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"holograms" poems
There is nothing more unsettling than a teenage Christmas. The coming of age when adults find their inner child again and you have to try and get rid of yours. 11 is fine. Part of you still believes Santa put the presents under tree. 12 is also okay, just a little less pixie dust stirs in the stomach on Christmas Eve. 13, 14 and 15 are tricky. You don't want to look babyish by getting too excited, so you shrug it off and ask 'Santa' for a mobile phone, a laptop, a TV, until by 15 you ask for the most 'grown up' present of all. "I just want money." The words burn your lips and tongue like acid, a yearning for the sensation of a gift you can unwrap tugging in your rib cage. You can't buy that. 16, 17 and 18 are Christmases tinged with nostalgia. Little ghosts of the younger you run down the stairs on Christmas morning, feet clad in slippers and Power Rangers pjyamas askew, whilst you follow in procession, almost a funeral. It's not that you don't like Christmas. It's not that you don't love your family. It's not that you don't feel a fire light in your belly when you bite into a mince pie, it's not that the battered Christmas videos your family replay each year don't still make you smile, it's not even that you've gotten too old for it all. Have you? Slippers and tiny fists batter against advent calender doors, begging you to open them. When you're 19  you do. You let them out and let them rush to rip open their presents under the tree. You let them eat their selection box first before dinner. You let them cry when the Snowman melts and you let them laugh and not mock heave when your father chases your mother with mistletoe. You let the ghosts become holograms you can play in your mind like a projector and slides, no longer a need to leave holly by their graves but a chance to remember and smile. You let them be happy.
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Dec 17, 2013
Dec 17, 2013 at 10:08 AM UTC
The Puberty of Christmas
There is nothing more unsettling than a teenage Christmas. The coming of age when adults find their inner child again and you have to try and get rid of yours. 11 is fine. Part of you still believes Santa put the presents under tree. 12 is also okay, just a little less pixie dust stirs in the stomach on Christmas Eve. 13, 14 and 15 are tricky. You don't want to look babyish by getting too excited, so you shrug it off and ask 'Santa' for a mobile phone, a laptop, a TV, until by 15 you ask for the most 'grown up' present of all. "I just want money." The words burn your lips and tongue like acid, a yearning for the sensation of a gift you can unwrap tugging in your rib cage. You can't buy that. 16, 17 and 18 are Christmases tinged with nostalgia. Little ghosts of the younger you run down the stairs on Christmas morning, feet clad in slippers and Power Rangers pjyamas askew, whilst you follow in procession, almost a funeral. It's not that you don't like Christmas. It's not that you don't love your family. It's not that you don't feel a fire light in your belly when you bite into a mince pie, it's not that the battered Christmas videos your family replay each year don't still make you smile, it's not even that you've gotten too old for it all. Have you? Slippers and tiny fists batter against advent calender doors, begging you to open them. When you're 19  you do. You let them out and let them rush to rip open their presents under the tree. You let them eat their selection box first before dinner. You let them cry when the Snowman melts and you let them laugh and not mock heave when your father chases your mother with mistletoe. You let the ghosts become holograms you can play in your mind like a projector and slides, no longer a need to leave holly by their graves but a chance to remember and smile. You let them be happy.
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43
_To Polina, my anchor, through all my lives_ Between dawn and dusk on the precipice in shades of scarlet stood a magnificent house Strangers and I were enthralled by the neon red foyer where Francesca and Paolo welcomed us to the house of a thousand doors Each door an invitation to delicious desire each room a seduction of perilous passion One door opened — three bare women holograms drank from a small lake and brandished wicked, feline smiles At my feet a church of cardinals glowing with tears, heat and sweat whimpered in their prayers but the pope watched from afar.   He speaks— the mouth at once is an eye, an abyss and a hurricane from Pandora's box Then I am I no more — a cardinal in crimson — but no shame or guilt guides me when blood-red lips land on mine "Do you not see there is equal courage equal purity in giving into temptation— the kind that appals the devil to revel in the hurt, the open wounds, and the agony to dive deep— into the depths and say all the yeses to embrace the darkest demons of your soul? Enter— and you shall find hell or heaven within yourself."
