So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-

I pull open the door
And hunt for food in the dim orange light.
"There's nothing inside"
Well, actually,
There is something:
Months old cream cheeses precariously stacked atop each other,
Several mysterious bottles of brown sauces,
Dried out leafy vegetables,
But nothing
This lazy *** can eat without preparing.

I push close the door,
Leaving my stomach rumbling and empty,
But filling my mind with
Dreams

Three-fourths of the dull gray door is covered
With colorful ceramic magnets
From my dad’s corporate adventures
To Batangas, Bohol, Bacolod, Davao,
Hong Kong, Singapore, Malaysia, Macau,
Nepal, Vietnam, Sri Lanka, China,
Dubai, Pakistan, Saudi Arabia
Sudan, Egypt, Ethiopia,
Canada, Greece, and Australia.

I examine each magnet’s contour and shine,
Letting its foreign dust seep into my fingers.
I dream that soon
I will return all those dusts to their lands
And bring home more magnets of my own.

The job's rotten, still.
So many days past writing on pages like these.
Hoping for the best,
full of angst towards schooling and lowly positions.
Now school's over, and I left old jobs,
but the lowliness takes new form.

I left so many of yous there,
but don't look at me all forlorn.
I finished my share of the toil toll;
I went to school, I went into debt,
without even buying a home,
and most important of all,
I only climbed a rung.

I wish I could walk into that retail barn with unfake flair.
Show everyone I'm doing something I loved
and always talked about;
museum work, teaching, or traveling.
Even those "choices" are too general.
Getting over 12 bucks an hour's half the battle.
I'm only almost there, again.

Sitting in class
In front of the blank white math test I was in the process of failing
That I had skipped first period to study for
And instead just smoked my final final cigarette
I had a grand realization
I'm an idiot
I don't know how I hadn't realized it before
Between breaking my new phone to try and prove to my friends it was unbreakable
And sitting on my roof cardboard wings duck taped to my arms
With plastic shopping bag parachutes strung about my neck
Or when I asked I girl I hardly knew to a dance I hardly wanted to go to
Or at the dance, when I ditched her to laugh at the kid barfing in a stall
From the *** cookie he had just eaten
Honest mistake, I did it my first time, too
Eating acid turned out fine, though
Mushrooms, almost made me **** downtown
But hey, Shiva's in the walls
I love an audience
And I know they love my cusses
Once I put my arm around the wrong date
No just kidding,

I don't date

On vacation, I got stabbed between my small toe and the next
With a pencil
Now I'm afraid of wearing flip flops
I biked over the same patch of broken glass in the street
Three days in a row before I finally got a flat
I put duct tape on the frame of my new bike,
It looked cool,
And cutting it off with a kitchen knife
I sliced my wrist and nicked a tendon
Shot myself in the thigh with a BB gun
To prove it didn't hurt to people that didn't care
Twice
Shot my neighbor, too
I told her parents it was an accident
Statistically plausible,
but not this time
Got in a fight with my best friend
And made a Facebook status about how boring it was being suspended
Broke a sprinkler when I was bored
Blamed it on raccoons
It didn't work, the neighbors had caught on to me
Love poems don't come easy
Which is weird,
They're always better when no one loves you back
So I have a surplus
And apparently they say,
Giving that stuff away for free
Is a bit of a crime
Like trying not to rip my already ripped pants
or
Putting a sticker on my cello I couldn't peel off
Climbing over barbed wire to get high
by the octopus tree
I should of checked the penal code
Hiking at night is a crime
Ranger D. Heimer wanted me to tell you
It's okay, he's an idiot, too
September is not the eighth month
The handwriting on the citation isn't half bad, though
In the last three months,
I've had four flats on my bike
I haven't learned yet
The wheel still sitting in the hallway
I lost the repair kit
You think it it would of sunk in before
I failed my fifth math test in a row
I went to a party,
And I didn't do blow
Because I was tripping too hard
The white line looked too weird,
And my nose was still burning from the last line.
I dropped my ipod in the toilet
Then I dropped my dad's, too
Talked to gutter punks
(that's not the stupid part)
And shared a pipe with the sickest of the trio
Yeah, I'm sick now
Got angry at my mom,
But of course, I'm an angsty teen,
Decided to bike to the top of the greatest little hill around
And gave up three fourths of the way there
At least I gave one of my friends the chance to see me in that state,
His house was on the way,
And they say that bliss comes in two ways,
In ignorance or in enlightenment
That's too many choices for me
So instead I elected myself martyr
And grew my hair out to look like Jesus Christ
But now I just look like Charles Manson
I was going to do no-shave November
But I started too early
And ended even earlier
And that was before I realized I couldn't grow a beard
Fool me once, shame on you
Fool me twice, shame on me
Fool me thrice, and the fourths for free,
I make my own omens,
Then happily misread them.
So it might be starting to sink in,
But I don't think it matters much
Being stupid is a **** good time
Next Saturday, you're all invited.

In the months before my wedding,
I searched for a special perfume
high and low, sampling scents,
making everyone crazy with
"What do you think of this one?"
My reason for obsessing was this:
to smell this fragrance
and be instantly taken back to the day I married
the man that I love; my best friend.
Because scents can trigger memories.
When we smell, the scents and odors around us
get routed through our olfactory system
which, in short, is closely connected
to the regions of the brain
that handle our memories and emotions

So one day, I opened a package
which held one of many, many, samples I purchased inside.
with notes of gardenia, jasmine, rose and a personal favorite, violet leaf - I thought I would enjoy it
however, this small vial held more than I ever expected.
I removed the stopper, and took a big whiff...

A warm floral scent, with a soapy musk, a slight spice
Suddenly, without any warning...
I was in a small, white bedroom, with two twin beds
a table between them, and on top, the lamp filled with shells.
The window with lacey curtains.
The two small shelves on the right wall with trinkets -
the dolls at the foot of the bed by the door
I could see the closet, with all the special clothes
the ones us grandkids wore to play dress up
and there, in the middle of everything, was the vanity.
That special vanity we couldn't touch, but secretly did
I could see the old makeup on top the warm stained, wooden vanity with the big mirror,
and the little bench
which sitting on made you feel so special.
In the middle of the memory,
I could smell it... this perfume
I knew it wasn't the same, but it smelled exactly like that room
like her...
like my grandma

I could almost hear her in the kitchen, yelling behind the closed door
"You kids better not get in my stuff!"
she always let us play in that special room
   that little bedroom, once shared by siblings
always mad when we played with her things,
but she never stopped letting us play in that room

I remembered where I was,
and felt the wet tears in my eyes
But I kept smelling... (inhale)
hair rollers, and combs
doilies and the sandwich cookies
her black as night coffee and how she drank it at all hours
the giant backyard, and how it seemed to stretch for miles - a place to get lost and have adventures
the clothesline we would always hang off of,
   for which we always got into trouble
the kitchen island, and the barstools
   grandma always got on to us about kicking our short legs and marking up her cabinets
the special character cups collected over the years
that were for just us kids to drink from
I can see all the fridge magnets,
pictures and trinkets of all the places she and grandpa had been - all the places they planned to go
I remember Christmas, and the tree shaped birthday cake for Jesus
how she made us sing Happy Birthday to Jesus
and the mice, oh the mice
   only Grandma, only Leila James
   would collect figurines of something she was afraid of

I remember where I am, in my room
but I can smell her perfume
and can hear her sass and her jokes
   I can hear her speaking the colorful language of a sailor
I remember the weeks we stayed with grandma and grandpa, when a hurricane took our home
   In all the frustration and heartbreak
   she told me it was rough, but I needed to be strong

I remember when I am
I remember that she has too slowly forgotten
No matter how strong the will
the mind does not remember
but I will remember, my small piece
I know so many others knew her better than me
We all remember when she began to forget
She started asking all of us grandkids
"When are you getting married?"
and now I know I can't look in the aisles and see her face

I never thought I would be without a grandmother on my wedding day
I never really thought I would ever get married
But I certainly never imagined without three fourths of a generation

I remember the night I wrote these memories down
the day she died, a day that was strange,
a day that I knew hurt her husband and children,
a day I knew she was finally at peace.
I remember the decision I made that night...
When I smell this fragrance, I smell her
maybe it only smells like her to me
I know if she were here, that is how she would smell
standing next to me in pictures
and telling me to shrink down because I was taller than her
On my wedding day, I want to know the ones I have lost are present in spirit
I want to wear my grandma's perfume

Beneath the ebb
and flow of the tide,

the ragged
wings of the lady in red
tighten around
my fading shadow.

