Not a poem but in protest of flagging truth about racism in Traverse City, Michigan


Traverse City, Michigan: Racism is still alive and well in our area.

We weren't always welcoming
Cross burning's (City of Traverse City, MI)
I'm born and raised in Traverse City, Michigan and still living in the same neighborhood where I grew up. I can remember when blacks were not welcome in most parts of town and the one or two around were military visitors.

We had two known cross burning incidents. One back in the late 80's or early 90's the other was around 1924, ******* groups like Ku Klux **** was behind both cross burning incidents. I found old articles on the earlier one but someone is trying hard to white wash history of Traverse City by hiding evidence of the most resent one. Ones like me who were there remember those dark days like it was yesterday. It don't bode well for tourism or the Cherry Festival if there's a record of racism in our city.

Copy pasting one two different retelling of story reported by our sometimes biased Record Eagle articles regarding the first and and will continue to dig for the other one.

January 31, 2009
KKK was active in early '20s

The 1924 bombings and cross burnings in downtown Traverse City were not the first **** activity in northern Michigan.

The Record-Eagle reported flaming crosses in the Mancelona area on Aug. 1, 1923, a full year before. Six weeks later, Traverse City commissioners refused the **** permission to hold a Sept. 17 open-air meeting at the corner of Front and Cass.

About 300 people showed up anyway and marched to a vacant lot west of Front and Union after the unidentified property owner gave permission, carefully noting that it "did not commit him to any relationship with the organization," the newspaper said.

The Record-Eagle also passed on information from an identified **** source in its Sept. 17 report:

Two, maybe three organizers had worked for weeks in Traverse City. About 150 Traverse City men from "among the leading citizens" had joined. An open-air ritual with the traditional fiery cross burning on a hillside would be held "sometime but not yet" in or near Traverse City, and it would be "merely a part of the **** ceremonies and have no special significance."

People who expected to see hooded men in white robes performing rites at the Sept. 17 rally were bound to be disappointed, the paper said. A new state law banned wearing masks in public. It also would be difficult to tell how many in the audience were KKK members because "every person who has signed the Ku Klux card has pledged to keep his membership an absolute secret."


Traverse City, Michigan wasn't always welcoming to people of color.


Traverse City Record-Eagle

February 1, 2009
Ku Klux **** terrorizes TC in 1924

KKK cross burnings, explosions rock city

By LORAINE ANDERSON
Black History Month has special significance, since it begins fewer than two weeks after the nation's historic inauguration of its first black president, Barack Obama.

But there are parts of that history that Traverse City, like the rest of the nation, would rather forget. The city never had a large black population, but it did not escape a visit from the Ku Klux **** during a frightening night of downtown explosions and cross burnings on Aug. 9, 1924.

Traverse City has never seen anything like that night of terror. Buildings shook. Store windows cracked and shattered. Houses as far away as 16th Street quaked, the Record-Eagle reported.

And though outside agitators were blamed, some local people may have been involved.

It started about 8 p.m. after three explosions went off across the river from the Lyric Theatre, where the State is today.

The crowd at the Lyric all but stampeded toward the door as women and children screamed. Panicked shoppers spilled out of downtown stores. City police phones jangled with alarm.

A large cross burned on the north side of the Boardman River near Cass Street. About 50 smaller burning crosses appeared almost simultaneously at the centers of intersections across the city. Each was crudely nailed together and swathed in oil-soaked rags. Sparks flew when several cars struck them. A city fire truck raced through town to douse flames.

Then, a "touring car" with four men, robed and hooded, though not masked, slowly trolled down Front Street carrying a sign surrounded by red flares blazing three letters: KKK.

Copies of the Ku Klux **** newspaper, "The Fiery Cross," later were found downtown, and police determined that at least two cars were involved in planting and lighting the crosses.

**** leaders called the explosions and flaming crosses a recruiting gimmick, but it was more than that. The 1920s was a reactionary time in the United States. The **** had risen again, starting in 1915, widening its anti-black focus to Jews, Catholics and immigrants, particularly those from southeastern Europe. Its membership was strongest in Illinois, Indiana and Ohio.

The ****'s most powerful year was 1924, when it reached an all-time high of 5 million members nationwide and virtually controlled the government of Indiana. Its most popular slogan was "100 percent pure American."

The **** had a solid base of support in Michigan. The **** fielded two candidates in the Republican gubernatorial primary in 1924 and a ****-backed candidate was elected mayor of Flint. A write-in **** candidate even made a strong showing in a Detroit mayoral race.

In June 1924, 1,000 men joined the KKK in an Oakland County cross burning attended by about 8,000 people. Traverse City's demonstration took place just two months later. But who was really behind it?

"There is some doubt among the authorities as to whether the offenses were actually committed by local people or men from outside. They believe that local people were associated in the affair," the Record-Eagle reported.

An unidentified spokesman for the local **** denied responsibility, speculating that it was the work of **** enemies or rogue Klansmen. He told the Record-Eagle that the **** repudiated terror tactics and burning of "unwatched crosses."

Two weeks after the bombing, city police obtained felony and misdemeanor arrest warrants accusing Ku Klux **** organizer Basil Carleton of Richmond, Ind., of setting off explosives. Indiana police arrested him on Aug. 29.

Witnesses testified in two trials in December and January that Carleton had purchased 25 pounds of dynamite, fuses and three caps from Hannah & Lay Mercantile Co. about two hours before the explosions. A Park Place Hotel clerk said he saw Carleton hurrying away from the direction of the explosions about 10 minutes later. Two **** members testified that Carleton was not at the scene.

Yet he was never convicted. Juries acquitted him in both cases because the prosecutor could not prove to their satisfaction that he was at the scene of the explosion or that he personally set off the dynamite.

The bomber escaped justice. But the good news was that in Traverse City, no night of terror like that happened again.

It was this event that sparked the cross burning in Traverse City. We had only one black family in our city, when Betty Ponder and her family left Traverse City for the first time due to no one wanting to rent to them, population of blacks in our predominately white city drop to zero.


******* Movement Targets Northern Michigan

by Robert Downes

National Alliance advocates the creation of "two Americas"

Traverse City, Mich., noted primarily for its beaches, tourists and cherry pie values, appears to be erupting as a national battleground of opinion over the ******* movement, with forces on both sides of the issue coming out of the woodwork to vent their outrage over racial issues.
On Thursday, June 5, residents along stretches of Washington and Front streets in town came home to find a slick package of information from the National Alliance hanging from their doorknobs. An outgrowth of the American **** Party, the National Alliance is a ******* group which advocates the creation of "two Americas," one of which would be "White Space only with no Jews or blacks." The Alliance, advocates genocidal practices if need be to achieve its goals, and plans to distribute 1,000 information packets in Northern Michigan.

Protest organized to oppose July "NordicFest"
The incident arose only a day after more than 150 people from throughout Northern Michigan gathered at a "Hate-Free TC" meeting to oppose the NordicFest, a skinhead rock festival sponsored by the Ku Klux ****, to be held at a secret location 20 miles south of town, July 3-6.
The NordicFest is being advertised on the Internet and will feature at least six skinhead bands featured on Stormfront Records and Resistance Records -- both of which are purveyors of neo-**** hate music. It will also reportedly feature speakers from the Ku Klux **** and Aryan Nations.

