I don’t, don't speak human
when blue comes down to talk
in the clogged old crannies of the night
woman
with ornate skin
moves her arm
her wrist, her fingers
quick like the clicking of a tongue
quick glitter, gentle then gentler
and rippling, a water eye in blue

over hills and over muddles
see the crow fly

when time comes fluttering back to us
tell me again of the war
when mingles the sword with
flowering heart and the reeds
speak up, their
thin throats filled
with lore, and lure the scattered world here
here here
          here

tell me

tell me, on and on the
tingling of mud as it is
lifted, lifted, to man, to callous,
like sun-forged flesh and force,
to his child, and the parting
of two lips
parting! the lifting, the toiling of tendon in the
riot of soul

over the woods! over mountains
see the crow fly, feel her shadow
when throe laughs, tickles the muscle
and even past wakes up
and even the gaunt clutched spine
of a thin sallow voice
perks up keening

hear hear hear

the beating of the feat
the beating of the nerve
when chant them men, and sole
and leather, with rumble
the rumble of war
when slides sly down the sweat and dust
and galleries light up
with walls full of human
and museums cradle little stones
little bones and calls
tell me
tell me tell me
even a crow can sing sing
sing one awake

01:10 am

there is a number for everything
all strange surrenders
and imaginative threads
of stars that predicting move
and men predicted on;
like resonating blackness
of a still night,
the numerals scatter
symmetric in their magnet-dance
and then they write

every step,
every tide, buzzing
with possibilities,
burning intensely to one—
why do I doubt the hold of this?
this puppetry Law
and its fingers of strings
why do I think to flea?
I move a piece
on the chessboard of pieces
and something in me changes forever

I care so much, I care yet little
It drives me mad, it
drives me mad, it drives me
ten chimps pulling dresses off the walls
of a posh octagonal hall
six taps left open, and
drain holes, four, spurting and
clogged with thickets of hair and
dirt— all ugly and
bold and
alive

alive too, like a screaming, this home I know,
I know
to be carved out of stones—
of stones that silenced the noises of time now
chattering, chattering, alive
alive; dishes scarred
and stained— sleek
with remnants of hungers strange

a fish bowl lonely and
cursed with obsolescence; poked twice
with feathery causality and
now it bleeds, and
wilt the books, the dusty books
Oh!
I have too heard
of the quiet sky, it’s body carved like
a zero— even and smooth— I have too!

In here, but in here

I care—
a glass-jar, its mouth like the mouth of a fish
spilling, twice, spilling alive
and bottles breaking, of young wines,
of cinnamon and salt
four spices that sting and bite like slaughter

I care yet—  a taut-skinned cat
mewling by the greasy kitchen window
and six locks with key-holes
jammed with rust
that comes and comes in crowds like gusts
to chew on metal's ****** sweetness

It is wild—

I stumble around the echoes
of a gathering of chimps

a key grinding and twisting
in eight stubborn walls
yearning for the quick clack
that would open me up
all answers and answers, easy and slow
all simplified
for introspection— and me

and it is choking
frightening
I lurk from doorway to shadow to
the wet rug by the shelf
counting, recounting the bruises of a house untouched
by all but me—

ten then!
on, on—

You do not know how to paint
On wall or on heart, my mumbles
Everyday you stray, cold in my hold
You leave the window open for snow
It passes, through us, shuffling
Leaves footprints on our body
Do you think I am dead and deaf?
I hear you singing softly to it
I feel the simple following wisps
That flake away and land on lip
On lip and railing of eye awake

Sun settles, a fading bleak jewel
Atop the smooth hued neck of sky
There is no remedy for lost dream
I chase reckless, clawing inside
Reaching like a tree into time
Of soft rose night and tears like wax
Like flame, like birds, like burning—
Sweet God stumbles, drunk and
A darling, pliant as clay: through hours
I fashion vessels, filled to the brim
With pickles of quiet. God
Is in the wordless wells of rue. You

Are lost, lost, to blindness and
Abandon, out about in search of dyes
So strong the ramparts of black
That bar, from me the remnants
Of our blunt tryst. Come - come
Back to body, now that it lives
Come, lost pilgrim, my plummet blue
Stifle the sun. Paint it all wrong.

Not a seat is left here
For your gentle grief
The ritual started a breath ago
And has not tired since
Not a glass is empty,
Not a plate unused

Now meet him in the quiet shadows
Of the garden humming
Itself to sleep
Now dance on with the beetles
You two,
For the hall in here is full

Not a gossip chirps the name
Of your long loyal lover
Not a searching glance
Birthed for him

Here, the ladies sparkle around
And spices giggle on tongues
Here, kings now stumble on their crowns
And goddesses
Painted on windows
Smile the lambs once killed for chastity
In their altars

Did I not warn you, beloved?
Did I not open the moon up
Vessel by vessel
And weave a castle out it all
Did I not surrender?
Spared a throne for him, I did
and a thousand ones for you
in my bleak little hall

I watch you sneak out into the night
Pearls kissing your cheeks,
And teasing your lips
Slipping down that slender neck
Shining a dawn
in the fading lights
Oh, how I envy
the silliest of things!

