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Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Nat Lipstadt Jul 2018
and

you think you are done with it.
but the notion potion returns with your stolen free will
taunting and tearing, sealing and then dissolving
the seals

no retirement in this world from where human means pliable
and pliable means capable of being twisted; nay, retwisted...

last we left you,
we were weeping on the concrete sidewalk of
Third Avenue, the police, giving you a move on command,
as Jean Valjean earworms one into the incapacity of movement  because of the audacity to request to bring him home

such is the sorrow of the lost child; it comes with irregularity
yet, never failing to return, the child lost, the residual, resides
within like a violin adagio reaching the punishing silence
after a crescendo that  pretense promised momentary relief

we struggle to keep any and all keepsakes,
polished and fed; rust and time, no polish in the five & time dime
that does a good enough job,
but you buy it anyway

well aware that fate will inevitably rob you, it’s so purposed

twist you, retest you and re-will you, to never forget until
you have no need for forgetting but the peace of
constant remembering when all on that day
molecules and nucleotides
collide in the atmosphere,
dog licking, cat weeping purrs, meaning hallelujah home

the endless sadness of the lost lad-ness, dimly grow the recollections of the first word, the first delight, the confidence complete
that your babe is non pareil; the violin sweeps you along and the genteel tide still too string strong to resist

the woman comes into the room;
the reddened eyes no hide
the weeping outside and in the centerpiece of a soul;
why she asks, not surprised for she’s seen it
too many **** poem-times:
my Adam, I answer;
suffices and wisely
leaves me to
compose and decompose simultaneously
weeping weeping forever weeping even when not

furious eddies rock smashing,
curious they splash me with taunts
"you want for naught!"

but naught is the only possess
that owing it makes one impoverished

perhaps he will email me, ewail me,
does he know I am at the
Wailing Wall, Jerusalem,
insert parchment prayers for his safety

oh my Absalom, oh my Adam, my favorite first born,
come sit next to me on the sidewalk so close to where you live,
comfort me as in the days of your youth,
now that we are both
so very much older

sleep well all you lads and children,
never mind these unstoppable tearings,
never mind the heaviness,
for it has passed
as the tears shed
enlighten my embodiment

7/16/18 prone and alone
for my kinship
It is over. What is over?
  Nay, how much is over truly!--
Harvest days we toiled to sow for;
  Now the sheaves are gathered newly,
  Now the wheat is garnered duly.

It is finished. What is finished?
  Much is finished known or unknown:
Lives are finished; time diminished;
  Was the fallow field left unsown?
  Will these buds be always unblown?

It suffices. What suffices?
  All suffices reckoned rightly:
Spring shall bloom where now the ice is,
  Roses make the bramble sightly,
  And the quickening sun shine brightly,
  And the latter wind blow lightly,
And my garden teem with spices.
Poetoftheway Mar 2018
reaching the back of you

not sure I could.      not sure i would.
       scent of the crime uncommitted uncovered

the meandering is the man demigod demagogue taking
time
         pleasured mercy
                                         the remaindered searchingly
                                                                ­                                 suffices

you don’t speak plain english the only tongue i got
insert the coin in your slot commencing researching the
way in and
don’t think i want to find the way out to the
back of you hiding in the inside learning the way you visualize


playing amy winehouse as an overlaying graph to the autoroute
to the south of france, sur-la-mer, why ever leave and you come
in my mouth poems new each time

no exit. no back of you.  stuck in a longingly heaven

this house is my home and I know the sun brightest
when i put my coin in the slot of play and press the
new tune button at 4:10AM
thanks for the quirky comments for this quirky poem.  Not my normal style. Inspired by a poet here who writes quirky poems, many of which, I fail too, to fully comprehend. The only way I could hope to understand them was to  "insert the coin in your slot commencing researching the way in and  don’t think i want to find the way out to the back of you, hiding in the inside learning the way you visualize...no exit. no back of you.  stuck in a longingly heaven" and getting stuck, unsure if I want to reach...
When a
Remorseful convert,
Astray that had gone far
Blemishing his /her soul
With Sin's tar,
Puts a broken heart
On the altar,
By far,
S/he could enjoy
God's grace
Or even
Win a higher place
In His face
Than a devotee,
Taking pride
In his/her deed,
Who oft mount
A spiritual war
Devil's way to bar.

It is with
A broken heart
The culprit
Hanged by the right
Of Jesus Christ
Got to Eden's garden First
Though Adam,Moses,
Abraham, Job
And others were
Top on the short list.

It is by the virtue of
Their determination
Sinful ways to quit
Zacchaeus and
Mary Magdalene
Were seen fit
Than the hypocrite!

It is this line
From genesis
To revelation
God labours to bring
To our attention
So with conviction
Let us pray for
Our soul's resurrection.

Of course, no doubt,
Our devotion could buttress
Our chance to enjoy
His mercifulness!//


                      Who the Devil is Alem Hailu

He is an emerging  Ethiopian poet,translator and author of all literary genres in the medium of English language.
He is penetrating the global book market stamping a foot print on the firmament of literature.
If you peruse his work you could note ,with poems of local touch and national sentiment like 'Come to Ethiopia' and 'Great Tiding' , he is playing an ambassadorial role in several international poetry blogs from Australia to America .His poems have proved trending.
He has achieved global presence via
www.poetrypoem.com
www.hellopoetry.com
www.poemhunter.com
www­.allpoetry.com
www.writeoutloud.com
www.novelcollective.com / Australia
www.poemabout.com
His books  and posters showcasing the knack of an Ethiopian author are cracking open publishers from Europe to America(www.united -p.c.eu ) (Austria),www.lulu.com(America), www.trafford .com America)
From the publisher  or amazon and the like, you can order for his books aiming at entertaining,edifying,style-showing,seeking an outlet to east African voice,finding a niche to Ethiopian authors in the global literary scene  and teaching the English language.
Specially schools,colleges,universities and libraries, people running stationer,book malls and cultural unites of different embassies could benefit from making his works available on their shelf.

To foreigners his work could serve as a window story.
His works include

1) In the Vortex of Passion's Wind

A poetic Drama on the Wrong Turns of life *** and AIDS
It is also meant to serve a language teaching material and Higher Learning Institutions and Preparatory Schools
A useful input  for performing artists
By Alem Hailu G/Kristos

ISBN:978-3-7103-2109-2
www.united- p.c.eu
Austria

2)A Boon of Classic Poems

(Translation in Amharic)
A collection of selected  classic  poem
By Alem Hailu G/Kristos
ISBN:978-1-312-94998-0
www.lulu.com,America

3) A Vent to Stifled Emotion
A debut collection of poems
By Alem Hailu
ISBN:978-1-4907-5675-2(sc)
978-1-4907-5674-5(e)
www.Traffor­dpublishing.com
America
4) The Truth and Dawn
and Other  palatable Short Stories
of both mix: Art for art's sake and life's sake
By Alem Hailu G/Kristos
IBN 978-1-329-43915-390000
www.lulu.com
America

5)Pupil's poem(Full Color)

Rhyming poems for pupils and learners of the language
Systematically selected words and expressions to upgrade the language proficiency of students.
Inspires pupils to read as well as write poems.
Lulu.com ,America
ISBN:5800111090472

6)Hope from the Debris of hopelessness

A Novel with the theme “Disability is not inability!”
By UnitedP.C is in the pipeline
ISBN:
After I heard a preaching about soul's resurrection.I t drove home the repentant have a better chance to paradise
anastasiad Jan 2017
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The particular control buttons employ a centre system, forced without having a lot attempt but not also noisy. Recommendations and it's away from the key board, they are accountable for this introduction of the laptop computer, the initial involving cellular quests along with mime.

A touch pad includes a beneficial receptiveness, completed through the help of two-finger scrolling, along with both horizontal and vertical. Moreover, you may move as well as focus, make use of. Manipulator doesn't besknopochny, listed here there's two actual personal computer mouse.

On the right on the known as is actually a finger marks scanner, it has the reputation is quite easy regarding business enterprise vacationers and everything those who used to safeguard computer data out of prying.

Efficiency ( blank ) Hp . p . ProBook 400 G2
Brand-new makes 64-bit main system Microsoft windows 7.One. Just in case Hewlett packard ProBook 450 G2 (J4S24EA) covering the low-voltage dual-core Apple company Central i5-4210U , which has a time clock volume of one.7 Ghz as well as a storage cache inside third volume of Several Megabytes. The following chip is made in Haswell 25 nm technological know-how, how many its features consist of service regarding Turbo Raise, which allows to boost the frequency to two.Several Ghz with a one lively nucleus, together with Hyper-Threading, through which the two cores is actually refined approximately three facts water ways in unison. As you can tell, compared to the forerunner Center i5-4200U the following a bit improved time clock pace since the bottom, and something by which the actual brand operates in any style Turbocompresseur. I must say which Center i5-4210U handle business office chores and also media, however if you have to have a stronger notebook, then otherwise you can pick an extensive fixed with primary Central i7.

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As to Cram, it offers a couple of video poker machines, one of which is well worth menu 8 GB DDR3L-1600MHz. Certainly, this could be adequate ability to arduous uses in addition to rapidly do the job, especially since book is possible to set up the maximum amount of Memory ?04 Gigabytes.

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Locations as well as Marketing communications * Hp . p . ProBook 400 G2
Only be aware that on the appropriate side from the journal is really a more compact volume of slots compared to a eventually left. So, for the proper you can view this built-in visual push Disc +/- RW SuperMulti Defensive line, adjacent to which are a couple Universal serial bus Two.0 ports and a put together microphone connector and also a headset connector. Towards the end faces visible position with regard to Kensington lock.

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Cellular connection in a very pc through Wi-Fi 802.11b Versus grams / d along with Wireless bluetooth 4.1.

Battery power -- Horsepower ProBook 400 G2
Horsepower ProBook Four hindred and fifty G2 Battery Package with 5 parts. Lithium-ion battery power features a volume with 30 Wh in addition to asking for 65-watt power. On the independence in the notebook is not a great deal hard work Data, doing the job devoid of re charging mode internet surfing two to three hours, plus within a weight connected with at most A person.Several hours.

