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Nat Lipstadt Sep 2013
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death.

Open sky annulled
to bordered lines of
uptown edges,
worldview momentarily
forcibly redefined by
memories of buildings and sadder days,
recollections of pillars of biblical smoke rising

A photograph
makes me look up,
and sit down historically,
need to catch a breath,
to rest mentally,
upon a storied small bridge's steps,
that I well recall,
a disappeared street stoop.
all were rubble then and once
upon that day.

Wear, tear, and older eyes distill perspective,
but the hardy heart is hardly stilled
by the recognizable gray upon
bon vivant gray reflective surfaces of
memories of buildings and sadder days

So today, on a reborn street,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn, but
nonetheless, always rebuilt from their own
regenerated stony compost,
and the NY passersby doesn't even notice
a man, head in hands,
silently weeping, thinking that:

We throw away so much we should have kept.
We keep so much we should have thrown away.

Lose keepsakes, but keep our mysterious sadnesses
locked away in compartments that open only to
benedictions uttered in ancient tongues.

Make your own list,
be your own curator,
catalogue visions of sophomoric triumphs,
museum mile pile
those early poetic drafts,
be unafraid of memories
raw and ungentrified,
overlaid, buried underneath
postmortem of dust-piles of senior critiques

Finally went downtown to see
where the blessed water falls
into catacomb pits that once
were the foundations
of buildings that ruled the cityscape,
downtown anchors
for a modern city that exists
only because it was built on
million year old granite bedrock

Stone monuments are stolid, discrete.
Memories are of grayed, frayed edge consistency.
Negatives resurrected that survive digitally,
all blend synthetically, layer upon layer,
essence distilled in a single,
black and white photograph
that serves to
disturb complacency,  
awaken stilled pain,
reflections suppressed,
are restored
Written August 2013
Ramona Argo Aug 2014
I know we may never be one of the dream people
who make their faces and words, world symbols.

writer, actor, 
filmmaker, photographer:
These are things we say we are. You and me.
We need no one to define us. 
our minds keep and align us 
cozy in our deception like wigged-out mothers. 
But we need others to believe that we are what we are
in order to make us reality.

An artist without proof is an empty box.

And we go unfed, 
though we ache like ***-hungry puppies.
Unable
to do a **** thing, but weep,
yearning to **** on a whopping heap of the good-life.
But we go
unfed.

Early twenties, and we're burnouts already, you and me, 
about the meaning of life and the government and *******.

We met in college
my adorable Humanities degree
cupped in hand with his.
We found solace 
in our disappointment because when we kiss
our sadnesses take root into each other.
So our rough, restless, god-angry loving
never stops
metaphorically, that is.

His desire puts me in a box, and he comes in with, 
and we talk.
My desire sets his box full of flames
so he can climb out, and get free again.
But he knows life puts us all in a box 
and you have to do things people want
in order to win the green paper you got just to keep
that box. One day
I hope to live in the same box as him.

Until then 
I'll be in a foreign land, passing out the alphabet and bandages
and ignoring the world of green paper, 
as I live in a box without a lid.
And, as the hot rain drops, my brain makes a fist
and I picture him.

We are now becoming quite a beautiful film, you and me
as he keeps his longing fastened up to mine 
like a pair of overalls.

All the books I needed to write since I was seven years old will,
kills to say, 
never happen, quite possibly.
But still
I am attempting this thing, this poem 
for you and me,
because
of the feeling inside to throw buckets of paint at the door.

The feeling I get at 2am 
to cut holes into my fingertips
in order to string out an art piece from them.

The feeling that long, sunny Sundays give
to drink tea and wine and go canoeing while
a novel ***** out of me like a bleeding baby.

The feeling I always forget to jot down
after being ***** or mugged or misjudged or beaten to bruises 
when everything is as painstakingly raw and red as poems 
are wired to be.

The feeling that comes when it's just us, 
he does things to my body that makes it crack into smiles
fantastic enough, it can't help but shatter like a mirror
all across the floor. You and me.

We exchange our hearts like gifts, and they are 
empty boxes.
And it's all

I've ever wanted.
Nat Lipstadt Feb 2018
honor: “you stumble where gods get lost”

honor,

still the tattoo being drawn on my senses,
unresolved and demanding
solution or surrender,
acknowledging, that I am not poet enough

tho y’all keep diverting me with poem commissions,
half started but will freezer keep until Jacob’s angel and I
have wrestled this honor notion to the ground for good,
which means once and forever

Patti’s words distinctly heard:
“you stumble where gods get lost”
and that’s what the poetry is for,
to word wrestle until the resolution revelation shines
and someone cries out uncle, father, son, are we not all
samed and shamed when we wrestle with honor


will you know honor when it presents itself?

a man keeps his word and another honors them both
with a monthly sum that says friendship is a promise kept

a father texts to a son in trouble “got your back” that elicits
a return verse of “I love you;”. that’s love, not honor cause someone remembers their immigrant father’s hell going slowly by and this poem and that memory revived, that’s honor

(******* tears on my phone screen, a ****** pain @6:53am
on sabbath morn; no body invited the interlopers;  not me anyway)

honor is not a parade or not the kind on my mind today: the honor that gets you medaled that’s all about brotherhood,
that’s a different kind of honor I understand but not what I’m
about right wright write now

looking for small acts, small doses, nearly invisible to the naked
eye, indeed, ya need a scrunched up squint to detect the honor that I need so desperately seek to theorem proof that,
even I got some

one of you wrote me, I am nothing.
one of you wrote me,
that they are all busted up on the boulevard of broken dreams.

trusting a stranger thru his crazier poems with depreciation and overwhelming sadnesses,
is that honor?

my rsvp (how could I not), is that honor?

honor sought in the small necessities which are more important than small kindnesses wrought from love: those come easy natural

necessary necessity, the word itself bleeds pressure on the soul; but i don’t mean paying your bills, burying your parents and such stuff;


honor is in the unnecessary:  where actions defeat uncertainty, honor is stepping up when no one calls out need

honor is the first step the hand extended and the concomitant
electric shock that traverses two hands in a shake that obviates
unnecessary words
like thank you

which why gods stumble, get lost, they only get praise conferred
but honor belongs only to us humans,
to give honor.
that’s power gods don’t got,
why they oft get lost

so thank you for staying with me this far,
you honor me by listening to an old man
seizing up when his mind asks him direct

did you live with honor,
and tho the summing up s’ain’t over,
(lol laughing, at the ain’t autocorrect),
at least now I know what to count,
what counts,
doing the unnecessary unasked
in small ways, a quieter doing good,
honor needs two and starts when you say hey
hey you...


