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"muslin" poems
wrinkles in muslin she tries to hide her mischief
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Jul 19, 2010
Jul 19, 2010 at 4:25 PM UTC
naughty
The day on a high reaches the peak over the pyramid. Shrouded in twilight now tucked in light pushes the envelope. The whole panache of stars came out in the pitch dark. The North Star is on the way oh do me a favour I will tell you why. Veil the angle of dawn in the black shades of the night. There are dark caves even inside the pyramid scientists, trained eyes yet to tread on that way. Put on it only an instance of your kohl the daylight is already a burnt mole. Light in the wrap in the night your muslin veiled silken moonlight is enough to find the tuberose’s earth. If the tucked away sun crops up once again over the morning’s rose petals. Again it will dive deep into the angle after an angle in the black hole of the night. A far cry from the glowing firefly eyeing blindfolded behind the moon perfectly beyond every looking star. Until the master arts in silk black finds the true pencil not in visualising but catching the views of the sunrise through the lens of the rose pollens’ kohl-eyes.
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Dec 19, 2021
Dec 19, 2021 at 1:48 AM UTC
Master Art In Silk Black
The eye of the hurricane Swept through a country side Not batting an eye All those in it's path perish A mosque, a person, a Muslin Another, another, another Until 49 were gunned down Killed Executed And many more injured Scarred forever in·dis·crim·i·nate·ly A finger on a trigger Held steady Unmercifully Picking targets To cries and screams With no regard for life Only for the shooter To make a name for himself His message board His manifesto His hate of immigrants Muslims Leaving in it's path Bloodshed A country's darkest day His infamy Who is this individual The eye of the hurricane Sitting in the middle Teetering to the right An extremist Category of the worst kind A patch of ****** Sitting in his landscape Of his sunken mind Incarceration Laughing, laughing, laughing Today, today, today And this was his trigger His devil His dialogue Today he spoke Another, another, another To cries That echo Forever Long after the hurricane Loses its tail This makes me sick I look up in the sky and ask why Logan Robertson 3/15/2019
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Mar 15, 2019
Mar 15, 2019 at 7:23 PM UTC
New Zealand's Darkest Cloud
The curtain frays at the edges Unwinds, disobedient Only to reveal No bed (where one should be) Dainty white muslin Conflicted, floats Away from the pane More like a halo (than a shroud) Here, in the cage of your mind, Lies a mandolin Hollow (with no music in its heart) Towards another window Its brother may lie Born of nothing (but of itself)
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Mar 27, 2016
Mar 27, 2016 at 7:51 PM UTC
Une dentelle s'abolit
*Mist told me in her vaporous touch "Let me dress you in my fine muslin clothes, though you may find it a cold comfort my love will endure till sun drives me away" And sun, strode in donning his warm golden gown, splashing his sunny voice, he announces, "Purple, red, golden yellow, as time moves, choices you have, folks, till i go back with my stock, mine are silk, the purest for you to luxuriate unlike with others, my love for planet earth, is something never fully told, whoever does it " Ah, then comes the lady clad in sensual black, with her one powerful color that makes, none stand out in the line, all are equal in her bed, dress she gives you have to accept,no choice there, somnambulist deem it a privilege  wearing it, those ones that vanish, seek out her winged dress.*
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Mar 28, 2014
Mar 28, 2014 at 10:57 AM UTC
The dress code for us during the sojurn
Lo, another Ramadan dawn breaks, millions more feelings of solemnity fill the air. The time to bid farewell is upon us, a moment both heavy and sacred. O blissful Ramadan, brimming with purity and reflection, when hearts and homes open wide, embracing all. Prepare to leave, adorned with the beauty of Allah’s bounty: Your movement like déjà vu moonlight, your grace as delicate as the finest Muslin. Let every rose from the garden encircle you, a garland of farewell. In the golden hour of dusk, when Iftar and Suhur beautifully intertwine, the sweetness of the evening fills the air, nourishing souls. With a nectar of kindness, bid adieu to every friend of nature their essence lingers in memory, sweet as the moments spent in devotion and joy. 'Alvida' - a farewell not of forever but of waiting until we meet again. Draw the last stroke of parting on the canvas of the sky, leaving a promise beneath the rainbow. Parting with the crescent moon, hearts overflow with hope O Ramadan, until we welcome you again, let the essence of your purity and peace remain with us. Farewell, O holy month Your parting leaves behind a trail of light, guiding us until your return.