Realization -- Horsepower ProBook 450 G2
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Mateuš Conrad Jun 2021
i thought it was ****** obvious what i was doing there,
i walked in with my Slayer band t-shirt off
wiping off the sweat from my face...
ah... a cheap bottle of wine... £3.50... a Chilean Merlot...
nothing like cheap wine for some kalimotxo...
and if that wine doesn't do the trick for a nightcap...
the cheapest whiskey available... no more than
35cl: but i promised myself not to drink both completely...
obviously the wine doesn't have an electronic tag
that needs to be taken off at the cashiers'...
but the whiskey does...
come midnight it's this long centipede winding through
the self-checkout aisles...
two... of the finest quality Hijab mystique organising
the flow of people...
oh... the finest...
                     first you scan the items...
then you're asked to wait for the confirmation of your
age... so someone has to some with
a ticket (so little about all of this is about
self-checking-out)... and then... you have to walk
to the end of the aisle to get the electronic tag off...
with your receipt...
so i went to the end... where the bit that takes
the electronic tags off is placed in a drawer...
along with... this night in particular...
a raw white onion... and some baby clothes that
were returned all piled up in a shopping trolley...
apparently i was blocking something important...
that's when i was asked this profound
existential question:
                           what are you doing here?
oh **** me... it hit me like a rock...
i sometimes wish for three things... a slightly bigger
phallus... a much more bushier beard...
and... a talent for wit... for waspish wit...
for playful wit...
   some whiplash wit...
                 something that i might: snap out of something
instead of... what just came out?
a what... sorry... didn't hear that...
'what are you doing here?!'
     exactly those exclamation marks with purpose
of interrogation...
- am i... just growing from the roots up?
- am i... is Goodmayes a no-go zone for white
boys after a 10pm curfew or something?
i grew up around these parts...
i went to school around these parts...
a predominantly Irish neighbourhood...
is this a no-go zone?

i mean... i don't expect pleasantries from
cashiers at... midnight... but it's not like i was
the only person there...
was i holding a cloud of balloons and
wearing a clown suit with full-make up?
did i have an pink elephants on a string
or a golden fly on a chain?

'what are you doing here?!'
what a snap of juicy vindictiveness in that
tiny Hijab specimen of beauty...
i somehow must have invaded her space
or some *******...
but... i was there to get the electronic
tag off the neck of my whiskey bottle...
i don't think i was there to later come
home and write this nonsense:
if she asked me that same question:
on the top of Arthur's Seat in Edinburgh
at 5am...
but then again: no one asks those questions
at 5am on the longest day in the year
on Arthur's Seat... a good morning:
chirpy one... isn't it? suffices...

    being asked a profound existential question
in a supermarket: at midnight of
a Monday is...

   aha... now it's sort of obvious...
            if i decided to go elsewhere with my wine...
say... to the brothel...
and i came across Khadaya... Khadija...
            Khada... all aspects of nakedness...
so this is what my face looks like
to women... after i lost... 20kg in mass?
  i'm attractive once more...
              honest anchoring... she's about to receive
£2.00 per minute for an hour...
and she likes my face... and i like her face...
eh... *** like a Lamborghini and a body that looks
but more importantly feels as comfortable
to touch as... one might hope to find oneself
sitting in a well worn leather armchair...

always objectification within the need for metaphor...
allusions to...
but a bit different when it can't be so obvious...
she's this Hijab donning princess Jasmine
working in the supermarket
and i'm just a cyclist wearing a Slayer t-shirt
who dropped in for a nightcap of cheap
wine and cheap whiskey...
or perhaps to her... i'm...
   some myth of a northern barbarian who...
arrived in Jerusalem with Barbarossa pickled
in a barrel... hmm?
         well... i'm not exactly a werewolf...
   not just yet...

again: was i there to solve a Su Doku puzzle or change
a light-bulb via mime?!
flow of people... i was placing myself
in the least obstructive way possible:
now... i'm overthinking the punch line...
it's coming off as if i'm somehow autistic or something...
who wouldn't...

in the most un-spec-ta-cu-lar of circumstance
you get such an open question...
before having my wisdom teeth pulled out
i asked the anaesthetic man:
quo vadis?

               seems more correct to ask:
such a generality... but not in such a defensive...
almost scolding manner...
i did mention she was a Hijab gem...
a petite little thing who forgot to objectify me
as human traffic of buyer...
with a purse's worth of whiskey
that had an electronic tag attached to the neck
that needed to be "dismantled"...

after skim-watching a few episodes
of the Sopranos... Tony Soprano is deemed an
attractive man by his psychiatrist...
so... what am i? a ******* ageing Adonis
or something?
now it feels bothersome to have lost
those 20kg in mass...
100 push ups a day... 100 stomach crunches...
cycling...
i knew this would land me in a spot of
bother... no more prostitutes joking
(kindly) that i have bigger **** than they have...

thank god the omission of a sudden limp
**** because: she shouldn't be in the profession
and i'm in no mood to ****
a tender, shy, deer...
               because it works when it's required
to work and i'll go through 5 before
it becomes resolute: that lilac / blue pill
will not make me prove a point on just 1...

dinner? cinema?
if she offers up the full platter of ******* oysters
and her body becomes the whole
complexity of cinema...
but not being corned by two Hijab beauties
at the self-checkout aisle
coordinating human traffic...

again: forever in the reiteration pause...
'what are you doing here?!'
am i supposed to be somewhere else?
the question asks itself:
why would a girl of your "sort" ask a whitey
that sort of question?
is this a no-go zone area akin to Malmo
in Sweden... am i expected to don
a ******* Pakistani pyjama to walk safe...
don a bushier beard than the one
i adorn trimmed by an Ottoman?

clearly i'm fuckable and clearly i also ****...
if she was allowed a different scenario
where she wasn't a self-checkout coordinator
and i wasn't speedily trying to get out
from the concept of a queue she might:
ask a less abrupt a question...

**** anything that moves...
       one motto worth keeping in mind when
reading Kant's labyrinth...
i promise this to anyone who undertakes
the "mission"... the part of the critique of pure reason
that comes last in the second volume
that's: a consolidation piece...
that's title: the transcendental methodology...
oh god... it's like this (almost) revelation:
but it's most certainly a joy a cascade to read...
that's when Kant relaxes and doesn't bother
to stress his... systematic approach to...
not language: to the idea...
what the idea is? that's my own to digest...
even these years later...

if she was older than me...
if she wasn't sizing me up... seeing how...
my shadow is probably larger than her body
come noon...
how she might just be...
constipated / claustrophobic through all her...
restrictions in attire...
how she was paired up with another girl
and there was no forbidding authority
of same-faith colleagues looking over them...
she asked me the most profound
question no one is expected to hear
in a supermarket...

           hence these words as spiral...
it's not the first time i've seen these two Hijab beauties...
i can't imagine...
having the audacity to write an autobiography
post... in vivo mortem!
i can't imagine writing... succumbing to write...
after... having lived... a most...
exploitative life...
i shudder at the prospect of reading...
Seven Years in Tibet...
i have the original copy...
it's enough that i read:
Harold Norse's: Memoirs of a ******* Angel...
that's enough for me...

             in writing there's only the fiction:
the fantasy... or the absolutely terrible mundane:
grit...
lives loved by the gods so that they might
be shared with as many as possible
do not belong in the realm of words...
however terrible it might sound...
all the ancient Roman poets wrote prosaic:
if not maxims then anecdotal evidence of...
taking leave: taking leisure in scrutiny..
too much of what's supposedly life
and how language is employed in "said" life
is limited to... bureaucratic fudge-packaging...
try escape that cycle of: abuse of informal language...
when you're expected to begin with:
dear sir /  madam...
   and end with: kind regards /
the distinction between yours faithfully vs. yours
sincerely...

she took a fancy after i already took her fancy...
perhaps it's a shame...
of the hierarchies of man...
and the stresses brought on by time...
all this... graveyard of space.
CH Gorrie Apr 2015
On this tan cutting board
You earn your corrupted name:
“Alligator pear.”

The serrated blade
Punctures your hide—a balloon
Under a pin’s pressure,

Shades of green furling out.
I’m sure you’d prefer
Vegetable status if you developed

Self-awareness; or maybe
You’d withdraw from knowledge
Of the human type.

I trust my cooking songs—
Slowdive and Chaka Khan—
Can’t hurt you anymore

Than your predestined obliteration;
Mastication via your domesticators:
It all ends in fertilizer.

(Where you began!)

O, avocado, phantom “fruit”
Born of the self-same Life Source,
Schopenhauer’s Will,

My transient enjoyment of you
Within this vegetable salad—
An Achaean enclosed by Trojan blades—

Suffices for a life of sanctity.
Poem for day 5 of National Poetry Month.
mark john junor Apr 2017
traffic in dreams
the deeper the love
the longer it will be to pay it off
deeper the diamond to carve from your heart
the darker the desire
the more cold cash
the harsher the wind in the lonely night

take sandpaper to your luxurious soul
but you keep its stain from your pretty eyes
pretty face barter for fish n chips
pretty words barter your bed and breakfast
dress it all in fashion from magazines
the strange combination of gloss and paper thin disguise
the strange combination of truth and lies

the greasy haired stranger
peers with all his might into the mirror
trying to find the man hidden within
he traffics in dreams
will sell you a plot of land
and the rainbow that comes with
ten by ten souls wide
ten by ten deep
sell em to you for a taste of the pretty
sell em to you for a touch of the tender
so rancidly reflected in his greasy smile

you thought the weight was easy to bear
thought that the lie you tell yourself suffices
but dreams are brittle thin walls you hide behind
watch the cracks spread across the pretty picture
it is painted with
watch the colors fade like sweet summer sunshine
the sweet wine turned bitter like tears
he sells you a dream that must be forever replaced
with an ever darker version
he sells you a lie that you will come to see vividly
it won't taste so sweet for so long
it will taste like dust
it will taste like loss

you seek him out once again in the dark city passage
his greasy hair fallen long ago
skin gone gray
he found the man in the mirror
he found his answer in all the chaos
tastes like dust
tastes like bitterness
seek him out to find he is gone
only a shell remains
a brittle shell

no-one gets cheap seats
without paying the price
Michael R Burch May 2020
Epigrams by Michael R. Burch



Conformists of a feather
flock together.
—Michael R. Burch

(Winner of the National Poetry Month Couplet Competition)



My objective is not to side with the majority, but to avoid the ranks of the insane.—Marcus Aurelius, translation by Michael R. Burch



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.