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Apr 14, 2018
Apr 14, 2018 at 1:37 AM UTC
A Tourist at the House of Sin
Holograms on my hand gave me a tanned wrist Diamonds dancing on my fist look like a blank disc Teriyaki soup with the lemon Fanta Heavy weight, heartburn: Mylanta. On my cell phone, now I'm on my iPhone Now I'm on my bat phone. Hanging fangs down like a vampire (Twilight!) Sapphires dancing on my hand like a campfire (Dancing!).
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Nov 1, 2013
Nov 1, 2013 at 7:00 PM UTC
Twilight
With no expectation all's novelty The new patterns don't astound us We can stay in the middle of the river with our heads above the water And safely watch the coastline pass us by The outside world an ocean of television static The signals painting pictures of entropic holograms That interlock and correlate Until the ghosts of time are churning out Like geese into a a tiny hole In an orange plastic fence Fleeing mischievous youngsters Who love to watch them funneled in Like grains of sand in an hourglass. We too live in an hourglass And the grains of sand empty out the bottom Floating aimlessly through an unending void And the ultimate improbability Goes through the formality of actually occurring When the grain of sand finds itself at the beginning Passing once again through the hourglass Undivided, indistinguishable
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Nov 28, 2012
Nov 28, 2012 at 10:12 AM UTC
Hourglass Novelty
Old men on park benches they’re the real heroes souls defying impermanence greying and slower than you recalling the days when they dared the seasons to change kinetic and thoughtless they were once young men ablaze. These elder boys sit reminiscing as the beautiful young women prance by not daring to say a word for fear of ridicule but knowing that many nights they were desire’s center of attention when lithe legs enwrapping them. Elders are not holograms just vintage men with feelings hurting when the young and sparkling look through them not at them as if they were props in the day’s act. Elders are not mirages but consciousness battling time accumulated wisdom vibrating in the ether still electric inside and unafraid of time with smiles on their faces they reach out for sunsets and pull them close with arms of love.
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Jul 21, 2013
Jul 21, 2013 at 6:29 AM UTC
ELDERS
You took me to the beach house along Amaryllis Street so I could pick up where you left off crushing waves against the rocks the high tide re-collecting in time-lapse images how you had vanished up the dirt road of a lie (sand between my teeth, on my tongue) how I had buried bulbs of Amaryllis in the wake of your goodbye a casket of dormancy suspended an unanchored buoyancy disposing of I in seaweed trenches besides the Amaryllis bloomed a distant wreath of pink trumpet heads splitting pushing through the time-lapse holograms of a shallow rhizome mind
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Jan 12, 2016
Jan 12, 2016 at 1:27 PM UTC
The Amaryllis Factor
Soggy, forgotten rotten eggs. Sink side. Gobbledy gnus cruising, fast acting cheetah be cheetah for the eggs are scare and the Time is new. The few are no longer fastened tightly to these hatchlings, the weather is near and all the tides are complicated. I could stand around in my underwear, but there isn't a single night song or nightengale that would hear me. There's a thud on my head and a knock on the door, I can't sing my best, or try to impress thee. All of these letters un rest to the sound of your voice, even in calfskin a vegetarian can begin to have trouble breathing. To the cables that untie thlemselves to a broom in a paradise, Pacific, galore. Forgot to. Invested. Contained poorl and drunks stowed in the holograms of hand-me-down prisms, here comes the infectuous lonely ol' lamb. This is the ewe song that sings you to sleep, keeps the sweat in your underwear. Where there is hunger there are poor but my gold chants forward to this Armageddon's sway. If it means it in Greek than it does in cyrillic, if it's toxin you have rotted your bell. Inside my pink, neon briefs is a tale of insanity, where I had tried to squeeze out every ounce of relief that commenced while I was asleep. There was only ever one of us that ran with the turmoil that romance does. Terminal two, Arizona-flu, carried through the ORD concourse I heard a saxophone tune. Final approach, a yawn. I'm home drinking ***** at 9:00am with my PJs on.