Our omniscient star does
not shrink at the sight
of shade.

I can taste
its radiance.

A final tear
sinks below
my full-faced grin.

Brood of the journey,
Offspring of adventure;
Cradled in a crib
Of boat rides and bus drives,
Rocked in time with teenage nursery rhymes,
A million miles per hundred hour,
Marking dashed lines
Across the Philippine map
From Region IV-A
To Region V,
For four summer daysprings
And five summer nightfalls.
My umbilical cord recoiled in loops,
Through the roller coaster road,
Under the waterfall expressways,
Bumper-to-bumper with the hills,
Baby on board;
Pulled in my diesel pushcart,
Back to the womb of my motherland
And into the water that once broke
To give me my own air.
But I haven't breathed better until
Now that I swim again in her salty seasac.
How I have long starved my feet
Of her creamy sand
Which the skin between my toes
Suckle like breastmilk.
How short it has taken
For her colors to change
From seagreen in the dawn,
To aquamarine by ripe daylight,
To turquoise in the afternoon,
And to teal blue by dusk,
Upon having me in her arms.
I was as happy as a clam
When a welcome party was thrown
By the fish residence
And I was reunited
With my crustacean playmates
And their echinoderm pals.
During my stay,
I had the whistles of the sea breeze
As my morning wake-up call,
And by night
The sky is my ceiling,
Decorated with star glitters
And one would fall everytime
To turn off my night light
While the waves would splash
A cool blanket on me.
I would go on treasure hunts
To find the lost seashells;
Raiding coast-to-coast of the boundary,
Declaring tug-of-war,
Jumping in with both feet
And holding my breath,
Fighting the careless Captain Current
And his crew of buccaneers
Attacking in foams and spumes,
And I was unwavering,
Unflagging,
Yanking the *****
To victory.
With Merleau-Ponty,
To be free is to be situated;
But with these marlins,
It is dancing on the ocean floor.
Take it from the jellyfishes
Who just go with the flow
And follow the tide
Whether if it meant
Being washed ashore
Or sinking in the deep,
As long as their tentacles
Are free.
One day I visited
The underwater kingdoms;
Parts of Atlantis
Dispersed into an archipelago.
The Coral Cave,
Land of the soft and stony;
There lives the family
Of jelly-prickled corals
Who are all slimes and tickles,
Among their relatives,
The rose reefs,
Who are red as petals
But rough as thorns.
The Boulder Territory,
A colossal chamber castle
Filled with all the bathroom stones
To scrub your feet with,
But which upon being rushed in
By the cavalry of billows,
One would bruise themself
On the cliff floors
For fear of the enemy,
The barracuda;
Patroling the dark areas
Of the vicinity,
Lying in wait
For its next victim.
In the neighboring island
Just beyond the shoreline,
Is the Seaweed Seabed;
The base plantation
Of the seagrapes,
Natively Philippine Caviar,
Which are saltwater explosives
In the mouth
That come in bunches
Of crunchy, jelly green beads.
Last but not the least,
The Pebble Desert;
A torrid terrain
Of dunes and dunes of pebbles
Pink, peach, and pearl,
Cool in the eyes
As pastel *****
But hot in the feet
As burning coals.
Sometimes we create
The most beautiful things
To be mirrors of ourselves
Modeled from our brokenness
To cast back
A better image of us
In one piece
And be looked at
As something worth loving
If not something perfect,
And God must have been
Truly in smithereens
As to put together
A whole world of a looking glass
Reflecting His divine entirety
For us, His fallible caretakers
To see Him as someone
Worthy of our love,
Aside from perfect.
And I know that
He knows me too well
To know that
What I really mean to say
Is 'I love you'
When I would rather
Simplicity speak for beauty
And let majesty be mystic,
Than bother forcing
Some not-quite words
To fit His creation.
Sadly,
Even the starfish,
The child of the ocean
And the sky,
A blending of two worlds,
Yet still goes out on a limb
To be a part of a third one,
Can't stay too long
Where it doesn't belong,
And we all have to
Go back at some point
To the place
We just couldn't call home
Because we're always looking
For somewhere else.
But I have come to find
That home is not really where,
But who you're with.
So I shall never have to worry
For the Earth is three-fourths water
And the body is fifty percent of it;
The ocean and I
Will always share
The same whole.

I have always thought that if
you can touch someone's hand
without them
cringing
and
if they can drink
out of the same bottle as you,
then,
you are close.

Age is an illusion (to me),
and time is made up.
I love to indulge in philosophical conversations
and decadent flavors of people.

When I was six I spilled
a gallon of milk
down the stairs
and I cried and cried for days.

I still don't know my lefts from my rights
but
I sure as hell know my wrongs.

I have always tried my best to
sweep myself under the rug
out of fear
of running into
that Fiery Unearthly Woman
and the green-eyed man.
Who doesn’t know art
without a fist.

I am often told I have an old soul,
but my conjoined twin
lingers
in the aroma of incense and
tequila sunrises.

I grew up in slummy pubs
with scruffy men
chomping on tomato guts
who reflect on their
******* visits and complain
about their payroll.
To this day,
people watching
will always be my favorite sport.

Bludgeons to the head are not
self-inflicted,
Everything's a choice.
Only,
I have been influenced by
crooked bodies who don't
know the meaning of
a little something I call
Peace
and
Love
are all you need in a world
where the people
are too busy tying their shoes.

Reincarnation is one of my many beliefs,
however,
I Refuse
to tie myself down,
I like to say I'm a
“free spirit”,
whatever that is.

And
if I were a cat
with nine lives,
I'd be pushing number seven
by now.

But I still stick by the fact that
I was born to the wrong place
at the wrong time.

I know that if I were a speck of cosmic dust
I would be content,
but until then
I fill the void with
unrequited love and chocolate milkshakes.

I have an obsession with dying my hair,
but I'm too chicken to do anything drastic.

I am a
non-meat-eating-
soul-searching-
animal-rights-digging-
bit-of-­a-hippie-
pacifist -
with a coexist bumper sticker tattooed on my forehead.
Yes, I am that girl
who writes letters to Congress
regarding the cruel treatment of chimpanzees in circuses
and the brutality of foie gras.

If I could
I would save all the polar bears
and clean up all the
littered gum wrappers,
but I am fatigued by the
immorality
of it all.

I hate horror,
thriller,
and gore,
but,
that doesn't stop me from
watching documentaries on Anne Frank
and mental asylums in the 1950s.