*7:36am Saturnday  2+10+18
Shabbat Shekalim
writ without disguise
softcomponent May 2014
Called in sick to work, disappoint the boss, *** of a terrible ***** hangover I framed as the flu.

'I've got the cold-body-shivers and a bucket next to my bed. I'd be no help to you, trust me.' Thankfully, one of the friendlier dishwashers agreed to work the shift in my absence. My hangover eventually plateaued into one of those fried-brain poetic calms, where you're pretty sure that terrible habit of yours shaved a few minutes or days from your life, and yet you're in some sort of involuntary (yet accepted and mostly secretly-desired) state of meditation and trance with the world. People walking past speak of strange, complex lives, with their own problems, their own triumphs, romances, fears, and aspirations.

Two young college-boys, dashing, laugh with each other at Habit Coffee. My debit card stopped working for some strange reason, with the machine reading 'insufficient funds' as the cause, and yet I managed to check my balance via online application, and I still have a solid $15.86 available so something is clearly wrong. I explain this to the baristas at Habit, and the girl understands my first-world plight, gives me a free cappuccino as a result, and I sit there at the clearest panoramic window overlooking the corners of Yates and Blanshard thankful for the kindness and finish Part One of Kerouac's Desolation Angels (Desolation in Solitude).

*****, echw. I spat at the brink of ***** above my ***** toilet seat, perhaps the more unhealthy fact-of-the-matter is that I somehow managed to keep it down. So it rots away my stomach and eats away at my liver. Disgusting. Although the prior stupor was quite nice.

On my way to the Public Library (where I sit now), some girl with a summer-skirt was unbeknownst of the fact that it had folded somehow at the back and as she ran for the parked 11 (Uvic via Uplands), everyone could see her thonged *** and they all looked back, forth, back, in *****-awkwardity (I included) wondering what was ruder: telling her? or just watching her spring away? I think I heard someone make a quip remark about it, and yet glanced away and forward as to seem unaroused (their partner was with them, holding hands and all, avoiding the lumpy desire and lust that always appears in short bouts during moments like that).

I need some sort of adventure, tasting the potential of existence as I called in sick to work and immediately felt better once the shadow it cast was delivered from the day. I think of Alex and Petter, with their motley crew of savages, riding highway 101 toward San Francisco. Last I heard, they had stopped over in Portland and perhaps had said hello to our friend Tad in the area. I wish I could have gone, felt the road glow in preternatural beauty and ecstatically bongo'd every breath. I haven't felt the true excitement of freedom and travel in so very, very long. Always, the thought of debt and labour. That's the niche I've crawled into for the time being, and I owe a lot to the friends who wait (without hate, without anger) for me to pay them back. I have some sort of shameful asceticism in the way I work now, as if I cannot just up and quit as I may often do, because I'm doing it for the friends who kindly (perhaps, dumbly) propped me up with coin. Even if most of it goes to an insatiably hungry MasterCard Troll living under a bridge of self-immolating sadnesses and post-modernisms, at least my fridge is full of food.

I lost my passport anyways, they would have stopped me at the Peace Arch and turned me back to Canada without exception. That's a modern border for you, there isn't much room for kindness. Just pragmatism.

*****, terrible, clean-cut pragmatism.

That house, at 989 Dunsmuir, the place I call home in the Land of the Shoaling Waters, is exceptionally lonely on days like this, even with Jen there reading her Charles Bukowski and offing a few comments about the gratuitous ******* oft-depicted in the book. I feel trapped, at times, by all those machinations I so deftly opposed as a teenage anarchist. In principle, I still oppose them. Most intensely when they trap me, although the World of Capital has successfully alienated me as a member of the proletariat work-force and somehow twisted my passion into believing that the ways of economy and rat-race are just 'laws of nature.' If this is true, which I believe for pragmatisms sake they are (*****, terrible, clean-cut pragmatism), there really is no such thing as liberty, and what we have called 'liberty' is nothing more than a giant civilised liability within which we are all guilty until proven guiltier. Yes, because I owe it to myself and to the landlord.

I realize, often, the endless love-hate relationship with existence that one calls 'life.' It seems undeniably true that everyone is in this same jam, secretly loving something, and at the same time secretly hating it. The distinction between 'love' and 'hate' quickly becoming redundant when they are found together drinking champagne at the dusty corner-table of the most indescript and ugly bar in the alley of eternal psychology.

My back hurts, my brain
clicks, it's all a little
melancholic; trapped,
finicky, yet calm,
hopeful, excited, and
real. About everything


all

at once.

How can you write like a beatnik in an age of eternal connectivity? Just keep writing messy, weighted passages, whine-and-dine frustration, and cling on to dear life as if it were better in a lottery ticket? Dream of a rucksack revolution, ask yourself how you're not brave enough to be a Dharma ***? Would you not question your motives in rebellion, keep yourself at arms-length for sake of self-hatred, and posture yourself on the sidewalk insisting it's not pretentious?

Ah, all the vagueness and all the creeps, all the I-guess-I'm-happy's and all the success stories mingling with each other on this planet-rock. Some sort of hybrid productivity asking to be heard. Writing about liberty and livers, both accepted as ok and yet all take a beating in the face of silence and revolt. There's a science to all this, no? Some sort of belief in mandalas and star-signs, opening portals to Lemuria to take a weight right off your shoulders. I am Atlantis, and I am sinking.

A cigarette doesn't care, and neither do I. Addicted to a moribund desire to live. To really live! Not just add a few more moments to longevity by swallowing a carrot twice a day. Not just brushing my teeth twice between sunrise and sunset to avoid halitosis. Not just sitting and waiting for language to speak on my behalf.

