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He looked at me
The way you look at
Stacked books
On a wooden shelf,
Carefully stroking my spine
After he's done it to
Three other stories
he'd gotten tired of.

Mr. Bookworm,
I am not a fictional option.
Yes, my cover is
Stained
And my last reader
Folded and tampered
With all my pages,
I only wish you'd
Treat this piece of literature
With respect.
You see, Mr. Bookworm,
I'm not a trilogy,
At least I'm not sure yet.
My Author isn't quite done with me. And I find it quite rude
That you stare at my papery insides,
Page after page,
Only to leave me
Back in the shelf,
Collecting dust.
Be patient with me, wandering reader.
Wait for my story
To reach it's ******.
Inhale my aging pages
Until you reach my resolution.
My apologies
For the times I've been
Rewritten.
But wait with me
Till you've reached my story's ending.
Because I swear upon my
Mismatched table of contents,
It will be a story worth telling.
Ann M Johnson Nov 2014
Bookworm how I envy you
you live and ingest the written word
You have been around many volumes of knowledge
Taking it all in adsorbing it all
Living through those words and living because of them
Do you have a favorite type of book?
You may have even seen some famous authors
If you could write you would already know, many words
If I could let the words all sink in as well as you
I could be a remarkable student that is why I envy you
Should I be a bookworm too?
I once saw a real Bookworm once in a book I had been planning to read.
That and all the schoolwork recently has inspired this Random poem.
I hope you like it.
HomePoetry Control PanelPlease enjoy your visit. Poetic-Verses     4147 Poems Read.the bookwormi was in library sat there with a bookthen i heard a noise and thought id take a lookthere on the shelf as happy as can besat a little bookworm sat there watching mehe was very funny as he began to wiggle i couldnt help my self as i began to gigglehe was very nice and needed companyso he came across and sat along with mewe sat there together reading side by sideit was time for me to go and time for him to hidethen i said goodbye until another daythen we could meet again and together we could play.
Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.
Ashley Nicole Apr 2016
She carefully creased the corners,
Bookmarking her favorite parts.
Because the words on those pages
Seemed to touch her heart.
Aniya lent me a book and I noticed she does what I do
Shan Coralde Sep 2015
People say, bookworms are antisocial, quiet, and pretty much unattached.
these are not true, alright? no. bookworms are not like that.
let me enlighten you by telling you about the bookworm I fell for.

1. on meeting her for the first time, I was minding my own business. I was in class and it was the first day of school.
then all of a sudden, she suddenly points out the game I'm holding and screams *** *** ***! that game!! and after that we just talked on and on and on and on pretty much about random things. so no, they are not antisocial.
2. on trips to bookstores I'd always end up walking out of one with ym body hurting. why? Whenever she sees a book that she doesn't have, she'd gasp  point  grab  gasp  point  grab  and repeat. on seeing a book that she can't buy. she'd hit me with it! I mean who does that? on seeing a book that she's been looking for, for a long time, she'd throw a tantrum! so no, they are not quiet.
3. When you look into her eyes, you'd see all the things she's been through, the masks she wore, and the wrinkles in her smiles for faking them so much. It came be from a lot of things, A past lover, a long-term problem, an old friend, or betrayals. whether it's fiction or non-fiction it would pain her no matter how she lies about it. She's been attached to too many for too long a time, that she'd try her best not to get attached. So on a bookwrom being attached or unattached, in the end it's all up to you whether she becomes the first or the latter
Olivia Kent Feb 2015
It's a case full of poetic justice.
The only feelings I express are those of spoken words.
In my brain hides a bookworm.
It's feeding me with ideas.
His name is Jack.
Jack 'O' Lantern.
Lighting up my inspiration.
Once he swallowed a dictionary.
He ingested the contents and fed them to me.
I use them as free expression.
Having buckets of fun.
(C) Livvi
AJ Mar 2014
Marissa Ann was a firecracker of a little girl.
For her, there was no fence too tall to climb, no bully too mean to face, no street too busy to cross.
She was all tangled hair and toothy grins.
And she'd yank the book right out of my hands and say, "Gabrielle, we have more important things to do than read."

In the jungle of our lives, Marissa was a lioness, queen of the pride.
I was a mouse not indigenous to these parts of the second grade.
The world was a terrifying place, and I had no problem cowering in the corner, knee-deep in a pile of Nancy Drew.
I tried to stay huddled behind my words, drowning in the ink, attempting to let the pages be my armor.
Marissa would not let me.
When I allowed bookshelves to be my shields, she came guns blazing, and kicked them all down, then stood me back up on my feet.
She'd grab my hand and pull me head first toward adventure.