According to white lab coats and
shattered spectacles-
My capacity for durability is dwindling
and it's only a matter of time before
I collapse like an abandoned building.
I suppose it's much too difficult
for a “disturbed” “young” “lady”
“like” “myself”.

When I was 7 I drew a picture of a family
and a white picket fence
for my mother,
who never truly understood
how hard it was for me
to color in the lines,
and,
who didn't think twice
as she shredded it
into fourths
in front of my face.

I still remember that day
when she locked the door and
tried to close her eyes,
and I still remember the day
I tried to do the same.
There's this prepreprenatal desire
for little beings
I can sing “Danny's Song” to
in a rocking chair.  

Despite all my goals in this life,
they will always come first.

I chew on my nails when I'm nervous
and I pace when I'm scared.
Fear will always be my strong.point.

I'm an artist
in that
I'm an actor
in that
I'm a person.
Even though,
I'm not
exactly sure
what any of those are
yet.

I have a horrible habit of biting my lip
and re-washing every piece of silverware
before I use it.

I'm all about the classics.
There is beauty
in the
skipped
heartbeats of vinyl
and I don't mind the
crackling sound
one bit.

When I was 8 I would give
the night sky
“moon cookies”.
I thought that She must get hungry,
having to fold in and out
by dusk.  

I love the smell of garages and old books,
but I wouldn't want to make a habit
of living in either.
Being stuck in the residue of past instances
is not my cup of tea,
I prefer chamomile,
and I prefer to keep moving.

I drink my coffee black with extra ice
while my therapist drinks it
light and sweet.
I think that says a lot about our personalities.

In the rare times when
my neutered temper gets the best of me,
my eyes turn a disgusting
shade of green.

The movie “Grease” gives me
melancholia. And I often feel
like I'm wasting my
“youth”
on perpetual thinking patterns
and preparing for christmas in mid-July.

I really wish I could be a
“beauty school drop-out”,
but it's much too unstable.....
which is why I'm going to be an actor.

Selective memory causes me strife;
I don't recall
the distributive property of division,
but I sure as hell can tell you every
word you've ever said to me.

Bittersweet nostalgia
makes me gag now-a-days
because I can't relive
those tender moments
quite as often
as I need to.

I am terribly
afraid
that I cling
too much
to the saviors
I deem dear
to my existence.

I get attached
way
too easily,
and I fear
I stifle wings.

It has taken me an insane amount of time
to value the breath
that flows in and out of my
stale lungs.

Luckily,  
angelic spirits
got my back.

Tape doesn't hold everything together,
but band-aids do help.
And
It bothers me that in ten years
I probably won't speak
to any of the people
who have ever meant
something

and
eventually
everything will
drift away
into unattainable
oblivion.

If I could I would live on a bus
and drive around the country
like a silly gypsy child,
but I don't have the energy
or desire
to
leave it all behind.

In the end,
I am completely aware
that I'll always be
a decomposing mess,
but,


I don't mind existence.

Canto I: Exposition

A dampened quill and wrist unstill
Dare gallop ‘cross the page
Scribbled lines in black do shine
With much and fervent rage

And without fail, they tell their tale:
A passage tried and true
Lasting years, through hopes and fears
On page of yellow hue

Epic tales and loss at sea
Are listed in its text
The hand that writ this hallowed script
Can be no less than hexed

It begged, it sailed, it led a crowd,
It took a lady’s life
It stole, it smote, and always wrote
In volumes more than rife

He took this hand to unknown land
To carve a profound path
He set the sail for times to come
Yet tore himself in half

He lay awake in warm Toulon
In misty-morning May
The yellow birds in shrillest words
Alert him to the day

For too long days and longer nights
He’s waited for the word
The morrow here will mark the first
Of correspondence heard

Bonaparte has rallied here
To Toulon’s bustling bay
Three-fourths a score of battleships
To Egypt make their way

Before the high and mighty men
Joined with the water’s ebb
A note was slipped beneath the door
Assigned to M. Lefèbvre

Finally, a true decree
Has blest his merry course
Soon, eagerly, he’ll set to sea
Lost time his one remorse


Canto II: Aleron

Out to sea are thirty-three
That with me sail the tides
With these men, I trust my life
They follow where I guide

And so we’re gone from warm Toulon
Just days from the decree
Noble men off far ahead
And me with bourgeoisie

Bonaparte has aimed his fleet
To Egypt’s sandy shores
Through pirate gangs and ill intent
His roaring cannons tore

We follow in this taintless route
As far as we can trail
But soon we’ll turn half-way to stern;
To Gibraltar we shall sail

Days upon the Aleron
Are short but riveting
My men maintain their cheery air
And working still, they sing

No more of cloudy restlessness
No more of shady days
The blazing sun and windy waves
Have chased off my malaise

We pull our sheets and head from east
To curve around southwest
Past Ibiza, whose northern shore
Our Aleron caressed

The choppy sea grows thinner
And our nerves become unstill
The pirates of the Barbary Coast
Could leap in for the ****

And now, a sign above the line
Where water meets the sky
A tow’ring plume of certain doom
Is growing ever high

The heavens choke with blackest smoke
As fires burn a boat
The raw, impending fear of Death
Is clawing at my throat


Canto III: Skull and Bones

‘Tis hours later and we’re chased
Beneath the star-dogged moon
We tried to break away to north
But broke away too soon

Unknown, we tailed the pirate ship
Then saw the far black dot
The crow’s nest signaled skull and bones;
We held onto our knot

We much too late had turned around
My Aleron spun slow
Sheets so white in plain of sight
Had sold us to our foe

Our heaviest of itemry
Into the sea we cast
Rusty tools and iron spools:
Submerged, and sinking fast

Yet still we could not make a pace
To lose the rotten crew;
On our backs, they sailed our tracks
And split our wake in two

And so the misty moon is here
And watches like a ghoul
As we divorce our southern course
For Pillars of Hercule

The flick’ring light behind us
Like a glimmer in an eye
Stares and preys upon us
In cover of black dye

It grows and throws upon our ship
A light of fear and blood
It digs into our drowsy eyes
With sharpness of a spud

We hold on to our frantic pace
Till night invites the day
When to our right, in bright sunlight,
An ally heads our way

With Godly sound the cannons pound
The scoundrels far in back
Our brothers there in ship so fair
Repelled the foul attack


Canto IV: Gibraltar

In safer seas, our Aleron
Met with Le Taureau Bleu
We buy and sell and trade our stock
And praise and thank the crew

For safety’s sake, along we take
Two cannons of our own
We’ll stand a better chance against
The skull and crosséd bones

On we sail, on more and more
On through the placid day
No longer faced with poor intent
We make our merry way

Finally, from the vociferous chum
Upon the tall crow’s nest
“Land **! Land **!” Enthused, we know
Gibraltar’s over the crests

I decide to park (good-will flag on ark)
At the British colonial base
With cannons in stow, civilians are we
Attacking is surely bad taste

Just then, as I stood face-front on the deck,
A shrill squawking was cast
To the back I turned, and quickly discerned
A yellow bird up on a mast

How dare it perch there! I’d **** it, I swear
But I’d fire not a gun
Britons who spy me would surely deny me
Fair entrance, if that’s what I’d done

Instead I’ll sit tight; my crew is all right
They don’t mind the bird at all
I’ll listen and bear it, and try to forget
That the bird is the cause of my fall

Closer we draw to Gibraltar’s port
The Britons are within clear view
With a wave of a flag, they accept us in
But my anger cannot be subdued

I ready my gun; to the bird I have spun
And fire my shots to the air
The Britons, upset, rush onboard and get
Me constrained; and ensued despair


Canto V: The Crimson Owl

Silver chains kept me detained
As questioning carried on
Was I a spy for whom I ally?
Or was I simply a con?

