right... the per se... (giggle)...
                           they're like su dokus you
abandon because you can't relax when solving them...
stray dogs and ****...
                      you whaa'?                  dunno.
i'm actually afraid of people that advertise missing
cats... how horrible do you have to be to
make a cat                       stray?
                             the ****'s wrong with you?
cats are counter-intuitively clingy... there's no leash
on them, and there's no walkies... but how abusive
or just dumb-boring (do you have to be)
                     to make a cat become stray / missing?

... (pending, ding-along-ah-****)...

"artists" made the mistake like philosophers...
                     they think poetry ought to be visual...
they already have the polyphony spectrum there,
the ******* rainbow... and then they think poetry
is all about imitating geometry: cohesion, rigidness...
bunch of ***** in all honesty...
                   Bach invented polyphony, we're going to
talk about it like we might talk about digression...
layering... it's also a geological term for: oh... looky looky
at this piece of sediment!
                     i don't think poets should mingle with
painters, to be honest: i wish they were an
apartheid apart...
                     poetry isn't a visual art-form... based on
the concept of the φνς (that's hebrew for:
hiding your vowels, like the romans imitated
adding stresses to letters)                           ooh! fancy!
is writing 50 years behind painting? (w. burroughs quote)...
don't know... is writing a century behind
                                     musical composition?
that's more likely than writing competing with
painters... why did poets cling to painters in the first place?
φoνoς... you're not painting a picture...
                   oh ******* o'hara, and you tenure
as regent of an art gallery: get hit and die by a beachball.

variants:
in the west the etymology of slav = +e
      well... unless you speak the tongue you can say:
                 zdrowie na budowie - buda! psie / pśιe!
there really is an etymological variant to the anglophone
understanding of stating the noun, indicative...
                but i need to bring the greek iota into the picture...
i.e. it's naked, it has no diacritical marks attached to it...
i.e. ι                      so... now...
lesson no. 1:          slav, in mother tongue   słowianiń -
iota variant?                            słowiańιn   (lazily, just słowianin)
   etymologically speaking, i.e. derived from what?
word... the slavs call it:          słowo.
   literally.
                      germanic peoples of north america can
be so obnoxious that it really does suit them...
    but who the **** would want to marry their women?
probably muslims... and breed a bunch of inbreds,
household peasant people,
                        orangutan down syndrome people;
gonna **** your granny pete?

oh right...

    lesson no. 2:
   i can't stop laughing at this grammatical transgression...
you really have to transcribe the transgender concept...
      ...
           as might have been expected: laughter can really
exhaust you... what i didn't know was:
           to the point where you are lullabied to sleep -
fully dressed - to only find yourself getting up in
the morning: pouring yourself the remains of the ***,
sticking your head out the window and seeing
spring in full swing: two sparrows getting it on...
                                       but gender neutral pronouns?
what, like it?
                                oh hey, here comes cousin it -
huh? i swear the point of pronouns, or at least
the categorical basis for a word to be a pronoun is
to stress a gender of the speaker -
                                        the argument for gender
neutral pronouns: let me put it in analogue form -
you see on the news, daesh destroying ancient
roman temples in syria...
                            world heritage sites protected
by international law... what this transgender movement
is doing to the english language? looks pretty
similar to me (in non relative terms) -
                     but it's sure as **** in being some form
of desecration... it can't be anything else...
the problem would be staggering if appropriated in
poland... where gender feeds into verbs...
                                   if this movement is an isolated
indicdent, that is,isolated in that it's an anglophone
phenomenon (thailand? well... they got into the groove
and didn't perform a real ****** on their sprechen) -
just an example of how gender is incorporated in
the western slavic language...