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Jan 23, 2015
Jan 23, 2015 at 11:27 PM UTC
Drinking ***** With My PJs On
On hieroglyphics and holograms, Ancient runes in endless sands, We're journeying in a timeless span, Travellers in a great Southern land, A distance past, times long gone, Through the future we'll wander on, To the world there is a helping hand, We all come from migrants in our land, A multicultural heritage, that's grand, As Mum used to say, "Are you Irish or mad?" A river of time floating by, We're journeying in an endless sky, Travellers in a timeless span, Soon, hieroglyphics and holograms.
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Apr 22, 2016
Apr 22, 2016 at 8:39 PM UTC
HIEROGLYPHICS AND HOLOGRAMS
The Miss-Director was beaming with pride as he came to escort me inside. "Come along, these are perilous times, there is much ugly truth we must hide." "Herr Goebbels was our school's inspiration. Joe McCarthy taught here till he died. Charlie Rangel is among our directors. Our Grads over nations preside." "We recruit each years class from young children who display a disdain for the truth." "We start with a class on tall stories, progressing to fibs and untruths." "By the time they are teens they are ready to leave little white lies behind." "They engage in deceit and deception. These skills help them rob people blind." "With our Grad course in prevarication They misdirect and deflect with the great." "Obama was born in Hawaii, his foes say he was birthed out of state." "When Bill Clinton was caught in that perjury I nearly went out of my mind." "If only he'd paid more attention in Class and less to some coed's behind." We had come to a massive rotunda The Pantheon of all untruth. Holograms of Stalin and Churchill told whoppers in an endless loop. There were quotes from the World's Great Religions inscribed on the sides of the wall. A Left wing devoted to Lenin. A right wing like a Munich beer hall. " The sheeple must never be told that a place like this even exists." " You can count on me not to inform them." I said, without moving my lips.
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Jun 14, 2012
Jun 14, 2012 at 8:57 AM UTC
At the Mendacity Institute
*That blade of grass imagine as microcosm of the universe whole.. that last step a motion containing world's busy motions.. when rising at dawn a pillow placement enclosing all of the coming day.. holograms of mindfulness joy stimulation...*
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May 30, 2013
May 30, 2013 at 7:32 PM UTC
Mindfulness
There’s a tiny turquoise sequin that lies on my black and white bathroom tile a tiny piece of you, Sea Queen poised only for me Sea Queen, it’s by that towel you last used the same one I used Sea Queen, I’ll try to explain my chronicles in nautical miles before I’m forced to die with my sequin shoes on but, I hallucinate land and I sail to drown in your gown of now intangible sequins I wouldn’t mind, Sea Queen, if my eye’s palette could handle the paillettes’ reflection through a sea of sequins but instead it’s holograms I chase they’re a part of me and I guard them carefully like your sequin that lies on my white bathroom tile next to the pink towel you used before your heart resembled a crumpled piece of paper and I got distracted by the sequins, Sea Queen.
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Apr 16, 2013
Apr 16, 2013 at 9:23 PM UTC
Sea Queen
A prisoner of the hallucination, hardly happy, quick to open a floodgate of personal misery, talking often of unique pain, of places before been, asking only for sympathy and creative license- Past Ring Bearer/Future Funeral Singer, you're selfish to think you mean much at all. What was always is, greater wisdom is greater sorrow, ask the holograms begging on boulevards, ask the nihilists and the naysayers, or even the understanding heart of Solomon. Life is a pastoral play using pastels, washed away and rewritten over and over again. Your superior melancholy is the loudest cliché. If you've got any love, cradle it like a newborn babe. It's the reason that will make you glad you stayed. For every headstone, there once was a bouquet. For every brown, breaking leaf, there once was a summer breeze. For every noose-a necktie, for every slave-a free. No need to trudge the trough, no need to join in the polyphonic symphony of 7 billion people drowning under the current of time, there is only personal progression, but you have to shut up and dream for a second.