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Mar 31, 2024
Mar 31, 2024 at 6:54 PM UTC
Farewell to Ramadan A Promise To Return
278 A shady friend—for Torrid days— Is easier to find— Than one of higher temperature For Frigid—hour of Mind— The Vane a little to the East— Scares Muslin souls—away— If Broadcloth Hearts are firmer— Than those of Organdy— Who is to blame? The Weaver? Ah, the bewildering thread! The Tapestries of Paradise So notelessly—are made!
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2.8k
A shady friend—for Torrid days
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
0
Dec 11, 2018
Dec 11, 2018 at 6:57 PM UTC
1oz of Frozen
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
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1
In the sordid caste of flowers, the wild rise on their stems for a name, and rupture into light through the copse of partridge berry distances tumble over the wet colours, like mauve tongues along the thighs of an eventual sunrise, that comes moaning free of the unforgiving dark, in the wet jazz soliloquies of light and suddenly, through the lips of Septembers lovely grind, to bind the Summers cunning wounds, your hands reach far into the blue hordes of wildflower, and redolent fevers, kindled by some hummingbirds blurred and exquisite agitation, you are the body of my confession and South marks the same unfathomable distance home, over the prairie that tonight grants calm, in the balm of C minor, a mute, sibilant liquid dream of rain soothes, my voice grows hoarse and stills, though from the hush of willows, rasps the vast reservoir of wind, as the jay, a blue throb in the holly, casts my hue in lush cascades of desperate, abandoned braids lift the fevers muslin depths and these unaccompanied words, sing a sonata proverbs in petty sounds spill from a cracked jaw and a parched throat, in the Sabbath of the heart heaven never thought to map this distance and its jubilee over wildflowers, I bear your name to stay the mauve hour of devout crickets, crouched in the rain, dying in the thick falsetto of mist and the sordid hum of birds, dim in their hollow cote, and sudden blue, sudden blue, how I adore you....
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Jan 15, 2013
Jan 15, 2013 at 1:03 PM UTC
The Mauve Hour:
O Bani Thani I grow thin, wanting you; O you of the drooping eyes and long neck O Bani Thani, O sublime poetess and singer who walks gracefully through the halls of  Kishangarh I hear you are in my stepmother’s service; and the songs you sing though they are most sublime they lure me into unholy thoughts, O Bani Thani as do your drooping eyes, your lips curved into a smile You walk head high always, they say and you look directly ahead even when I am nigh and yet that too invites me to wander over the landscape of your face your drooping eyes, your drooping eyes the eyebrow like a bow, the bow of Rajput warriors whose arrows  pierce with vigour the elongated face, O Bani Thani your elongated face and nose and curls of hair that flow to your waist and that visage and seduction all graced in muslin odhni O Bani Thani I hear your voice, I hear your songs and your poems are recited here by the men even in the streets – O but do you hear mine, do you hear my poems of love, lust and thoughts unholy? O do you hear my poems of pain and longing? – all arising, all arising, O Bani Thani everything in my manhood aroused as I see you walk by, as I hear you sing as I hear you play on your instruments O Bani Thani, Bani Thani – sing to me, sing to me: *What is my end, what is my fate in this my love and longing for you?*
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Jan 4, 2013
Jan 4, 2013 at 5:59 AM UTC
when I saw Bani Thani, when I heard her sing
the letter always bled for her for her eyes (brown as those old bottles in the medicine cabinet) bleeding words like teardrops yet without spilling onto the green tile floor those words always pure only staining the paper glossy black ink blood like muslin stuck to an old wound those words always strong yet blurred, obscure words only a scholar would find obscene happy are those who die because they have returned to those first crumbs of dirt that fed us to that first hole to that soft black and smell of coal
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when he stopped writing her
This is the weather the cuckoo likes, And so do I; When showers betumble the chestnut spikes, And nestlings fly; And the little brown nightingale bills his best, And they sit outside at ‘The Traveller’s Rest,’ And maids come forth sprig-muslin drest, And citizens dream of the south and west, And so do I. This is the weather the shepherd shuns, And so do I; When beeches drip in browns and duns, And thresh and ply; And hill-hid tides throb, throe on throe, And meadow rivulets overflow, And drops on gate bars hang in a row, And rooks in families homeward go, And so do I.
