bed:
blood
in us
of mud

shed
the rust
muscle
of dust

red:
tongue
wrung
strung

said:
run
the run
begun
(we did)

-

head
of toil
of ours
in soil

bread
of skin
soiled
in sin

led:
we went
say, patent
we went

wed?
ha, sweet
pleased
bland wheat

bed:
pillow
above us
below

bed:
black hand
fragile
and

cracks in the ground

like a frozen sea
cracks in the sky
like a frozen lip—
                quivering
then,
and voiceless fluttering
of word upon wordless wordy word

a low wind
that
proud wheat
    swept by

                   a bowing horde of gold

like kin on kin erupting
(because root dooms with it the house)
like a festival of distrust
where all centres
   in a tangle of struggles
own throats hold

gyres of limbs
              that themselves ****
themselves make

a ruffled head
that I so long combed
now a sea wild
wild
now slithering babbling streams
now lustful teasing waves
that shore then shore
meet and meet
and will rest not at all

what of—
blind infancy of impulsive beliefs
that through dunes and oases
go and go
(now nothing, now all, now none and all and all––)

a–– many sandcastle homes of childish sight
melt to doubt

— hold it—
this cleaving ground will be bound no more

cracks, indeed, all around

All night long
I peel off layers of me
thinking up poetry
with my fingers and lips

the little moon melts
and melts
purer than fire

in the morning, I am wax again

The first time, at the age of four,
when I first peeked under my tongue
after brushing my teeth,
I got scared.
Frightened by the ugliness of it.
All the ruptured rivers of my veins and vessels,
the indefinite patterns of colonization of my cells;
a naked mannequin of the story I held inside.

It was as if someone had peeled the skin
off my tongue at my birth
and now all the prisoners were striving to escape.
It was as if someone had abducted the blanket
away, when I was sleeping
and now the monster under the bed was clawing its way out
asking if I needed a friend.

Scared that I would damage the fragile wires,
I carefully laid my tongue back in her cradle,
hoping that someday, the skin would be back.
That she had only walked around the corner of the alley
and she would be back.
That the vacancy in my heart did not mean she was gone,
she had only gone to the mall to grab some sweets
and she would be back.

Each day, I would steal a peep,
in belief that I might find her there.
Though foolish of me, sure, it was to hope.
Smart of me it was to stay away from despair.

I still get scared when I glance under my tongue.
But not because of the ugliness, no.
The darkness.
The darkness that, I know, flows beneath those streams.
The darkness that, I fear, resides behind my skin,
licking, biting and swallowing the hollow of my being.

I still shut my mouth as quick as I can,
sending my tongue back to sleep,
but not because I am afraid to cause damage, no.
The destruction.
The chaos.
All the words that hide inside my enigmatic brain.
All the demons that lurk around the shadows of my heart.

The beasts and ogres that I once crafted
out of the ashes of my soul.
They skulk in the void of my chest,
their laughs echoing around the abyss
where once cherished my being.
They drink and dance, and gamble away all my life.
They joke and sing, and rob me of all my hope.

I still check the cave in my mouth,
day after day.
Not in hope of arrival of spring, no,
but in helplessness of my desperate desire.
In temptation to split open a vessel,
and watch all the nothingness,
flow out of my mouth into the inviting sink.
In temptation to ravage the last barrier into pieces
and feel all my creations drain out of my body.

In temptation to see the corpse of my soul
sail away with the tides of my untiring blood.

--to be free.

There is a plummeting within me
I reckon not unlike tumble ****
in a lone, stranded desert

That of violence
so long silenced
That of anger, and hail storms
upon freshly blossomed hyacinths

a smothered baby bird
or a tree towed down
Repressed,
the twigs and shrivelled seedlings
cry out
and dry gusts hear
One upon other lunges

And I, them weeds—
them weeds— and more,
a deafening brawl

Rolled, as wool, into an orb
That laughs an unkept,
dimming painting
Jumps over rocks
this wicked, rotten child,
And descends under still

Perhaps—
A brick that stumbles out the wall of my skull
and down my depths,
it begins to explore

The den
where an injured bird
snores bleeding
And ceramic bars that surround
Down still—

A churning, twisting furnace
Burning all menace to gold
And labyrinths
beneath
Restless as they warp
upon themselves—
Them groaning snakes

It plummets down still
past the stars
past the battered moon

On, on ’til the cracked rocks
Pull it under, under, under

and my steps feel heavy
A fat brick kiln burping within
And steam and smoke
strangely slither

Then one more brick breaks loose
then one more, then—

and there is a plummeting within me
Like that of beads from a broken necklace
They lurk
from flesh to flesh
Climb up my bare white trees
filled with mud

This faded landscape painting
claws down my spine
And ***** its stollen hues out
Like those

of battles
or slaughtered moths
Of old, crinkled terrors etched
with foolery
Hymns of fury undissolved
and those of naked, shivering sheep

a kitten’s skull
stuck down the drain

There’s a plummeting within me
terrifying, and disgusting; angry and
beautiful— all hyped up to scream
I fear the landslides will
carry me along
and I will let them.

