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Andrew T May 2016
In Northern Virginia, for the ladies of wealth, Sunday mornings begin with a hangover, a Virginia Slim, and a Xanax. The day transitions to brunch at Liberty Tavern: one mimosa and one ****** Mary; an omelet with green and red peppers; and another round of mimosas and another ****** Mary, because: why in the world not?

For Thu—a Vietnamese American—Sunday mornings always begin with a different routine.  

She comes downstairs to the dining room, steps around the bundle of adult diapers, and pulls back the curtain that leads to her parents.

There, on the far right corner, her Dad lays on an electric bed, his eyes sleepy as if he had drunk too much whiskey from the night before. His mouth agape, he has a face of a man who has lived for many years. In fact he has, 80 something years in fact. His arm hangs over the railing, blue veins protruding from the skin.

Thu pulls the blinds and light comes seeping through the window.

Her Dad smiles as the sunlight warms up his face.

Thu lifts him out of bed and into his wheelchair and travels with him, looping around the house in a circle: starting with the dining room, then the foyer, through the hallway, out the kitchen, and then back to the dining room. She tries to make him walk at least three rounds. Sometimes he makes it, sometimes he doesn’t.

He grunts and curses in Vietnamese, his walker scraping against the marble and hardwood floors. He moves the walker, using the little strength he has in his biceps and the muscles in his right leg.

Two years ago, her Dad had a stroke, leaving the right side of his body impaired and aching. Ever since then, he’s been trying to recover. He spends his time watching soccer and UFC on a television with a line running across the screen. He has caretakers who assist him with going to the bathroom and showering.

His wife is the only thing that keeps him going. She has Alzheimer’s and at random times in the night she’ll open up the refrigerator and search for food, because during the day she hardly eats a bite. She walks around in a cardigan and cotton pants, a toothpick jutting out from her mouth. She enjoys lying on the sofa and making phone-calls to her friends.

But she often misdials the numbers, startled when she hears a voice of a stranger on the other end of the line. She tells the stranger she doesn’t know English, shutting her eyes before trying to dial another number.

Thu has lived in Northern VA for many years, 18 years to be exact. She’s a Hokie. She’s an avid watcher of Criminal Minds. And she enjoys apple cider with a side of kettle-corn. Despite having to cook and look after her parents, she never complains. Never gets upset. Never says that life is unfair.

Later on in the day, she’s wearing a blouse dotted with blue flowers, a pair of gray sweatpants, and open-toed sandals.

When her daughter Vicki walks into the kitchen, she makes a remark about her posture. Vicki scoffs, no longer trying to seek her approval, but when Thu’s back’s turned, she straightens out her posture. Thu never makes a comment about her boyfriend. That’s a lost cause in her eyes. Once Thu doesn’t approve on a relationship that’s the end of it. She wants the best for her daughter, pushes her to be the best at what she does.

Thu used to live in Saigon. When the war ended, she had fallen in love with a boy who lived next door to her. He was her first love. He would write love poems to her. Sometimes they would hold hands. Once they had shared a kiss.

They were young and deeply in love. But as the war finished up, they moved on from each other. The boy went to live with his family in Australia, while she moved to America. After they broke up, Thu would still think about him. He was the one who dumped her.

The breakup crushed her heart. But she didn’t let it mar her dignity. Time passed by, Thu moved to Virginia and she went to high school in Fairfax County. The letters started pouring in from the boy. But she had too much pride and she didn’t respond until one day.

That was the day that John Lennon was murdered in cold blood.

She was heartbroken like every other person in the world. Yet, she also thought of the boy and how much he loved John Lennon.

Thu remembers reading the newspaper, seeing John Lennon’s face on the front page of the paper. She took a pair of scissors and cut a square around John’s face. Then she wrote a letter to the boy. And then she sealed the newspaper clipping and the letter in an envelope and begged her mom over the phone to send the letter to the boy. Her mom was still in Saigon and somehow she made contact with the boy and gave the letter to him.

A month later, she opened the mail and there was a letter from the boy.

She read the letter, stifled a cry, and then proceeded to write. The next day she sent the letter. Thu was happy to read his words. It was as though she could hear his voice through his sentences. Like he was there next to her, looking at her, speaking to her spirit.

Days passed. Weeks passed. And then after a month she realized he wasn’t going to respond back to her letter. She couldn’t believe that he didn’t give her a response.

“And that’s the end of the story,” Thu said to her son.

“What do you mean that’s the end of the story? That can’t be the end!”

“Well you’re the writer, right? Think of an ending.”

Okay. So here it goes.