Be-half, be-whole. Be-yonder, lose yourself. Be-yonder, and travel. Be-yonder, and forgive. Be-yonder, and don't forget. Store those memories and add them to your landscape, next time you drop acid, run amok through those stairwells and fields, re-introduce yourself to your life and remember the every's forever. Become highschool you again, where you'd sit on your mothers porch June mornings on your third cup of coffee, writing a poem with the drive of existential freedom unpresented with fears of rent or labour. You want fast-food? *** the change off your poor mum, and meet your old friends down at the local A&W.; These days really don't last forever, and thankfully you were smart enough to avoid working all those years. They will remain the best years of your life for.. perhaps.. your whole life.

Some mornings, you would wake up late on a Pro-D day, sipping a fourth cup of joe and watching the Antique Road Show on CBC because it's the only half-interesting thing playing on a late Tuesday afternoon. Your mothers couch was leather at the time, placed closest to the deck window with some sort of ferny-plant right next to it making peace with the forest. You would get lonely at times, and it wasn't until you graduated that you noticed how beautiful those 4 high-lined stick-trees standing in the desolate firth as the last remaining survivors of a clear-cutting operation really were, the way they softly bent in the wind, some sort of anchor whether rain or shine. Your mother would be at work, your brother would be out, or at dads, or upstairs, and for half-hours at a time you would stare at those trees, warped slightly through the lens of your houses very old glass. To you, it seemed, the world could be meaningless, and these trees would go as a happy reminder of how calm and archaic and beautiful this meaninglessness was. Watching them always quenched a blurry hunger in the soul. Something happy this way came. Something tricky and simple.

I could never really reach myself back in those days. Not anymore, anyways. That old me no longer had a phone, had tossed it in a creek in a fit of idealistic rage. That old me was living in a tent somewhere, squatting on private property and working at a bakery north of his old town. He still worked there, last I heard. Every summer evening, he went swimming in the ocean, wafting along on his back to think and pray. He was a Buddhist if I ever met one, reading the Diamond Sutra and the Upanishads, cracking the ice of belief with Alan Watts's 'Cloud Hidden, Whereabouts Unknown,' and preaching to his friends in cyclic arguments to prove the fundamental futility of theory. He's the kinda guy to shock you off your feet and make you wonder. Really wonder. Whoever he's become is on the road to wisdom. Whoever he thinks he is has never mattered. He's just waiting on the world to change.

Fancy.

Above me, the patterned cascade of skylight-window in the library courtyard hints at sunset coming. I contemplate the warmth and company of Tom's house a moment and wonder if he'd like me over. I think again of Petter and Alex way down there in Cali-forn-ya. A holy pilgrimage to Big Sur, and I still wonder where my passport is. If hunger and destitution weren't a block to intention, I'd be everywhere at once right now. I'd watch this very sunset from the top of Mount Baker, and yet be singing along to the Rolling Stones with Petter at my side. The Irish country would be rolling by again, and I would wonder where I am. The happy patch-work of County Cork would invite me to the Ring of Kerry where I would wait and sip a cappuccino, pouring over maps of Ireland in hopes of finding my hostel, as I'm sure I booked online.

The warm-red stonework of Whitstable village in Kent comes to mind. I think of Auntie Marcia and Uncle Bob, soaking up the sunlight with their solar panels and selling it back to the grid. I think of Powell River and its wilder-middle-ness, the parade of endless trees stretching east out unto Calgary. I think of every public washroom I have ever defecated in, and wonder how noisy or silent they might be right now. I think of Sooke, and its sticks. I think of Salt Spring Island and my first collapse into adulthood. I think of work, and how I haven't missed a dime I've spent.

I think of wine in an Irish bar, that night I was in the homely town of Bantry, with its rainbow homes and ancient churches, reading my 'Pocket History of Ireland' in disbelief at how far I'd made it on my own when that strange old fellow Eugene came up to me and struck up a conversation on world events. He tried to sell me vitamin supplements, toting it all as a saviour. I wrote him this poem a day later, a year ago, and think of him now:

49 years old, names Eugene.

We talk politics like a plane
doing laps over planet ours,
North Korea threatens bursts
of lightening and Irish businessman
defaults on debts to UlsterBank in
the mighty Americas. He tells
me to guess his age and to be
nice I take a medium sum of
35 (white lies). He tells me
why he looks so young at
49 and tries to sell me a healthy
soul as if he were an angel of loves-
yerself or a devil
of capitalism pecking at
exposed heels. Tells me
he used to be drawl, pizza-
faced, suicidal before
production loved a spiritual
lung. Tell me what! Tell me
WHAT!
When life gives you lemons,
hug the lemon tree. Seems
the angels have sold out and
they're nice enough.



He really was a nice guy.
excerpt- 'the mystic hat of esquimalt'
jeffrey robin Aug 2010
the Madness reverberating
the Sadness settling in-
to
the Eyes and Minds
of
All the Children of the World

Dying Dreams
shake the Sleepy Heart unto
a Wakened Sense
of
the Agony
that is here

but,
still

We

deny so Maddeningly
that
WE
are Mad

as our Madness
reverberates

and
Destroys

All the Children of the World
Phantom Poet Oct 2017
Poetry,
Started out as a hobby,
Encouraged by family,
Write on topics variety,
Started with topics like,
Sleep,dream,summer,music,my bike,
I realised what gives my poems emotions,
I write about my life,
About love,
About death,
About happiness,
And sadnesses,
Later did I realise,
Poetry,
Went from a hobby,
To a therapy.
- Apr 2015
sometimes it is hard to be a person

trashing my bedroom because
i lost my photo album
full of pictures of my dad and i
and the speeches my uncles made
at his funeral

laying on the couch and watching tv
crying when a character attempts to end it all
because i'm taken back to october
and the hopes of what would have happened
if he decided not to jump

getting accepted into 9/10 of the colleges i applied to
and having no idea what to do next
desperate desire to talk to him
or voice how terrified i am to my family
but trapped inside myself