(Published by Romantics Quarterly, Poetry Super Highway, Poets for Humanity, Daily Kos, Katutura English, Genocide Awareness, Darfur Awareness Shabbat, Viewing Genocide in Sudan, Better Than Starbucks, Art Villa, Setu, Angle, AZquotes, QuoteMaster; also translated into Czech, Indonesian, Romanian and Turkish)



Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.



Stormfront
by Michael R. Burch

Our distance is frightening:
a distance like the abyss between heaven and earth
interrupted by bizarre and terrible lightning.



Laughter's Cry
by Michael R. Burch

Because life is a mystery, we laugh
and do not know the half.

Because death is a mystery, we cry
when one is gone, our numbering thrown awry.

(Originally published by Angelwing)



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Macedonian, Turkish and Romanian)



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Arabic, Turkish and Macedonian)



*** Hex
by Michael R. Burch

Love's full of cute paradoxes
(and highly acute poxes) .

(Published by ***** of Parnassus and Lighten Up)



Styx
by Michael R. Burch

Black waters—deep and dark and still.
All men have passed this way, or will.

(Published by The Raintown Review and Blue Unicorn; also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram.)



Fahr an' Ice
by Michael R. Burch

(apologies to Robert Frost and Ogden Nash)

From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker) ,
and real fahr off, instead of quicker.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

"Be fruitful and multiply"—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, "WHEN! "



The Whole of Wit
by Michael R. Burch

If brevity is the soul of wit
then brevity and levity
are the whole of it.

(Published by Shot Glass Journal)



Nun Fun Undone
by Michael R. Burch

Abbesses'
recesses
are not for excesses!

(Published by Brief Poems)



Saving Graces, for the Religious Right
by Michael R. Burch

Life's saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

(Published by Shot Glass Journal and Poem Today)



Skalded
by Michael R. Burch

Fierce ancient skalds summoned verse from their guts;
today's genteel poets prefer modern ruts.



Not Elves, Exactly
by Michael R. Burch

Something there is that likes a wall,
that likes it spiked and likes it tall,
that likes its pikes' sharp rows of teeth
and doesn't mind its victims' grief
(wherever they come from, far or wide)
as long as they fall on the other side.



Self-ish
by Michael R. Burch

Let's not pretend we "understand" other elves
as long as we remain mysteries to ourselves.



Piecemeal
by Michael R. Burch

And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(A pale Piggy-Wiggy
will discount your demise as no biggie.)



Liquid Assets
by Michael R. Burch

And so I have loved you, and so I have lost,
accrued disappointment, ledgered its cost,
debited wisdom, credited pain...
My assets remaining are liquid again.



**** Brevis, Emendacio Longa
by Michael R. Burch

The Donald may tweet from sun to sun,
but his spellchecker’s work is never done.



Cassidy Hutchinson is not only credible, but her courage and poise under fire have been incredible. — Michael R. Burch



Brief Fling
by Michael R. Burch

Epigram
means cram,
then scram!



To write an epigram, cram.
If you lack wit, scram!
—Michael R. Burch



Fleet Tweet: Apologies to Shakespeare
by Michael R. Burch

A tweet
by any other name
would be as fleet.

@mikerburch (Michael R. Burch)



Fleet Tweet II: Further Apologies to Shakespeare
by Michael R. Burch

Remember, doggonit,
heroic verse crowns the Shakespearean sonnet!
So if you intend to write a couplet,
please do it on the doublet!

@mikerburch (Michael R. Burch)



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Civility
is the ability
to disagree
agreeably.
—Michael R. Burch



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner.

As you fall on my sword,
take it up with the LORD!”

the wise owl replied
as the tasty snack died.

(Published by Lighten Up Online and Potcake Chapbooks)



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

(Originally published by Grand Little Things)



Midnight Stairclimber
by Michael R. Burch

Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.

(Published by Angelwing and Brief Poems)



Love has the value
of gold, if it's true;
if not, of rue.
—Michael R. Burch



Teddy Roosevelt spoke softly and carried a big stick;
Donald Trump speaks loudly and carries a big shtick.
—Michael R. Burch



Nonsense Verse for a Nonsensical White House Resident
by Michael R. Burch

Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!



There's no need to rant about Al-Qaeda and ISIS.
The cruelty of "civilization" suffices:
our ordinary vices.
—Michael R. Burch



Sumer is icumen in
a modern English translation/interpretation by Michael R. Burch

(this update of an ancient classic is dedicated to everyone who suffers with hay fever and other allergies)

Sumer is icumen in
Lhude sing achu!
Groweth sed
And bloweth hed
And buyeth med?
Cuccu!

Originally published by Lighten Up Online (as Kim Cherub)

NOTE: I kept the medieval spellings of “sumer” (summer), “lhude” (loud), “sed” (seed) and “hed” (head). I then slipped in the modern slang term “med” for medication. The first line means something like “Summer’s a-comin’ in!” In the original poem the cuckoo bird was considered to be a harbinger of spring, but here “cuccu” simply means “crazy!”



The Complete Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch

Religion: the ties that blind.—Michael R. Burch

Salvation: falling for allure —hook, line and stinker.—Michael R. Burch

Trickle down economics: an especially pungent *******.—Michael R. Burch

Canned political applause: clap track for the claptrap.—Michael R. Burch

Baseball: lots of spittin' mixed with occasional hittin'.—Michael R. Burch

Lingerie: visual foreplay.—Michael R. Burch

A straight flush is a winning hand. A straight-faced flush is when you don't give it away.—Michael R. Burch

Lust: a chemical affair.—Michael R. Burch

Believer: A speck of dust / animated by lust / brief as a mayfly / and yet full of trust.—Michael R. Burch

Theologian: someone who wants life to “make sense” / by believing in a “god” infinitely dense.—Michael R. Burch

Skepticism: The murderer of Eve / cannot be believed.—Michael R. Burch

Death: This dream of nothingness we fear / is salvation clear.—Michael R. Burch

Insuresurrection: The dead are always with us, and yet they are naught!—Michael R. Burch

Marriage: a seldom-observed truce / during wars over money / and a red-faced papoose.—Michael R. Burch

Is “natural affection” affliction? / Is “love” nature’s sleight-of-hand trick / to get us to reproduce / whenever she feels the itch?—Michael R. Burch



Translations

Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!

Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, translation by Michael R. Burch

The imbecile constructs cages for everyone he knows,
while the sage (who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Little sparks ignite great Infernos.—Dante, translation by Michael R. Burch

Love distills the eyes’ desires, love bewitches the heart with its grace.―Euripides, translation by Michael R. Burch

Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch

Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch

Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch

Improve yourself through others' writings, thus attaining more easily what they acquired through great difficulty.
—Socrates, translation by Michael R. Burch

Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch

One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch

Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch

I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch

Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch



Native American Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Native American Proverb
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Native American Proverb
loose translation/interpretation by Michael R. Burch

Let us walk respectfully here
among earth's creatures, great and small,
remembering, our footsteps light,
that one wise God created all.



The Least of These...

What you
do
to
the refugee
you
do
unto
Me!
—Jesus Christ, translation/paraphrase by Michael R. Burch



The Church Gets the Burch Rod

The most dangerous words ever uttered by human lips are “thus saith the LORD.” — Michael R. Burch

How can the Bible be "infallible" when from Genesis to Revelation slavery is commanded and condoned, but never condemned? —Michael R. Burch

If God
is good
half the Bible
is libel.
—Michael R. Burch

I have my doubts about your God and his "love":
If one screams below, what the hell is "Above"?
—Michael R. Burch

If God has the cattle on a thousand hills,
why does he need my tithes to pay his bills?
—Michael R. Burch

The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch

Hell hath no fury like a fundamentalist whose God condemned him for having "impure thoughts."—Michael R. Burch

Religion is the difficult process of choosing the least malevolent invisible friends.—Michael R. Burch

Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch

An ideal that cannot be realized is, in the end, just wishful thinking.—Michael R. Burch

God and his "profits" could never agree
on any gospel acceptable to an intelligent flea.
—Michael R. Burch

To fall an inch short of infinity is to fall infinitely short.—Michael R. Burch

Most Christians make God seem like the Devil. Atheists and agnostics at least give him the "benefit of the doubt."—Michael R. Burch

Hell has been hellishly overdone.
Why blame such horrors on God's only Son
when Jehovah and his prophets never mentioned it once?
—Michael R. Burch

(Bible scholars agree: the word "hell" has been removed from the Old Testaments of the more accurate modern Bible translations. And the few New Testament verses that mention "hell" are obvious mistranslations.)



Clodhoppers
by Michael R. Burch

If you trust the Christian "god"
you're—like Adumb—a clod.




If every witty thing that's said were true,
Oscar Wilde, the world would worship You!
—Michael R. Burch



Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what's good, or do you merely flaunt?

(Published by ***** of Parnassus, the first poem in the April 2017 issue)



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy is an illusion to the expert:
the Bedouin has learned how not to want.



Lines in Favor of Female Muses
by Michael R. Burch

I guess ***** of Parnassus are okay...
But those Lasses of Parnassus? My! Olé!

(Published by ***** of Parnassus)



Meal Deal
by Michael R. Burch

Love is a splendid ideal
(at least till it costs us a meal) .



Long Division
by Michael R. Burch as Kim Cherub

All things become one
Through death's long division
And perfect precision.



i o u
by mrb

i might have said it
but i didn't

u might have noticed
but u wouldn't

we might have been us
but we couldn't

u might respond
but probably shouldn't




Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Incompatibles
by Michael R. Burch

Reason's treason!
cries the Heart.

Love's insane,
replies the Brain.

(Originally published by Light)



Death is the ultimate finality
of reality.
—Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



Grave Oversight
by Michael R. Burch

The dead are always with us,
and yet they are naught!



Feathered Fiends
by Michael R. Burch

Fascists of a feather
flock together.



Why the Kid Gloves Came Off
by Michael R. Burch

for Lemuel Ibbotson

It's hard to be a man of taste
in such a waste:
hence the lambaste.



Housman was right...
by Michael R. Burch

It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Ironic Vacation
by Michael R. Burch

Salzburg.
Seeing Mozart's baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!



Imperfect Perfection
by Michael R. Burch

You're too perfect for words—
a problem for a poet.