Thu smiles, her eyes grow sleepy, and her head slumps over. She starts to snore, very loudly in fact. But it’s cute and you’re hoping that she’s dreaming, dreaming about something relentlessly lovely.
SexySloth Apr 2013
Her hair is straight and long,
black as ebony, lips are pink
but she isn’t quite Snow White.
Her skin is tanned and her face has spots,
she isn’t that tall and she doesn’t have any curves
At all.
However, much like Snow White, they both share
A common taste in clothes,
shoes,
favourite things,
and a difficult, struggling life.
Like Snow White, she wears this
Tattered and Torn
And ugly and mismatched
outfit that said,
“HEY! I’m the biggest dork in the world!”
because she can’t afford nicer clothes. But they are warm and comfortable,
just perfect.
Just like Snow White, she is kind and sweet
She is full of respect and care for others
And never wished bad luck upon those
Who are more fortunate than her.
Maybe a little difference between them was that
Snow White was a princess; she’s just a peasant
Born to a family of nine.
Snow White knew manners, but she does not.
How could she? She is just a humble, simple woman from the poor villages
Homes under leafy roofs in Southern Myanmar.
She tries to learn, oh yes she does,
And I even taught her not to dig
her nose when I spoke to her,
or raise her voice but rather
be just gentle and soft, like the breeze blowing over
the grass in a sunlit meadow, soft and sweet, soft and sweet.
One night, when I was just casually talking to her
It led to me and my little brother
We went to take a look
At how she lived, in a three storey block
Just across from mine
But what a surprise, I couldn’t believe what I saw!
My legs were curled in, hands over my knees I sit
On the bed with its hard wood, just a thin mat
Simply lying over it.
When you sleep, wouldn’t you knock against it?
How painful and uncomfortable it must be, sleeping on
A board and nothing more.
I wonder if she ever had a decent sleep,
A blanket to curl in when the rain beats down,
A form of warmth and comfort to shield from the striking hand
Of life that torments us every second?
She also had some friends
But small ones, they were, and grey and small
With whiskers on the faces and cheekily as they were,
They hide among the trash her roommate dumped at the door,
Just like on the ceiling, webs fluttering when a breeze rolls in,
Because tiny spiders have made it their home.
Squeaks from those hidden corners,
Mysterious movements we can’t see
I ask her if she’s okay with all these pests, but she just shrugs and says,
“Meh. I don’t mind them.”
I wouldn’t be able to sleep.
The room is small,
So low and narrow,
Barely with space to breathe.
Or move about, or change!
Just stuck in the sullen room,
No space, no space, no space.
It’s just a place where you sleep (uncomfortably, with no sheets)
And suffer through the night when the wind bites you with their icy teeth.
I ask her, “What’s your name?”
She tells me it’s May Thu and I nod.
May Thu doesn’t have much.
All her possessions could easily slide into
The smallest of all the backpacks
And yet you’d have space to squeeze me in, too.
Toothbrushes, soap. A broken mirror and a hairbrush.
Some clothes and that’s all she has.
And yet, she’s happy and I realise
There’s no end to people’s greed. It’s something you have to
Put ******* in to widen it, so that you can dump a whole lot of
Material desires, and maybe two elephants,
Just so you could satisfy its perennial hunger.
It’d be hungry by the next hour.
When May Thu starts telling me stories about her brothers
And sisters
And goes through each of their names,
Her eyes glisten and a tinge of red, just slightly washes over
Her white eyeballs and her nose twitches,
With the smallest sign of reminiscence.
Her parents are pretty old, and they’ve got nine children to support.
But they’ve got older kids who can take care of themselves, but
With a gaping hole in their wallets, who’d mend it and fill it with money?
Only the kids, but it’s hard, May Thu says, and I can feel her throat tense,
she feels that lump you get when you want to cry,
but your throat hurts and it’s simply too dry.
May Thu wishes and yearns of a day
Just once, if she could, just once
Be rich for once and know the feeling-
being free of all duties.
May Thu is sad, a storm cloud has settled onto
Her troubled mind.
An idea swims up to me and whispers as May Thu says,
“I like checkered shirts.”
The idea winks and whispers that,
Maybe it’s time I give a little gift.
I grab my green flannel shirt, so big and so warm
Fashionable and comfy. Just right.
“There you go!” I tell May Thu
She looks at me with grateful eyes,
And seems to sing inside her mind,
May you be well, happy and at ease.
Thank you for making me life a little more complete!
When it’s time to leave,
I can’t bear to go. But the last I saw of May Thu was a happy smile
And I can feel it in my heart, the warm and the sweet.
I’m ever so grateful of whatever I have, and don’t spend my money
On nonsense I don’t need.
I’ve learnt that I didn’t need anything anymore.
I already have them, in front of my eyes, and they were all free!
All these things I’ve learnt, are from someone special.
You taught me that I didn’t need a swimming pool
when I have the River  Right  In  Front  Of  Me.
Okay, the Time Travelling thing isn't ****** as compared to this one. I rushed it, haha. Based on someone I know when I ordained as a nun in Myanmar (I'm a Buddhist). I had to write one last poem, so I just wrote this about her. It's rushed too.

Completed in Jan 2013.
Marlo Jun 2014
thump thump
                              thump thu thump
thump thump thump
                               thump thu thump
thump thump thu thump
                               thump thu thump thump
thump thump thump thump
                               thump thump thump thump
thump thump thump thump
                               thump thu thump
thump thu...*
                                *thump thu thump

*-
My heart beat - bold his heartbeat-italisize the story of our relationship
. *** .
Andrew T May 2017
Thu used to live in Saigon. When the war ended,
she had fallen in love with a boy who lived next door to her.
He was her first love. He would write love poems to her.
Sometimes they would hold hands.
Once they shared a kiss.
They were young and deeply in love.
But as the war finished, they moved on from each other.
The boy went to live with his family in Australia, while she moved to America.
After they broke up, Thu would still think about him.
He was the one who dumped her.
The breakup crushed her heart.
But she didn’t let it mar her dignity.
Time passed, Thu moved to Virginia
and she went to high school in Fairfax County.
The letters started pouring in from the boy.
But she had too much pride and she didn’t respond until one day.
That was the day that John Lennon was murdered
in cold blood.
She was heartbroken like every other person in the world.
Yet, she also thought of the boy and how much he loved John Lennon.
Thu remembers reading the newspaper, seeing John Lennon’s face
on the front page of the paper.
She took a pair of scissors
and cut a square around John’s face.
Then she wrote a letter to the boy.
And then she sealed the newspaper clipping and the letter in an envelope.
Begged her mom over the phone to send the letter to the boy.
Her mom was still in Saigon and somehow she made contact with the boy.
And she gave the letter to him.
A month later, she opened the mail and there was a letter from the boy.
She read the letter, stifled a cry, and then proceeded to write.
The next day she sent the letter.
Thu was happy to read his words.
It was as though she could hear his voice through his sentences.
Like he was there next to her, looking at her,
speaking to her spirit.
Days passed.
Weeks passed.
And then after a month, she realized he wasn’t going to respond back to her letter.
She couldn’t believe that he didn’t give her a response.

“And that’s the end of the story,” Thu said to her son.
“What do you mean that’s the end of the story? That can’t be the end!”
“Well you’re the writer, right? Think of an ending.”
Tha cuimhne agam air an latha fliuch sin;
An latha a thòisich thu a 'tathaich orm.
**** thu aon sùil, agus leag thu mi leis na sùilean sin.
Thuirt thu aon fhacal, agus thuit mi ann an gaol.
Beannaichidh mi an latha a lorg thu mi;
Agus beannaichidh mi an latha a thig sinn gu bhith na aon.

I remember that rainy day;
the day you first [began haunting] me.
You took one look, and leveled me with those eyes.
You said one word, and I instantly [become infatuated].
I will bless the day you found me;
And I will bless the day we become one.
Some things get lost in translation; feelings do not.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
I loved you at your darkest
You only loved me at my brightest
Your silent tears were an illusion
As you devoured me until depletion
A thousand curses on the hands which broke me
And a thousand curses on the ones which you see
You will never forsake me again.