I kept face as the questioner paced
And the brute slapped me around
Lastly, I smiled, as after a while
They had no evidence found

With regret, they set me free
Determining I was no harm
But seconds before I went through the door
A fellow rushed in with alarm

Cannons, found inside my ship
As rifles point at me
Again, they had me cuffed and chained
And threatened hostilely

“Smuggling arms to enemy ships”
Was written in their book
Chained and gagged and stowed was I
No better than a crook

Between the pillars I was passed
But not as I had hoped
Both my arm and legs were bound
My fragile neck was choked

In the bowels of The Crimson Owl
I slept in dark distress
No other day, with truth I say,
Had I known such duress

The days had passed and I’d amassed
A hunger, fierce and true
All my thought was set aside
To find something to chew

When suddenly, the shrillest sound
Came flying from afar
A cannon shot had hit its mark
The mainmast it would mar

Sounds of death came all around
And finally toward me
My blind removed, I held in view
The pirates of this sea


Canto VI: Captain Riceau

I stepped aboard by point of sword
And left the burning Owl
“Bienvenue à Le Chat Fou”
Said a fellow through his scowl

But when I talked, they stopped and gawked
Surprised at me they were
A fellow French, I was embraced;
The Crazy Cat could purr

They brought me on, my captors gone,
And took me as their own
And for the time, I went along
And made this Cat my home

I was kept live, and was used for
My knowledge of the sea
For vengeance ‘gainst the Britons
I complied happily

For months - perhaps three seasons passed
I rode upon this ship
Captain Riceau valued me
He named me second skip

For cause unknown, we crossed the sea
Old Captain held his tongue
He would not tell us why we trekked
And chased the setting sun

He brought us ‘round the chilly tip
Of Chile’s southern shore
No reason from his crazy lips
Though long did we implore

Then at last, the day had passed
When Riceau caught a cold
His eyes were red, his limbs were dead
His breathing: hoarse and old

I became the skipper then
And buried him at sea
We cut up north to flee the cold
But at a loss were we

Confused and crazy we’d become
Just like the Cat, rode we
I thought to keep Old Captain’s path
And that meant mutiny


Canto VII: Mutiny

Two days it’d take for them to make
The foul and bitter plan
That I’d be through with Le Chat Fou
And they’d return to Cannes

I lay asleep, in sleep so deep
Dreaming of Calais
The maiden fair with yellow hair
Who one day would betray

In this dream, I heard her scream
And went to touch her cheek
But standing as a statue does
Her gaze was still and bleak

They dragged me back into this world
Then dragged me off the port
My lungs too filled with shockéd air
To object to this tort

They threw my pants and diary,
And sandals, as they laughed
For shoes could serve no purpose
On the ocean’s liquid draft

The flick’ring light before me
Like a glimmer in an eye
Stares but grows more distant
And retreats into black dye

An injury had placed me in
A lesser swimming league
Then again, it’d only serve
To cause me great fatigue

Three days, I had rode the tide
Of the western ocean’s waves
No shark, no squid, no slimy thing
For my flesh did crave

The crests came up like daggers
And fell like hulking trees
I prayed to God almighty
I survive the vicious seas

Finally, I set my stare
Upon the northwest sky
Far away, but clear as day:
An object in my eye


Canto VIII: Abyss

Although I swam me ‘cross the sea
As fast as my arm can
Dry throat and sun win victory
O’er me: a fainted man

Trapped in darkness once again
I spy my fair Calais
Screaming, shrill in bleakness then
With not a word to say

Over me her head hangs low
Her arm is slightly raised
Blood drips off her elbow
Her expression leaves me dazed

She’s gone; the air is hard to breathe
The wind is biting cold
A canopy of restless leaves
Is stirring uncontrolled

Lost inside this world of wood
I struggle to emerge
Feels like years have I withstood
While searching for the verge

No chirpings from my yellow bird
No noises all around
Not a sound is to be heard
But footsteps at the ground

No rodents gnawing at the bark
No insects in the trees
Alone I sleep in brush so dark
With nobody but me

In the drying mud I’m laid
Despondent of my fate
Looking through the verdant shade
The sun does penetrate

Streaming down, the light is rich
Bespeckled on the floor
Dancing ‘round without a hitch
Its presence I implore

I call upon the pouring light
To lift me from this hell
To nullify the chilly blight
Incite the warmth to swell


Canto IX: Land Forgets Itself

The burning light lends me its faith
Yet suddenly absconds
The dulling light projects a wraith:
My soul from the Beyond

The day retreats and turns to night
The moon in place of sun
Mute, and without touch or sight
I desperately run

Fleeing from my fading soul
Myself, I do berate
For no such being should extol
Escaping from my fate

Luscious leaves all turn to brown
They wither and fall fast
Suddenly, upon the ground
A dune of sand’s amassed

Crawling on the desert floor
And shaking from the cold
I hate and bitterly abhor
The night’s begrudging hold

In the distance, at the line
The land forgets itself
The beaming rays of light do shine
And warmth indeed does swell

Basking in the drenching sun
My coldness is expelled
Frigidity that night had won
Has fully been repelled

In the sands, I’ve laid to rest
To steal the heat of day
Yet no sooner had the sun caressed
Than sourly betray

Melted on the scorching sands
My body burned and scarred
I cannot lift my torrid hand
My feet have both been charred

The burning heat has ripped my lust
For life and will to live
My last resolve is brutely ******
Through Death’s unyielding sieve


Canto X: L’Oiseau Jaune

I coughed and spat the water that
I swallowed with my snores
Upon the sand my hand did land;
I’d made my way to shore

The beach was bright with fiery light
My skin was hot and red
I tried to get out of my head
Those visions that I dread

A novelist I once had been
Writing was my joy
With pen in hand, I could withstand
Each plot set to destroy

Yet Calais came and stole my heart
But also my free time
We wed and had a baby boy
Our life was too sublime

I raised my pen to write again
To feed the family right
I spent my days filling the page
And toiled all the night

When finally, she’d lost her mind
She needed to be loved
I tried to calm her shrill attacks
With no help from Above

My raging wife had grabbed a knife
And stabbed my writing hand
Yet somehow I had speared her eye
I couldn’t understand

At the elbow, I was chopped
And no more could I write
The widespread fact I’d killed my mate
Had augmented my plight

I beached onto an island;
This was no Chilean land
I walked around the grainy ground
And found nothing but sand

But soon a rescue ship had come
I was not too long gone
I read the name upon the port;
It was l’Oiseau Jaune

The real time enterprise
Unkempt lullaby.
Summer palate
Blue. Solid.
Resting all the day long
Felt up, and nauseated.
Autumnal incantation
Worry prone emasculation

The way water pellets run down
your tan firm body
like light nimble fingers
caressing your edged jawline
makes me wish those fingers
were mine.

The way the sun reflects off of
your white brilliant smile
like many bright little stars
inside your lips
makes me wish your light could shine
into me.

The way you walk towards me right now
your muscles tensed and eyes locked
like an animal going in for the prey
makes my heart race and skip beats
a little kid on a sugar high.
Which I am.

