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"unmoved" poems
Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell,  As he knocked and pulled her dark honey hair  And whispered, surrender, into wanting ears,  Softly he drove his hunting command, homing  To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then  Once more and then again.  She bucked fiercely  And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still,  Bathing in a vale, virginal, wholly unmoved  By their act of venery, lustfully playing, in the innocent  Leaves.  It was as if they were among her kin, a gentle  Doe and a noble stag. From that moment on  The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing  Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves  With her tale, taken and told, her breathless breath,  Her nostrils cold and her heated and lanced openings  Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood.
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Jun 15, 2012
Jun 15, 2012 at 1:33 PM UTC
In Artemis’s Wood
Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell,  As he knocked and pulled her dark honey hair  And whispered, surrender, into wanting ears,  Softly he drove his hunting command, homing  To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then  Once more and then again.  She bucked fiercely  And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still,  Bathing in a vale, virginal, wholly unmoved  By their act of venery, lustfully playing, in the innocent  Leaves.  It was as if they were among her kin, a gentle  Doe and a noble stag. From that moment on  The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing  Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves  With her tale, taken and told, her breathless breath,  Her nostrils cold and her heated and lanced openings  Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood.
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39
Her shoes untouched unmoved lay carelessly in the middle of her room the strings still tied forever waiting to be undone and redone tightly around dainty feet. a wet shiny black nose rest atop the left shoe. peering through the wide door crack he raises his golden head paint splattered with gray making eye contact with a sorrowful wine, questioning. a moment. the somber shake of the head a whimper as he settles his snout back on the left shoe waiting…
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Jan 26, 2015
Jan 26, 2015 at 12:15 AM UTC
Her Shoes
1284 Had we our senses But perhaps ’tis well they’re not at Home So intimate with Madness He’s liable with them Had we the eyes without our Head— How well that we are Blind— We could not look upon the Earth— So utterly unmoved—
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Had we our senses
one is slightly bound a congestion of sorts nothing is evacuating from a certain passage the act that is done on the toilet seat proves to be hard sufficient amounts of roughage have not passed through one's entrails one cannot excrete all possible treatments have been tested by one yet the binding cannot be undone hence the number two sits unmoved in one's tail a feed of grains and fruit in the morn shall clear the obstruction before dusk to have a poo poo is all one wishes to do
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May 12, 2014
May 12, 2014 at 8:27 PM UTC
Poo Poo
I saw her I saw her smile Focus out through the sparkle Reflecting from her danglers And the ones in the atmosphere. Turquoise sequinned with beige Crackers, all around her Our first new year Where she took me by My hand, entangling fingers Lacing, when she thought she'd Lost me,skipping between White walls and brown floors Finding a way out Through the maze. Low hung ceiling lamps. Dragging me back through my memory doors Remains the same White walls and brown floors While I wait outside. Inside you're having your chemo. Crackers Inside my heart Slithering through my mouth I see her in between Those flinging and swinging Prayer flags, I recollect Hanging them in the backyard Of our home, you Bargained them out A flea market, before That year's Diwali You had inside of you A life that would bless us In three months. A tangerine Georgette Saree And rhyming with it, Rani colored bangles Sneaking up on the roof. Crackers White walls, wooden floors You lie quiet, unmoved. A skyrocket ups in a distance As I light you up in flames. Crackers You'd always come back Focusing, defocusing My memories' pitaara Sparkling, dangling Skipping and lacing Through all those crackers Lighting me up
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May 19, 2015
May 19, 2015 at 4:21 AM UTC
Crackers.
All Greece hates the still eyes in the white face, the lustre as of olives where she stands, and the white hands. All Greece reviles the wan face when she smiles, hating it deeper still when it grows wan and white, remembering past enchantments and past ills. Greece sees, unmoved, God's daughter, born of love, the beauty of cool feet and slenderest knees, could love indeed the maid, only if she were laid, white ash amid funereal cypresses.
