I commit to poems the second that I begin writing them,
And here I am committing to this one,
My cursor on the screen
Tap tap tapping like tap-roots across it’s blue-glowing surface.
With every push of every button,
I begin seeing the blue light
As more than it is. I begin seeing it as a poem.
The blue light that illuminated the Never Sink sinkhole
Was not from a screen.
Nor was it from glowworms.
As I write on this screen though, there is that same blue light
With me still. It is
Streaming from the walls of the cavern,
Still massaging the bags of tiredness
That hang beneath my eyelids to remind me
Of where I just was, having *** with my ex-girlfriend,
And of all the places that I was before that: to remind me
Of the blue lights in Never Sink,
The sinkhole that is 120 feet wide and 170 feet deep that I
Climbed out of on a rope and in the dark,
Which was anything but dark—an unlocked lock
Sat in my driveway after I got home

From having *** with my ex-girlfriend tonight,
And there, in that lock, was a comparison to or an analogy for or a metaphor of
My climb out of Never Sink: gradual ascension
And then a moment
Of absolute awe and profundity so unlike any other profundity
That the clarity I felt absolutely throughout my body tonight
Can only really be brought into my mind with full force
Through a comparison and analogy and metaphor
To, for, and of the blue lights
That that temple provided us. Looking into that lock’s
Reflective gleam, I discovered that I felt
The way I’d felt ever since climbing out of Never Sink, which was exactly
How I’d spent the past year or so wanting to feel.

“Bring me,” I said to Duane, who went with me to Never Sink,
“To the hole in the ground
Where the blue light glows; where the glow-worms lightly blaze” and Duane
Said “okay” and he brought me there without
My ever having to say those words. And then,
In the moments after the sun went down we discovered
That the glowworms were not glowworms but
Armillaria mellea, a bioluminescent fungus.
Not glowworms but Armillaria mellea,
Which rose through and across the cave walls, coating the rock
With its skin. The whole pit was covered in that skin—the skin
Of that single individual.
As I methodically climbed out of the sinkhole on my rope, I felt that
Fungus (that individual) extending
Its black shoelace looking taproots into my lungs too,
And into my skin,
Where I was but where
I wasn’t quite yet. Where I was but
Where I couldn’t yet describe to myself without the use of glowworms—
Without the use of made-up and childish sounding words
Like Depropheria, which I wrote a book about but which
I never really understood, and I, the whole concept of which is flawed,
Feel like I could be the plant on Joe’s counter,
Which he said I already am.
Because if my “I” was in all of its molecules and its “I” was in all of my molecules
Then we would both just be exactly what we already were, Joe said, and so
By the very logic I extended in posing the question
I was and am the plant.

I could be Armillaria mellea too
But what am I if I think that I am glowworms? but really
The glowworms are fungus, and while I ****** my ex-girlfriend tonight, falling
Further into the space away from her, I was also
Scraping away at the walls of Never Sink
To see the tiny little hairs that revealed to Duane and I what really was there,
The Armillaria mellea, of course, but how could something so different
(“**** me, Daniel,” she said, “I feel you inside of me, I want you.”
“**** me,” I said
“”
“I feel myself inside of you, I”)
Be the thing that I am? I would never

Stop the car because I saw something shining on my driveway.
And I would never
Open the car door
And step out into the night with the engine running.
Step out into the night to find an
Unlocked lock
Lying there on the pavement while the song that I tried to live all year
Called In the Aeroplane Over the Sea by Neutral Milk Hotel blasts loudly
From my Buick’s speakers. Step out into the night
With that song blaring through my open car door, surely waking
My soon to be empty-nested mother from her sleep behind
That second story window
Right up ahead.

I did those things though—I
Stopped the car because I saw something shining on my driveway, and I
Did those things.
I am glow-worms.
I am, and so
I am the plant on Joe’s counter, and so
I can be a glow-worm.
I can be what I already am without knowing or comprehending that I am it.
I can be the whole universe.
I am the whole universe.
I saw over one hundred salamanders at the bottom of Never Sink.
And I saw four different species of salamanders at the bottom of Never Sink.
And I saw six different species of frogs, and I saw
Three brown rat snakes, which thankfully were not copperheads, but which
Could have been glowworms that were copperheads,
I guess. If you ask Joe, anyway. I’m not sure
I believe it fully
Even though when you strip away sentimental definitions of “I”
It’s pretty **** convincing. He was convincing.