Marissa was tough, and everyone knew it.
There was not a soul alive brave enough to pick on Marissa Ann.
But me? I was an easy target.
The other girls said I was "weird" with my enormous wire frames resting atop full cheeks, and my frayed jeans, a glowing reminder of my mother's lack of wealth.
I heard the whispers on the playground about the chubby girl who read, (can you believe it?), chapter books.

Brianna was a demon of a child.
She'd bat her pretty little eyelashes and everyone would melt.
She had the entire second grade class wrapped around her tiny little finger.
She'd corner me on the soccer field and do everything she could to remind me that I was different.
But one day at recess, she was nowhere to be found, until I made my way through winding halls, back to the warmth of our classroom.

There sat Marissa with a devilish glint in her eye, waving me over to sit in the desk beside her.
Behind us, a sniffling Brianna, looking forlornly at the teardrop stains on her pink lace skirt, her mouth pulled tight into a perfect straight line.
I looked back at Marissa with a curious glance, then intertwined her hand with my own.
The sound of stifled sobs behind us and the warmth of her skin on mine sealing an unspoken vow between two girls with puzzle piece fingertips that only fit each other.
Jaz Jan 2014
I'll just be a bookworm.
It's easier than making friends.

And it hurts less.
Don't discriminate
Just don't do it
All it is, is hate
Hate is made out of other hate
and hate only fuels more hatred
You pour gasoline on a blaze of loathing
with every discriminatory comment you make
It doesn't matter
if they have done something you believe is wrong
because you have done many things that are wrong too
it is not for you to judge
so black white brown both or polka dotted for all I care
gay les straight bi or into adhesive sloths (we adhesified furry little sloths need a little love too)
man or woman or sloth
punk emo crazy nerdy weird loser REALLY weird bookworm or literal worm sloth or adhesive sloths (like me)
nature freak or homebody
axe murderer or a cereal killer or a cheerio killer
it does not matter who or what they are
they are all human too. or all sloths. that too.
Just don't discriminate
and share the slothified love of adhesiveness
accept everyone as they are
even if they hang from trees and move in slow motion all day like me
even if they are rocks
because rocks are great
in fact this one time, I found this rock and man, it was absolutely hilarious it should have been a stand up comedian
okay well not a STAND UP comedian, because I mean... rocks can't actually stand up... but like a really hard and Sedimentary roundish stone shaped sit down (well more like lay around like a rock all day) comedian
Wait, what was I talking about?
oh right, don't discriminate!! :)
against other humans or other sloths.
or adhesive sloths.

...I'm not crazy! my mother sloth had me tested!
yeah, I kind of need a life. I've lost a lot of brain cells falling out of my tree when I confuse my arm with a tree branch, grab it and almost fall to my death... anyway, hope the underlying message here gets across.
lots of love to the adhesive sloths out there! repost if you are an adhesive sloth lover!!!
A Apr 2014
Reminder:
It's better to be losing her in books
than losing her to someone else.

a.g
Danny Z Sep 2018
As Autumn approaches,
my mind drifts to the decaying leaves,
Halloween,
the cool, crisp breeze...
The communal understanding that eternal heaven comes only with
death—
that Summer must always go.
And that beloved Autumn must always usher in bitter Winter who lays the foundations
for an exalted Spring.
Oh hell...I hope for a long Autumn, I want to make it stay—
like a host who lectures his party guest for too long
so he won't look at his watch.
Oh how I need the frumpy sweaters and pumpkin heads on window sills!
Oh how I need the billowing steam from milky beige cocoa,
the misty light rain in the gray of the morning,
the high canopy of fleshy red flakes!
And echoes of children laughing as they eat candy on their way home from trick-or-treating—reminding me that life can be enjoyed
with sacred rituals and good company.
I need Autumn personified—
a cool-headed, crackling-fireplace-girl.
A quilt-maker, cloud-gazer, two-dogs-and-a-cat bookworm.
Someone comforting like oatmeal.
Someone surprising like the first day of school.
I need Autumn.
I need Autumn but it never seems to need me too.
Jenny Cassell Apr 2011
You are the practicality that keeps me grounded;
I am the spontaneity that drags you along.
You are the reason to my irrationality;
I am the tumult to your calm.
You are the answer to my questions;
I am the words to your quiet deeds.

You are the engineer I cherish;
I am the bookworm you esteem.
You are the chef I rate as top;
I am the baker you adore.
You are the handyman I can count on;
I am the seamstress you prefer.

They say opposites attract, and it seems that might be true.
Like two pieces from the puzzles we both love,
We fit together seamlessly.
To be cliche, you complete me,
But in ways I never knew weren't whole.
Angge Dec 2015
His study, with books of various kinds,
A dim light, his only source—
To keep himself from going blind
To keep himself on course

In Langdon's mind,
Whatever stood behind this force
Is yet to be defined.
Day 3 - Find the nearest book (of any kind). Turn to page 8. Use the first ten full words on the page in a poem. You may use them in any order, anywhere in the poem.