Thus far, the NordicFest's location has been a closely-kept secret by David Neumann of Bloodbond Enterprizes, the concert organizer and a former director of the Michigan Knights of the Ku Klux ****. Neumann has told local media that 300 tickets have been sold for the concert -- about half the number he expects to sell. Reportedly, concertgoers will be provided with maps to the secret location at a checkpoint.

Bands expected to play at the NordicFest include Intimidation One, Aggravated Assault, Blue Eyed Devils, Max Resist and the Hooligans, and No Alibi.

Local churches offering seminars on the ******* movement and the importance of diversity
GATHERING STORM

Journalists have made inquiries on the NordicFest from as far away as London, New York and Colorado as a result of the Northern Express story circulating on the Internet. A segment for National Public Radio is expected to take the issue nationwide, possibly focusing the world's attention on Traverse City on the eve of the National Cherry Festival -- an event which draws more than half a million visitors, many of them from ethnic minorities.
"We're creating a rainbow ribbon that we hope everyone will wear in rejection of skinheads and the ****," said Rabbi Stacey Fine of Hate-Free TC. "We hope to have hundreds of ribbons during the time the **** is here, available from downtown merchants."

Fine says the group also hopes to march in the National Cherry Royale Parade with a three-by-eight-foot banner covered with thousands of signatures in a show of support for racial and cultural diversity. Thus far, Cherry Festival officials say they have received no applications from Hate-Free T.C., but will consider the request if approached.

Dottie Kye of Hate-Free TC says the group doesn't plan to try stopping the NordicFest despite their opposition ot the concert. "We're ignoring it," Kye says. "We celebrate anyone's right to organize and free speech. But our thing is unity and celebrating diversity." In addition to several church seminars on the ******* movement and the importance of diversity, Hate-Free TC is organizing a three-day "Unity Festival" which will feature dozens of musicians, artists, poets, actors and peace activists at the Traverse City Opera House, July 3-6.

Concert organizers Tim Hall and Tom Emmott say that more than 40 musical acts will send a pro-diversity message to area teens, with performers including Willie Kye, Alright Already, John Greilick, Samantha Moore, the Motor Town Juke Boys, Bentley Filmore, the Sisters Grimm, and Lack of Afro, among many others. A concert with Fishbone is planned for later in the month.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence"
THE TEEN CONNECTION

The Unity Fest counter-concert is seen as a vital tool in fighting the influence of the ******* movement on teens in the area. After the initial story broke, the buzz in local high schools was that the NordicFest would be offering free beer to minors. Although that notion is clearly erroneous, a small number of teens in the area still cling to the idea and have also been attracted by the rebellious nature of the skinhead rock scene.
Tim Hall believes that his Unity Fest concert will help turn that tide. The three-day concert will be located in the heart of Traverse City in the old City Opera House, with easy access for the hundreds of teens who hang out downtown, often with little to do. "Our message is going to be one that values racial and cultural diversity," Hall said. "And we've had a great response so far. We had to put a lid on the performers when we reached 40 acts, because everyone wants to play at this event."

The Unity Fest will also coincide with the Annual Reggie Box Memorial Blues Blast, which was created five years ago to bring the heritage of black music to Northern Michigan for the overwhelmingly white Cherry Festival. This year's Blues Blast will feature John Mayall, Marcia Ball and the Bihlman Bros. in a free concert downtown on July 6. The concert will also feature a strong message promoting diversity.

The law enforcement view Traverse City Police Chief Ralph Soffredine says members of the law enforcement community, including the State Police and sheriffs from Grand Traverse and Wexford counties, are taking a wait-and-see approach as to whether the NordicFest will even be held.

"People ask what we would do if the skinheads wanted to march, and it's our position that they have the same rights under the First Amendment as anyone as long as they're obeying the law," Soffredine said. "It's a neutral situation for us. We just want to maintain the peace."

He added that skinheads coming to Traverse City would be treated "no different than if longhairs come into town, or square dancers. We'd certainly observe them and respond if there's trouble."

The chief noted that a similar event occurred in the Buckley area several years ago when several motorcycle gangs gathered for a rally. While the event was monitored by local police agencies, few people in the area knew that it occurred.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence, which has become a serious problem in our community and our schools," he concluded. "The unfortunate thing is that it sometimes takes a ******* or a racial issue for people to get active."

"Sheriff Barr implies that people who have the courage to confront them will be put in jail."
ANGER FROM ACTIVISTS

Not everyone is happy with the neutral attitude of law enforcement. Judy Lowenzahn of Traverse City thinks that local police agencies should get tough on the **** concert, which has no legally-required bond or liquor license.
"These hateful groups are using skinhead music to recruit soldiers for their facist movement," Lowenzahn said. "If they are allowed to hold this event, in violation of local, state and federal laws and in violation of common decency, we will be capitve audience to their deranged homophobic, anti-semitic, racist, sexist ideology. Those who protest this message, along with those who are their scapegoats will be targets for hate crimes."

Lowenzahn upbraided Grand Traverse County Sheriff Barr after he made comments in a local paper that "I'd just as soon personally let them have their little event and be on their way." Barr added that if there was a confrontation between the skinheads and protestors, "there's going to be someone in jail."

"Does Sheriff Barr suggest that people of color and others who don't fit the aryan model hide inside their homes for the holiday weekend?" Lowenzhan responded. "Rather than offer a plan to protect the community from the violence that grows whenever white supremecists do outreach, Sheriff Barr implies that people who have the courage to confront them will be put in jail."

Northern Michigan targeted because of the predominantly white population
KLUELESS

Up to now, the vast majority of Northern Michigan residents have been klueless on the **** and the ******* movement. Many, for instance, had no idea that there even was a Ku Klux **** operating in the region until Neumann revealed that there are about 60 members operating mostly as "a fraternal organization" between ******* and the Mackinac Bridge.
Similarly, the existence and agenda of the National Alliance is all-ne

My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.

gold, round
it has felt a thousand hands
in sixty years

tomorrow it will be
replaced, the dead door
along with it

the old brass globe
knows nothing of gentrification;
its desecration of memory:

the carpenter who bore its hole
the first child to turn the **** to play;
the last man to yank it in anger

when he felt the bowels of defeat,
the bane of bankruptcy--the effluent epiphany
of eviction

how many tales began with
the spinning of the circle, the opening
of the door, letting in the light

tomorrow, and tomorrow, the door,
the handle, will rest in the landfill, the
graveyard of myriad doorknobs

all with their own stories of auspicious
beginnings, mysterious twists and turns--
plots thickened by the hands of time

To my innocence, naivety, and viridity
Childish ways, high school days.
A mere three weeks, I say good bye
With a cry, a tear, a sigh.

To blue slacks, and a polo
Black shoes and white socks
To my pink skirt, and white blouse,
Pleated, soon to be folded.

To the OHS rooms of our first and second years:
The broken windows, and tantrum-kicked chairs,
The broom box behind the spider webbed chalkboard,
Messages on the wall hand printed in red and green.

The broken doorknobs, and broken floorboards,
Carved armchairs, and eaten chalks,
Missing brooms and dustpans and garbage cans and rugs
That show up in who knows where
Stolen by jani- we know who.

The witnesses and victims
To our random laughter (from some Chinese-looking girl’s corny joke).
Our random tears.
Our not so random learnings.
The pillars of our memories.