Bha gaol agam ort aig an àm as dorcha
Cha robh gaol agad orm ach aig an ìre as soilleire
B 'e manadh a bh' anns an deòir sàmbach agad
Fhad 's a bha thu gam ithe gus an robh mi air falbh
Mìle mallachd air na làmhan a bhuail mi
Agus mìle mallachd air na fheadainn a chi thu
Cha trèig thu mi a-chaoidh truilleadh
Nat Lipstadt Nov 2023
~ one more for patty m. ~

slept late after dancing with my devils, from,
from the wee, until a pealing pearl from the Earl of Dawn,
recovering from an intrusion~invasion~brain~regurgitation,
and it’s nearly 9am, sipping my first cuppa Hawaiian,
& woke to a repost of a ten year old wondering plea(1)

makes me think “This old thing,” poem, like a fav
frock/suit that still drapes perfectly, and yet draws the
***** admiration and drippy drawling yummy compliments,
gracefully, gratefully demurred with them three words,
& it’s 8:39am, Bruce pitching in with “Born in the USA”

recipe for a new thank u Gawd poem to make room for
a fast~break diet for an old man with a rebuilt ticker, this
very emission~transmission of a verbal politesse writ going
some where, cooked on a medium slow burner fueling dressed up seeds of heartfelt appreciation made of ancient oat grasses

birthing a poem~child of thanks to the Lawd for one more day,
opportunity, the five sense’s delivery gratitude and gratifications, and the desire to intertwine the sights, music, a crisp blue November Sky, the need to bleed brew these words into a fulfilling,
second moment mug, for the pearls and Earls

of poetic humans


10:01am
Thu Nov 2 2023
(1) Do You Know Why Men Cry in the Bathroom?
Dark Jewel May 2014
With arms of fury,
I strike forth.
To end thee!

Perish in the enchantments,
Of the weapon Thu'um.
For it destroys.
The smallest loon.

My voice is powerful,
It shutters a broken heart.
Where glass hath shattered.
It matters not.

Thu'um.
Voice of the greybeards.
Dovahkiin.
You are Dragonborn.
Red Bergan Mar 2014
The man he sits,
Upon the bed.
Watching his sister die.

"No don't go" he says,
Eyes glowing red.
He's losing his mind.

The house, the house!
Is dark and defied!
He roams about,
Only hearing her cries.

The eyes of gray,
With no sleep.
He has  no one to keep; to love.
His heart is very weak.

My dearest,
Fear thy presence.
She has come..
Within the rising storm.

He's gone now,
Blindly chasing a dream,
Her voice.

Insanity now holds his chains,
It won't be long now,
Before the blackness reigns.

Eyes bloodshot,
With a wolfish grin.
He's become thee,
Insane Usher again.

This house, it haunts.
With the dead below...
Where restless souls creep,
Carrying solemn cries.

There Usher Stands,
Lost in his agony...
The land where his sister sleeps.
No diary of his sweet.

His face is written,
In superstitious derail.

Beyond Hells Gates,
His final line frays...
The name of Usher will end,
This day.

No more sons,
To bear thu name.
A sibling is lost,
In this game of fate.

The house has fallen,
Broken and decayed.
Where no life breathes.

The fall of the house of Usher,
The tomb hath stayed.
Exposed by nature.
Never to live again.

Insanity takes thee,
Drowning out the calm.
Superstitions rage wildly,
Within the Ebony storm...
Long and written for the Fall of the house of Usher by Edgar Allan Poe
K May 2013
Dovahkiin,
Dovahkiin,
Greybeards have summoned thee
High Hrothgar, where they stay,
Their Thu'ums at play...

Fus Ro Dah,
Fus Ro Dah,
Your spirit is unleashed,
In a whirlwind
Untamed.

Dovahkiin,
Dovahkiin,
Learn the deadly Dragonrend..
Shout it in glee,
Bring Alduin to his knees...

Travel north,
Travel south,
Travel all through Tamriel
In search for a scroll...
Untold.

Dovahkiin,
Dovahkiin,
Call upon your dragon...
Clearing foggy skies
In Sovngarde, where we lie...

Bring him down,
Down to the ground
Relinquishing his power...
Here lies the slain
Alduin...

Dovahkiin
Dovahkiin,
In all of your glory
You brought him to his knees,
A dragon, obscene...

It will be told
Forevermore
This story of a dragonborn
Who slay Alduin...
Dovahkiin...
To the tune of song of storms from Legend of Zelda
Deborah Lin Aug 2013
Lately I have been hanging your voice on my wall.
It came in ten different frames,
and I spent hours adjusting them
until they hugged the wall at the perfect angle,
their gilded bodies pressing against painted emptiness,
whitewashed space.

And when I feel nostalgia
twining around my veins like wild ivy,
I only need to reach out and –

“Hello. My name is –“
“Hello. My name –“
“Hello. (Stop.) My. (Stop.) Name. (Stop.) Is. (Stop.)”
“Hellomynameis –“
Do you remember that?
Did you know my hands shook,
that I tripped over words like I do
with miniscule cracks in the sidewalk,
that my heart stuttered
thumpthump thu thump thuuump thumpthumpthump
and how it hasn’t quite been the same ever since?

“I love you.”
“I love (rewind) – love (rewind) – I love (rewind)– love (rewind)– I love you.”
“I love –“
“Iloveyou.”
You thought you could pry me open
and tear down my walls
and then suddenly you did.
It only took three words to start a hurricane in my heart.
Did you ever notice the aftermath,
the broken homes and homeless souls?
I am still rebuilding.

I hammered this one into my soul,
can still feel the echo of your words
pounding away in my bones:
“Goodbye.”
“Goodbye. Goodbye. Goodbye.”
“Good…(clickclickclick)… bye.”
in the space between my ribs you planted a larkspur
you cracked the bones and wrenched the fragments apart
and you gave my heart a seed to grow

you were an invasive species
and i only wanted to see you flourish
had i known that you would smother me
and entomb me away from the sunlight that i love
i would have torn up your roots and cast them away
before they ever had the chance to suffocate mine
You were a ghost in my arms; a phantom in my bed.
I swear you had no reflection as if you were dead.
This affair’s death was inevitably beginning to show.
Chaos was in my heart, but emptiness was in your shadow.
Even though you walked like a lioness in her pride,
There was a vacuum of sorrow in my insides.
Internally, it was a cascade of dark, no-void form.
But externally, you were the one who brought the storm.
You forever etched your image across my skyline.
But alas, the sun is gone, and your image has died.

Bha thu an thaibhse an mo ghàirdeanan; taibhse na mo leabdaidh.
Tha mi a’ mionnachadh nach robh sgàthan agad; mar na mairbh.
Bha bàs an daimbh seo gu cinnteach a ‘toiseachadh a’ nochdabh.
Bha gealtach nam chridhe, ach bha falambh nad sgàil.
Eadhon ged a choisich thu mar uaill an leòmhann.
Bha mi làn bròn nam broinn.
Taobh a-staigh, gleann de chruth dorcha gun bheàrn
Ach air an taobh a-muigh, b ‘e thusa a-thig an stoirm.
Tha thu gu bràth air do ìomhaigh a dhèanamh thairis air faire agam.
Ach, thig a lorg, tha a ‘ghrian air falbh, agus tha an ìomhaigh agad air bàsachadh.
I walked in loamy Wessex lanes, afar
From rail-track and from highway, and I heard
In field and farmstead many an ancient word
Of local lineage like “Thu bist,” “Er war,”
“Ich woll,” “Er sholl,” and by-talk similar,
Nigh as they speak who in this month’s moon gird
At England’s very *****, thereunto spurred
By gangs whose glory threats and slaughters are.