Book used: "Angels & Demons" by Dan Brown
Zombee Oct 2014
-






sometimes i wonder if i Learn anything -

sitting in the back of class with etchings n Sketchbooks,

looking through dimensions of a delicate World,

burning through the canvas with mechanical Pencils,,






.
sulking like the king of sullen
souls without a Queen..
..weening off the Pawns,,
"calling all my Bishops...

...this is the Night."
hiding in the Brooks.

- Bookworm




-
Every night I try to press myself
into the pages of my favorite book,
and every night I realize that the spine
is too weak to hold onto all the extra vowels.

So instead,  
I tear out every single page.
I fold them into paper airplanes,
each with my lip stain on the wing,
and I scatter them in your yard.
I watch every one glide and soar
until it crashes, even after I've
woken the neighbors. Even after
your parents have called the police.
Even after you stand in front of me,
so close that all I can do is crush them
against your chest.
Edited QUITE A BIT
collin Jan 2021
distance, lost among the pages
two different people
two different places
left behind, dog eared fragments
sometimes i think it’s ok
to judge a street by its pavement
Butterfly Nov 2019
I ended all chapters.
But when will the book finish?
Part 2 of stereotypes!
If you want to check out part 1, it's called artistic kid and you can find it on my page!
Hannah Southard Apr 2014
She donned the hats of worlds
that she so was desperate
to be part of that she became lost.
Flipping through the delicate pages
of lands so thin that if you looked too closely
they would break like a spider’s web.

She became entangled in the web,
drowning herself among the worlds
which she dissected so closely,
that from the outside she might appear desperate
to blend herself into the pages
a new piece of herself each time lost.

To everyone outside she was lost
caught up in her web
of what seemed a set of carnivorous pages
biting off a new piece in each of the worlds
she visited, desperate
to keep her there and watch her closely.

In her life they watched her closely
making sure that she would not be forever lost
and because they were desperate
took the blade of reality to her web
tearing holes in her worlds
ripping apart pages upon pages.

And as each of the pages
that were tied to her so closely
were torn away, so were her worlds
the pieces of herself left there were lost
still entangled in the shredded web
hanging limply, she was desperate.

But when they saw that she was desperate
alone surrounded by the pages
trying to sew together the strings of the web
they watched her closely
as she stumbled around, lost,
without the pieces of herself she left in those worlds.

Feeling so desperate, she examined them closely
pieces of pages, all their meaning having been lost,
trying to weave together the strands of her web wide worlds.
flustered Oct 2015
i didn't mind getting
paper cuts
for he was
my favorite book
am i the only one leaving cracks in your spine?
Trevor Gates Jul 2013
The Obsidian Theater XV.



Welcome to my nightmare
Welcome to my show
The audience awaits your praise
And your stage light glow

My, my, it’s been too long.

[Walks across stage; light follows. Curtains pulled]

Where have all of you been?

[Audience laughter]

Oh, forgive me, that’s not the right question
To ask

Where have we been?

That’s more fitting


Where


Sipping Champagne with Bing Crosby among undead poets
With a casket made for two
“Brother can you spare a dime?”
He said,
“Lift me from this tribal paradigm.”

And

For many days I wandered the wilderness in the threads of
My carnivalesque grandfather
Ripping and tearing in the clinging trees
Hands of branches
Groping and pulling the garments off my body

In the middle of the Serbian wilderness was The Manor
Draped in dead trees and blackened ice

The valet stood at the gate in prime condition
Waiting

But for who?

“Why, you sir.” He told me, guiding me through the entrance, to the front door.

And inside were wonders to be held by the
muster of my weakened eyes

Ladybug dancers tossing their legs up to *****-tonk fanfare
Swirling magicians pulling rabbits and naked men from the shadows

Allegorical usurpers coated in a filmy residue of
Herzog dreams
And
Lynch fantasies

Perpetuated by my longing
My lost soul
My parched thirst
My growling stomach
My throbbing manhood
My forgotten affliction
And severed diction

A man slivering into the skin of a woman
A Lady donning the cowl of a man

Skins shivering with afterglow effects

And dreams woven by old witches with intestinal thread

It was eloquent darkness in the belly of the manor
Fit for a King of Devilish glamor

Brothers of Grimm
And
Sisters of Mercy

Told from the pages

From the books

Of frozen Gods
And forgotten Titans

These are the happenings of a great story
Fiction or not
You may tell it
And believe what you will

