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Tommy Johnson Dec 2013
You can hear the voices of our peers being silenced, ignored, shunned and distorted.
Staggering out of their bedroom doorways to the street corner to score a dime bag.
Bright, insightful millennials freezing in search of warmth from something to believe in that will encourage them to look forward to see another day.
Where our economy has made financial prudence clear when talking about education, yet price tags of university tuition's skyrocket.
The refused, the ones with hope but no money or scholarships; tread the streets with the echoes of electro house pulsing in their skulls.
Those who strip themselves down and shred their own morals to scraps just to find themselves and to see their own limitations.
Searching for answers to the unknown, to ascertain what they are, who they are and why.
Timid in high school, pushed along with nothing and no one to put their creative vigor into.
The squeakiest wheels that were never even considered to be given a good greasing.
Faculties giving them lethargic hellos on the first day of school, bestowing celebrated goodbyes to them on graduation day, diplomas in hand.
Now are the ones slumped over in a lackadaisical position contemplating how they can afford an education.
They work eight to ten at seven twenty five an hour Monday to Friday; and weekends staying in as not to blow their earnings.
Those who commute to university and balance a job with it, I applaud you.
The bewilderment of adulthood, the overabundance of pressure and responsibility.
Awakened from nightmares of lost opportunities, missed trains and lost contacts.
To step out of bed and splash water onto a severely distressed face and staring into a mirror with a despairing look.
Then hoping a bus to Garfield to bring back weight for all the embryonic smokers not yet at the point of make or break, just save up enough to pave my own way.
Gazing at the town on a roof top, chugging down the tenth…no…twelfth beer of the night wondering how this all happened.
Wild sensations of kissing an attractive stranger, the rush of touching on things never felt, tasting pleasures only the lucky have known.
The passionate, yet dissolute yearning for that ever eluding ******* adrenaline. Pounding, Pounding, Pounding until the culmination of energy has come.
Flip sided to those dizzying, tear jerking thoughts of suicide, annihilation of ones being, the contradictions of their faith in themselves and the people around them.
Unexplainable waves of anxiety crashing onto the shore of a diminutive island of optimism
Striving to look past the panic, the gloominess and fury that may or may not be present. But to remain composed and press forward to what awaits them.
Coffee keeps them going. Cup after cup, late night cramming every bit they can; into their caffeine driven psyches until the indisputable crash and failure.
Packs and packs of menthol cigarettes to calm their rattling nerves but at the same time killing them slowly. Their lives will seem shorter than the time it took to finish one bogey when death is near.
Marijuana induced ventures to run down burger shacks, laughing hysterical in the car ride, eyes heavy with a most ridiculous elastic grin extending from ear to ear. While inside millions of thoughts and realizations of consciously simple speculations and troubles become clear and unproblematic. So the joy is mirrored outside in.
LSD trips in Petruska dancing and singing in the rain! Making music, making love; playing pretend and creating art. Becoming a family while kicking back under the warmth of an illuminated tree on a cool fall night.
MDMA streaming through the body, everything is as it should be
Beautiful, lovely to touch, wondrous to stroke, marvelous to move.
To contact and connect, converse and converge with the dwelling desire to share what you feel with everyone for it would be selfish and unpleasant to keep it in.
Mushrooms oh the emotional overflow I need not say more but ****.
Then there are over the counter candies, Oxycontin, ******, Adderall and Xanax, painkillers and antidepressants. Ups, downs, side ways and backwards.
Selling addiction and dependency legally to kids. Making heroine, ******* and speed easily obtainable to them. Changing the names and giving out prescriptions so the parents can feel like they're actually helping their children but are subconsciously making it easier on themselves because they cannot handle the way their offsprings actually are. Some parents a feel it is the only way, I wish it wasn't so. Becoming zombies, mindless addicts before they even start to mature into puberty. I've seen it, firsthand front row.
Oh, the monotonous, mundane rituals and agendas of our lives. School, work, sleep eat, the sluggish schedules and repetitions of yesterday's conversations and redundancy of itineraries we had plotted months prior.
Same people, the constant faces of boredom that groan in apathy and hold the fear of complacency.
We talk about how hum drum out lives have become and what we could to put some color in our world but don’t.
We speak of how unfair the system is but ultimately confuse ourselves and everyone else due to lack or organization and dedication so nothing is changed.
We speak of breath taking women we want to share ****** fantasies with but can’t even muster enough courage to send a trivial friend request.
Texting away for hours trying to court those who now occupy our minds and possess our hearts hoping they may allow us to acquire their attention and affection. Calling them only to receive futile dial tones and know we are being evaded.
Weeping on and on for seemingly endless time frames of a dilapidated relationship that was so strained that a miniscule breeze could cause it to collapse but still clinging to every memory as if they were vital hieroglyphics depicting your very essence.
Brilliant theories blurted out in a drunken stupor.
Ingenious hypothesis shrouded in marijuana smoked out room.
Remembrance of friends long gone.
The marines, the navy.
The casualties of drug addiction.
The conquerors or their afflictions.
The scholars.
The insane locked away on the flight deck never to be seen again.
Teenage mothers unsure of themselves, abandoned by their families for they believe that they brought fictional shame upon the family’s name. The fate of the child is unclear but the mother’s everlasting love shines through any obscurities in its way.
Dear mother of the new born winter’s moon may the aura of life protect you and your baby.
The father gone without a trace.
He will never know his daughter.
And it will haunt him forever.
Parents bringing up their kids with values and morals, The Holy Bible, mantras and meditation, the Holy Quran, The Bhagavad Gita, and Upanishads. Islamic anecdotes and Jewish parables.
The names all different
The message the same
The stories unlike
Goals equivalent
Faith
Kabala, Scientology and Wicca
Amish and Mormons
All separate paths that intertwine and runoff each other then pool into the plateau of eternal life.
But do we have faith in our country, our government?
They do not have faith in us. Cameras on every street corner, FBI agents stalking social media, recordings of our personal lives and police brutality. 4th amendment where have you gone?
We say farewell to Oresko the last veteran of the last great war. And revisit the Arab spring, Al-Assad’s soldiers opening fire on innocent protesters, one hundred fifteen thousand lay dead. Bin laden dead, Hussein hanged, Gaddafi receiving every ounce of his comeuppance. War, terrorism, the fear of being attacked or is it an excuse to secure our nation's investments across the sea? Throwing trillions of dollars to keep the ****** machine cranking away, taxes, pensions, credit scores, insurance and annuities all cogs in the convoluted contraptions plight.
My dear friend contemplates this every night laying in bed, fetal position; the anxiety if having to be a part of this.
Falling apart on the inside but on the outside, an Adonis, *******, Casanova wanna be. Who worshiped the almighty dollar, gripping it so tightly until it made change, drank until he had his fill falling face first into the snow. The guy who lead on legions of clueless girls wearing their hearts on their sleeves not knowing he had a girlfriend the entire time. Arranging secret meetings in hidden gardens, streaking into the early morning. Driving to Ewing in his yellow Mustang to woo a sado masochistic girl. The chains and whips do nothing to him he is already numbed by the thrill. Then he comes home, lays in bed until one, with no job and having people pay for his meals.
