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Akemi Nov 2018
Blanket city run along soaked in rain. Idiot Boy wastes his time visiting a passing crush at the other end of town. Slips between two houses and a metal sheet, communal refrigerator in the middle of the road filed with half-empty soy bottles.

Dead bell stop, mocking red blink of the operator. Father arrives, a mess of wiry muscles and hair.

“Hey. Is Coffin Cat here?”

“Who?” Father squints at Idiot Boy’s cap. Idiot Boy avoids eye contact.

“Um.”

Recessed in the blackness behind Father, a Figure says, “You looking for Coffin Cat?”

Idiot Boy nods.

The Recessed Figure turns. “I’ll go get her.”

Father returns to his parched body on the couch, content.

Indistinguishable forms move back and forth in the kitchen to the right. They stop their pacing and glance at Idiot Boy as he passes. Idiot Boy avoids eye contact and slips into the left-bound arterial vessel.

“So this is the heart chamber I’ve been living in,” Coffin Cat says as Idiot Boy enters her room. There is music gear. “It’s pretty comfy.”

“Oh, sick mic,” Idiot Boy says, pointing at the mic behind Coffin Cat’s head.

“I feel like a ghost,” Coffin Cat replies, falling on her bed.

Idiot Boy settles next to her. Animal distance. Intensely aware of his rain-soaked right shoe. “Same.”

Nothing comes out right, intersubjectivity a false God to mediate the impossible kernel of being, nobody can find nor express. Idiot Boy searches for connection. He glances around the heart chamber, at the music gear, but nothing grips. Four pears sit on a table by the window, their skins garish green in the harsh grey light.

Coffin Cat moves from the bed to the floor. She opens a virtual aquarium on her computer; fish eat pellets dropped from the sky to **** out coins to buy more fish to **** out coins to buy more fish. Capitalist investment and accumulation. Every few minutes a rocket-spewing robot teleports into the aquarium to attack the fish. Ruthless competition in the global marketplace.

“No! Why would you swim there, you ******* fish?” Coffin Cat yells as one if her fish is eaten by the nomadic war machine. “So dumb. ****. Why did it eat my fish?”

A knock at the door. The Recessed Figure from earlier enters the room. “Hey, mind if I join?” Their arms dangle like fine threads of hair.

“I like your music gear,” Idiot Boy says, pointing at nothing in particular.

“Idiot Boy also makes music,” Coffin Cat adds from the floor.

The Recessed Figure does not respond. They are enthralled by their phone, streak of dead pixels along a digital chessboard, minute reflection of their own gaunt face in the glass. After an extended period, they decide to move none of their pieces. A gaping coffee grinder rises out of the rubble at their feet. They begin filling it with tobacco from broken cigarettes.

“I’m surprised you’re still playing this,” Idiot Boy says to Coffin Cat. “I swear this is one of those games designed to ruin your life. Get addicted, stop going to work, become a hikik weaboo.”

“Already there, man,” Coffin Cat laughs. “Nah, this is my new job. I’m going to be a professional gamer.”

“Stream only PopCap games.”

Another knock at the door. Tired squander in an endless pacing of flesh. Strawman enters and nods at the Recessed Figure. “Hey bro.”

“Good to see you, man.” The Recessed Figure plugs the coffee grinder into the wall. “You got any ciggys?”

Idiot Boy points under the table and says “Ahh” with his mouth.

The Recessed Figure empties it into the coffee grinder. The device whirs into motion, creating a centrifugal blur, a mechanical and headless hypnotic repeat.

Idiot Boy and Coffin Cat look for horror movies to watch. The Recessed Figure empties the contents of the coffee grinder onto a metal tray. Strawman repacks it into a ****. White smoke fills the empty column, moves in slow motion like an oceanic rip a mile off coast, surface seething with quiet, impenetrable violence.

Idiot Boy refuses the first round. It’s never done him any good. Face turned to smoke and the wretched weight of a tongue that refuses to speak. Headless carry-on as time ticks through the clock face.

The door bursts open. Everybody turns as Manic Refusal or the Loud Person saunters in.

“I can’t believe it. I can’t ******* believe it. They’re selling me off!” the Loud Person says in exasperation. “First time back in New Zealand in five years and they do this to me!”

“What? What’s happened?” Strawman asks.

“Some rich ****** in Australia has bought me as his wife. I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!” the Loud Person laughs bitterly, before hitting the ****.

“Oomph, that’s rough,” Coffin Cat quips from the side.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold to off some rich ****** who owns all the banks in Australia.”

“But like, who is this guy?” Strawman asks, pointing.

“And he’s been reading all my profiles. He has access to all my information. I don’t even have control over my Facebook profile. Grand Larson’s logged in as me, posting for me,” the Loud Person continues. “I met him once in Australia, clubbing, and now he’s tracked and bought me.”

“That’s creepy as ****,” Idiot Boy says.

“So he’s not a complete stranger?” Strawman asks.

“I can’t believe it. I can’t ******* believe it. First time back in five years and I’m being sold off!”

Idiot Boy decides one hit from the **** wouldn’t be so bad. He packs the cone with chop, lights and inhales. Smoke rushes through the glass channel, a swirl of white ether, more than he’d expected. He quickly passes the **** to Coffin Cat, before collapsing onto the bed, eyes closed. A suffocating sensation fills his body. He sinks into the chasm of himself, further and further into an impossible, infinite depth.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

Idiot Boy doesn’t know what’s going on. He feels sick and tries to get Coffin Cat’s attention, but cannot move his body.

“Come on. Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

A strange silence stretches like an artificial dusk, a liminal duration, the hollow click of a tape set back into place in reverse. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. They’re selling me off! First time back in New Zealand in five years and they do this to me!”

The Recessed Figure makes a noncommittal noise.

“I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!”