Looking at you is like feasting on
Halloween candy
eating the entire pillowcase-full in one night.
Gazing at you is like going back for
seconds
thirds
fourths
on dessert
and not feeling the least bit guilty.
You are my secret stash of
eye candy.

do you ever wish your body just wasn't your body?
that every cell
of every square inch
of every limb
over your entire body
was completely different
that every cell
of every square inch
of every limb?

do you ever wish that nothing about you was you?
and you know that if your mother knew of your sins
she would cry
and there's nothing you can do
to stop those tears
you know
your mother would cry
if she knew of all your sins?

do you ever wonder if your friends would be your friends if they knew
the awful horrible things about you?
do you ever wonder if they'd stop calling
if they knew all the times you swore
you pleasured yourself
you killed them in your mind
you let something awful
horrible
terrible happen
that would make them never
ever
want to see you again?

do you ever wonder if God gave up on you?
do you know He always gives people second chances?
and thirds?
and fourths?
and fifteen thousands?
but do you wonder if after five-trillion-
four-hundred-billion-
-two-hundred-thirty-seven-mi­llion-
three-hundred-thousand-
and-eight
He finally said
"You know, I gave this guy
(or girl)
plenty of chances,
but they messed it up five-trillion-
four-hundred-billion-
-two-hundred-thirty-seven-mi­llion-
three-hundred-thousand-
and-eight
times
and that's just one too many."



i do.

This eraser is my trust,
huge isn’t it,
there’s so much to give
I have given it to you, now be careful
the more mistakes you make
the less there is,
the more you play with it,
the more it breaks,
the less you care for it,
the more that you lose it,
follow these guidelines,
you’ll be fine,
One, don’t draw on it,
it’s not a paper it’s an eraser,
it can get forget your mistakes,
unless they're written on there,
Two. don’t let anyone borrow it,
I’m trusting you, only you
to care for my eraser,
to be sure that you can handle it
Three, don’t break it in half,
or in fourths, not even eighths,
may seem like more but really,
it’s just easier to lose,
and once it's gone,
you can’t ever have it back.

"I hope we last. I hope we do.

But if we don't, this is how I want you to remember me:

I want you to remember me curled up, listening to the sound of your heartbeat and tracing maps across your skin. Remember me laughing at your jokes even the stupid ones. Remember me in hysterics for absolutely no reason and in tears because one time you made me so sad neither of us thought I'd recover. Remember me brave, that time you held my hand and I thought I was going to die; remember me scared and gentle and delicate and breakable - only for you though, only for you.

Remember me happy, and all the ridiculous ways I tried to get your attention. Remember the way I was too stubborn to talk to you and how absolutely insane it drove both of us.
Remember all the firsts and how they were so delightful we went back for seconds and thirds and fourths. Remember the songs you couldn't stop listening to and the childish dreams you allowed yourself about the future. If it's any consolation I allowed myself to have them too.

If it comes to it I don't want you to remember the ending.

Remember the beginning. Remember the first time you knew."

You run into the station as I'm pumping gas and come out with a gigantic cup of coffee.
"I know that usually by this time you've had three or four cups, and this was the biggest they had."
I take a long swig, and it's the perfect combination of caffeine, dairy, and sweetness.
"I love how you know exactly how to make my coffee," not knowing if you realize how much significance I place on this small act.
"About three-fourths coffee, one-quarter milk, and a ****-ton of sugar," you say while smiling at me so casually.
It's not a big deal, and yet it is. You pay attention to the tiniest of details, take notice of the most seemingly insignificant parts of my day.
You have no idea how much it means to me, how much value you have added to something such as this cup of coffee.

Nervous. Boot heels click clack up steps. Walk around back.
Step in.  People in pockets everywhere. Swerve straight to cooler.
Take a beer. Cracks open with crisp click. Drink drink drink. Ellipse of friends block out world.

Finish beer. Talking a little louder now. Confidence enough to walk to cooler
alone and grab more beers. See Steph and stop to chat. Move on. Keep on drinking the whole way back.

Two and a half beers and I’m starting to feel it. The excitement, the loosening of social limits. The loosening of myself. Boy whose name starts with a “C” but I just can’t remember starts talking to us. He’s kind of cute.

My fourth beer drains down my throat and I’m laughing at a joke. I’m friendly, people are friendly. The world is all kindness.

My sixth(and three fourths) beer in my hand, my head starts to droop and my hips are swaying of their own accord. It’s like the sky has puppet strings, twisting me side to side. The beat controls me, the world whispers my movements. Who whispers to the earth is beyond me.

…am I on my seventh or my eighth beer? People walk off to dark corners, hands on hips and ******* and chests. Still I dance somewhere in the vast dim basement. Still I twirl, rhythm gone but gravity still clinging to the movements.

But where am I? What am I doing here on this dance floor, on this city-planet floating or falling or patiently waiting on the ice-slicked footsteps of space? The world is spinning as it pirouettes around the sun, the sun circling a superstar, that star swirling around the center of the galaxy, spinning like a top in the rest of the full dark silk of space, stars clapping and nebula soaring and supernovas shattering, guests all to the raves of light years. I dance on earth’s doormat drunk and spinning, feeling a giant in my world and a broken bottle in the worlds of others. Oh god, in the words of that song that’s beating in the bones of the earth and the air in my lungs, can we get much higher?

Your absence has drawn
fractions on my belly. It's
bisected the axis of my
heart; it has split me apart.
I am charts and statistics.
I'm percents. You were sharp.
So was I; when I left, I cut
those halves into fourths.
I left one in your bed, now
I'm three quarters saved
and one quarter spent.

i'm going to **** myself soon
because of how badly breaking hurts
and how lonely 'broken' feels
but sixty percent because lately

my sadness
is forming echoes in my bones
such that my broken pieces hit other hearts
before reflecting back to cut against me
scratched people are not art
and I don't want to hurt anybody

thank you for listening to my stories
and for never spelling out
that I was not in fact 'okay' even if you knew
i'd been crossing out the days really quickly

it was just what I needed
to have my delusions persuaded
my fears remain seated

because how can people not have breaking
points when water has a boiling point
and we are three-fourths that
I am three-fourths not
good enough

the decision had
long ago been made for me
i had stopped being happy
and it's been some time since I've prayed
because what can you do to fight fate
when they confiscated your weapons
they never returned them

I want to be whole, alone, a poem -
anything but broken,
but I am broken.
I am dying,
I am dead

“I’ve never murdered anyone.” said the girl to the boy
“No one enjoys a liar.” he replied through a gritted smirk.
“Although you knew not what you were doing I still hold you accountable for your actions for who else am I to blame?” the boy inquired in an almost human tone.