To the PF rooms of our third year:
The storage room turned gigantic garbage can and dressing room (maybe because ours keep being stolen)
The exploding socket causing sparks to fly (and us to fly away from it), and
The amazing “alambre” lock; who knows who installed (as if that could keep us away).
The earthquake resistant rooms would be missed.

To the New High School Building of our last years:
The kicked door (not our fault!), and cancerous blinds (like hairs falling after chemo),
The jigsaw floor (not sure if better than broken floorboards),
The “Halayan 2012”, and
The mind-boggling “no key needed” lockers.


The UTMT with its fair share of mango sentences,
The old guidance office now turned “tambayan”, and
The Computer lab with its fragile yellow chairs and bruised bums.

To Ibong Adarna plays, and the half cooked uncooked Teriyaki,
Generation X (and Generation NOW! and Generation Facebook),
Jai ** dances, and cheerleading,
Kalagon Kamo Namon,
And Mickey Mickey Mouse Kabit-bintana memories.

To the NikJep Tandem,
Kanlaon Boys Behind the Flowers,
D.H.A.I.N.G. (not sure if they remember this),
Fred vs Gino version
And DewBheRhieTart.

Keep the volcanoes of memories burning.

To blue paint, and blue shirts,
And Geometry teaching us
“There are a lot of solutions to a problem.
We just have to find one that suits us.”

To saying “***”,
And cooking imbutido.
And wearing (for some designing) reduced,
Reused, recycled clothing.
And dissecting.
And parrot-Filipino teachers (she gave me P30 for load though).

Keep the river of rumination flowing.

To being scared of one whole sheet of paper,
Two becoming one,
Party rocking to make up for the tears,
And knowing we should have won.

To the hand sanitizer girls,
The Cream-o-holics,
The Canterbury Crusaders,
The Valenciana eaters.

May our tree of friendship continue growing.

To our winnings!

The glow in the dark madness,
The Lakan at Mutya clutch-heart-moments,
The Sports Fest *******,
Basketball girls’ coronation!

To the fieldtrips and failed trips,
To air conditioned crammings,
And space and time bending
To comparing notes (and sometimes other things)
Copying notes, sometimes photocopying
(Not Xeroxing)
Sharing words, phrases, sentences
And giving pictures (via Bluetooth).

May you keep walking on the right direction,

To the expectations achived,
Broken, overtaken.
All the skepticism,
Constructive criticism.

All of it.

The in-your-face-we-did-it-baby-
We-are-awesome-you-can’t-bring-us-do­wn-
Coz-we-rise-back-up-attitude.

To Arielle
And Mhae

To Amica
Marie
Narzcisa
Cyan
Fred
Theo
Alvinson
Anthony
Faith
Karmil­la
Matt
Jeffson
Lourince

To Carolyn

To Makayla

To the thirty-five castaways in this room
The thirty-five castaways who struggled
The thirty-five castaways who persevered
The thirty-five castaways who fought, cried, made up, laughed, shared, gave, back-stabbed, and front-stabbed, celebrated, suffered, passed
Thirty-five
Thirty-five castaways who loved,
Thirty-five

Thirty-five castaways who made it, who did it.

To Nikki
Hazel
Alyssa
Gef
Veni
Alex
Jaykee
Bernard
Myra
Vince
Chanta­lle
Josen
Jerian
Shaira
J
Uriah
Ihra
Renz
Bless
Steffany
Angel
Fl­orey
Bernadine
Antonette
Rency
Owen
Majah
Gino
Marcelo
Ney
Keith
­Joselle
And Jessa,

We did it guys.
We really did.

I felt used
like an object
more like a doorknob
one that was unable to project
I've had hands on me
turned without complain
left open to all
too many time to drive me insane
now all the screws have been uncorked
and I can only adjust for one last pull
I'm left alone
left to be alone and forever dull

z.s

A little boy
Neat white shirt ironed to perfection
A monster truck plastered on the front
Denim jeans, fitting his skinny waist just right

Innovative
Imaginative
He loves creating new things
Making plain old cardboard into the next best thing

He gets his crayons
Sharpies and all
And runs to his room
All excited on his new project, his new creation

One piece of cardboard after the other
Rectangles flying everywhere
Coloring what looks like door handles onto cardboard?
The vision isn’t clear, yet it will come together soon.

He works quickly
With a due date set in mind
Full of ambition
The vision isn’t clear, yet it will come together soon.

He finishes his new achievement
Smiling happily at his new jumble of handiwork
Glued together precisely
The vision isn’t clear, yet it will come together soon.

He attaches the different shapes to himself
Straps glued to the cardboard
It seems he’s wearing armor
With doorknobs and wood grain painted on it with pure artistry

He hears someone come in the front door
His smile turns to panic
He quickly cleans up the supplies
Throwing things around the room anywhere they fit

He runs to the corner of his room
He quickly pulls the “armor” close to him
As he sits in the fetal position
His armor becomes a small dresser that looks as if it was made for clothes

The father bursts into the room
With rage spelled out on his forehead
The boy hides brilliantly afraid of the wrath to come
The father looks around the room carefully

Come out Come out
Wherever you are
The next time I see you
I’ll give you more bruises than last week altogether

He closes the door with a loud slam
The boy unfolds his creation, a simple dresser
Who knew that a young boy’s imagination
Would protect him from all of the horror and pain usually unleashed on him

You want a woman that will go out of her way to unlock your Door **** with a coat hangar
And not second guess herself
Because she has full faith in what she feels
Cause she doesn't play mind games with herself
And she knows exactly what she wants

dreams of drowning
but not in water, necessarily
locked in rooms that look familiar
though not recognizable
locked doorknobs with missing locks
and my name being called from the other side
repeating mundane tasks
to the point of insanity
"what's the point of everything?"
dreams of you hurting people in front of me
and while i watch, i say,
"it's okay. i understand."

Your voice has a choice.
Your tongue is moist with juicy, fruitful words.
Your lips chirp like harmonious birds;
building botanical gardens inside some
beautiful person’s head somewhere.

You could distinguish old flames, smother your pride
ignore all blame… Or
you could turn something worse.
Go postal, find trouble to immerse
yourself in.

Do you even try to scale the value between a blessing and a curse?
Did it sound more exciting when I said Congratulations first?
Is your mommy and the tv well distraction from the hearse
all of us blindly ride in.
We’re born into a society claiming Life, Freedom and the pursuit of happiness.

I feel no freedom in our flags
when more blood falls on clothing tags of women who were “just asking for it”.
I’m desperately clinging onto the pursuit of happiness,
but my hands slide off like butter fingers pursuing monkey bars
The greasy kind of disappointment you can get at
McDonalds for a dollar

I’m a little confused where the donations are Ronald?

$27.6 billion in revenue,
yet every seventeen minutes
another person pursues death as if it were their
only chance of freedom
and you’re squeezing your red clown nose
thinking of what new toy to impose
on the children buying Happy Meals.



The 111th richest corporation in the nation
has the audacity to serve deep fried pink slime
and call it a happy meal.
At the same moment,
a stiff insurance business suit is denying
extended treatment to people.
People:
dying to learn how to tame the monsters in their heads,
dying to learn how harming themselves harms their families health,
dying to learn how to fight enemies who sing them to sleep at night.

Thousands of children men and women
who are in so much pain.
Plastered with close-lidded visions
nightmare doorknobs with creaking hinges.
Some violent, some explosive, some ******,
ostly misunderstood combinations of the above.
Some, accidents stained with blood.
Some, knife twisting in their back, broken oaths.