it is very hard to be a person
CB Sep 2020
I was struggling to curl into sleeps somber embrace, I couldn’t accept his warm and gentle touch. You had aided me in times of restlessness, whispering words that had me lulling into that blissful darkness. I’ve found myself yearning for it as days pass, as the connection between us goes silent yet again, so I’m awake pondering over the endless ideas of you and I, some evenings I’ll even try to whisper the same sweet nothings to myself to see if it’ll help, but it only get me thinking of you a little bit more. Some evenings I paint over the purple bags under my eyes, trying to pretend that everything is ok, but it fades away throughout the day, along with that tenuous hope. So I go on, unnoticed and exhausted.
You keep me up well through the break of dawn, just as the sun begins to peek over the horizon, I can’t help but feel my heart break get just a little bit worse with each sunrise.
my ending doesn’t end with you holding my hand
mhsutton Dec 2015
It was December and warmer than usual
  when I cried my eyes out.
First I thought of my father, who died when I was seventeen
   and I cried for my lost confidante and my mentor,
Then came my children and my gentle breeze,
  and I cried for dreams unrealised and a death unexpected,
Then came the vision of my Father-in-Law
  and I cried for the theft of a beautiful, gentle soul,
Then came the loves I passed in my cold and confused youth
  and I cried for what was, could have been and simply imagined,
Then came the poor and the desperate strangers
  and I cried for the injustice and the severed cord of humanity
Finally I sobbed for myself
  for the sadnesses I endured and the failings that I am.
oh how I cried.

I cried with wine and without,
tears salty with the grapes of Spanish hillsides

I cried with tears so hot they steamed my glasses
with a fog of self loathing.

I cried until my tears were all but gone
  until all that was left was me
  and all my flaws and my humbled greatness.
Tom McCone Nov 2013
from the balustrade, the canopy,
comprised of leaves and rooftops and
a diminishing colour-set above
tastes of retreat. familiarity.
she came down to my level,
spelling out instabilities and inscrutinabilities,
like a vague ruffle sent through
harmonious and imperfect hairlines:
this slight haze of separation,
a delicate circling
lust, the vulture of the ninth;

lying in wait, i sit, still,
in the corner, watching the
ceiling for hours,
singing sadnesses like,
oh no, it won't happen this way,
when have i ever learnt?
winning's a single blackout, but
i'm still awake,
still stuck stuck stuck stuck,
already given up and out.
still awake, seven
hundred and fourteen days,
a list of crimes, a handful
of loose opinions, a
devastating need;

never had i felt as if
i couldn't live, without
something i never meant to
want, this much.

with rainfall, she rescinds,
she's discovered i am but dust.

from dust, i'm made rain.
Edna Sweetlove Sep 2015
I can scarcely bring myself to tell the tale
of how yet another internet date
went tragically wrong thanks to
shameless deceit crueller than I can say.

I suffer so many sadnesses as I seek true love
via internet site
after internet site
but I really thought yes
this time yes this time yes
finally after so many ****-ups
of one sort or another
so I foolishly imagined I was onto a good thing
but would you believe it
another date went wrong
and my poor heart breaks.

I recall 'twas a a cool autumn evening
with a hint of hail in the sky
but we had agreed to meet
perhaps optimistically
at a secluded spot in the municipal gardens
down by the victorian fountain
where the queers congregate by night
leaving skidmarks on the paintwork
after deep **** love therapy.

I can still hear the tweety-birds singing
their oh-so-nice chirping song
in the trees where they perched
trying to **** on passers-by
especially the handicapped
(who could less easily dodge
their good luck messages
without toppling over).

I ran headlong down the path
and my little ***** wobbled
with eager anticipation of love
innocently carelessly naively perhaps
for I felt deep in my trusting heart
that at last with a bit of luck
I might score for a good hard poke
on our first date or at least a right deep feel-up
and a copious exchange of mouth fluids
at the very very least.

I read through the print-out
from the new internet site
where serendipity had brought us
together like lost souls in a storm
(www.******-poking.com since you ask)
and I felt your comment
'I love *******, ******* and more'
was probably good sign
all in all
bearing in mind its implications.

I thought you might be quite a looker
from the photo you had posted
especially since I could
just about partially see
the wicked grin on your face
whilst you were ******* on
two obese men's knobs
(in the photo I mean)
and then you appeared
with your huge mongoloid skull
peeping excitedly out
of the filthy rags you wore
oh dear jesus I cried out in joy
I could smell your ****-drenched ******
from seventy-five yards away
and one of the swans on the lake
drowned itself to escape the pong.

I stared at the diarrhoea oozing from your pants
in romantic dollops
we strolled through the park
(well I strolled but you hobbled)
chattering away the way lovers do
when they are up for it
against all the ******* odds
and as I have observed on other occasions
love isn’t just a matter of aesthetics
after all animal attraction has a lot going for it
but you have to draw the line
somewhere
and you were way out of order
so very reluctantly
(but firmly and resolutely)
I gave you a gentle push
toppling you into the swollen stream
as it exited the decorative lake
and believe me when I say
that I will always remember the sound
of your aquatic scream
as the fast-moving current
took you away from my sad eyes
down to the millrace
and merciful release
from a life of disappointment.
How many mouths whispered silent prayer
And sat in these halls wishing for god.
How many lives were celebrated and mourned here.
Unions made and broken.
The family, the hearth, spirit, life and death.
All flowed through here.
Now it stands proud and open to the heavens.
Holding the glory of what has been and is now.

Stone upon stone,
Piece by piece until it was made
That church that castle of the soul
It stood, it stands, a monument to man, toil, sweat and reverence.
Time honours it, blesses it.
Now it is part with the land
As it was always.  