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2.3k
Weathers
A smile is knowing The dark crease of a well-arched spine The dewy white lotus petals The sad title of concubine The blue glass so plainly beautiful With its cold smooth sides A blown vase that sits precious Atop a dead deer's stretched hide The hallowed slope of a portruding illiac And the decadent crust of a sweet fruit pie On a black vinyl stage floor In a room filled with echoing cries The reverberance loud and hollow With ears ringing opened wide The bends of her young tendons In her ropey pale limbs They flex and harshly twitch How a scared and hooked fish swims The cyclic orbits of planets and lifetimes   A ballerina's pirouette spins Now the tarlatan and muslin gets torn to shreds And the blinding stage lights quickly dim The wet heat of a hungry tongue Slaps upon her sweating skin The audience simply does nothing Just like the tall plant stalks of the green motel Or the muddy vines in swamps in Rwanda Or white wallpaper in the locked rooms of certain hells The diseases that squirm in tainted waters Of Liberia's ***** wells The missing limbs of wartime amputees Reflected in the golden glint of spent brass shells Amidst the screams of NO STOP NO It yells the words GO GOD GO Through the grinning lips of the manifest destiny And the arms of Khmer Rouge's killings Its legs are formed from the many faces of lynch mobs Its hands are hewn of American prison facilities and county jails It's dripping deadly doses of fentanyl in local ****** shipments     And ****** dancers
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Jul 29, 2017
Jul 29, 2017 at 8:20 PM UTC
****** Dancers
A smile is knowing The dark crease of a well-arched spine The dewy white lotus petals The sad title of concubine The blue glass so plainly beautiful With its cold smooth sides A blown vase that sits precious Atop a dead deer's stretched hide The hallowed slope of a portruding illiac And the decadent crust of a sweet fruit pie On a black vinyl stage floor In a room filled with echoing cries The reverberance loud and hollow With ears ringing opened wide The bends of her young tendons In her ropey pale limbs They flex and harshly twitch How a scared and hooked fish swims The cyclic orbits of planets and lifetimes   A ballerina's pirouette spins Now the tarlatan and muslin gets torn to shreds And the blinding stage lights quickly dim The wet heat of a hungry tongue Slaps upon her sweating skin The audience simply does nothing Just like the tall plant stalks of the green motel Or the muddy vines in swamps in Rwanda Or white wallpaper in the locked rooms of certain hells The diseases that squirm in tainted waters Of Liberia's ***** wells The missing limbs of wartime amputees Reflected in the golden glint of spent brass shells Amidst the screams of NO STOP NO It yells the words GO GOD GO Through the grinning lips of the manifest destiny And the arms of Khmer Rouge's killings Its legs are formed from the many faces of lynch mobs Its hands are hewn of American prison facilities and county jails It's dripping deadly doses of fentanyl in local ****** shipments     And ****** dancers
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46
Dusk The flowers unfurl their petals Towards the dark Night sky The roses smile up at the Moon Which shines happily upon the sleeping world The breezes blow the muslin curtains Which hang at my open bedroom window And the shadows of the Moon Flicker across my room, the floor, and me The sounds of Night come softly Through my window and hush me To sleep like a lullaby of music Which sends me into a world of dreams And such is the enchanting Night With it's glorious Moon Which watches over all While they sleep at Night Dawn Sun rays come dancing through my room And greet me with brightness and joy And the smell of flowers Come blowing through my bedroom on the breeze The sky is a painting of beauty And of colour Pastel clouds of pink float through the Blue watercolour sky And the song of birds wake the Sleepy world with an anthem of praise And of life and sunshine Such beauty is beyond my words Silhouettes of pine trees and furrs With the back ground of God's sunrise Make such a lovely picture of too much beauty. . . That would take such a long time to describe With pen, ink and paper while relaxing in the caressing breeze ~Hilda~
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Mar 30, 2013