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Helen
In 1963 Mahalia prodded the good reverend... “tell them about the dream Martin” transfixed on a yonder time he recounted prophecies of a near future from a mountaintop he foretold a history of a people returned again to gardens of paradise thriving in friendly democratic soils overflowing with a colorful biodiversity governed and nurtured with a vibrant sunshine of divine justice welcoming all weary sojourners... from the pinnacle of a Birmingham jail cell Martin burst the bars with the clarion peel of a golden trumpet proclaiming the gospel of liberation to the wardens of unholy gulags “free yourselves” the horn emblazoned in streaking lightning across the sky cowed by prophetic truths of righteousness, shamed by lies the pride of arrogance bespeaks to placate the intransigence of dominion, we prayed the the walls of racism, bigotry, prejudice would tumble down as Martin lit the Battle of Jericho today our country’s profit driven gulags overflow with people of color as justice lingers on death row begging for a plea bargain of a life sentence in solitary confinement... from the ****** Sunday Bridge in Selma, Martin offered a prayer for peace, rebuking the dogs of war admonishing the tenders of blood thirsty machines to beat the gears of war into pruning hooks and plowshares advocates of peace hope to steer the plow across the battlefields of acrimony to sow rich seeds of reconciliation, planting new gardens where the rich yields of peace will be consumed by all God's children yet these gardens remain unplanted, untended and defiled by the machinery of war that churns churns, churns... Martin last dream occurred on a balcony in Memphis witnessing to the divinity of those considered untouchable after a hard days work collecting a city’s refuse he insisted all labor was worthy of dignity and the economic justice of a fair wage Martin looked squarely into the eye of the gun sights of those who thought differently he never blinked, he dreamed Martin formed his last testament to an angry nation yearning for the reconciliation of stability and peace, unmoved that it’s violence, exploitation and bigotry only stoke bonfires of acrimony and division, condemning the reprobate principality to the bleakness of a smoldering discontent and continued generations of recurring nightmares… Martin's dream continues in awakened hearts sojourning on Music Selection: Mahalia Jackson Joshua Fit the Battle of Jericho MLK Day 2014 Oakland
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Jan 20, 2014
Jan 20, 2014 at 3:38 PM UTC
Martin Dreamed (WIP)
In 1963 Mahalia prodded the good reverend... “tell them about the dream Martin” transfixed on a yonder time he recounted prophecies of a near future from a mountaintop he foretold a history of a people returned again to gardens of paradise thriving in friendly democratic soils overflowing with a colorful biodiversity governed and nurtured with a vibrant sunshine of divine justice welcoming all weary sojourners... from the pinnacle of a Birmingham jail cell Martin burst the bars with the clarion peel of a golden trumpet proclaiming the gospel of liberation to the wardens of unholy gulags “free yourselves” the horn emblazoned in streaking lightning across the sky cowed by prophetic truths of righteousness, shamed by lies the pride of arrogance bespeaks to placate the intransigence of dominion, we prayed the the walls of racism, bigotry, prejudice would tumble down as Martin lit the Battle of Jericho today our country’s profit driven gulags overflow with people of color as justice lingers on death row begging for a plea bargain of a life sentence in solitary confinement... from the ****** Sunday Bridge in Selma, Martin offered a prayer for peace, rebuking the dogs of war admonishing the tenders of blood thirsty machines to beat the gears of war into pruning hooks and plowshares advocates of peace hope to steer the plow across the battlefields of acrimony to sow rich seeds of reconciliation, planting new gardens where the rich yields of peace will be consumed by all God's children yet these gardens remain unplanted, untended and defiled by the machinery of war that churns churns, churns... Martin last dream occurred on a balcony in Memphis witnessing to the divinity of those considered untouchable after a hard days work collecting a city’s refuse he insisted all labor was worthy of dignity and the economic justice of a fair wage Martin looked squarely into the eye of the gun sights of those who thought differently he never blinked, he dreamed Martin formed his last testament to an angry nation yearning for the reconciliation of stability and peace, unmoved that it’s violence, exploitation and bigotry only stoke bonfires of acrimony and division, condemning the reprobate principality to the bleakness of a smoldering discontent and continued generations of recurring nightmares… Martin's dream continues in awakened hearts sojourning on Music Selection: Mahalia Jackson Joshua Fit the Battle of Jericho MLK Day 2014 Oakland
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138
Unmoved by your arrival from the west coast, ten thousand little things are different. It’s October and the trees are on fire: a forge that you won't notice, 'til you're gold. Your Kicks don’t leave footprints on these cobbled streets; even the children have old, leathery hands. Try to paddle-board the Eno and the bass go belly-up: that river’s for scattering ashes and making moonshine. All they sell at Aldi is ethnic shampoo, so now your hair twists like the roots you’ve lacked 'til now, because all you’ll ever need is two hands: for prayer, and work. Life moves on like a cigarette’s drag, while somewhere Hope’s fiddle strums; Take off your headphones and go put your ear to an oak.