Then seemed a Heart crying: “Whosoever they be
At root and bottom of this, who flung this flame
Between kin folk kin tongued even as are we,
Sinister, ugly, lurid, be their fame;
May their familiars grow to shun their name,
And their brood perish everlastingly.”
Nat Lipstadt Jul 2021
muse,
she/her has no master, only a mastery;
she, comes compulsing, a physical pounding,
a throbbing impervious resistant to logic or medicine,
which is the so very ever, the peculiar throbbing
of a principled particular “present participle,”

write of compulsing is her mocking suggestion.

a presence, punishing urging, pas de choix, obey,
submission; write freely but not free, compose or
decompose; is there a difference, no, not, and so ordered,
demand surrendered, how? how? this taking and giving,
can a single act dichotomy be so fulfilling and so emptying?



<>

wake daily to water canvas, the waves, dabs of paint
protruding, irritating. provoking yet presented silenced,
repetitiously calming, motioned framed within the
white edged sand, the bound-surround of the living painting.

eyes alight, eyes delight, this daily emergence unto
a tapestry devoid of human interference suggests
a differentiating reality; now I understand the how of a
world’s imperfections constituting, tooting its own perfectionism.

this is not lake water; no single flat stone skipping nor
a concentric rippling to a slow death; this is seaward-
bound, an oceans subservient tributary, contributory,
a river, bay, sound - precursors to a vast atlantic infinity.

this is metaphor; this a still life of the perpetuation metamorphosis.

<>

the muse exhales; as do I subsequently; what difference?
none, she replies to herself, tween painting artist and
verbalizing poet, the un-still life creation, always, always,
different, the essence of diversity in a singularity sameness



                                                     ­     






7:13 AM Thu Jul 29
2021
S. I. Sound
when you are given the choice of no choice,
you write again and again of the same vision,
the same view that presents upon awakening.
mark john junor Nov 2013
the fast car speeds along the avenue
and she relaxes at the wheel
shell tell you she was born to drive
and with a cigarette grey haze
she leans into the telling
a story of her younger days
a summer back in the world
back in the dust of 1958
when the motorcycles rode on main street
she and her baby sister went to see
and stood back of the five and dime
marvelling at at the wild men
and the chrome machines
thouse were the days when
the future was brighter
and the dream seemed like it could be real
this light comes alive in her eye when she speaks
of thouse days
you can see the years fall away
you can almost taste the malted she drank
and almost see her in her blue dress
there at the five and dime
you can see the light in her eyes
when she is remembering thouse days
the sock hop and the drive thu
she is so much a younger soul than i
filled with all these beautiful memories
and as we drive down the hutchinson river parkway
middle of the night
in the pouring rain
robert gordon on the radio
i think to myself that she's right
she was born to drive
and i was born to be with a girl like her
oldsmobile cutlass 440 was her car
i was her man
.and rockabilly was her music
Mateuš Conrad Jan 2017
ząb... or tooth... zęby... or teeth... the lesser Ezra in me is more bewildered by the non-existent strain of either vowels or consonants in English, than the Chinese ideogram... i agree: you must have an idea when reading Chinese, and a population of over a billion... and subsequently a well-known linguistic complexity, a thrice-over Chinese wall in the eye and off the tongue, to later precipitate into an ease in making the mathematic tongue acrobatic... but then have no theoretic procession to study the complexity, or hear a xylophone... i'm the membrane mid-way between burying the Latin anecdote Beijing... and asking to kiss the hand of Marco Polo... had he wrote the Quran... i'm just simply juiced for one reason, this is my take on the corner-stone rejected... ******* the crucifix, and tickling the feet of the crucified one... as anti-jew as i can be... well: volk zu γoλγoθα... or volk zu γoλγoφα... compass! mein kompaß! alter: volk zu ßιναι! oh look... quantum physics... it behaves gleiche y = w, ~i, >ł.... and into a p.s., as γ = Υ (upsilon contra gamma)... once more, the lesser Ezra in me is bored with the Chinese ideogram, it's translated plain and simple, perfécto arithmetic! and the billion-strong populace... applause to the Chinese politicians... democracy as an pure English export is not wanted... it's decadent, and ripe for only decay... please, god or yoga no... we can do without it! this is the lesser Pound... i could be fascinated with the Chinese ideogram, but i'm frankly occupied with addressing the English encryption.... mind you, that translates as: you missed a spot... and they did keep their language so diacritic-free in order to form the global empire... which can only mean that mad geniuses and other akin stipend students will ever appreciate... but my fascination with diacritical marks, or their lack, is akin to Ezra Sr.'s fascination with the complexity of the Chinese ideogram, or rather the syllable form of not enraging the trinity, therefore concise, xi (ξ), chi (χ), chow (χω) mein (μεjn / μει - gagging ιota: main... mejn... replaced by additional curvature of j), kfu mang thu! kuchi kuchi, kat(h)mandu.. gucci gucci... rattler... or pinky on the black key in a piano concerto... the odd number... thus the english siamese of i and j, the only letters with diacritical marks, beginning with ιota being the one under-dressed... and they are indeed there, for clear syllable intake, as a way to pave for the architecture of punctuation, and what could be later described in the real world, as a punctured rubber tire, or a sewing technique, in the guise of tartan to a cayleigh whirl / orthodox scot that's: ceilidh... ****** me, god's a pauper, leaving him out in the cold of nonsense when man just asks for kejl i, p.s. dogged out hound harking grammaton, and some random number outside of tetra.