He knows what he does and who he is wrong. He recites and regurgitates excuses endlessly. He cries because he knows he is weak, he knows he must fix himself. I sit on the edge of myself with my fingers crossed hoping maybe, maybe he will set himself straight.
My chum who can talk his way out of any confrontation and into a woman’s *******. Multitudes of amorous affairs in backrooms, backseats, front rows of movies theaters. Selfish, boastful and ignorant, yet woman fling themselves at him like catapulted boulders over a medieval battle field just to say hello. These girls blind to see what going on, for their eyes were taken by low self esteem. A need to be accepted, to feel wanted even only for fifteen minutes. Poor self image, daddy issues, anorexic razor blade slicing sirens screaming on about counted calories and social status. Their uncontrollable mental breakdowns and emotional collapse. Their uncles who ***** them, their parents who split up and confusing their definition of love and loyalty for the rest of their lives. Broken homes, domestic abuse and raised voices, sending jolts of fright into the young girl’s fragile minds. I send my sorrows to you ladies, to see such beautiful creatures suffer then be used and thrown away with the ****** that was just ****** deep into their *****.
Then I see women and men of marvelous stature, romantic in the streets holding everyone and everything in high regards. Finding beauty in anything and anyone. Enjoying every second as if the rapture was over head eating exotic foods from unheard of countries and cultures. Bouncing to the sound of whimsical , reverb ricochets and sense stimulating music. Huffing inspiration to create something out of thin air. Dancing to retired jazz and swing albums as if no time had past since their conception. Wearing bold colors and patterns, thrifty leather shoes or suede.
Dawning pre-owned blazers because why spend hundreds of dollars on new clothes just to look good but feel uncomfortable with a hole in your pocket. Dressing up but dressing down, so class yet urban I love it, chinos, pea coats and flannels so simple but chic.
At night they go to underground dens, sweaty bodies, loud music and freedom. Expressive manifestations glowing fueled with MDMA and other substances to further their enjoyment of the dark glorious occasion. Kandi kids sporting colorful bracelets, not watches for time is of no concern to them, they have all eternity they know that.
Going to book stores, coffee shops just to have some peace of mind and a moment of silence to themselves so that can weave the tapestry of imaginative innovation. Writing their own versions of the same story, endless doors of perception, reading news papers and taking it with a grain of salt. Watching the news on TV with a hand full of salt. Searching for the real story so they can know if the world they all live in is actually safe.
She who made her own way breaking hearts, rolling blunts and making deals. The flower child of the modern age, left the rainy days in search of radiant sunshine, idealistic. Reality was subjective, purple dyed hair, multicolored sweater with sandals on her feet. A ten inch bowl with bud from California packed in tightly. Coming from Dumont to Bergenfeild then on to Philly to Mount Vernon. Off to Astoria and the Heights. Now to Sweden laying in the grassy plains below the mountains. Good for you my friend whom I have loved, may fortunes of unsullied joy come to you and all you meet.
Since you’ve left I have encountered drunken burly firemen just trying to have a good time. Pounding down Pabst Blue Ribbon as if it were water; as if it were good tasting beer. But heroes none the less.
EMT's, young eighteen years old high school graduates, saving lives reviving people who are a mere inch close to death.
Sport stars getting scholarships thanks to their superior skills and strength.
Striking beauty school students who are into making the people of this world a little bit more beautiful on the outside.
All these people, successful, doing things. Departing to their desired destinations. I see inside them, they carry baggage, loneliness and insecurities. I can feel their guilt slowing them down. All have their loads but it’s the way they carry them that shows who they really are. And to me their all gems.
Not far in Paterson I watch the junkies limping across busy winding street, perusing a severely needed fix. “Diesel!” they shout beneath flickering streetlights, asking for spare change and if bold enough a ride to some shady sketchy place. I give them a dollar and politely decline. They’ll die without it. Vomiting up bile and blood, twitches and shivers are all you feel when it’s not in you. They cannot stop, they need help. Why not help them instead of “assisting” those who are homosexual? Cleansing so they can be granted entry to the kingdom of God. Looking down on people who have found love and understanding and a deep attraction to others who just so happen to share alike genitals.
Narrow minded uproars about the spread of AIDS, nonsense! The puritanical onslaught of those who want nothing more than the rest of us, love. "Gay", "****", "******", "queer", how about "kind", "funny", "genuine human being"? The right to be married and divorced should be an option for everyone to enjoy. The strains and hardships of matrimony are yours if you want them. If you don’t agree don’t hate or harm just allow them to be peacefully. Same goes for anything for that matter, Jehovah's going door to door, Mormons from Burbank. New ideas are never a bad thing, they’re not a waste of time. On average you have about eighty years to mull over your options.
Some people don’t live long enough to do so, cancer is rampant, blood diseases, ****** diseases, natural disasters coming right out of left field and blindsiding the innocent bystanders of both hemispheres. Some go through life handicapped, autism is apparent these days. Schizophrenia, Asperburgers, ADD and ADHD. Some lose their golden memories of their many valuable years walking down Alzheimer's Lane, not being able to remember whatever transpired only a few moments ago but revisiting gold nuggets from from fifty-some-odd years ago with ease. Some go through life delusional or bipolar. Some can't even sleep at night but they still carry on. And if assistance is needed it is our job as a race to help our brothers and sisters, no one deserves to be excluded from the gala of life. Or be denied by society and pumped with brightly colored pills from doctors promising a cure but prescribing a crutch.
Finding solace in sincerity.
The serendipity of it all hasn’t been uncovered and that keeps me going.
“Radiate boundless love towards the entire world above, below and across. Unhindered without ill will without enmity.” Oh Buddha the truth as it ever was.
Who is he who keeps these thoughts from the conscious minds of the population?
Who is it that distracts us from the humbling beauty and overwhelming devastation of this place of existence we’re in?
It’s they who do under the table parlor trick behind our backs.
Those who broadcast mind numbing so called reality TV shows without an underlying value or meaning.
Those who produce music, proclaiming extravagance to be the end all be all gluttonous goal we all should aim to achieve.
And those who turn noble causes into money making scams and defile pure ideas.
And of course those who give false promises of easily obtained  bright futures, those who don’t care, those who steal, ****, curse, bad mouth and lie. But still manage to get elected into positions that more or less decide out fates. Monsters, demons, banshees howling inconsequential worries and leaving us deaf to hear the real issues.
The
Dolores L Day Feb 2016
I still reference you in conversations.
I still smell your flannels.
I wonder how soft your hair is today.
I kiss the walls of the shower just to hear the same pop our lips would make.
I wish I had endless pictures of your collar bones and eyes.
I wish I had endless access to your thighs and chest and that dot on your neck.
When I *** I say your name.
Your voice recordings aren't the same.  I want you to call and put me to sleep with your breath and I want this all without the repercussions.