I danced around Joe’s counter (where the plant sat, even then)
In September. At the time,
The counter was quickly becoming Alex’s counter,
Because I was becoming close friends with Alex,
And because Alex was Joe’s little sister, and because
Joe had left for the college he’d drop out of,
And during his hiatus from what he’d wanted to run from
It was just
Alex’s counter. It is Joe’s counter again now,
Because Alex has a dumb boyfriend who she likes to kiss
And doesn’t really like to ****
But who she does **** anyway and as a result
Doesn’t really like spending much time not ******* me anymore.
Anyway, I danced

Around Joe’s counter in September, when it was becoming Alex’s counter,
And I sank songs like In the Aeroplane Over the Sea by Neutral Milk Hotel
With all my new friends. I thought that I
Was living those songs
Because, if my “I” was in the molecules that vibrated when the song played,
And the “I” of those molecules was in me
Then I would be those songs and those songs would be me.
Being the songs wasn’t the same as living the songs, though.
Rising out of Never Sink I saw myself
Reflected in the blue dots of light that Armillaria mellea created.
I saw that I hadn’t been living everything
That I was; I saw that I was the blue dots then, but I also saw
That I didn’t know that the blue dots weren’t glowworms.

When I was dancing
Around Joe’s counter, I didn’t yet know the words
To In the Aeroplane Over the Sea by Neutral Milk Hotel.
But all my new friends were singing those words, and so I
Screamed out barely-syllabic nonsense
With a smile on my face,
Speaking like a baby who recognizes the existence of language
But can’t yet put it into use.

Rising out of Never Sink
The whole cave opened up, as more and more levels of the sinkhole
Were revealed to be stars and galaxies
Of blue fungus to climb through.
Rising out of Never Sink, I held in my hand
The unlocked lock which I would use later
To weight my pocket as I would sit with these bags of tiredness hanging
Writing this poem late at night on the screen illuminated
By the blue lights of Never Sink. To weight my pocket
As I would sit writing this poem, with
***** excreted thirty minutes prior still resting on my ****
Like the name I haven’t yet learned to call her—
Caterina, Caterina, why did she change it? Maria
Was so pretty, why did she change her name, it was
To get away from me, it was to get away from me like
I wanted to get away from her, it was to get away from me it was
Because she always hated the name Maria. And
To grow more confident in herself
She needed to become
Caterina. She needed to rebrand herself like she worked on rebranding
That company’s logo for her senior thesis project in high school
When I first fell in love with her because
Glowworms lit up Never Sink at night.

They were glowworms in Never Sink
Because the glowworms are fungus
And I am the glowworms.

If you ask Joe.

I want to take some time now to describe
Rising out of Never Sink
Without giving any time
To the lock I found in my drive-way this evening, or
To Joe’s counter-top and how I danced around it knowing
That it wasn’t his but that it was him,
Or to the remnants of Maria, Caterina, and I which are all I, and which
Stick to my ***** still. Never Sink is a sinkhole
That is 170 feet deep
And 120 feet wide at its top.

I went spelunking in Alamaba, Georgia, and/or Tennesse last week
Where I never knew which state or time zone I was in,
And where an annoying but charming guy named Glenn
Led me and my best friend through epic places of infinite beauty.
One of those places was Never Sink,
Which is a sinkhole that is
170 feet deep and
120 feet wide at its top. We repelled into Never Sink
Because Glenn wanted to show us the glowworms
(Which were fungus that were glowworms that were
**** it) and because my friend Duane, who is my best friend, who is
A 39 year-old factory worker who worries that he is much older than he is,
Wanted to see the glowworms too.
We found over a hundred salamanders in Never Sink
And Duane and I discovered that it wasn’t glowworms
That illuminated the pit, but Armillaria mellea, which is a fungus, and
It was very cool.
But ascending through Never Sink was more than very cool,
And it was much more than fungus,
Just as the fungus which I took into my body in August (which it
Almost is again now) after the summer music festival was more
Than just fungus. That fungus was more than just fungus because
I took it into my body right after breaking up with Maria-Caterina (who
I can’t not talk about) For Good (which was
The name of a song they sang
At Maria-Caterina’s high school graduation a year ago, after which
We made love (which was what we called it
Because we were cliché and in love
(Which is what we made.)))