Do you remember the sky sinking?
That fall, when we climbed up our vague tree
and watched the nights burn
     softly on
Those naked arms,
                 and our pricking skins
You told me that
the dark seemed quite obese
I wondered how it could be

remember the dawns
  that lingered before us
and birds with jewels between their beaks
    Sun like a bruise clawed its way out
We never did see— never unseeing
ever on watch, yet the clouds
    grew above
and we only drew forests with our hands

yours upon mine upon
  yours upon—
and down, down plunged it all
First, gold
          then the glass
We jumped in weeping puddles
and forced the mud into birthing birds
Then came
     the silvers
and with them, those malnourished winds
Do you remember

the smoke that descended down the cliffs?
That winter, we melted
            with our pink flames
and slept away those snarling wolves
Beneath forts built of woollen quilts
        our limbs tangled, tangled
     with our tales
You told me the dark
     seemed quite obese
I nodded like
  a broken, puppet horse

then—
Dust gushed out the vessels of air
   and cars coughed
And down, down
                came it all
Dawns befriended our solitary dusks
and moons sped up their dance
I ran my fingers down
     the green of your strands
You introduced a ladybug to my skin

down, down tumbled nothing
       First the browns
then the blues
We buried our barren feet in sticky sands
and you told me
It hurt
where, I asked
here.
and there were you kissed

And blues fell upon blues
’til cold, shivering, stumbled away
And our tree was a painting
    on the lips of a stream
Restless, it lurked out our reach
and the sky
swelled and swelled
till a heavy haze came plummeting hither
And above us was left nothing but—

It hurts, you said
I asked you where
here
     here
  here—
the blues embraced the lonely of our land
and kissed it all over
  all over
Huts, playgrounds, markets—
Wells, trenches, hills and hills
children, the rest
     and voiceless shrubs
All devoured.

Do you remember the bleak stars
as they struggled to flutter
    in the smothering vacancy
Then the summer smiled
and stole our dying skies, and
  all the quiet broke loose
        in our bleached towns
We in a moor sprayed with stillness
    treaded through
the misty of our eyes
        feet upon cinders jagged
where does it hurt, I asked
  nowhere
nowhere, nowhere—

Dance me when they are all weeping
Dance me to the sound of their grief
Dance me naked, pitiful, ordinary
Polished a wood to hold the mirror
Polished a mirror to hold the world
Polished a world to hold me, O
Simple acosmist, dance me thoughtless
To the edge of your thoughts
Dip me faithful, into disbelief
Dip me, trick me, pull me back
Taste the constant revolution
Brooding in me, taste the brood too
Senseless word, tasteless art
Taste that too. Startle, stumble,
Startle me thus - O dimmed Daedalus
Craft me wings, craft me the sun too.

"I can stop whenever I want," I thought.

Days pass on in a blink or two, nights even lesser
Sometimes they linger to catch their breath
while the moon sails like a leaking, exhausted raft—
forever rowing, never moving— in a silent sea
And even if I could grab hold of the sky
and spin her till a peachy blush lit up her face
what good would it do to this melancholy land?

When a grief-stricken snake banged at my door, one stormy night,
I let him in for his toothless, shivering lips
—blue like cold himself—
became the very cause of my liquifying heart;
what could the piteous reptile be offered but
a chalice of fresh, steaming, crimson blood
He gave me his ruby smile and I tied it around my neck
How do you repay such love— how so
if not by surrendering your own doomed flesh?

Did I, or did I not
Roam about narrow alleys of ancient cities housed with words?
make home with wounded rugs left
in places even orphaned kittens avoided
—slept like an unborn child through sunless hours of dark's embrace
Swam through tireless waters—
with a pillowcase filled with tales
Crowned by impressed kings in some lands,
robbed by faceless folks in others.
Carried a plank or two when stories stopped earning me food

All worth another flip of the unheard page
Did I or did I not then forget it all—

As winter moved on to the land next door
sky stole away the very snow she had once abandoned;
lifted the frosty veil off her sun's flushed face
But even as fox gloves and lilies opened their arms,
I let the snake stay in my castle walls
sent out an army and fought wars against stars
when he said he deplored the light
He grew up fast, developed a habit of hissing—

And the neighbourhoods passed like ecstatic tides
left behind by unstopping ships

The moon keeps chasing his blooming sun,
never too far from her rays
and they kiss in the mornings and kiss in the dusks
And the sky steals quick glances at sea,
as he smiles knowingly
The snake fills up a goblet of wine,
feasting upon treys filled with meat—roasted and boiled and baked

And I stumble through empty streets, vomiting out all but him—
Vomiting out all that’s left of me—

"I can stop whenever you want," he whispers.

