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"strobe" poems
The router's a strobe light; I can't connect. The microwave fritzed, I can't heat. The circuit shut; guess no electricity. Ayo no technology. Let's talk ancient philosophy, NOT whether Beyonce is a feminist. Let's have a bonfire and roast meat cause none of us were vegan before this. Let's light candles in the streets. Pray batteries die on LCD screens. Cause we were alchemists before technology, the versed probing the multiverse, thrilled, lighting our golden embroidery on life. Now were just bored. Coy toys to tied strings, webs that touch everything, but the space between.
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Sep 22, 2014
Sep 22, 2014 at 2:31 PM UTC
Ayo no technology
1. We are critical. We find flaws in everything we see because nobody wants to write about perfection, even though sometimes we wish we could just stay staring into that unblemished surface. 2. We are never satisfied. We live our lives upon mountains of scrunched up bits of refill and ideas we gave up trying to express. 3. We never forget. We write words about eye contact made three months ago that we replay over and over in our minds even though it stopped being relevant. 4. We are fickle. Our emotions flash from one to the other like strobe lighting that disorientates us until we feel as if the world will never be still. 5. We are exposed. We don't know how to keep our feelings to ourselves so we'll write them down for you to find 'accidentally'. 6. We are vulnerable. We wear our hearts on our sleeves and won't lift a muscle to fight back if somebody tries to break it because we thrive from the pain. 7. We will never stop. We will never stop feeling and we will never stop hurting, we will never stop breaking and bleeding and loving even though the cycle is endless and we know what's coming next. We are addicted to agony, but we agonise for the art.
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Dec 16, 2014
Dec 16, 2014 at 11:20 PM UTC
7 Reasons Why It's Hard Being a Poet
Passion is blue, Passion sounds like medicine rattling in a pill bottle, Passion feels like my soul burning burning up with the most violent flame. Passion looks like strobe lights seen through closed eyes, It tastes like body fluids mixed with your love. It smells like your t-shirt.
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Jul 21, 2014
Jul 21, 2014 at 8:15 AM UTC
Passion
A musical trance seance under control by the hand of a shadow A "Du hast" to a "Loco" To a "beautiful people" A fraction of symphony, Sent by the gods of rock Spiderweb rooms an corridor covered with the entrance to darkness set in place with danger light's, Strobe lights, an a fog machine set on auto A haunted feel to a shack left cold an abandoned. Equipped with superior beings and extended solo's of 6 string guitar's along with drum's and distorted bass guitar, setting the rhythm for our soul's,Feeding threw 4 large kickers. This shadow was me Venom Decorated in crow face paint, Along with black attire to match my attitude People came and went and came again Supporting my and there craving for sublime sound But one, the one, my goddess, my angel of death came to my dwelling, she came with a message To indulge in my love But also to give me a message of misery To break me free of this chaotic world i was fixed in, with a bite to my fingertip the purified pressure was on She wore the same colors as I Only more dragged inline's More pain, More beauty than she could see I stared into her crystal corroded bloodshot eyes I seen deep within herself I saw pain, I saw hate for her fire, I saw hate from others I had seen everything and nothing I arose from my slumber to meet her in the darkness or mothers sleep To give mother a great vision, a great dream and it was this My angel of death, Meeting face to face, Eye to misery, Cure to disease, Beauty to ugly. The words rolled off her tongue like the greatest embrace to a lover Her words were sweet and seductive Sprinkled with tears of a suicidal mind and a scarred wrist. Then in a perfect moment are perfect tender love met with crying eyes and black lipstick. Within that moment i ingested her misery I took it and gave her what she deserved Beauty After the release of this lover's choice We met vision and from there i seen the truth I could never release her from this insanity Only pamper or even embrace it This timeless motion of misery will never stop ticking in my heart Not till it expires!