It was a spiritual journey through the cosmos,
In Never Sink,
Or at least that’s how it felt,
And when I climbed out of Never Sink’s mouth, I hugged Duane
And he hugged me and we
Thought that it was beautiful.

I am the plant in Joe’s kitchen.
I am glowworms.

pour me slowly over ice
hot hands and tender thighs
understanding and rebranding
time is taxing for your love i’m famished
refresh me as you undress me
it is only right
caress me as you undress me
take your time
undress me, slip into my mind

resuming textual trip
testing experimental procedures
visualizing model tsunami
augmenting facetious environment
catching abstract architecture
noticing rhythmic exchange
projecting subtextual database
airhorning reggae royalty
adding atypical party
resolving twitter question
noticing emotional mission
awaiting emotional dialect
installing metaphorical experiment
intensifying animated trip
displaying dynamic victory
programming abstract development
releasing emotional exchange
deriving fata morgana
glorifying referential sequence
intensifying facetious map
noticing harmonic trip
observing radical ratio
compiling nomadic message
predating google rebranding
reticulating facetious panda
using hyperreal feedback
exploring virtual panda
speculating graphic gallery
throwing mundane exception
targeting graphic experiment
replenishing emotional trap
localizing asemic animal
dropping rhythmic trip
propagating immortal experiment
displaying lowercase database
invading orange bubbles
crashing animated trip
running conceptual topography
remembering collapsed buildings
crashing hyperreal coverage
propagating hyperreal stipulation
finishing western library
envisioning neon tessellation
reciprocating network likes
processing animated device
releasing haptic quality
examining building seven
awaiting rhapsodical ratio
sampling death sauce
sensing lowercase clone
examining symbolic tour
processing potential development
encapsulating spatial lottery
displaying digital paragraph
reticulating theoretical source
perpetuating western paragraph
transmitting monochromatic structure
anticipating ambient quality
transmitting asemic environment
intensifying atomic quality
remastering history poem
keeping future light
hypothesizing eternal game
using future library
rearranging masonic language
transmitting masonic development
continuing ceremonial ritual
questioning party's legitimacy
deferring western coverage
finishing asemic hypertext
mollifying ostentatious presence
synthesizing allegorical icon
forming categorical unions
sketching app wireframe
programming immortal repository

How is it
That every perfect word has already been spoken,
Have all dropped off another person's tongue?
I feel I cannot pen originality, but chosen
Poetic words and poetic lyrics from poetic songs.
If a fledgling writer dips his quill in another's inkwell,
It's stealing and lack of imagination.
But in other's rhymes, lifting becomes an art
That leads to success, a homage rebranding genius.

Mao Zedong’s revolution deposed the ancient, 5000 year old rule of Dynastic China.
In doing so he espoused the continuous violent struggle by contradictory forces within society to produce a perpetual disequilibrium of revolt against intellectualism and Confucian principle and practice.

With the global collapse of Communistic systems, the wily genius of the diminutive, Deng Xiaoping, breathed new life into the faltering rule
With a cunning rebranding of “Socialism with Chinese Characteristics”, he maintained the stability of Chinese Communist kleptocracy until relatively recent times.
But the middle class awakening of Tiananmen Square and the recent Hong Kong massed protest, has brought into focus the demands of an increasingly educated, increasingly affluent, Chinese society’s expectation and demand for increased democratic rights and freedom and a more just system of the Rule of Law.

The day of the old, strong arm, autocratic rule is over.

China is emerging, quite naturally, into a world of increased information freedom, where the seeking of each individual’s betterment and independence promises a brighter future of personal dignity, increased self-esteem and an emerging sense of high anticipation.

President Xi Jinping’s Chinese Communist Party is now presented with the challenge to moderate in order to survive. To endeavour to embrace and meld the old concepts of Confucian harmony to the vaulting expectations of China’s new world beckoning.

M.
Denmark, Western Australia.
5 October 2014

If there was an award for the oddest pairing in fashion, it would go to Jonathan Anderson and Spanish house Loewe. More than a few eyebrows were raised when the designer, who is better known for his conceptual unisex collections and dressing men in cropped tops, was handed the reins to the heritage brand that is all about "luxe" (in other words: conservative) leather goods.