Do not look upon it for you may not see it's glory
And a shame to miss and pass by
and to not think what things happened here.
What joys and sadnesses,
What moments and sorrows it witnessed.
Do not pass by but do not look either
For we cannot imagine. To know
The stories it holds and the memories it keeps.
I wrote this about an ancient church which stood in a Scottish valley with no roof.  The roof had been gone for at least a century.
Simon Monahan Nov 2018
A heart, even a human heart,
And yet much more! A blessing key
Which unlocks all the larger part
Of creation's secret, to be
Fathomed in divinest thoughts, where
Love spoke a single Word which could
Not be writ across one sky, there
Being too small for one who would
Speak galaxies of affection,
Spiralling lazily, with ease
Breathing out (O sweet reflection!)
How the Beloved does so please
The unravelling speaker's heart,
Bright orange nebulae signing
Cosmic sighs of love which betray
Deep fondness, and no small pining
For that sweet soul which holds such sway
While comets with hot flashing tails
Remind how fleeting is matter,
Finitude which entirely pales
Before love's endurance. Clatter
Of crashing asteroids beats loud
The steady pulse in silent space
Of devotion's heartbeat, ne'er proud,
Always humbly ready to place
Itself at the disposal of
Her, and her fair name, love of God
Having joined him to her, his dove,
Beside her e'er his path to trod.
And for lightyears of empty black
Void, the silence is unbroken
For love goes beyond the poor track
Of mere words, largely unspoken,
Of course - for even the bright sun
Burns passionately above cloud
And horizon all mute, for one
Who needs not great clamour and loud
Cries to know that her poor lover's
Attention is all caught up in
Her eyes, that beauty which covers
Her whole person, which he would win
Rather by the constellations’
Subtle grandeur than by any
Of the offal of the nations
All dearly sought by so many
(The trappings of riches and fame)
Yet counted all as dust by her
Whose sweet self and whose most fair name
His soul loves. Supernova blur
Smudges the blinking telescopes
Startled by refulgent glory
Of stars which exceed all the hopes
And dreams of poor mortal story,
Fables myriad each like mist
Are dispelled by the diction true
And truly uttered, the whole list
Of fairy tales by a great new
Reality shown inferior
And usurped, as the things of old
Are by these matters interior
Contrasted; proven less well told
Than love’s murmuring, that sweet breath
Of solar wind across the soul’s
Horizon, and the world's. Grave death,
Blistering hell, and those foul coals
Which stoke the infernal fires are
Not enough to overcome it,
The light of its hope shining far,
By which the dark abyss is lit
And made shallow, all things swallowed
By patient seas of affection,
And sadnesses we once wallowed
In escaping our detection,
As we are cast adrift on this
Placid sea. From a stately ship
Above your lover calls, to bliss
Inviting you - that you may strip
Your heart of pain’s devices, set
Sail for past the sunset's glow, while
He takes, if only you will let
Him, your cares away, your sweet smile
The whole repayment expected.
No mere bridge joins our hearts, my love,
But the Cross, which sees connected
Our green earth and heaven above,
As well as our destinies, God's
Call joining in one location
Our twisting paths, against all odds,
Fate through the grace of vocation
Made sweet by His divine favor.
A second heartbeat where once one
Sounded alone now beats, savor
Recognizable in hard-won
Harmonious sound, for no such
Unity is achieved, nor two
Made one, save by labors, by much
Work attentively done; but you,
Of course, darling, serve as reason
Enough to justify hardships
Beyond these, whether in season
Or out your presence amidships
Making every voyage fairer
Than the last, even through the storms,
Instilling courage ‘gainst terror
And all dread, for the lovely forms
Which your love gently expressed takes
Are balm and tonic against all
Ills, honey for the soul which makes
One unafraid that he should fall,
Knowing, as he does, that you will
Be there to succor every woe -
He can his heart’s contents all spill,
And safely, for you love him so.
For Mary Margaret
kal Jan 2014
What will it take to find the sunshine again?
Blow the snowy clouds away with howling winds of my heart
None of my words make sense anymore
A jumble of simple and complex sentences maybe
A phrase
Or maybe I am just putting sophisticated sounding words into something that sounds like a poem
But poetry is so bold, and beautiful
And I cannot seem to make it either
So where do I go from here? What do I put next?
Tell a long story of tragedy and suffering
Or maybe of happiness and smiles
Of heartbreak
Or possible love
But none could possibly match up to the flawless tale of lizzie and darcy
No one could match what Sylvia Plath wrote of her fears and sadnesses
But how could one possibly find themselves in a world filled with similarities and indifference?
How must one carry on with such anguish                                                        
I­ am but a simple soul,                          
simply breathing to live                  
Eating to survive                              
And writing to understand why
Madeline Jun 2012
it's one of the great sadnesses of my angsty teenaged existence,
                                                                                        that a man who saw all the good in the world


                                          was killed
                                          by all the bad in it.
Marigold Oct 2016
She drives me crazy
I can’t think unless it’s about her,
Can’t eat, can’t sleep, can’t distract myself at all
It’s all her.
Everything is her.

And so one little sadness,
Becomes a multitude of sadnesses.
How could I ever be without her?
How was I ever?
It’s all inconceivable to my her-addled brain.
Everything is her.

I would change my life,
Do anything she asked,
Whatever the cost
Sails a million seas,
Or cross a billion deserts,
**** a man if necessary,
Everything is her.

And she won’t look at me anymore,
She’s won’t talk to me,
She doesn’t want me
But everything is her.
How can I be without her?
I’ll have to learn to be nothing.

i think she'll break my heart one day
Gary Gibbens Feb 2012
Slow as tomorrow uncreated
I've wandered down the empty roads of time
Waiting to taste your laughter
Waiting to hold your smile

It seems an enormous hour
Since I've felt soft patterns like your mind
Knowing those faint perfumes
The scents of your words touching mine

Alone with you is like the sunrise
Glowing through the new warming earth
The sadnesses of unknown sorrows
The pains of time I've long forgot

Music of our desire freezes
A quick lilting tune without end
Though I know I'll never hold you forever
Feeling that I'll never taste you again.
Butch Decatoria Dec 2018
In the land of the wasteful

The flesh is bound to despairing

Unmovable feasts

All dreams dreamt away

In the shallows of sleep

As transient as blood

Orange shades of clarity

In the mind blindly

seeking sun

sincerity and kindnesses

Not those in the land

Of the wasted…

Pain is as hollow and as full as

The hearts of mannequins

When already the broken who pose

Now lets go, passed long ago

Since childhood's end

Not having known

To recognize

Or find oneself

In the beauty of a world

We played pretend.

In the land of waiting

For our sadnesses to end

Waking up alone

After all

In the land of ungrateful men.


(The kind have gone extinct

once again.

The End.)
Time travel is forbidden. So speaks the mind.
mads Apr 2014
Lately, I've been disassembled,
Rest assured... in shambles.
And my minds been sliding
About the tasteless hardwood floors,
Collecting delicacies unknown to sadnesses.
It's been a while since I've tried to drown,
But I think on the corner of the kitchen
And lounge-room floors,
My mind found something
Worth living for...
How ever subconscious it may remain.
Down and out for the long run.
Prabhu Iyer Jan 2013
These faultlines we tread:  
of island loves, we dread.
On the crests, lie parked our loyalties:
siblings, friends, parents and loves,
every love, bounded by sadnesses;
Faultlines that carry buried
embers under piles of smoke; and then
once a while, a paper wheel that
was still, revolves in the slow wind -
and embers come alive;
Suddenly unrequited attractions flame
over: O the lure of danger-laden
pathways on these faultlines that
we dread, yet love to tread.