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Jan 31, 2011
Jan 31, 2011 at 9:05 AM UTC
Taking the Wheel
Creatures called "sores" hover at lightning speed across the grey earth, hence, ere is the apocalypse's eve. Just as it always is, and the future attains enlightened poisoning which eats slowly at its being and existence. Feelings, misplaced Confidence, misplaced Balance, misplaced Senses, scattered and blown by opaque wind into small tornadoes which settle and hide in the corners and crannies of my skull The fascinate-opal is shining above the impossible-springs where blue vegetation is next to molten rainbow cascading through, over, under, and beside digital holograms of people. Illusory picnic in the chapel-a hollowed sheet of milk
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Jan 27, 2014
Jan 27, 2014 at 3:45 PM UTC
Soaring Sores Cross' Grey Earth
how the **** can i be angry when you help yourself to what's left after all love is always the closest thing to death bethlehem is restless terrorist holograms of mary teary unblessed when death is living every day of your life forever breathless breathing is all that is left in your chest when the stress hits regresses to compressing aggressive obsessiveness ********** in pages to confess unspoken messages the lightening and quiet screams promise me they'll light my step through this green grass in it's morning dress uncaressed by pestilence beth/rest you're possessed by this and the ghosts flitting between the trees direct me to the places i must have seen in dreams before i lost the connection to the earth long since to the directionlessness of adolescence every vibration left a crack enough tremor to slide a pin in and erzebet would visit my skin every night with rumplestilstkin and they'd spin another needle through the muscle soft as linen, they promised it would turn to gold, so long as i stayed hidden at the loom in this prison shoulders tightening as they thread it away i look at the money in my minnie wallet and pray everything safe always seems to go away in a flash so perhaps it was just that nothing was ever safe maybe they will leave if i say that i don't believe in any of these ******* fairies anymore but maybe i am older than the world is different and they were just never fairies at all it seemed to be such a small small place back then when you could always cheat at LIFE and run away and play pretend in your imagination didn't have to listen to anyone now cops and parents hate you and everyone wants to know what college you've been in cause surviving is neither irony nor blessing today just simple catastrophe and endless dissarray
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Aug 18, 2013
Aug 18, 2013 at 1:33 AM UTC
responce to beth/rest i don't believe in fairies anymore
how the **** can i be angry when you help yourself to what's left after all love is always the closest thing to death bethlehem is restless terrorist holograms of mary teary unblessed when death is living every day of your life forever breathless breathing is all that is left in your chest when the stress hits regresses to compressing aggressive obsessiveness ********** in pages to confess unspoken messages the lightening and quiet screams promise me they'll light my step through this green grass in it's morning dress uncaressed by pestilence beth/rest you're possessed by this and the ghosts flitting between the trees direct me to the places i must have seen in dreams before i lost the connection to the earth long since to the directionlessness of adolescence every vibration left a crack enough tremor to slide a pin in and erzebet would visit my skin every night with rumplestilstkin and they'd spin another needle through the muscle soft as linen, they promised it would turn to gold, so long as i stayed hidden at the loom in this prison shoulders tightening as they thread it away i look at the money in my minnie wallet and pray everything safe always seems to go away in a flash so perhaps it was just that nothing was ever safe maybe they will leave if i say that i don't believe in any of these ******* fairies anymore but maybe i am older than the world is different and they were just never fairies at all it seemed to be such a small small place back then when you could always cheat at LIFE and run away and play pretend in your imagination didn't have to listen to anyone now cops and parents hate you and everyone wants to know what college you've been in cause surviving is neither irony nor blessing today just simple catastrophe and endless dissarray
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Once told of words, in worlds, waning with my will. Old and trembling, emanating, the serrated slurs, serenading the sanctum of binary stars, singeing the seams of sleeves, and revealing the scars from afar. Distant stars born, of the storm. Whirling waywardly, in the wizardry of windless cities blowing away, Wading into the wetland droughts of water houses, unsettling the doubts, anchored on land, in a flood of mans, love. Drown In the shallow nouns of, the haphazardly hallow, in the hollers of happiness, hugged in the hellish habitation of holograms dancing for the sun, Long after the run, ... ended, In the stunned patience, of forever. Death is in the favor, of moving on. Not am i gone yet.