I want you to be my friend.
And I want the benefit of you being my lover again.
Being selfish: it's what I do.
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
TAB Nov 2014
I can only hear your voice now
Through recordings
How sick is that?
I mean I do know for a fact
That you are dead.
But honestly I can't get it through my head.
tloco Jun 2015
Coming to now, the story of life not as a practical lesson in wisdom as such in a parable or teaching only casual experience for individual. Experiencing this wisdom will change your knowledge gained through the events of becoming with the kingdom of heaven. Ways on the tree of life or paths which are ordained or divined in the Lords or spheres build your learned life knowledge. Adapting as a disciple on the natural skill of the soul shows a person whom, the individual is in a pure state of self and exponential in the ***** of the tree of life.
As a child of light I lived happily joined in the union of spirit, my young soul always with the Almighty Father and Creator in the Tenth heaven. From a dream of the past awaking as a watcher of an extremely large craft inside the entire vessel I could see animals each of them were named and had most important characteristics from the Father. From high aloft in Heaven to the boat a watch was taking place omnipotent over the last life within. Many hosts and angels spoke once I was inside the boat but wasn’t as a soul like a spirit invisible I saw and heard. Angels divine in accord to works of commands were at work in heaven whole groups of choirs known as orders were not ever interrupted by my watch. Trumpet sounded heard in the spirits from heaven to the sea and rush gate of the heaven’s upon the earth. The name of angel that sounded and captured fallen in the thirteenth month; Tebae-et, into the stellar order of gates or fallen paradise.
A child of light borne in spirit always with the hosts or different characters in life such as Chanokh (Enokh-Father of Melekhi-Tsedek order), but it was either in dream or warden amongst crowds of souls touring in celestial spheres with paths of light on the tree of life. Walking outside my house the morning after my dream, I felt as if I could float in the air body and soul light as a feather. Surrounding me was Topaz, chrysophrase, jasper, chalcedony, and amber gemstones still transparency like crystalloluminescence. Above me sapphire with alabaster and my soul looked down upon me with white eyes shining light out of them in a robe covered in my names brilliantly shone in gold light in the temple of my soul. My body was in euphoria and I stared into the future and realms of heaven, seeing into the seven seals as celestial wardens. The divine experience was wholesome pure enrichment to my soul each word I had in communion with the throne of supreme majesty firm with glory, order, and unconditional loving care. Differences in the Father; whom was a body of so many names and creations perfect in commands, recordings, gates, cycles of hosts myriads, elementals, migrations of stars, and firmament upon firmament.
The way of the most holy spirits as complete body of the Father the original tree of life, which is known completely in the true names it was created as. The spirits, angels, guardians or incessantly serving hosts help the Father governing of the kingdom of heaven in the four parts of man. The structure I remember is perfection with tongues that fill the heart with everlasting laughter, hope that cheerfully overcomes in a soul victory. The heavenly abode the height of the throne gives the soul countenance of wisdom to the word unto man. Upon a single walk with the Father had taken my body and spirited my being in soul countenance of wisdom so far through the future I had saw unto trumpets of revelation.
Melekhi-Tsedek order the true religion to be proclaimed unto man the creatures such as animals, fallen accursed, the plant life in, promise, orphans, and widows were watched over on the decree or divine ordination from heaven. Ascending up to the throne; I went through the knowledge of the complete day in heaven or paradise recorded then toured the solar spheres, through the knowledge of the spirits or holy hosts that did in accordance to the orders. The process was divined in the Father’s willpower over my essence I had knowledge to what was being experienced in a connection unto every living creation. Completely, opening the mind unto Ratsiel (secret of God), through the third-eye founding of my soul into mysteries of kingdom of heaven. Voices of many named angels were annunciating with pleasant tones and choirs voices of angels by the thousands. Recording archangels kept the things that were occurring in the kingdom of man, while also serving the obligated roles of their natural being as direct personification of God. Organized, synchronized, and in spirit of prophecy patterning so perfected without error moving about in every way structurally sound through commanded orders. Systems of planets were kept sealed in the seven hallways or wards that divide heaven’s celestial nether space from the foundation of firmaments of word and universe unto the highest Lords signs of zodiac places. Above Almighty Father can sit omnipotent as ascending angels, spirits, or orders can go the entire flight focused on the Father’s throne. The orders of body were eminence Seraphim, Cherubim, Wheels (Thrones), Dominions (Authorities), Virtues, Powers, Principalities, Archangel, and Angels. Although the kingdom in spirit was always changing and becoming according to the cycle of the sun’s orbital sphere into the gates of each day on a 28 year cycle and 7,000 year unto 7 days in heaven the Lord a light-giver and also Lord of completion, Sabbath day.
A fresh gust of wind and a light pure feel was a regular experience while awakening my mind I learned of the Elders of heaven whom had crazy stories like when Samson had the might to slay the lions or tore down the temple of Dagon. I knew the hosts and things that had become in the kingdom of heaven to allow the might shone as a show for the heaven, but also act of the devils in his life. This knowledge was in a book the scripted the entirety of all the acts that take place as a divine act, once a celestial being was in visitation in spirit. The seraph Ratsiel (secret of God) investigated the acts of the temptation of Adam by Chavah and the acts of the archangels in response to the threat. The accord to the acts of everything that exists in the accord to knowledge of the solar is obtainable through this book, the book of knowledge.
Later in another dream I met the minister of death in spirit which as within a myriad where thousands of spirits were at works performing the acts in which is their existence and adapted behavior as a role in realms. Being in one place while still seeing into a complete different world or plane of existence doing as is need or divined in nature. Black darkened pillars came down on me as this space ship shaped like a pyramid with the patterns of natural earth red and black like lava years after a volcano. Around me each pillar stood as a being in realm invisible to my eye except for one being on a throne centered in the myriad the throne of death. Fiery torment in flames along with brimstone flowed in two pooled lakes parallel from one another with a long path going from gate to the another gate leading to Sheol or Hades. A base foundation of the throne is a horizontal shadowed hallway with many smaller pillars which give no support to the throne, while the path is vertically centered. Two stairways go up to the platform of the throne one on each side of the platform decorated with images of Baaliyal in form of a torrent. Death sat upon the throne with darkness like the appearance of black smoke blowing from his mouth a complete skeleton. Skeletal body covered in black cloak with a screeching voice like a woman’s long fingernail’s scratching a chalkboard. Terrified I walk my being over the site of my soul-mate who is on my like side and here with me she is like a dream and become in multiple places at the same time. Beautiful she was consistently becoming in hosts of cherubim changing into many different forms of the adapting natural instincts of animal’s behavior for survival, she is tan Carmel skin color and flesh uncorrupted by any mans thoughts of lusting ruin. Passionate vivid dreams of a                maiden lying in an alien jungle full of plants most like a rainforest but yet close to the planet’s beaches, wearing a purple robe. Dark and warm humid with a damp feel to the observer of the smooth cover of the claylike terrain of the solar sphere. Again I dreamed of her while she was separated from me by the prince of Tyre or the cherub covering the mercy, she ran amongst different hallways while in the tower of Babel and giant nephlim watched with other gods in gold cursed trying to look down on things in spirit. I walked up the stairs and could see myself from outside of myself, seeing my form as a human being in appearance most like Michael or Melekhidael with breastplate of gold without a helmet. Death screeched out at me and I saw an ancient giant of hell also the spirit of Tanhumeth trying to send me into the past. Awakened into a new form I walked through the gate vertical in the chamber beneath death’s ministry. Sopheriael Yahweh took me into the spirit of a seraph Hadaneriael then, into the 10 archangels of punishment over the 10 nations of Babylon the great which took me into the depth to the ninth circle of punishment for a reign in gates of the Phul seal or in Phalek. My soul was the loosened stars of Kesil through Samuil the poisoned messenger a discernment spirit involved in the surfs of the accord of the kingdom of dark princes in paradise, the divine comedy Queen of Angels enchanted songs counted into paradise. Darkness in the kingdom of heaven, with the ability to paralyze minds with seraphim hosts of terror, I walked through the brazen gates of Hades seeing everything on fire but also thousands of thousands of different forms of creations each rarity seen with delightful insight to provoke interests into any living being. The life paths of a multitude of creations would come through Hades and become baptized through spirit’s fire of pure refinement spoken as worth in the golden city, precious daughter of the loom, here in accord to John the Baptist’s   prophecy.
At a young age of 6 years old I began to refuse the world or play directly into the kingdom of heaven which was a lonely elect of self in my family also in the church my family attended. Wicked spirits attacked the gates of my inner ear where and had began to tell me of things that would happen in future then, keep me from being with the Father completely in heaven. My memory started to fade in fear that I would only to struggle if I kept learning. Gradual disillusion way from the throne began while I was only a few years old, the devils were wise in deceit most from the tree of knowledge and future mistakes from which I saw rolling with wheels of heaven. Moments of times in the future I would soul determine things into happening from the spirit of prophecy it was something I kept special between the Father and mines relationship. Constantly I would hated life and wanted to die, feed into temptation, stole, and spoke accursedly cutting my relationship from the Father.
Was not until I was seventeen years of age when I felt an overwhelming feeling like I had just explained something about the firmament of heaven which usually gives me this same feeling like a gust of wind in my person with a prestigious self worth from outside of self comforting to my soul. Looking up into the pitch black night sky, I saw a strange and odd formed constellation of stars above me I raised my arm and pointed at three stars. As if on command or through a governing of the stars each was loosed and fell immediately after pointing to them. Excited as the skin of my body was stinging as hairs stood to the point of super natural acknowledgment of the world’s great mysteries finding depth in the human soul I watched the sky then turned to the east. About to use the marijuana I torched a bowl of green bud then thought in the medium mostly of the kingdom and Father in heaven. In the zephyr region of the sky I saw a light floating, soaring, flashing, and moving faster than anything I had ever seen in life but on movies scenes. Astonished again I watch the spirit jumping around in the sky with multiple purposes and clear intent to do for the Father most high. My only other witness to this was my black minx cat shadoe, whom I looked at and said “I going to have a vision tomorrow” then finished two more hits of the cannabis before leaving to my room in the basement of a two-story house.
Awakening to the day was full of feeling of mystery I didn’t tell any of my experience from the night before. On October eighteenth in the day I smoked some marijuana went to Crook County High School and a blood drive was setup, I planned to give a pint for my first time ever so I went to auditorium where the blood was taken from my arm. Feeling faint and in hope for a high opposed to school I left and was excused from classes. Arriving at the house I stopped my Suzuki Sidekick in front then went in and downstairs to the place after the last step knowing something amazing was about to happening I uttered the name Metatron. Linear thought was tremendous while spirit balanced on a pillar and the first seal Arathron had me in celestial hallway warding the ancient spirits from the night before. Sitting down in a lazyboy recliner chair I first start the satellite television turn it on with remote, the spirits are crazy making grandeur boosts of how I can control everything like that remote but from mind. Flipping through stations I begin to change the channel in accord to how I sense and feel the spirits. Crazy things start occurring watching until I was seeing a celestial vision. Hearing my mind from above it was intriguing and making my pride compulsive like no one living I was experiencing these sights. As a mode of characters in a set ordained function were becoming visible on the tree of life but each were in a different realm not visible to the other. Beautiful alien life most exquisite to the eyes in the planes of other worldly adobes just doing into a set way of commands rare without repetition. Nine characters panther, eagle, falcon, wolf, coyote, Siberian tiger, and one man with blonde hair came into view in a dense rainforest like jungle each was adapting to the environment but they were only one soul becoming the entire time. The forest was no longer and the upper places had new hosting since I had entered and changed things with my thoughts, I became the soul of the characters. Seeing upwardly was a flight to the top of the extreme heights of the Father’s presence through the third seal of Phalek. At the arrival of my being I saw the most adorned and absolutely marvelous splendor of white shine like that of the sun’s rays hitting snow filled fields. The Father’s presence so handsome and gorgeous I have never seen another beauty like it only his eyes were so bright shining when he created my being as a star to his left-hand above a white marble pedestal of wisdom. Father had most elegant white robe shining in purity and sat upon a throne center below seven pillars known as the tabernacle of creation or tabernacle of seven days. In the presence I was pulled back down I felt spirits by the millions entering me, fusing to the dawn star in me finding a place inside me. Possessively filled with spirits till an evil pride overtook me and I felt ever sinful or dark taint of the soul. Lightening fell on the seventh pillar in the tabernacle blue bolts streaked downward as I fell from the presence back to the sphere of Adam’s where I heard two voices speaking. Red clay-like surface with rough igneous and metaphoric rock on the solar planet were a tree had burned to charred pieces. Sin from the Tree of knowledge was present as a spirit she was a young apprentice of the ancient one or Athiquelis. Introducing herself with flaming hair of red orange flames, her eyes shone as big red gemstones of ruby and a body covered with a black dress that faded into the natural darkness of her nature. Waving and floating in the air seducing temptation in her words that spoke into my mind and not from the channel. Soothsaying feminist voice would move me to her place and origin beside a large eleven foot pillar of smooth dark bla
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
we never really
hear our voices
only the echo
in our heads or
recordings
that make us sound
electronic and
nothing like ourselves
-
so how could we
even begin to fathom
how utterly beautiful
we sound when
we whisper to someone
at three a.m.
that we are
in love with them.

