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When I sat at my laptop one day, I heard my windows flip out. They weren’t happy with their salary.
  “Ours is too high! Give us less!”
  “Yeah, you’re spoiling us!”

I went on with my everyday tasks, however, I told myself:
  “Wait, why would I give them a salary, even?”

So I stopped paying them for at least 6 hours.

The next day, they were cloudy.

I said:
  “Where’s the sunlight?”

They responded:
  “Our salary is too low! Give more!”

I was, to be fair, extremely confused, yet it made sense. I opened a window halfway, and they groaned. I sprayed them with glass cleaner, and they wept.

I said:
  “Why do you always complain?”

The windows finally opened themselves, slowly, and said something that opened my eyes:
  “Because labor with no meaning is torture.”

Lazy *******.
A poem abour laziness.
You did this to yourself
Acting so tough
Crash the sky, it’s called corrosion
“Spread my wings and cut them off!”

Where is your gown?
What comes up will come down

So tall
Yet so fragile
So empty inside
And then it all shattered…

Where is your gown?
What comes up will come down

It was you
Why did you do it
For me
This poem is about a person watching someone they care about collapse. Planning to make a song using this poem.
I don’t want to die for you to be left a widow.
  Not you.
  Not the fire in my room’s curtains,
  Not the scream in the sink,
  Not the glue that binds my lungs shut.

You, who wears my pulse like cologne.
You, who adores migraines.
You, who talks in-between my unfinished sentences.

The fever I despise yet love.
The sea I drink until I drown.
The taste of unfinished violence.
The vow carved into my spine.
The addiction I romanticize.
The hunger that signs my name when I can’t.
The dumb idea that razors its way through my thoughts.

  My wildness I swore I could hold,
  I’d rather die every day of my life,
  If it means I will die with you.
Sometimes I hate my weirdness. Sometimes I absolutely love it.
It’s a sign of weakness, they said, to show your face: “too pale, too tired, too human.”

My mind is racing, looping like a broken wheel… Do they hate me?

Every glance feels like a weapon; every word, a cold dissection. I try to walk through the crowd unseen, but I am simply raw meat on a butcher’s hook, spinning slowly under the fluorescent lights.

And then I see her. She laughs, and I think it’s a kindness, but she looks away too quickly. My fists tighten; the world sharpens into jagged edges. Pull her hair, I think, rip the scalp off, strip the mask, and see if what’s underneath is as hollow as what I feel.

But the moment passes, like all moments do. My pulse somehow slows, the crowd swallows me whole again. I have no mouth. I want to scream. I can’t. I want to decide something, anything, but the choices aren’t mine to make.

Don’t you see?
Nothing is decided by us, in this modern world.
It’s a strong bond to appearances.
I turned this poem into a song.
I took note of your scathing criticism.
It’s the best joke of the century.
Hell, even of the millennium!

  “You should’ve learned how to change.”

Change? CHANGE?!
I changed so hard I broke the mirror
And swallowed the shards for breakfast!
  (The taste is particularly exquisite)
  (Taste? Heck, you can call it a rebranding!)
  (With a side of narcissism and a pinch of performance — natural for an artist!)
    (Believe me — it digests easier)
    (And leaves less of an aftertaste)

I became:
  Gene Kingstone,
  Ásgeir Geirmundsson,
  Frodo Clayhanger,
  Rakin Badr Shamoon,
  Ouya Ishikawa,
  René Bérubé,
  Sargent Fresne,
  Fabien Giroux.

Eight names, a thousand apologies.
Eight lives, and not a single one wasted.

Look at the barrel you set aflame!
And I’m the neologism you feared to create.
A poem about identity.
I only said it once
At lunch,

You didn’t ask,
But my mouth was tired of swallowing
Things with your name in them.

“It wasn’t just a thought,” I said.
“It happened.”
And I think I smiled,
Not exactly out of joy,
But because your silence felt heavy.

You looked at me like a painting hung upside-down, sideways.
I almost asked if you still liked the wine I have chosen out for you.
But you already “went to the restroom”

So I rinsed the glass
And called it a perfect day
Generic heartbreak poem.
I was standing in the fields one day, like I usually would be doing, legs deep in grass, the wind nudging my ears with things I hadn’t yet lived. The sky above me was in a shade of grey I couldn’t name.

  “The weather is beautiful today.”

That’s when the horse appeared.

He jumped, upright, landing with the brutality of a ballet dancer, although he shouldn’t know how to. He had only two legs, thin and humanlike, and one of its molars, impossibly large, vibrated, producing a melody I couldn’t recognise, yet somehow remembered.

It leaned close. His breath smelled like burnt tobacco and languages. Then it said:

  “But Aleksejs…”

Terrifying in its intimacy.

And just like that, it was gone.
No sound. No dust. No hoofprints in the grass.

Nothing.
  Nothing.
    Nothing.

I stood there, frozen.
Not cold.

Later, when I woke up (though I couldn’t say for sure when the dream began or if it had ever truly ended or even started), I sat on the edge of my bed and told myself:

  “Was it me he was talking to?”

Frankly, no one answered. But the top left corner of the ceiling pulsed once, lightly,
And for some reason, I took that as a yes.
I guess you can say this is just about being stuck in a dream. Dreaming dreams inside dreams.
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