Coffin Cat laughs quietly.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold off to some rich ****** who owns all the banks in Australia.”

“How about this fella? He doing okay?” Strawman asks, pointing. Everyone turns to Idiot Boy and laughs affectionately.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

“Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

Idiot Boy slowly opens his eyes and stares out the window. The same grey light as before. He moves his arm further towards Coffin Cat, but is still too weak to get her attention. The same strange silence stretches. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. . . .”

As the conversation repeats over and again, Idiot Boy begins to think he has become psychotic, or perhaps entered into a psychotic space. He thinks of computer algorithms, input-output, loops without variables, endless regurgitations of the same result. Human machines trapped in their own stupid loop. Drug-****** neuronal networks incapable of making new connections, forever traversing old ones. Short-term memory loss, every repeat a new conversation of what has already been. The same grey light painted upon four pears by the window.

He’s not sure if Coffin Cat’s laugh is getting weaker with each repeat.

Signal-response. The exterior world oversaturated with variables: roadways, rivers, forests, wildlife — an ever changing scene to respond to — the illusion of depth. Automatic response mechanisms reorient to new stimuli. The soul rises like surfactant, objectified fractal diffusion. A becoming without end.

But within the border of this interior world, the light stays grey. No input, no change; the same dead repeat, over and over, until sundown triggers a hunger response. Lined all along the street, a black box ceremony of repeating machines, trapped in their idiot cults, walls of clay and blood.

Idiot Boy finally gets Coffin Cat’s attention. She helps him through the house’s arteries to reach rain and wet stone, overcast skies. As he shakes in shock, Coffin Cat mumbles, “It’s cold.”

Idiot Boy sits silent on the ride home. Travels through himself. Tunnel through the body or Mariana Trench. Loses his footing before a traumatic void. Leaves the car and pukes.
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo
Jennifer Davis Apr 2014
This night could’ve been a year;
twelve hours, spent clasping dried out soil in between my pillows,
pulling the drought suspended sheets
over my oversaturated insides,
and I wish
you
laid here,
soaking my dehydrated skin-bag,
wrinkling and curling and the finger tips,
with your electrolyte adept palm creases.
Dallas Phoenix Apr 2015
Oversaturated in grease,
Frying in the light of embarrassment,
Here,
Take a plate and pick off the unnecessary,
With oily fingers to stuff your bellies,

I give you my pleasure and you give me pain,
Bite off the circuits of my love called an aorta vein,

I can't sit here wondering if you love me,
I need some source of validation,
So stop chewing on my heart,
For your own parasitic elation,
judy smith Mar 2017
It is rare that, outside Japan, you hear anything positive about the lot of women in the Japanese workplace. Well-meaning rankings and anecdotal articles frequently do little more than reinforce tired stereotypes. Still, change is afoot and there are many voices in the Japanese corporate world that have a nuanced story to tell—even some who dare to assert that there might be something that Japanese working women have to teach the world.

One important factor preventing progress in how women are viewed in the Japanese workplace is the ongoing prevalence of highly gendered uniforms. This is true both in the literal sense and in what is implied—from strictly structured dress codes that govern post-graduation job hunts right through to the president’s chair. These remain highly gendered for both men and women, a visual reminder of the very different roles played by the “salarymen” and “office ladies” of years gone by, but a stumbling block now, considering how much has changed.

Representative of this change is fashion brand Kay Me, from entrepreneur Junko Kemi. Not just an oddity in the Japanese fashion world, Kemi is an unassuming revolutionary who has dispensed with the establishment path to the racks by forgoing trade shows and industry-only runways. Instead, she builds on her own experience in the Japanese corporate world to fashion the clothes she would wear to the office. In the process, she has managed to chalk up a Ginza flagship store, key retail positions at Japan’s top department stores—including Odakyu in Shinjuku, Mitsukoshi in Nihombashi, Breeze Breeze Umeda in Osaka, and Isetan at Haneda International Airport — and even a presence in London. She’s accomplished this in just over five years — less time than it takes the average brand that plays by the fashion industry’s rules to get their first round of scattered stockists.

Kemi sat down with The Journal to talk about why she moved from marketing to fashion, how she sees women in the workplace, and what she aims to achieve with her designs.

Japanese fashion is a notoriously saturated field. With no background in fashion, why did you choose to enter it?

My background is in marketing and consulting, but I was always aware that, at the root of all market analysis, is the Japanese phrase ishokuju, meaning the necessities of life: food, clothing, and shelter. When you look at Tokyo, there may be a lot of fashion, but that is the way it should be. It is as important and necessary as food and shelter. After the Lehman shock and the March 11 earthquake, this idea of necessity came to have greater meaning for me. I wanted to make something that was really required by people in their lives.

Of course, my background in marketing helped, and I knew that the bigger companies would be scared to compete with me if I chose a niche that wasn’t a proven quantity yet. That niche was professional women; women with the drive to go beyond what society expects of them and who want to express themselves on their own terms in the workplace. There is also part of me that likes to be the rebel, and to a certain extent I just wanted to prove people wrong when they said the market was oversaturated.

One of the most important Japanese fashion designers of our time, Yohji Yamamoto, famously started his eponymous brand in rejection of Japanese “office lady” attire and how working women, as a whole, dressed. Is this a shared source of inspiration?

Perhaps. Although, ironically, given that Yohji Yamamoto mainly uses black, I feel that women’s clothes are too dark! Fundamentally, I feel that historically it made sense that for women to enter the male-dominated workplace they first started dressing like men; but that can’t be where it ends. Far more interesting is for women to be unapologetically feminine and be accepted for it. Women should not have to cast off their own culture to enter the workplace, nor deny their own nature between 9:00 and 5:00. Why shouldn’t there be flowers in an office? In that sense, I am the opposite of Yohji Yamamoto — he wanted his clothes to protect women from men, but I don’t think women need protecting.