cs
Nat Lipstadt Aug 2017
for Harlon Rivers

the river potion,
the river portent,
the river potent

it is all of these and not one

he is bank sided,
observing the false idols,
the image mirrored
in the glass of the river

transfigured molecularly
he becomes something ferried frothily, forcefully

as if a twig
or a small thing of human manufacture,
an object tossed up airborne-repeatedly

his poetry:
the clash of particles at the many junctions
of objects and water, eddies and the currents,
ceaselessly circumnavigating,  
searching revisionary pathways

directed,
but randomized,
prisoner of the flows,
servant to the wind's directives and the
earths magnetic indivisible undulating waves

thinking,
this life,
its unsteady gait, 
the irreverent wavering of drunkenness
resultant from potent potions,
portents of inopportune position

in him,
my own histories, 
my poetic recordings
also become
water borne,
watermarked,
replayed back for me,
for erasure, censure, closure
and rededication

this River
is a tapestry,
a torn map,
drawn on broken shards
of slivered water,
living with all the others

but we,
are the untitled,
we,
are the un-entitled,
and he is the
Rivers

<•>
Oct. 20, 2016

harlon is one of the best poets here
if you are new to his writing, be sure to tell him honestly what you think...

his work can be found under
https://hellopoetry.com/harlon-rivers/  
Uncover him, and discover yourself within

2013
https://hellopoetry.com/poem/444023/dear-mr-harlon-rivers/

https://hellopoetry.com/poem/1020738/winter-whispers/

https://hellopoetry.com/poem/1913140/in-the-river-of-good-company/

https://hellopoetry.com/poem/1855694/the-slow-death-of-a-poet/

https://hellopoetry.com/poem/1995383/traces-of-youa-fathers-tribute/

2014
Harlon Rivers:
http://hellopoetry.com/-harlon-rivers/
my personal call sign, Poseidon
Poseidon was very fitting with Harlon River,
due to the symbolic nature of the water in their names.
I have only read few of this gentleman's work,
But I can assure you his work is very much a gift to the audience,
And like Poseidon that gift is fire to humanity.
Dawn of  Lighten

https://hellopoetry.com/poem/1833151/a-walk-with-tonya-maria/

https://hellopoetry.com/poem/1924604/ode-to-a-brimful-poetwith-a-twist/
and of course<
https://hellopoetry.com/poem/1954256/drinkin-mr-coffee-and-cheap-*****/
I've recorded several of my newer poems, the links to these recordings follow:

https://soundcloud.com/apexparadigm/music-is-much-like-life
https://soundcloud.com/apexparadigm/temple-of-my-earthly-goddess
https://soundcloud.com/apexparadigm/treading-water-in-the-ocean-of
https://soundcloud.com/apexparadigm/on-attempted-censorship
https://soundcloud.com/apexparadigm/polyamory-is-not-a-sin
Check back often, as I usually edit and add to the things I post. If you're so inclined, that is.
Ben Brinkburn Apr 2013
Pieter is a Norwegian and he lives
in the ground floor flat and takes
the bus to work and sits in his window
on his Vaio laptop with just a bare
bulb lighting his room
and receives a lot of mail from
South America
and we chat in the corridor downstairs
sometimes he’d hand me a beer
always Heineken
never ever anything else
and he’d tell me he existed primarily on
a diet of bananas probiotic yoghurt
prime beef and eggs along with beer
and on Saturday evenings only
two bottles of Cabernet Sauvignon
which he’d sleep off on Sundays listening to
recordings of his home town’s church bells
and he said he understood Norway better
than the UK
you knew who you were in Norway and
were always a touch away from a friend
or foe and there was no artifice involved
just icy mountains and clear seas and the release
of arctic breath
and one Friday night Barb came over
and we sat with Pieter on the stairs
drinking his Heineken and I caught him
eyeing up Barb’s legs and I didn’t blame him
no sir I enjoy an eyeful and more myself
but we got steadily more drunk
and I ended up asking him if he was
a drug runner for coke-crazed Peruvians
and he just smiled as if it was
not such a crazy question and he
said
no, just money for Nigerians
and we clinked bottles
and we laughed
park it into an account cream off your
cut and move it on
a piece of ****
nice work if you can get it and we drink to that
and I hope Barb is feeling as ***** as me
and doesn’t want to go to the Beehive
before any Friday night genital work out
as its cold and snowing outside
and I’m not made
of Norwegian stuff.
Joyce May 2012
When, instead of cozying in bed
I wander out there with Kerouac,
Imagining that I am Kerouac
Or some slave who walks upright;
Or a priest without a crowd
With hands and feet tied.
When, instead of snoring like hell,
I am left unimaginative by some;
I am making disgusting Love with shadows unknown
And remain pinned against the wall.
I am some nine year old senile who wets her bed
in fear and disbelief.
Lights flicker and then fade
And the switch becomes a button pressed to send
Someone in raving comfort.
I am not a stranger to sleepless nights
Even when night becomes noon.
Nightmares haunt me no more but I
Am left haunted by my bed.
Sheets crumpled by tossing and turning.
My bed does not recognize my warmth.
Voice recordings and constant tweetings
Pump blood to my Über active head.
Sleepless nights are well received as my body
Succumbs to sleep.
I live in a different world with five hundred other names
And the ten thousand other Me’s are all in disarray.

(And when the clock chimes at one, two, three ‘til way down six,
There’s a carnival of sorts with hair strands flailing like
Seven sets of arms.)

I am not a stranger to sleepless nights
And wetting my bed is not a Sin.
I am sinful beyond recognition, as my bed is my witness.
I have had different beds
But to me, they’re all the same.
Some, soft; others, too hard
Or covered in satin, exaggerated by the moonlight. Some, made of wood
While others, with tight springs.
Water’s absurd but so is steel.
Double padding, triple linings, four feet, at times, none;
There’s the car, the guest room, the floor, hospital bed,
A seat next to a complete stranger ---
I make my bed before sleeping
And leave it when I’m done.
I am not a stranger to sleepless nights
And I jump on the bed at midnight.
I am not a stranger to morning tides and the morning shows on TV.
I’m not a stranger at all, no,
And when I sleep, I sleep in peace.
Stranger things have happened
Noons and sudden weekends are no way sleep - inducing; I am left believing
That nights and days dance in my
Sleeplessness.
rockywhoreor Jul 2014
I woke up with a splitting headache,
I may drink too much but my parents dont need to know that.
I had to forget that wretched evening and it was my only way out.
My reflection was a dissapointment,
as always.
There were no letters with my adress and no messages with my name.
I was starting to act like my father,
it was unavoidable, I know.
But a part of me had no desire in a broken future,
I had cut a sliver of daydreams,
child's play.
But this was reality I was facing.
It wasn't facing,
more like nodding in agreement.
I had no fight left in me.
Nothing to lose.  
Nothing to gain.