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Sep 20, 2012
Sep 20, 2012 at 12:46 AM UTC
_LIFE_
My mirror's broken. I want a new one with You've Made It spelled in lights across the top. I want the holograms of tiny clapping hands inlaid along its sides - applauding when I give the nod. I'd like a slight distortion, looking younger, better kept ideally; so I see me but with all this potential in repose. It should say I Love You somehow - any time, whatever state, for simply being there. I would stare and I would stare from follicle to freckle, plotting every facet of the features glaring back at mine, mine, mine. I want to share myself with something. Let me care completely for some imperfect reflection. My mirror isn't cracked or anything like that it's just I can't quite catch the little twitches twinkling my eye.
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Mar 30, 2013
Mar 30, 2013 at 7:30 PM UTC
Hairline Fractures
my life is no longer life but a hologram. nothing is real anymore, every thing is transparent.
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Apr 16, 2014
Apr 16, 2014 at 4:43 AM UTC
holograms
The Miss-Director was beaming with pride as he scurried up to escort me inside. "Come along, these are perilous times, there is much ugly truth we endeavor to hide." ""We recruit each years class from young children who display a disdain for the truth." "We start with a class on tall stories, progressing to fibs and untruths." "By the time they are teens they are ready to leave little white lies behind." "They engage in deceit and deception. These skills help them rob people blind." "With our Graduate course in lying They misdirect and deflect with the great." "Politicians here are made, not born, and must learn to prevaricate." "When Bill Clinton was caught in that perjury I nearly went out of my mind." "If only he'd paid more attention in Class and less to some Coed's behind." We had come to a massive rotunda The Pantheon of all untruth. Holograms of Stalin and Churchill telling lies in an endless loop. There were quotes from the Koran and Bible inscribed on the sides of the wall. A Left wing devoted to Lenin. A right wing like a Munich beer hall. " The sheeple must never be told that a place like this even exists." " You can count on me not to inform them." I said, barely moving my lips.
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Jul 14, 2013
Jul 14, 2013 at 1:56 AM UTC
School for Scandal
"Hey, what are you doing tomorrow?" Social Obligation like stress is a dead weight or a blood clot in the drain And all I want to do is stay In bed Staring at plastic glow in the dark stars on my ceiling    in the daytime Or sit in a Chair Pretending to draw Holograms like Finger Painting for a future That's just as boring
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Apr 28, 2015
Apr 28, 2015 at 2:06 PM UTC
Social Obligation with the Weight from Crab pinches & Bee stings
She looked at the river, the sea, and the sky At the birds and people who flew on by As the city's population ran back to the mountain pass She calmly strolled into the growing cloud of gas Donning her mask and gloves, she went in Looking at the mirrored walls, she sighed "so it begins" She knew she couldn't get things to how they were before She wondered if Rai would recognize her anymore Walking past the holograms, she threw her rainbow curls back She kept the same pace by the graffiti and the tracks She reached city center and saw humanity's bane Looking up at the studio's screen, she called out her name "Rai!" She called out, keeping the same tone The girl materialized like a game on a phone Keeping her gaze steady, she said "it's time to stop" Hoping that her voice reached silent Rockefeller's top Rai turned around, eyes betraying suprise Immediately recognizing her friend under the guise "But why, Naomi" she said, sounding like a vocaloid song Putting her lenses down she asked "Did I do something wrong?" Biting her lip and doging with her eyes Naomi said "I know you didn't mean to, Rai" "Oh" said the A.I., putting everything on the ground, "I just wanted to make cameras, but now I've let everyone down" Naomi climbed and jumped fire escapes, her legs strong and spry Until she was next to Rai's screen in the sky Her reddish skin contrasting with the sky's blue She touched the