Precarious dresses
And grasses smothered
Beneath flushed soles

Oh, how I wait and wait
In the hall I slaughtered to silence
For your peace
The stars I invited, drunk on boredom
And sunlit teas
Warm no more
Oh, how I wait, I wait
My breaths away!

Not a dove dares mimic the grace
Of your beautiful grief
Not a moth dares look

You swirl about his finger
And the world does
About you

I sewed myself a dress
Made it prettier than spring
Oh, the laces hiss like golden snakes
And winter sits, a heavy shroud
Did you not prefer frozen lakes over
Golden flowers?
Why then, why then—

And as the dreamy plants
Whisper soft verses to your dress
You sigh happiness in his
Melancholy embrace
Oh, I know,
Not a shadow is left here
For me to blend in

How I wish I were him
your sweet, gentle grief
Oh, how I wish
I were a nameless goddess
Buried in the glass window of a rotten hall
Swaying to the sounds
Of your laughs

Tomorrow hatches a cursed sparrow
Her pink-spotted wings and red-stained beak
They say, she ****** the song out her mother’s marrow
Her eyes, of gold and shimmer reek
Her voice is bleak and shrill an arrow
And a patient dawn she comes to seek

As will stumble her kins towards old light
She, scrawny, outside my window will sit
And sing and sing and sing on alright
Clumsily wake and my teeth I will grit
Squint and stare at the silhouette in bright
In sky alight, her little small being will sit unlit

Sleek with lone her innocent song
Though ugly and strange, I will hear on
Through rise and noise; however long, however long
Spring-kissed birds and the battles they won
Then I too will sing— what for I wish and what for long
Till, ever rushing, the flushed dawn will be gone

Then giggle she will and whisper a verse
A little advice from a little bird
To love, to love and never curse
This fine, fine, wretched little world
Then smile, and into the sky she will disperse
And I, serene, into the crown of dirt

Do not yet go
I have to say
Let us run
As one far
Into the sun
Let us burn
Perish fade
And singular
Stay
Never one absent
From the other
Do not go
Do not ever go
I become
A curtain
Over myself
I become
Solitude, still
And no cries
That I fashion
Are right
For the quiet.
Do not go
There is nothing
For me
Left to become

dancing off to The Beetles’ tongue.
there is gloss on lips and all features rest
for nothing else
of decor could be found
in the sudden haze, the sudden haze
of that mad devour

we have stumbled on the edge of order
and now tumble we—
beneath, beneath, under
these treacherous waters with masquerade licked;
a calm— a calm shimmering
like them Sirens almost.
come, it cooed, and went and went we
to its feather-light lure

and jumped and swayed our arms about,
skipped and laughed then laughed
till stomachs winced

loathed
and we have loved on the lips
on the lips, but slipped
as smeared, pink hues;
oily and glittery in their innocence

there lurks chaos in its smothering, wet mouth
and we moths flutter
closer, still, still...

and for us ripped
the golden lake its skin
and us it held, held till took from us
all

we have lingered precarious and
surrendered crumbled,
and crawled out dying, dead, undying

still to those chapped, glossy
banks we go
and dance and dance and—

The Magic dripped out of the night
Out of the holed hold
Of its frail, fence-like fingers
The Magic slid onto and past me
Kissed the cold, cement floor
In its drip drop dripping ecstasy
Then vanished under still
Though no deeper depths I had known

As a towel hung out to dry
The night melted onto its grey shadow
Till the moon was just a moon
And the quiet— piercing shrill and bitter.
I felt my fingers go dry
And my body
Sensed not the silky speech of my palm
Nor the whispers of sneaky light

And the city
Was a song torn apart—
Every horn upon me lunged
I slipped through the silence, and fell, but
Fell not enough
I said, Magic, Magic, take me along
But the floor for me was a circus uninviting
And in my wretched solidity, I lay limp
Listening in to the echoes
The echoes, the echoes of a laughter so far away
(I said, Magic, Magic, take me along)

And the moon was just a moon
The evening star I could not see
And sleep was a ragged little thing,
As the sharp dripping,
With last and last of the Magic, was gone
I sank, I sank, immobile —
Oh, In the ever-stirring city
It was a night lonely