Im now falling asleep at my desk,
adjusting for a new day ahead.
We're all adjusting, but no one is actually comfortable.
My arms are spotted with bruises
as the bottle settles my dreary mind.
I dont know how long I can perform this act.
Re-runs aren't appreciated anyway.
So why dont you take me off the air.
Or perhaps,
just shatter me into pieces
on the blood stained
kitchen floor.
ConnectHook Oct 2016
Governments fall from sheer indifference.
Authority figures, deprived of the vampiric energy they **** off their constituents, are seen for what they are: dead empty masks manipulated by computers. And what is behind the computers? Remote control. Of course. Look at the prison you are in, we are all in. This is a penal colony that is now a Death Camp. Place of the Second and Final Death. Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape. Don’t intend to be there when this ******* goes up. Nothing here now but the recordings. Shut them off, they are as radioactive as an old joke…
from The Western Lands (1988) by William S. Burroughs.

https://connecthook.wordpress.com/2016/10/07/material-seven-souls/
Nigel Morgan Aug 2013
It’s nearly two in the morning and the place is finally quiet. I can’t do early mornings like I reckon he does. Even a half-past nine start is difficult for me. So it has be this way round. I called Mum tonight and she was her wonderful, always supportive self, but I hear through the ‘you’ve done so well to get on this course’ stuff and imagine her at her desk working late with a pile of papers waiting to be considered for Chemistry Now, the journal she edits. I love her study and one day I shall have one myself, but with a piano and scores and recordings on floor to ceiling shelves . . . and poetry and art books. I have to have these he said when, as my tutorial came to a close, he apologised for not being able to lend me a book of poems he’d thought of. He had so many books and scores piled on the floor, his bed and on his table. He must have filled his car with them. And we talked about the necessity of reading and how words can form music. Pilar, she’s from Tel Haviv, was with me and I could tell she questioned this poetry business – he won’t meet with any of us on our own, all this fall out from the Michel Brewer business I suppose.

This idea that music is a poetic art seems exactly right to me. Nobody had ever pointed this out before. He said, ask yourself what books and scores would be on the shelves of a composer you love. Go on, choose a composer and imagine. Another fruitless exercise, whispered Pilar, who has been my shadow all week. I thought of Messiaen whose music has finally got to me – it was hearing that piece La Columbe. He asked Joanna MacGregor to play it for us. I was knocked sideways by this music, and what’s more it’s been there in my head ever since. I just wanted to get my hands on it. Those final two chords . . . So, thinking of Messiaen’s library I thought of the titles of his music that I’d come across. Field Guides to birds of course, lots of theology, Shakespeare (his father translated the Bard), the poetry and plays of the symbolists (I learnt this week that he’d been given the score of Debussy’s Pelleas and Melisande for his twelfth birthday) . . . Yes, that library thing was a good exercise, a mind-expanding exercise. When I think of my books and the scores I own I’m ashamed . . . the last book I read? I tried to read something edifying on my Kindle on the train down, but gave up and read Will Self instead. I don’t know when I last read a score other than my own.

I discovered he was a poet. There’s an eBook collection mentioned on his website. Words for Music. Rather sweet to have a relative (wife / sister?)  as a collaborator. I downloaded it from Amazon and thought her poems were very straight and to the point. No mystery or abstraction, just plain words that sounded well together. His poetry mind you was a little different. Softer, gentler like he is.  In class he doesn’t say much, but if you question him on his own you inevitably get more than the answer you expect.  

There was this poem he’d set for chamber choir. It reads like captions for a series of photographs. It’s about a landscape, a walk in a winter landscape, a kind of secular stations of the cross, and it seems so very intimate, specially the last stanza.

Having climbed over
The plantation wall
Your freckled face
Pale with the touch
Of cold fingers
In the damp silence
Listening to each other breathe
The mist returns


He’s living in one of the estate houses, the last one in a row of six. It’s empty but for one bedroom which he’s turned into a study. I suppose he uses the kitchen and there’s probably a bedroom where he keeps his cases and clothes. In his study there is just a bed, a large table with a portable drawing board, a chair, a radio/CD, his guitar and there’s a notice board. He got out a couple of folding chairs for Pilar and I and pulled them up to the table.

Pilar said later his table and notice board were like a map of himself. It contained all these things that speak about who he is, this composer who is not in the textbooks and you can’t buy on CD. He didn’t give us the 4-page CV we got from our previous tutor. There was his blue, spiral-bound notebook, with its daily chord, a bunch of letters, books of course, pens and pencils, sheets of graph and manuscript paper filled with writing and drawings and music in different inks. There was a CD of the Hindemith Viola Sonatas and a box set of George Benjamin’s latest opera and some miniature scores – mostly Bach. A small vase of flowers was perilously placed at a corner . . . and pinned to his notice board, a blue origami bird.

But it was the photographs that fascinated me, some in small frames, others on his notice board, the board resting on the table and against the wall. There were black and white photos of small children, a mix of boys and girls, colour shots of seascapes and landscapes, a curious group of what appeared to be marks in the sand. There was a tiny white-washed cottage, and several of the same young woman. She is quite compelling to look at. She wears glasses, has very curly hair and a nice figure. She looks quiet and gentle too. In one photo she’s standing on a pebbly beach in a dress and black footless tights – I have a feeling it’s Aldeburgh. There’s a portrait too, a very close-up. She’s wearing a blue scarf round her hair. She has freckles, so then I knew she was probably the person in the poem . . .

I’ve thought of Joel a little this week, usually when I finally get to bed.  I shut my eyes and think of him kissing me after we’d been out to lunch before he left for Canada. We’d experimented a little, being intimate that is, but for me I’m not ready for all that just now; nice to be close to someone though, someone who struggles with being in a group as I do. I prefer the company of one, and for here Pilar will do, although she’s keen on the Norwegian, Jesper.

Today it was all about Pitch. To our surprise the session started with a really tough analysis of a duo by Elliott Carter, who taught here in the 1960s. He had brought all these sketches, from the Paul Sacher Archive, pages of them, all these rows and abstracts and workings out, then different attempts to write to the same section. You know, I’d never seen a composer’s workings out before. My teacher at uni had no time for what she called the value of process (what he calls poiesis). It was the finished piece that mattered, how you got there was irrelevant and entirely your business and no one else’s. So I had plenty of criticism but no help with process. It seems like this pre-composition, the preparing to compose is just so necessary, so important. Music is not, he said, radio in the head. You can’t just turn it on at will. You have to go out and find it, detect it, piece it together. It’s there, and you’ll know it when you find it.

So it’s really difficult now sitting here with the beginnings of a composition in front of me not to think about what was revealed today, and want to try it myself. And here was a composer who was willing to share what he did, what he knew others did, and was able to show us how it mattered. Those sheets on his desk – I realise now they were his pre-composition, part of the process, this building up of knowledge about the music you were going to write, only you had to find it first.

The analysis he put together of Carter’s Fantasy Duo was like nothing I’d experienced before because it was not sitting back and taking it, it was doing it. It became ours, and if you weren’t on your toes you’d look such a fool. Everything was done at breakneck speed. We had to sing all the material as it appeared on the board. He got us to pre-empt Carter’s own workings, speculate on how a passage might be formed. I realised that a piece could just go so many different ways, and Carter would, almost by a process of elimination choose one, stick to it, and then, as the process moved on, reject it! Then, the guys from the Composers Ensemble played it, and because we’d been so involved for nearly an hour in all this pre-composition, the experience of listening was like eating newly-baked bread.  There was a taste to it.

After the break we had to make our own duos for flute and clarinet with a four note series derived from the divisions of a tritone. It wasn’t so much a theme but a series of pitch objects and we relentlessly brainstormed its possibilities. We did all the usual things, but it was when we started to look beyond inversion and transposition. There is all this stuff from mathematical and symbolic formulas that I could see at last how compelling such working out, such investigation could be . . . and we’re only dealing with pitch! I loved the story he told about Alexander Goehr and his landlady’s piano, all this insistence on the internalizing of things, on the power of patterns (and unpatterns), and the benefit and value of musical memory, which he reckoned so many of us had already denied by only using computer systems to compose.

Keep the pen moving on the page, he said; don’t let your thoughts come to a standstill. If there isn’t a note there may be a word or even an object, a sketch, but do something. The time for dreaming or contemplation is when you are walking, washing up, cleaning the house, gardening. Walk the garden, go look at the river, and let the mind play. But at your desk you should work, and work means writing even though what you do may end in the bin. You will have something to show for all that thought and invention, that intense listening and imagining.
ekaj revae Jan 2012
Bobo's kitchen

in the kitchen
icebergs rampage from the freezer
burying pizzas and waffles
in a glacier jungle
Bobo swings forks and knives
at the ice until the maintenance man
cusses in Polish
gallons of water
dripping downstairs
sizzling Bertalina's soul
the fiery bilingual single mom
living in fear
below his fear
of noise complaints
she sends tape recordings
to the landlord in her
cute red faced anger
loud people! and bongos!
guitars! stomping! laughter!
nightmares for her boys
who think they hear ghosts
her tight black spandex
drives Bobo mad when she runs
drifted scents of her food
sift in through his windows
knocking him out
in hungry frustration!
¿Como estás? he asks her
I speak ******* English! she barks back
back up the stairs Bobo goes
to his own kitchen where
the mice crawl out the stove tops
and potatoes grow tree roots
clear through the window
toward another life

Jake Mahaffey

Copyright (c) 2013 Jacob Mahaffey
gray rain May 2016
Albums, collections of songs,
A collection of words
brought together
to right, wrongs
or just to hurt
they're there forever.

Somewhere.