Expert Advice
by Michael R. Burch

Your ******* are perfect for your lithe, slender body.
Please stop making false comparisons your hobby!



Thirty
by Michael R. Burch

Thirty crept upon me slowly
with feline caution and a slowly-twitching tail;
patiently she waited for the winds to shift;
now, claws unsheathed, she lies seething to assail
her helpless prey.



Biblical Knowledge or "Knowing Coming and Going"
by Michael R. Burch

The wisest man the world has ever seen
had fourscore concubines and threescore queens?
This gives us pause, and so we venture hence—
he "knew" them, wisely, in the wider sense.



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate) .

We like to hook a little tail.
We hope there's decent *** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



I sampled honeysuckle
and it made my taste buds buckle.
—Michael R. Burch



The Editor

A poet may work from sun to sun,
but his editor's work is never done.

The Critic

The editor's work is never done.
The critic adjusts his cummerbund.

The Audience

While the critic adjusts his cummerbund,
the audience exits to mingle and slum.

The Anthologist

As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.



Athenian Epitaphs

How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus

They observed our fearful fetters, braved the overwhelming darkness.

Now we extol their excellence: bravely, they died for us.
Michael R. Burch, after Mnasalcas

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum

Be ashamed, O mountains and seas: these were men of valorous breath.
Assume, like pale chattels, an ashen silence at death.
Michael R. Burch, after Parmenio

These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum

Now that I am dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that nurtured me, that held me;
I take rest at your breast.
Michael R. Burch, after Erycius

I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides

Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides

Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon

Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius



Sunset
by Michael R. Burch

This poem is dedicated to my grandfather, George Edwin Hurt

Between the prophesies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch

The hands that held me tremble.
The arms that lifted
  fall.

Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.

I can almost believe such love
will reach me, underground.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.

And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine

and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.

And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Departed
by Michael R. Burch

Already, I miss you,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you,
whorls petrified in frozen dew,
bright promises blithe spring forgot,
will I recall your words―barbed, cruel?



Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.



Infatuate, or Sweet Centerless Sixteen
by Michael R. Burch

Inconsolable as “love” had left your heart,
you woke this morning eager to pursue
warm lips again, or something “really cool”
on which to press your lips and leave their mark.

As breath upon a windowpane at dawn
soon glows, a spreading halo full of sun,
your thought of love blinks wildly ... on and on ...
then fizzles at the center, and is gone.



The Toast
by Michael R. Burch

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush
and rhymes that fade as pages close,
for flames’ exhausted, graying ash,
and petals falling from the rose,
I raise my cup before I drink
in reverence to a love long dead,
and silently propose a toast—
to passages, to time that fled.

Originally published by Contemporary Rhyme



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Prose Epigrams

We cannot change the past, but we can learn from it.—Michael R. Burch

When I was being bullied, I had to learn not to judge myself by the opinions of intolerant morons. Then I felt much better.—Michael R. Burch

How can we predict the future, when tomorrow is as uncertain as Trump's next tweet? —Michael R. Burch

Poetry moves the heart as well as the reason.—Michael R. Burch

Poetry is the art of finding the right word at the right time.—Michael R. Burch



The State of the Art (?)
by Michael R. Burch

Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?

Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?

Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?



Your e-Verse
by Michael R. Burch

—for the posters and posers on www.fillintheblank.com

I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.

It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.

I think you’re very funny—so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”

Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.



Haiku Translations of the Oriental Masters

Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch

The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch

One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch

The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch

I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch

This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch

This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch

Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch

Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch

Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem

These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch

Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch

The Oldest Haiku

These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another excerpt, with a humorous twist, from the Kojiki:

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another, this one a poem of love and longing:

Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

More Haiku by Various Poets

Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch

Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch

Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch

The pigeon's behavior
is beyond reproach,
but the mountain cuckoo's?
― Yosa Buson, loose translation by Michael R. Burch

Plowing,
not a single bird sings
in the mountain's shadow
― Yosa Buson, loose translation by Michael R. Burch

The pear tree flowers whitely―
a young woman reads his letter
by moonlight
― Yosa Buson, loose translation by Michael R. Burch

On adjacent branches
the plum tree blossoms bloom
petal by petal―love!
― Yosa Buson, loose translation by Michael R. Burch

Picking autumn plums
my wrinkled hands
once again grow fragrant
― Yosa Buson, loose translation by Michael R. Burch

Dawn!
The brilliant sun illuminates
sardine heads.
― Yosa Buson, loose translation by Michael R. Burch

The abandoned willow
shines
between rains
― Yosa Buson, loose translation by Michael R. Burch

White plum blossoms―
though the hour grows late,
a glimpse of dawn
― Yosa Buson, loose translation by Michael R. Burch; this is believed to be Buson's death poem and he is said to have died before dawn

I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch

We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch

The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch

Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch

Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch

Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch

Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch

Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch

Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch

The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch

Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch

It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch

War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch

Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch

Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch

The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch

The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch

Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch

Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch

No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch

Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch

Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch

As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch

The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch

Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch

Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch

The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch

Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch

Tanka and Waka translations:

If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch

Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch

I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch



ON LOOKING AT SCHILLER’S SKULL
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch

Here in this charnel-house full of bleaching bones,
like yesteryear’s
fading souvenirs,
I see the skulls arranged in strange ordered rows.

Who knows whose owners might have beheaded peers,
packed tightly here
despite once repellent hate?
Here weaponless, they stand, in this gentled state.

These arms and hands, they once were so delicate!
How articulately
they moved! Ah me!
What athletes once paced about on these padded feet?

Still there’s no hope of rest for you, lost souls!
Deprived of graves,
forced here like slaves
to occupy this overworld, unlamented ghouls!

Now who’s to know who loved one orb here detained?
Except for me;
reader, hear my plea:
I know the grandeur of the mind it contained!

Yes, and I know the impulse true love would stir
here, where I stand
in this alien land
surrounded by these husks, like a treasurer!

Even in this cold,
in this dust and mould
I am startled by an a strange, ancient reverie, …
as if this shrine to death could quicken me!

One shape out of the past keeps calling me
with its mystery!
Still retaining its former angelic grace!
And at that ecstatic sight, I am back at sea ...

Swept by that current to where immortals race.
O secret vessel, you
gave Life its truth.
It falls on me now to recall your expressive face.

I turn away, abashed here by what I see:
this mould was worth
more than all the earth.
Let me breathe fresh air and let my wild thoughts run free!

What is there better in this dark Life than he
who gives us a sense of man’s divinity,
of his place in the universe?
A man who’s both flesh and spirit—living verse!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Farewell to Faith I
by Michael R. Burch

What we want is relief
from life’s grief and despair:
what we want’s not “belief”
but just not to be there.



Farewell to Faith II
by Michael R. Burch

Confronted by the awesome thought of death,
to never suffer, and be free of grief,
we wonder: "What’s the use of drawing breath?
Why seek relief
from the bible’s Thief,
who ripped off Eve then offered her a leaf?"



Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch



Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch



Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!



On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!



Sophocles Epigrams

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch

Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch



Homer Epigrams

For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch

“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch



Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch

Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral, epigram, epigrams, short, brief, concise, aphorism, adage, proverb, quote, mrbepi, mrbepig, mrbepigram, mrbhaiku

Published as the collection "Epigrams"
I do not question whether I am happy or unhappy.
Yet there is one thing that I keep gladly in mind --
that in the great addition (their addition that I abhor)
that has so many numbers, I am not one
of the many units there. In the final sum
I have not been calculated. And this joy suffices me.
Whisperings of a morbid night foretell
Of a humble visitor that the velvet shall grace
Hope sears through the indolent air
Mutterings of a sweet dream it lays.

And its wispy arms, it spreads
Turned crystal white with its eternal age
With clandestine diligency it works around
A heavenly glow kindling from its face

It leaps across with its companion
On amethyst streams, through its sprays
The curved drops of life falling with a time-less reflection
Vivifying the wind in the boundless chase

And it blankets the forests in its spell
It plummets meticulously into the dark
Veering down the crevices unwelcome
Effacing the veneer of darkness, on a journey it embarks

It's gentle in its temperament
But of sturdy shoulders it boasts
With an unfaltering expression it entails
With a vivacious drive, all, it endures

Somewhere across a strewn landscape
An irrational vindictiveness comes to work
A carpet of bullets laid across
Sprays the emblazoning red across in its mirth

Fulfilling a painter's dream
The lewd red glistens on the grass
A town awakened to a carnage of dreams
The stars flicker, frightened, the night they grasp

And a clarion mingled with the mud beside
A crestfallen spectacle it boasts
This verbose only euphemising the sight
Knitting the strands of malice, the blood flows

Cries of agony and pain resound through the stench
Corpses of infants clinching their mother's
And the face of a young girl clinging to a pole
Whimpering at the face, numbness inside, it bursts

And this despondent night, the visitor visits
Sweeps across the blown landscape, dispassionate
Stops beside the girl and in its soothing elegy
Tells tales of the battles of happiness lost in time's chase

And Hope, it lingers on
With ardent belief and patience to reap
And the girl weeping with blank, black eyes
The memories that shall never be cast, the mother she shall never see

The young ones of a bird remain
Stranded in their nest, their stomachs inviting
Squeaking and gnawing with their tiny beaks
Oblivious, their mother shall never appear, suffice in this cold, biting

A mother in a furtive torment
Fruits of whose shall have been sweet
A life that may have spawned, laughing with clenched fists
Unknowing, what the vicissitudes shall entail, what fate it shall meet

A boy with a kite in his hand
And a euphoric smile on his face
With dreams of racing with the wind
And mists of clouds that he shall chase

Hope casts an omnipresent shadow, moves along
With a passive effect binding them all together
Harbringing life, sweeps off the tears
Lifts them up to the zenith in its calm, dependent clutches

Kingdoms fall and statues wither away
The tide of time takes its toll on all, in the unduelled race
But Hope suffices, clings on to the little crevices
Gives little flocks of dreams for the girl to chase
Dolly Balou Jan 2021
It started with a kiss
Hand in sand
He swept me into the mist
That wasn't the plan

The music rang through both our ears

Playing & playing
Delaying, delaying.