My real inspiration is surprisingly conventional. My grandmother ran a kimono shop, so I am always attracted to traditional themes in my work. The Japanese motifs I use, in particular, have been key to reaching people abroad. It is not necessarily targeted like “Cool Japan,” just a lucky coincidence. For Japanese customers, they are a way of building elements of kimono into their working wardrobe instead of wearing full kimono, which is hard in daily life—never mind the workplace.

As an entrepreneur, what do you look for in your employees? Do you actively create a female-friendly work environment?

I have been all around the world meeting entrepreneurs — especially in the UK and East Asian countries — and I am frequently the only Japanese person, and nearly always the only Japanese female entrepreneur. Therefore, similarly minded people with an international mindset are my key assets. With that comes an ability to communicate in English, and the confidence that your ideas will resonate not only in your own country but globally. That is rarer than you think, and a big issue over the course of a career is that only high-ranking members of Japanese companies ever go abroad on business. That locks women out of having experience abroad and stops them thinking more globally.

In terms of workplace, I would like a 50-50 split in my workforce; but right now we are still at the early stage of growing, so it has been vital that everyone understands the shared goal. As I am dressing working women, I have far more women than men working for me for now; unfortunate, but it will change. Also, I insist on flexible working hours for my staff with children. It creates some small issues with timing group meetings, but it is easy to work through and worth it for the talent they bring.

What could institutions like the Japanese government and universities do to change the status quo?

Universities are taking the lead in thinking globally, but that is only half the battle — they need to create more competition among students — female in particular — so they have confidence to go abroad. That needs to be the spark that starts a movement.

As for the government, there are lots of programs out there to support companies like mine, but to be honest we just don’t have the time to apply for them — they require so much documentation. So far, the programs feel like lip service from an older generation who doesn’t understand mine; time will change that.

In the meantime, I am focused on thinking globally. We haven’t targeted the inbound phenomenon as such because they are not necessarily our customers. Instead, I am focused on online expansion and taking my brand to Europe, and hopefully to America via New York in the near future. Of course, I want quick expansion; but ultimately we have been quality- and service-driven in Japan, so we can’t forget that as we look abroad.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
To the discontented dreams walking through the dismal decadence of a generation’s misplaced sincerity, along the corners of empty markets and abandoned townhouses and drug-infested parks and housing projects, the blanket of eternity warms the contemporary chills of sadness along a stranger’s spine,
To the soulful singers and the tired poets, the dreamers, idealists, and the hobos whose dust clings to the ghost engines of locomotives of Southern melancholia, along the thickets of thorns coated with the blood of the Negroes and their unchanged magic and blood soaked karma, the America we know must confront such chilling histories,
To the woeful songs of the youth, spilling across the timeless waves of devolution and unspoiled shores of lost memory, the melodies churn with thunder within the basin of toxic sewage and the lifeless poets dare to dream the dream no man can find satisfying,
To the sun and the moon, the two entities in the sky passing by the horror all eyes wish to pierce with flame and melt the plastic Hollywood images of our time, with the serrated edge of a knife’s blade flickering like a silver jewel in the moonlight, where Hamlet’s laughter stimulates the rhythm of consciousness like the quickened excitement of a perfected sonnet to the empty epiphany brain of our reckless care,
To the mothers who long to smother their little boys and girls with the cradle palm and the warm breast, for her eyes weep at the chaos with folded arms and crooked necks, and to gaze at the unemployment lines are to follow the coiled stems of the snakes and the thieves, the politicians and their two-faced theories,
To the father’s who have lost their fathers to chance or depravity, to the neglected sons whose hearts must pump concrete with panic, their soccer ***** and toy guns have yet to be touched by the jolt of masculinity as the father climbs his mountain of abandonment and carelessly invokes the same demons that destroyed his father,
To the lonesome drunkards, the  feverish crack dealers, the dismal ****-heads, and the 9 to 5 dead end workers, I shall greet them with a glass of enlightenment and reason, but their skin is far too thick to be punctured with the spike that shimmers on Liberty’s head,
To my generation of apathy, how unchanged the afterlife must be, for you know nothing of oblivion but you know everything about the technologically advanced systems of dishonesty, you utilize such things to mask your insecurities and dismal glares and vacant grins and fake smiles, but we pray for you in Time magazine and the newspapers hate both of us,
To the madness in every age, that horrid illness that touches the infant and the elder, that rapes the ****** and the *****, and pushes time and stops it, we have crawled far into the prison cell to escape the shadows that are our shadows,
To the innocence splattered on the sidewalk, the blood flows imagination twisted, images of the worse kind, marketed and packaged by the hands of those who work mindlessly in the factories of tyranny, who have wept at the clock longer than the clock has wept at them,
Who have played the guitar with ****** fingertips and poured truckloads of sweat into their musical dreams as the mirrors on the walls reflected a howling skeleton beyond the gates of Eden, who have slept with friends and a friend of a friend as the world turned them against each other by a simple twist of time,
Who have challenged the social order with a gesture or a pen or a bullet as the world broke out against the police and the Pagan feasts, those ragged Bleeker Street dwellers that mopped the Village with ****** hands and hopeful poetry, Simon and Garfunkel’s Sparrow died because of them, those misguided souls that turn their face from the *** who remind them of themselves more than their own reflection, bones, and mistakes,
Whose false impression we are admiring on the vacant walls of impossibility, where the nurturer and the wicked step-mother run circles around the fiction of truth and the books you shall never read but read anyway,
Who have walked the road no one else would walk, but crawled as they talked and walked as they barked beneath the haunted turns of memory wooded wandering, therein lies the hollowed caverns of abyss, the holes within you that turn out to be true, truer and finer than anything you could do,
Who have fought in the wars called upon by the unbearable static currents, those who have lost ears, eyes, fingers, and legs, the wheelchair bound poet in his muted expression, the condemned man and the electric chair, to the barber, teacher, priest, judge and his wife,
To the children at school and the dancing childless fool, who have witnessed death passing by, the lovers and isolated writers, even the aunt and uncles who sigh, we watch, we eat, we challenge what we greet, and the nameless shall remain nameless through the obscured faces of the shameless,
Undertakers reveal their hidden identities as the wealthy man’s child wanders in confusion, to the traveling blues men who have sold the man in the long black coat more than a few songs and strained strings of struggling strumming sorrow,
Painless pandemonium within the pipe-dreaming poets, who have watched houses burn in haunted hapless hoping, but the Nun knows not to place her loyalty with the **** and the sinful nature of our universe,
To the weakened hearts and the heavy souls, to the oversaturated handkerchiefs and the pain very few shall ever know, who have promised the great promise on a lonesome night and waited up for the end of the world as the world ended them,
Who have waited for assurance on the front of the daily newspapers, it is the soundlessness of ignorance that writes all these papers, and the ink reads black, glazed, political, right, left, middle, left, right,
To the editors in chief and the homeless firetrap, to the wrinkled feet caught on nails  throughout America’s chest, the dreamers have dreamed and you shall all wake, to the findings of truth on every corner, to epiphany’s immortal idealized intelligence, the poetry written on dead-end walls and the forgetful shall remember what was lost,
This intoxicating fume of poetry caught, the flame of predication, and all that assuming has deeply wrought.
Brett Aug 2021
Tonight, she taught me the nature of healing summer rains
Whimsical descriptions of dancing in puddles, but
Metaphors only serve to drown her pain
Dry on the surface, swearing inside the drought sustains
But dew droplets in her eyes betray her restraint
The morning after, the storm remains