How in dark lights, shadows talk and
could-have-been's and how-nice-
it-would-have-been's play out,
lonely paths, where embers
and shadows flutter in the winds, we
walk on. The fair wears out,
the gathering disperses, and
this deja vu cabin flashes
out exactly like those years ago and
hope emerges out into the
renewing fair, with the crest,
in that undivided year
when the sea hadn't reduced this mass
of our loves to these island bits
with these faultlines that we
dread, yet, love to tread
This is to grey areas of love we maintain, balancing acts, difficult loves, buried embers...
Tom McCone Apr 2013
I slept with the light still on and
with a twenty-cent piece
stuck to the skin of my side,
my dreams, all excavated from this
bull
****
night
in which I keep making a fool of myself,

like all these constricted alleyways,
painted with my partial sadnesses.

all the silver linings are still
just the colour of bile.


no more can I remember what
I dreamt of;
I don't even know what I believe,
even so, I'll just keep slurring these words,
just,

falling further down
and down again.

awash with the malice of three hundred
unassuming passers-by,
this abandoned night
crawls silently
and spills its guts lengthways,

so that I must drag myself along,
through this pit of churning lament
I could never quite get out of,
and

the stars above kick dust;
twinkling out,
one by one.
KM Dec 2012
Were my life to be a diary
Each sentence a moment, each page a time with a distinct feeling and flavor
Chapters running into chapters, with a rising and falling action that will cycle through
Until I am dead.

no

There are joys, sadnesses, moments I would care to never read again.
Some pages are repeated over. and over. and over.
The same feelings and mistakes running through me like some fated theme.
A coursing river of celestial meaning flowing along with the lines of my life
Like somewhere out there is a universe that wants my existence to make sense.

Though, one page is black, empty beyond a lack of light.
It exists as a hypothetical possibility, something that I can never see
But must accept as fact.

no

I must also accept the ebony to be my own fault,
I held the bucket of paint and poured it down my throat.
Drinking the emptiness that would trickle through my stomach
Diffuse into my blood and cloak my brain as I wrote the memories of that night.

I drank the midnight poison by my own hand...
Usually the words look better a little faded and scribbled anyways
One more thoughtless, silly, scrambled night
couldn't hurt,
right?

no

But, I drank too much midnight,
The pen dropped from my hand
Then a flurry of movement that I
could not,
would not,
had. not. planned.

He took my pen and scribbled his notes all over my beautiful diary
Threw himself on a page I did not give to him.
He tagged it and brutalized it as the paint poured into my brain
Covering the tracks milliseconds after he made them.

no

I do not know what is written underneath that paint.
Neither does he.
Does this mean that boy is no more to blame
than me?
I did not know he wrote in me that night, until others mentioned
they had seen scrawls bled into the creamy pages,
And hinted that perhaps there were some words written below.

So understand that when I look at that page
and brew with hurt and rage
That the fact he does not remember what he scrawled
Doesn't change the times I've bawled, the paper
Trying to rip it away from the spine of my diary
And forget the message left inside me,
On a night when all I can remember saying is no.
Sally Farrell Aug 2010
These scars that
I wear across my
face deeper down
then you can see like invisible
little pin ****** hold
the secrets to a life
spent living through love every
bad choice or
sadnesses
is compounded by a million
happinesses they hang
together
like the stars in the skies some
twinkle
and some some implode
succking half my life
with them huge black spiralling abyss’
made from the
need to exist in my own right away from
the impression
I
made wether good or bad was
made
because you chose
to believe I was one or the other
but why can’t I be
both
I THINK I AM DROWNING IN MY OWN EYES REFLECTED IN YOURS
as you look at and process what you see but what do you see….

a pause then silence .
Marieta Maglas Oct 2012
Red corals and blue algae,
Wet sadnesses and swimming love
Need their own light.
Nat Lipstadt Jun 2014
You cannot polish a heart,
there is no tarnish remover for sale

once,
a thought exists,
then always, extant

once a feeling felt,
there is no erasure,
no white out,
just another wear and tear
to thy fabric added

it enters and infects,
no surgery can excise,
chemo and radiation
leave scars
and remainders

certain sadnesses are unreadable,
even if counterbalancing weights worn,
we are the sum
and the summation,
we are the holy ghost
of everything
we have ever known,
even if we did not
father it

a storage facility,
you rent permanently,
for the "stuff"
you don't want
but can't discard,
pay dearly for that inability

the poetry,
an artifice,
a cheaply hired psychologist,
a rented imaginary friend,
from whom there are no secrets kept

I am not delusional
or deluded

there is a new tiredness in me
that I did not ask for
and sorry to have met

now a parcel I must carry
like the delicious awful testing images
of one's own end.

there was a joy here for me once,
a day and way
of atonement in my
writing and reading

and though it is 400am
and here I am
writing again,
I surely expect
the music genie
to play for me
"the thrill is gone"
any second,
for it surely is....

once upon a time,
in that chair,
could easy poem
and easy write
but the thrill is gone,
the love "of it"
upped and disappeared
the weave and the woof
"of it"
not the same

cannot get that tarnish removed,
the commemorative wall plate visible crack'd
though reglued,
the cracks are
mirrored images reminders
of what I feel I have lost,
and what is sadly indeed,
just a commemorative now

full in a heavy way,
self-absorption ended, really,
my paper towel self
a soaked ragged mess,
the more it wipes,
the more it spills...