It doesn’t matter as long as it is strongly retold

From the lips of another

The wandering bard
Or
The pub crawling drunkard
To
The enamored *****
And
Bookworm report
It needs
To be shared
To others
Even impaired
To celebrate
Gasp
Giggle
Scare
Love
Soothe
Disrupt

My impeccable, capable
Hands-down sensational
Tour de force
Troupe
A la mode


Cherries on top of whipped screams and drinks
Juggling heads and animals over coals of fire
Give them a show
Give them a feat
Give them something to remember
Give them something to crawl back to
Give them a performance that will beckon the applause
For years to come
Show your audience
And readers love
And
Sorrow
The likes of which
Cannot be equaled
Or even compared to
Lesser
Congregations
Of silly-billy pud muffins
And their
Street-smart guff

Let the institution of your mind become a corporal being
Teasing and pleasing those eager and waiting eyes
Staring up at you with
Wanting
Drooling
Wanting
Begging
Wanting
Affections

Don’t you want to see a show worth seeing?

[Audience cheers; laughs and applauds]

Watch a movie worth seeing?

Read a book worth reading?

How do you come by this?

Create what you’ve always wanted to see, read, watch and say.

Those performers
Once peasants and beggars

Stood up from the grime and ridicule of the trash and rose above the
Plateau
To conquer their hearts

Look and see!

Those people balancing and singing with fluffy dogs
Magicians and warlocks summoning spirits to dance among stars
Poets on stage reading mixed words to nodding peers
Directors blocking actors on stage with unparalleled enthusiasm
All these creatures of the ubiquitous night
Gather and produce
The whim of their lives

But many of these masters
These

Unknowing

Are

The bus boys cleaning up after your meal
The mother alone at home with the kids
The unsociable man on the park bench
The frigid girl in the corner of the classroom
The nervous boy wandering the circus
The stern librarian in Brooklyn
The blogger in the studio apartment
The hard working abroad student on a farm
The homeless man cradling a dying dog
The celebrity chasing photographer
The undergraduate tutor
The ignored substitute teacher
The bullied Muslim student
The underprivileged south side coach
The Turkish cab driver


More and more

These warrior poets and victims to racial slurs
Commonwealth bigotry
Ghetto endorsements
Faulty criticisms

From hosting countries

And sheltered, over-privileged, disillusioned

Politicians

Bureaucrats

Religious figures

Dogs of War

Angels of retribution

Demons of industry

Ghosts of the hours and days past
To sympathize and cry for the world
Thrown into invisible and subtle chaos
Like an ocean littered with the blades of
Broken glass
The sludge toxic waste mixed in molten lava over craters of dead bodies
Or
The sand dust covering the thousands of bodies in the earth

So



What teams won the World Series?
Which movie star dates who?
What’s the latest trending diet?
What new pop sensation has been manufactured?
What new insult can talk show hosts say?
Is there someone new to blame for all the bad things in the world?

What are the things the media has told you?
And
The things it hasn’t?

It’s a
Bitter sweet symphony

A
Crucible for the faceless grins
Pointing fingers everywhere but themselves


Let’s leave the worries to our kids
I’m sure they’ll figure it out.
Allow me to thank my esteemed colleagues: Meryl Streep’s skeleton, Freddie Mercury’s ghost, Doc Hammer, George C. Scott, Doctor Emmett Brown, Marty McFly, Easter Eggs, internet message board administrators, Robert Redford, Aviator sunglasses, Don Cheadle, The Coen Brothers, the Dukes of Hazzard, Billy *** Thorton, Hammerfall, Saxon, Klaxons, Lou Reed, Spike Jonze, Michael Gondry, Guts, Son Goku, Tinkerball ***** force, the Die Nasties, The Iron Maidens, Judas Priestess, The Runaways
And many more I simply don’t have time to mention.

Now Get out of my theater.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
Mica Kluge Jan 2018
People don't bare their souls-
but books do.
And-just for a little while-
when I'm buried neck deep in their spines,
I don't feel so lonely anymore.
"An impossible dream. Others dream that they are millionaires. I dreamt that a woman loved me."

"Cinderella was not written about the ***** woman."

"They would nod at my empathy and rarely point out that growing up did not mean and never has meant the same thing as getting better."

"Everyday she felt herself losing things it was unacceptable to mourn."