Little flower, bent at the stem
Oversaturated by the self-absorbed
Her waterlogged roots weighing her down, but
In fields of bloom they still look to you
See, the weak reach for the easily used green and blue tulip hues
But her yellow petals require strength to be pulled from the meadow
For A Dear Friend: Stronger then she knows.
Julia Hunter Jan 2015
What I am, I don’t know.
What I do know, however, is what you are.
My eyes have traveled over your person for hours, and I have studied your intellect.
I observe, I don’t make conclusions –
for that would be a sabotaged investigation of the potentiality of your existence.
The ‘you’ I speak of is nobody at all really,
it is the world around me in all of its embodiment.
I soak in the culture as I live amidst the chaos,
and my mind becomes oversaturated with sensation.
In San Francisco, yes, San Francisco, the sweet smell of diversity,
the push of movement walking up Powell Street and the creak
of the old elevator in Rasputin Music.
On top of a hill in Indian valley, a moment of freedom –
the air and I, we hold hands.
The wind and I, we run along picking daisies off their stems
until only the unwanted ones are left standing.
In the middle of a crowd in Golden Gate Park, waiting for the band to appear onstage;
I don’t know his name or hers, but they are very close to me.
Sitting here, on my bed,
flipping pages and pages as books progress;
if only my own storyline were half as intriguing.  
Way up here in the air, this plane’s motion makes me tremble.
Occasionally I am distracted by the beauty of what’s outside the tiny window,
and the feeling of omnipresence I attain pushes past my anxiety;
the world is below me and I am defying its weight.
In precalculus class, I reach a strange state of tranquility;
I can finally revert to the robotic motion of pencil and calculator,
a momentary lapse from the stress of the day, and the world.
All in all and end in end,
poems are poems but it mostly depends,
everything is contingent,
and it’s all ambiguous of course.
That may be description of the world – or rather, one of myself.
DaSH the Hopeful Feb 2015
Oversaturated
The colors you provide are somehow tainted
I can't take it
Huffing paint makes me feel amazing
Green makes me feel jaded
Even though im homeless i pray i dont make it just to pledge allegiance to satan
Red makes me blue
Seeing her go
Disappear into hues
It had to be her
But i'd rather it you
I gather myself into a corner and blame myself
New
Allegations of chasing tail just to get head
Moments spent worthless as pennies when i'd rather be dead
CR May 2013
everyone suspects himself of at least one of the cardinal virtues,
and this is mine:

love is not blindness and his especially
his love was not blindness
he saw everything:
what was there
what wasn’t

nonetheless he rested at reading-glass distance
everything in hyperfocus and bigger, like he wanted
like a futuristic camera: oversaturated, overbright

love is not blindness—

love is literature, or wine, or a lens flare
his filled my gaps with what he wanted there
he saw more than the camera did

I cannot condemn, nor could I ever, his amber propensity
to imagine me. to beg literature is a dodge
of responsibility of which we are all
most equally
guilty

and the devil is in the details
that stitched up such an
achingly different forever
than the one he saw

love is not blindness—
his wasn’t, and mine wasn’t
—but it is literature: permission to fill the page
permission to distrust, like I did then
like I do still