There is no blade brighter than the wind
No euphony as lucid
as entranced she sways—
No mercy weaved in her delirious wings
nor any dead lands
caked beneath the lambent scales
In serenity she loves, in serenity prays
In turbulence— plays

There is no blood prettier
—still, I sense his finger stir
Yearning for cords
as he climbs up
the old, darkened minaret

I hear them warriors are on their way
Lured to stillness by
an injured dragon they cannot slay
and the rain
beneath her guard
trembles, trembles—

I relish the cold devour of her excited breaths
swirling about like a Koel’s last song
up, up the boy does stumble
up, up the tallest minaret
Which has long ceased to kneel
for the Imam’s groggy knees

The masjid slumbers in arms of the tired town
and warriors appear—
Swords like withering moons,
shields, extinguished suns

And prayer mats are folded
by her vivid claws
As blossoms smile out the yellowed tiles
A lion yells, his deer screams
and one upon another,
the swordsmen fall

But I sense a stirring in him
He plucks the stubborn of his tendons
his fingers— a strange dance
And notes around him
tremble, tremble—
Too young to have learned the words
His lips tear open to birth a laugh
an Adhan of his own

There is no sacrifice like one of the wind
She paints a trench across her
wavering being
and trembles, trembles—

Through the shuddering lips pulled tight
she, into him, flows
like water, like a storm frenzied, she
into him, flows—
There is a stirring in him
As tunes give themselves to the vessels
and vessels, unwilling,
are pulled

I hear it all them
The dragon lured to stillness
by an injured boy she cannot slay
—hear this, too
His being, like baked bread, relaxed
And arrows, his vessels
release—
and tunes— tunes soar about
As the old, proud minaret
is bled to a viscous death

I watch the tunes, they
tremble, tremble—
I wonder where they will go
Perhaps down a Koel’s scratchy throat
or sway by the town’s unmarked grave

Then the folks rise up
and cleanse themselves,
Water up their faces, down the elbows
Coating their necks, and glistening in the hair
A prayer upon prayer
hatching on their tongues
—dried blooms
crusty beneath their feet
and rain, a coward— away

A boy is lost, they say
‘As if vanished,’ they say
but is soon let lost
among the rows of funerals
passing through the town’s dusty days
Mourners, and mourners
— dead upon the shoulders of dying
Death, restless, still
Warriors, warriors no more
and the boy

still sings over that forgotten tower
A dragon whirling within
mimicking our moon-struck Dervishes
—I swear the boy still sings
as he gushes, gushes melodies
with every tremble

an Adhan of his own—

I close my eyes hoping for dark but I only see grey;
some remnants of night's adieus,
distant sounds of day's footsteps
too early for the mighty sun,
too late for lovely moon
so the sky lingers reluctantly above me,
doubting ever doubting the arrival of light

But what is left of grey but its greyness
stretching infinitely over a vast void;
ever fading but only to younger grey
ever darkening never to a hue but grey.
no birth, no death, just a labyrinth  
caged somewhere in between the mess.

They say I can make whatever I want
of the universe because it's mine
but I hardly see the point in taking the trouble.
Still, if I could mould the stars into shapes
I'd make them to Jasmines
for what are they but shy kids that lay out their wings
in the devouring nights only to curl away
with the arrival of day.

I once saw a cluster of sparks singing in a nightly alley
they held their hands and danced about a blushing flame

what more horrible but the echoes of demons
laughing in depths of dark streets as they
celebrate their evils and bury their fangs
on the cooked bodies they stole by the setting sun
Ribs like bars of a prison holding the excited heart in place
collarbones so sharp they could rip open the flesh,
skin hard as leather, eyes placid filled with smoke
their shrill laughter that gnaws your sleep away,
ebbing and flowing side by side with the dark

I once saw a bunch of Jasmines walk behind a lively sun
Carried upon their withered backs the sacks of cement and bricks
On journey to building a house they'd never call home.

What more lovely than the sound of petals breaking,
dew dripping down their tips only to be snatched away by sun
what more beautiful than the sight of cracked lips,
concave cheeks, tentative hands and scared feet
the desperation of the tongue that takes you to puddles
the moment they hear the cracking of chains
a hunger so strong it makes the teeth shudder
hollowness of nights that pulls you closer to one more thievery
just one chunk of meat to quieten the stomach

Grey choking in white, grey chuckling in dark
grey chains, grey in the chains; grey sky, grey in the sky;
grey eyes, grey in the eyes; grey ballads, grey in the ballads.