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Oct 31, 2017
Oct 31, 2017 at 9:27 PM UTC
This is Appalachia
once in my sanctuary it came in a loud gallop followed by a wallop my sorrowful lumbar detaching the fear of a clumsy blunder shifted away from the law of physics   an emptied vessel unmoved like a sealed vacuum certain a final curtain pin drop in code of silence light time alliances whooshing me into ethereal plains a sublime hemisphere of infinitesimal space, time an indescribable beyond gentle breezes feathery light teases soon a star-gazing eyes darted through a zero gravity galaxy of an endless empyrean expanse a’turnin spherical sight orange white stripes rosely red spot churning roiling clouds speckled dusty rings what beauteous it shrouds why am I here a knowing voice appeared melodically close but I can only behold afar of an ethereally existential interstellar manifold questioning mind told of convoluted ways as seen and heard the rhymes and seasons but for one and the only reason mankind's whisper'd words entrance to the portal as did my dawned immortal   met a peaceful assembly I lay in days, this rapturous gifts what divine effulgence of a truly cosmic lift
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Jul 14, 2018
Jul 14, 2018 at 10:24 AM UTC
Astral-Ordinary
I look at you In the photograph I keep in the corner of my room. I kiss your eye As I remember the way you smile And caress your cheeks And imagine your heavy breathing. I look at you In the photograph I kept in my back pocket Like a map a navigator should have To find himself Every time he’s lost at sea Knowing that there’s a “You” that lies ahead Knowing that there’s a “We” to share a bed. But circumstances aren’t like photographs. They change. And they will never be the same. This photograph In my hand Our memories use to fade Forgotten and unmoved The world walks faster than me Fear will sooner or later Eat me. Gulp me. And as I ran ahead Just to keep in line I just can’t stay Where you are all the time The photograph May fade But not your smile The photograph may fade But I’m still wearing the same smile
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Apr 8, 2013
Apr 8, 2013 at 10:48 AM UTC
Photograph (Inspired by Andrea Gibson)
man who wears a hat sits still near the back unmoved by the world or the exposed breast of a statue (brain waves do not discharge through a fedora) tag attached: bald is sanitary oranges have more delicacy raw smelly and afterward singing allons enfants de patrie ding dang **** like that, all frog-ese so we don’t understand chanteused stiff basso profundo to excite to let us see with the clarity of a dream curled with hate set firm, firmer in the arms of a sleeveless girl then slung to sea level white as a leopard’s eye remember its peroxide bathed, bleached inclined on the pillow just at the angle of expectancy without a hat sideward glance and the crippled heels of angels sparking down the hall bulletin: young man willing to wear false beard to ease the pain for all or trumpet blues broken played horizontal touched by seaweed hands in the light of boats (unfurled) slowly and the memory dies slowly half-forgotten, half-remembered halved again slowly only to begin again grim molecules of love
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man in the hat
If I ever happen to meet myself, I'd sit graciously on silence's table, And study my evolved, yet un-evolved self, Undisturbed, unhurried, un-agitated, By world's brightest gulf. ...and smile back, as I watch myself. If I ever happen to meet myself, I'd sit cozily on peace's table, And watch my wounded, yet un-wounded self, Un-agitated, un-deviated, unmoved, By world's sorry self ...and smile back, as I watch myself. If I ever happen to meet myself, I'd sit calmly on agony's table, And observe my painful, yet not too painful self, Unmoved, undaunted, unleashed, By world's weirdest self, ...and smile back, as I watch myself. If I ever happen to meet myself, I'd sit gladly on glee's table, With my eyes smiling, and smiling at myself, Unaffected, unguarded, unremitted, By world's unrequited self. ...and grin back, at myself. If I ever happen to meet myself, Twill indeed be a blessed, contending  miracle, As that's when I could pat & greet myself, In real, In real, In real! And make this fact to myself perceivable, That Our world may sure often demand struggles, And our mere existence in it, May just be negligible, But we never gotta forget To stay hopeful, smile and giggle at ourselves, No matter how hard, or harder are the struggles, As that's the precious fuel, That can truly cause miracles, In a world, Often so obsessed with struggles! And then with a grin, A sparkling hope within, I'll bid myself, A sweet, serene, farewell.