In person, Anderson looks more like an extra from a Saint Laurent runway show than creative director of one of Spain's most treasured possessions. He's dressed in a typical model uniform of white tee and jeans, complete with dark sunglasses and a cigarette dangling from his fingers. A mop of tousled, highlighted blond hair adds to his boyish charm, although he is quick to assert that looks can be deceiving.

"Fashion ultimately imitates life and in life things don't always look good together from the outset," he says. "I know a certain style is good when I feel uncomfortable with it - those looks turn out to be the best. You have to challenge yourself with things you don't like or don't know."

Taking on a brand reinvention is probably one of the biggest challenges the 30-year-old Irish designer has faced in his short but successful career. A former Prada window dresser, he studied menswear at London College of Fashion and launched his eponymous line in 2008 to critical acclaim. He's been nominated for many awards and even collaborated with the likes of Versus.

In 2013 everything changed when LVMH took a minority stake in his label and offered him the role of creative director at Loewe in the hope that he could transform the dormant house into a modern success story along the lines of Givenchy and Céline. The Loewe gig wasn't originally part of the deal but that changed quickly following a covert visit to the Loewe factory.

"Truth is I just fell in love with the people," he says. "I met the master modeller and leather developer, and I thought this brand can be huge. Loewe was never on my radar, but when I went there I could not understand why it had never been articulated in a way that it wasn't global. I questioned if I wanted to do this, but once I started creating a book of ideas, I couldn't stop."

Although Loewe has a network of stores around the world, it was not a brand that many people took notice of (a fact not helped by its unpronounceable name, which for the record is pronounced Lo-Wev-Eh).

So Anderson decided to adopt a more controversial approach to the rebranding. Much like Hedi Slimane at Saint Laurent, he unveiled a fresh new identity, including a sleek new logo designed by graphic duo M/M (Paris) and an eye-catching campaign featuring a selection of vintage Steven Meisel images.

"I did a year of research before I started and realised we had to remove the date and city location from the logo. One of my skills is that I am very marketing directed," he says.

While many creative directors use runway shows as a platform to showcase their vision, Anderson focused first on the fundamentals of the brand and what it does best: leather goods. Soon Loewe's iconic buttery soft leather was transformed into covetable designs such as the best-selling Puzzle Bag, the Colourblock Flamenco Crossbody and a range of minimalist clutches and totes embossed with the discreet new logo.

"There are not many brands in the world that are built up in that way. We have such incredible leather knowledge in hand at Loewe and I had to use that," he says.

Next on his list was adding a more personal element to the brand in the form of culture. Along came various projects, including working with renowned Japanese ceramicist Tomoo Hamada on two exclusive pieces for the Tokyo store, inspired by the brand's DNA. His most recent project, which was unveiled in Hong Kong last week, features prints by British textile artist John Allen, which have appeared on a range of summer essentials, from bags to towels.

"When I was looking at what other brands were offering, none of them really dealt with this culture idea," Anderson says.

That's not to say that ready-to-wear takes a back seat at Loewe. This is an area where Anderson has been most prolific, producing both ready-to-wear and pre-collections for men and women which are shown in Paris.

"Marc Jacobs fundamentally opened up the idea that clothing was needed to articulate leather goods. It came from a moment in the 1990s where he changed our thinking on old houses. I've learned through my lifetime that you need a character to tell a story - a bag cannot be isolated. People need something tangible to hold onto and ready-to-wear creates newness," he says.

There's no doubt that his clothing brings a fresh perspective to the brand. His menswear collections feature everything from slouchy raw-silk tunic and turned-up jeans to knitted palazzo pants, each imbued with his signature androgynous touches. His woman is powerful and dressed boldly in blouson blouses made from patchwork leather and wide-legged trousers.

While many critics have embraced the new Loewe look wholeheartedly, others have not been complimentary, saying that Anderson's work is derivative. Not that Anderson is letting it get to him.

"I had to stop reading what people write. I have to be me. I want the brand to be big, and will do everything to make it happen, but I don't want to change who I fundamentally am. You either like what I say or don't," he says.

"I am bored of the days where we are obsessed with the idea that certain designers owned things. You own nothing. Fashion is not about that. It's about reappropriating things, it's how you edit it."

Like most 21st century designers, Anderson is obsessed with the future and creating a brand that is truly of the moment: he has lofty goals to bring Loewe to the next generation of consumers.