That's what happens when you hang your jasmines to dry
under a sun that merely starves for ounces of hope

But what of hope?

They said the universe is mine but if I could squeeze
the life out of the sun, what would I achieve but
the flowers that incinerated decades ago--
the ashes of broken bones, vapours of clotted blood;
the nothingness of smiles, and the dryness of tears;
some sprinkle of love or hate, some gallons of lust;
carcasses of souls, some flesh engraved with wounds

what would I get but the corpses of light that the sun ****** out
the universe they claim belongs to me;
I hear my people screaming out, I see sun sending out its love,
the universe they claim belongs to me turning to cinders.

They say there's day after night but some only see grey
They shiver at sounds of demons joking,
then smirk at screams of stars blazing
but some only stand by the impassive sky watching grey
they fight battles upon battles with evil
then rest by the hanging bodies of the good
but some only stay by the left out winds, staring at grey
They scrape away the dark, paint it white
then cover it up with layers and layers of coal
but some merely sit by the songbirds listening to grey

But what is grey but the reminder of all the petals we ever plucked
and all we ever will in hopes the next that bloom are full of colour
What is grey but a mess of bodies of demons and the heroes
carpeting the deserted battle field that once fluttered with the winds

I open my eyes and the day is finally out
but you can hardly say.

3.
Picture:
smog pilfers
away some stars;
some cars
my words

Silence:
like a pinch, a piercer,
a piercing

Little winter:
a pistachio
salty, sweetly
confined a bead
I crack the door open
I eat it up

Clock:
a pistil
in it
time incubates

This lamplight
is like a pineapple
I want to write, write, write

Under the night—there’s a lake
beneath whose serene, silvery strands
blooms a city so filled with buzz
folks chock on it—
In the coal-coated sky, planes flutter;
billboards shine over gleaming malls
reeking of marbles and crystals and wealth
and little kings and queens prowl about—
ants dressed in facies—
and balloons breathe freedom
as children’s distracted fingers let them go;
blues and yellows—neons and pinks
and greys.

and overflowing pavements cuddle into the hysteric roads
winking cars, cursing vans—
honking and screeching and scratching
and laughing and—
Screaming? Shrieking!
Crying blood! Crunching metal!
A mother covers her toddler’s eyes
as pieces of flesh scatter around like confetti
A crowd gathers about what’s left of the—
human.

—ants before a rotten grape.
kings and queens with their buggies and guards
tiaras and lockets— arrows and darts
and the lights still smile, adds still run
and so does the blood—
and so does the dog with a missing limb
and so does the car that never stopped
Nothing remains of the flower, nothing of the bee
Statures jump out of ringing vans
men in suits— men too late.
They collect the pieces of steaks and the dog’s leg
and take them away.

and a slim lady cries, melting her smooth skin
A child, gawking, lets go his balloon,
A teen chocks on her wine—
footprints engrave in the clotting blood
Through the clouds, flies up the balloon
carrying the first scream, the first screech,
the panic of the driver who vanished,
the frenzy of city still as a corpse—
up, up into the breathing water —

another prince screams under his trembling crown
and in a wounded street far away,
whimper crawls out of a ravaged girl,
grubby boy weeps for his stollen rug
a woman curses, a girl trembles, a guy laughs,
a man sleeps, a lady paints herself, a cat dies, a trigger is pulled,
a cigarette is lit, a bottle breaks open a leg, a wolf howls,
a boy weeps in his bed
—a little whimper for each.

and little bubbles wade in her delicate waves,
the air pops those pomegranates open as
tongueless stories disperse around—
silent on her glossy lips.

and over her, the night sky yawns
as I crawl under her layers, and close my eyes,
listening to the sloshing waters, the owls far away—
begging for the bubbles to stop the screaming.

I mistook it for a cry
but it rarely ever is
As a lizard
ugly and still a corpse
under the frail dress
of a tube-light old—

As its eyes
alert and quiet
A sleeping village
where every whisper
every rustle
is tossed around
from dark to dark

and a tail
As the burnt edge of a leaf
Curled up on the wall
once white
—flayed to grey

I mistook it for a cry
Readied a sword
forged by dawns
Carved and beat
a shield
out of nights’ sleepless
eyes

But when ruin descends
it binds the dark’s calloused hands
and every whimper,
every crackle
is smothered
In its rusty, dry throat
(Restless tongue, a guard-dog above)

When ruin descends
it does so a flower.
A stone rolled and rolled
pitifully
down the road—
It does so lovely
and patient;

As a blossom taped
to the cement wall
watching the smoky light
for unfortunate flies
That may appease
its ablaze pyre of a mouth

While I sleep,
I sleep a dusk’s last breath.