Old recordings
on vinyl
or hand written on papers.
New recordings
still on vinyl
but more objected to haters.

To be

easily accessed
and heard by everyone
fans or not,
torn to shreds
when criticised, a song
is unappreciated for what

amount of effort

the artist went through
to create something new
and original
just for you,
for your ears. To view,
to be a signal.

That originality

isn't dead
or dying
or even injured
but instead
living
to be heard

by millions around the world.
Nigel Morgan Feb 2013
Is there anything more lonely than the sound of boy playing a banjo on a spring afternoon? Oh yes, yes, it’s the sound of girl playing a banjo on a spring afternoon. A boy would lean back on the porch chair and let the instrument fall and rest on his chest to feel the raindrop-plucked vibrations, one by one. This girl, she sits on a kitchen chair, but not in the kitchen, and folds herself over her Daddy’s 5-string. The banjo rests on her blue-cottoned thigh, the lower metal edge firm against her stomach, her slight ******* pressed against the upper wooden rim. If you were standing in the doorway of the workshop you’d see her blond hair falling, falling over her face. There would be that dead-centre parting and just visible the edge of her wire-rimmed glasses.  Then, the denim jacket worn over the kind of summer-blue flowered frock pulled from her Mummy’s clothes that with her passing have now migrated into her bedroom. The thought of clothes is what there is close to hand at the break of day.

When Kath woke this morning, when the morning woke Kath, the valley air was already as sweet, as fresh as any April morning could possibly be in this green hollow of her home. She had lain there feeling the air caress her forehead. The window, always open beside her tangled bed, let in the ringing song of the waterthrush. Newly returned this handsome brown migrant warbler, his whitish breast streaked with brown, more thrush than warbler, she’d watched in the stream yesterday wading on his long, pink legs bobbing his tail like a spotted sandpiper. Soon there would be a nest somewhere in the beech and hemlock hollow along by the stream in the interstices of some fallen tree.

Ellen was due home this morning. She’d hear the Toyota from way up the track, driven overnight from Philadelphia she’d have stopped and stopped. Tired and so tired, she’d go from truck stop to truck stop, the radio her only company and the thought of Joel between her legs arching into her to keep her warm. But she’d drive with the windows down swallowing the night air as the ***** brown car swallowed the miles. Kath would have the coffee waiting, potato cakes on the stove, she’d have a fresh towel placed on her bed, underwear warm from the dryer, spring flowers bunched in mug on the window sill.

Ellen would never come right in when she arrived home, but sit down with the dogs on the porch step and gather herself, watch the mist rise down in the valley, drink in the bird-ringing silence. Kath would steal open the door and crouch beside her with Mummy’s coffee cup thrown, glazed and fired at Plummer’s Fold. Head resting against the porch supports Ellen would allow the cup to be placed between her hands, her fingers uncurled then curled by Kath around its rough circumference. There would be a kiss on the back of the neck and she’d be gone back upstairs to sit with her notebook, those new lyrics she’d been fashioning, her Plummer’s Fold diary – yesterday had been a rich day as she’d walked the bounds of Brush Mountain on the Big Tree Trail singing and plucking an invisible banjo all the while. Those songs of her great-great uncle she’d discovered in a pile of Library of Congress recordings just echoed through her, had become part of her. They were as much a part of the hinterland of Brush Mountain as the stones on the trail. Garth Watson’s voice, well she knew every turn and breath. She’d been listening to them since she was thirteen. She saw herself at the old Victrola blowing off the dust, placing the forgotten disk on the central spindle, scratching the needle with her finger to test the machine, gauge its volume. Then, that voice surrounding her, entering her, as lonesome as the scrawny girl just out of junior high that she had been, the dumb silent girl from the backwoods with that cute clever sister who played guitar and was everybody’s friend, who the boys rushed to fill the empty seat next to her on the school bus.

They’d recorded this song on their Lonesome Pine album. Kath had it all arranged, had it all imagined, brought it to that session at One-Two Records. She had been so scared Ellen would smile gently and say ‘Kath, not this ol’ thing surely. Why I remember Daddy singing this song into the night over and over.’ But no. When Kath had sung it through, looking into the bowl of her denim skirt, she’d raise her eyes to see tears running down Ellen's face. Everything between them changed at that moment. The location studio in The Farm House disappeared and they were girls on their home porch. In an hour they had it down and Larry had said. ‘My God, Holy Jesus, where did that come from’. So they went straight home and listened to those old records all night and most of the next day. They rewrote the album they’d spent a year planning (and saving for).

So now when they came together on those country fair stages, in the cafes in Baltimore or Philly it was that haunting Appalachian music that ran through their songs. Kath still shy as a blushing bean, hiding in the hair and glasses, reluctantly singing harmony vocals, Ellen– well, that girl had only to look wistfully into the audience and they were hers.  

And so they were living this life holed up in their family place, keeping faith with Plummer’s Fold. Daddy was in a home in Lewis now. He’d taken himself there before his dementia had taken him. He played his girls’ CDs all day long on his Walkman, had their pictures in his near to empty room – just a rocker, a table, a pile of books by his bed with Dora’s wedding quilt.

This music, this oh so heart-breaking music, the loping banjo, the tinkling, springing, glancing accidental guitar and their innocent valley voices. They’d exhausted the old records now and, their education in the old ways done, were back with new songs and Kath’s ideas to only record in the Fold and build songs with soundtracks of the world around them. She’d been laying down tracks day after day whilst Ellen was on the road with the Williams Band and often solo, support for the Minna Peel as ‘an outsider folk artist from deepest Appalachia.’

Kath wouldn’t travel more than a day away from the farm. Every show was an agony, except for the time they were performing. She couldn’t bear all that stuff that surrounded it – all that waiting, the sound check, more waiting, that networking **** One-Two constantly wanted her to be part of. She’d ***** off as the guys gathered around Ellen. She’d take a book and sit in the Toyota. She couldn’t do people, though she loved her folks, she loved her sister like she loved the trees and stones, the birds and flowers on Brush Mountain. Always shy, always afraid of herself ‘Too sensitive for your own good, Kathy girl’, her Daddy had said. Never been kissed in passion, never allowed herself to fall for love, though her body drove her to feelings she had read about, and thus fuelled had succumbed to. There was a boy she’d see in Lewis just from time to time who she thought about, and thought about. She imagined him kissing her and holding her gently in the night . . .
CharlesC Feb 2013
a morning conversation
with surprising anecdotes
of unique explorations..
reported confrontations
by science practitioners'
sudden dates with death..
now authoring testimonies
of their dimensional truth..
much comfort growing
from  ample recordings of
bright tunnel experience..
let us now inquire
are these flashing NDE's
consciousness leaps..?
might they point
to death's vital role..
at last finding
real self-awareness..
life in this moment..?

asking then..
is not each breath
our moment experience
of near death...?
See Dr. Eban Alexander
Proof of Heaven
Mateuš Conrad Mar 2016
i was too lazy to become a rock star, i chose to be a poet, and involve myself in a higher dimension of practising a constant Ramadhan, although drinking before having my one meal a day... watch out, a monk off the leash!

man, you know like
when live recordings
work magic
obliterating studio
recordings,
like the doors' *roadhouse blues
?
man, that's when it happens
and **** gets real, death aged
27, come the riots and myths,
when studio recordings for a sale
are worth jack-****...
so why are these *******
the un-acknowledged beatles
based upon the decibels of
the screaming female fans?
it was funny watching the spaniard
tourists leaving authentic rolled
blunts on the grave with lipstick
and some green **** also found on
churchill's bald moonshine of a
forehead during an anarchist protest...
that parisian cemetery got to me,
i thought i heard an aeon echo
in oesophagus ripples from bavarian beer halls.
Vicki Acquah Oct 2015
A Softer Way to Die