this bitter green dawn
does not move the city

that in crisp antiquity
spreads her thighs, her palms

her fingertips licked
with drought and the soft sweet

stink of the night
rubbery skin

flavourless as a leaf;
her armpits and knees

gape with rasping mouths
and the basins of the neck

rugged stretch
striped and on

up the sloping stumbling face
gaunt as concrete

where carts and rickshaws
startle and snort

succulent bulbs part
mechanical and jagged and

through the gutter
sallow eyes watch

cement tunnels
tumble and twist

the taste of thick leather
mossy on their walls

there are feet too
thousand toes

with chipped windows,
stooping they swell, and

there are dry highways
of the calves

where nothing lingers.
it is morn now

the birds gargle
and a thin yellow kite

shivers like a hanged thing
on the spidery scaffold

of an electric tower.
her salty streetlights

stare like iron
in the urinary winds that shoo

crusty litter
in between *******, and crevices

of eyes, sills of the hips
the cracks of the elbows

butter sun scatters
and coats the houses viscid

flies come
torment the quiet awake

her men barge out
hasty and mad

and vehicles shake
a thousand breaths

exit: their CNG sweetness
caking in the nails

and jamming the doors;
pungent liquids churn

and ignite in taut-limbed engines;
now gears tick and click

sweating rancid
and thick

leaking on roads
and roiling canals

gruff huffs and coughs
now the sky is grey

and cool
a cadaver

now loud ears unfurl
bare as banners

and shrill winds
pound hot-metal on skin

—

the bark-wood body
turns

and reveals the moors
of a stoney back

where steel rods
bend

at silly angles
and where they protrude

their same old tang of DC
and the same old

tingling of it
now a sigh escapes

the latex lips
and shutters shudder

over spiced eyes
now all is red

like hot tea on tongue
and the tongue tinkles

with the sounds of the heart
that ripe an onion

pleads to be pulled
out out out

and peeled
layer by layer

until it is none
and now, the familiar viscosity

soothes it again
and it swoons limp

a fat still-born
in the womb

Yellow in its fury, the fiery of tide
comes hissing down
A dome above us it roughly weaves
A tent, a shroud, then a restless tomb.
Seals, will say nothing,
and fish as unfathomable go,
This, I must say, before the sweet pyre
is lit:

Last dark, I sank in and clawed out
the gentle song of this sea.
Not a creature shall stir with voice,
as we, ghastly, love—

The town’s folks sleep on a heaviness
unknown to the night
Unknown to all, but your luring sway,
as tugged of strings;
the puppets, they lay—
Snoozed off to oblivion at the command of your hums.
Not a grain shall
mimic our melody,

Now with winds all harvested raw.

Yellow and grey, and blue
in its curious interruption, not this darkness,
nor that one, shall speak.

This pearl I say, that one then,
And a glitter-kissed sky we—

These marble walls, so soft their press
and smothering churn
Thirsty—so thirsty; a pink, dusky fire
it aches.
In I, her, through skin and flesh and vessel all;
Through lymph and blood, its quiet march.

Not a gnawing gust, no tossing tides
shall mimic
this black, black show—
This— Chords, with flicker,

with ash and plea,
with fight, with brutality,
So lovely, plucked.
—all is lulled to slumber.
All, with its sea and
yonder opened wide,

Bone to soot to pollen
to dust.
Settled, settled in us.

Red, then purple and green, the burn.
Then skin, then whites to a black, black show.
(Curtains drawn, and strings cut)
Its thirst quenched,

the sea,
leaves I, her
on its ashy bed.

01:00 am

it was faith, I think
it never left me so lonely
as when it was mine

say— prayer
like a dance I did all alone
grasping limbs
in an auditorium of echo

my sajdah
never mine—  the
surrender of ruku
and the chant of Fatiha
my tongue moving
with the coded keys
slurping, slipping
tumbling over words
that like malignant came
incomplete and too many

it was faith, I think
it was like love
of paper
dampened with blandness
it was sugar
that turns mouth to moss

it lingered
after I was done

and it was faith, I think too;
for while it was mine
it haunted, and haunted too
with a haunting
of something lost

and all age long
I chased it reckless
grasping in takbeer
and forgetting
before the salam
had even opened its wings

Treading on through the hazy crowd
This circus dims with every dawn
Every dawn, I say, every dawn
Not the funeral, nor the mother knows
But dusk is a pitiful thing
Wrecked and lone, a pitiful devour
Overruled by its own shade

The crumbled clouds
Plummet upon us
And our skeleton hands
Sculpt gods out of mud

One for lightening,
One for the calm
One unborn and one undying
For you one, for me
We worship them then
Light up a fire that runs down our veins
And we bow

It is a beautiful blasphemy
A painful ecstasy
As the goddess within
shrivels to stone
And dust becomes the funeral
The mother
Dawns kissed and kissed
By dusk’s benevolent shade

The jester lies still with his king
And swords are headstones
Ripping skulls apart
Only uttered eulogies bathed in red
Dusk is a pitiful thing
As flames gush out of our skins
And ground can hold no more

Gods, gods still
One for war
And one for birth
One loving, one deaf
For you one, for us

Mortals, we trod through our immortal realm
Deathless we’re buried in her stoney arms

Dusk is a pitiful thing
Gods mourn our funeral
We, mothers no more
The circus dims
Dims to life with every dawn
Every dawn, I say, every dawn

I know that in some other dimension
—perhaps beneath a crease in the warp of time
They like to rip flesh off bits of bones
of lovers and friends
dress it up in spices and sauces for feasts—
And their kings do it, and they do
Children are taught, and
house-wives prepare them for special guests
Humans, wrapped in sacks, are sold
in markets— or traded like rice

I know some take pride in the love-kisses
their whips leave on flushed skins
And tallest of corpses are chopped like logs
—carried like crops; cleaned and
beautified— like porcelain; somewhere,
screams are sung on weddings and
Lyre strings talk about mothers’ pleas
Where gatherings of men and women and wealth
are served with their own roasted limbs

Where molestations await invitations
which are not scarce—
I know some like to beautify battlefields
and scattered fingers and ribs and feet and—
I know that tulips are planted in blasted skulls
And children leave paper-boats in warm, rosy puddles
— stars are extinguished for their
unbearable lights and moons are
exploded on festival nights—

I know you look at me and wonder
if I admire canvases gigantic
with stories loud and heroes bewildering
I know you ask of my role on this street,
at this moon, with you of all planets
—and plants, but I only
know of the canvases they burn