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Oct 14, 2014
Oct 14, 2014 at 10:33 AM UTC
The misery of an angel
A musical trance seance under control by the hand of a shadow A "Du hast" to a "Loco" To a "beautiful people" A fraction of symphony, Sent by the gods of rock Spiderweb rooms an corridor covered with the entrance to darkness set in place with danger light's, Strobe lights, an a fog machine set on auto A haunted feel to a shack left cold an abandoned. Equipped with superior beings and extended solo's of 6 string guitar's along with drum's and distorted bass guitar, setting the rhythm for our soul's,Feeding threw 4 large kickers. This shadow was me Venom Decorated in crow face paint, Along with black attire to match my attitude People came and went and came again Supporting my and there craving for sublime sound But one, the one, my goddess, my angel of death came to my dwelling, she came with a message To indulge in my love But also to give me a message of misery To break me free of this chaotic world i was fixed in, with a bite to my fingertip the purified pressure was on She wore the same colors as I Only more dragged inline's More pain, More beauty than she could see I stared into her crystal corroded bloodshot eyes I seen deep within herself I saw pain, I saw hate for her fire, I saw hate from others I had seen everything and nothing I arose from my slumber to meet her in the darkness or mothers sleep To give mother a great vision, a great dream and it was this My angel of death, Meeting face to face, Eye to misery, Cure to disease, Beauty to ugly. The words rolled off her tongue like the greatest embrace to a lover Her words were sweet and seductive Sprinkled with tears of a suicidal mind and a scarred wrist. Then in a perfect moment are perfect tender love met with crying eyes and black lipstick. Within that moment i ingested her misery I took it and gave her what she deserved Beauty After the release of this lover's choice We met vision and from there i seen the truth I could never release her from this insanity Only pamper or even embrace it This timeless motion of misery will never stop ticking in my heart Not till it expires!
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38
Malice ripples lying low, under penetrating nightlife strobe. Repercussions? None to show. Limp bodies 'getting loose' In truth, injected with poison; a slow-acting noose. Repulsive actions of the vile & depraved **** endorsed at raves.
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Oct 25, 2021
Oct 25, 2021 at 4:56 AM UTC
Spiked
in june I felt the project change from trying charting all scenarios of your face to looking to books to blacking out spontaneous lines in found papers to clearly eventually be a misneglected omen of your impending collapse. "I would like to blame this on the weather," I said to the sky, "I would like to stay." I felt the camera flash stop taking strobe light moments of our strobe light moments instead slipped tape recorder in your cereal box videotaped the tooth brush ever scraping dead skin while you slept. I said, "If you wake up I will know nothing." if you call this a dream, I will shake and shake. I said "it is clear now that you are decomposing." (there's only so much the heart can take.) stopped thoughts about the bus would hit you spent time watching the sun through your palm: little bones will scatter light. little scars on thumbs. we are made up only of who puts us back together. and I could smell the rain. I said, "It is easier if you stay angry" I said to the sky. "I would like to stay." I put the Starbucks mug on the radiator ceased to chart your worried looks. I knew your brow, heavy clouds as you'd undress but made a scrapbook of frozen dinner clippings drew a line through where you went that day. I said, "I want to prove that you meant nothing" I said to the sky. "I would like to stay." I said to the sky. and then the rain.
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Nov 3, 2012
Nov 3, 2012 at 4:44 PM UTC
There is a fire season
My work day woke to Monk, the click of typing keys, clock watched, Spotify playing, random thoughts rose like bees to freeze in these jagged lines, then swarm in threatening flight. Hours of data entry later, on a stool, in a bar, a clock's hands tock, I flick a wrist, and slur my words concluding   an anguished monologue, “They call it work, you know.” Awash at home, in the strobe of pixelated panel light, visions surge and dissipate with the pulse of the night. Osip, were you tempered to embrace attention’s fugitive caress? You etched memory’s texture with candle soot for ink, and the gulag’s blackened gaze - I type lines by hunt and peck humming Monk’s WELL YOU NEEDN’T, hoping for an adequate phrase. Copyright © 2004 Gary Brocks
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Aug 26, 2018
Aug 26, 2018 at 10:38 PM UTC
EMAIL TO OSIP MANDELSTAM, POET (1891-1938)
The glitter of strobe gratuitous gaiety platitudes and sanctimonious guile ******* cocktails on the menu an ingratiating mask a gratified grin Contorted vocal chords lots of laughter no time for irony look at me.