Mar 30, 2013 at 9:52 PM UTC
From Dusk To Dawn
Part I Windows flung open and the breeze stirs The yellowed muslin curtains And on the windowsill lies our precious Feline Beauty As she basks in the warm sunshine Birds warble and chirp as if to sing her to sleep The rest of the cats are out walking on the sandy shore Playfully they pounce on sand covered sticks and palm leaves And sweetly play the hours away Later on in the evening they come Up to the house for their long sought meal Little noses eagerly waiting for the dish to be set on the floor And little cries escape "Meow" Pretty soon it's bedtime And the naughtiness begins Spools of thread unraveled And the rest swing on the blinds ~Marian~
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Mar 10, 2013
Mar 10, 2013 at 8:54 PM UTC
Cat Island
If Superman farts And His cape is set afloat Then it is appropriate For Indians to sing The retro Bollywood Peppy number: ***"Hawa Mein Udta Jaaye Tera Laal Dupatta Malmal Ka ** Tera Laal Dupatta Malmal Ka! ** Ji! ** Ji!"*** As the song means: ***"It flutters in the wind, Your red muslin scarf, Oh your red muslin scarf! Oh yeah! Oh yeah!!"***
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Jan 7, 2018
Jan 7, 2018 at 8:17 PM UTC
Superman Returns & Farts
The rain fell, delicate as muslin heavenly threads, coming undone From pearly gates of paradise. Weaving fluid intricacies underneath The grainy sands, grooved with drops And canopies laden with silken film dewy, with crystal orbs suspended a diamond mosaic radiant Under the ashen clouds. Crystalline drops clung Onto ends of leaf blades Forming a grand chandelier Hundreds hung On slender boughs And the tree stood with an embellished crown Bedecked with clear dew
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Jun 8, 2020
Jun 8, 2020 at 1:33 PM UTC
...Mizzle...
He has given a luxurious twist to the dying art of weaving and popularised the use of Khadi. Award-winning textile designer Gaurang Shah is more than happy that the Indian fashion industry has welcomed handlooms. “As a textile designer, I would like to say the Indian fashion industry has embraced handlooms with lot of admiration and helped revive our ancient traditions of weaving art, like the jamdani weaves, that we use in creating our fashion pieces,” Shah told IANS. “It also reinforced its unparalleled beauty around the world,” he added. The designer says that one must acknowledge the passion and intense amount of production hours every weaver at the looms puts to bring out timeless pieces of handlooms. “The fashion industry did contribute to bring them back into vogue in recent years,” he said. Shah showcased his latest collection of 40 garments titled Muslin at Lakme’s Fashion Week Summer/Resort 2017. His anthology for the gala was inspired by romance of nature. Giving details about his range, he said: “Our collection incorporates weaves and techniques from West Bengal, Andhra Pradesh, Uttar Pradesh, Madhya Pradesh and Rajasthan. The amazing all-in-whites collections integrate gorgeous Mughal motifs and geometric patterns on Khadi, chikankari embroidery and Parsi gara.” The designer’s collection involved 50 weavers working relentlessly for over six months. Shah, whose handloom creation made its way to the 69th Cannes Film Festival when Deepshikha Deshmukh, producer of Aishwarya Rai Bachchan starrer “Sarbjit”, stepped out in an ensemble featuring Paithani and Kanjeevaram details, says that handlooms are a glorious heritage of India and it is important to preserve and help the artists’ community grow. “I would like to add that a few years ago this beautiful art was fading away. Thanks to persistent effort and motivation from label like ours, followed by the efforts of our Prime Minister Narendra Modi, that pushed Indian handlooms to higher level of acceptance,” he said. Shah began his journey in the textile world with just two weavers and today the label works with 700 weavers, and the number is still growing. “The biggest contribution we as a designer can make is to keep our artisans motivated and also help them gain confidence that it is a highly profitable profession,” said the designer, who has styled the stars like Vidya Balan, Sonam Kapoor and Kirron Kher.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/red-carpet-celebrity-dresses
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Feb 5, 2017
Feb 5, 2017 at 10:00 PM UTC
Fashion industry has embraced handlooms with admiration