There is more freedom in valuing the pursuit of life
than happiness in living for a dying pursuit
Congratulations, we live in a society
where the living die with a side order of either
painful awareness or
numb naivety.

Listen to the turning of the doorknob -
Listen carefully, as though to a prophecy
Candles burning in background pose - prose - close the door,
Leave nothing unopened - not mind, not heart, not soul, not eyes, not love, not love
Listen to the turning of the doorknob -
Listen to the prophet scream obscenities in the face of God -
Screaming law to children in the playground,
Waiting for dawn to **** night, and say hello to never -
Leaving nothing unopened - not the door, not the door,
Like never before - except now, no, because because...
If an angel rode in midnight, wings out full-flight -
Would they be invisible to the mortals of planet Earth?
Or would they become best-friends with the lowest of the low?
Listen to the turning of the doorknob -
The door speaks sudden truths to the ears of the heart of wisdom and desire,
Wisdom holds no desire, just as desire holds no wisdom -
Both polar opposites in the city of Being,
Rising like smoke in the collapse of nations and culture -
No tears shed for the loss of men, in the war of knowledge,
of pride and territory and fortune and remembrance -
Listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of living forever right now in this moment -
Listen to the turning of the doorknob -
Leaving nothing unopened -
Not the past, not the present, not the future, not the never forevers,
Like the wars being fought for oil and money and cheap gratification -
Short lived egos, going down in history books,
For the children to read while being screamed at with obscenities from the prophet above,
And the angels below, and the ground and sky and earth and stars and gravity and all -
Listen to the turning of the doorknob,
Please, for the sake of living forever right now in this moment, or never
Right now - because now is forever - cheap cheap poetry, meaning nonsense
Just an escape...just an escape from the turning of the doorknobs,
For a minute or two or three - just a longing to be free,
And no one can be free when they’ve been ****** to mortality -
Oh sincere mediocre heartfelt dribble - just turn around, door and all -
Fall out the sixth floor window and don’t look back - never again forever again -
Right now in this moment, forever and never and back again - looking up,
Singing to the screaming prophet, blocking the door on accident - there are no accidents in life -
So, listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of your own existence and place in these here cosmos -
Listen to the turning of the doorknob.

No doorknobs exist on this floor.
I can't find any outlets.
The belt that lady--I didn't mean to
disappoint--bought me is coiled,
surrounded by Tupperware walls.
A nurse checked herself in. No
affect; asking for charge; reset.
I'm twenty and letting down my dad.
My belt used to live at JC Penny
and has navy-outlined bass on it.
One of the counselors is black,
from Africa, was adopted, moved
here to be raised by two JP Morgan
lifers, played collegiate soccer, married,
got pregnant, lost the boy--which he said
he had a feeling it would have been.
So, he can relate.
No doorknobs exist on this floor.
I am twenty and this exists in the past.
Wheeling in due to an inability to walk
--totally her brain's fault; a real former-
controllable, current-uncontrollable thing
that her mind pulled on her, on account
from the cold, Vaseline touch of a relative
--this redheaded girl pretends to smile
before apologizing for pretending to smile.
Our black counselor, former soccer player
and father says to not apologize and that
we are all pretending, all the time, even
when we don't think we are.
I find this strangely comforting.

Doors slam like Satan himself is
in a fit of rage below us, even if he is
in the deepest level of Hell, I feel the floor
shaking like a 6.0 has just swept us but it
is only a consequence of wood slamming
against wood and fists fighting doorknobs.

Voices rise like the temperature in Arizona
in the summer, abruptly, hot and heavy, so
quickly stifling any chance of relief—
anger is an emotion I am far too familiar with.

Some people live quiet family lives, are never
interrupted in their sleep by screams from a
father who dreams of death and a mother who
carries a scythe of shame as if she is the Reaper,
some people wake up in the morning knowing
there is breakfast waiting on the table, fresh eggs
hot off the stove and orange juice with pulp, but
others wake up and make coffee for themselves,
knowing parents sleep past noon and
we are the ones who are doomed to repeat the
history of abuse and psychological suffering but:
we are the ones who will help to stifle the shouts,
to put a stop to slamming doors and shrill screams,
dysfunctional daily routines and waiting for hope
that never arrives, we have had lives consisting
of always having to act stronger than we feel
when the floorboards seem to be breaking just
beneath the force of our feet, because our
bodies are not just our bodies, we are carrying
burdens that weigh more than our bones and
blood cells combined, so when we step on the
scale the number we're reading is really how
much hurt we have been holding, not how
much food we've been hoarding inside of us.

We are the children of complex family situations,
we are spend-more-time-in-psychologist-offices-than
we-do-in-our-own-roo­ms, we are no-parent-to-tuck
us-in-at-night-read-yourself-a-story-it-builds-­ability.
We are daydreams of escaping like Rapunzel,
we are how do I save myself from a nightmare when
I am already awake? We are years of reading self-help
books in Barnes and Noble until we finally understood
that the only thing to do is to help the world help us:
we are strong. And we understand that family exists,
but for us it is different. We are the children who find
comfort in books and coffee and anything outside
of a house so filled with tension and hatred, and we
have been waiting to fix ourselves for too long.

The thing is, you can’t ignore that graceful lament-
The teal heaving of your chest-
The wash of questions in your head
That exquisitely hold pinpricks of the future.

There’s a brand of groan you know well
That belongs to feeling unresolved.
That noise you make when you’re a painting without a face,
When you’re two lines of a song that’s lost to the breeze,
When you’re a cup of water dribbling through careless hands,
That noise is the growl of restless dreaming.

There is a struggle to unpin yourself
From the avalanche of time
That has pooled thickly around your legs.
You try to kick, but it moves like molasses.
Slower than a hard thwack to a non-newtonian fluid.
Pointless as collecting antique doorknobs.

There is an urge to catch a destiny by the tail
Like you’re somehow prepared right now,
Like there’s nothing left to learn.
How fortunate you are that perceived linear realities
Can curve the hubris of your linear fantasies.

And yet there’s that gnawing need,
A craving that demands surrender,
That all too graceful lament,
Of being forced to take the smallest of steps
on the greatest of adventures.

The four of us wrote each other fortune cookies
And the sad part was that even though
The cookies we baked together were sugary and warm
None of the little squares of paper inside
Made much indication of one another.

You remarked that it had been exactly a year since
You were where we were:
Lying in a snowy field and watching the grey clouds rush
From the horizon to the moon
Illuminated by city lights too.

You protested those lights, throwing doorknobs
For the darkness but you couldn't break that streetlamp
Until the sun had already risen and the LSD
Had already worn off
Such that there was nothing to do
But read our fortunes quietly and sadly reminisce
About that night we'd spent
Melting the snow beneath our bodies.