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Oct 3, 2014
Oct 3, 2014 at 8:02 AM UTC
Hysteria Means Hilarity
Standing on the highest peak, Gazing over the shadowed city, From here it looks so frail and weak, The fires rage, I feel no pity. The sky is heavy, thick and black, Thunder bellows its ominous laugh, As explosions echo, the heavens crack, I leave destruction in my path. Shiva Alarms sound and cars crash, People running for their lives, Lighting strikes with a strobe-like flash, I’ll be surprised if anyone survives. Shiva The last of the buildings collapse to dust, Icy rain falls from the skies, The time has come to do what I must, I wipe no tears from my eyes. Shiva Turning my back on the wretched sight, I block my ears to the terrified screams, And as I walk away from the light, A skyscraper, in the distance, gleams.
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Dec 12, 2012
Dec 12, 2012 at 10:56 PM UTC
Shiva (4-4-10)
The air hangs heavy today After last nights banging of the drum Its strobe light pyrotechnics The awe inspiring deluge That washed even criminality from the streets The old horse-chestnut tree who's shade I often steal Proudly exposes its now swollen spiky fruit We sigh together, this old friend and I   Another summer will soon come to pass Let us drink its final rays
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Aug 5, 2014
Aug 5, 2014 at 9:34 AM UTC
Conkers and thunderstorms
By Arcassin Burnham She said when I wanna fool around why do i always talk? I couldn't blame you this may come as a shock, Sending and vasting off into a deep plain with no bloodshed, Maybe I could be the zombie in your Evil Dead, Do things that might end up as later possible regrets, I could be the father of grandeurs tucking you in bed, Showered in beer , blood and threads, Strobe blinding my eyes, Love it when you tell me lies instead, Girls, They like to have a girls night out, And when they do, Then they need to arrive at my raves , Then if they don't, Then they'll have something to regret. Welcome To The Rave!
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Apr 12, 2015
Apr 12, 2015 at 4:15 PM UTC
"Welcome To The RAVE PT.II"
"That there That's not me I go Where I please I walk through walls I float down the Liffey I'm not here This isn't happening I'm not here I'm not here In a little while I'll be gone The moment's already passed Yeah it's gone And I'm not here This isn't happening I'm not here I'm not here Strobe lights and blown speakers Fireworks and hurricanes I'm not here This isn't happening I'm not here I'm not here." - Radiohead, How to Disappear Completely, Kid A (2000).