He has given a luxurious twist to the dying art of weaving and popularised the use of Khadi. Award-winning textile designer Gaurang Shah is more than happy that the Indian fashion industry has welcomed handlooms. “As a textile designer, I would like to say the Indian fashion industry has embraced handlooms with lot of admiration and helped revive our ancient traditions of weaving art, like the jamdani weaves, that we use in creating our fashion pieces,” Shah told IANS. “It also reinforced its unparalleled beauty around the world,” he added. The designer says that one must acknowledge the passion and intense amount of production hours every weaver at the looms puts to bring out timeless pieces of handlooms. “The fashion industry did contribute to bring them back into vogue in recent years,” he said. Shah showcased his latest collection of 40 garments titled Muslin at Lakme’s Fashion Week Summer/Resort 2017. His anthology for the gala was inspired by romance of nature. Giving details about his range, he said: “Our collection incorporates weaves and techniques from West Bengal, Andhra Pradesh, Uttar Pradesh, Madhya Pradesh and Rajasthan. The amazing all-in-whites collections integrate gorgeous Mughal motifs and geometric patterns on Khadi, chikankari embroidery and Parsi gara.” The designer’s collection involved 50 weavers working relentlessly for over six months. Shah, whose handloom creation made its way to the 69th Cannes Film Festival when Deepshikha Deshmukh, producer of Aishwarya Rai Bachchan starrer “Sarbjit”, stepped out in an ensemble featuring Paithani and Kanjeevaram details, says that handlooms are a glorious heritage of India and it is important to preserve and help the artists’ community grow. “I would like to add that a few years ago this beautiful art was fading away. Thanks to persistent effort and motivation from label like ours, followed by the efforts of our Prime Minister Narendra Modi, that pushed Indian handlooms to higher level of acceptance,” he said. Shah began his journey in the textile world with just two weavers and today the label works with 700 weavers, and the number is still growing. “The biggest contribution we as a designer can make is to keep our artisans motivated and also help them gain confidence that it is a highly profitable profession,” said the designer, who has styled the stars like Vidya Balan, Sonam Kapoor and Kirron Kher.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/red-carpet-celebrity-dresses
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Sara L Russell, 28/2/14, 00:30 Given time the inner eye of memory sees with softer reverie, as through a muslin curtain; softly veiled and far away - and how temptingly tranquil seem the waters of the past. Given time lost minutes lengthen into hours, to long-remembered days, lost words that needed saying fall like petals in the rain Turning slowly in the air until they fade to dust at last. Given time a distant haunting melody's translated into sighs birdsong at morning lilting like a glimmering of streams; and moments of reflection spill too swiftly through our hands. Given time dry leaves fly through the chilly air and scatter in the sky summer will have her finery returned from green to gold, and snow will cover everything, like time's relentless sands.
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Feb 27, 2014
Feb 27, 2014 at 7:37 PM UTC
All in Good Time
When the Israelites return to the Golan Heights And ancient blazing comets cross the planet fly The Muslin Empire will rise from the saltwater’s bed Dark and dying will be the flickering stars From black oil oceans, he shall be birthed Nurtured on the hearth of power and coin Disguised in the words of Christianity Weapons from every nation he calls forth Deaths flag shall be the victor in the last war The Muslim Empire will rise From the depths of the Dead sea's floor Blood against blood Man, against man Till on this earth, humans are no more All Rights Reserved. @ Copyright Tammy M. Darby April 14, 2019. All Material Stored in Author Base
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Apr 14, 2019
Apr 14, 2019 at 12:57 PM UTC
The Rise of the Muslim Empire
Wassell with cleft mouth saw beyond you pale hand in blue light, cannot stay here. Dietrich he would not die for you, he sees Angels elsewhere. He'll rather unfurl their muslin robes under dappled silhouette, swelling the Danube.