We live and study life
We pray that somehow
God changes his rules.
No one wants to die
No one wants to follow
Those complicated laws;
I mean no lie-ing - no steal-ing
no *** - before marriage no
Fornicate-ing, no ****-ing
No lust-greed or defil-ing the earth.
Amen.
All we can do now is try to find
" A softer way to die".
Pick your battles...
There are many ways to die.
I asked, God why?
When mom threw a
"Monkey wrench" in my world
Answering - "We all have to die"
I immediately winked at God...
Thinking to myself ( not I) .
Gave him a little nudge;
Sidebar God : I said to God
Adamantly "I do not want to die"
"Can you change the rules "?
I never heard back from him
On that subject..
I went to him again
God "Can you at least
Keep me with a mom-
I said "So that I won't be an
Orphan like Shirley Temple" ?
He did get back to me on that
And Mom is Alive and well
Plan A. ( living forever)
Still not executed.
Once again contemplating
Thoughts on how I want to die.
I could not think of a pleasant way
To die, none that seemed appealing.
Nor any options that would be fun.
hmmm, eat myself to death.
Playing chicken with the train,
Might prove thrilling.
As time grew nigh
My thoughts continued
....On a softer way to die.
Childhood gone, middle age gone'
Old age approaching fast and furious
Destroying me like a sudden
Approaching hurricane...
This storm knocked out my lights
Memory gone now..
Forgetting my life- my loved ones
Forgetting my friends,
Children,and foes alike
Forgetting my wrongs - my sins
and accomplishments all.
Everything's gone. So now
What do I do ?... How can
I rewrite my life,Take account..
Of that which I remember not.
The realities of my existence
Has been wiped out from
The Forest Fires burning
In my minds eye.
Have no recordings of
Who loved me or of who
I shall never forgive.
How will I know that I ever even lived.
Taking my dark blank pages into
The after life- My shadowy
Existence ends. I feel no pain
I Have no thoughts,
Have nothing to contemplate.
For I have asked to live forever
Or that I die a,softer way
Forgetting to eat
Forgetting to drink-
Forgetting to swallow
Forgetting to breath...
Forgetting this life-
I close my eyes and fade away.
painlessly
© Vicki Acquah
Alan McClure Jan 2012
Well now, I used to teach.
I mean, I still do, but it's only for their benefit now, isn't it?
It's like the doctors and the greengrocers
and the streetsweepers and librarians,
still going through the motions
while they take recordings and what have you.
I guess we should be glad
that they're interested in the way we lived,
you know,
before they arrived.
But my kids, you know,
they're all actors.
They might learn the odd piece
of arcane knowledge
but I can tell they know
they don't need it.

No, no, I'm no rebel
I don't want any trouble.
Things are better since they arrived,
of course they are.
I mean, their technology -
we couldn't have come up with that
in a million years.
And they're very polite.
I have a colleague who says
this is because they feel guilty about their success,
but I don't know about that.
Things were bad for a while,
but I guess maybe that was our fault.
We didn't know how to react.
We adjusted poorly.
It's hard to accept that you're, you know,
obsolete.

Even me, you know.
For a while there I was,
well,
I was drinking a little too much.
It was hard, seeing the school destroyed.
They've done a good job
with the facsimile though.
even smells the same.

Yup,
can't complain.
Can't complain.
Mr X Jun 2014
When you are gone,
Its not your smile that I'll miss the most.
Nor is it your laughter.
I will not miss your rythmic voice
Nor will I miss your amazing speeches.

When you are gone,
I'll have all those video clippings
And all those unnecessary voice recordings to be my aid in your absence.

But hundreds and hundreds of clips
Filled to the brim with your laughter and voice, will never be able to take your place.
And that's because they'll all be a repetition.
They'll show me what my eyes have already seen.
Priceless moments...
They'll never be able to create them,
Like you did all the time
With your amazing mind.

However hard I am on myself.
The truth will always be that I'll miss you.
I'll definitely miss your heart which was your aid until this last day.
But what I'll miss the most, is your mind and your everlasting soul.
I'll miss them beyond words.
Eugene Oct 2018
Abalang-abala ka sa pakikipag-usap sa iyong kustomer at hindi mo na namalayang tumatakbo ang oras. Ang nasa isip mo lamang nang mga oras na iyon ay matapos mo ang iyong trabaho nang walang palya at walang ano mang iisipin pa. Nang iyong tanggalin ang headset ay doon mo lamang napansing ikaw na lamang pala ang nag-iisang ahente sa ikatlong palapag ng opisinang iyong pinapasukan sa isang call center.

Tanging ang liwanag na lamang sa iyong station ang tanglaw nang mga oras na iyon. Kaya naman ay sinipat mo ang orasan sa iyong wrist watch at napagtantong isang oras na lamang at sarado na rin ang buong building at kailangan mo ng umuwi.

Inayos mo na ang iyong mga gamit at siniguradong na-i-document mo nang maayos ang mga calls recordings mo. Nag-inat-inat ka pa muna bago mo pinatay ang monitor at CPU ng iyong kompyuter. Hinintay mo munang naka-shut down na ito bago ka tumayo. Nang tuluyan na nga itong namatay ay agad **** binitbit ang iyong back pack. Nang tatalikod ka na ay isang malamig na simoy ng hangin ang nanuot sa iyong balat.

Sa iyong pagkakaalam ay sarado naman ang mga bintana sa opisinang iyon at sigurado kang pinapatay na rin ang aircon kapag isang tao o walang tao nang naiiwan roon. Ngunit, kakaibang lamig ang iyong naramdaman. Hindi lang iyon dahil isa, dalawa, at talong beses kang nakarinig na may nagtitipa sa keyboard.

Halos lumabas na ang iyong mata sa takot pero nanatili ka pa ring matapang. Huminga ka muna nang malalim at agad nilingon ang kanina pang nagtitipang bagay sa iyong likuran. At doon ay lalo kang nanginig nang makita ng iyong dalawang mata ang biglang pagliwanag ng monitor at sunod-sunod na pagtitipa ng wala namang kamay na mga letra sa keyboard.

Nang mag-flash sa screen ang mga letra ay doon ka na nagtatakbo palabas dahil nakasulat doon ang mga katagang TYPING KEYBOARD  na may kasamang pigura ng duguang bungo.
Charlie Miles Mar 2011
When I was eighteen I worked for a company called GLENCOM. You probably haven't heard of them, you're not supposed to.
They're the invisible middleman.
What happens is, when a company wants to set up a call centre but doesn't have the space or the manpower to do it themselves, they call Glencom.
Glencom then puts together a team of people in Swindon,
teaches them the bare minimum about the product they need to sell and sticks them around a table with headphones on,
completely cut off from the people around them being force-fed phone numbers for eight straight hours a day.

They do this for dozens of companies. And there are dozens of companies just like it.
Producing nothing, just doing other peoples ***** work.
The jobs they don't want to do themselves.
Like Telemarketing. Cold-Calling.
You know when you've just got into the bath,
or you're sitting down to dinner and the phone rings and you think
'I don't want to answer that but it might be important'
and when you answer it it's someone you've never met desperately trying to sell you something you don't want?
And no matter what you say they don't seem to listen, or care,
they just keep reading standard procedure from a script until you can't take it any more and you just hang up?
Chances are, that person is a Glencom specialist telephone agent.

I loved that job, I really did.
You probably think I'm crazy for it, it's the kind of job that middle class kids do for a little extra cash while they're at university,
until they get sick of the soul-crushing routine of getting yelled at and hung up on, yelled at and hung up on and they stop showing up after six weeks.
Year after year, cold-calling is rated in the top ten things people hate about the modern world.
I was part of the problem.
And I loved it.

You see, when you get one of these phone calls, you don't realise that it's a real person on the other end of the phone.
Of course, you do know that it must be a person, that's common sense.
It's just not in your nature to think of that disembodied voice as having a face and a mind
and a favourite food .
and a family
and a history
and a home that they go to every night at seven thirty.
They're a spirit.
One-dimensional.
So you don't treat them like a real person,
and that's OK, really it is, we're used to it.
As far as you're concerned, whoever you're talking to is just a faceless corporation,
so you yell, and you swear,
way more than you would if you were face to face with someone, say, at your bank or in a shop.
Every little thing that has ****** you off that day gets unloaded onto that person because,
for those five minutes,
with your bath getting cold,
or your dinner getting overcooked and blackened,
they are everything that's wrong with society.

So by the time you finally slam the receiver down, and return to whatever it was you were doing,
you're face red, out of breath, can't remember the last time you were that angry
they've ruined your evening.
You swear you're going to complain,
but you know that if you do that you'll just get caught up in their red tape and rhetoric all over again.
There's nothing to do but let it go.
So you do, and with it, something strange happens.
All that anger and tension that you've been carrying around all day just leaves your body slowly.

The traffic that morning;
your workload at the office;
that cold you just cant shake;
the barista who got your coffee order wrong, but your were running late so didn't have time to complain and get a new one;

All those little things that you can't control,
it doesn't seem worth worrying about them now.
You think of how angry you were at that little voice coming out of the telephone speaker and you feel sort of proud,
like it makes up for bending over and taking **** from your Boss all those years.
from your bank all those years
from the gas and electric companies
and your phone company and internet service provider all those years
from your politicians all those years
all that doesn't sting so much any more.

Because you just stuck it to the man.
You stood up to the big corporations and you got the upper hand.
You start to see the funny side,
you'll tell everyone at work about this.

That's the thing about telemarketers: They're one of those little annoyances that people love so much,
like the weather or queue-jumpers.
Something we all hate, but can all relate to,
a lynch-pin of small-talk,
that inoffensive comedian you like so much was talking about it on tv the other night.