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Oct 8, 2015
Oct 8, 2015 at 2:48 PM UTC
How To Disappear Completely
Spent my day out sitting beneath the sun Drinking gin and tonics and Tom Collins Reading a novel I wish would never end But want to end So that I may move onto and into another book waiting patiently on my shelf Thinking about the past and the future But living in the present with only the cold drink and book on my mind Listening to the neighborhood kids Grow up faster than we did But never reach the age of maturity They play in the streets Dribble their basketballs And rob houses when they need some cash Listening to the insects make their noises And if you listen closely You can hear the spiders lying in wait Setting their traps Hoping to catch their next meal The clouds roll across the sky The sun hides and comes out again I squint my eyes in the light and relax them in the shade A slow strobe light of natures intent The wind blows and howls periodically Freezing the sweat on my chest And cools me down on the parts my drink doesn't touch There's work tomorrow but that is a decade away And even further from my mind Today I sit out in the sun Drinking gin and tonics and Tom Collins Reading a novel That never ends
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Aug 4, 2013
Aug 4, 2013 at 3:22 PM UTC
Sunny Days
addicted turning on you you’re more toxic than ****** scroll fluid in my veins you're dangerous a sweet poison harmful to my health I fill myself with you of your essence every fiber of me wants to feel you your voice your words your smell your hands your mouth light me up and raise me to dizzying heights and they throw with me in adrenalin descents that leave me breathless you’re never enough darkness takes you away and I’m  in withdrawal symptoms you’re  hot oil in my veins burn my nervous system my heart is covered with pus a thin and  unquenchable itchy crawls under my skin my brain cells seeking frantic satisfaction in wrinkles of memory dig every corner crave a drop of you forgotten on  the bottom of an empty bottle you’re toxic abstinence doesn’t give me  peace I’m alienated in a whirl of strobe lights sweat dehydrated confused find me take me save me
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Jul 12, 2016
Jul 12, 2016 at 11:12 AM UTC
abstinence
I walked past my pantry Late one Friday night To the sounds of what appeared to be The goings on of a party inside I grabbed a hold the latches Swung wide open the door With absolutely no earthly idea Of what was soon in store Colorful lights were flashing Somewhere in the back I moved aside the ketchup and mayo To see where it was at I took out the pickles and saltine's So I could better see What all the commotion was inside Of my food pantry That's when I saw the flashing lights Inside the jar of Nutella I picked it up right away Me being a some what curious fella As I held it at eye level It vibrated in my hands In what felt like a driving rhythm From a 70's Disco band Can't say I wasn't nervous As I loosened up the lid No telling what was going on inside What dangers lay ahead With both hands slightly shaking I removed the rounded top There was a party in the making And it was going on non stop The Nutella had it's boogie on Or if you prefer, it's groove Whatever you wish to call it A party was the mood There was a strobe light and confetti Even a tiny Disco ball As I gazed over the edge of the jar I saw banners wall to wall I guess you could say Nutella Is quite the party treat That may cost you at the grocery store But once home the cover charge is free
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Jul 4, 2014
Jul 4, 2014 at 8:22 AM UTC
~Nutella~
Just once I knew what life was for. In Boston, quite suddenly, I understood; walked there along the Charles River, watched the lights copying themselves, all neoned and strobe-hearted, opening their mouths as wide as opera singers; counted the stars, my little campaigners, my scar daisies, and knew that I walked my love on the night green side of it and cried my heart to the eastbound cars and cried my heart to the westbound cars and took my truth across a small ****** bridge and hurried my truth, the charm of it, home and hoarded these constants into morning only to find them gone.
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2.5k
Just Once
Whoa! The thunder woke me. It shakes this little house. The lightning seems to come directly to my window and it lights up my room like strobe light. I feel very small, and very scared. It feels weird because there was a time when this weather was rather empowering; now it is the opposite. But...I recall that time to be when I was the happiest with myself. So, things have happened, and I've lost confidence. I am realizing that only I am able to talk myself into who I was. Because I've never been one to stay down long. I've got a schedule of achievements to make. I am determined to rebuild what I have lost. And just like that... the second round of thunder encourages me and I am laughing with excitement.
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Dec 17, 2014
Dec 17, 2014 at 6:16 AM UTC
epiphanies.