—and canvases they tear and
canvases used as shrouds and— canvases
that wipe away clogged ruby tears
I only know of the flowers I painted—
Colours I yelled at
for they were not bright
And the painting I buried under coats of white
for it was not pretty—
The memory I killed over and over and over and over and—
Watched the cadaver walk right through
its death

I know I was not called, nor welcomed
And I know there are worse wars to be ceased
but I only see the bruises on
this child’s dusty face, and bones—
bones and how they push at his ragged flesh
I know not of the demon that lurks within his shadow
Or what tales you carry under your glamorous suit
or what told him to try running with your coins—

And I know there are worse wars to be ceased
—I know there are worse wars to be ceased
and I know— but please for the sake
of dawn’s first ray, of sea’s first breath
don’t hurt him—

tell me, tell me tell tell tell
when ducks beat pebbles
a tribal thunder
and beetles scramble stumbling beneath leafs
tell tell, the warm-bellied lady
said birds become children

and flutes the grasshoppers they hear
in warm green sleeps
as out curl curling
the stout sun-seasoned caterpillars
shrill now! now not! now piercing needles
sewing brazen black black to brittle dreamings
tell me tell me tell
what the old man said, said
lyres rebel rebel and
strum, say, strum taut a riot unsettled
even as geese vanish grey
in grey
and ducks pat their way away
to springs of seas where no child sails

even then
the sky plucks her lightening sly
and claps claps claps the day,
the night, the day, down
to a kites sway
as a perfect moon-arc it cuts
and
we heard birth
brings along a dress
that tribe men
and tribe women flower
when they
spin and spin and circle clapping
cursing merriment up the sick old sky

who need fly

tell me tell me, valley-joy on a face of age,
oh human song and human sigh! tell tell
also of koel’s mimic cry

tell tell, tell then
and they pound their feet
together apart together apart and the ground remembers, the ground
remembers!
and then tell this too! we heard,
ducks lurk by listening
practicing
their
drums! and and
and some

some children almost hear

-

He’s dead, the *******
Last I saw him up the Bombax tree
Stealing wool out the clouds
Rolling it into ***** and
hanging them by the boughs

I cracked its hollow bones
He helped cut the rest—
Together, I tied them firm
And covered with leaves
covered with dreams
with paints

Houses, and red bushes,
and green birds I made
All, beneath them bruised skies, I placed
I gifted them all to him,
He hung them by the cotton *****
— by the fiery blooms
of that flushed tree
We carved songs out the dirt
Carved for the withered,
and the birds

He’s dead, the *******—
Chopped down the Bombax tree
and buried our flowers
— buried them breathing
My paintings, he nailed to the sky
Pieces of clouds lie bare in the mud
Where he planted a poem
and spilled his soul to
water the seed
that would never sprout

For the dead, we wrote,
—for the winged
They at my colours laugh
and I listen, and I listen, and I laugh
A dreamer that he was,
a dreamer he made of me
He lives there now, the traitor—
plucked the sleep out my nights
One by two by three by ten

Bombax tree, we joked, ******
red out the stilled
now we do not joke, now we’re still—
Red flowers stilled—
He’s dead, the *******
Chopped down our home
Left me with those empty boards
Red, his very own paint
Blue, stollen from the dawn

A thief that he was
a thief he made of me—
I, too, borrow yellow out the daisies
and trick these frogs into spitting green
But what do I paint?
He’s deaf, the *******.
Dumb, even—
What do I paint, huh?
The whole **** world’s
a painting gone wrong
What do I birth out these tired hues?
Last I did, he sold them to the wind
The *******—
beautiful, dead *******
Traitor—

Golden bees
over purple seas
Lies etched upon their wings
It is, I think, like that—
I cannot force this ink to scream
— Black flies
and brown moths
Dust knows what verses we carry,
but what good is she
Restless wasps
beneath a crystal cage
quiet— quiet carved over the bodies we bear

It flows like this, I suspect
They say death laughs when a man dares fly
But I dream this body
—not mine
hands
—not mine
Not mine, I swear
And I plant my smirking blade
into a soft earth
It giggles red, and red and red
and I pluck the gleaming fruit out
It smirks still—

So beautiful do they look
to my withering self
—not mine— not mine, I swear
Red upon red upon grey.
She spills for him,
and I let them meet, they
kiss and kiss and my heavy hands allow
—not mine
And I dream this dream
of a being so mine, and one so not
The flesh blends in with the crescent
a closed fist with an open chest
and I cannot tell who
smiles, who pleas, who wilts, who slumbers
Cannot tell grey

from red, from gold from black to brown
and bees
It bows like this, and you do not
part the slave from his king—but death
does not laugh
I’ve heard her weep somewhere inside
She says her wings hurt,
her wrists do
I think I tied her up with the walls of a skull
Where bees are buried
and moths lurk drunk
I do not remember now—
I did, when the blooms were still yellow
when ships talked of snoring oceans
and beetles listened—

and I dream this castle where
a maiden is ill
Walls silent,
and dresses, useless, lie
Slave girls and boys with dusty hands
and sweaty necks,
are blamed—
They have buried her in velvet quilts
and cushions stuffed with jewels
The graceful curtains
sing to her and
paintings their stories tell—
but I doubt she knows