forgive me my own amber propensity
to feel the paradox
there
Rondu McPhee Aug 2010
I look out the golden window to see the grasslands full fleshed and full breasted ripe trees bearing oversaturated fruit O yes and perhaps It is the fruit beholding the shine and plump perfection that looks of Grand artifice O apples so crimson I could barely touch it and the rich roots and Ra hangin'a'bove, it is a delightful Saci's-cap-red and each apple seems to be aligned in various patterns of crisscrossing and interconnection, bordering on random but almost calculated I look down at the breakfast table I am seated in capped with Irish breakfasts for all O It is the bare Nature herself and her youthful manifestation, strong and deep into the ground, it makes me feel no turning back, no regret from the small passionate days of pleasure, feeling that beautiful girl Marie, like Nature herself toned to the rivers and mystifying like from the clouds to the depths and our lips jamming brushing feeling against mine O I felt guilty I felt I was taking all the sound and the fury for myself I was eating ll the fruits in the garden, fearing a mistake, being caught, not giving chances and only wishing to please my immediate soul; as the great Wilde said, "I confined myself so exclusively to the trees of what seemed to me the sun-lit side of the garden, and shunned the other side for its shadow and its gloom." but yet I feel between us a growing, a yearning that is blessed and twisted; graft of Love, starting roots of naked Love sweet connection, Big Time Sensuality; buds in our hearts--the ****** soil has been sown yes O this new Spring is coming and a rite of passage passing finally we have made it past restriction and now a new Spring has finally come! the foggy marches of April lose track and pace, and my exuberance comes swiftly but my prayers and wishes for a beautiful quiet life come with the best intentions of grace; hopefully, surely, wonderfully. Dieu en aura plus tost de vous mercis.
Red Fox Nov 2015
I still don't know what poem to write!
Write about the black man's plight?
Nah, oversaturated and a little too light.
So, ... We'll scratch that.

After this maybe someone will match that.
But seriously, maybe about me.
But I'm not free or open
And you don't wanna hear about how
I'm 24 years old and spent the last 12 smokin'
Ya probably think I'm joking.

But seriously,
Some would call this this writer's block.
Then what am I doing up here
Just wasting my 15 seconds of fame
Before I leave ashamed
Drowning my pain in a bottle
Of someone else's Success?

So who will it be tonight?
Jack, Remy or Jimmy?
But before I go
Do me a favor
Please applaud.

So I don't slump into a depression,
upon realizing my pocket's recession
So a flew claps can sway my pain
So please do me that favor
And don't let me leave ashamed!
Open Mic Rant
Monica Mar 2018
Sometimes my phone sends me an error message.
“Storage almost full,” it tells me.
“Your device may not function properly.”
My device and my mind have that in common.

Words march across pages, grabbing me and
pulling me in, but in the end I am left in
the real world with the stories I have consumed
swimming in my mind. The words are a part of me.

Tattooed on the insides of my eyelids.

When I close my eyes, I am Jo March.
I have sold my hair. It was my one beauty.
Beauty is important because my sisters and
I are supposed to be Little Women.

When I close my eyes, I am Sal Paradise.
Dean Moriarty and I talk for hours.
We dig everything from New York to
‘Frisco, as we continue On the Road.

When I close my eyes, I am Lizzy Bennet.
Mr. Darcy has snubbed my family and myself,
and I hate him. But I love him. If only the two of
us weren’t filled with such Pride and Prejudice.

When I close my eyes, I am Hermione Granger.
I am the brightest witch of my age, and only I
have read Hogwarts, A History. Without me,
there probably would be no Harry Potter.

When  I close my eyes, I see the error message.
“Storage almost full,” it tells me.
“Your device may not function properly.”
So I open my eyes.

Who am I?
Eyithen Feb 6
I roll my eyes instantly at the mention of "race" and "gender"
Having been oversaturated and now it's bitter on my tongue

Taught to look for agendas and obssessions
Hyperfixation on trauma and eras and mental health
I suppose everyone is mentally unwell when we go seeking for what makes us damaged

And perhaps we are delusional, creating things that aren't there, but we speak it into existence with the power of our lips making shapes and noise,
creating the next trend, lingo, aesthetic,
grouping, pairing, splitting, naming,
explaining away everything.

God this world makes me dizzy.
Old age hit me
like a fist

I was planting roses
carelessly, never anxiously
avoiding their thorns

my teeth were my own,
I could bite into a hard, green
apple easily

there was no consequence,
no fear of an explosion of
false enamel

vegetables grow into
something beautiful over time
if you treat them right.

unlike the shell of a woman
bleached, oversaturated,
badly composed, framed

by misery.

A seventeen year old girl
bending into the hands of
a childlike man

unaware of the flames
she was igniting,
her body slamming
into the kitchen floor

you will cry in the morning,
weep for the innocence
you lost, the shock of
surviving your own
******

unwantedly.

I was thirty before
I tried to disappear
back into the oblivion
of filthy London streets

thirty pills, one for
each year, a litre
of ***** and a
badly written
death note

I survived. Just long
enough to paint a
picture of adulthood

a husband, a wife
a son, a daughter
I was everything
and nothing all
at once

old age hit me
like a fist

a rattle of dust
in an urn
and a hundred of
the flowers I have
always hated

they cry, thinking I am lost,
I smile, knowing that I
was never found
Gabriel Jan 2014
Why break unto the will of the suffering when the summation of the whole amounts to nothing.

We can hold on to oversaturated dreams that portray a future not yet broken.

However, that past is where a misery is left, choking, a soul of unbreakable will with love.

Much like a moth diving into the most beautiful flame,

Expecting to be warmed rather than burned alive, but from the inside.

The internal struggle of aspects far deeper than the sum of four simply arranged letters.

From the habits we have to every emotion we display,

The meaning that fits between the space of each letter is an infinite array.

The construction of the connection so strong, it is only bound by the effort given in pursuit of that bond.

But like a pond still as glass, there is more underneath the surface for which to grasp.

We tread through life with water like emotions, hard and cold or warm and soft.

We take flight to places far beyond, breaking through emotions bonds to a new state of mind.

A soul so confined to infinitely roam, having lost the line that ties to the reality, stingingly true.

A wondering light, often too bright for others existences, never choosing a direction of conception.

But with the detection used by inner wisdom of once overturned beliefs, a soul that learned.

In the end there is little we can do to affect the grand design, to change the laid path or rewind time.