quiet
what viscous a sound

noise
like dust on a wall
the hand moves
and wears it
stills then
and becomes it

this city tumbles
a restless fall

It is you for me
Through the summer winds
The winter winds
And colours else
That may curl and go

I linger there
I touch your hair
Two sweethearts
In the good blue room
Tip-toeing
Like my brush
And twisting
Like yours

Two painters
In simple linen
Turpentine, like
Your hair
It is you for me

the universe watches with her
mischievous eyes
as silence stretches on
between me and the mechanical city

from up here, in winds’ embrace
the cars are decades away,
and lights only a vivid memory
straining the back of my skull

the universe, too, breathes
I hear her now
hear the vacancy stir
in her bones

one— and the archers running
down my throat
two, like the lambs slaughtered
beneath them eyes
three and four and nine—
cracked toe-nails laden with mud

—ten women weeping
eleven wishes for the wilting weeds
I sense a chariot
bumping down the ribs
twelve for the wounded boy
limping up the hill

twenty— a hundred
and hundred more

inhale

I fathom the seconds kiss their hours
and hours melting into days
weeks and minutes,
years and more
all chopped and cooked
to a frothy stew
I feel it fill up her being

and vehicles with their horns
midway
halt—
an owl’s scream stopped just
beneath his beak
and sun, statued, stands

a thousand and the stilled plane
twenty and five
for them frozen flames
sixteen— and the shooting star
taped to the night
— seven prayers left unuttered

three for now, and three
for the past,
three more as all, into the unseen, falls
two shivers, shivers still
—one and a lone worm crawling
down my veins
one and the blue child up, up the swing

exhale

I swallow
as the ticks sink back into the clock
centuries dancing again
— and months  
come stumbling home
millenniums and moments
back to their protests

as all the circus is born again

before she was death I
often saw her in the orchard with
her pet ducks and fluttery dress
when ancient pear trees abandoned their leaves
she’d pick the weakest and tie them to her hat
collect the newest, give them to the river
the longest, she’d knit into baskets and matts
gift them to old maidens and lonely men

and the rest, she fed to the flowers

and I know that before she was death
she loved flowers but she
never plucked them
she waited for their mothers to let go,
then she’d take the cadavers home
and make beauty out of them

before she was death, she liked
to talk to the graveyard at night
dark wasn’t ugly to her,
and silence was only the trees talking

now, night lives in her obsolete house
when sun goes down, he likes to come out and
pluck stars off skinny bushes
her brightly painted walls are old lattice leaves
behind, the mountains laugh
and beneath them, a kingdom flourishes
not like corn fields near the bank,
a dust-storm, or a mistletoe

and no one talks of where she went though
the talk goes everywhere—

but I know she too feared lone woods
and moonless skies
she saw beauty in all, but nothing
sweet in the softness of flesh

and I know she despised the old cave
behind her house, for it was where she went

her crown is beautified with scared salvias,
petunias tremble at her name, and
daffodils don't even speak, and I
know I don’t want to take her place
so don’t offer me these pretty tiaras
and silence is so much more than trees talking

and some plants like to crawl up on others
**** the life and spit it out on the dirt but I’d
rather be towed down by those furious winds

and meddle not with me or my blood
I could show a softer way in—

like how her blades cut through grey grass
and how her fingers twisted to tie them strands to sheets
and meddle not with me or my blood
I could show a faster way out—
how the leaves bid goodbye as they glided
away with the waters; how her paintbrushes
emerged, soaking, out those liquids
and how she painted poetry out of dust

meddle not with me or my blood

she, who moulded the ground
into toys and pots, taught me
to befriend the daggers, and trust them
taught me how stinking corpses were better
than scentless lilies—and fanged
wolves were often what willed the sheep to live

before she was death she
used to sing a ballad unusual,
'I do not wish to take your place on that
throne, dear death,
I’d rather rot in your prison cells'

but death has not time for pleas.

naivety slips
forbidden down
I wipe away
with sodden palms
I wipe the way
I slip in paint
wipe moody, spoiled,
wipe then a madness
little and brown
it is no one's fault
or no one's bad
it is rampant Less
stood up to life
with machine breaths
and human noise
sweet sky buckles
as it spreads its arms
rampart then, it is
like blindness
like stumble
forgive me
I know it is weak
when you are evil
I cannot help but break

Flowers fight flowers
To aridity
In my chest
Such is a penance
Must paid
For your distant benevolence

A liveliness so ecstatic
It slays and slays
All bits
Of melancholy peace
I’ve known
Lust you,

I lust you to war
Lust you, I lust you on
Nothing purer dare I claim
Lest the Sirens
Whirling
Within your gaze
Question the chastity
I have so well known

There is a desolation
Beneath this devouring tide
And you do not get me
You do not understand
I have always
Loved bleakness
Have always loved
A piece or two
Of you

And here
Bees fight bees
And the carnage
Weaves you a golden dirge
Soft as satin and softer still
Will you not hear—
Will you not?