"There was love, and then there was suicide"

"She's the wrong kind of pretty, the kind that's soft but not fragile, the kind that inspires the impulse to touch."
Ruheen May 2019
If you see a girl reading,
And she is lost in that world of words,
Do not get up and bother her,
For you are blocking
Her path of escape
Into a world where people are allowed
More than a few moments of happiness.
So let her stay
Away from this world, we call reality,
Because that may be all she has.
Seriously, do not bother me when I am reading, otherwise, I will burn you alive.
Or I'll drain your body of blood and hang it up somewhere for all to see, kind of like a warning.
Or   I'll poison you with laundry detergent and watch as you throw up blood.
Or I'll just repeatedly slash at you with a butcher's knife until your face becomes unrecognizable.
Or.....if you're a guy, I'll just simply kick you where it hurts the most.
AND if you're a girl, I'll just make your life a living hell - rumours, secrets, drama, you know the usual.
:)
How's that? Too much?
Irate Watcher Sep 2014
The badge of pride as a ******* in high school
was dunking your inflamed limbs
into an ice bucket for 20 minutes,
in Mr. Dewey’s office —
the school trainer AND
every girl's crush.

I always wanted  someone to pour
ice water over my sores,
and ****** always being healthy enough
as Jess told the teacher loudly enough
that she hurt her ankle at track AGAIN
needed to see Dewman.
Guess they were best friends now.
****

When I fractured my back, I didn’t even get a doctor's note.
Because I wasn’t on a school team.
I was a gymnast for an outside club, not high school varsity.
My high school had disbanded the gymnastics team in the 70’s.
Said it was too much of a liability.
The last team picture hung in the award cases on the first floor.
I wished I could be one among those vintage leotards,
framed in gold — the warriors of high school.
Most of my classmates didn’t know I even did a sport.
They just thought I was a bookworm who was flat-chested.
Only the girls poked my abs in the locker room,
asking how I got them.

So I iced my wounds at home.
I didn’t even know my back was broken
and for a month I drank ibuprofen.
Sharp pains biting more frequently,
I finally went to the doctor.
The nurse asked me if I wanted to look
while she injected me with an isotope that
poisoned my dreams of finishing the season.
Green neon lit my bones, shedding the diagnosis —
no gymnastics for six weeks.

At school, I dressed to fit my backbrace:
baggy t-shirts and sweatpants.
My straightener rusted.
Messy buns took precedence.
I tried to go to practice, but my coaches told me to leave.
But I had no where to be!
And I had no friends at school.
My only friends I watched get awards,
not registered, but wearing my warmups.
I swore how I could beat the competition from the stands.
Stupid back.
Stupid Christine.
Stupid me.
I should have never done that 1 1/2 twist front flip series.
Poor bones landing on hard carpet repeatedly,
I ignored the jolts as static electricity.

Now everyone was working on new skills
and I could barely do a cartwheel.
That summer we had lots of pool parties —
but I couldn’t dive in.
So I sat on the ledge,
feet dipped in, while everyone played chicken.

— — —

After six weeks of recovery,
I start jogging.
I did a roundalf,
then a backhandspring.
That night I was so sore —
my memory of skills strong, but
my muscle memory poor.
Each stride into a tumbling pass felt like running in a pool.
Some days I felt like sprinting down the tumble-track
Other days I wanted to bounce on my back,
stare at the ceiling, and feel each node of impact.

Recovery day was my coach laying down a mat.
Today was the day I’d repeat the skill that broke my back.
I took a deep breathe and three long steps
into the first part of the tumbling pass:
roundoff,
backhandspring,
back layout one-and
a-half twist, front flip
stuck into a step.
My coaches cheered and
my friends clapped.

I was back.

Yes.

I was back.
Kewayne Wadley Jan 2020
You are the cover of my favorite book.
& when you open up I am at peace
There isn't a spot of you that I won't
Explore.
From your open arms to your open legs.
We are spontaneous.
In the places we travel.
My fingers but a mark to hold the page.
From my eyes to my hands
I always have time for you.
We are spontaneous
No matter where we are.
No matter who is around
From your open arms to your open legs.
You are the cover of my favorite book.
Your spine stretched against my hands
raw with love Apr 2014
they ask me
why i read.

they ask about
the books in
my room.

well here it goes:
i ripped my heart
out of my rib cage
and cell by cell
i tore it apart.

i ripped my soul
out of
wherever the **** it was
and thread by thread
i tore it apart.

and then
i opened all my
books
and between
each page
i carefully
tucked
a cell
or
a thread

and now
my heart
and soul
are safe
inside
the stories
other people
had to tell.
Lakshita Jul 2017
Let me tell you
a story
There was
a girl
She used to
read books
But it wasn't enough
for her

She wants to crawl
inside and live there

She wants to befriend
the characters
and think that
they were real

She was a bookworm
but people told her-
that she was stupid.