They found her sprawled back there in the alley. Dead.  Asleep in the Lily of the Valley. She was obscene and cold, flat on her back, All for a **** hit of five dollar crack. Beneath the grime and the blood and the gore, The innocence, before she was a ***** Could not be seen for she met her maker, A one hundred percent street-wise faker. Dead blue eyes, peroxide hair, a wild vine, Earrings in her nose, tongue; defiant sign To the world that she is a wild child, Who many years ago learned not to smile. There was one thing which stood out about her, Where everything thing else was an ****** blur. A gold cross on a chain under her throat. It looked out of place, as a sable coat. A gold cross, from her unknown, murky past? A present from someone she held onto fast? A detective, hardened to scenes such as this, He shuddered, covered her with a low hiss. Blue strobe lights lit up the night near the dump, Police milled around the unmoving lump, Keeping the official face was a test, Sheet covered her body, outlined her breast. Each man, woman, working the dreadful scene, Spoke terse, if at all, about the *** queen. Many times they'd been called out in the night To look at and ponder similar sights. How much can one take before giving in To the horror and suppress it with gin? The one, lying still, sculptured by a fiend, Wicked hand carving out her end, not clean. She came to this end living the life she did, But she was much than a ***** on the skids. God, a detective screamed at the slaughter Please don't let this happen to my daughter. ©August 4, 2003 / Jerry Pat Bolton
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Jan 2, 2012
Jan 2, 2012 at 10:13 AM UTC
A Female Unknown
They found her sprawled back there in the alley. Dead.  Asleep in the Lily of the Valley. She was obscene and cold, flat on her back, All for a **** hit of five dollar crack. Beneath the grime and the blood and the gore, The innocence, before she was a ***** Could not be seen for she met her maker, A one hundred percent street-wise faker. Dead blue eyes, peroxide hair, a wild vine, Earrings in her nose, tongue; defiant sign To the world that she is a wild child, Who many years ago learned not to smile. There was one thing which stood out about her, Where everything thing else was an ****** blur. A gold cross on a chain under her throat. It looked out of place, as a sable coat. A gold cross, from her unknown, murky past? A present from someone she held onto fast? A detective, hardened to scenes such as this, He shuddered, covered her with a low hiss. Blue strobe lights lit up the night near the dump, Police milled around the unmoving lump, Keeping the official face was a test, Sheet covered her body, outlined her breast. Each man, woman, working the dreadful scene, Spoke terse, if at all, about the *** queen. Many times they'd been called out in the night To look at and ponder similar sights. How much can one take before giving in To the horror and suppress it with gin? The one, lying still, sculptured by a fiend, Wicked hand carving out her end, not clean. She came to this end living the life she did, But she was much than a ***** on the skids. God, a detective screamed at the slaughter Please don't let this happen to my daughter. ©August 4, 2003 / Jerry Pat Bolton
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Return trip from the borderlands and Maria, she's driving though she's had a little too much based on the tremors and the listless drift of the party bus from left lane to right. I'm in my Chuck Taylor's, the Warhols, the $795 collector's, thumbing through my girlfriend's Facebook timeline. She just bought a Picasso, a self-portrait. I want to stab her with the long end of my ****** shoes. They're on the carpeted floor. Jenny's on the carpeted floor too. I roll her on her side so she doesn't choke on her own ***** Hero. The path lights overhead start blinking and somebody, Kate or Kristen, I get them mixed up, starts screaming, "Strobe." We're in the left lane going ninety, ninety-five. The right lane looks weak. Jenny mumbles something as I step over her. "What's that?" I ask. "Read the quiet book. Love the quiet book. the whole human experience captured in twenty-six scattered symbols." Someone's in the ****** laughing. We go into a tunnel and everything goes quiet and thoughtful and black. Breathe in through the nose and out the same way. Click the heels together and wait.