What was this
Not dominance
But a mutual self-inflicted full oneness
Acting out not a doubt
Gain some control
While the body suffices & one feels whole.

Wholeness or numbness one will never know

Whilst playing & playing
Delaying, delaying

The inevitable
Brian Oarr Feb 2012
I.

Sunday mornings in Vancouver
even pigeons sleep in till 10 A.M.
Undaunted, I walk down Granville shortly before 8
seeking lox bagels with capers, red onions and cream cheese,
two breve lattes, and a newspaper. In truth,
panhandlers on the corner of Robson
have far greater chance of scoring.
An unexpectedly sunny February morn
suffices to spur me on. I am attuned to all vibration.
Breath of the awakening city
exhales manna upon the shop awnings.
Bagels rendered superfluous,
I scarf images instead ---
trolley buses, an umbrella shop, falafel stands ---
delicious Canadian visual cuisine.

                                 II.

Vancouver is a nymph. Of that I'm sure.
I hear flirtatious giggles trill
from darkened alleys between hotels.
Spotted her once across the street on Dunsmuir,
seated on a walk bench reading a Margaret Atwood novel.
Bus passed between us and she vanished.
Caught a later glimpse through the window
of a walk-up dim sum restaurant in Chinatown.
Flew the stairs, only to find an empty table and
discarded napkin smudged with candy pink lipstick.
She watches me.

                                                III.

Turns out there are no Sunday morning papers in Vancouver,
but I locate the bagels and espresso backtracking on Helmcken.
The barista smiles as I approach, sets down her Atwood novel.
I leave a Toonie in gratuity.
B.C. wind pushes ******* my turned back,
as I rush our breakfast back to the Executive.
A nymph goes roller-blading by toward False Creek.
The Gastown Steam Clock whistles that it's 10 A.M.
A flock of pigeons lifts in flight.
Vancouver is still a young city, vibrant, bustling, and quite easily the most beautiful on the west coast of North America.
Cal Ashiq Feb 2017
I'm consumed in the thought of my dear
As i stare at the vast ocean and lay here
The cool breeze that softly brushes my cheek
Reminds me of your touch that makes me weak

This glimmering star is like your smile at day
Such beautiful sight that removes all my dismay
How I long to have you in my arms again
To be with you till the very end


Won't you come and be with me my dear
Remove this pain and all I fear
For it is only your presence that suffices above all
In this love for you I'll always fall


Please embrace me as i close my eyes tonight
You're the only one i need my shining light
Bless me with a kiss from your soul
I'm always yours my darling I call
The perfume of your body dulls my sense.
I want nor wine nor ****; your breath alone
Suffices. In this moment rare and tense
I worship at your breast. The flower is blown,
The saffron petals tempt my amorous mouth,
The yellow heart is radiant now with dew
Soft-scented, redolent of my loved South;
O flower of love! I give myself to you.
Uncovered on your couch of figured green,
Here let us linger indivisible.
The portals of your sanctuary unseen
Receive my offering, yielding unto me.
Oh, with our love the night is warm and deep!
The air is sweet, my flower, and sweet the flute
Whose music lulls our burning brain to sleep,
While we lie loving, passionate and mute.
Paul Morgana Jan 2013
America is large, with much flat land,
The perfect landscape, to maneuver with one hand.

When first discussed, with the powers that be,
Attempting to finance, sheer folly, show me.

Mr. Ford why place capital with you,
Funds are short, and it sounds untrue.

How it will move, what power source?
No muscles working, what to come of the horse?

Like all great inventions, it was met with scorn,
And like many great men, in poverty he was born.

The automobile was well on its way,
To worldwide use, hear the people say,

Look at its lines, and pretty curves,
It handles the road, Oh how it swerves!

The ford plant was started, and soon on its way,
To stimulate economies, and create jobs that would stay,

For a hundred years, and maybe more,
Fords  assembly line opened the door

For the steel and tire plants, production was good,
Let's open this hatch, and peer under the hood!

Look at the engine, explosions inside,
Controlled and in unison, that make the wheels ride.

Gears that help, make the car move,
Shifting them can make a man groove.

Add lights and a roof, more time to spend,
Inside its beauty, the message will send.

The Auto can make the country great,
For goods and supplies, we need not wait.

A variation of the car, the truck was made,
Moving mountains of products, it sure made the grade.

An infrastructure is needed, let's pave the land,
Construction is booming, to cover the sand

And make the way, for the car to take,
People away, from the home they make.

And visit others, living far away,
Called a vacation, at a hotel we can stay.

Without further delay, I could explain,
The auto's workings, with detail and with pain.

So instead of the detail, it suffices to say,
The auto revolutionized our world in this way:

Making commuting to work, from far away,
An easier trip, in the suburbs we lay.

The beach and the mountains, easy to see,
Hotels and new towns, into existence they be.  

More fun into life, leisure time will be added,
The nations economy will be largely padded.

The innovation of the car, is not only grand,
It has forced mother earth, to take a harsh stand.

Climatic changes, and temperatures rise,
Greenhouse gases, are these things wise?

Will the planet survive? Humans in peril,
Poisons and toxins, may cause us to be sterile.

Disease and death, like cancerous lung,
Bittersweet is the song, the car has sung.

Make your decision, please choose a side,
Either walk with your feet, or get in and ride.

Visit poemsbypaul.com
Cold-Bones Nov 2015
Everything has become so  irrelevant.
I'm searching for an explanation but it doesn't add up. Nothing does.
  I stay Comprehensive but nothing suffices.  Its a case of reversionist logic.
     A impending cycle with no absolute meaning. Fog seems to cloud my judgement so my conscious doesn't comply.
Loathed anti prescription swallowed daily, while the white walls and blue ocean make it's scenery.
The voices try to compromise,  but it's a debate that holds an never ending rebuttal.
Always forced into the unknown.
  But a understanding of me, my voice, my demeanor, and my place in this bounden life circle is lost. So you must believe that no one will understand me.
  I consider my self a ancient relic.
I'm one of a kind but not rare.
Cause once someone sees something extraordinary over time, it looses it's taste and someone becomes tired of seeing the same thing over time..
logic at it's finest.
We all soul
search to fill life's embrace of these mixed emotions.
To experience what keeps my sanity afloat. 
 My vices keep me intent.
In a way of keeping my head up and realize what power Im withholding that makes me immune to unknown circumstances.
But the path to the void is too simple.
My courage consumes and corrupts my will of giving up.
But yet again,  it all seems irrelevant. Maybe your point of view on these lines I speak is a clear one. But then again maybe manipulative resources blind you. Or do you see my point?
In this peice I insinuate how no one will ever understand your pain or your struggle.
Haley Rezac May 2013
It seems that nothing
suffices anymore.
                                                  I
disc­ard everything as
useless, don't pay
attention to the
screaming in my
dusty brain. Seems I
                                                  can't
endure the simplest
tasks, I break and
feel as if the world
is swallowing me whole.
It's so hard to get
out of bed, let alone
                                                  stand
up and face whatever
lies in store for me
that day. Feels like
                                                  this
rolle­rcoaster is stopping
soon, coming to an end.
[My stomach can
stop lurching now.]

The fun is done, the
                                                  ride
is over.
368

How sick—to wait—in any place—but thine—
I knew last night—when someone tried to twine—
Thinking—perhaps—that I looked tired—or alone—
Or breaking—almost—with unspoken pain—

And I turned—ducal—
That right—was thine—
One port—suffices—for a Brig—like mine—

Ours be the tossing—wild though the sea—
Rather than a Mooring—unshared by thee.
Ours be the Cargo—unladed—here—
Rather than the “spicy isles—”
And thou—not there—
RJ Days Mar 2015
Some converted industrial uptown space
$20 brunch at a table for one
Nice and filling it seems, no room in my gut
Nor wondering why I walk gasping for breath
Pouring water, wishing it were alcohol
Too dumb when the check comes to add a figure

Some deep lasting sustenance from that, I figure
Stumbling home down block past shop and vacant space
Nothing sanitizes quite like alcohol
Great to see strangers holding hands one in one
Except I'd claw them and beat out their breath
Wrenched and stuffed I'd kick them in their stupid gut

That's not very nice, I know it in my gut
But somehow don't care much more to figure
Which story to tell or the smell of my breath
When tables for two require just as much space
And a spot at the counter suffices for one
Despite the sadness and lack of alcohol

I think lager, Malbec, other alcohol
And there is some deep craving still in my gut
For drunkenness or eternal truth, which one?
What luck, I'm rescued by a dashing figure
Some vibrations in my pocket fill the space
Imagination comes up to catch its breath

But that's about it, no handsome man with fresh breath
Just me standing in line to buy alcohol
Squeezing past the register makes for tight space
But maybe it's all the sausage in my gut
There's no lasting sense in minding my figure
So long now resigned to the comforts of one

The alternative is an uncertain one
And to explain I feel I'm wasting my breath
But there's no harm in ogling a nice figure
And there's no harm in a little alcohol
Oh, poor decisions, I feel them in my gut
Forgetting prescient matters of Time & Space

Perhaps there is one, sipping on alcohol
Inhaling deep breath, with a fire in his gut
Awaiting a figure to write lines in space.
Ek Oct 2018
A drop of sunshine
i sneak glances when i know not to look
for one glance would leave me blind
and broken behind the nook

A drop of moonlight
i search for light, in vain by clouds
you're as hidden as a winter night
and as far away as the wind allows

A spark of darkness
i light up only to have you fade out
silence suffices one to harken
and i hear nothing in her shout
Mateuš Conrad Jan 2016
it only took the gherkin to take modern into modern via pickle, but the cabbage pickled dome of the albert hall opera was lost to foe foe foo dub step pluck the plucker of twang of drop d uncool; ah wait, gherkin acne pimples roughage missing on the cabbage suckled, with the flush into oyster moisture past the sexed up morbid cupping of the five fingers telling pistons from pistons? i said as much about my ******* as i did about her mouth, just now, and i wash it off and wash it down shaking hands rather than kissing my children goodnight excusing the **** talking sweet chock choke goodnights; well, it's hard to be credited with womanising when only "polygamy" with prostitutes suffices; but i'll just tell you... swan lake was too loud thanks to the ballerinas' stomps... hated ballet... god curse i will be cursed with sisyphus' labours... i rather roll that stone than hear ballerinas dance once more!*

let the male cat roam and lay rampage to the night, the she-cat sleeps in, then on the third call for ginger: quarus! quarus! nothing... quarus! it begins to rain... shamanism without the safety-net of psychiatry for post-colonial nations trying behaviourism without anger, with anger sterilised, and certain french thinking of fascination with death and suicide with suicidal thought censored for no reason other than not worked with... well, that better be wellington thick rubber on the phallus when i ask for my money back guarantee nine months later.
Edward Coles Jan 2015
I want the love
familiar chords promise
as I smoke by the windowsill
and think about quitting.