This broke her
internally
But she never stopped
reading.
Pearson Bolt Jul 2017
the rocking chair creeks on the back porch.
she cradles The Hobbit in her lap,
sips black tea and brings the joint to her lips,
carried away in an airborne ship of smoke
to Middle-Earth, an escape
from the tedium of 9-to-5s,
consumerism and bored housewives.

the cars **** by but she can’t hear.
she slips through the fabric of time
and space to the upside down. flipped
around with another page to hang
on the precipice of bliss implicit
in every interlocking sentence.

here, words cannot hurt, only heal.
within these holy septs, sacred texts
lead us to truths beyond the veil.
she who reads
has lived a thousand lives
in a fraction of the time.

i want to dive behind her cold brew eyes
and peruse the passages of synaptic gaps,
meandering along neurological paths,
for not all who wander are lost.
the human mind is like your favorite book—
once it’s been opened,
it can never again be truly closed.
Ellis Reyes Feb 2010
He is a bookworm humming marching tunes with a caribou.
They smell the sky, hear the sand, see the bright red light with their tongues.
Ed Ed the Knucklehead hides his hands in Ottawa.
Ed never hid his hands, he revealed them for all to see.
Splish-Splash, Splish-Splash, his webbed feet slap the tiled floor,tasting, tasting, tasting.
Walking, walking, walking
The foul-smelling wall of hunger screams empty codes at the freezing sun.
"Calculus," whispers Ed, "I want more Calculus."
The math will sneak by, he will feel its shadow; but not yet.
Sour triangles whirling openly greet the visitors.
Powerfully they mask their entrance embracing fraudulent identities.
The caribou now speaks his truth, "Ani rotzeh tachtonim."
Blindly the door opens and reveals all that the caribou desires stripes, rainbows, little flowers.
Down the long pathway to nowhere.
Kimberly Lore Aug 2015
She is not merely a bookworm
She does not read for pleasure
She reads to survive
She reads to distract herself
She reads to thrive
Her words do not collect dust upon the shelf.
She is a devour-er of books
Ink drips from her lips as she tries to
Contain the words that she bleeds
She exhales chaotic eloquence
Her tongue wrestles to wrap around words more
consumed than heard
Her mind races to find that one perfect
syllable to turn her phrase from
biting and bitter to
savory yet sarcastic
Her smirk is merely a collapsing floodgate
Words will soon flood free
Watch her eyes, you'll see
She is not merely a bookworm
Aa Harvey Jun 2018
The Flibbertigibbet


Such a ludicrous name, unto you may never have been heard;
But The Flibbertigibbet Demon lives in the land of words.
They hide there in The Thesaurus, in front of our eyes,
Like The Devils spies in paradise.


The bookworm with tapeworm, failed to see The Flibbertigibbet;
But then one day The Bookworm, just happened to come across it.
It stood out from the rest, because it didn’t sound human;
Then I read the description and it simply said Demon.


The demonic disguise, lead to the corruption of the mind.
It is now forever entwined, with the Flibbertigibbet inside.


(C)2011 Aa Harvey. All Rights Reserved.
J May 2016
To the boy who loves me next:
Please understand I am complex,
and **** your cliches,
this is not some Tumblr post.

I am a host for emotions I cannot control at all times
there are some things you should know
before you decide that you love me,
don't.

Don't tell me that it's going to be okay when I stop breathing
especially in public.
Please don't go when I push you away, though. I don't mean it.
You need to know that I want you to fight for me when I tell you to leave.

My favorite color is purple and my favorite food is strawberries.
(oh and this weird vietnamese noodle dish I never know the name of)

Sometimes I will test you, and not in the "just checking if you were listening"
test kind of way

But I will see how far I can push you until you want to leave,
please don't.

To the boy who loves me next:
understand that the first boy to love me took a lot when he left.

I'm not picking up the pieces anymore, I don't expect you to.
But I am creating new ones and need someone to be there to hold the box of nails or kiss my finger when I've slammed it with the hammer.

Know that you probably won't do anything wrong,
well you might, you're a guy
so you're probably going to say something I will take as
completely sexist!
you pig!
don't you dare compliment my *****! *******!

wait! that's what boyfriends are for,
I'm sorry, I forgot.
I do that a lot.

To the boy who loves me next:
I'm a feminist.
I probably eat 10 bananas a day.
I love coffee and would rather wear my hair up.
And yes, I ****.

To the boy who loves me next:
my room will not be clean,
messy is as messy does,
and even when I don't do a lot
(which is often, oh boy do I have my days)
I am a slob.

To the boy who loves me next:
Chamomile tea is my favorite smell.
I will probably tell you 45 times a day that I think you're handsome
and mean it every time.

To the boy who loves me next:
I have scars on my arm
please don't mention them
I've put that behind me
somewhere you're allowed but cannot get comfortable

To the boy who loves me next:
I'm going to listen to the same song 150 times in a week because I like it,
and I'm sorry but you will probably have to deal with it.