I sink and sink
with the fair maidens
Who lured me to stillness
And not a note
Not a tune stirs its gentle wings

Your mute Muses
They know not a taste
Of hues
And I lure myself
Into you
Still

How awfully beautiful
Is our dance
How bleak—

If only I knew how to mold bricks out of lone
I’d build you a house
And paint it with flowers
That mimic the colourless
hues of your gaze

Leaves, I’d tie to stooping fingers
Of our barren talks
Fruits with moonlight in their stout tummies
your chapped lips
They envy the sweetness of
Do you know?
(Too bold a flattery, you say—
Dare me then; dare you)
Gentle I’d go
Show them the tree
And they’d make their nests
In its laden boughs

A crown on your head
Weaved out of patience
I’d softly place
If only I knew a way past this barricade
That together we built
A thousand years ago
I’d be a flock of wild geese
Guiding you out

Oh, my fluttering wings
Calmed in the sky’s blue embrace
I’d soar around in winters cruel
I’d watch and watch
The edges of our land

A bed I’d carve
Out of roses and dawns
Hang up my rivers
By the glass windows shivering in our storm
Oh, there is a kingdom
I would like to save
A bunch of bluebirds, and a quiet queen
The slender moon far, far away

If only I knew
A melody strong enough
To cure this aching rebellion
Oh, if I did! If I—
I watched, and watched the shores
Of our land
No ships came with their armours ready
Your own bluebirds,
They fight now the flowers
They ravage the fruits

If only I had a drop of divinity
Sulking somewhere inside me
I’d banish their light souls
Out of their bodies
But bluebirds,
Are pretty
And so is the mayhem
And so is silence,
And you aridity

Lurk at a distance,
I know not
What to build out of this lone

Oh heavens, to have destroyed you
As a mad artist may his work
As a blacksmith may the sword
To have been called for then
To have waded in the tense desire
Of your bleak longing for grief
And beheld you naked, pathetic
Permanently deathless a creature
Tearing at its rivulets of life
To have been loved despite.
To have taken you into me
Tied you to the lone in me
And robbed you, clawing, over and over
Turned you to the flame you stole from me
Oh, to have been loved despite, despite

Could I have seen them,
I’d tell you
in words—tunes—or hues.
but there’s more an eye can do

an eye can want.

cobblestones—
wooden benches
Skeleton trees, and pretty profiles
Sometimes, crimson skies
or crimson dirts— liquids even.
—she touches all she wants

          she wants all—
glimmering,
       teasing, deceiving—
Black boots on cement old
—yellowed pages sewed together.
  she wants all.

an eye can breathe.
And that was where they came
in caravans.
—inhale

perhaps snow-covered grass
   Or cracked desks
Perhaps trees laden with beings or
just—nothing.

Could I have heard them,
I’d tell you
in clinking bangles— carved ice— or weeping flutes
Could I have—
—could I.

they walked in— nay
flew. Nay, swam.
nay—
Could I have fathomed—

Carried torches, I think.
they marched deep into my caverns
—carried mirrors they.

what of the paw-prints engraved in mud
Crumpled letters
    lying naked in puddles— nay.
my caverns bore silk smoke over velvet nights.
dark—
and dreary and dying
and dead—

but they marched still
And their torches hissed.
Sapphire boots on sooty rugs—
     They marched.
They sang—nay.
painted— nay, moulded a
world out of cinders—
Nay.
Could I have touched, I'd know—

on every turn and every crease
They placed a mirror pure  
    as an infant’s tear
—or maybe a sharpened gem
who would dare to know—

In every dungeon and every hall
Their stares flickered like neon serpents
—nay.
Sun-licked butterflies, nay.
halos above mountains chaste—nay—
Could I have felt—

But one
—exhale
and they were no more.
Went into the rain perhaps,
or past moonlight
    maybe in pine trees under the sea
Could I have tracked them down—

but there’s more an eye can do
An eye can want.
light—
Between the dawn,
    between the darts
Children in smiling yards
light—
   inside coal,
Inside a broken sword—

She touches all she wants
   —she wants all.
and a ray falls on the mirror
and the mirror tosses it to the next
  and next, to the next—
Sun knits a web inside me.
beams and glitter—

Like a child’s song
or a kitten’s roar
—a war cry
Could I laugh like a spear
or mould the starlight into words
I’d tell you—

but the rays marched on
into me
   swift like kites
warm like— like iron.
nay—a mother’s hug
Nay,
beating drums
—or an armour’s clatter, nay.
Could I have known—

But there’s life in piercing screams
—And I was burning
But is it not a privilege
to watch the world wither
from the very roots of the flames?
to be their very mother—

when your wings melt
and towards the ground you
wilt
but you’re flying still—

For you, on whose
Oil painted skin the stars did sleep
For you again,
Who wept, wept in vain

I’d tie a butterfly to the unwavering sky
If only as a frail worm to
lure the fish
But did we not swear to leave the winged
alone?