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Jul 31, 2018
Jul 31, 2018 at 3:23 PM UTC
If I Ever Meet Myself
A WOMAN IS CRYING In the next room a woman is crying a moon perches upon an hotel sign unmoved as a new millennium dawns as bright as neon the woman still crying her unknown despair shifting silently from one century to another human grief unchanged from age to age. A woman is crying.
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Sep 26, 2018
Sep 26, 2018 at 7:17 PM UTC
A WOMAN IS CRYING
It was hard to miss Jerry in the corner holding court over the bran muffin. Flurries of judgement and wisdom flying across coffee dappled pages as he sentenced a large cup of Paruvian Dark Roast to be ****** 7 am Dan never flinched steeling his tenured chair at a spot one section of stir sticks away calculably just out of reach of the regularly scheduled tantrum. An auburn-haired newbie fanes camoflage peeking over two pages of Obituaries she never intended to read. Her raised and nearly detached eyebrows hover above the dateline like a magic trick. And on every table fall scattered leaves of press print trees unsorted and littered with intent by careless absorbers of trivia. Disconnected ear-budded footnotes of humanity see nothing hear nothing using the disarrayed World News as enormous coasters unmoved by hyper-ventilating compulsives pushing panic buttons through desperate quests to uncover one alphabetically organized set of local news. Of the papers not strewn the remnant holds anxious on a distant wall a throng of flopping rabbit-eared step children dangling precariously from unaccomodating magazine racks like smoky orphans from windows in a fiery building. Disordered. Disrespected. Discarded...words are Jews in the holocaust. Death of a voice. We are irreverent in our silence diminishing genius through apathy put off by the imposition to be challenged choosing disposable principles above responsible knowledge. Everything is disposable - cameras, cars, relationships, loyalty, babies...and wisdom - crumpling Pulitzer prize authors and discarding WW2 veterans just to get to the cartoons.
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Apr 30, 2014
Apr 30, 2014 at 11:15 PM UTC
Daily News and Disrespect
It was hard to miss Jerry in the corner holding court over the bran muffin. Flurries of judgement and wisdom flying across coffee dappled pages as he sentenced a large cup of Paruvian Dark Roast to be ****** 7 am Dan never flinched steeling his tenured chair at a spot one section of stir sticks away calculably just out of reach of the regularly scheduled tantrum. An auburn-haired newbie fanes camoflage peeking over two pages of Obituaries she never intended to read. Her raised and nearly detached eyebrows hover above the dateline like a magic trick. And on every table fall scattered leaves of press print trees unsorted and littered with intent by careless absorbers of trivia. Disconnected ear-budded footnotes of humanity see nothing hear nothing using the disarrayed World News as enormous coasters unmoved by hyper-ventilating compulsives pushing panic buttons through desperate quests to uncover one alphabetically organized set of local news. Of the papers not strewn the remnant holds anxious on a distant wall a throng of flopping rabbit-eared step children dangling precariously from unaccomodating magazine racks like smoky orphans from windows in a fiery building. Disordered. Disrespected. Discarded...words are Jews in the holocaust. Death of a voice. We are irreverent in our silence diminishing genius through apathy put off by the imposition to be challenged choosing disposable principles above responsible knowledge. Everything is disposable - cameras, cars, relationships, loyalty, babies...and wisdom - crumpling Pulitzer prize authors and discarding WW2 veterans just to get to the cartoons.
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62
She stood still before the choas; unshaken. The wind blew its mighty breath against Her core but to no avail; unmoved. Her coffee'd skin warm like the sun that kisses the Earth's horizon. Something within Her had risen without warning nor permission: She was a Goddess, in Her own right. Brown. The soft tone of the Earth. Golden hue painted widely across the canvas of Her ***** Her skin like caramelized silk, with the sunglow of Egypt itself. She pressed Her face to the Earth's floor and moved mountains with Her prayers. Queen of the meek, ambassador of the poor. She was the perfect amalgam of beauty and brokenness. ~The Goddess of Humility.