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Dec 11, 2012
Dec 11, 2012 at 6:27 PM UTC
What about the Blue?
Mermaid, the moon in my cloudy sky on dark nights, I treated you like the most precious gift from the Ameer, in my ****** life, though I  spent just one night with you and fell in love, I adore you more then my sweetheart of long years, I remained loyal to you, a dancing girl, more than to my dear wife, in lonely nights my heart pined for just you, nobody else I wept bitter tears hoping that you'd somehow hear my sobs, most hardened stone, your heart was, you never reacted I heaped praises on you, bought you expensive gifts lavished perfumes from the most exclusive perfumeries I waited in the most breathtaking oasis,days on with camels to take you far and be with you ditching all other loves of my life my heart on embers, I forgot how respected I was, what was my status, I became a lowly beggar of your love, in your presence my eyes lost their glow, got sunken in the cavities making me look pitiable, my dress was shredded in many places, my body became emaciated, I made a living only by singing paeans to women of easy virtue, just to buy as much things that pleases you,  make you jump up in joy, as soon as you see it. You drink the best wine, would wear the rarest of lingeries that peeped out of the muslin dress, I gifted you still my love, you weren't pleased you looked daggers at me without any regret, and asked to bring more gold and silver, it's the life of a slave I happily lived, I know so well I composed poems on voluptuous mistresses of men of royal linage, and collected pieces of gold and silver for my labor with that I made bejeweled  ornaments for your lovely body. Mermaid, you are a wonder, you walk on two legs, yet swim in deep waters with others, whom you don't even mention, I only dream of you and wait endlessly here, all the same contented.
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Jul 8, 2014
Jul 8, 2014 at 11:10 AM UTC
Walking on the burning coal bed of love
Mermaid, the moon in my cloudy sky on dark nights, I treated you like the most precious gift from the Ameer, in my ****** life, though I  spent just one night with you and fell in love, I adore you more then my sweetheart of long years, I remained loyal to you, a dancing girl, more than to my dear wife, in lonely nights my heart pined for just you, nobody else I wept bitter tears hoping that you'd somehow hear my sobs, most hardened stone, your heart was, you never reacted I heaped praises on you, bought you expensive gifts lavished perfumes from the most exclusive perfumeries I waited in the most breathtaking oasis,days on with camels to take you far and be with you ditching all other loves of my life my heart on embers, I forgot how respected I was, what was my status, I became a lowly beggar of your love, in your presence my eyes lost their glow, got sunken in the cavities making me look pitiable, my dress was shredded in many places, my body became emaciated, I made a living only by singing paeans to women of easy virtue, just to buy as much things that pleases you,  make you jump up in joy, as soon as you see it. You drink the best wine, would wear the rarest of lingeries that peeped out of the muslin dress, I gifted you still my love, you weren't pleased you looked daggers at me without any regret, and asked to bring more gold and silver, it's the life of a slave I happily lived, I know so well I composed poems on voluptuous mistresses of men of royal linage, and collected pieces of gold and silver for my labor with that I made bejeweled  ornaments for your lovely body. Mermaid, you are a wonder, you walk on two legs, yet swim in deep waters with others, whom you don't even mention, I only dream of you and wait endlessly here, all the same contented.
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30
Tall old oak trees, Swaying-dancing in the sweetly blowing breeze, Their branches close to my Mamma's bedroom window; The breezes caress the dancing flowers in the meadow. Grandma's dear hands once kneeding bread, And Grandfather's strong hands patting my Mamma on the head, Breezes blowing the yellow muslin curtains at the window pane; And sweet lilacs, and many other flowers are bordering the lane. The perfume of flowers drifting from the window into that pretty house, Where cats would always catch a darting mouse, And wisteria blooms twisting their mighty branches around the tall trees; Which sway back and forth in the breeze. ~Marian~
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Feb 12, 2013
Feb 12, 2013 at 12:34 PM UTC
The House Of Memories (Part II)