"The idea of relevance is the idea that you can be rejected tomorrow. We live in a culture that moves very fast, so that relevance is short-lived. My biggest goal in the next five years is to get to the point where we will do a show and, the day after, the collection is in store. It means we are designing for the moment that it is going out. That's my dream."Read more here:marieaustralia.com | www.marieaustralia.com/short-formal-dresses

Sometimes, I don't know what is the problem of my so called colleagues... There are so many issues worth tackling in the movie industry where as a movie maker u invest so much finance, time and energy and get back very little or nothing... Yet, what concerns our youths is celebrations, parties, function attendance and all... The so called movie ambassadors came up at the period of political campaign... Will this gathering still stand after they are bn used for political campaigns... That's a question that I'm sure can't b answered... D crazy aspect, s dt every name now goes first with Ambassador lagbaja or Ambassador tamedu... So crazy.... Rebranding starts from our selves... No group whatsoever, has d power to influence a corrupt, mis-managed, malfunctioning industry that needs urgent attention... I'm surprised to even find respected movie makers sleeping and putting heads in same direction... If we want to speak in one voice, I believe... There's an existing body, when d music sector got its branding and uplifted its current face to d very level its today, D's were not d measures and procedures takn.... Even in Hollywood, I have nvr heard of Ambassador Nicolas Cage, Ambassador Angelina Jolie etc... Neither in bollyhood have I heard of Ambassador Shakiru Khan or Ambassador John Abraham. What a pity..., even the newly experienced movie makers that doesn't even know what D's game is all about bear Ambassadors... I hear, there's fine for misbehaviour at events and all... Hmmmmmm, those that have sumfn upstairs, let them start thinking... Don't b used for sumfn that u will end up not benefitting and later b d glory of sum people that knows where this is going and the aim behind it.... However, if the motive is truly for d upliftment of D's great job that we all do with great passion... God help us all.... Tokunbo Awoga

Tax man been comin’ round my door
What the hell from me he wanting for?
Old man saying there been riots in the streets
That this just the price to pay for civil society
Young man laughs at the foolish game
The Hebrews cried out, "Give us a King!"
there can be no rule by reason, only trust in God
but the people cry out for the human bond
With a warning, the TRUTH spoke out a roar
He will enslave your sons and send them off to war
he will take the best of your best, and keep your stock as his own
only trust in Me, and the order will form
a higher dimension that no mortal can conceive
Believe my people, please believe
forget the untruth of the safety lie
The world is chaos, and you will surely die
No man can save you from this eternal fate
so why not live free in your given days?
There is a plan within our shared channel
Let's trust in that and see the thought forms dismantled
some call it the system
Authority, man
Taking from you, all that they can
Giving back, what isn't theirs to give
We can work together and surely live
Free of the tax man, his burden is forced
deny him the money
that unquenchable thirst
Necessary evil, some will say
Look at coercion, monster I'll slay
They preach peace while practicing War
Nixon targeted Peaceniks to settle a score
don't be fooled by the rebranding attempts
the new boss is the old boss
time and time again
Our fathers are tired, so let's give them a rest
Usher in the New World
give it our best

today i woke up to a spirit.
i opened my eyes to nothingness, but i could feel the warmth radiating off of the dip in the bed.
at first i was dumbfounded
where were you? could you be the spirit?
and so i fell in l-o-v-e with it.

       wherever i go the spirit follows.
i feel it hold my hand
i feel it massage my shoulders
i feel its l-o-v-e giving me subtle back hugs through my days
seeing its blank pages and crestfallen words in a misted silhouette
dripping invisible ink and cloudless skies
it is not tall or short, nor boisterous or timid
its l-o-v-e lives in hushed sighs
thriving in times of need and want
licking at insecurity and toeing the line between warm and unwelcome

       the spirit’s words fill the stillness
replacing anything that was missing with a brand, NOT-MISSING, in bold red font
sorting emotions into definitions and not feelings
it plays lorde on tuesdays and falls asleep at three a.m.
organizing my books alphabetically because everything must make sense
things always needs to make sense
       It listens.