i.e.
         podniósł (masculine - [he] picked it up...
    the thing being picked up is not specified)

   podniosła    (feminine - [she picked it up...
      ""      "      "           "       "    "    "          ")

could have just written ditto, anyway:
                   but also notice the beautiful orthographic
transition - it's almost a ******* representation
with the acute o (ó = u, well: orthography is not
exactly grammar, but like grammar: it's an aesthetic) -
      pod-nio(h)-sla(h)            - i'm lazy, american
linguistic studies use this form of notation -
                    evidently i'm expecting some puritan who
actually studies phonetic encoding to come up to
me and tell me: no no... it's like so:
                the point is, a transgender movement could
never pick up in the western slavic language:
     well, because a gender specified pronoun
permeates to other words that aren't in the pronoun
category... i.e. as the above - verb category -
                        obviously the above two example are
what they are in terms of gender, but they're
also a past participle attached to them... past tense -
but we are talking about pronouns, aren't we?
   so that has to be incorporated into the example -
evidently a *****-nilly pure verb of the above two is
gender neutral, but it has nothing to do with pronouns.
- like i already said once before:
                compared with german? english is shrapnel.

As a writer,
does it matter that someone else
already thought my thoughts
before I did?
Or said what I'm about to say?
Or felt these emotions
making the words flow
out of me?
My thoughts aren't unique,
original,
or groundbreaking
but does that matter?
I don't mean them any less.
They are as real to me
as they were real to
the ones who thought them first,
the people who made history,
and even writers long gone.
They are my thoughts
as much as they were theirs.

You're not a necessity,
You’re an accessory.
Stop trying to own me, talk at, and stand next to me.  

Stop playing the role of the leader- you’re less than me.
I am the boss here you have nothing to offer- see?

I am stronger, smarter, brighter, bolder-
and all you have to say is what?
“If I can’t have her I’ll hurt her.”

You think because you’re man and I’m women I’m yours,
but when it comes to offers I haven’t see anything worse.

You call at me,
Stare at me,
Swear at me,
Slimy and gross like a leach.
You taunt me and smirk at me as if I’m in your reach.

So I’ve talked to you once,
We’ve made eye contact- your point?
You’re a cog in a machine line,
a small piece,
an ordinary joint.

You’re unoriginal with your words,
even less with your actions.
I’m beautiful and talented,
So when it comes to you there’s no attraction.

You have nothing to offer me,
let me be-stop accosting me.
You’re taking up my time and it’s costing me.
Because unlike you I’m not worthless,
I’ve got ambition and drive.
I’ve got brains-not just an ***.
You’re not the reason I’m alive.

You’re nothing,
You’re worthless.
And if I wanted you, you’d know.
I’ve been trying to tell you repeatedly just where you can go.

Your offers?
Not catchy,
not tempting,
I don’t want anything less.

So sad to know when it comes to relationships-
this is as close as you ever get.

You’re ****.
You’re trash.
You confuse me when you talk.
Since when does a women sleep with someone when they gawk, or when they stalk?

You’re a coward,
You’re a loser,
Your creation was a glitch.
And though yes, I am rejecting you,
No, boy-you are the little *****.

I don't care
if I ever write
another poem
about love
                    ...or angst.

                                For the twenty seventh time today
                                            I read of a love
                                         "unlike any other".

You know the one -
                  butterflies
                  goosebumps
    ­              can't breathe
                  best friend
                  life partner kind of love.

YES, YOU KNOW THE ONE!
Most of us do.
I've had seven myself.

                                But that's the power of love.
                               (Not the Huey Lewis meets
                                Celine Dion kind of love.)
                                    The reality twisting
                                   emotionally blinding
                                        omen erasing
                                         kind of love.

Where sixty percent of lovers
who were one hundred percent sure
they were different than everyone else
found some of the others
at the "Whoops I did it again" Prom
and started over
at the new, less improved dance
trying to forget the previous ones.

                         Some of them will have the courage
                                    (or loss of memory)
                          to say how unique it is........again.

It makes one man weep, and another man sing.
And inevitably,
                 the third man will write about it.
                 Much to our unoriginal,
                 bad after-taste,
                 and at the very best "Isn't that sweet",
                chagrin.

Sentimental geysers
of sincerest and irrepressible corn,
temper your naivety
and ponder your muse of passion
before you unveil puppy love
in the face of those who have bravely ridden the Rottweiler of amore'...
                                                    and­ even been bitten by it
                                                              ­          once or twice.

Consider your thoughts on love.