To the boy who loves me next:
I'm sure you're going to like the song anyway.
I have three cats,
I can't take care of dogs very well.
I'm over emotional.
Baby goats make me cry.

To the boy who loves me next:
I cry,
a lot actually.
Don't take it personally.
You'll understand eventually.

To the boy who loves me next:
I like watching the History Channel but I've been watching Gossip Girl for a month now.
I pace myself because I become
emotionally attached to characters in bad MTV shows
faster than real people.
I want you to think I'm a bookworm but I start more than I finish

To the boy that loves me next:
You won't if you see me without my ADD meds.

If you love me next, know:
I like rough ***.
Pretty rough if I might add but I won't tell you that for a year
because I'm shy
You should also know I'm loud,
I don't mean in bed,
I mean roll the windows down because I talk
and get really excited over trivial things like
fresh fruit in season
and sometimes I ramble on about nothing
and you should be able to handle that

Can you handle that?

To the boy who loves me next:
I am apologetic and scared because I have loved once  
I never thought that high would bring me down to where I am now

To the boy who loves me next:
I'm going  to pretend I'm rough around the edges,
please see past it,
or at least love me long enough to let me explain.
The boy who loved me first knows everything.
And since he's gone,
you're going to have the leftover weight.

To the boy who loves me next:
I promise it will be worth the strength it takes to carry it,
I promise to love you back as much as I think I deserve to be loved at all.

To the boy who loves me next:
do it fully or don't do it at all.
Realeboga M Mar 2015
Accept me for me.
And I will accept you for you.
I won't judge you or hold grudges against you, I won't make you feel inferior neither will I act like your superior.
I'll do my best to be support you and stick with you even if you hurt me...

But accept me for me, I'm a little messed up, crazy and bipolar.
I am what people call different?
I am what people call a social outcast because I am all in one a ****, a nerd, a geek or whatever you call it.
I'm a bookworm, a wallflower, I like to stick on my own but I do like to go out.

I'm not a serious person because being serious comes with horrific memories of my past so forgive me, forgive me for being childish, its a defence mechanism against this Canvas of pain that surrounds me...

Accept me for me and I'll accept you for you...
You don't necessarily have to accept me, I'll still accept you either way.
Sam McCullough Sep 2012
me
you don't understand me
but do you even care to try?
let me introduce myself
i am Sam
born into a winter wonderland, at the peak of the Christmas season, with the smell of pine and gingerbread
my mother was a brown-haired beauty who loved as much as anyone could
my father was a diligent working man, who secretly was a head-banger
or not so secretly anymore
i'm the youngest of two girls
my sister was considered a basket-case, until she moved us all with her art
each family has a child with a problem - or is a problem
i had a brain problem, i couldn't operate correctly and no doctor could find the time to find my instruction manual... but they did fix me, at some point
after i was the guinea pig who had to endure test after test and all of their wannabe God decisions
i was the girl at school who people thought came from France
i had an accent, they said
i told them, no
i was born here, under the stars, my mom telling me that the sky was mine to see and create
they laughed and would walk away
i could see it in their eyes
she's weird, they thought
they kept there distance for seven years, solitude fit me well
i had friends, three i think
but they all eventually left, and i was alone again
but, when i was nine, i found a pen and a piece of paper
and i wrote about how beautiful the flowers were
and how big the sky seemed, how lustful the wind seemed, and how i thought it was calling me
my parents read it and smiled, knowing i had finally found the thing that set me free
i wasn't good at sports, but i was a real bookworm
preferring characters to real people, because  Harry Potter was the boy that lived
and if he could survive the dark lord i would survive school and all the mean girls that came with it
they didn't take notice of me till i was fourteen and i got contacts and a gleam in my eye
i started to carry a book-bag and wear make-up and i instantly became "cool"
but i did not want their friendship, i had tried to be there friends a million times
always being shot-down because i was a "nerd" and everyone knew it was bad to be smart
because you had to have a brain to be smart and you had to think on a daily basis
on more than what we just learned in the classroom
i'm now a freshmen and i have four years until i can be free
let go from my birdcage and just fly above the world, touching the stars and reaching my dreams
oh, hi
i'm Sam
i can only be
me
Alyanne Cooper May 2014
He was the perfect height for her.
Tall enough that her head fell
Right tight under his sculpted chin
But not so tall that he was called "giant".

She was the perfect shape for him.
Not so skinny that he worried
About breaking her bones with a hug,
But curvy in all the places
That made him say a throaty "whoa".

She was a bookworm who loved TV.
He was a chef who loved Mac and Cheese.
They both adored animals,
Though he might have loved reptiles just a little too much.
And they both hated politics,
Though she might have set fire
To one too many campaign signs.