a fullness that comes
from human hate
a sidebar loud, all overhear,
in the courtroom of
humans racing
"to excel,"
they misunderstand,
as they just finger point
to their own chest blasting,
look I got into harvard,
made a million,
but I am still a major *******
in a grand tradition

this stuff has ashen pilloried me,
everywhere in my
not so red anymore blood

I am not delusional
or deluded,
or even depressed,
just weary,
tarnished,
and
writing this does, releases nothing,
changes nothing, makes, improves nothing

the stitch in my side still there,
saying poetry, nice but who cares,
what once was fair and comely,
now just ordinary fare, unlovely
a McDonalds of common words

once the poetry of hate is writ,
it cannot be deleted,
a curse upon all
that abused this child so,
your promotional coupons
are discarded
with today's newspapers
and tomorrow and even today!
no one will care
about this or the
mismeasurement markers of no glory
or of hate, or the
pseudo popularity you create
or relish into thinking of yourself,
as valuable

tell me I am wrong,
tell me of New Year's Day
start overs,
will be grateful
for your trying,
your counterbalancing attempts,
if genuine, are
truly glorious

even if the thrill is all gone,
your trying to untarnish me,
well, every little bit helps
at the very least
gets me sets me,
down more evenly,
untilltng the lean of what ails,
ever so less

but the tilt,
the tarnish,
is immeasurable like divinity


here is where,
I leave it and
the fast approaching sabbath,
depending where on  your calendar
it resides,
can be both a weekly ending
and/or a beginning,
but a sabbath rest from the garbage of words,
by humans abused,
un blessings saying I am better than you

so, a place, a time to start,
to polish over just a tad, the stains
of what cannot ever be deleted,
cleansed
even if it is pseudo-gone from the internet
Don Bouchard May 2017
Always it is so this side of Glory:
Aftertastes linger
Though forgiveness covers us.
We roil sometimes in regret,
Though we are healed.

Grace greater than our foolishness
Surrounds us.
Wisdom grows
Though sadnesses arise;
Caution joins us.

Somewhere along our way
We realize a joy that joins us,
Leads us, cleansed, toward peace.

Journey on, Sisters and Brothers.
We, all of us, have sinned and fallen short.
He is carrying us and making His Kingdom in us.
Never give up.
Look forward to joy.

Walking in the Light,
We sorrow for the scars received in Darkness.
We press on toward the Scarred One
Who calls us Children of the Day....
For A, and B, and C, and .... Me.
Emma Jan 2011
Our tongues know each other like old friends
And so do our eyes.
And they speak the same language.

Our heads seem to gravitate
to the same pocket of air and thoughts
and sadnesses and madnesses

You see me in every way I
wanted to be seen
but couldn't see myself
Light feels so good after being blind!

That night when the flame consumed me
and you held me and shared my burns
I looked up and the fire danced between our eyes
and you didn't look down
and you listened to my spitting rage
and told me with your eyes
"You are beautiful."

And I wasn't clenching my jaw because I
wanted
to hurt my teeth
even though I thought so, once

And I wasn't letting you anywhere
near close
enough
even though I thought so, once

It doesn't matter how or why
it only matters that it REALLY matters

I'm happy to be a child again
because a child knows how to learn
(feelings and things that hurt)

And I'm happy to be a child again
because a child knows what it wants
(without a reason)
and I want you.
Penelope Winter Sep 2017
I used to write a lot of poems online.
They'd trend, attract followers, etc.
I thought I'd publish a book one day,
People seemed to like reading my stuff.
But, eventually, as most fame does,
my 15 minutes wore off.
I started getting less likes,
Less comments,
Less recognition for my work.
And I guess it made sense
Because I wasn't writing as much
Or spending as much time editing.
So I read through my old poems
To see if I just got worse
Or if there was some underlying reason
For my loss of popularity.
And soon, I began to realize
The only poems I wrote
Were ones of heartbreaks and sadnesses;
Poems of woes and loneliness.
So I wondered to myself
"What changed?"
And saw that I wasn't writing as much
Because I wasn't as sad as I was
When my peotry flowed more smoothly.
I didn't need writing as an outlet
To cope with my pain.
It's not that my life got much better,
(It didn't at all)
But I was learning to continuously find things
To be happy about;
And less to write my
Depressing monologues about.
I had begun to move on with my life
And teach myself that bad days are unavoidable,
It's how we react to them
That determines how we feel.
I used to write a lot of poetry.
But now,
I live it.

- p. winter
Kat Raven Nov 2020
May it only be a dream... composed in one.
Nightmares shaking inside me.
I drown myself so deep, where the water begins to reap.
I love to hold you, to feel you, but who are you?
Where are you?
Why aren’t you here with me?
Why so distant?
Why haven’t I met you?

You don’t exist.

My imagination.
Stringing myself in my realms of pure intensity.
An ocean on fire ...
A war with no winning ...
A person with no belonging ...
A rage with no fist ...

Suppressed, inner rage, inner love, inner hate, inner sadnesses, inner longing, inner numbness, inner cold, inner emptiness.
Inner distractions....

I face them all at once.
Inner wisdom...
An old soul living in a fake world.
Take me out of here.
Farah Taskin Jul 2021
Everyone has unhappiness
A paroxysm of distress
Humans want to cover their unhappiness
Beyond joviality
Beyond laughter
Beyond music
Behind the roistering jubilation
We suppress our sadness
Underneath our liveliness we're stoic
Our hearts don't love sadnesses
We try  to laugh now and again
We ought to laugh for living
We ought to live for laughing
sigh ...
tread May 2013
motley crew of
sadnesses, each
wearing back
-wards hats
that read
OBEY.
Roberta Day May 2015
Lessening sadnesses
by appropriating real-time
  I wish for certainty
but don’t grant myself
that luxury–unworthy of
getting my way, fulfilling
my desires…all renters
no buyers, not in this market
Writing without cause
to satisfy my purpose
Giving your name
less power by replacing it
with Jump Ship, ‘cause
that’s what you do, when
the action gets too hot
you can no longer allot
your time…your priorities
change within a day
  I wish for consistency
but don’t grant myself
the serenity to accept
it won’t come from you.
so pathetic
Joseph Sinclair May 2015
The symbols of arriving springtime have come late this year
in north-west London.
The blossom on the apple tree outside my bedroom,
heralding the anticipation of renewal
and the promise of life to come
has been delayed by several weeks.
And the flowering is less profuse than ever.

I try to seek the metaphor;
the concatenation of my personal survival
conveyed by the tree’s own growth.
But what does the linkage signify?
Another year?  Another life?  Another death?
Or none of these?