Then reconsider your angst about its failings
.

               How dare you have dread
                    if you haven't yet removed twenty five calendars
                         from the wall!?

It is a whiny *** of irony that reeks of 13 year old experience, hairless underarm machismo,
blatant high school drama posing as relevance, and that left over bottle of your dad's
cologne or favorite aunt's vanilla container you knew wouldn't be missed,
while you stained the olfactory neighborhood three blocks at a time.

                                                     The genuinity of youthful angst
                                 holds the credibility of a hairpiece
                                                       ­             on a televangelist.

         This anxious cloak of writhing distress
must be earned as a veteran,
                                    where only the scars of war
get a Purple Heart.
                You can't just say you have it.

Angst is rewarded to
the single mom who lost her job
     and has four children to feed,
and to the man who has to figure out
     how to hide the diaper
     he never thought he'd have to wear,
and to the parent who holds a dying child,
and the senior citizen who can't remember
     where they live,
and the solitary soul who truly has no one.......
     no one to call
     in the darkest moments of their life.

The "poor me", single pimple, concert's sold out, boyfriend #17 *****, inconvenient day
is wanting in qualifications, and we are irritated to hear your blathering interpretation of it.
We will hear you when your words come with bandages.

I don't care
if I ever write
another poem
about love...
                     because it has been done
                  and no one has ever gotten it right...
or angst
               ...because I am unworthy of the reward.

I think I will just write about
what other people shouldn't write about.
There is no end in this.

Cheers!

I propose a toast to the pink elephant in the room, that with the encroaching darkness ******* lightly across his abdomen, seeping through kidneys and out, out, through veins unaware that they are carrying their own demise.


Cheers to you!

Every time I see you, the chasm in my heart gets just a bit bigger.

And she, darling companion, falls deeper. So now she’s submerged in this canyon-- something sickly beautiful, said to be carved from glacial ice thousands of years before.

She’s irritating the muscle,
tiny toes picking off bits of scabs just beginning to heal.

And then I see you once more.

Cheers to you!

You’re in the center of this pyramid. You hold your wife above, your son and younger daughter beside you, an arm around each. Buy she lies below, unknowingly wait for all of this to fall on her.

You  balance my life on this precipice. Doom sleeps on either side. I’ll fall slowly to the left, wake the monster. It’s barbs will dig through flesh and I’ll stand-- an audience member.

You’ve grown too skinny, turned so pale. I wonder if your veins have grown dark as you’ve become accustomed to carrying poison meant to **** it before it kills you.

Cheers to you!

You who wont, can’t, end the world.

I pull myself up and out—emerge from my rabbit hole of ignorance.                                                       ­            
I have this fear of the cutting edge of dragonfly wings-
How unoriginal.

We all let the hollow swallow us cleanly down, almost forgetting the tiny 
pebble-  bringer of doom and resident of the gizzard- we will most certainly meet in the course of our journey.

I get sent secret messages of affliction—a disheartened face here, the nervous twiddling of thumbs there. Secret, I say, as they appear of fog and disappear with the flutter of an eyelash. They’re all my own, sent with sonar like that of the blue whale.

One looks born of red, achieving different color as eyes move inward. A girl wearing a Parisian hat and a scream that’s almost silent. Another comes silently during a drive, more sensation than image. Everything slows. It’s hard to conjure words, to make the right motions.

I’m reminded that life is a paint palate, a measure of darkness. I know there are people much farther along than you and I.

Cheers to you!

Being submerged in pain makes a person different.                                                       ­                                   

Born of loss, causing loss-- pain never really disappears.

Sore that festers, oozes, scabs, gets torn open.

Cheers!

Raise your glass as I speak so quietly, I can only hope
You’ll hear this from across the room.

Raise your glass to the memories I have of your hair- now reduced to silvery down- your strength.

Raise your glass to your daughters, your son, your wife. I think you know I cry for them—not you. Two girls. One living in two worlds- mine and a world of parties and experimentation. The other so smart and so repressed. One boy. Unbeknownst to him, he won’t know how to proceed without a father figure-figure father.  Unbeknownst to him, he’ll have to proceed without. A woman. She’s lost in this never ending labyrinth of test results; given too many choices when there should only be left or right. And yet, she’s not ready for it to end.