It is, I think, blue
I cannot squeeze the beauty out my blood
and isn’t heaven lightened
by the very flames of hell
Do them heroes hear the moths’ shrieks—
up up into the sun so bright.
And I dream this canvas
where a maiden has died
Death’s song rang,
and she followed it out—
and the physician is hanged
for he could not stop her

And the queen to her lover,
surrenders her life
But far is the lover now, music sunk
deep in her bones
and the queen her voice,
surrenders, but—
The beetle never stirs
And the wasp still laughs under
Its glassy sky
— I dream the lightening
kissing a red sea
and I cannot tell purple from the queen’s pleas
And her lover’s dress
lies vacant in my chest
I cannot—
I cannot will this fly to move
and the moth—
Oh, the moth

The silence stabs, but not painfully
So; intruding, its sour and soft luminosity.
I felt a thousand things ooze out of me
Dream-dipped drops dripping so drowsily,
And each ticklish sweetness echoing; to sea
I sank— past lids, through lashes, all. With glee
Snaked under I under I furtive; faint and feathery.
To dark I fell, to naught, to white monstrosity
One, stream of plea, two, agony, and three
Well three— I filled, filled with scarcity.
When all the ripples quiet lay, I in melody.

Sweet spring gusts decay in my room
They are stale, sluggish, and they
Make the fan very, very heavy
It is loud like a ramble, it betrays me

I lie against the soft spice of sorrow
Small as a sparrow. My calves are childish
The morning looms over night
It stares like a bored God. The night
Is stone. It stoops meek and fidgety
Its little white heart shivers
And pulls closer its fur coat

I am a constant unlocalised impulse
A thousand movements compel me
To try instill a thousand beetle words
A thousand times I sit up to speak
Amidst the endless ruffle of air
Where a crowd of air-people chatters
About a thousand matters of air

No yawning or tossing turn
Percussions play the heart, cautious
It shields itself. Cautious it steps
A little bit back, and cautious
It curls in on itself. Like a flower
I stroke its perfect skin, and pitiful
I let it be. Music in my ears is noise.
The curtains spread their midnight locks
To shield me from the world.

this precious rickshaw
hiccups

it jolts at slightest expressions
of the roads' flat faces
hick!
and my stomach wobbles up
like an astronaut made of jelly
bounces against the diaphragm
disturbing the cuddly lungs and
the lattice pancreas wince
hick!
the sour liver curses and
noodle intestines startle and then
grumble
and the swish slosh slosh
of my kerosine blood
is light and jumpy
in the ancient pipelines of flesh

my hands unlearn
unlearn
they are chubby preteens
then hesitating littles
now my handwriting
is an infant walking
hick!
crawling
hick!
this wash-machine ride
with an inferno of April breaths
hick –– hick –– hick!
my little dog-heart
shakes
its fur all ruffled and spiky

Now
The thunderous joy subsides
And I am out of breath
Cheeks hurting
Do I wear this face of self
Everywhere i go?
Do they see?
The confliction in creases
The smallness
The largeness
Of things
The disproportionate
Incapacities
I am no sombre-eyed bird
They say I smile sweetly
But I do not like my teeth
I do not like my joy
I am stiffled by my
Beautiful
Self-acceptance show
It is terrifying to appear
To be seen, twisted
Moulded over and over
By the eyeless mind,
Ever unchanged and
Impossibly me
I am open
For all but myself to see
And how many faces
For how many watchers
Am I to wear them all?
By God, am I to become them

What is wrong? Why do I turn
From the face of grief?
Why have the houses stopped talking
Their eyes droop, their spines bend
They are leaning as friends over each other
They are sleeping

Rain combs her hair through the air
Too long, they fold
As darlings on the ground
Then she shakes her head
And the chaos stirs the trees

What is this bored suffocating silence
Sagging in my mouth
It leaves a bitter taste, coats my breath green
I am suddenly ashamed to speak

Sun-catcher of a child,
Ever crushing light to mirthful specks
—Hue-kissed,
One pebble you jump from
To the next, where around the grave
of your glassy eyed dove they sit.

A candle in hands
yielding to the flushed flesh.

On one, then another, you jump
Muddy soles and tears
dried to a wakeful slumber.
Ships, donned with innocence,
set sail;
papers withered and wet
by the lips of this hazy stream—
My, how many letters did you write?

Sun, hold these eyes and sun,
cry they out,
Pearls and pearls
And pockets filled with melodies
of your long-hollowed dove,
You leave your prints
on the worshipping pebbles—
Deserted this desperation, is it not?
Then, run, I hiss, and—

You— you, naive, moon-loved of
a weakened rose,
Round and round you skid
(A ritual learned from the ballads of a dove)
A flicker in your palms
Try you
birthing yourself a god
Resurrect your dove, you will, you say.
You will, you will, you will!
How foolish this sorrow;
foolish more the hope it feeds.

And, tread away, I hiss.
Oh, tread away!
The haze is rising, as the old sun
shrinks—
That ******* of your chaste love—
Would that I
could mold ruin out of hatred,
would that, (but I am dry an angry cloud).

Tread away—
Oh, I shout a forest gone mad.
No frenzy, you have known, none
can you fathom.