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Mar 23, 2015
Mar 23, 2015 at 10:28 PM UTC
Post-Bachelorette
The moment you were brought out from the hospital room and I saw your soul open its eyes for the first time and the drums of your heart start its beat all my troubles, all my cares, all my worries fell apart and at that moment I decided that I would teach you to live. You were born in the age where to write is vintage to think is ancient and to love is prehistoric but I will rewrite history for you and make sure that you live in the past before buildings that block out the sky before someone decided to take time’s hands and spin them ‘til they whipped like a tornado before people had to start paying for oxygen because the air had become too polluted with chemicals and greed and so-called innovation but in reality every nation was just trying to be one cent richer than the other. You were born in the age where books are only found in museums and flowers are only found pressed in between those books but I will make sure you grow up with a garden of words and wildflowers I will teach you to treasure every letter, every seed, every fern because there's no better remedy to anything than a good old paperback and a fistful of freshly picked lavenders. I will teach you to walk in a world that tells you to run, to glide, to ride the latest, the fastest, I will teach you to walk not to be late for school, but to be early enough to see the city opening its eyes to see the machines hum to life because there’s nothing more beautiful than beginnings and to see the morning sun push and pull push and pull push and pull you away from the strobe lights away from the stench of loneliness and lost time I will teach you to walk so that you will be forced to slow down, breathe, and think because it seems to me that your generation hasn’t heard of that word before. You were born in the age where people look at themselves as gods but I will teach you to see beauty without mirrors and empty words I will teach you the wonders of the heart I want you to know how it feels like to watch something grow I want you to know the joy of licking a homemade ice cream cone but I also want you to know failure to know how it feels like to struggle and strive to know the pain of losing someone because no matter what those empty advertisements and neon screens tell you life isn’t a dream, and the pain shakes you and aches you and breaks you reminding you that you are alive and there is still so much to learn and there are a million other things I want you to learn but most importantly and I swear to you I’m not leaving this earth until you learn how to live.
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Sep 12, 2013
Sep 12, 2013 at 6:00 AM UTC
A Letter to my Grandchildren
The moment you were brought out from the hospital room and I saw your soul open its eyes for the first time and the drums of your heart start its beat all my troubles, all my cares, all my worries fell apart and at that moment I decided that I would teach you to live. You were born in the age where to write is vintage to think is ancient and to love is prehistoric but I will rewrite history for you and make sure that you live in the past before buildings that block out the sky before someone decided to take time’s hands and spin them ‘til they whipped like a tornado before people had to start paying for oxygen because the air had become too polluted with chemicals and greed and so-called innovation but in reality every nation was just trying to be one cent richer than the other. You were born in the age where books are only found in museums and flowers are only found pressed in between those books but I will make sure you grow up with a garden of words and wildflowers I will teach you to treasure every letter, every seed, every fern because there's no better remedy to anything than a good old paperback and a fistful of freshly picked lavenders. I will teach you to walk in a world that tells you to run, to glide, to ride the latest, the fastest, I will teach you to walk not to be late for school, but to be early enough to see the city opening its eyes to see the machines hum to life because there’s nothing more beautiful than beginnings and to see the morning sun push and pull push and pull push and pull you away from the strobe lights away from the stench of loneliness and lost time I will teach you to walk so that you will be forced to slow down, breathe, and think because it seems to me that your generation hasn’t heard of that word before. You were born in the age where people look at themselves as gods but I will teach you to see beauty without mirrors and empty words I will teach you the wonders of the heart I want you to know how it feels like to watch something grow I want you to know the joy of licking a homemade ice cream cone but I also want you to know failure to know how it feels like to struggle and strive to know the pain of losing someone because no matter what those empty advertisements and neon screens tell you life isn’t a dream, and the pain shakes you and aches you and breaks you reminding you that you are alive and there is still so much to learn and there are a million other things I want you to learn but most importantly and I swear to you I’m not leaving this earth until you learn how to live.
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Strobe lights Flashing different colors Every which way I look They catch the texture of my dress As I shimmy beside you We are a strange couple You with your pale skin Me with my sweet caramel twist shade The song changes This more upbeat The florescent lights flash faster The bass thrums in my heart My body starts to feel the music. I let go and allow my body to do the rest I feel a tap on my shoulder Him. This boy I declined Because of an age difference He bows and asks for a dance.. I consider I look at my date With a stern look upon his child-like face he nods his head at me He doesn't like this newcomer Yet He let's go of my hand as if to say "It'll be okay for one dace" I go take this newcomers hand And dance a slow dance during a fast paced song Odd... The song is over as fast as it started The guest thanks me and sends me back on my way back to the boy awkwardly waiting for his mistress to return A smile immediately illuminates his face "We are just friends," I think "We must be..." As the night progresses it is soon time to leave He kisses me on the cheek as another once once did and goes off on his way As I do mine I see the visitor once more but I decide to evade him For he is not worth my time He does not notice me Good. I am off Off to sleep Now safe in my bed Homecoming? Perfect way To end my night.