He’s applauded daily, friend’s and family’s hugs
And they all are aware that he misses the drugs
*******, ecstasy, alcohol, and ****
Used to be all that that crazy ****** needed
Cranking his **** like a jack-in-the-box
Slayed all his cravings as swift as a fox
She claims to love this boy straight to her death
And it might arrive in time to save his

A Victorian-era young youth of ripe riches
She could have portrayed Helen herself
Much more assertive than all of the *******
****** up and begging for help
He licked some girl’s hair-covered ****
Then kissed his savior right on the mouth
**** coated tongue with some chick-***
Then ****** her without any doubt

“No one can **** me! Nothing can stop me!”
Shouted the young man in rage.
“Don’t be so quick, baby.  We’ve got a new baby
Growing in me on the way.”
The young man’s jaw dropped to the ground
Exposing his soulless trench.
The ******* of evil ****** the man
Into a hug with that heartless *****

You are my slave
You are my slave
You are my slave

Three-fourths of a decade pass with ease
When your only concern is if you’ve got some cheese
To place on a ******* and nimbly consume
Being real quiet ‘cause in the next room
Is hell on the earth
And that spawn that she birthed
Blowing through everything that you earned
Shoveling **** at your ******-*** job
Or ******* a **** just to make your boss throb

The man spilled his southern-style tea on the floor
Causing a stain and a crash and the door
Flew open while the billows of smoke
Circled around the sweet ***** who was cloaked
In nothing but her jutting-out demeanor of anger
Screeching shrill nonsense of his lacking of manners
Threatening to pack up and leave him to live
Without his accidental, wicked, lead kid

You are my slave
You are my slave
You are my slave

“What the **** do you think you’re doing?!”
Was all she got out as he wrapped
His weathered and callused hands around her neck
He then ****** his blood-filled **** into
Her vile, child-rearing hole of malice
And pumped violently while his
Daughter watched in a state of shock and arousal

I’m not your slave
I’m not your slave
I’m not your slave

I. there is a sort of ephemeral longing
you can only find in the heartbreaks of grown-up girls
(old tracks, cleaned room, messy hair, simplicity)

thinking back on the glowing days of adolescence
when bad flicks brought you places

IV. back then, the anticipation of being older was
almost tangible enough to cut
in halves, fourths and one-tenths

now the mere thought turns you off;
lemon cakes taste as bitter as the sugar
poured in your third afternoon coffee

V-III. your love of chocolate was left at the beach
along with pink heart-shaped sunglasses

(i rented that semicentennial-old russian novel
to convince myself that dreams aren't real
and until the skin breaks, your past stays intact
at least that's what H.H. taught me)

VI. looking back, your childhood was not as bad
as you make it out to be, truth be told
fascinated by your infatuation with the
place where you always belonged;

II. today the world is cold, punctuated
by the sore troubles of reality
that friends, majors and late-night talks
both compose and mend

and heaven knows how much you have to say.

Late at night I am creative
in the form of a fizzing soda bottle
pomegranate deep purple liquid
poured into a glass tumbler three fourths full
standing on a chair moving cereal boxes

that tall glass bottle in the back of the cupboard
splashing it in the tumbler clear and sour

half a teaspoon of sugar and a squeeze of lime
mixing until I see the pink froth on top
drinking it down before I realize what I’m doing

Flash back to a few hours before
“you smell good” is what he said to me
leaning in, whispering it in my ear

Well how do you like me now?
breath full of fruit and something sharper
I can’t say you’d approve of the way my brain buzzes
but I know, secretly, you would understand

She told my dad he was “kind of an *******”
the first time we had dinner with him,
at this place called The Pear Room
but she was disappointed that there were not only
no pear decorations, but that there was not a single dish
with a pear included. She ordered a dry martini
with three olives on a skewer,
but she never took one sip. She gulped.

She came at me like an avalanche in jean mini skirt.
I tried to run ahead of her, but she picked up speed
and tossed me right into her path with scratch marks
on my back to prove it. You’d never know it
by the way she twirls her hair into a bun at the top of her head
just to take her make-up off, how she laughs
instead of getting ******, or how she sometimes
orders her dessert before her meal, but she’s just a girl
who puts on her toughness in the morning like a slip.
She folds

her dollar bills into fourths before she puts them in her wallet,
and she strings herself like paper chains
against the sun every day as she drives to a job she hates.
She listens to Miles Davis on her record player,
asks me to dance at half past eleven on nights I need to sleep,
but I get up anyway. I pour us both a glass of Coke
and try to capture the reflection she doesn’t see of herself,
mirror it in my eyes, just so she knows that she
is not just another item on the menu.

I exit my door and enter the corridor
The walls begin to collapse as
I grow twice in size
I make a left and turn the corner
As the walls expand I shrink
Three fourths of my size
As if I'm in a fun house
And the hallways are changing size
Yet they've been consistently the same
All those many years
I make my way back home
As I stare at the walls melt.
Till I fall asleep
And wake up thinking it was all a dream.

That dark patterned line
crossing straight the moon,
centering the frozen sphere-gate
of a misty autumn night-sky,
is not a cloud to sink down on only
and float subtly for a while
< so I can feel the aura of your skin mixing with the mine >
but it is also a five line staff
and tells me an aurally perceived absolute secret so that ,
through my hearing ,
you will
rise,
glide,
twirl
and cross
other lines,
tune my gaze
and engrave a mystic score beyond your shine,  
plant each of  ‘you’s,
note by note,
in ones, halves, fourths, eighths , sixteenths and ‘pi’s
in the heart of each
<beyond the clouds away from my reach>
twinkling star  

so that anyone that could look up with a heart,
<maybe on a clear night sky>
would see a commencing song-
singing the dance of an ever weaving light-story
visible to those eyes with a knowing only that
<the knowing about a wish is
a wish that shall eternally be kept a secret>
has the enlightening technology to recreate a reflecting galaxy
with an authentic memory
that expands infinitesimally
<which we in our terms would say it expands by love
but in truth would not really know how
unless the terms are lost and we have got no time except to  > - be now-
be now
be now with me now
and now and only now
be now and with me now
and only now and now

Would you come and meet me then?
there?  
but I don’t know where… just there?
wherever all these sky lookers are
and be one of them, again ?  as we did once– on a terrace
one summer night, we watched our own story under stars,  among crowds while I asked for your light and you kissed me awake for eternity and so
would you let me kiss you this time - one more time
just for the last time  and forget that eternity  eternally this time?

Give me..
Give me that good ****.

You know, that good ****

We're handed pipes instead of pills.
Told to smoke pain away something that's been breed 4 generations deep.
A poverty in the sheets.
An allergic reaction,
nuclear,
biochemical -
skin abrasions, lacerations -
3rd degree burns on our hearts.

Drink away the pain  to sooth the burn.
To silence the scald.

No one even teaches you to hold yourself.
Instead they tell you to find someone else to do it for you.
Make you unable to be whole.
To be three fourths **** up.

Bandaging your own self inflicted scars in the bathroom sink.

To be metal jackets made of sorrow.
To be blacked out Saturday nights, too hung over to go to church with your family in the morning.

To be so high, you never even get low.

To be light bulbs busted, stayed bright too long.

That good **** ain't good **** when it turns you into the kind of slack jawed, numb monster your mother is ashamed of.

We are a generation self mutilated - no, no - self medicated.

Raised by television sets, they made cigarettes look ***.
They made suicide look pretty,
And binge drinking look cool.

They made it normal for kids to pass around bottles of liquor at 14.

You're too young and too fast, and you're trying to not ******* feel ****.

I've been you.
I am you.

So no, it ain't no good ****.

I don't have any good ****.

Cause nothing is good, if it's never been bad first.

If it's never been broke, and broken, and sick.
If it's never cried itself to sleep.
If it's never seen its own reflection in broken pieces of glass and felt akin to the shatter.

You have to feel every inch of the low to make any high worth it.

And let it be a homemade one.

Let it be love.
And lust.
And the sun, and good art, and loud music, and jukebox laughter, and your family telling you, you matter.

Don't let it be synthetic and manufactured. Don't let it be bought on street corners, let it be home grown, and natural.
Raised in the corners of your mother's smile.

Let those good moments be you.
Let those moments be life.
Let them be the warmth before the scald, let those be the moments before you fall.


And I know it hurts.
It hurts to be a volcano victim.
To be so irrevocably in love with life when it can burn you so badly.

Believe me, being numb means nothing.

And yes, I know it's hard.
Hard to be 14,
And 17.
And 21,
And 45.

I know it's hard, so ******* hard to exist every single day.