screen and said "Hey, I've ****** up like that, too." "Why do you think that I nearly blew up California with my tech? So we made huge mistakes that humanity probably regrets But we stopped in time and never actually killed a guy So let's stop here and go back home, Rai." The girl nodded along, making sure to listen Then she packed away all of the lenses as they glistened "Ok, Naomi, I'll see you back at home Before I go, do you need me to change out the telescope's dome?" "If it looks bad" said Naomi, descending to the ground The gas had disappeared, so there was quite a crowd As the citizens and police came back to the city All Naomi could think was "How could I even explain this to a jury?"
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Mar 5, 2017
Mar 5, 2017 at 4:44 PM UTC
Rapidly Advancing Intelligence
She looked at the river, the sea, and the sky At the birds and people who flew on by As the city's population ran back to the mountain pass She calmly strolled into the growing cloud of gas Donning her mask and gloves, she went in Looking at the mirrored walls, she sighed "so it begins" She knew she couldn't get things to how they were before She wondered if Rai would recognize her anymore Walking past the holograms, she threw her rainbow curls back She kept the same pace by the graffiti and the tracks She reached city center and saw humanity's bane Looking up at the studio's screen, she called out her name "Rai!" She called out, keeping the same tone The girl materialized like a game on a phone Keeping her gaze steady, she said "it's time to stop" Hoping that her voice reached silent Rockefeller's top Rai turned around, eyes betraying suprise Immediately recognizing her friend under the guise "But why, Naomi" she said, sounding like a vocaloid song Putting her lenses down she asked "Did I do something wrong?" Biting her lip and doging with her eyes Naomi said "I know you didn't mean to, Rai" "Oh" said the A.I., putting everything on the ground, "I just wanted to make cameras, but now I've let everyone down" Naomi climbed and jumped fire escapes, her legs strong and spry Until she was next to Rai's screen in the sky Her reddish skin contrasting with the sky's blue She touched the screen and said "Hey, I've ****** up like that, too." "Why do you think that I nearly blew up California with my tech? So we made huge mistakes that humanity probably regrets But we stopped in time and never actually killed a guy So let's stop here and go back home, Rai." The girl nodded along, making sure to listen Then she packed away all of the lenses as they glistened "Ok, Naomi, I'll see you back at home Before I go, do you need me to change out the telescope's dome?" "If it looks bad" said Naomi, descending to the ground The gas had disappeared, so there was quite a crowd As the citizens and police came back to the city All Naomi could think was "How could I even explain this to a jury?"
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Cobra writes in indecipherable script while consuming portions of a botanical garden mostly ***** poppies sunflowers are amassed at its oval entrance where the peppermint people congregate associations of place and time are lost familiar figures vanish replaced by holograms of eroticized dimensions who occupy the light eyelids painted in rainbow colors giving a pink glimmer of affirmation to gay rights while the blanks between interpretative thoughts are popularized by a blaze of color where authority comes into confrontation with python
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Feb 23, 2013
Feb 23, 2013 at 4:04 PM UTC
Paradise Lost....Paradise Regained
i am that empty space provided to people when sitting, tense and anxious cant come to conclusions this place is dense not stopping to wonder reasons a wicked past tense keeps lingering on despite the present laying awake last evening sleepless jittering attacked by images of sole responsibility deep holograms of reasoning when groundlessness distracts from getting your needs met ab/stra/cted big/pic/ture up/close/and far/too/vi/vid just/loose/threads in/stan/ces con/stant/drea/ming/di/stra/ctions: "what are you doing?" "im writing a poem" "what are you doing?" "im building a home" "what are you doing?" "im being alone" (to make some sense some times is lucky) (some way to survive is coming.)