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Feb 17, 2013
Feb 17, 2013 at 5:33 PM UTC
Homecoming 2011 (Fantasy)
For Sam Cook and Michael Lee While standing at Marshall and 140th the lightning over the horizon begs me to come to it it's like the flickering streetlights, seeming like silent firefights, simply asking to be looked for. When I still elementary, I used to watch the sky as the bolts shocked the earth and I'd count: one two three Until I heard the boom and crack of thunder three miles away, at least, the fourth graders said each second was a mile it could have been true, it could have not, yet still I watch the light. The flickering of the fading streetlamp tells me that this moment is not going to last forever that it will not be heavenly or touchable, but it is there and it wants you to touch the light as it flickers like a strobe light like kids playing with the tabs of flashlights and like the first discovery of light switches and I'm reaching out so far. Trying to grab hold of a piece of simplicity, of normal, of what I can always find: Mistakes and wounds and trying to hold on Because lately, it seems like the only places we want to flicker are in the clubs. Standing on a planet where illness and difference are cause enough to torch cities. We like to light the fires and we like to watch them burn, but we could care less about what their burning and it seems like the dark ages came and stayed, But like tributes to Guy Fawkes say: *A man can be killed and forgotten, but four hundred years later an idea can still change the world* So I think as I stand at that intersection watching the streetlights and the night's light bulbs flicker on and off like the light in my head I can feel my fingertips prickle and I seize that moment to reach for the lamppost and final destination those kids are flipping tabs faster and faster my hair is at attention and I can feel the race. For a second, everything slows down. The streetlight stops flickering as my fingertips come upon it and the lightning illuminates the sky I can feel the breeze push my hair to this minutes path and for a second, I have something. I pull my fingers away from the light and it returns to its flicker the lightning fades away and the boom comes in. And here, standing at what once for me was Marshall and 140th I realize, that all I have is all I'll ever claim to know
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Oct 21, 2012
Oct 21, 2012 at 6:48 AM UTC
Streetlights
For Sam Cook and Michael Lee While standing at Marshall and 140th the lightning over the horizon begs me to come to it it's like the flickering streetlights, seeming like silent firefights, simply asking to be looked for. When I still elementary, I used to watch the sky as the bolts shocked the earth and I'd count: one two three Until I heard the boom and crack of thunder three miles away, at least, the fourth graders said each second was a mile it could have been true, it could have not, yet still I watch the light. The flickering of the fading streetlamp tells me that this moment is not going to last forever that it will not be heavenly or touchable, but it is there and it wants you to touch the light as it flickers like a strobe light like kids playing with the tabs of flashlights and like the first discovery of light switches and I'm reaching out so far. Trying to grab hold of a piece of simplicity, of normal, of what I can always find: Mistakes and wounds and trying to hold on Because lately, it seems like the only places we want to flicker are in the clubs. Standing on a planet where illness and difference are cause enough to torch cities. We like to light the fires and we like to watch them burn, but we could care less about what their burning and it seems like the dark ages came and stayed, But like tributes to Guy Fawkes say: *A man can be killed and forgotten, but four hundred years later an idea can still change the world* So I think as I stand at that intersection watching the streetlights and the night's light bulbs flicker on and off like the light in my head I can feel my fingertips prickle and I seize that moment to reach for the lamppost and final destination those kids are flipping tabs faster and faster my hair is at attention and I can feel the race. For a second, everything slows down. The streetlight stops flickering as my fingertips come upon it and the lightning illuminates the sky I can feel the breeze push my hair to this minutes path and for a second, I have something. I pull my fingers away from the light and it returns to its flicker the lightning fades away and the boom comes in. And here, standing at what once for me was Marshall and 140th I realize, that all I have is all I'll ever claim to know