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Sep 10, 2015
Sep 10, 2015 at 3:51 PM UTC
Goddess of Humility
Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
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Jul 12, 2014
Jul 12, 2014 at 11:29 AM UTC
On reading Margaret Atwood's selected poetry-'Eating Fire'
Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
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98
1624 Apparently with no surprise To any happy Flower The Frost beheads it at its play— In accidental power— The blonde Assassin passes on— The Sun proceeds unmoved To measure off another Day For an Approving God.
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4.2k
Apparently with no surprise
Mind and body numb Disbelief growing by leaps and bounds. Everything I held dear gone overnight, All because of jealousy. There is no dealing with a jealous mind, No hearing the truth with a jealous ear. No other emotion is so destructive on earth So subtle, but destroys from within. Even when the accuser is guilty of the same, A jealous eye cannot see. Abuse heaped upon abuse is thrown Until all is whirled in a heart wrenching cyclone of words. Laid waste is my heart, my soul and my mind. Destroyed is my love, my life and the us we had. My objections not heard, my tears leave you unmoved. The cyclone has taken another.
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Aug 9, 2010
Aug 9, 2010 at 8:47 AM UTC
The Cyclone
1051 I cannot meet the Spring unmoved— I feel the old desire— A Hurry with a lingering, mixed, A Warrant to be fair— A Competition in my sense With something hid in Her— And as she vanishes, Remorse I saw no more of Her.
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I cannot meet the Spring unmoved—
If I make the lashes dark And the eyes more bright And the lips more scarlet, Or ask if all be right From mirror after mirror, No vanity's displayed: I'm looking for the face I had Before the world was made. What if I look upon a man As though on my beloved, And my blood be cold the while And my heart unmoved? Why should he think me cruel Or that he is betrayed? I'd have him love the thing that was Before the world was made.
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3.6k
Before The World Was Made
People moving in With their suitcases on board Standing everywhere Fumbling to their seats. "MAY I SEE YOUR BOARDING PASS?" Yes please. Plane flies on the runaway Diving into the clouds Into a puff of wind and smoke. We fly. I sat unmoved For the rest of 16 hours. I thought I had been fossilized. Hardened. But I saw it flying Us flying to mi casa Time is rolling backwards My lips tugging backwards No more jetlagging. I held on to a light of a hope with a lopsided grin. Perhaps, It's time to say hello To the land long forgotten The land with cozy saturday mornings Where we have dinner at 7pm, not 9. The land that I long to be in Where I had been long gone is 60 minutes apart.
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Jul 31, 2014
Jul 31, 2014 at 4:26 PM UTC
Long Plane Rides
. Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell, As he knocked and pulled her dark honey hair And whispered, surrender, into wanting ears, Softly he drove his hunting command, homing To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then Once more and then again.  She bucked fiercely And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still, Bathing in a vale, virginal, wholly unmoved By their act of venery, lustfully playing, in the innocent Leaves.  It was as if they were among her kin, a gentle Doe and a noble stag. From that moment on The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves With her tale, taken and told, her breathless breath, Her nostrils cold and her heated and lanced openings Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood. .
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May 3, 2018
May 3, 2018 at 2:50 PM UTC
In Artemis’s Wood
. Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell, As he knocked and pulled her dark honey hair And whispered, surrender, into wanting ears, Softly he drove his hunting command, homing To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then Once more and then again.  She bucked fiercely And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still, Bathing in a vale, virginal, wholly unmoved By their act of venery, lustfully playing, in the innocent Leaves.  It was as if they were among her kin, a gentle Doe and a noble stag. From that moment on The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves With her tale, taken and told, her breathless breath, Her nostrils cold and her heated and lanced openings Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood. .
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41
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
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Jun 4, 2023
Jun 4, 2023 at 6:34 AM UTC
The Picture Window
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
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36
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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Sestina
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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39
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
0
Jan 31, 2018
Jan 31, 2018 at 11:19 PM UTC
OLYMPUS CORPOREATION IS A JAPANESE MANUFACTURER OF OPTICS AND REPROGRAPHY PRODUCTS
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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8