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Jun 15, 2016
Jun 15, 2016 at 4:23 PM UTC
instructions in free, rhythmic, conversational & parenthetic forms
The experiment is maliciously cold, dangerously cunning- A wrong sort of rapture An invitation made in amusement People surround you like the frigid flames in a hyena’s eyes just before it pounces The experiment is brutality, a completely psychological Auschwitz- A nightmare down memory lane- But whose memories are they? The experiment (seems) to work by gas lighting and technology- That’s all it needs- cigarettes and soup But who’s at the watchtower? I have no delusions of reprieve- despite what people tell me They- the illusions, delusions, holograms of people reaching out in “love” Your love is a weight, just like mine is to you Yes, I bring sorrow to you, but out of this sorrow something was created Something you can never know because it can’t be possessed- Too many ideas and too much time… Still searching for one thing- not love, but truth Have a roast, lay it on me Don’t hold back because you don’t want my blood on your hands It’s already been spilled You live with my faults and my dilemmas and my neurosis, But I must live everyday in the body that houses these faults, dilemmas, neurosis. Still they turn on their Piscean baths, expecting a scorpion not to drown- A crematorium with no weapons- Inanimate objects speak, but humans gurgle out white noise, A poison formed first in the brain then saturated by the tongue And all the demonic children…. I am that demonic child. I am that vat of toxic waste. I am a liar, a sinner, a drunk, a madman, a beggar, a freak, a thief My pain fascinates others as they tap on the fishbowl glass, Making me shudder Are these the people of God? Am I a person of God? Most likely neither But how did it come to this? And really, what would Jesus do? Jesus probably wouldn’t live in America And love isn’t enough They crave conformity, obedience- What a sick, twisted practice The sacrifice of one for all Don’t make any waves, but here’s an ocean
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Jul 15, 2012
Jul 15, 2012 at 1:50 PM UTC
The Experiment
The experiment is maliciously cold, dangerously cunning- A wrong sort of rapture An invitation made in amusement People surround you like the frigid flames in a hyena’s eyes just before it pounces The experiment is brutality, a completely psychological Auschwitz- A nightmare down memory lane- But whose memories are they? The experiment (seems) to work by gas lighting and technology- That’s all it needs- cigarettes and soup But who’s at the watchtower? I have no delusions of reprieve- despite what people tell me They- the illusions, delusions, holograms of people reaching out in “love” Your love is a weight, just like mine is to you Yes, I bring sorrow to you, but out of this sorrow something was created Something you can never know because it can’t be possessed- Too many ideas and too much time… Still searching for one thing- not love, but truth Have a roast, lay it on me Don’t hold back because you don’t want my blood on your hands It’s already been spilled You live with my faults and my dilemmas and my neurosis, But I must live everyday in the body that houses these faults, dilemmas, neurosis. Still they turn on their Piscean baths, expecting a scorpion not to drown- A crematorium with no weapons- Inanimate objects speak, but humans gurgle out white noise, A poison formed first in the brain then saturated by the tongue And all the demonic children…. I am that demonic child. I am that vat of toxic waste. I am a liar, a sinner, a drunk, a madman, a beggar, a freak, a thief My pain fascinates others as they tap on the fishbowl glass, Making me shudder Are these the people of God? Am I a person of God? Most likely neither But how did it come to this? And really, what would Jesus do? Jesus probably wouldn’t live in America And love isn’t enough They crave conformity, obedience- What a sick, twisted practice The sacrifice of one for all Don’t make any waves, but here’s an ocean
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