Crystal waters of lakes dawn-licked,
Round and round you whirl
your ****** beloved dove.
(I will, I will, I will!)
Oh, but,
honey of my aridity,
the vultures are here, and— and
it is not your cold, grey dove
they desire.

Then you, so adorned a dream,
Softened to a violent idiocy—
Would that I
could grow cages out of despair,
You would have had enough of these doves
and their skies twinkling with tales

Then you,
honeyed tea, and sweets
with gold shrouded—
A tasteless devour—
The vultures are here,
Precarious sun-catcher!
Vultures! Vultures—
But did you ever really learn…

But deceptive blood-robed pomegranates
With their piteous decay, and sullen seeds
Packed as kids’ taut skins in sand-tinted crates;
With bloom, with ruin, and sweet as reeds
Them reeds naught know of plain parched mourn
As wails it and yields to their illiterate lips;
As stumbles then snakelike out— thin and worn.
Begotten unwanted, poorly fathomed, forgotten wisps
Of old, odourless leisured hours,
That scrubbed, so gruntled, and scratched the fruit.
Then white silks soft within parched blue days;
And no heirs birthed, sublimed the flowers.
Touch it; the crumple and crêpe is not yet soot
If it could bleed, it could bloom alive, ablaze.

imagine a brick box lined with paint where
zebra and lip-red walls wobble as I
rest my forehead in a coiling of arms
on the stubborn palm of this plastic chair—
I feel you singing singing slow as I
build myself a night wide

where water rises up like bread;
and turn all students to fish and
turn all chatter to bubbles
that slide and collide and settle by the roof
and settle and settle
undying till the room
is a pomegranate cursed with fertility, and I
dare not gasp lest another bubble
should— press and press

imagine a blue sea bubbling like
sugar that melts and melts and
melts and melts
in the slowly-shrinking pan
I shut my ears
and build myself a silence and I
feel you right here
— a few rows behind—
our separate solitudes tangled up

a song faint as feathers, as fire
lit up; as the fish babble on—
your sea-creatures whirling: and
corrals’ tickling devours
that clothe me in Magic—

imagine peach-pink lips
that smile— dragonflies swishing by
imagine buzzes that they leave to sway
in the blushing airs, imagine
grasses fluttering their pompous lashes
imagine— oh, and

a paradox of suns that
pulls me in— prickling eyes
black and brown as cocoa in coffee and
soft as foam— yet suns, you see!
I dare not see, yet return
and return I stumbling do,

skin feasts in sweetness
of a warmth serene, and
the taste lingers all day long—
swear in stars are whispers of you
tossed to constellations' lively tales
and misty dreams shroud lazy mornings
where I and you and all
the unshed covered faces of ours
are free to sprout, where we
cling to limbs and limbs in
the deep rich beds of our soils

I lift my head as the teacher enters
and I know the water you
breathe in too
the churning viscosity presses in in

your swift silver thoughts
drowning in noise— and no one is listening
to the teacher—
my iron neck I twist to glance your way
fast as the flickering tail of a squirrel, yet
you clasp me still
— there—
the clack as breaths lock and hold

you sit all alone and, oh, do I—

I wish I could stand up and swim my
way to you
'hey, this seat’s empty, right?
mind if I sit?'
your orange 'yes' or maybe a leaf-like
nod, or a gust of shrug perhaps
then we talk and talk with
the fish all rest, and maybe we forget the smother
maybe we forget the fish

but I— a statue sunk centuries ago
waves kiss my valour and lure it away
star-shapes settling on my tongue
******* out words, and—

heart a squid blooming and clenching
I curse the idol I have built of myself
sit and sit I sessile a stone and
try not to drown, try not to drown
to boil to bleed or scream a soundless bubble alright
you, the fantastical, faraway land resting

a glimmer motionless where sea
licks the void, where children go
when there is nowhere to go,
where I think I will row one day one day one—
can you tell I have a crush on you?
I hope not

take my hand and bless me a metaphor
wholly mine— or— maybe I could spin you a blossom as your
lovely gown teases the night—

alas, but here begins the teacher

Needles struck in my weakened moon
And out of their gaping pores
Bloom strands of light
All sleek and soft in their intricate might

The world, you tell me
Is a lion flayed alive
And all the stars and suns
And bits and pieces such
The animals it loved

And I on these—
No
Dare I say I too itch with lone
No ‘I’s here
We, on these still clouds
Smothering thick
Walk
Our hands ****** into fleshy planets,
Eyes, drowsy beneath their gentle dusks

And all the screams
That we may have lived
Are drowned before they reach us
In the viscous air
Just, just beneath our feet

The land that birthed us
Worships a flame
That will ****
All that it has ever ruled
And the lion is bared
Its gold discarded to mud
Its pleas withered

Upon a stake it rests
Sun-warmed flesh made love to
By honey and precious vines
Kissed by ants
Crows—
No vultures, not them
They eat the dead only

And life bleeds out of our moon
—our moon
As nights lick it off

This is how I remember you:
A whimper beneath
—just a small ****
That grew where it shouldn’t have
Dried off in a minute
And a whimper above
Just a note, young as a twinkling star
At the edge of an eye

And this is how I remember you:
A face beyond the clouds,
Oblivious in its agony
And a glimpse of silver above
Fading away quietly
A moment
Before it is gone

Drunken, we walk
Lips curved, content
Skins as calm lakes untouched

We have lingered here
For hours or more
Many sunsets we have swum through
No moons, no kings
Begging our hearts for immortality

Slowly, the glimpses go away

Clouds get fatter
And golds and silvers
Collect dust
Somewhere—

I do not know what becomes of us
Only that clouds
Crowd around
Swooning for the petal-soft
Breaths of our light chests

Loving us slow, slow,
Slow
And we forget
Everything but.