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As fridge-rator to beer in the head between the ears adorned with flashy widgets with which to trap the hoes he hopes that he can pull into his poles. His gravity whips wide so hands find and feel up erthing that gots the tail, he wants to rail so hands out he walks and tilts to one side and back holding his glass. Two fingers limp around the rim, dipping his fingertips into the juice like he wants to dip into you, pinkies as he holds your head forcing you to **** like you want his come as much as he wants to come. Then when done zips up, runs out, ***** sayonara", switch rerun mode without emotion. He floatin. He floatin. He gloatin. Head on the couch back making tired, one eye open scoping everyone's glow as they move, when up he comes sittin in my face, spittin what he thinks I want him to say, I'm like, **** guy control that tongue, you spray like that always I'm afraid I won't take that wild **** as tool is to you as to yo ***** Right ******* ****** spittin harder in the lean up perhaps the lead up to fist flung to react. "Man you too loose, I gotta tell you, I've got just what you do." "Your uh ****** Man watch ya flavor of language, I got just enough ****** left to get hard and stomp you, heel first in boots bought to stomp, pre-emptive to deal with the bullwhip effect where first you droolin to **** me, then retract like a bowstring because my ***** resembles a **** "What you want, ***** You wan **** this **** for real?" (For real?) He floatin. He floatin. He floatin the room, he ghosting. Lick my lips, cept it's not a tongue. For this purpose it's strobe lights, in light show, and like snow, black and white between sheets of plastic TV screen on get settled into my flow, rip back and forth like prongs on a fork on your ******* blindfolded and scolded right angle, bent like an L-shape repenting for **** by taking the ****** flash cards, held up on headboards, trying to teach you metrics and standards lacking in you to tune you into the lifestream, no empathy and no tact to show, remember this hell well while you sail through life preying, I'm praying and making marks in meat coats. But he floatin. He floatin. He gloatin.
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Dec 27, 2014
Dec 27, 2014 at 11:32 PM UTC
ClamJam: "Party is to Pussy"(aka "Track 3")
As fridge-rator to beer in the head between the ears adorned with flashy widgets with which to trap the hoes he hopes that he can pull into his poles. His gravity whips wide so hands find and feel up erthing that gots the tail, he wants to rail so hands out he walks and tilts to one side and back holding his glass. Two fingers limp around the rim, dipping his fingertips into the juice like he wants to dip into you, pinkies as he holds your head forcing you to **** like you want his come as much as he wants to come. Then when done zips up, runs out, ***** sayonara", switch rerun mode without emotion. He floatin. He floatin. He gloatin. Head on the couch back making tired, one eye open scoping everyone's glow as they move, when up he comes sittin in my face, spittin what he thinks I want him to say, I'm like, **** guy control that tongue, you spray like that always I'm afraid I won't take that wild **** as tool is to you as to yo ***** Right ******* ****** spittin harder in the lean up perhaps the lead up to fist flung to react. "Man you too loose, I gotta tell you, I've got just what you do." "Your uh ****** Man watch ya flavor of language, I got just enough ****** left to get hard and stomp you, heel first in boots bought to stomp, pre-emptive to deal with the bullwhip effect where first you droolin to **** me, then retract like a bowstring because my ***** resembles a **** "What you want, ***** You wan **** this **** for real?" (For real?) He floatin. He floatin. He floatin the room, he ghosting. Lick my lips, cept it's not a tongue. For this purpose it's strobe lights, in light show, and like snow, black and white between sheets of plastic TV screen on get settled into my flow, rip back and forth like prongs on a fork on your ******* blindfolded and scolded right angle, bent like an L-shape repenting for **** by taking the ****** flash cards, held up on headboards, trying to teach you metrics and standards lacking in you to tune you into the lifestream, no empathy and no tact to show, remember this hell well while you sail through life preying, I'm praying and making marks in meat coats. But he floatin. He floatin. He gloatin.
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3