Raise your glass to Insanity, the mother of Brilliance! Endurance, the daughter of pain.  

Cheers.

me too.

six or seven years old,
on my Little Mermaid bed,
playing doctor or predator,
with my innocence.

me too.

eight or nine years old,
in children's church groups,
asking me why i didn't shave
or wear a bra.

me too.

eleven years old, it's the
holiday season, you're my
favorite uncle, so why do you
stroke my breast and cradle my
***?

me too.

in high school, everyone's doing
it, it's not a big deal.
you're such a *****, why can't
you just send me a ****?

me too.

in college, you convinced me
i'm mature enough, i'm old enough,
so why did i feel so terrified to say
no? why did i cover my eyes and bite
my tongue?

please do not
tell me that
everything is fine
when you're driving
into the sunset with
huge rays of sunshine
while I am left alone
with a bad case of insomnia,
staring at this cheap, rip off
drama segment.

I am not an original and that is exactly my problem. I fall in love with types of people I've never seen before, people with interesting names and scars and stories, people whose eyes or hair or hands are unforgettable, people who speak and leave their words stamped onto the edges of your ribs and the tissues of your brain, people who are so unapologetically who they are that it's impossible not to be intoxicated by them. And I am. Intoxicated, I mean. I meet these people and become fixated on the way their necks flow into their shoulders and the way their knuckles are scarred from the kind of accomplishments I will never know and the way that they are so different from anything I know. I meet these people, so many of them, and at the end of the day I lie on my floor trying and failing not to fall apart because I can't get them out of my system and I will never be in theirs. They are so unapologetically who they are, and I apologize for every word that comes out of my mouth and every gesture I make. When I was younger I just wanted to be accepted, so I tried so hard to be like everyone else and now that I want to be my own person, I can't. I am a repeat of every song I have ever heard, an echo of every word ever said to me, a copy of every book I have ever read. I am walking plagiarism, and that fact of my existence is what causes me to tear myself apart in a useless effort to build myself up to something new.

Creativity
is not measured by how many
love songs there are on the
radio
Writing one more
does not make love songs
unoriginal
Nor does it make it
bad to like love songs
All it does
is put a new love song
into the world

Creativity
is not making something
that has never been made before

Creativity
is making something.

And if you hate love songs
then go ahead
tell me they're not original
tell me they're too mainstream
tell me there's no other subject these days
tell me how that annoys you.
But don't tell me
that making something
isn't worth celebrating

Don't tell me
creativity is only what
you think it is

It caught me off guard, this sudden feeling of loss, this sense that something beautiful was gone forever. I didn't know what to do with it, this overwhelming idea that now, out of neglect or shame or starvation, a work of art had withered away into nothing.
I suppose that I'm beginning to understand that the world isn't a narrative, it's not a story by an author with a plot and a hero.
This is the essential fallacy taught to children with a streak of the hopeless romantic in them:
the desperate belief that somewhere out there is a place for people who live their lives waiting for King Arthur instead of Jesus.

And even now, with every word comes the terrifying truth that my babbling is going to change absolutely nothing, not a single atom is going to **** an electron on the completion.
I won't feel better, the situation won't change, you the reader aren't going to say EUREKA!!!! at the end of it, so what's the point?

Expression, that is the point of it, and to be be completely blunt about it all, I hope some one I love and admire will read this and say the typical things that are said when people are honest on public forums. Do I have a point? No, not really.
So what do I do with this loss, this empty fireplace in my soul?

I drink and smoke and **** it away, stay so busy that I don't have time to consider it, this knowledge that the fire has gone out. How typical of me, how unoriginal and bourgeoise to write another ode to the trials of the individual.
Who am I to feel loss and pain when my stomach is full and my needs are met?
Aren't I another servant of economic output?
Should I not donate time and money to a cause more worthy of respect than a withering example of excessive individualism such as myself?