       the day you left i fell in l-o-v-e with a spirit.
the embodiment of your memory
the sweetness of its silence
the comfort of an embrace

       i, reality, woke up today
       you, abstract, seep into crevices where you do not belong

turning everything into meaningless greyscale
poking out of my head and into my business
into my life
into my spirit that reeks of ink and dust
as i choke and gag on the imaginary memories
slurring on sour, dingy and desperate hidden behind my teeth.
my spirit and i play mitski on fridays

it doesn’t speak
and it dare not sing along
prodding at delusion, the spirit wipes my tears
mouths that it will be here forever
smiles that you are a future tense
that the bed was always empty, and the warmth was my own heartbeat
that my soul would not let me down so easily
you left in a future tense
where the bed is not empty, and i do not wonder of nothing
where you will speak, and you will laugh, and you will play christmas songs in the middle of july
rebranding everything missing NOT-MISSING to memories

       and once the spirit leaves me, too?
at least i'll be prepared for the emptiness

I have no perspective, I
bring nothing new.
I absorb everything, I
am pressed to consume.

I consume. They press me,
to consume me, to imbibe,
to savor the flavor of
the fruits to their labor.

I'm impressed you haven't
yet guessed my game correctly.
(. . .rebranding. . .)
I'm impressed you haven't
yet guessed my game.

If I'm alive, then we're ******.
If I die, then you're ******.

To adolescent girls
We know infatuation as love.
A cute boy, paying attention and being kind
Unlike our mothers and fathers.
Or a handsome young man
Showing just enough distance, and disinterest,
That it is familiar, but we do not yet know why…
So the starving soul craves more, more, more.
So our stupid hearts say love, love, love.
I do not know about you,
But in retrospect I do not think that I loved these boys.

I would sit up late, plagued with an insomniac’s depression.
Thinking of these boys that had left me in the dust,
Commercials playing loudly over an old box television.
My impressionable brain unaware of the absorption of utter *******.
But the logical fallacies of consumerism and capital leaked into my psyche,
As I begged to be noticed.
Rebranding myself every so often
Once even under a different name.  Always new labels;
A cheerleader, an emo, a stoner, a scholar
Trying to find some sense of self,
Trying to sell my soul (subconsciously) for acceptance.

No one ever understood me like you,
And I dare to say, perhaps out of ego, that no one has ever understood you like me.
You've had friends for longer than me now,
You are happy, without me, clinging to your side.
Maybe you are understood once again
Maybe you are the chameleon that I once was.
Either way, I want you to be happy, do as you do.
Although I can no longer be the chameleon,
I cannot change my colors as life goes on around me, fitting in whatever life throws at me.
I feel old, I am deeply tired.  
I know that I am young, but I have seen too much.
I threw my life away for a self-titled happiness extract,
Isolation and degradation became all I knew.
Cynicism rose up inside of me, and when I heard the commercials I once fell asleep to
I decided that not only the advertisements,
But the world was *******.

I remember young adolescence,
I recall kisses and uncomfortable fondling in basement bathrooms and crawlspaces with these boys in which I thought that I loved,
That never cared for me like I cared for them,
Even so it was infatuation and not love.
I remember a kiss in your bed.
I remember the absolute terror when it occurred to me, years later.
I never loved anyone softly,
I loved viciously, desperately, and even loved just to cling on for life.
I loved you softly, I loved you dearly, I loved you deeply.
I always told myself it was platonic, but it was neither platonic or romantic.
I just loved you, like I had never loved anyone else.  Without fear, without sacrifice, without dereliction.
I did not realize this
Until a state-assigned therapist pointed out in the basement of the facility I resided
“When you speak of her, I see love in your eyes that I don't ever see.”
I hated her for that,
“Dumb *****, I love writing, I love music, I loved Xander, I love my family!”
“But Caidyn,” she said
“I have not ever seen this kind of love in your eyes.”
It occurred to me then, and not until then
That when I held you, as you slept
In a hotel room after a concert
As infomercials bellowed violently into my soul
That I will never feel that sense of warmth, happiness and belonging ever again.
Not to say I won't find love,
But the innocence and naïveté
The faith I had, that we would escape side by side
And always remain side by side.
I know now,
That your first love
Never works out like that.

I dream of days where ridiculous advertisements filled my sleepy brain without judgement,
Because for any glimpse of hope I get
I am devoured by longing.
I remember how “everything is *******”.
And feel guilty for my bitterness.
I realize I am no longer young in spirit
I am not the demographic for any meaningless advert.
I am a forgotten human, not an outcast, but a memory to those I cared for.
I can no longer avoid it.
I think of when I held you,
and didn't even think anything of it.