Hair doused in seawater
and drying out in the sun,

a conjured reality suffices
to salt my food, to revive my senses.

I want the love
of an angry mob,
revolution on every tongue

and violence never far from the centre.
The removal of myself

from society coincided with my brief insanity
and I should say that I am never coming back.

I want the love
that remains after that.
In the absence of Jesus,
in the absence of Fact.
C
dominic rocky Nov 2011
half used
left side remains
empty
although dreams
are filled with company
reality sets in upon wakening
when you realize
the pillow next you
rests unwrinkled
nights are cold
no body to warm up to
nobody to warm up with
so an extra blanket
is the compromise
needing music to sleep
when normally silence
suffices
a bed
can be
one of
the worst reminders
Mateuš Conrad Jan 2019
even a week is sometimes
     not enough to recuperate
from a novel -
    something has borrowed too much
time and expects its worth a miracle of
a penny found on the road of
the eternal walker:
long the road toward a majesty
of the riches...

          whatever novel it might be -
and with it,
   a paralyzing ****** of doubts -
whether sober or intoxicated,
not even when: wine and music
and a book of poetry suffices...

just like now:
Beethoven, kalimotxo,
and the preferred gems by
Frank O'Hara to suit the music...
chez jane and blocks...
if ever there is something
missing in terms of
Beethoven: it's a voice reading
a poem,
  but not reading it,
not like a Beatnik who would
read in the furore of jazz
in the past century...
   anything more than what
is still not a whisper...

and like some farce of
the sword of Damocles...
the pen of Dickens...
        not the labours of a novel,
no... not the month's long
journey into the labyrinth...
music and drinking
simultaneously with a novel
will never work...

but a poem can...
my god... some wine some
classical music and... words...

   when there's music and wine
who needs words like
labyrinths when:
  just on the tip of the hour's
passing: a bird in the form
of a poem...

all i can say in the most mundane
phrasing...
   but i have capitulated
all prior to thrill and audacity
for a novel...
   a month's labour:
and silence...

   a soul in such hiding...
feels hardly a thought necessary
to reinvent itself in its prior
activity:
   an mingling of wine
and music and words: come and go...

like all novels:
  as much an accomplishment
of the writer, as an "accomplishment"
of the reader...
and is it so wrong
to not be agitated with emotion
that: a month's worth of
base arithmetic sentences -
the logic of: once upon a time
               as the logic: the end...

sanctity of prose:
  that sensible nature of that
sensible afternoon
  of that sensible life,
   of that: unlived crucifix
      of a shadow's confiscate;
routine and sitting
akimbo on some far removed
stage:
  of a sea knocking
on the door of earth -
seeking rhythm -
                          or a heart.

as mundane as this language:
i'm not going
to find a different language
to change this evening,
even though not awe:
or relief... but a paralyzing
doubt has overpowered me...
and, come to think of it:
that's still much more
than a heart's worth of
sitting's comforts in
        the armchair of apathy.
No Equity Nov 2012
I’ll keep my fingers crossed
That fall back will see me back
In your arms for the hour we lack
Give us back the hour we tossed

We spring forward between the flowers
We don’t notice the hour that passes
But somehow that still suffices
To make us slaves to time and hours

We’ll pretend nightly ghosts are our enemies
But I’ve learned the opposite in my twenties
The sun can be just as cruel and mean
If you get caught in all its timely schemes

So turn off the lights and hide with me
We’ll build a temple where we are free
From last minute and a second too late
From years forgotten and maybe our fate
Onoma Mar 2015
Pain's accretion--black snaked with royal purple--
therewith and more of, in cold case of less--
pain inexorable.
Fear's favorite pet spoilt with handling.
Pain's redemptive quality is repulsed by plain
sight, it must mobilize malignancy, purloin the
jury, condemn, palm hope to hopelessness.
Fixity--its host must remain in firm attendance.
Enough is ready...a ripened type of monologue...
the crosshairs of silence.
To grow demented from overstimulation,
breaking the same news to what needs dying.
Fetal position suffices...warm, a spinning vinyl
record scratching toward dawn.
The woodwork calls a name--as a woman hoarse...
with labor pain...rebirth.
Victor Thorn Sep 2011
dedicated to the mirror of the shadow of my former self.

8:25 A.M.

step in late.
the eyes,
the eyes,
exceptional in eye shadow
find mine,
or perhaps i was looking for them,
and i realize
how distracted i’ve been
by my new summer coat,
but now
the eyes are relentless,
the eyes do not blink.
the eyes are omniscient,
the eyes will not sleep.
now that i’m
face to face with fate,
a captive to the eyes
that supposedly convinced me
that all
         faith
                       is
                        blind,
one half second suffices
to make hell
now something to be strived for,
and heaven twice the myth.

and near those eyes,
the face,
the face that infected a thousand consciences
stands by, silently
begging for a command,
its latest fix up on its favorite neurochemicals;
the face,
the face that screams satisfy
for the member that skull-****** a million subconscious desires!

or,
       perhaps,
         he’s a mirror.

9:05 A.M.

and i, the mind,
the only man wearing a collared shirt
in this barren company,
plead for recognition;
to make an impression;
to grab the attention,
scribbling in slang
for hate
            or,
        perhaps,

            triu­mph!

the eyes
beam blistering illegitimacy
into the mind,
unawares and
unintentional.
i make the silent error.
still, the face
chokes out a weak
“hey,”
where there was once cold callous.

definitely a mirror:
opportune moment,
easy catch
while the eyes still wonder:
“standards?!
what the *hell
are those?”

of all faiths, his
                 is
                            blindest.

12:00 P.M.

away,
away,
away, away,
unto the scarlet heat of day,
with winter boots on sunbaked clay,
away,
away,
away, away,
away, away, away
from malady of present way:
the lonely path, too late to pray,
“erode your blessing’s granite sway
away!”
away,
away, away.

but affectation stays not long
as the face has just found out,
contorted, cried, and bellowed shouts
and in the mind’s eye, belted songs.
first contact in eighteen months;
he says:

“it’s you, weakling, you
first source of all my pain!
worthless, worthless,
perverted, scheming,
evil source that
ruined my life!”
definitely a triumph.
“or
perhaps
enhanced it,”
say i.
“herman,
i observe
you’re not so weak
as once i thought,
and half as meek
as last time i heard you speak.
away.”
away,
away, away
unto much cooler, peaceful days.
for now, i’ll put my summer coat
away.


1:57 P.M.

step in late.
no eyes,
no eyes
filled with hate.
no fears,
no fears,
no heavy weight.
no tears,
no tears,
for the day grows late.
today i committed sacrilege:
i tried to sanctify this date.
today i blasphemed against the
holy human mind.
i eschewed the natural anesthetic of time,
and repented of a baseless crime.
the eyes,
the eyes are in my sight,
yet out of mind,
and cannot last for long,
for the many hands,
the hands that rip and tear asunder
will render limb from limb
so desperately trying to
save her from
each other!
Copyright August 2011 by Victor Thorn.
Axion Prelude Apr 2019
Silent pleas are meaningless in the face of overwhelming odds. The strength to move forward is not always as easy for some than others, yet the others who can afford such staunch accord seem to never comprehend how difficult a task it is to simply rise from bed.

The ones who see most seem to always be most blind to the qualms of those with such resonant concern for the pithy; even the innate ire of one begets the inherent ire of all.

Slowly, thoughts become tangible, changing from empty shadows to a festering aura. It leeches life from all things good and meaningful, and there begins the downfall.

Things which once were the epitome of joy - sometimes subtly, sometimes abruptly - become festering reminders of what once was; they sit rotting at the pit of a dissonant cacophony of sore misdirection, doubt, and unwavering fear, a solemn reminder of yesterday and everything which can not be had anymore.

Anger suffices where patience once stood watch over all interactions. In that brings suffering from doubt for all things said and done, all things come and gone, and all things not yet relevant, real, or existent. The agony builds in each passing moment, staggering and belittling; suffocation enduring, mired belligerent tones of sheer desolation sets the stage for a Grey, toneless perception.

Once stagnant, all fades away. Sounds echo broadly, profusely; words fall short in every regard; feeling stops existing, plight becomes numb: an emptiness no other void can retain or convey becomes standard, and the moment fades away becoming not one, but many. Becoming persistent, real, and the only thing true.

Emptiness suffices where a whole sum of love, experience, and joy once was. All things considered, nothing brings memory of such passions. Nothing breaks the void away. Nothing changes, nothing progresses.

Emptiness consumes everything, even rationality of resolution. All one can think of is escaping this nonsensical devouring void. But it's not possible, because nothing good exists here.