pst! look in the woods! you might find him there!
music always overpowered my
need for women, i always found music to
be antidote
  to ensure women exist -
               dunno, dough]nut -
or dunno, it just happened...
      CENSOR MR. CENSOR!
HELLO?!
                  LOSER. HTML
IS INFECTED.... now i'll come off as paranoid...
    but then i am typing in paradox
  land...
                my keyboard is ******...
a case of etymology... *wargi
- and
pysk - or usta, and buzia -
one's kiss kiss,
      Tarkan style...
  but i wonder why when i listen to
  in extremo's rotes haar...
i imagine dwarfs dancing,
        but then the prancing pony of
hedningarna's vargtimmen -
       which might    
mean *******, but
then it might mean something
in Finnish... vargtimmen: meaning: close your lips...
in Finnish; so bound to the word trim...
trim your lips.
even though the people didn't move,
a lot of ******* children made Poland their
home... for example wargi, which
means usta... add a p to usta
and you'll end up saying: she's empty, barren.
no wonder the transgender movement
occurred in english... words have no
feminity or masculinity... so ***...
they're asexual, apathetic...
   a male can't own a table
in the Freudian sense of signifying a phallus...
stupid me blaming St. Thomas' gospel,
when the problem lay within the realm of per se...
       i have to add: it's a bit foggy where i'm right
now... and my html is a bit bonkers...
     but it still stands as Finnish and Polish
versus English non-mythical when sniffing
the **** crack of America...
          fog ought to be enough, apparently it isn't,
you need to care to
economise and work to an ethic of working
so hard throughout the year for a 2 week holiday,
   and then end up throwing away your food produce
and then feel irritated by a homeless person...
   so yeah... you're grand!
          i mean i am...
the we is automatically bewildered...
i couldn't pet a woman, women are much more
than cats, and i pet two cats and hate them...
     not having women means i am resistible...
if i were irresistible i'd be insane...
      the magnetism of prefix convergence...
   re- means again, not against...
   and in- can also mean a-,
          every time i speak the scandi tongue
like i might found saying the lazy way an english
man says ****-,
               i feel like jumping up and down...
hed- -nin- -garna!
      hey hey **! jump you mo fo!
                     and i live in england and i care to
take to escaping english, that's really messed up...
i can't listen to the tongue... a bit like my russian
girlfriend said to me: Polish is just static,
sh sh sh sh ch ch ch ch... i mean, the best
***** in the universe are done by the people that
really hate your ethnicity,
they love you as a person, and the person they
love to ****, but then the collective unconscious
comes along, and they say the most horrid
things in between the orchestra of vowels during
the ******... babe, you drowning? i know
i am.
            if a yiddish man would come along,
he'd write yzwz... because that's how h became
z in the grapheme sz and ch...
                 and paradoxically: it's not the smallest
sound... and if the Latin grapheme continued its
existence... and was regarded as the smallest
linguistic unit, it has to mean that
    two names converged... it means that
the coliseum will overpower the church...
   which means that the Latin man had names for
his letters... and it was never all about music
and castratos... it was never a simple a when
the Greek said alpha, or it was never as simple
a b when the greek said beta...
vargtimmen! purse yer lips! ye gods, pout!
  duck-alliances throughout!
   yack yack yack... quack... ******* ponces
and narcissistic nuances...
yes, when w = v = w = ł -
               when it is meant to invoke the ugly duckling,
and a swan, and a łabądz -
my soul is already Scandinavian bound...
  like Frankenstein's Jr., to the fog, the snow, the frost...
      if Spinoza is the prince, then i'm the king,
the tetragrammaton just drops out like
a birth of an antelope - it just drops out of language,
but it only drops out, once you have used
a language associated with diacritical marks...
knowing solely English or Russian Cyrillic won't
help you... it really does just drop out from
the ****** of nothing like an antelope on the savannah
plain... but given there's no diacritical
distinction in it... being born into a language that
uses diacritical markings to ensure there are
distinctions, makes studying the tetragrammaton
all the more fascinating...
English uses no diacritical marks, neither does Cyrillic...
the Greeks are cosmos (polish slang reference
to them being on l.s.d.) with their niqab of
diacritical usage when English Latin remains
slap-stick naked... come on! put on a ******* bow-tie
that might be at least the french acute over
e!         éh?!           knowing the lazy sod, he won't!
but such is the joy of experiencing etymology
with music... to associate
vargtimmen... a Finnish compound word,
with the English word trim...
         or the word dimmed...
           and the Polish clear-denotative word
for lips... i.e. wargi... or usta...
  timmen might also mean: to bite...
  warga is the singular of wargi, i.e. bottom lip,
    to bite the bottom lip...
            does the music in hedningarna's expression
say much? no it doesn't...
   poetry can be the least musicological
         when analysing music...
             the best poetry can attest to is:
gauging your eyes out with it's bewilderment that
it has become such a primitive art,
   compared to the etchings in the caves of
Lascaux...  how that's really said?
                 obviously las-cow...
                  or proper: lascau(x)...
            the two tier of language... those who live
off it as noun-to-noun... and those who live
off it as hand-to-mouth... solely verb in action...
    it's actually a great shame that i should be writing this
and having a father who perfected the craft of roofing...
  i feel more an imbecile, and even more a rooster
in a wheelchair...
        so much for having a russian girlfriend for a summer
and an egyptian friend for no reason;
don't worry, you won't write a biography about me,
  such nuances of language with a personal twist
can remain where they are, in the archeological
dept. of nowhere.
Lila Lily-Thanh Aug 2010
In those days, at every corner of the city
you could find a coffee shop.

There was never a high-rise building,
everything stood together in an unorganized manner,
for they never mastered the art of urban landscaping.

Street vendors had their own way of singing
their promotion songs. You remembered the tune, the words,
which reminded you of those streets.

The sounds of vehicles and their horns and the winds
never stopped. But in those days, they used to be
purer. Clearer. More innocent, perhaps. Less troubled.

Life never stops being tough,
but it was quite beautiful,
then.

When I grew up
the city was still left with fragments of history.
I had no memory of what had happened before I was born,
yet you felt in the air the gentle sadness, and the subtle beauty
from those French buildings. The architecture
slowly faded away as icons from the war,
becoming part of our modern life.
We had to move on,
and so did everyone who had left.

Those buildings, instead, became icons of my childhood,
of what I remembered about the city.
From my elementary school,
you could see the Notre-Dame Cathedral Basilica to your left,
the Central Post Office right in front of you.
I was always taken home via the street former known as
the Rue Catinat.

I would never forget the way it felt every afternoon.
I'm going home.

Those places have changed, and so have people,
and so have I.
The day they demolished Givral Cafe,
Xuan Thu Bookstore, Passage Eden,
the whole street block of memories,
was the day many of us lost something so deep in our heart.
History was gone once again.
And soon enough,
we would allow ourselves to forget once again.

I keep reminding myself,
Hey, it's ok to change.
My city does not repond to me.
It just becomes so foreign,
as if it has always belonged to somebody else
but me. And I keep digging
into the dust, the traces, the pictures
to find solace in what I could remember
about my changed lover.

They say, in the end it does not matter,
modern society needs revolutions.
Evolutions. Higher skyscrapers. Highways.
A North-South express railway even (Idea rejected.)
We need to catch up with the rest of the world.

Oh, dear men, I am fine with that. I am an easy fellow
who seldom feels too strongly about anything in particular.
But my heart keeps aching from some changes you guys make.
It outraged the day you took down my corner of memories.
I was in Boston reading the news my friends sent me,
picturing myself sitting at those steps in front of the Opera House
looking at the mass of broken bricks and dust
that was once a nice, little, iconic coffee shop-
Givral.