Ashley,

     Your blues inspire me, insipid triangles, walking cold, sweating more and wetting the bed your lips the sizes of gods that I married through hidden video cameras, I caught bias in bliss, racism in slow disasters, tornado sirens and just sirens, and justice on the horizon. My eyelids the sizes of your little *******, the party of tomorrow, the starting sounds of scarred and stripped *** sounds. Caught in a drift, my bottom lip stuffed with lift-lust and jolting up and down your porcelain rift. Messed up and round the back to the buttons, the clasp too heavy to drop your ego down, the cold too swift to catch me as I fell. The heavens too burdened to beat me with your god. I just wanted to me smacked in the face with your flaws. Hips the sizes of doorknobs, hurdles that I caught one weekend sipping slow gin with granddad and papa and Tootsie, your evils carnivorous, your mess much more than your message. Your koo-koo voodoo and big bad red frock. Tuesday's made me the man I am today. The Slayer made me the hate I stuffed into my **** ****-strap to puff out my chest and make prisms in kitten litters and furrow the night clauses to match stick the pumped-up bypass of hazmat and heroism, I was won and didn't know it, you were one and now you're all one.
She,
     came to me in French class holding straws. I picked swiftly and came, all staled and stiff, lock-jaw and threesomes one moonlit night the fourth of July.

I am the rest stop for truckers in the window
The dark and muggy photographic night
so they forget they've become widows.

I don't believe in kness nor turtles talking terror
Nor do I believe that the Earth moves from quaking tremors.

I am the cradle of the civil sight sorority
Making love to castles for I don't believe seniority.

I am the rebel which Camus told would come hold
The oldest, boldest lotus flower
Frozen solid in the cold.

Drinking Rose remembering young-old Auntie Debbie
Who had eyes like pies mixed in the ocean and a bevvy of
Insulation, house-hold and a water-forlorn view
With her lionness curled hair which the wind affectionately blew.

Sitting on her lawn chair, not on lawn but on the deck
She loved, she laughed, she looked to what she had inside her head
Like landing immigrants from countries far from White Rock shore
She had it all, she owned the sprawl, but knew she wanted more
and that she had it, glad it never took the sun from out the sky
Not once did the window break from sunlight in her eye
and doorknobs crawl left
as she sits so patient ready for the.. everything

ready for the.. everything

ready for the.. everything.

she's NOT waiting, she's just making
every single moment COUNT
lies and likes mean non to her as the counter fills up like a FOUND
fountain. she's rounding every corner in her Jetta
Uncle Jerry in the next seat, happy that he got to meet

with the women of his dreams
I see his eyes still gleam and scream
'I love you Debbie, love you Debbie'

Life and death is just the water
in the stream

forever flowing
Auntie Debbie was a river
and all rivers lead

to ocean.

she never really arrived
so she never really left.

hello, Auntie Debbie?

I know you go by a different name now.

Perhaps we'll each meet you again one day
a different body
a different face.

"You want to keep things on an even key, this is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. It saves on introductions and goodbyes. The ride does not require explanation - just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box. Now you may get the 8 pack, you may get the 16 pack but it's all in what you do with the crayons - the colors - that you're given. Don't worry about coloring within the lines or coloring outside the lines - I say color outside the lines, you know what I mean? Color all over the page; don't box me in! We're in motion to the ocean. We are not land locked, I'll tell you that." -Waking Life

the leaves of my mind die,
without rustle, without why,
an incessant new season of direction
of spring, of beauty, of need,
orthodox and counterclocks
of bathroom stalls and
desperation calls--
in the tile we prove our worthwhile
as the hounds and haunts of yesterday
test our haul,
and I'm a magician and a *******,
a lover and a shotty terrorist,
the mad house rings,
sing, sing, sing
of yesterday--of fever dreams,
make me levitate to heavens,
push me away for doorknobs
and summer screens,
those are temporary,
lionesses in heat,
to be appeased
for the watering hole
and mouths of summers sought to soon--
we can romanticize the afternoon,
we can romanticize the mundane gloom,
but in the end we are nomads,
bouncing off shoreline and magazine subscription,
confused of endings
and brave in the face
of annihilation.
Rewrite the histories of our forefathers,
rewrite the reinventions of the wheel,
until it's all progress and simmering,
until the *** is full and festering,
when the now is soon,
and yesterday is dead,
the magnificence of misery--
hits like a runaway diaper truck
to add injury to insult,
to add scorpion to sting,
and if your mother is a dancer,
be not ashamed,
but praised,
she filled a primal need,
more than can be said about
Hemingway or Artaud or Bonaparte or the spring,
I have mountains to climb
and ****** rhymes to satisfy--
if you feel love,
boast,
if not welcome to hell,
a perpetual ****** roast
of ego,
of soul,
of every lover you let go--
the luck lies at stoplight kisses,
the luck lies in ***** sheets
and clean sneakers,
if sorrow is a gateway drug,
heaven is my fix,
if sorrow is a gateway drug,
I'll buy two hells a week for
the rest of my endless years,
if you love me,
do it,
don't doubt,
don't simmer,
ignite,
burn  brighter than former,
than the mourner,
than the funeral singer,
and make dinner on the ground,
we'll howl as the gravestones depreciate,
we'll howl as the stock market
solidifies in ice,
we'll howl as we realize the trite,
and I'm wrong often
but mostly right,
ask the machine gun,
and the sparrow hauling the olive branch,
ask murderers and the stain on your pants,
time is a circus of the three-ring variety,
too much to focus,
too much to bore,
too much to whine,
but under the cover of freedom--
enough to die in contentedness
and lie in the pangs of eternity
with a sigh, a slip of the tongue
and a pair of rolling eyes--
let not your daughter drown,
let not the horns on your head weigh you down,
the tomorrow is soon,
the now is ancient,
the promises to be fulfilled
will leave you begging-
bring on the fantasy,
the daydreamed celibacy,
the marooned integrity,
I've got a moon,
fourteen clouds,
and a headrush from nicotine--
drink of my youth, it's light, easy, cheap--
enough to get you drunk,
but lacking the dexterity of luck--
the burden, the burden
of always giving a ****.

I’m always yelling at myself
For the things I took for granted
They said to save yourself
But I called them cowards
And threw it all ahead
Screaming, tomorrow will be better
Better
Much better
Every day that’s not today is destined for greatness
A steady decline in sadness
Until one day my tombstone will read
“EVERYTHING WAS BEAUTIFUL AND NOTHING HURT”
(That one’s Vonnegut, but I bet you knew that)

See, my flux capacitor’s broken
And I’ve been reading this **** backwards
I just want to go back

I used to be such a show off
Collecting my experiences just to line them up on shelves
Lists of proof of my own beauty
My bright future
Proof that I’ve been loved

Of all of my different selves
I like that one the least
But miss her the most

Now I try not to leave the house
And when my phone rings I get really anxious
Now I feel like I’m always fighting
But there’s nobody around
So I’m fighting with belt buckles and doorknobs
And I resent the people who make those things look easy
Now a part of me feels angry when my friends ask me out
They don’t understand
That’s not self pity
They’d understand if I told them
But that would require answering my phone
And I just can’t do that today

I know I’m being selfish
Self absorbed and petty
But my heart has finally ruptured
It couldn’t hold all of the empty promises I’ve filled it with
And I’m tired of fighting
Now all that my shelves hold
Are stacks of reasons why I want to go back to bed
And the only list I have
Is filled with concrete evidence
That tomorrow will not, in fact,
Be better
Not better
Because today is worse than yesterday

Sixty years ago, you could have loved me
- a sailor, - a trophy wife, - an 'okay, fiancé' in a sarcastic legacy
A turn of the century turns you around and turns you into a (skate! jam! live in a van!) type of person that I am vastly uninterested in but just tryin' to be sad about somethin'

- I am sad about your big feet, your cuffed trousers, all the places I didn't want to run into you at and not letting that stop me from carting my coffin to Kansas City art museums
(Your love poems to me must be dried in caked-on mud from tires pulling away)

Did you know you're an accident?