We are a grain of salt, melting away...
factual or fake
terse or sensationalist
trying to be as objective as possible
shamelessly partisan and polemic

or simply hate speech
esoteric remedies for all problems
cat videos and personal snapshots
on asocial networks

whether we believe it or not
it is difficult to avoid it
in our great age
of real-time digital information

the abundance of unreliables
is almost legendary    
     like hearsay in the Middle Ages
     when wandering minstrels
     spread the tidings
        more or less

a challenge to all people with brains
not yet oversaturated with daily trivia

to decide what to believe

doublecheck

do follow-ups
Mia Pierce Jan 2019
The way you lie to me is so addicting.
I know it's an intoxicating oversaturated sweetness, but if I want it to be true bad enough, then it could be, right?
46n8 Aug 2022
Its been raining for days,

The clouds seem spiteful,

Like they've held it in for too long,

And now they're lashing out,

Seething,

Bursting,

The ground around me,

Oversaturated into a swampy muck,

Each step I take,

Leaves the mud gasping in my footprints.
Inspired by a friend to break a dry spell.
Kush Jun 2016
I am unseen
Existing on the outer rim of this place
One body among the astros of cosmic space

I am a listener
Absorbing every ounce of knowledge I can find
Reserved in a space of my mind

I am a shadow
Lurking among the halls
Seeking solace wherever the light falls

I am a serpent
Calm when at rest
Sorting through prey like a confetti fest

I am a visitor
Fresh new faces glaze over my eyes
Oversaturated smiles are met with shy sighs

I am distant from every peer
Bitten by the fangs of fear
Unrecognized by anyone
Stuck watching from a one-way mirror
I'm not someone who belongs

I am a Stranger
Ben Heart Mar 2021
Caught in the midnight streetlight glory
The deprived lay bare, shivering in the streets
Wrapped in blankets of steaming yellow snow
Out of sight is far enough to remain out of mind
Only the white right is entitled to authenticate their rage

Lay your broken child to rest, in their welcome grave
Paid for so generously, by the Imperial NRA
Who knew schoolchildren and congressmen
Bleed the same, to a disputed death

So afraid of the wicked, social state
It's okay if we make our prosperity pay
On the backs of blacks, we made our beds
But it's not up to us to pay them back

Those we sent to fight for us, lay awake in torment
Who could have known, that the greater curse was coming home
We don't have the time or the mind to treat you
If you had laid down your life for your country
At least we’d call you a hero on your tombstone

We have become oversaturated
In who’s name disgraced
To the point where we condone the genocide ‘abroad’, online and televised
Where the blind have truly led the broke, to the ledge
We'll always be okay, should the right price be paid
a mcvicar Aug 2018
in two days of solitude
i am announced as the chosen one
to vanquish & conquer the lands
of rehabilitation and trusting funds.
tactics are foolishly oversaturated,
girls are overpowered & manipulated;
for she became the fiercest of them all
and he will soon be the weakest of Nepal
Nicole Sep 2018
I can’t find a way to say anymore
How much dissatisfaction
Comes from the living
In a world where I can’t be
Just my mind

I’m forced to live in a vessel
Submerged in the black waters
That constantly rise
And constrict the throat
That doesn’t exist in my mind

Love is the drug of the ocean
And yet the dealers are few and far
From where I float
Longing for a gust of wind
That’ll ******* over
Into the arms of my one life raft

Lying above the black tar of the ocean
Is the sheer liquid of love
Like oil on water
Yet my body is already oversaturated
And I can’t absorb the love I lay in
Todd Monjar Feb 2016
The morning comes at me in sideways, frenzied swirls; urging the heart to beat faster and the pace to quicken.

It’s energy dissipates into crystallized coatings of sugar and ice cream, covering a path that is the same yet treacherously deceiving; beckoning to run and frolic like a setter after a leaf.

The stride is low and measured with a bounce of flowing possibilities, somehow dismissing the bald, slick mountain orb that holds no one; that holds our existence like glue.

Patterns emerge under a delightful artist notion, layers upon layers, textures melding with form, colors yearning to find their own personality; creating itself from a falling idea.

Tendrils of fluid, wispy inquisitiveness seek to insert their purpose onto the canvas; like rivers of rolling acrylic from the oversaturated master brush. White and grayish drips making their way to an authentic resting place with delving curiosity and untethered adventure.

Cracks, shrieks of cold anguish across the water; or is it chortles of delight at the incessant rage of an unsatisfied bluster?

The force is at my back, not to push and mold me but to buffet the noise from the useless chatter; to comfort and warm like a soothing bundle of goose down without a floor.
Cattatonicat Feb 2019
Yea get down Get down with me

I'm not cold I'm oversaturated I'm catatonic

Reality is magic Agatha Christie is Aristotle

I came here with an attitude platitude altitude

I feel nothing I feel everything
Jesus Christ child of God show me mercy

Think I need a doctor I'm on overdrive
Keep me pumping boredom is my nemesis

Watch out for a tornado
Horsemen of apocalypse they've been here
Feeling nada, feeling all too much
Anais Vionet Sep 1
Three days in - three days of school - and it’s like I never left.

In school, you can get oversaturated with screens. I like books.
They have a sense of permanence, they don’t glare back at you,
and I want something physical I can grip, markup and push off
the bed onto the floor when I get over it.

After three days of class, I’m asking (no one in particular), "Are we there yet?"

I can speed-read if I have a pointer - I use cocktail picks (swizzle sticks?) - you know, the little olive skewers you get in a martini? I have a collection from all over the world.

If I go to a bar and they have nice swizzle sticks, I’ll gather a few up. “What are you DOing,” Karen, (Lisa’s mom) asked me as I scarfed up several from patron’s empty glasses at the elegant, Refinery Rooftop bar in Manhattan.

“I have a TON of reading to do,” I explained, helpfully.
“Don’t even ask,” Lisa shrugged, rolling her eyes, when her mom looked confused.