And the cycle repeats
Hey over there you gods of the earth and other planets
Your creature like I, a human mold suffices knowledge not,
As you mightly rove all over the sphere and share domains amongtst thyself
To reign over the whitenes, Jewry, negritude, sinotude plus  yakeetude of mankind,
Enjoying  your ethereally eyeview onto the earth at your creations,
Permit me to shoot up  a guestion to you over there in your deitly realm
Be you  jehova of the jews or amadioha of the igbos,god of the english or anything dogmatic,
What happened to your clay mud and tools pertinent in trade of human ****** creation,
So that you of late on umpteenth scale  have created men who are women
And beautiful women who are aggressive mefolk and then ubuguitous earthwise ?
What has gone heywire with your human architecture ,when *** organs and feelings
Are center stage beckoning for their traditional orientation ?
Is homoeroticality your new creation technology  ?
Or it is man recreating himself ?
Don’t you have enough clay ?
If material matters do you honourable deities
Come to Africa , chief Mugabe bob will guide you to copper-belts
Of chimurenga fields were clay is beyond any control,
In such quests you will go back to goldenly old
Human ****** creation topography
That will glorify your deitiness
In the old manner of hetereoeroticality.
Mateuš Conrad Mar 2021
one might, invariably, drink red wine infused
with garlic to ward off evil spirits -
or as some claim...
50ml of the stuff at daily intervals
is part of a plan for slimming...
  me? i just don't mind the taste...
        like i wouldn't mind a kiss from an onion
or... slobbering into an ash-tray
sort of a girl mouth in one of those sticky floor
nightclubs circa the early 2000s we go into
for underage drinking...
being boys i do wonder what sort of *******
escapades we were supposed to unearth...
it's not like we were Pan-Am stewardesses
readying ourselves for some glitz,
some Ritz... some... thespian shadow-thieving
on the pristine screen...
garlic infused red wine...
it's not so bad... even though it's not mine
since, after all: the best ***** on the planet
is not your own - blah blah, blah...
but lucky for the 500 quid front suspension
trek marlin 5 arrived today and...
tomorrow i go catch the wind...
it feels like being six-teen again...
not that walking marathon distances is
a problem: Pots to herr belly...
from 104, kg, to circa 107, kg...
and that's still more than half...
of what mass-loss ought to "feel" like...
although... it doesn't feel like anything
when the "subjective" numbers come
across the "objective" numbers
but unlike walking...
where time and distance and the dimension
of movement are most pronounced...
a bicycle is unlike a horse
but is like a dog...
somehow...
   a bicycle is most certainly not a car
and a car is most certainly not a horse...
but a bicycle is... not...
it's... unlike a horse...
but like a dog...
that it's not a dog is pretty obvious...
but i'm conjuring up...
concepts like muzzle...
leash... WD40 oil for the chain...
and... enough air in the tires...
since we're not talking a road bicycle and
nothing has to be slender jimmy either...
it's a pristine orange...
the colour does matter, somehow...

when i liked jazz i stopped digressing
into classical...
when i stopped digressing into jazz
i allowed myself for
classical music to become complimentary
to things - complicated...
not that jazz wasn't...
but what it wasn't was that it wasn't
scripted and all that
"spontaneity" revels in exhausting itself
somehow: becomes predictable...

a jazz "us" vs. a classical "we": vs.
nothing so much clearly even remotely aligned
to that...
it was a Friday night and i was this close | |
to gauging my eyes out
after having watched a director's cut of a movie...
it beat the standard bearer...
whichever it was... Ben-Hur or Spartacus...
nearing to 4 hours of...
by the end of it: almost gauging my eyes out...
hardly Pavlov or drooling...
of making me an infantilised *******
sputnik moon-key...

a sense of: culture is dying...
what's predominately being "served"
is cancel is cancel is cancel is...
well... to overcome some variation
of nihilism ascribed to morals...
we found the modern woman in the 1950s
and 60s...
the supposed, modern man...
we'll find in the 2050s and the 2060s...
if we're lucky...
when a somewhat status quo returns...
otherwise: what's on offer is still
a dynamic of "arrogance" / agitation...

my insomniac libido...
my insomnia's insomnia...
why i wouldn't doge a cocktail of
alcohol... 250mg of naproxen...
and something resembling para-cet-a-mole
to switch-off...
i switch off:
i don't fall asleep... always...

complete with a thorough hard-on
i can exactly fathom by diluting it over
a mortal conversation with the opposite ***...
because there's this illusion
and it's stupendous...
etymological relaxation in order?
evidently history is placed within
a self-erasure composite glue...
work around this architecture...

my first... bicycle route...
the tires are pumped up
it took me close to 7 hours to walk
to st. paul's cathedral and back...

then one of those:
write everything via an anagram...
anagram: soul - losu -
                 los - which implies... fate...
losu? implies a possessive article of fate:
i.e. fate itself...
fate's whim...
              i had a dream yesterday...
i'm adamant the person i spoke
with dealt in the term... RESURRECTION...

i think i was talking to a zombie in a dream,
whoever i was talking to...
like the hues of Baltic amber...
an allotment of greens and blues...
tinges of orange mingling with yellows
and ripe reds...
nothing purpose filled like
purple followed: for the clarity of
dignifying mourning...
or an eternal clue for blue...

i was drinking medication!
i was duped!
two variations of grammar to decipher...
what it was i was drinking...

but i'll need to speak something
older than colt hing-leash...
i.e.
  garlic infused red wine
red wine infused with /
                                  by garlic...
it's a slimming elixir... apparently...

here goes! dive!

             knoblauchinfundiert rotwein...
rotwein infundiert mit /
                         durch knoblauch...
if i were drinking my own pīß...
                                         not enough: pish!
                                       pysh...
passer... by...    zilch on a leash...
it's a mix-up between py-š and py-ś...
     no... it's not even remotely related
to                                         π-σζ
ask a greek, though...
whether                           σζ can be coupled
like ae or oe...
                             given... SH... &...
                                            μαμ ση...
even the complexity of the mandarin skeletons
doesn't allow them to conjure up
more sounds behind the letters
that are already: a priori...
left... available...

tangled up in the affair of the "gods": or: not, god...
a mother seeks a supposition of a son...
we tells her...
while at the altar of words...
i began this session with red wine infused
with garlic... i'll end it with some
mulled wine...
the cat's my winged sphinx...
the cat's my winged sphinx...

for the toils beckon me remote...
i harvest a lineage that has to come to an end...
mother dear why you will not be grand...
while i won't be the fathering kind...
like it might not excused
for that thespian reality of....
gearing up to: froth forth at a pronto...
my red wine infused with garlic...

i knew i had to lend an ear to
the deutsche-zunge like
like Wend...
nieme-ludzie.... niemdy-lud...
although their black-forest gateau was
to... die for...
older than english...
this modern leash of...
this isn't the 21st century... is it...
this isn't the century of the culimation
of expectations... is, it?
if it is... where was "ground zero":
this... "Golgotha" of the supposedly
requested hour?
by what hour... are hours worth a count...
that sort of hour-ing, yes?

by the demands of what "suffices":
that i didn't speak with a god...
that i did encounter a chanced audience
with... the ******* choir... yes...
how does that sound...
having smoked marihuana
and having to "somehow" usher in...
something so antithesis of cosmopolitan...
sensible: i came across the god's choir...
but not god himself...
i cowered and started rummaging
occupying a space
before the great altar...
the great altar, so be it...
amen...              i hid under the tablature in
a white cloth...
an F a TH a PH but not a P- (prefix lady
added to the "complexity" of a response...

i met the choir, before i was allowed to
meet the deity...
last time i heard... from kabbalistic sources:
upon meeting the deity the sure
and impeding quest for death:
a clear sky... but a streak of cloud
making a quill be resembled, symbolic...
detailing a quasi-barricade...
between reality, reels, real and the races...

for an audience:
but such details are supposed to be...
confided without a public scrutiny...
then again... given my timing...
timing: not having to father children...
no ambitions of such: deeds... therein imploding...
red wine infused with garlic
for starters... mulled wine to finish it off
with an amnesia of sorts...
The Nicholo Jul 2012
You
Your smile bewildered my thought
Trapped somewhere between fantasy and reality
Kept by a throbbing emotion being fought
All I ask is for you to be with me

Your embrace is my air
A subtle irony is what I feel
Oh destiny let you be fair
And concede time stand still

Your touch alleviate uncertainty
Unburden feelings that suffices to confound
Your love is my symphony
A music that is forever bound

I won’t let it go
Mateuš Conrad Jan 2017
suddenly... my skin
"feels" freckled,
or that ginger is abhorred,
or that orange is
queeny -
                 leisured at -
a bat-haven.
poetry is words
         philosophy
only punctuation -
take to fathom a Norwegian
acid bath...
               murmur of marrow -
then the chemicality of Hermes -
what exists:
globally under ****
sloth: lo
                          so
dough
                     cop
                                    eerie navy
and  nazal -
                              i,
am, centrist.
                   blister
scold...
                 b l i s t e r
s  c  o  l  d
     b   l    i   s   t   e   r
   scalp and the mustard:
  khaki khaki khaki!
coca cola khaki!
                      father says otherwise,
****** and puritan pirranha -
Warsaw subway girlen -
              frozen, minus bowtie + yurt dover -
         ****: closure and escapism
from war, entry point: *****, your culture.
as the joke goes:
   the jews spoke more zion than they spoke
yiddish: baalam - donkey-riddle -
but at least jesus entered jerusalem,ioe
or the tool-forge of alpha blo blo Indi.
Nikita...
                 cobbler smacker...
shoe fits fine...
                   now you juggle GDP
against cabbage... and horse-radish...
iron eagle no hail mary, no iron,
no golgotha... as intricate be:
american coca - lobside Xican milken -
NIKITA!
if i have my regrets... then i have my
love-letter... art... Juliet...
thus you have your politics....
   if i have my regrets i have a chasm
to overcome,
         in yawn as to conquer depth -
thus with wind, adjoin weaker slav -
german... german...
who said german inclusive anglican-sax
and svab-frank in Lorraine -
Iblis in Matador crimson quake,
numb Paris, numb Paris...
                          Elba...
               goat,
              geiß - gąś - goose - stratum!
           kindred SS man
or the ****** joke in Auschwitz -
100 years... then szkodliwych...
  rekindled... at least what took place
in Auschwitz was also said: Eva Braun...
5 years... not 100 years and fake,
and almond culprit...
    5 years and the gas,
a chemist suffices...
            100 years of ******...
the jokes coercing Auschwitz with Hastings
are but candle-glamour for what
nimble in wax, be turned to enshrined stone...
              memory: was never to be a Disney.
     i'd prefer the uncanny - Schubert bound
high-class death,
  that this horse-bound harking a phelgm
to no rebuilding founding:
Pilate washed his hands of Yehu
       Pilate washed his hands of Ishra;
                Solomon is
     placed  in the House of Saud -
                           and a quarter - toward the tumult
a desert of white fog,
                  a *** fetish...
   and you jogging after Honolulu in bone, gene
and lava...
                     sunken lung, shiva's "star" of anise -
that spoken of eye -
           said green, said envy,
said but once in absent-mindedness - an absinthe -
crystaline in milk -
                     heaving the ache of mind
and the heart as copper in a lacklustre of
former hope of nurtured hearts' gain:
with painter as kindred and unison with a plumber's
  to the death toll chime: an eon worthy
               a sneeze, if that be a sneeze to
rekindle colour in spring, and moor in auburn
   lazed...
                               and between extremes:
the two deserts -
    and that i be bound to the tomb
               and the stone,
and the fox tornado tango of the trial
that would never be a Friday of what would
always be: a revealing noon:
be it orb, or be it scythe -
                           be it Everest, or
be it the flute in the dough of Nepal as enshrined
                for the arithmetic of shadow:
pauper plato... pauper plato...
                                                       pauper
                                  one and all...
                     if we all but possessed the luxury
conversation...
                                    but none of us possess the
capacity to treat conversation as a luxury...
                          conversation will never be a luxury,
given the fact that we decided thinking to be primo,
the luxury... to re establish conversation as a luxury
we have to prevent thought from innovating...
from invigorating...
   but since conversation cannot achieve this paramount...
the only achievable parallel suggestion is to talk about nothing:
and think about everything;
likewise to think about everything:
and talk about nothing -
and as Heidegger expressed:
   we are non-being in number,
                               because nothing negates
a quantity -
                        how then to rainbow into a presitent
continuum? chameleon culprit?
    only via an elasticity of language...
             thus 10 am gives gallop toward horizon
and sun, and i am furthest from staging a continuum
of what i am an example of:
man, husband, father, partner, son, cohort, cohesion...
i feel no reference point in having to demand from a per se, the nearing-claimant pejorative antidote, other than the one i have aspired to as merely a sand-castle, rather than the bombastically-fuelled pyramid.
Alvin Moses Mar 2012
I'd like to think,
That,
From the moment I met you,
I fell inlove with you.