- The whole crowd laughs, someone get me a microphone!
(Someone! Get me anything your mouth has touched!)
- I'll bury a vial of your organic germs in my hometown backyard to find later, when you're dead as your dangling doorknobs and disguised by giggling gargoyles (you are welcome, by the way)

Ultimate hide 'n' seek warrants a worthless existence and a holy trinity of the same name(s)
(The dog is under the bed)
(You are locked out on the back porch)
(I am fetal position in a parked car)

- Can we put this on the Christmas card?

Happy Twentieth, Darling! I Love You Very, Very, Very, Very Much.

and we asked you for help
and you laughed at the candor
and we dropped dead like flies.

****** t-shirts falling from
clothing lines as clothing pins
litter the floor of the morgue

and parents pick out caskets
ten sizes too small, for dead
babies and children of the

night, the ones who had been hanging
from street lights and shooting stars,
who asked for help in the form

of loud music, slow dancing,
painting in dark colors, tying
red balloons to doorknobs,

and leaving home without layers.
these children, they’re wearing t-shirts
in late december and you’re

wondering why they’re shivering.
in the mean time, you turn your cheek
and lift the zipper of your fur coats.

it’s inevitable
we are two waves crashing upon one another from diverse directions
6 feet overpowering a near five
an abundance of sand collected in her toes, painted sunset in season
salt in the crevices of his cracked lips
                       he hasn’t drank since March
wildflowers on her dress and holes in his shoes

it’s faulty
we are racing towards riverbanks: barefoot, unsteady, and homely
this doesn’t feel like home
he’s a moonlit tower, prewar stairwells, and a bright white nail bed
she secretes meteors in her pockets and a jackknife
slopes and curves and hills to stumble
words and doorknobs and photographs to wonder

it’s vexed
we headline in bold faced Georgia
friends concerned themselves with each petty fight
        oh, boy did we
fight until her tongue wore out
his palms scratched to be healed by hers
her mother was on board, she guessed; his mother said yes

it’s bereft
we’re naked on the South lawn
a rose brush picked, prodded, called to question
her hazel eyes lack the ability to cry and cry and cry
his voice, stripped of rage
politics behind the scene
a young widow’s desperation for peace

it’s mass-produced
we’re political maps facing the chalkboard
colored crayons and heel-high socks
pepperoni’s dot her pizza the way she dots her i’s
                       as she writes lyrics of you
he raids the kitchen for her, prying the fridge for her
glinting sparkles in artificial light

it's submitted
we’re chipped steel bracelets
her straw bends forward at a crease
they didn’t realize what factors meant
                                     his version too close to candor
yielded, the missing L on a paper sign
a stranded guitar pick balancing atop city grates and a below ground maze

it’s whatever it may be
and may be whatever it’s
but she and he and I and you
we perch on seven lines of fact
like birds we wallow, and trees we droop
‘til the ending sunrise
where you figure the truth

She kisses me with cream
and lemon yellow
making me pucker up
for lips
that are like doorknobs
covered with red velvet
driving me crazy
for birthday cake that I don't need to taste
just light all the candles
and ******* away.
Wishing for things I don't think
I am allowed to tell you
and even if I could
I'm not sure I would
because her body is my church.

And

that's not what I mean but it's the closest my tongue will get
with words.
My god
is merciful.
She plants kisses with rosewater
and
green seeds across my landscape
and confessions are
sincerely *****.

Forgive me mama,
I have sinned.

And

she does

with gifts of limbs
from a better half

the pagan's god

                                           split.  

Because this kind of man
with this kind of woman
made them weep for symmetry
and envy
how permanent every one of our moments
are.

Broken lips, I smile inwardly,
watching you amongst the books.
Wanting you.

Internally, I ridicule my fascination for you,
I mock my lust.
I see the other men just like me.
I see them everywhere, all wanting you.
I hate relating to them.
I hate wanting you.

You posses a designer desire,
like ******* you is all the rage.

Everyday we all see your face
in every newsstand, on every front page,
but only because we all look.
Only because we all want.

And it's me crawling in the dirt like a worm,
it's me licking the doorknobs of every bar in town,
shoving fistfuls of knotted hair down my own throat
from every shower drain in every filthy run down
apartment complex covering this ******* city.

And it's me still wanting you,
sick with the want,
driven mad with the want,
dying wanting.

Poor from the late fees
for books I just can't
bring myself to return.

What if you were poison. This room was a gurney. My parents garage was a time machine. My drawers were a piece of unwritten elementary homework. My bed was a stalemated chess game. Every pair of shoes I've ever worn is one of the beaches I never went swimming at. My laundry were soldier's garbs. I'm living in four minute increments. Two yellow chairs are an empty wine cellar. Two doorknobs an ancient battle field. I have green pants and they might be the entire state of Florida. My book shelf is a poem by Keats, and the books on it are The Village Green. This printer is actually an English love affair. The paper inside of it a pasture, a meadow, and even parts of a rill but not the water in it. I see words scribbled in notebooks and they don't produce melodies. This is a heavy place to use candles. These are the trousers I wear when no one is watching me. Three DVD's tell a story, but no one listens to stories anymore. A carton of cigarettes is a hospital full of people working, a metaphor that doesn't need to be made but should instead be written down. Chocolate bars are all around us, better to keep them quiet. My childhood is drifting off to sleep in a pair of gray sweatpants and a white crew neck t-shirt. Hush Hush. A god hidden inside a scrap of prose that always wanted to hide away but never could. Here are the limbs I'm beating myself to death with. Here are the headaches that I rubbed from your neck; the apple juice and animal crackers that brought both of us back to life, the Wichita suitcase filled with field grains and soy that only made your Grandfather rich. I'm bruise-bent on discussing the never ending. I've filled my head with the status of ritual, I've crossed my legs and enriched my mind with dozens of proverbs, adverbs, and ad lib; nothing that ever once was could be, and nothing that has been could ever be as easy again. Each hill top is a summit worth standing upon. Every picture is a place worth returning to. If every sentence structure and bomb of the mouth was the furnace heating an article at the end of a sentence, or the sentiment with which to generate a sonnet, then mornings could be the clusters to every ache and evolving vowel. Each and every worry would be a giant and the juggernaut which knocked him down. Maybe your ****** is a tooth brush. Maybe mine is just ******. Maybe every inch of my body is made up of locks and caveats. I could retreat to the wilderness, a place where the trees are ornaments to the sky, and the stars are just the songs we don't hear. Heat is a conundrum, the water and the air too. We're longing our way to infinity, chancing ourselves by adhering to dross and sinching our hearts of blood. What if Chicago was the biggest love story of all and I was just not observant enough to notice. I've gone down in three hundred airplanes. What if worry was the tea I declined, heartache the questions I didn't ask and the wishes I never answered. What if your mother was also poison, your sister the true love I unrequitted, your brothers the Roman soldiers which saved us all. I long to be close to the ocean, I retch and thrash, drawing shivers up and down my spine. Here are the shadows aplenty. The heaviest of the hours that save on us like we were up from zero, still and counting on ourselves. These are the lines that I'm petting heavily, washing up and down, left to right, horrific nightmares that come and go as they please. All is left to be said again. Castes are bids meant to be said again. I've been taught to live well even as a quiet mess, to be white while the day's break is still to come. What if leather was the only way I knew how to fly. Bubblebaths the only luxuries I never settled. Your kitchen the last place I felt fully loved. Here is where I reappear. Countries that I've traveled to in languages I taught myself to speak. Wit the wild bunch of berries I crushed into my own craft cocktails. I'm quaffing and I'm trapping. I'm riddled with night and I still can't stand up straight. This is the last place I remember being. Turning over in my gravest stare, and gazing long into the never ending stereotype of my merchant birth and stately hide. This may be the song that sets my tone. This might be the song that describes me best. Never published or punctuated. Always thriving in bated breaths. Always living just an inch from the soon. Here where the moon men trip and fall. Here where the pronouns leave every thing left unsaid.