And if I yearn for signs of immortality
then I am doomed to morbidity,
as the tree is programmed to portray
a slow, inexorable but unmistakable decline.

And still I know that morning light
will daily draw me to my bedroom window
and the forlorn desire to see some sign
some hope, some promise, some assurance
that there is no inevitability
of change,
save that it be change itself.
Instead of which I am presented with
a demoralising symbol of uncertain hopes.

Spring should be an optimistic season;
the blossom on the tree should herald
a renewal, not a death.
But this poor springtime growth has
merely served to reinforce
the fears and sadnesses of
Winter’s  tribulationary concerns.

ENVOI
Five days the blossom stayed
and then was gone.
Nor were concerns allayed,
but hopes were thus betrayed
and possibilities undone.
ENVOI has been added subsequently
CJ M May 2015
Sugar is sweet by itself, but even more so when mixed with flavors.
She is the flavor, one I’ve never savored before, one that’s intriguing to me to a point of shear attracted interest, and I believe she knows it. She can hear the interest, can feel the heat of my words, and I feel hers as well.
Heavy conversation? I think not, It’s a natural for us both, whether or not we realize. For we are both expressers, both professing emotion like analysts.
Poets
The Irony of it is that she’s better, but I don’t mind, we are after all different professions of the same thing.
Sweet like syrup, shy like mockingbirds, hesitant as kittens, flow like the winds that blow the currents of the ocean, and as vibrant as a child high on fructose.
Feminine intuition should tell her she’s entering dangerously close territory, but she powers on through it regardless, perhaps with ruby red blushed cheeks, perhaps with a whole-hearted smile, perhaps not. But she has taken it, she has taken my eyes off of the situations, the standards, and placed them squarely on  her.
I haven’t felt the buzz in a long time, haven’t felt the attraction in mere moments, yet they have both been reawakened by her.  What’s going on in my head? Is there something that I’m missing? Indeed, It’s her.
A poet in every sense of the word, and a beautiful fortune more so. Her name is synonymous with soul, her eyes are only described as deepening pools of eternity, smile described as Insta-ready, but is that all? Whoever mentioned it was unjust to her. For her smile speaks more than she. It tells of trial and error, love and lost and perhaps more.
She has lost much, but what she has lost shall be regained somehow, and I pray I’m around to see her dreams be achieved singlehandedly by her,  girl wonder. Taken more stress than the human body should bare and still walking through the hell with clenched fists and a strong gait.
I can feel her presence, sense her sadnesses, why cry? No need for tears of sorrow for you one day, no need for fears or upsetments. I know she knows who she is, and I hope these words touch her, for nothing else shall harm her, nothing shall infiltrate her innocence and take advantage, not with the help of my will and strength, and I give it to her now for her well-being and protection.
I don’t know her as much as I’d like, but perhaps I might, perhaps I might understand her complexities for good and allow them to stick close to me in whatever form of intimatic energy we find, whether friendly or deeper.
A speaker is simply an amplifier for sounds, a stronger voice for a weaker one.  I have been told that I’m the speaker, the strong voice in a world of weak voices, but I don’t see how. She is her own speaker, her own voice may rise louder and stronger than many that have been tried before her, and yet she still hurts. If I could, I’d take the pains away, protect her from what I believe is hurting her. But what if It’s not what I think? What if I’m merely protecting her from what I figured was hurting her and it wasn’t. What if I only end up messing up again? It’s not my intention to ruin the rose by picking it, but to let it linger in the **** patch would allow it to disappear from me.
Fields Feb 2015
life has its loves and its sadnesses. What is known to others, other than what is shared is up to us.
Love has its hopes so that we may dream and leave this moment unto one where we aspire to new happiness.
Life has its laments, then they remember the found of such a deep love in a soul is a point of progression,
to deny such an honour is a madness. I am not cold nor emotionless, nor am I seperate. I merely have a great sadness,
that comes with a great love, its all micro and macrocosm. Like that ectasy pill of youth the moments of liberating
freedom and flashing lights, the weightlessness the chains of opression leave as the kiss to their burn comsumes you for that
time and makes you a new whole.
So much greater is a large time in our lives, It grabs us, with the story of the past, the building of a character worthy
of play wright, a love worthy of enternite life and a soul worthy of the purification of the realm from the desire of such
a thing. All of a sudden desire is lost, the transient 'I' misplaced and a new place in which we are not just residing, but
being awakens. We are in the whirlpool of all that this is and although may catch upon the rocks of fear, there is a
knowing of the sacredness of this time. Yet just like that comedown, the depression and need to be help that accompany the
sunday morning on that cold sofa of a warm stranger, the buzz ends, its part of the game, it will resurface in greater form
with a greater name as all things do, but that moment for what it was taught us the golden rule. Nothing we could gain from
it surpassed the moment its self. That all gifts are immediate and have to be seized with the immediacy of the instincual
reaction that saves a man from falling. The moment that is and always was is our one true love, she wears decieving clothes
so that we may to recognise her in a new way, but it is always her.
Life has all of these things and none of them, the answer of this is dependant on what you choose to see as now and not later.
Farah Taskin Jun 2022
The Creator doesn't give us misfortunes
HE is very merciful
Be grateful


Think clearly
Only
humans are responsible for pain, sadnesses and sorrows
Sometimes
they harm themselves
Sometimes
they harm others
Misdeeds ruin life
Ahavati Jun 2019
“All the great sadnesses, great temptations,
and great mistakes are almost always
the result of loneliness.”
-- José Saramago, Margaret Jull Costa

In the end we all become graves,
our differences united by the same
neglect of weeds and immense
necropolis whose swathed residents
observe from quiet encasements.

Beyond our mounds will spread
giant limbs of balboa, tapping
like trapped hangers behind closet
doors casting macabre shadows
across plastic flowers and dirt.

Visitors and memories are decimated
by time until all that remains
is a hovel of chiseled stone.
History becomes an illusion
of mystery, like that black dog,

there -- just beyond Aiken's bench,
sniffing out with such diligence you
would swear it was seeking the birth
certificate of God, until it ***** its leg
and ****** on the concrete instead.

~
Legend has it that Conrad Aiken wanted his tombstone in the form of a bench so poetry lovers could sit there and enjoy a drink or two.

— The End —