Needles struck in my undying moon…

garlands
blooming within themselves
like the fast-forwarded movements
of a gyre’s quiet devour;
splashes dressed in white
that play by my feet

it is difficult to paint
more so to say
the reckless curiosity of water and wave

a little childish I am
stumbling around the banks of secretive songs
—dirges drowsy that move like silk
and violins’ exaggerated tales
drumbeat rains where Indian brides are known to blush
and acoustic plucks—
drop on bead-like drop
upon my clammy palm

I want all

slip and sink I
within the ongoing skies
fish and bird and moon I meet
shell and bone and mud

a little naive I am
relishing the gusts of sand that
through my curled up hand
gush

it is difficult to learn
more so to sing
the reckless curiosity of shimmer and sun

white and greying gold
on the sand-paper shore

head in a garland of arms
and eyes— breathing
all in
blind with the intensity of gaze

a little ragged I am
a little paper-boat astray
a little cloud painted that forgot to bleed

(a little parched field)

sour sun in my stomach
threatens to rise

Do not come to me to comfort
I am strange and I can say nothing
I can say nothing as might soothe
Your electrical worry or doubts

I am a chocked word, suddenly
Teary. The lip quivers, the eye
Crinkles, and hands begin to move
To try and hide a thousand things

I am shuffle, snort, stumbled
Through the hard-edged streets
Shadows curve upon me, but
Move unstopped nonetheless

Do not stop, stare, ponder kindly
I may break to a hundred bits
Of sordid limb and red, I may crumple,
May thin, I may really begin to weep.

viscous noise rumbles
churning in a chamber of ****

like impossible realness
its sallow bulbs drip

onto a breathing bog of muck
that rolls its rotund wells around

and bursts bleeding
its tongues of moss

its tumid limbs reach up and out
sizzling shatters on walls

it mingles with the shadows;
their gaunt deformities dance

it drains in ringlets
beneath chairs and shoes
it slides past the tiles
and echoes down down

it leaves vinegar flies
to hatch in a fat rancid air

I want to talk to you, now
that the sadness is thickening
in the air, now
that I begin to flee the night

Sombre rue settles, ergot
of rye: i feel a blackened wheat,
I feel contorted,
and worn, crumpled, contaminated
crude

now, I am past again, i am
faint, fossil, begone from the city
I roll in little tremors
through sandpaper streets
a

franctic brushwork of the winds
I am canvas, paint, the face I hate
a feeble cry
of the stray cats in crooks
you

you make me so, so thin
I buzz a wasp in my sleep, i begin
to hate the sleep
I dont... I dont want to sleep
I want to disappear tonight
I want to talk to you

Every night, I walk down to the lips of the my town
Quiet as the stark knife edge, simple as dust
I will get lost, once, tens, a thousand times
Counting meters and turns to the forbidden home
I will waste days and days to glimpse the blackness
Peep by the fence, disappear behind, watch the door
Touch the sweet blue dryness inhabiting the windows
I can stroll a hundred hours, all alone in detatchment
You do not know. You are never awake to see.
Every night, I pray. Everyday, I look for God's fair face
In wild men, in sullen men. In the keen red eyes of hatered
In my own beloved misery. God is in the ashes,
God leaves footprints in the graveyards
Watches the playgrounds from afar. God is in tyrant boredom
When trees shuffle, and all else leave

God is not here. Like a cannon ball, I toss the lowly soul around
I wash her face by the storm, I pull her along into malls
Lights take her astray, music suffocates her
In the night, every night, I am a shady wanderer
Wandering as a worm, looking for sweet
And no one no one no one is here

Ask of the dagger I hurled at the beast across the room
Its wicked howl vibrating about my being
as it buried its fangs in its own dull heart
Ask of the white stained carcass wrapped in charcoal blood

I could talk of the glorious cliff and the reluctant child
seduced by the oblivion of the world below
But that’s hardly the tragedy I wish
to engrave on the stone made soley for my love's corpse

What of the silent repression of the inevitable sea;
its claws in your throat, its chains pulling you under
The only thing to come out: mere remnants of bubbles
embodying the muffled screams of the dead

I could talk of a caged bird
fantasising the sky being pure definition of freedom
What of its heartless darks that see and unsee the starving stars
What of the sadist winds separating
sons from mothers from daughters from fathers;
hearing and unhearing their pleas

Ask of the endless nights of my quiet talks with the moon
Its wicked words reeking with hope,
blooming and wilting around the night
Ask of the hollow flaw left untouched in the middle of the sky
Light extends her arms and creeps in,
she asks for help but we’re all asleep

I could talk of sleepless nights and lazy days—
vivid afternoons curling up way too fast in the dusk—
but that’s hardly a tragedy you’d like to hear
Ask of the dagger I hurled across the void
hoping to rip open another hole in the sky
so the moon would not be lonely when I finally went to sleep
but it never was lonely, no thanks to my blade