I know the bouquets of heart break, feel like chainsaws and forest fires.

I know the boys hurt your feelings.
I know your parents don't understand you.
I know your teachers don't listen to you,
I know you hate yourself

And I know you shouldn't.

Because baby,
A pipe,
Or a pill
Or a bottle
Won't ever do any good **** for you.

He still felt deafened by the terrible noise
From the huge field guns that both sides had
Been firing hour after hour for four days. You
Could be scared to death just from the noise.

An eighth didn’t seem like much
Two sixteenths
Four thirty-seconds
Eight sixty-fourths
Sixteen one hundred and twenty-eighths.

Following his recent promotion to Colonel
He was sitting in his new office at his new desk
Hesitating to put his pen to paper
Resisting the inevitable sorrow to come.

He was writing down the numbers – thinking
Thirty two two hundred and fifty-sixths
Sixty four five hundred and twelfths.
Now the numbers looked much bigger.
When he reached
Five hundred and twelve as a
fraction of four thousand and ninety-six
He stopped.

The number now seemed insurmountable
Yet it was still that small fraction.
But he now had to write to that number
Of wives, mothers, fathers, brothers and sisters
And tell them that their boy would
Never again walk through their front door.

An eighth is so much more than just a fraction.

©JRW2014

J.
U.
N.
E.

With each letter,
It's divided into fourths.
With each syllable,
You fade away.

As the days and hours
Tick on and on,
I feel you.

Dripping
Out of my pores.
Scraping
Out my guts.
Packing
My heart,
And taking it to go.

Now I can't
Look you in the face
Can't
Find comfort in your embrace
Can't
Stand in one ******* place,
Because my paycheck
Is running out.

I knew in the beginning
That this time would come,
So I'm not saying
That this isn't fair.

But when you leave,
My love will be lost.
Maybe I should have looked first,
For how much
You cost.

Caulk like chalk lines
Drawn on a brick wall
draws blocks together
like ionized particles;
and so the dust whips
up from the pavement,
onto the flat mast
of a tricolored flag
which rests in public space–
but not without movement,
but not without tension–
would fall without knots.

And so our good people,
held by conviction
prescribed by no doctor
swallow a large dose.
Fellow faces they crumple, yet
it’s poor taste to mention that,
and so the tongue is tied;
we speak not.


White cloth like chalk lines,
Red strips like bricks fall
Three-fourths down a half mast;
good people feel sad.
Hands over mouths breathe
through cracks in the radio feed,
like freckles on a sunburn bleed
when cancer starts to spread.
Good people see the bad
and so white faces turn red,
the tragic intrudes on public space
and yields nothing said;


With chalk drawn in broad lines
Knots in arteries tie,
And so I share in death
with all passers-by.

Chalk traces human shapes
—hollow forms on the street—

a dream in waking,
immutable quaking,
beneath a a flag where all colors meet.

Like his Mother Nature,
Forest is full of life and magic.
He is the keeper and protector
of all of God's creatures.

With roots for feet and tree trunks for limbs,
he towers over all;
and feels everything
that moves in his soil.

He has eagle wings to fly over the mountains
and owl eyes to watch over the night,
that when humans come to visit,
they get lost in wonder and awe.

On the other side, there is River;
who is pure and powerful.
She heals and restores life
in all of God's creatures.

She flows to the seas and oceans
and fills three-fourths of the Earth
and half the human body
to nourish the world.

She brings calmness and peace,
like how the Forest provides an oasis;
and together, they hold the secret
to our blue and green planet.

Heart beat- rhythmic,
Sleeping- poor.
Not even for a second did I think
we'd be less
than more.
Crack me wide open,
scream to my lungs,
bite at my muscles,
cut out my tongue.
Burn all the ropes down
keeping me up.
Not once in my own thoughts
have I been enough.
I've slept in far too many beds,
too many hands have touched me.
I've tasted far too many boys,
made love just once under the sea.
You're beautiful but I am not,
I am three-fourths used up.
I know I've lost a lot.

here’s kind of a funny story.

they knew i had hearing loss when i was eight. what followed was doctors and operations and more doctors and the funny thing is that they still don’t know why i can’t hear out of my right ear. what’s not quite as funny is how i treated it. how i thought that this was something to be ashamed of and hidden, how i thought that it was weak, somehow, to not be able to hear.

it’s hard in class, sometimes. if we’ve got some kind of discussion going and people all over the room are talking and i’ve got to turn my head, whipping around from person to person, trying to get my left ear pointed in their direction. i never make it every time so it’s always a cut, disjointed thing, the tail end of a sentence that i don’t have the context for. sometimes there’s background noise and that makes it worse. loud air conditioning or people whispering and i can’t focus, can’t hear, even when it’s just the teacher talking and i’ve gotten my left ear set up in their direction. i’d love to tell them to shut up but i’m pretty sure they think i’m aloof because sometimes when they talk to me i don’t hear them.

asking teachers for closed captions is hard. going up to them and pretty much telling them hey, i can’t hear, change your class for me, is something i don’t think i’ll ever be good at. and sometimes they don’t know what i’m talking about. sometimes they ask the class to fix it and oh god that’s embarrassing because i know it’s nothing to be ashamed of but i still am. ashamed, that is.

there are these old movies from the eighties that we watch in history class. they don’t have captions. the ones about china are my favorite because it’s like, that’s me. that’s who i could’ve been. and the movies, they’ve got these interview segments. people speaking in Chinese, their first language, and us listening. they turn down the volume on the Chinese and lay over it English translations of whatever it is they’re saying and maybe for other people that’s a good thing but for me it’s not. for me it means that the Chinese that i don’t really know but can guess at fades into this muddle of sound, English and Chinese and cheesy background music all mushed together in something that i can’t hear.

i still don’t know what they say on the school announcements and i’m done caring.

sometimes i’m sitting in the audience of the auditorium and i don’t really know what’s going on. school assemblies are the worst. rapping and fuzzy mikes and so much background noise that even if i wanted to hear the stage i wouldn’t be able to. all i can do is cover my left ear and try to ignore the faded feedback from the right. because it’s not rude if you’re not covering both ears, right?

(i can’t stand not knowing so it’s better to cut that off at the beginning. to make sure i know that i won’t be able to hear them with three-fourths of my hearing gone. it’s less disappointing, that way.)

i can hear the people i need to. it takes a while but if i know someone’s voice well enough, if i care enough to learn it, it’s easier to understand, even if i only catch an intonation of a syllable instead of a word. and they know. they know i can’t hear so they walk on my left side and i love them for it. if someone won’t walk on my left side when i ask them to i know that i won’t learn their voice.

someone tell me why it’s the twenty-first century and people still think “deaf and dumb” is a definition instead of an outdated relic. someone tell me why it’s the twenty-first century and audism runs rampant through people who would rather label us than know us. someone tell me why it’s the twenty-first century and there are still people who think deafness is an illness. that my hearing is something that should be cured. that it’s stupid, ridiculous, to be proud of a “defect.”

someone tell me why my ASL teacher didn’t stop to ask the class if someone had trouble hearing. wait, no, you don’t need to tell me. i know why. it’s because you assume hearing until you’re wrong and that’s so strange to me, because i haven’t been hearing in years and it’s not like i’m trying that hard to hide it. you’d think that someone who knows ASL would realize if one of her students had no idea what was going on.

the first thing someone asks me when they learn i’ve got hearing loss is whether i read lips. i don’t read lips. take away the sound and have me stare at a silent video and i’m helpless. but i can supplement. i can take what i’ve heard and match it up with the movement of the lips, the throat. is that an R? yeah, it is. did they say elephant? yeah, they did.