You told me you
Couldn't trust anymore
So you locked your heart
And you shut the door
I would knock and
Knock everyday
I waited for a response
Then I walked away
Soon I grew tired
Of trying to earn your trust
Your teardrops on
doorknobs begin to rust
It was pointless to knock
So I just walked in
Your trust in me
Growing more thin

"No more doors
We can have a new start
Now I only have
To unlock your heart"

"But why should I trust
The one that didn't knock?"

*"Because I am the only one
That cares about your lock

Everyone else left
For the same reason I stayed
Because I couldn't bare
To watch you use that blade"

She invited me into her palace of art,
Where everything signified something else.
She wore a silvery gown,
Covered with a million miniature mirrors.
I was badly dressed.

“Beautiful lady, be my love
and heal my soul.
My life is fragments.
Make me whole.”

“I made this place to stand apart,
A window to a world purer, deeply felt.
Everything here is for you but my heart.
Don’t get the idea that it’s going to melt

Later on.”  Music played.
Nirvana. Or maybe it was “Deacon Blues.”
Twisted letters carved
On doorknobs offered clues
To someone else’s mystery.

“Then be my muse,
Teach me the language of clouds
The coded words on the ceiling’s vault.”

A digital river flowed beneath
A winding stair down to an analog sea.
I asked “Are these ‘caverns measureless to man’?”
“Yes,” she said, “But not to woman.”

I wandered through room after room,
One printed, one painted, one sculpted, one
Paneled with friezes like the blazing tomb
Of an epic queen deified by the sun.

I saw a near-empty room with a single chair.
The light defined its form,
its form escaping into light.
“Is this real or a photo?”
“Yes,” she serenely replied.

I came to two doors.  One said Discipline,
One Desire. “How can I possibly choose?”
“They lead to the same place,” she said.

What was real and what wasn’t flowed together
“You’re starting to figure it out.”

The innocence of a woman’s arched back,
And the wisdom of children.  
The solitude of a lonely pier.

I knelt and I thanked her “Was all this for me?”
“I made this to give away. Not just for you.
What have you learned?  Let’s review.

“Art is a shield
Against falling glass. Art healed
My divided mind, which used to devour
Itself, giving away its power.

Art is hunger, a piercing lack.
Art is a ride on a gull’s back.

Art is a dodge, the as of the mirror.
Art destroys, callous clearer
Of old order.  Art is a dance,
a surrender to chance.

Art is not all seduction and fire
Or tethered to your desire
(Except when it is).  
Beyond the dazzle of you and me,
Art is a failing light for learning how to see.”

I said “Now I understand less than before.”
“Then you’re ready.  
Imagine starry ways beyond these walls.
Use an innocent eye.  
Confusion calls.”

I never saw her again.
But it was enough
to start small.  

She tempted me like an empty page.
From this immense vacuum, I write.

This seems a playful satire on the mighty Saltire
prewritten amidst a highland lowland silence.
In the hand of the wise-to Queen, or St. Andrew,
eternally akin to this 4-piece jigsaw'd island.
The actors publicly casted, professional amateurs,
notably despised an' yet a country's finest.

The setting old an' knew, new an' known, with
a neglected audience primed for mass evasion.
An' piecemeal parliaments, scrolls nor parchments,
have no place in this covert-of-sorts invasion.
For the stage be set with indebted goodwill,
through empty words in empty declarations.

The plot is thickening quick to a household broth,
of misdirection, miseducation an' artificial lie.
That binds the truth as if truth could be told,
of national strength safe in obvious disguise.
Common wealth paid for by the oblivious poor
man's pocket, pulling loose a threadbare tie.

Nae t'shakespeare'd lines, no to broken records,
No to smug derision of the true an' earnest,
Yes to insincerities that make you sober or worse,
that shine up their last of royal seal varnish.
No to sticky-finger-printed brass doorknobs,
of which for Scots to knuckle down an' burnish.

No to pious voices calling to brothers in arms,
leave this pound of flesh in vacuous debate.
Yes to monopolies of endless fields an' wind,
an' guards sat on a wall which have no gate.
Alas freedom remembered, stamped an' framed,
was never a win but loss to sovereign'd hate.

Left to aged members of past an' proven fable,
to cry the Nae's an' Yay's of a borrowed tongue,
to the masses still confused, still right thinking,
of who to believe an' who to defile. Now hung
out to dry the many years of engineered deflation,
left alone with answers still evolving, still young.

A year from now a collusive conclusion made,
to this ending – the poet an' playwrights success.
Devolving the ever-changing, deceptive blurbs,
to inveigh a reasoned No with a passionate Yes.
Leaves me mawkish for my country as it devolves,
An' I the fraternal gambler with only a flighty guess.

Recognise your flesh. Recognise the life you have.
Recognise the absurd use of this bargaining chip.
Social norms which press you heavy, all the time,
be they Catholic, Protestant, Tory, Liberal or hip,
Recognise you can discard them, this very moment,
An' become a leader of this Clydebank anchored ship.

Let no acid be sprayed unless to sting open the eyes
of the blind. Let no more our words become unseen.
Let no more the voices of hatred speak. An' so leave  
conflict where it belongs, for crowing minds to preen,
In the past for histrionics. No more of them an' us.
Step into freedom. Free, as you always have been.

You've got to promise not to click on me
It's not high it's empathy
I don't know what you're trying to tell me
Abstract faces on the wall
Sagittarius
Rainbow
Fall
Salty sun
*** on the moon
Lost in the covers
Whisper about how you'll b be gone soon
Disturb the noise
Silence the sound
**** her brains out until you can't figure it out
Eyeball doorknobs
Debase her

I've been thinking of the stars,
and all I picture are doorknobs.
Ones I hope you twist open.
The one to my sanctuary.
The sactuary which houses my bed and technology.
The place that smells like me.
The handle is always yearning your touch
It extends itself to every hand that reaches
and locks itself when it realizes that
the hand reaching for it is not your own.
It locks when it knows that it is not you,
And it never is.
I've been thinking of the stars and
All I see are beards.
Blankets of ****** hair.
And thick arms.
And legs.
And I wish that your feet arms and legs
and your whole self
would creak through my room.
Gazing at me glued on my stomach
with my eyes bleeding onto the screen.
I've been thinking of the stars and
All I really end up thinking of
Are you,
your shoes when I step in them
and attempt to walk
And understand that it is hard to
When you're going a long distance.

In today's world religion can be hard
To tackle since so many view it as barred
Away from the world like the poor dying man
People avoid as best that they can

But what is the price of being uptight
About suppressing the essence of life?
Why is it so that it can be so wrong
To speak of the motives that guide us along?