Yet, there they are
Causing a reckless havoc
Trying to tear open the blue
And I’d shoot them down
But the ground is ours you see

Wounded and bleeding
The dying, as a fish, squirms
A broken spear pinning him in place

And I will keep on burning this dirt
To bricks
One betrothed to other
With cement,
Your own strange creation
The one you pour out your flutes
And pluck out them strings
Like fresh born weeds
dried and crushed

Songs upon songs
We set free up the yonder

But here is a bubble that will not be butchered
Like our sacrificial blooms
Ripened and fat,
This untouched pomegranate
Ravages itself

Long did our labor weave tales out ruin
To build us a shell
Within which we now reside

Unhatched

How do we do? It is pretty
A sight
The sky chokes on dirt and dirt
Drowns in the blue
Time, a trapped moth, flutters about
It collides around in its blind frenzy
And will not settle

I keep on
Painting our dry clouds
Birds still peck at gleaming stars
And you
You live, live in vain

A sorrow that feels like a mother
Out of shape, with a little scar
A cool kiss-mark that I wipe
On my way out of the house
Do not stumble, mother. Do not you
Lose your way on your way to us
I love you with childhood, with maturity
With the stubborn memory
Of chipped walls and a crammed room
Where you lived as a bride of waxen wings
Do not laugh when you speak
To us of flight. Do not warn with
A softened voice.

The cloak of your quiet
Leaves a scent in my palms
And the women sense it
The men are lured, they promise
Absolution, and I flee
Like a fly, return like a fly, I cower
In the shadowing absence of word

And it is in all my work. You,
Candle. Bribing the night
For momentary mercy. Do not laugh
When you itch to weep.
Your woolen arms loyal to tear
To fear and defeat. I know a lament
That talks of you

With a swollen lip, its reticence
Brittle as chalk, it bursts as a stifled
Fruit of spite, it eats eats eats you
I hate you with shame, with burning
Flight. I hate you with the sun.
I write all night, I cannot sing
I rob the little sleep of dream
And weep weep weep for you
Then crawling I sink within my blue
And let the morning dove take lead

01:00 am

if right now
I were to tell
of a thing that I’d do
for the rest life on
you know I’d say this
—
this is… magic
poetry is magic
and in this
I feel like only in this
am I ever true
and good
—
good
it is a strange word
one does not hear words
this simple
a lot now
—
good
it is so honest.
in its mediocrity
it leaves room for nothing else
—
right now
I think that poetry is good.

outside, the cosmos swirls on,
in here, the daisies scream
and ask the walls of who they cage
they silenced stand

one prayer was broken,
and one hushed;
one was hazy,
and one too late.
one then, never offered

in the age-slicked thread
of that shapeless rosary
sun on moon falls
with naught a sound
but a sigh.
and moon on sun still

within, a finger, a finger flays—
one nail was chipped
one’s skin too dry
one, imperfect a temptation,
and aching for ache one.
one then,
left alone with a clot

ask the walls
of their unwavering serenity
as hollow, massless bones
they stand

laced with cracks,
with clatter, with
thousands an uncounted
blemished prayer,
and skins as
paints scrapped off—

waiting, waiting;
to smother the daisies
to a quiet marrow

I am completely, utterly lost

Quick, since home
Peeps in view
The oscillations
Become familiar
The feeling
Of conclusion
Fills the body

I am watching
The rear view eyes
Deep in scrutiny
The poor sky shuffles
Its feet, cloaks
Itself

Swift tides move
And the laces of the road
Move with them
I fidget on my seat
Hear the violent music
Rise behind us

Quick, now, the storm
Is on its way
Soon, the world
Will start its run
Trees are looming
Already, and
The door to home
***** like a wing

Stop, now, stop and
Rush through
Bar the windows,
Blind them, shake
The fireplace awake
And, little fly, bake
Your biscuits and read
Your books, till the edge
Of day breaks
And clever dust
Lulls you to sleep

Quick, quick, quick.