When my friend talked to me about changes around that block,
she talked in a tone that almost seemed guilty.
She did not know how to break the news to me
without also breaking me apart.
For just a few months before that,
we were walking down **** Khoi Street (the Rue Catinat, if you may),
taking pictures of the Opera House,
Givral Café, the Continental Hotel,
joking of how we acted like tourists.

Try being a tourist in your own city.
It means seeing everything with a fresh set of eyes,
trying to record everything,
trying to grasp the essence of everything
within a short amount of time.
I guarantee you it is fun.
And it will reinvigorate your love,
your understanding, your hope.

I was disappointed with some decisions others made.
Yet, being a city girl,
I was raised to adapt to them.
To learn that there will be thousands of other coffee shops
bookstores
landmarks
so many choices to overwhelm me
to drive me away from the time
when I had so few.

Will it eventually work? I do not know.
But that corner of the street (now demolished),
that corner of memory (now fading),
I was there.
Yes, I was there.
I will definitely make further edits to this, but I'd like your inputs on the word flow, grammar, construction/order of ideas, etc.

I haven't been away from my city for long, but the changes have been quite drastic recently. The coffee shop mentioned, Givral Café, was built in 1950 during our French colonization period. Ever since it has been a legendary place where many international journalists and writers and others meet. It was taken down on April 2010.

I was born years after the Vietnam War was over, so my memories are not really associated with anything war-related. My childhood was spent around the city center with French architecture around (the Cathedral and the Post Office are still there; the Opera House was renovated, but the whole street block of Givral and Passage Eden I mentioned is now gone.)

There is not much and there is too much to say about that city. I often find it either too difficult or too easy to write about it. You probably feel the same way about something or someone you're in love with. All the words could be dedicated, yet none would be satisfying enough.
Nat Lipstadt Jan 2023
The
tilt of my seesaw
is decidedly downward facing dog:

and there’s no rush to judgment, for the powers that be,
be delighted by slow-walking, making the waiting
max-tortuous, but am of an age when everything,
even the long buried sins and unkept promises,
poke and **** nonstop, and the formulae once
relied upon to ease incipient self-deception,
to temporize and salve the consternations

of unkempt aggravated remorse fail,

as aged misdemeanors be matured felonies,
I blurt and declare guilt to all, alas, and yet, in the
ultimate crushing of tardiness, knotted by indignity of silence,


no one is desirous
of taking my

confession

5:10pm
Thu Jan 28
2023
August Oct 2013
Head floating.
Thump thump
Thumping in your head.
Thump thump
You can feel every breath
Inhale
Dragging down your throat
Exhale
Each one a different texture
Inhale
Soft and cool, slipping down
Exhale
Climbing up, pushing out
Inhale
Your chest a vast cavern
Exhale
And every nerve attentive
Thump thump
Not being able to speak
Should I?
Nothing is important enough to say
Is it?
You are amplified and too focused
Am I?
Every thought decaying
Thump thump
You can feel the pieces falling
Thump thump
Making your heart quiver
Thump thump
And it goes on for hours
Thump thump
Which seems like years

Thump thump
And you can't hide your fears

Thump
They focus on you

Thump
And latch onto you

Thum
They love you

Thu
Don't let them go

Th
You need them

T
And they

.
need you.
Amara Pendergraft 2013

I had a very bad night, yesterday, due to poor decision making.
I paid for it in many different ways.
Nat Lipstadt Aug 2022
Thu. Aug 11 2022
7:16 AM


~ for Julia and Joanne~
good neighbors

<>
a renewable habit apparently, again, a first poem of the day
(FPOTD), comes early, this old practice, me-bedded and mugged, with music ear installed drowning the noises of television blah,
iPad rests on left leg, left hand pointer finger ejects capsules
of letters, charmed into existence by the Barber adagio.

the Weather Channel forecasts morning-rain and my window
to trample and shuffle this deteriorating body rapid closes,
and the sun, weak, in concession speech, begs pardon, throws
off a few miscellaneous rays by way of apology, fooling no one,
except for the hopeful, itinerant poets, & the bunnies-neath-the deck.

know now you understand the poems entitlement, as is my wont,
you’ve been invited inside, sharing eyes and senses, you journey
today from a vantage no one else possesses, just you and me. Later,
we will drive to the Parrish Museum, studying modern painters,
each will inquire, a poem for me please, I nod sure, perhaps?

promise little, deliver less, is this your best? A travelogue of the
mundane, the little things, that do not stir your heart, smile tears,
and make you think wish I was there, or this, being
just too-me-boring?
The brain growls, no one making them read this perfunctoriness,
nonetheless, you apologize, pardon the no-angst trivia of daily life.

like the acid reflux bile, swallowed and returned to whence it came.
before it invades, tarnishes the peace of our surroundings and
the pleasure of your company, as I read your writings,

worth so much,
filled with so much angry pain,
I want to easy-soften the everything,
if this missive, takes you-nearer, to the calmer~closer,
this  poem, you transform it from perfunctory, to just, simply


perfect.


8:18 AM
Shelter Island
Nat Lipstadt Dec 2020
just before never...

my last performance,
the words came original
and easy, unlike all its
predecessors; someone
drew me a map of my
life and times, cities,
countries, and roads
well travelled and a few,
not too. Mountains, each with
a woman’s name, who carried
care, until she couldn’t, didn’t, and
time’s weathering returned us
individually into hillocks, and then
rain eroded us back into old soil.

the broad highways and back roads,
always snaking away, fork-forcing
directional choices, usually taking the
wrong way, the easy and safe one,
and how I have come to hate those
words: easy and safe, for they
are the pill combo that leaves you
for dead, dulling the questioning
one inquires of oneself, late, reluctantly.

But there is always the unexpected.

Today I saw a sunset on the Hudson
River with a humpback whale blowing,
running beside a river ferry, plowing the
waters back and forth tween two states.