What of the silver blade
He shot for the sky but but fell in love with the moon
kissing open her jagged lips- and banishing away
moonlight bleeds out the scarred crescent
Ask for I'll tell you the stories composed with finest of runes

Like when the girl befriended the beast
not for its arousing shine that felt like velvet on the cobblestone dark
but the scars that she, so lovingly, drew on its body
matching every curve - every bruise - to her own
so painful yet hardly at all, so visible yet not in the least
It was the most beautiful tragedy I had ever seen

red glasses suit you just right
and, here, in loud silence of thought and thought
our tongues curl up to fitful slumbers
still sky secretive, chapped with dawn,
nightly gowns suit you just right
but, here, when old moon buckles after long nights’ wanderings
and you stir me no more
I wonder if I will mourn
still, rose serenity will be your name
but I wonder if I will mourn
when marigolds no longer open at your touch
and if do
do so lazily
when hours go by and days then weeks go by
without sweet gusts of you
gentle witchcraft of your swift glances,
and timidly bubbling stews of mine
still, some bits or more of stench
in strange hours of nights will sway
and drag me back back back
and I wonder if I will mourn

an itching, tickling fear it is
that these bees will feed the flowers one day
and the honeyed ache that I have come to like
will be blood and bone again
red glasses
red glasses you will soon replace, and
these words will be yours no more
nor mine, nor mine, oh,
how tearing the future— yet

how cruel the present— yet how cruel
we
you will not talk
and I sneak away into thought
then the spells wait and wait, and the bees
I will myself to forget

wild crowds—quiet towns
—empty as a sky
you sway like death herself.
the scent lingers where you
—no more do.

overflowing vacancy;
so known—unknown.
and wild crowds go wilder
and you—the town—roar.

overflowing silence
I’d hear you whole
if you’d stay—if you’d stay
if only you’d stay.

we could be so many things
and we chose this strangeness
wild crowds—wilder go
quiet towns—even more so

you, I
unchanged—
two impatient oceans
—still.

Mischievous little moon
You are beautiful
I wonder if you know
Though you’re often told
(You know
You can take that hood off
It ain’t cool
You look like a squished football
or an orange rotten from one side
No offence)
But really, you’re beautiful
It is strange
I have words, but none better
Yet beautiful is so much
Mustard flowers
And bluebirds
That girl down the street and her bright-pink smile
Mother’s laugh
Myself too,
Sometimes

But I do not mean that.
I cannot compare you to Arabian Jasmines
Or Sapphire stones
You’re beautiful
unlike all
I think everything’s like that
sigh

But there’s this moment
In the middle of a breath, in the middle of a day
Unbidden
It sprouts sturdily out
Like a Morning Glory seedling
In the midst of a Mint shrub

When it drizzles
And I lose my body for a while
My eyes fixed
At the knitted pattern of the chair
Mother places scraps of stale bread
For the crows to finish
And little brother, not so little now,
Rants about his Minecraft battles
The dragons he defeated
And forts he conquered
(through massacre, but let's not talk about that)
He complains about the sun
(It is not square, and, well, it is real)
Mother complains about his complain
And, vaguely,
I hear the traffic
Four storeys below
That of cars and bikes
Gossiping and giggling
An ambulance
wailing

I think
Someone might be in it
Wincing and pleading to go faster
Or maybe silent, a still god
I think
I still have my test to prepare
I think
Whatever
**** the test
I think
That darkened bird
And its undeniable existence
Is kind of offensive  
But it’s pretty too
Rich purple peeks through that night
Blue and gold
And silver as well, a little

Mother talks about my climbing rose
That’s taking over the balcony railings
And a kite soars by
With a hoarse hiss
I think
Did I sleep last night?
Was I awake?
Perhaps, it was a lingering in between
I think
My brother looks so much
Like that crow
I think
****, dude, he really does

I voice this epiphany to him
And I get a smack
He gets one back
‘Cause mama didn’t raise a sweet
Frail butterfly
But, dude can he hit
I hit him again, which is unjust and dangerous
one must not meddle with little brothers
But mama couldn't groom the idiocy out of
Her daughter
I think
You've tickled the snoring beast
Now flea, you idiot
I run, he runs
Mother squints up in the sun
(Look who came to see the show)
I run, he runs
I laugh when he stumbles
And falls

Cement rough over his innocent skin
Clouds dripping on

It is strange
Those moments
I lurk through loudness to the quiet of my flesh
Then sneak into the noisy life within
And yearn for peace
All about
I flutter with a merry dancing
In my bones
And something weeps, weeps
Weeps on

I think you’re beautiful like that
A divinity I cannot touch
Nor see
A hymn I dare not grasp or
Or perceive
But I need not.

Sweet hands, half-concealed
in bright red sleeves
you are so cute when you weep
orange-cheeked and blue
with anger that comes from small lungs
and shakes the chest
Stubborn moth, I like to stub
you, just to see you move
you move like water
when it boils, when it breaks
You are gentle beauty
in thin blue arms, sniffing with the clock
and trying to stop, oh
always trying to stop. You weep like Icarus--
a gleaming smudge in the sky
I want to break you over and over