But reality is,
I didn't.

I fell in love with you,
When we couldn't stop texting.

I fell in love with you,
When we spoke for hours on the phone.

I fell in love with you,
When the sight of you
made my heart jump and my palms sweat,
Like it does this very day.

I fell in love with you,
When I started acting all cool and awkward
so I wouldn't make a fool of myself
In front of you.

I fell in love with you,
When you laughed at my jokes
and smiled at me.

I fell in love with you,
When you listened to me complaint
about everything under the sun.

I fell in love with you,
When you put your hand on my shoulder
and told me it would be okey.

I fell in love with you,
As we said goodbye for the first time.

I fell in love with you,
When you rejoiced everytime I came home.

I fell in love with you,
As we fell asleep in movies.

I fell in love with you,
Through the times you loved others.

I fell in love with you,
On the day you told me
you loved me.

I fell in love with you,
As "I Do's" rolled away from our tongues
and we shared out first kiss.

I fell in love with you,
Holding our babies
watching them grow up.

I fell in love with you,
As you hold my hand,
And breathe your last.

So I guess,
It suffices to say,
I fell in love with you,
When I first met you,
And we smiled at each other.
Faraz Ahmed Khan Jan 2014
Beloved earth covers me
so it covers my longing
with time eats everything
but just excuse this heart
my heart is like gold
although my body stinks
because here lives my beloved
and my hope of being one with him at last
how can I give my heart to the earth
my heart is with my beloved
what will I show on the judgment day
I have nothing special
only this heart is all I have earned
no prayers and no meditations
my heart is His, and I am His
and His is my longing/ thirst
how do I ask for Him from Him
When nothing else suffices
original poem:
Dastan-e-dil
November 26, 2013

mati sohni dhampay mujhko
so dhampay meree pyas
waqt away to khaway sab kuch
is dil ka rakhna paas
dil hai mera sonay jesa
tan say avay bass
is mai rahta sajan sona
aur us ik wasal ke aas
mati ko dil kasay day do
mera dil sajan kay pass
broz-e-hashar kia dikhlao ga
kuch bhee nahee hai khass
bas yeh dil he ** kull ponji
na sajday, na sanyas
dil bhe uska main bhe uska
aur uske meree pyass
us ko us say mango kasay
jub aur nahee kuch ras
Mateuš Conrad Jan 2019
.this is not spectacular writing, this is mediocre, but given i've had to contra- the κατάκτηση (conquest), πόλεμος (war), πείνα (famine) & θάνατος (death)... it's like the ancient greek readers of mythology: the four titans have been conquered... but what emerges are the new gods... λόγος (reason), ύπνος (sleep), έρως ("love") & πάθη (suffering)... and i'm not using shapes or colours to depict the change... as once the mighty Chronos... to subsequently mind a Zeus... point being... homosexual literature: when the act of homosexuality was still taboo, and was even punished by law... a ****-****** poem from the 1950s? well... sure as hell competes with 1970s Italian pornographic cinema to... forget whatever is happening in the current whatever-whenever is, and is: "happening"... remember... the sister of πάθη... απάθεια... i never inclined myself to state: suffering... i.e. medicine without the anaesthetic... πάθη is only understood via his sister: απάθεια.

just across from my windowsill:
two years if not more
i've watched the lights
be turned on, and off,
    rooms illuminated:
being switched...

                nothing spectacular,
not the grief of a lingering
shadow ruminating
            post-mortem drowning
in the night at the sight
of an afternoon's worth
         of a coffin being lowered...

two books reviews:

   (1) biography, reviewer
victoria segal,
      withdrawn traces:
searching for the truth
about richey manic,
author sara hawys roberts
& leon noakes...

      (2) memoir,
reviewer leaf arbuthnot,
when i had a little sister,
author catherine simpson...

    molly russell...
a smile that could make any
man wish he were
a father...
        and...
     make one think of
undertaking a reading
of the genre of literature
that's philosophy:

  well... only at the open air
market
back in the city where
i was born...
   if only approached
with the proper candour:

philosophy is
the matriarch of bachelors,
it suffices to say:
  how it is approached,
how it isn't:
     a heaved hive
of contradictory inhibitions...
or some:
   other wording to
suit the circumstance...

"home"...
             "home"...
i too can begin a history
with a 4000 B.C. worth
of history...

    before i was an Anglo-Slav,
i was a Pollack,
   before i was that i was a
Slav,
   and before that?
   i was a Lengyel...
     now:
  the every new to be
affiliated with:
   instance and revision...

well... for what a pyramid's
worth, or the hebrew text...
seems i too can bite
into and chew a past
that's...
                     well...
   with what is a "gripping"
past:

and to think in having
the sun as a clock,
and the moon
              as the godhead
of dreams...
    and not of this:
              sped-up
variety of 1000.0001

         0: multiplier and
divisor...

               0 = x & ÷...
   and negation...

            Lengyel...
a history:
            but no etymology...
no loan words...
no Latin prefixes
or Greek suffixes...
   no modern word:
für leben...

well... it's back to:
listening to a vinyl album...
i was this close to wanting
to repeat the song
see the light
from the album prequelle...

yet upon 2nd listening...
i was still drinking
a glass of cider...
and i was still mesmerized
by the vinyl
spinning at 33rpm...

       whoever is Logos,
whoever is Pathos...
i welcome the chores
of Hypnos...

  no alternatively
arriving at the four
donkey-riding riddles
of the apocalypse...

the four brothers:
   logos, hypnos,
                      eros & pathos...

      mind you...
frank o'hara...
the poem returning...
it's as if:
   i find myself in better
company
   of ****-****** poetry
than upon the altar
and in the shelter
of the opposite
         aspect of my: function...
somehow i'd much
prefer to peruse the ****-******
poetics
   than claim subject
of a woman's body...
it's as if:
         claiming
    a ****-via-the-****
allows a man
to grow a second,
higher, metaphysical
tongue...
in place of what could,
at best: be a case of
"schizophrenia",
           i.e.: bilingualism...          

i'm done with the Greek
imagery...
            i leave the four horsemen
at the gate,
   i had to,
i replace them with:
the universal plagues
of the universal man:

logos,
   hypnos,
    eros... & pathos...

since? well... we already known
of the claim of a man
being an embodiment of logos...

honestly?
  logos, hypnos, eros & pathos...
(mort est mort! so no!
no thanatos: no man
prior to, or even upon death
allows his mind to: die)...

   the embodiment of logos...
time to de-abstract what evidently
requires a personification
on the stage of a precursor
demi- succeeded by
                       a            deity...

what else, if not rhetorical
blunders?
   clearly spoken...
as... footballers?
em, but, em, but...
you know...
oh sure... clearly spoken!

what was once a woman's
body, a perfume,
a sight in the dimmed
lights of a brothel...
what was 120 quid for
an hour's worth of
kissing a *******'s lips:
as an excuse for not
having trimmed my
***** hair...

             i had to succumb to
****-****** poetry...
   a phallus is not a phallus
is a broom is not a broom
is...
           well: unless
female genitalia were ever
to be a floral pattern...
    but no ******* oyster...
well...
my ****-envy...
   that's a skyscraper...
but, honey bear...
every **** is a floral pattern
but not a gooey salty-sick-yuck
of an oyster?

who's the *****-envious
and who's
at Alice's picnic of things
being all: roses
and not... eating-itself
slobberings of a smack
             of the ol' mollusk?
Latreece Rose Jan 2015
I rarely dream.
I used to,
quite often--black and white--
rose petals and elephants with wings.
Now it takes hours.
Not to dream,
but to sleep--mind racing--
with mania of over-excitable excitement.
Then I'm in darkness.
As if I'm dead,
lying in a coffin--I'm the corpse bride--
only wishing for a dream of angelic giants.
Perhaps I'm now a ghost.
Not evil with psychosis,
but destroying my sheets--to make every morning--
as if dancing with my social phobia of shyness.
But this night.
The darkness is,
not just manic--it is mixed with depression--
summer to winter and too much and too little.
I listen to my heart.
Rather than dream,
thump, thump--a beating ***** suffices--thump--
my heart screams awake and I catch myself in falling.
In a jolt.
I'm over-calmed with,
nothingness--darkening dream--thump, thump--
dream of manic nothingness.
Àŧùl Aug 2013
He is a puppet of great calibre,
This suffices his description,
Both anatomically and morally.

Always moving at the Queen's command,
Feeding himself only with her fed words,
Doing not the right thing but her bidding.

Words like 'We strongly condemn,'
Or 'We will take appropriate measures,'
Sit elegantly on his lips all the time.
Every time he sits alone for dinner,
Or every time he stands in front of mirror,
The Thin King Is Thinking what he succeeded to.

My HP Poem #390
©Atul Kaushal

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