Lived by this river for s e v e n t y years,
and have seen the whales in many places,
but here, in my city, in the river of my youth,
never.

and I got the sign, message received, there
are still sights and poems to behold, arms to
embrace, youngers to guide if they’ll permit it.

so this title, these two,
just before,
this day, poem, came to remind me, the
days map remains unfinished, there are lands
and voyages and poems still awaiting drawing,
and it is tomorrow, and just before tomorrow, that
recording insistent demands, and a map is just a
moment in time, until just before...never



5:28 AM Thu Dec 10
2020 (a year deserving
of its own line and ending)

Manhattan, between two rivers.
https://pbs.twimg.com/media/EovXVHyXcAAHXax?format=jpg&name=large
night unkind Jul 2020
new words for an old day that’s just begun

even I, author of the conundrum above,
confused but let us sort it out as we
descend into the elixir that is our combo
of noises, prejudices, limited vocabularies

time noted, not even the nine o’clock mark,
so the day qualifies as new, but it’s an aged
sun rising, skills displaying, historical precedent,
ancient practice, adjusted for atmosphericals

the lawn is speckled, mottled, as light ray guns
through the defending battalion branches and
platoons of leaves facing up, to a certain death
later than sooner, no killing fields till September

the oak tree generals, wisdomed experiential,
prepare plans, take light a prisoner in sufficient
quantity to nourish the troops, yet, not too much,
for the sun can be fickle, a flame thrower machina

all that vision leads me to this pronouncement:
*Oh Lord, bountiful be provided, beloved, inscribed,
this day, its mega-millennium predecessors and
successors gifted precision amounts needed, then,

Cast me gently into morning,
For the night has been unkind,
Take me to a, a place so holy,
That I can wash this from my mind,
The memory of choosing not to fight.


Sara Mclachlan “The Answer”




9:18am Thu Jul 9 ‘20
I'll hold you in my dreams until our first day.
I don't know your face, but I know your presence.
My heart has been yours since you first caressed my cheek
But seas between us have made me grow weary;
Will time be on our side?
Or will our shadows forever fade with the sunset?

Cumaidh mi thu na aislingean mi gus a' chiad latha againn
Chan eil mì eòlach air d' aghaidh, ach tha fios agam air do lathaireachd.
Tha mo chridhe air a bhith leatsa bho bhuail thu mo ghruaidh an toiseach
Ach tha cuantan eadar sinn air mo dhèanamh sgìth;
Am bi ùine air ar taobh?
No am bi na faileasan againn gu bràth a 'dol fodha le dol fodha na grèine?
Someday, I'll find you.
Marieta Maglas Oct 2011
When love is sweet, the sweetness means its light
And light may keep the truth, when love is pure.
But love is bitter, when it turns to fight.
Lovers in fight are always immature.

But night of love may never come to dream
As pure light, where darkness never comes
And night of dream may swim in love upstream,
When darkness in the light always succumbs.

When love is true, the purity may hold
And lovers' dreams are never in the dark.
When angels' lights eternity enfold
And light of love may continue to spark.

MCN: CBD4D-ALF35-R1GHM

© copyright Thu Oct 20 UTC 2011 - All Rights Reserved
Nicholas Green Nov 2018
my heads aching, because my minds racing , holes in ma socks because of the floor that am pacing worried about these Demonds  I’m soon to be facing
up at night in a cold sweat ,  heads a mess ****** up mindset ,  clenching my fists whilst gripping that tight chest and i feel like it’s hard to grasp a ****** breath

how have I let

it get so bad was it because of how I acted , always naughty for mum and dad , horrible to my mrs and kids treating em bad, or was it because I was failed by the care system as a young lad ? is that why i feel like I’m going crazy  , insane or mad uncontrollable thinking flash backs in ma  brain making me sad , thoughts racing, changing  fast just please go away , how long will they last I will never forget but I hope that they pass

I no I got to open up but I feel hopeless , I feel uncomfortably soulless , probably not 2 hard to notice  , I no I need to be strong and get focused but right now I’m  at my lowest point in my life literally feel like giving up this fight but I need to do what’s right  I made this step forward so I hope everyone was telling the truth I hope that they are-right ,  saying we will all help you be there for you , telling me it’ll be alright

Kuz av bin like

awake with no food for more than 10 days in a row trying to escape my mind but I have no where to go , there used to be days  when I felt amazing have a vibrant glow but snap straight back , to vexin , supper stressin , this is real life no messing struggling finding it hard to cope , hopelessly falling back down depressions *****

for my family , friends and loved ones I no it’s got to be hard the things iv done the things iv said  , they never leave my head and it pains me so much feeling mentally scarred, so many times iv tried to change but I feel to weak to do it alone

so today I’m ganna try open up , I feel scared and it feels hard , but I’m begging for help to start  focusing good , a new chapter in my life am closing the last ****** one up , a better partner a better dad a better all round happier  man

the end seems so far but I hope there is light , amma hold onto that to get me thu this fight , I just don’t feel as tho I can do it without help , I feel mentally drained, emotionally strained help me please get these demons out , and get them tamed .
eliza t Jan 2015
thump thump thump
my heart goes
thump thump thump
as it grips the rose
thump thump thump
blood runs thick
thump thump thu
my sobs escape quick
thump thump th
screaming from my soul
thump thump
within the lonely hole
thump thum
dug by
thump
the knife
...thump
and
.....th*
you
abecedarian May 2020
<>
“Stop this day and night with me
and you shall possess the origin of all poems,
You shall possess the good of the earth and sun,
(there are millions of suns left,)
You shall no longer take things
at second or third hand,
nor look through the eyes of the dead,
nor feed on the spectres in books,
You shall not look through my eyes either,
nor take things from me,
You shall listen to all sides
and filter them from your self.”

Song of Myself (1892 version) by WALT WHITMAN

                                                      ­§§§

*These admonitions are the ten conditionals
commandments of straight talk,
boy,
you’ve spent a life lessening and lesson-learning
and all laid before you for taking, gaining,
but for what? for naught?

Start this day, having spent my night with you,
possessing less than what is my now
completed,
this,
my unfinished commencement,
provisioned, a simultaneous beginning and finishing,
emptying a void of
fulfilling questioning.

What does this life desire of me,
that it granted and then removed,
the knowledge of perfection?
leaving me striving, writhing,
shivering unceasingly,
in my saddened, bursting, hacking
and hackneyed chest.

I walk the same cobblestone streets,
observing the descendants of your ancestral tugs
portaging, paying homage to East River tides,
carrying those goods,
the origins of all poems,
from where? to where?
unknown,
but always past our conjoined eyes.

And yet do I look, with our merged eyes,
filtered by a century’s discoloration,
forgive me Walt, for now recalling sights
that you first observed,
that I witness first hand,
100 and fifty years later,
sharing a stolen wisdom with you.

Todays new millionth sunrise bids me stand,
observe the river traffic from my kitchen window,
accept that my takings are debts,
a few, even paid back,
yet, most still owed,
for the origins of all my poems,
are oddly and oddity old,
unoriginal, second, third handed
as I look through the eyes of the dead,
and yours too,
this my unoriginal,
original sin....
(pretending  I am a poet)



                                                   §§§§§

6:24AM
Manhattan Island,
By the East River
Thu. May 14, 2020
Acuriousnature Apr 2016
Retar Puso "white" plus "heart"
Aeoprrstu - alphabetical order
Par es tu or - "pairs to err?"
Pears Tour - "pairs to err"

Hmm .....
White Heart Pears Tour?
WHPT?