No, and what's more, ******* society, ******* for taking away the only haven I ever had: my head. ******* for marketing my imagination,
for inventing a bunch of ******* about responsibility for the greater good,
for poisoning the little freedom I do have with feelings of uselessness.

And most especially ******* for your greatest crime of all;
implanting this feeling of guilt whenever I do anything with my own well-being in mind.
You have created a system that perpetuates itself on shame and output,
you have killed the desire to create for it's own sake.

*******, and I'm going to unplug from you if it's the last ****** thing I ever do.

Cusp

Once I wrote these words:

Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff of about your life
that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
(http://hellopoetry.com/poem/now-you-are-ready-to-write/)

so here I am, hands on my chest,
so unready, incapable of writing,

the battle site changed,
sledding to the top of my head,
moved northwards, mush, mush.

just don't have what's required
to melt that mush open,
just don't have the anymore
to finish this Iditarod race
called my Idiot life.

nobody knows the silences
kept in my treasure box.
nobody knows the nail-beds
slept, bloodied, by this
mthrfking depression,
unexpectedly returned to sender,
unable now,
to write, free and clear.

suffused, this words reappears,
you don't get it, the twilight twinkies
below laughing, twinkling,
middle ******* me,
so not suffused,
nah nah nah nah
you don't got it,
you got nothing.

the words supply, torn and  tired
reappears, now escapee prisoners
before flatlining, crashing
as I am currently 20,000 feet over
somewhere above the Eastern Seaboard;

we may land smooth,
but not in any groove
that fits me anymore.

Here's the sorest, sorriest laugh,
what you are about to read
was eons ago born, and today
birthed.

Happy M.F'ing  Birthday #0
don't even, can't complain fresh,
reusing unused words that never got
devoured, so now, used up too,
like me.

cut by thicket's branches
(that in their defense, maim only to self-protect)
calluses of experience
not enough to survive
what is now needed,
new chapters required.

choruses of repetitive choirs fresh,
inspire but land on surfaces
heart-hardened by fear contagion.

who will know and
who will care and who
will make them all go away,
but me...

so touch my self,  
reminder to self is emailed,
beat the odds so man-many times,
one more time, what's the big deal?

fresh differences,
maybe,

words that are new
not in my vocabulary,
maybe.

Struggle, long lived,
is the status quo,
** **, don't you know,
nobody tole ya?

world's axis is tilted
you can fall off
a familiar horse,
get off course,
so east easy
a gravitational force so subtle,
clueless you're drowning
till the riptide
has liberated your
pockets possessions,
pathetic borrowings
of unoriginal thoughts
you thought you actually owned!
now you realize
new inspirational how to books
keep getting writ,
published for experienced suckers
like you.

so here at the pointed cusp
a crescent shaped tangent,
lines crossed, intersection of a curveball
turning inwards, retracing prior paths,
familiar but tho the forecasts predict
being on the cusp of something,
crystal ball reveals nothing at all.

I fold the little have learned
into a handkerchief
folded three times over,
tied cusp to cusp
with a trefoil knot,
which while
mathematically correct,  
is too easy as my hanky is almost empty
and hobo heart journey scary is thinking
done.

It started with a whisper,
And that was when I kissed her
And then she made my lips hurt

I know I didn't write it
But the words couldn't be any more true

It was almost like time stopped
When our lips locked
Our clothes stayed on
But the bed rocked

I kissed your lips and your neck,
You took a deep breath,
I put my hand on your side,
And then you put me in check

When I look into your eyes
I see the planets align
When I look on to the future
It's only you on my mind

I want to be with you forever
In this lifelong endeavor
I look into my heart
But know this forever is never

It hurts me to see
That we will probably never be
But I'll try strive as hard as I can
To be your one and only man

As these words flow from my fingertips
I pray that someone will give a ****
I know that none of this madness
Can make up for my internal sadness

When it comes down to it
I'm just another hopeless romantic

Monday

Bleak unoriginal
Mondays

Where there is no
Whipped cream or cherries,
Hot chocolate sauce or
Peanut sprinkles

Only
***** wrecked trams
Absent faces &
Dreams of freedom
From hell

That is

This is

These are

The Monday Blues