But the rear-view eyes
Leap upon me
Precise as leapords,
Prying, plying
With sharp disquiet
Cold rain tusks
And I speed
Reckless forward.

sweet wishes so small
in their impossible distances, they
tickled almost, I trembled almost:
beneath ant-like trails of frisky teasings, I
was settled almost
as if moon on sea’s silk-draped skin
suddenly glittered in a glitching turbulence
and mermaids rose up and out
of their thick black skies of silver tremors
shaking beads out of damp-darkened hair
and questioning questioning around
who dare startle their monotonous dreamings
who dare tremble and
stir all dull-eyed creatures around; and
as if sea dared on
shifting reckless into the answerless air,
frenzied, and grasping at an empty night
causing hundreds strange havocs
for a moon so little

I tell you
reckless rebellion sprouts
upon a hopeless soil
where
every scrawny arm
itself grasps,
its own kin smothers.

but they need not know
of the madness we house

still, tired I am
of moping around.
tired as well of doubts
so,
hollow us albeit,
let the sapling grow;
bloom and all and on—
till a stout, angry fuel it makes

then burn we may
and ashen too.
and I know you’re scared
curse this valour— oh,
curse we, yet
fail to topple
this palace of cards.

cards: silenced tremors.

fight, we fight the tyrant air
that holds firm our wings
and will let not go

and I know you’re scared

any clumsy wind may bare for us
our own restraining snakes—
stink of mud, of rot and ash.
but they have not yet.
not yet.

let grow this mad and
burning tree
let grow, let grow
for when you rot, I
willingly, foolishly
mimic

I am slowly
Quietening down
The day does not
Shine as lively
And the nights
Are thickening
As if squeezed
Or boiled
For hours on end
I am

Thinning

I begin to hate all art
why do you love me,
why do you not

I rub my fingers mad again
I make all faces ugly, ugly
why do you flee me,
why do you not

then I make strange things
I share too much,
in my strange things
then I boast, then I gloat
then I hide, hide, hide

then I want to clothe in paint
I want to burn all art
why do you wait,
why do you wait

Sepals to skeletal fingers, to yellowed limbs
sunken
She watched the moon, all hazy
and small.
So rugged its whites
as sheets with times stained
Watched it on she did.
(So dusty the skin) Oh, I had loved you
Tens a monsoon’s rosy day;
had loved you dry, as
the suns danced and danced—

So shallow the gaze and the dark’s quiet tusks
So deep she
into her noisy withins.

The forth storey roof with
its precarious railings
and the pitiful, grey street, a wound below.
Its drains and gutters all sawed open
and naked—
In the sudden, spinning fright
I almost held her;

a palm or a palm
or an arm
I almost held—

I knew you so ample.
Whispers of touch, and ballads
such and such
rolled so effortlessly now
on the tongues of memory
As birth her I
though tens a monsoon’s rosy prayer
Bead on bead falls

in this wretched, unending rosary

(With drought-coated of lips) I had loved you a petal
so chaste and unbloomed
and a sepal you had—

Not a blossom I,
still she held, as the winds
As vultures reeled around our beds
So frail our bodies
so terrified and alive,
As dirt bowed, and leaves bowed and all
to the vultures mad

Two lambs us, yet gods we stood

'til whites of her wilted to gold to rust
to dust, and slipped
through the cracked of my hold,
Through a thousand guarding winds
and tens a
vacant sepal
(As crowns and cages
of blossoms wilted unused, they stood)
So shallow a gaze

and the dark’s quiet tusks—
Wade I,
swim I, in the caverns of me where an echo
breathes, and
drown I, undying.
Such windless a serenity
As damp of monsoon’s mornings
rosy,
I had loved you a vulture mad,
but dare I—

01:10 am

there is a number for everything
all strange surrenders
and imaginative threads
of stars that predicting move
and men predicted on;
like resonating blackness
of a still night,
the numerals scatter
symmetric in their magnet-dance
and then they write

every step,
every tide, buzzing
with possibilities,
burning intensely to one—
why do I doubt the hold of this?
this puppetry Law
and its fingers of strings
why do I think to flea?
I move a piece
on the chessboard of pieces
and something in me changes forever

dancing off to The Beetles’ tongue.
there is gloss on lips and all features rest
for nothing else
of decor could be found
in the sudden haze, the sudden haze
of that mad devour

we have stumbled on the edge of order
and now tumble we—
beneath, beneath, under
these treacherous waters with masquerade licked;
a calm— a calm shimmering
like them Sirens almost.
come, it cooed, and went and went we
to its feather-light lure

and jumped and swayed our arms about,
skipped and laughed then laughed
till stomachs winced

loathed
and we have loved on the lips
on the lips, but slipped
as smeared, pink hues;
oily and glittery in their innocence

there lurks chaos in its smothering, wet mouth
and we moths flutter
closer, still, still...

and for us ripped
the golden lake its skin
and us it held, held till took from us
all

we have lingered precarious and
surrendered crumbled,
and crawled out dying, dead, undying

still to those chapped, glossy
banks we go
and dance and dance and—