Wild Heart Plus Two
Wild Hearts Pair Together
Windows Hold Painful Tremors
Wandering Hearts Pave Trails
Wherever Heart Pains Travel
Whoever Hurts, Push Through
Whirling Havoc, Peaceful Tornado
Whispering Havoc, Peaceful Times
With Her Pieces Together
Watching Human Populations Thriving
With Hunger People Thirst
With Hope People Try
Withdraw Here, Petty Thieves
Wonderful Horses, Ponies Too
Wishes Have Ponderous Thoughts,
Words Hold Power There
Words Hold Precious Things
With Hate People "Thu-ffer"

Haha okay so I'm messing around but this is so much fun!

Wondering How People Think
With Hubris Princes Topple
With Haste Poor Tidings
Work Hard, Plentiful Tidings
Wanted, Humble Proper Teachings
Warped Hatred Produces Terror
Working Hands Produce Treasures
Worried hesitations produce Trepidations?
Wave Hello Pretty Thing
Where's Harry Potters Trunk
Not so much poetry as a creativity bomb free free to add on in the comments ^_^. I don't even know where this started anymore. But I got fascinated with the wordplay as I dawdled
Bidh beatha a leantainn, eadhon às deidh bàs
Dh'ionnsaich thu dhomh sin mar a gabh thu d' anail mu dheireadh
Gus am buail an solas orm, fuirichidh mi ann an spiorad
Oir nad chridhe, fuirichidh mi as fhaisge ort
Nuair a thig an solas sin air an latha mu dheireadh agam
Bidh mi còmhla ruit nuair a bhios mi air falbh.

Life carries on, even after death.
You taught me that as you took your last breath
Until the light takes me, I will remain in spirit
For in your heart, I will remain the nearest.
When that light comes on my last day,
I will be with you as I'm spirited away.
Chad Roberts Mar 2010
Well Im not a ***** I
was drinking when I said
those things Im
just going to change
my number or block
yours. You don't want
the lies you want the
truth.

Received: Thu, October 1, 7:38 am
a text message she sent to my phone
Mateuš Conrad Sep 2016
i don't understand the seeking of the vantage point in poetry,
as i never did in prose, this shadowy sociably acceptable
voyeurism, this need to weave a spiderweb, and all you're
weaving is a trap that isn't yours... now seeking a vantage point
from a prosaic perspective makes sense, because you're akin
to someone working in a factory or being the lumberjack...
oddly enough the phrase: jack of all trades doesn't fit the best
description of the job entitled: chopping wood jack.
but when i see poetry i see it, people establishing the voyeurism,
the need to pretend to be spies... that's what countering spying
involves: writing fiction: writing fiction isn't about elaborating
lying... it's about solidifying it, perpetuating it... after a while
the stamina asks: how many more to come? i don't have it in me...
stop treating me like a hot-rod **** english gentleman,
i'm slouched in a room and tired, *******. but you see these
unnatural poems, where people write on purpose,
they haven't made the grade to automate voyeurism,
they're still at the stage of wanting the gift of narration,
but they can't get it up to the heights of an air balloon...
it's there for the grasping, but that would mean something
more difficult than relinquishing abstract narration,
it would involve giving up their characteristics
to make characters, and they as such have very lessened
probing mechanisms to create artefacts: they have
a generic beauty about them... no hook nose, no BFG ears.
- just like Malachi wrote to only later plagiarise Moses...
in the end it just became a plagiarism:
a cat in the box, Schrödinger is expected:
but never the bunny and the top-hat and the magician;
so you see these poems, these contemporary efforts,
and you start thinking: why all this
voyeurism intention in the background? why are they trying to
purposively stage  a voyeurism? is there any decency left in man?
poets don't perform the art of voyeurism, in that they don't even
have the tact / capacity to create the actual ****** / narrator /
puppeteer... at least my attention span ascribes a care
for punctuation marks... as it turns out, the righteous
psychiatrists plagued the poets rightfully: too much emotion gave
birth to the miscarriage of a lack of decency when respectable
attire was necessary, or one's own interpretation on how
comma, dot, hyphen, semi-colon and colon
ought to be allocated timing
     1mm,     1cm,     1km,    1nm          1Ly respectively?
sophism should be teaching us this prop...
sophism should be teaching us this attire, but it isn't.
as along with English slang from Latin: (verb) to grass, rat out,
alt. voyeurism: de anabaptismo grassante adhuc in multis
germaniae, poloniae, etc. variably: to spread the word / truth...
to rat on the Nazarene... preserve unholy things, and make attempts
at missionary positioning, weak knees, lacking the bendy parts
on the church floor; 21st century Russia? orthodoxy still teaches
the priest: face toward the altar, *** to the throng... keep them
dim-witted... 50% of Bangladeshis are  illiterate in Dhaka...
and even if they taught them this sound-encoding, they'd
never prosper given the established powers...
they're bankers in the realm of sun and moon,
tide and mountain and the unexplained joy of
a life in urban slums that's deemed monastic by
those glorifying the mysteries of EL LE PHU THU TUTU P PI POO E -
and look where we have literacy in western society?
game shows... obscure knowledge lessons, crosswords...
anyone mention spelling tests? let me just tell you, i've found
a new way of banking, i've seen the paupers, i've
seen the riches from nought to bought to not bought to nine,
might as well let the priests take the Sunday
off from Monday to Saturday and leave us
with the dyslexic investors to mind how they
didn't plainly explain the dividends...
still, the lack of decency of poets to put on clothes
in the guise of a narrator; some say indecency, some would then
argue: abstract! abstract! cleaner manoeuvre from neither narrator
nor a character... poet: chandelier... just hanging in
the air. in the end... ars poetica (art of poetry)? ars voyeurism.
ruby stains Jan 2015
i am not a poet.

i do[can]not {will[can]not, is
what i'll do} write about the way the ******* trees bow in the ::deep-bone-ache-inducing:: wind like tranquil hummingbirds on a warm spring morn;"<could if i would>

i do[can]not {absolutely will[can]not, you know?} write about how i feel or how my heart broke or how my heart skipped or stopped or tumbled from my chest;'would if i coul d

i do[can]not {trust me when i say
i do[can]n't, please do} write about the
way i carry my life because i

f/abri..cat e a(n}
d cottonise and wrap my words in carbonated silk and polyest
er because i am no more than two twiddling thumb;s and too many cups of tea.

//subcons
ciously apart of the 98%
and counting, is what i am.
//

::i spit lines at three am and shoot out'a bed with my lips moving with preprocessed words kissing my breath yet i forget more than half of it before i reach the pen and my skin::

[couldn't]i[be]am[even]not[if]a[i]poe,t.[tried]
veidmainystė : hypocrisy in lithuanian I form

— The End —