The trick to speed reading is your eyes (and brain) pickup more than you realize and people tend to pronounce things, in their minds, as they read, which REALLY slows you down. So, you swivel the pointer down the page, following the pointer with your eyes, and Walla!

You can’t do THAT with a computer screen. You need a book, and when you have 2 or 3 hundred pages (or more) a night to read, you can’t just hold your breath and refuse - like a seven-year-old - can you? Seriously, I mean, can we? I’m asking - though it’s probably a little late (senior year).

Now, of course, not just any appetizer toothpick or fruit pick will do - the selection process can be rather byzantine. They must be a certain length, about 2 inches longer than my finger, so my hand doesn’t block the text, and square ones are the easiest to grip. Finally, if they have a little arrow-point on the tip? Well, that’s true love.

The problem is, I can get a little intense when reading and they tend to break. When my roommates hear me exclaim, “God **** it!” At 2am. They usually know why.
.
.
A song for this:
Easier Said Than Done by Thee Sacred Souls
BLT Merriam Webster word of the day challenge 08.31.24:
Byzantine - very complicated, secret, and hard to understand.
a mcvicar Jun 2018
oversaturated;
the bright yellow filters of the sun
have overstayed this time
27.6.18
chrissy who May 2016
This friendship used to be a picture perfect sunrise
But over time it has faded
And oversaturated,
And we've become blinded.
The sunrise is over,
Now time to wait for the sun to set.
Samm Marie Mar 2020
Everything makes me tired
Lithium
Seroquel
Escitalopram
Sertraline
Hydroxyzine
And so far nothing has worked
I constantly feel overwhelmed
Undervalued
And sad
This Pandemic has devoured my paycheck
And I have learned how
Unimportant I am in such an oversaturated market
My brain feels so scattered and
It does not feel like my birthday
After all what is there to celebrate
By my own actions and choices I have no friends
My medications cause outbursts of anger
And my soon to be husband gets the short end of that stick
I am a mess and I am full of missing
Russian soldiers in general
and Vladimir Putin in particular
perpetrate outright injustice
against Ukrainian population.

Impossible mission to comprehend
the mindset of belligerent, egotistical,
indignant, *******, tsarist
self anointed totalitarian zealot.

Gross violation of human rights
blatantly carried out
courtesy diabolical genocidal horror
directly linkedin to Kremlin
official residence of president
of Russian Federation since 1991.

Jackknifed world wide web
teeters on the brink
of economic collapse
as mayhem rents asunder
western country Ukraine
the general Slavic word
for 'frontier region'
and 'marches' which referred,
most likely, to territories
of Kyivan Rus'.

Violation of basic covenant
imposes life and death
decision for multitudes
to flee their homeland
forsaking personal property
and cherished mementos
irreplaceable treasured trappings
left for invaders to ransack.

Those very villainous vultures
(metaphorically speaking or writing)
namely enemy Russian soldiers
bolster weaponry equipage
with disproportionate advanced
terrorizing precision machines
such as warplanes and Kalibr
(Caliber) cruise missiles,
carried by warplanes;
and Iskander missiles

allowing, enabling, and providing
a range of up to 500 kilometers
(around 300 miles);
The Soviet-designed Grad (Hail),
Smerch (Tornado) and Uragan
(Hurricane) multiple rocket launchers
designed to fire a salvo
of powerful rockets
to destroy concentrations
of troops or military equipment;
Cluster munitions and
thermobaric weapons.

Mass exodus of population
floods neighboring countries
Poland, Romania, Slovakia,
Hungary and Moldova
dazed and confused refugees
making journey across borders
crammed analogous to sardines
nevertheless hospitable strangers
welcome them with opened arms.

Without question scads of people
vulnerable to psychological ills
oversaturated with melancholia
concerning countless losses,
albeit violently wrenched
out their homeland,
whereat sons and father mandated
to stay behind and
defend the motherland
against surfeit of military might.

Meanwhile daughters and mothers
the latter saddled, and encumbered
with small children and pets
trundle toward safe haven
instantaneous citizenship guaranteed
no holds barred, nor no bolds hard.

Contrast the above with other
persecuted peoples most
allotted with melanin
and insync with attendant
definitive physical characteristics
populating marginalized jinxed
African, Central/South American,
Haitian, Mexican... regions
suffer worse fate than death

beleaguered, destitute hardship linkedin
with cutthroat fearsome insidious
lurking opportunistic ravenous
United States agents ready
to deport and send them back,
where certain misery
and interminable suffering
predictable as Earth will
rotate along 23.5 degrees
from plane of its orbit
around the sun
come the morrow.

Though aghast at grave atrocity
within the killing zone of Ukraine
will subsequently reconfigure, rejigger,
and reshuffle the Russian syndicate
of extreme wealth including Putin
controlling, governing, and
manipulating the franchise.
Nope reforming hardened criminal donning
scarred face, manacles jailhouse stripe, et cetera
nor taming screwish incorrigible guttersnipe
ain't most difficult enterprises
entailing me to wipe
dripping sweat from my hoary brow,

neither primary tsoris,
(i.e. Yiddish, asper in woeful gripe),
but reading tome thick as stovepipe
hat, I declare constitutes most grueling task
paging thru compendium of words A thru Z
may rank less purposeful than bovine tripe.

not surprisingly causing mine gray matter
(more'n fifty shades), to wanna up and scatter
fist size shot thru unnecessarily subjected
to feel like oversaturated blatter
vehemently aggrieved mad as a hatter
to appease, boost and flatter

ever shrinking fanbase blithely bandying
faux poetic pitter patter
trumpeting expansive vocabulary
enlivened, leavened, seasoned... smatter
ring poem to expressive affinity
how bajillion combinations
twenty six letters one can splatter

casually incorporating multisyllabic
word such as sesquipedalian
less to boast more so to chatter
up food for thought perhaps...
infect reader to accrue fatter
vocabulary than mine

actually rather paltry yoke cant argue
yukon (albeit figuratively) tatter
with little effort hen even
offer as hors d'oeuvres
to this storied scribbling wildcatter.
Todd Monjar Feb 2020
Slithering, angles, winding and slow, traversing on a macadam conveyor belt, grounded and merciless. Time is considered, possibly coerced only to sneer relentlessly back through clouds of vapor and weary destinations.