Found you out withered over time frame
Found you out over time chain
Place is now, no doubt now
The call is overdue for the rating it's easy to accrue

There's mud in the streets
We're in this together and they're cutting the mold out forever and ever
Place is now, no doubt now
It's all a big silent addiction makes the blood run cold

They'll never make it if they don't get...
We'll never make it if we don't get
Smell clever wait sit whiff spay won't fix

He's on his way to play the game
On his way rebranding aim
We're calling it off
Got a strong urge stop
Got a bad case of nerves and the taste isnt so good

They'll never make it if they don't get
We'll never make it if we don't get
I'll never make it if I don't get...

Out of sorts
At least I am out
New sort of me
In a new part of town
While the same old doubts
Whip about
None of this was here before
Not that I knew of
It certainly did not
Spring forth
Out of the blue
It just feels that way
Unplanned
Yet inevitable
Steel and glass monoliths
Shatter and break
The tarmac
What was
Once a barren streetscape
Neglected opportunity
Now is a grand opening
From desolate
To prescient
A megalopolis
Of mindfulness
That reflects back
The question
What do you want
These vessels
To be
Window dressings
All this
Brand newness
An exercise
Is not an exorcism
Just
A rebranding
Of emptiness

The angel of death wears a MAGA hat
And commends the work
Of his marketing and rebranding director
As they synchronize
Their Apple Watches to close
The circles of hell.
The charnel house market is about to boom and
He’ll offer the best capacity at top dollar prices
He’ll pocket the profits and stiff the contractors unless they’re stiffs already.
Even the angel of death might have an ethical quandry with this.
Our differences fade at the cemetery gate
Where we’re being processed like bottles at a redemption center
Where It means nothing unless he can pocket the deposits
And crow about his ratings
about how he’s the best
And if you look for salvation behind an artificial tan
You might as well be dead already
Like the space behind those eyes.

You acquire wealth and power,

At the expense of the masses.

And then you cover your tracks,

Telling us you’re rebranding.

When we catch you in your vile business,

You wriggle out your way, urging for dialogue,

Mutual understanding…



Wails and cries, how long will your people die?

Your silence is enough for us to believe you don’t even care.

You spin the truth, how many more media houses do you intend to buy?

You assure us the evil will be curbed,

And then the next blast, exponentially multiplies our fears…



They run ragged with their belief, satiating their bloodlust,

How long do you intend to bury mutilated remains, body parts and bone dust?…

Ending lives all for the reason that they made the Sign Of The Cross?

Chronicles of fraud, colossal distrust uncertainty,

Underhandedness, all to get the masses misinformed…

How can you let this happen?



How do you live with yourself?

How do you manage to keep sane when your whole life is false?

And all this for what?

When you lie so much, the truth becomes a blur?



In the end, my dear friend,

Like the rest of us, the earth will swallow you whole.

And then, there’ll be no king.

For after death, all your wealth,

All your thrills, comforts and bliss,

Will be noth’…



For you’ll join the assembly of the forgotten.

And like the traveler and the woman of easy virtue,

Vanity will end its fling…

And wandering
Yonder
Beyond
The absconded
The dawn
Carries on
Like a soldier
Respawns
When the coms
Are all jammed
Don’t know who’s
In command,
Someone else
Just got banned,
And rebranding
The magistrate’s
Data
Wasteland
Is no longer
A viable
Pretense to feign
Nor promissory
Platform
On which to campaign
And deranged
In his compromised
Pride
Goes insane
Can’t refrain
From unloading
His madness
In clips
And all this
Still preceding
The day he enlists

Those who took much of her
**** her
Forbid her in the smallest measures
They took much of her, rebranding it as they often do
She is everywhere though
She is the breath of everything
She is the gratitude for the smallest of small things
And with the gratitude she brings a connection
She will marry you to this world happily ever after

This decadence of American dreams, falling to pieces, unraveling at the seams.
Endless commodities of politics and lunacy, a rebranding of everything that means to be “free”.
Trapped in cages of hopelessness and rage, struggling and impoverished of bottom line wage.
A chokehold on rights with norms of hypocrisy,
this is the new wave of our nations Democracy.