Religion is not just a vast collection
of various mythical origin legends
Religion is the root of motive and desire
Religion is wood, humans are fire

So how can it be that the absence of thought
Is how some are marketed after they are bought
Into a title that simply describes
A lack of connection to open blue skies?

How can it be so, that siblings can fight,
Over which one is wrong and which one is right,
When in the end the real problem is
A lack of empathy for hers and for his

Where does it say that you have to sign up?
Why do I have to drink from anyone's cup?
What prevents me from creating my own?
What prevents me from being alone?

Why do you look down upon me so,
For having not only courage to say no,
But to say no and also be self-assure
For my essence is pure, and so is yours

Question not the names and titles
Question not the idol or idols
Question not those who dare to walk alone
For it is from the same cloth that we are all sewn

Question not the small details
That can breed such conflict, but to no avail
Question not the symbols or form
Question not those who deviate from norms

Question attempts to segregate
Question any actions fueled by hate
Question your mother, question your father,
Question your friends if you dare bother

Question anyone who you care for
Religions are doorknobs and humans are doors
For it is religion that truly precedes
The philosophies carried by you or by me

So question your friends, go on, it's ok
Hopefully the world will reach a day
Where religion is the opposite of a taboo
Where religion is recognized as what makes you

So question the motives, question desire
And most importantly, question those who set fire
To other's religions, to other's homes
Violence is never the answer

Wear pink, never blue. You are a princess, not a hero. You are a hero’s shining and docile wife. Little girls will read stories about your appearance, not your achievements. Princesses and wives keep their hair clean and their man fed. Why be the breadwinner when you can bake it instead? Keep the house and the children tidy. Do not play with the toy cars or the small green army men. The small plastic tires will tangle in your hair and the pointy guns will poke at your delicate fingers.

Learn to wash the windows. You’ll be yearning through them for your entire life. Keep them clean to remind yourself of what could have been. Learn to dust the shelves. You will stock them with reminders of what life means to you. Scrub the doorknobs raw, for when you go outside, you must keep clean. Your name will become household if you are any form of *****.

Express and feel emotions, fleeting and open as a blustering curtain. You’re expected to be emotional, so never hold back. When you are shaking with anger, do not be afraid to scream. Holding back is for men. Whatever you do, do passionately. Men are for making ends meet and stoic thinking. Feel the need for these things and only find these needs met in men. Your dreams are to marry ideal qualities, not to have them.

You will fit nicely into a box. You are only a respected female if you meet these standards and requirements. Your hair must be shoulder length or longer. If it is not, you are a lesbian and are handed a bad connotation. Cover all unacceptable skin. If you do not, you are a **** and are most definitely asking for any ****** advances to come your way. Your ribs need to be as visible as your smile. If they are not, you are fat and clearly lazy and unproductive. You will only listen to approved music and think approved thoughts. If you do not, you are a **** and an anarchist and a god-hating liberal. Each of these is a nail in your fragile plywood box. You must be oppressed and not let a hateful word escape your rouged lips.

You must listen to your father and respect your elders. Your mother is not a direct authority figure. She will discipline you by saying that your shirt has always clung to your stomach and your hair is quite oily these days. Your elders know more than you do. When you state a fact or news event, it will be met with either an “I know” or a “that’s not true”.

You will learn to covet appearance above all. Your acceptance speech when graduating college would be null and void if you had forgotten your eyeliner. You have been raised with books about long blonde hair and being rescued. You are not allowed to save yourself. You will wait until a man can sweep you off your feet and that will be the end of it. You must be skinny and made up for that day so that he can pick you up physically and mentally.  

Do not play with the toy cars or the small green army men. The tires will tangle in your long blonde hair and the army men will make you think of power.

Cascades, cascades
Veils of rain
Never ending, Never rending
Faith in pain
To see is to explore
in the dim lit night
To see I implore
by hidden moon light
to the ways of the waves
as the rain cascades
on umbrella's held high
but only semi-dry
are the eyes and the sighs
and the little black ties
on doorknobs unlocked
precariously ensconced
those cries of pain
by the pouring rain
Unexplained
Unrestrained
Unexplicitly refrained
When the cloud flies
The crowd sighs
And the children unequivocally
sing

my fingers are spindles of thread, unwoven from blankets of strong women who fought harder fights than I could withstand.
my neck is a porcelain clock. engraved with wisps of words, it's cogs churning to keep my brain functioning.
my torso is an storm. lightning leaves scars acrioss the lining of my stomach, spreading out like spiderwebs, covered in dew. thunderheads boom when I walk, rattling my ribs and awakening this hummingbird heart.
my spine is a garden, blooming. daisys and forget-me-nots bloom from the soil tilled into my veterbrae.
My hamstrings are tightrope across the twin towers, quivering.
My knees are doorknobs left unturned, the room contents dusty and cobwebs string the corners.

The first rule of the open door
is someone must walk through it.
Someone has to slide off that bench
and find a new seat, lean their head
against the cool glass and sleep
across time zones and hillsides,
rows of corn running alongside.

I dreamt of that place, I shouldn't
say again because I don't count myself
a liar. But the table was set, wine poured
and that dog wouldn't hunt.

The sidewalks ran with the moonlight
of one thousand doorknobs, teeth
of hungry doorways calling to be filled,
to be necessary. All the orange flowers
covered my grave that night. Branches
shuddered with the blackness of one
hundred crows, the moon just slivers
of leftover cheesecake crumbling down
into the spines of hotel bibels and ******
veins of the orchard's nectarines.
And the clouds beat their knuckles
against the coming night until their passion
bled out onto the bleached white sheets
on their chests, all purple and red and blue
and bruised.

A colossal stillness hushed its way
across the swaying seashore.

there are ladybugs crawling all over my mother’s house
or maybe it’s my stepfather’s house
or my brother and sister’s house
it’s someone’s house, it’s not mine
there are ladybugs scaling the window panes
and upside down, polka-dotted carcasses
lining the kitchen floor
the faucet is dripping
it has been for years
you dream of growing up in a house with a
fireplace in the living room
you forget that you might live there with people who
won’t fix it
they grow cold instead
they throw cardboard boxes over the side of the front porch
and pungent trash bags into a rusting and dented trunk
the basement is unfinished, filled with dead mice
and god knows what else
the washer trembles when it’s off balance
it won’t stop till you rearrange the soaking threads
there’s a yard full of untrodden grass

it looks so large and whole from the outside

but there are holes in the walls
the size of doorknobs and fists

i would really like to go home

What I am most fearful of, is waking up in the middle of the night, not being able to move. Being paralyzed. Only being able to move my eyes.
      
        I am terrified of the dark, or maybe not that, it could be the things that are found in the darkness. Imagine waking up in your 160 year old house, with ancient doorknobs that have apertures only a skeleton key could fit, finding out that the door is locked. How? You are inside your room and yet the door is locked, who locked you in, how did they lock you in? Your eyes might water but before you cry you will pound on the door. There is no response.

           But wait, you are now paralyzed again and still you can move nothing but your eyes. Your only hope is that the morning will come soon and the sun will shine through your windows. What seems like an hour, passes. You are able to twist your head to the side. The clock says 2:04 am. You wait and wait, but surely ten minutes pass and the clock still says 2:04 am and now your head is stuck looking at the clock and you are scared you are so scared, and the door, you can hear someone put a key in your door, the **** turns and the door swings open, something forces your body to jolt up, you look at the door and all that is there, is.....darkness.

       That is what I am terrified of.