They argued about music, money, and kids.
They debated the merits of dancing in the rain.
They held hands in the moonlight,
And kissed at midday.
They grew old together and never strayed
Too far from the home they had built.

Then one day his chin wasn't high enough
For her head to fit snuggly below.
Her dresses, though comely,
No longer made him say "whoa".

But they still held hands and kissed
And remembered the days of their youth
When they were still learning
What being perfect for each other meant.

It wasn't until the night her heart gave out,
That she realized how he was perfect for her.
It wasn't his charm and dashing good looks,
Or his witty retorts and clever touchés,
But the simple fact
That through all of the years,
He loved her,
And that made him perfect for her.

It wasn't until she took her last breath,
That he understood how perfect she'd been.
She was perfect not because of her curves,
Her smile, her laugh, or her intelligence.
She was perfect for him because she loved him.

They'd been perfect in each other's eyes
Because love is blind.
And sometimes that's not a bad thing.
Mateuš Conrad May 2016
all i'm saying is that the tetragrammaton was lying about in full view, an umbrella on the train; the tetragrammaton was just there for the taking, in english... and no jew noticed it, or picked it up.

poetic proliferance comes at a price designated the role
of anti-oratory - imagination and memory
are scattered narratives, thought the prime of the three,
an animal is bombarded  with sensual impressions,
a feline pet is the ultimate unit of fighting against
this constant bombardment  of sensual impressions,
before us, the ultimate leisure  activity, albeit without us
actual engaging in it personally; we created such utensils
as memory and imagination to counter-act the vacuum
of unnecessarily narrating a sunset and a sunrise, a comet's
flight. pro life interference - a snake shedding its skin, e.g.
non-oratory, even anti, poetry for bookshelves, for dust,
migraines, moths and bookworm larvae;
for shrapnel ego... for stances in aesthetics like:
run DMC's *it's like that
, countered
with... 'and i thought disco polo was bad.'
cheap thrills, scribbles on toilet paper,
marquis de sade made an inkwell from
his wrist, blood on white:
Boabdil gives the Granada key to Ferdinand and Isabella
v. kazimir MALEVICH's red square,
                                painterly realism of a peasant woman
in two dimension
-
a Faustian gamble... mental retardation...
no curly curves on pillars, no mention
of Pompeii... mythical Atlantis with its sea-monkeys
agile in water but hardly acrobatic on earth
(exceptions due to Russian Lolitas)...
no regime, no rigour, too much jealousy surrounding
the Renaissance art-schools, jealousy, greed,
fat parasites invoking their name, say, Raphael
as useful as the noun tree, hammer, ship tried to be...
hell the mad dog without a KA GA NIEC
and off the leash... you really can't expect more
abstracts... but art follows science,
what with anti-matter, subatomic particles,
art will see less beauty and science more complications,
both will be working on abstracts...
enter the art critics with their narratives...
also due to the fact that calculators replaced our
natural ability to process arithmetically...
hence a lost technique of arithmetic and a more
sensual engagement in the motto: precipitating
toward a MALEVICH black cross, black square etc.
was the art movement cubism - unravelling
the cube post-scriptum in it all... *******
this ultra-modern fascination with Python-gruesome-oraz
(oraz translated as: also) -
come the critics and their narratives
of triangles without a thinking-do-d'ah suggesting
trigonometry or a squared + b squared
equates to c square (or a hypotenuse...
likewise with hippopotamus i'm dyslexic to mind the
matter too much... honest to god,
i'm dyslexic with certain words - mainly because
it's hardly a scene in a pub: 'pint of ale my good man'),
and added to the chaos of lack of diacritic
in english, you tend to be chaotic with punctuation,
and the words stemming from the latin
æ grapheme (graphite, the tertiary carbon representation)
simply coagulate into a rancid custard of
non-differential puzzles via sūdoku - now repeat
after me, the sharp Japanese HI! sù doku!
HI! HI! well, aye, but it's sùdoku! HI! HI!
si sense... and there's the roundabout.
i'm probably the first poet of darwinism,
i got a blank in my head and i just allow the poem
to evolve... why sù and not sú?
you aim to repress, insert a quasi pause, stress
the would be associated categorisation of sù
as prefix... the doku comes as an suffix -
in culinary terms that's representative of
a hunchback leaning over a *** of sauce and
invoking a movement, a whiffing to get the scents
ticking the nostril fibres - wave in, entice - so indeed
the Japanese punctuation omitted in universal
encoding: - (the hyphen), the sharp impromptu
HI! (HIGH... *******, they're one and the same!)
sùdoku hin ji roo shika! that's samurai for:
i said sharpen my samurai sword like a mathematical
rubric of the 2 times table: 2 x 1, 2 x 2, 2 x 3... etc.

— The End —