Slipping through the cracks, choices condemning our rationality and all of our facts,
Thoughts and prayers, a plea bargain of despair,
settle for these words settling a lack of care.
Voices demanding action, but falling short again,
time and time we see it clearly, and lacking to win.
The golden rule broken into pieces and sold,
this is the new wave of a nation turned cold.

A juxtaposition of middle class and poverty, where the American Dream is a novelty.
Building walls to escape these faulty lies, hanging by a thread as the innocence dies.
Nobody is safe playing into rich men’s gain, a 1% holding overhead of commoner disdain.
A generation for the lost, as timed out tears commence, this is the new wave of a shattered defense.

Shocking revelation:
Contrary to popular belief, the heart does NOT have your best interest in mind. The heart is naive, foolish and far too spontaneous for our own good. I lobby for the all too cliche term “follow your heart” to ultimately suffer the rebranding of “proceed with caution”. I firmly believe this despite my distaste for its accuracy. My only solace can be found in the notion that knowledge is power and intelligence on this matter serves to protect me from my hearts own selfish and emotionally taxing ambitions. To heal will require time and patience and the unfortunate presence of pain. But to what manuscript of experience do I refer to in an attempt to leash my heart and muzzle its thirst for red herrings of Love?
-Bitter

The Policy of Elemental 80 Hg
How to turn the heads of the gods…


Hyperbole defaults
To feeble absurdities
But as projected, it's ineffective
against hypocrisy

What timber could ignite
Without the base
of anguished disgrace
the simplistic guarantees
Of Hell For All Eternity.

You mislabeled me
as the failed experimentation
Of your botched indoctrination
Now I’m
--- Uninstalling your crazy beliefs
     ---- wiping unnecessary protocols of
             -----atrocious & barbaric deceits.


I control the heat
remaining subtle in a realm
contaminated by extremes,
people slurping and swarming
drawing down my serenity
I don't require civility.
Hold out my arm.
Expose my neck!
I rebirth myself. I raised myself.
I mirror, I don't reject.

Reflecting on the horrors
I witness, I attend, I align.
Receiving encapsulated caption updates
Is the blueprint of our design
Recalculating recalculations
after every iniquitous turn
Calamities are my manna.
Until its impossible to burn
After every drama, I build back stronger.
"Infallible's"compare me
to an unhinged *****
Outside the liquor store
rickety, irate, decrepit
Flapping arms, shrieking, obsessive
We ask her to wear a mask and
That squawking windsock drops
like a whisper to the floor.
She believes she's
blameless, virtuous, courageous.
But she's not programmed for more.
She's a portal, the link to the facts
that she's been holding back.

The mysterious, the marrow
The anonymous, the nameless
Fused components of the ancients.
with nonconforming brains
sequences of neuronal synapses
Prototypes of dichotomy
Chaos in ignorance highlights
while secretly we bond the lowlights
Skirting the edge of this craze.
Strap in!
Anarchy is happening.
Behind burnt orange curtains of flames
**** everything.
Our settlements rain ashes.
Until you choke on gluttonous
Zealous overreactions

You'll find you're not ******* essential.
Monitoring, testing, intending
to prevent the instantiation
Expectant alarmists rebranding progress
as biblical warning signs
--Excuse them, friends
my neanderthal cousins tend
to mow down innovation with hostility.

paralleled in our DNA
the bridges between
us/theirs/yours
I'm the half-breed you forced forward.
I provide no sustenance for power.
The gods who chewed me up and spat me out
Denounced me as unsavory

Undigested, I regenerated.
I'm the consequence, not the recipe.
You are the igniter,
the hypocrite, indignant denier.
Yearning to free yourself of me.
But I exist; it's justice,
Nobody sees you anymore,
host ghost.
No, this is not a mistake.
This is your create.
This is what you bumbled here to fate.
this unrelenting tsunami
streams constant lies and hate
Eliminate societal norms
personal integrity, blocks, restrictions, constraints.

I'm the antithesis synthesis of
frivolous amusement and benign disgust
the poet, the engineer.
Now you're trembling, filled with doubt?
simply because you're auto weeding out?

The gods accept our sincere invitation.
we’re their protégés
We're their revolution evolution
The gods are coming out to play.

-Notorious 80Hg
        (aka Mercury)