Rivulets wandering on paths only known to their past; chaotic and dear with ravishing certainty. Arrival pending, souls eager for movement; interrupted by explosions of juxtaposing steel and hulking imposition.

Frightening suddenness balanced with settling calm; anticipating a glow of tunneling grace and beauty. Merriment abounds surrounded by bursts of dandelion puffs; a glistening mountain stream light and alive, scented with decades of sandalwood and jasmine.

Bright and coolness hunkers into dreams of sustenance and allure, pleading back cloaks of ambition and tarrying the morn into a lull of sedated warmth.

Bursts of neon washing waves of brushed slate metal; contrasting a backlit gloom that is congealed to a muted, unadorned precipice; that risks away oversaturated hubris into a disaffected cadence.

Pureness and wonder, dancing into jagged edges of gnawing rawness from a jaded journey; slaying dragons and languor from a somnolent arboretum.

A rosepink flush derived from a psychedelic prism; and a renewed animal heat, transforming a singular urgency to a pool of mellifluous nectar.
Onoma Dec 2023
a metropolis' occulted pedestrians--

produce photographic negatives,

between their: A to B.

densified luminaries aping the nosiness

of the smallest village, with supposed

anonymity.

from oversaturated death stares, to the

preternatural speed reads of body language.

where that other is still a dwarf of distance.
Tiger Striped Feb 11
You strip me down
to my trembling core,
and hold me still
fixed in your gaze
pinned beneath your thumb
your body begs me
to forget my creeping fears,
to forget that you see things
I don't even see in myself
I'm blinded by you
and your brazen assuredness.
You don't know Doubt like I do,
you don't lay with her at night
and let her ask you her incessant questions
until you can't remember
what you really look like
to anyone but her.
Sometimes she asks me
why you're here -
did I really think I had anything I could give you?
Her questions hang over my head
a dark cloud drooping, oversaturated with
the weight of the unknown
reminding me that it could burst
at any moment, and shatter me
it threatens to take the shape of my every mistake -
why did I do that in the first place?
what kind of person does that make me, then?
And I almost crave the downpour
just so I don't have to wonder anymore
what you think or how you feel or who I am to you
so you don't hold the power to crush me
with just the ghost of a word on your lips.
But that's not how the game is played
you can never know how it ends, of course
and I can only pray
not even to win, only that
I can make it to the finish before the game breaks me.
Aims to trigger cerebral ******;

Other terms for said phenomena are
"brain tingles" and "head ******."
This sensation is described as a pleasant,
even euphoric, tingling warmth and/or feeling
of relaxation that comes in waves across
the head, neck, and spine.
This phenomenon is often triggered
by soothing auditory
and/or visual experiences.

Though puzzled regarding
the minor biochemical
or perhaps neurological mystery
underlying tumbling, plummeting,
and nosediving libido of mine,
nevertheless, I blessedly accept reality,
whereby once raging testosterone
figuratively analogous to former gushing spigot
of hormonal secretion
now (yes pun intended) runs bone dry
and (contrary to any fallacy),
NOT sorely missed!

Yours truly (me) surmises absent *** drive
linkedin to side effects of one or more
of the nine prescription medications
taken to offset anxiety, dysthymia,
palmar hyperhidrosis (sweaty palms),
obsessive compulsive disorder, and
restless leg syndrome)
subsequently an aspiration arose to arouse
at least one unsuspecting reader
to experience mental excitement
courtesy yours truly

(mine) poetic and prosaic foreplay,
especially concocting double entendres
that titillate Wernicke's area, i.e.
a critical language area
in the posterior superior
temporal lobe connects
to Broca's area via a neural pathway.
Wernicke's area is primarily involved
in the comprehension.

Historically, this area
associated with language processing,
whether it is written or spoken.

Unlike setting up blind dates for myself
more than half my lifetime ago
(with long sought after ambition, expectation,
and utilization answering call of the wild
read for tactile sensory sensual experience)
courtesy, Craigslist, Philadelphia Magazine,
Single Book lovers, or other mediums
to post or answer
personal classified advertisements;
nowadays, the quest when responding
to friendship requests thru Facebook
ala Messenger sofa now couched
with intent for platonic familiarity.

If/when words masterfully baited
usage of English Language
without recourse to any rhyme nor reason
admittedly, gloriously, and undoubtedly created
upsurge of... palpable excitement,
though medical experts invariably
would most likely challenge
if I actually averred (honest to dog)
coalition, fusion, integration,

et cetera of genitalia
between consensual adults in general,
and oral ******* in particular execrated
from fervid, lurid,
or perfervid fantasies of mine;
methinks attaining the big "O" oversaturated,
cuz in my paradigm,
no erogenous zones need get sated
to attain contentment eliciting joie de vivre.

An intense passion runs rampant
when reading and
to a slightly lesser degree writing
about pleasurable sensations
affecting the mind imbibing
heavenly essences helped along,
when heightened state of mental acuity
brought about thru restful sleep
coaxed along with five hour energy drink,
or other caffeinated beverage.

Exercising on the stationary bicycle
(no way to determine distance traversed
since I removed odometer and other
sundry mechanisms), nevertheless
key objective regarding cardiological workout felt
cause resistance to push pedals
set to highest tension, generates mild euphoria,
which approximation of nirvana
heightened while concentrating reading out loud
hearing thought provoking material.

— The End —