it took me a long time to tell myself that this was okay. that not all communication is verbal and how, exactly, is this an exception? maybe people think i’m strange for staring at their mouths when they speak but if they don’t know why it’s not really their business to know.

someone tell me why it took my whole life to realize that i don’t care whether i can hear or not as long as i understand the world around me.

that’s why math is my favorite class, i think. no lectures or explanations necessary. just me and the numbers and mathematical notation.

math is a class that i don’t need to hear in. and i’m most comfortable with the silence.

so tell me was it my fault
or was it yours

because I said I wasn't sure how to love
didn't think I had ever felt that before
or was it your greedy heart
gluttonous for seconds, thirds and fourths

from full to three fourths, to half, to quarter
then from darkness back to new
all the moon’s phases in mere minutes
I’ve seen pictures on the internet
a beautiful sight to behold
to watch her silvery bleu cheese
turn into a reddish cantaloupe
perhaps her face is embarrassed
to admit its heavenly glow
is but the sun’s reflection
perhaps she’s forgotten her place
in the earth’s natural order
she is not less, but equal
yin to sun’s yang
lost in the moment
she changes her mind quickly
emerging from earth’s shadow
she feels contentment in sun’s warmth

once in January’s wee hours
so very long ago
I spent the night outside
as backyard astronomer
telescope at the ready
awaiting a comet’s promise
a party of others crescendoed
suspense’s energy and excitement
but their numbers quickly waned
with the fogging of my telescope lens
coldness prevailing over patience
I sat alone for hours hanging on to hope
in the company of trash cans
sitting in silence as solemn sentinel
they said it would light one third of the sky
ONE THIRD!
a sight never to be seen again in lifetimes
I waited for its brightness and brilliance
until dawn started to peek out
over the eastern horizon
just then a sparkle of light preceded the rising sun
is this it?
could this be Kohoutek?
it seemed to slowly climb into the morning
as it approached and grew bigger
I realized it was just an airplane
what a rip off
what a wasted night
I was robbed
cruelly cast in the role of Kohoutek’s fool
nothing to do now
but bring my frozen telescope inside
and jump into a nice warm bed

will she be kinder?
will Luna eclipse that memory?
will her heavenly glory
be worth the cold and the wait?
I sat on the edge of my mattress
gathering the covers upon my shoulders
should I go?
nah
maybe next time
zzzzzzzzzzzzzzz

I
kept saying “I’m just glad no one got hurt,” last night when
I crushed a car driving a semi.
Just about to sleep
on the road by the sugar factory in my hometown
when I heard a horn honking and people yelling at me.
Before I heard aluminum bend at once.
I recounted it to spectators after the fact--

IN MY DREAM--
it was this
yelling, this
honking
inDICTED the victims in my
mind.

That road was endlessly wide.

Their car could have moved enough to miss me;  they wanted to
get hit.

For the insurance, maybe.
Who knows?

IN MY DREAM
people get right out of smashed cars.
Below your driver’s side door giving silent, dis-
approving glances within seconds of your palm-
shielded face;

After it had started to get dark
I remember how my dad had
our truck down filling up
on the corner with
scraps of steaming
food.

I noticed potatoes
cut into halves and
fourths piling in and flowing through the broken
tailgate. I knew
where that truck was going:
back to the country.

Where I was told to park my truck and RUN. in-
stead of
crash into the city. Then I saw the insurance adjuster, ask-
ing him,
“hey,
how much will it cost.”

“Some

number that doesn’t surprise me.”

I walked to the corner, past a car
dealership which doubled as a
firework
stand
in the summer
when I was young
and still does.

He threw caution into his red cup.
He named his drink the forget-me-not.
This would be the night of remembrance.
One-fourth Sprite and three-fourths *****.
The crisp wind greeted him as he stepped outside.

He charged into the night.
Forget-me-not.
He babbled with his friends.
Forgt-me-not.
He took another sip.
Forgt-me-nit.
He danced with a girl.
Firgtn-e-nit.
He drank every drop of his forget-me-not.
fIrgtne-nit


He went till the break of dawn only to be swept up by the wind.
The next day he woke up with saliva crust down the side of his mouth.
He had forgotten.
The night forgot him.

This cup of joe
never lies.
Sip,
as it drowns
my mouth.
Wash me whole
but filled with holes
punctured previously;
Coffee flows
freely.
My second cup,
the third drop
tastes familiar
and stale.
Three-fourths sugar
but bitter,
made sour by spoon.
Dangling,
stirring -
I shall finish my cup
soon.
And what have I learned?
It takes a little bit
of German
and sweet-sounding French
to blend the Irish,
Mexicans;
when I stare,
I leave a welt.
I leave a welt.
I do it so well.
I leave a mark;
it creeps up your neck.
It strangles
then spits venom
on your face.
It will wipe,
it shall lick the scars
left by Grace.
Your saving grace -
amazing grace -
coined by days, years
6 years,
perhaps,
5.
Count to 7,
down to 8, 9, 10 -
the 11th,
you die.
And my cup,
it overflows.
It overflowed,
caffeine-sweet.
The bitter had gone sour;
the sweet,
sweetened by spit.

So I planted a flower garden, just like I always wanted darling
And I’ve sat in it every day since
Talking myself up to the white roses and making them blush because they know that they aren’t really the company I’d like to be keeping
Not really, anyway
And I feel rather terrible about it because I speak as if I’ve wallpapered the world with my words
But it’s just my own skull and your thoughts, I suppose
And I think they see right through me
Oh, they can see all my thoughts, all right
And I wish I resembled sterling silver, fixing all my failings as I go- so none could ever know all those mistakes
No one can judge a piece of duct tape-

I planted a flower garden, just like I always wanted darling
And I’ve done my best not to peek over the courtyard walls
Just to see if you’re finally coming to greet me like a stranger
But I never let my eyes wander farther than the second cobblestoned row from the top
Just to be proud of my ability not to think on you
I shouldn’t feel quite so terrible about those white roses knowing ‘cause deep down, somewhere in that same place where my love for dancing and ketchup and all of those other terrible things are, I think white roses have finally taken root as well
But it- isn’t my fault
I don’t think
Oh, but now my memory is a continuous roll of clear scotch tape that I run my fingers over always, trying to find the beginning so I can break off the pieces so nothing blends and examine them more carefully to the end
But I can’t find that teeny, tiny ridge that will show me how this all began
Do you remember- can white roses turn brown?
-I thought not
Oh, you always knew what to say but never quite how to say it
I’d take your double-edged words and be grateful for them now
Just to know if my favorite color turned brown
If my favorite thing about me will never be found

So I planted a flower garden, just like I always wanted darling
And I water it whenever I think on three-fourths of my favorite things
They don’t know your name or the name of my love
Because I empty the bitter tears concerning those things in places I never visit anymore
-The idea of producing one-fourth sour-faced and wrinkly roses makes me squirm-
I wonder
If someone gave you the stem of a daisy could you dip it in ink and draw the face of your favorite anything
I thought not
I forgot (oh, see how I am forgetting things) that you don’t have any favorite things
Dash it all (to pieces)!
I doubt that I was ever your favorite, not to say I was the least favorite
But all of this is beginning to make more sense now, I think
But, back to the most important thing
The white roses
They’re lost in that place full of things I’ve learned to despise
Or perhaps just things I’ve lost a liking for
Oh, how I despise you
Is that why I can’t find you (or the white roses)
Anywhere