But this time you get a chance to stri ke back.
It's not like getting a parking ticket,
or stubbing your toe,
you get to yell at this inconvenience, tell it exactly how you feel without any fear of repercussions.

Without you realising it, that telemarketer has just done you a valuable service.
You've just saved yourself an hour in front of a punch-bag,
or a session with your therapist or *****.
Without knowing it you are in a better mood than you've been all week,
so you don't smack your kids when they spill paint on the carpet.
And you don't yell at your wife when she forgot to pay the electric bill.
You float on a cloud of air until bed time, and probably make love to your partner for the first time in weeks.
You sleep a healthy eight hours and wake up to breakfast  and coffee and drive to work feeling like you did when you first started there,
when you could still see a bright future ahead of you.
All thanks to that soulless,
faceless,
nameless
disembodied voice on the other end of the phone.
All thanks to me.

I worked out that in any given day,
I got yelled at or told to ******* or otherwise unnecessarily lashed out at maybe thirty out of every hundred calls.
That was thirty families who were going to have a nice dinner,
without the usual arguments for once.
Maybe a few times a week I could prevent an abusive husband from having that one whiskey too many and bashing his wife from room to room.
If you believe in a butterfly flapping it's wings in Tokyo, and all that,
then maybe I, without ever leaving my desk, could stop a ****** from happening, perhaps once a year.
I was making a difference and all I had to do was let my computer dial a random phone number and to introduce myself as
'whoever calling from wherever to let you know about a valuable promotion...'

When I realised all this I decided I would work harder to up my productivity.
A hundred and fifty calls a day,
two hundred.

And I had to provoke more anger.
Subtly of course, I would try to be more obnoxious and inept.
I got peoples names wrong;
I talked over people.
Soon I was getting fifty hang-ups a day.
So I, like a good employee, constantly tried to better myself.
I sniggered at peoples names;
I requested needlessly extensive and intrusive personal information;
asked to speak to 'the man of the house'.
I was getting balled out with every other call.
Seventy, eighty, ninety times a day.
Every time I was called a nuisance I gave myself a pat on the back.
Every time someone said they wanted to speak with my supervisor, I just said they weren't in and then rewarded myself with a cookie at break time.
I got more competitive with myself.
I considered it a personal gift when I got someone with an Indian name,
or a speech impediment.
Gay couples were a Godsend.
I corrected peoples grammar;
I cursed;
I slurred;
I made thinly veiled ****** references.

I was thorn in the side of everyone just trying to enjoy a quiet Sunday afternoon.
I was the itch that no-one could reach.
I invited venom, longed for hatred.
Because if it was aimed at me, it may as well have been aimed at the moon.
I was a necessary evil.
I was the common enemy of the whole country.  
I can't say how many relationships I must have saved,
how many lives I touched.
Suicides prevented? You never know.
I was making the world a better place, one botched customer service attempt at a time.
I was saving people without them even knowing my name.
The anonymous benefactor,
the masked hero.
I was Zorro, I was Batman.
And I loved it.
I thrived on it.
I had found something I was good at.
I could have stayed there, soaking up insults, absorbing peoples troubles, lightening their burdens, forever.

Until three months ago when my manager saw my sales reports.
He, of course, didn't understand why we were really there.
He thought it was about money, about generating figures for whatever company we were hired by that month.
He threw buzz-words and management speak at me.
Improving Revenue.
Optimising Productivity.
Promoting Synergy.
Utilising Opportunity.
Sentence fragments that wouldn't make sense if he meant them.
Nonsensical ramblings littered with capital letters.
By Glencom's standards, rather than my own, I was the worst specialist telephone agent that he had ever seen.
I didn't bother trying to explain.
He wouldn't have understood,
I wanted something real.
Glencom could have been the first call centre to truly,
what's the phrase he would have used? Attain it's Potential.
We could have been pioneers in the business world, providing a service that the public really needs.
But there was no point, he had listened to recordings of my calls and had no choice but to fire me on the spot.

That job was the only thing I had loved for a long, long time. T
he only thing that gave me purpose,
my reason for getting out of bed,
for putting on trousers and shoes.
It was all I had and I lost it,
blacklisted by the employment agency that placed me there.
For a while I tried calling people at random from the phone book but it didn't work out.
You have no idea how much it costs to make a hundred phone calls a day on a pay as you go mobile.
Ten pence a minute
times by sixty minutes an hour
times by eight hours a day  
minus a half hour for lunch equals more than jobseeker's allowance is willing to provide.
I switched to contract but these days everyone has phone number recognition,
so everyone can see that you're calling from a personal phone rather than a business one.

Eventually I started getting phone calls from the phone company explaining that I'd be cut off
and fined if I was using a personal phone for random telemarketing without a license.

The operator was clear, polite and ultimately very helpful.

******' Amateur.
Often poets communicate
via internet voice recordings
sharing dancing lovers videos
as pen pals may venture to do;
no it doesn't mean
we do not exist
people aren't virtual cartoons!
We have feelings emotions we love
the mind makes it all real.

We are real people in different countries interchanging loyalties
we are perhaps more real then couples living together yet disconnected in many ways,
and not in love either
but rather utterly bored.
~~
So don't be cruel saying
I am virtual and you've met
the love of your life already
and want no one else,
but your Zaheera for all eternity
because she's omnipresent real.!

Trying to make her jealous with me
a real poetess!? think again!
Zaheera and me can smell your rat.

She is more a fantasy for years if she even exists
Why the virtual competitiveness
and AnK isn't real?
We are breathing eating sleeping loving trusting sharing
yet not real!?
In your book of tricks ? Hu?

How shall we search for real connections hu?
have you noticed though
the whole planet has gone virtual.
it's become a ritual,!
All people are real living brings
not virtual their lap tops cell phones  c are the virtual conduits,
though so what !?
~~~~~~~~
By Mr and Mrs Andrews
inspired by Karijinbba.7/21
presence trust is life
but so is penpalship honored with trust  respect and consideration for people's hearts  We all deserve to live life liberty in pursuit of happiness.
There it sits
Waiting
Watching

It's a Yamaha
With a Union-Jack back
The last of it's
Kind

It's been a faithful companion
It came to me
When I was six
Not brand new
But second hand

Through all the tears
All the humiliation
All the pain
All the scoldings
All the belittlings
It stuck through with me
With sweat and blood
Shed on the keys
It didn't complain
When I threw
My tantrums
Banging the keys
Even kicking it once
Or twice
It just waited
And watched me
Till I calmed down
And felt
Stupid
After
I practised
Everyday
And not once
Did it
Complain

It has a really bright
Crystal clear
Sound
With this certain
Energy
And depth

I took great pride
In taking care of it
Polishing it
Every other day
Till it shone
Like a mirror

As time went by
One grade after the other
The practises became
Less and
Less
I didn't care for it
As much as I did
Before
A year passed
Then another

Now I'm fourteen
It's twenty eight
Or more
I've had my share
Of performing
On stage
With all types of pianos
But there was this
One thing
That was different
With my piano
Something it
Lacked

The sound is there
The energy is there
But somehow
When I compare the recordings
My dear piano
Just sounds
Tired...
The touch stickier
The keys start failing
On some days
It sounds
Muted
Always slightly off key
No matter how many times
The piano man comes
This is one patient
The doctor can't treat

Is it possible
That emotions
Can be transferred
To objects?
Has my raging
Over the keyboard
Tired it out
By having to
Express
What I play
And what I
Put
Into the pieces?

It's a piano
Of memories
Of thoughts
Of an inexpressable phenomenon
Called feelings
"Where words fail, music speaks"
I salute you
Dear piano
For allowing me
To express myself
Through the written pieces
You help
Materialize

We have grown together
Walked this long journey together
And with all the memories
Sweat
Blood
Tears
That has made me today
I won't part with
Till the very end,
Dear piano

So shall we continue?
stargazer Nov 2014
Is there happiness hidden behind your withered bones? You've always felt everything too deeply, maybe that's why your ribs are broken.
How many mirrors have you broken since he left you? Every day is another battle between who you were with his oxygen and who you are now without it.
I think the saddest thing I had to witness was you carving his name into stone skin so you could bleed out all of him that was left in your veins.
You fill voids with sunset pictures and recordings of his voice when we both know it's killing you more than it's keeping you alive.  
How many days has it been since you overdosed on sentimental morphine?
How many times do we have to go through this until you realize he's not coming back?
He's never coming back.
Nat Lipstadt Aug 2015
~~~
dedicated  to the three, who read this first
(S.B, J.A.,  & T.M.R.)
and know it all too well

~~~
more than ever presumed,
more than ever thought realizable,
indescribable attainable,
a modernizing magic powder,
synthesizing my intemperate body
~
at last, all ego falls away,
now but corn husk mulch,
detritus, non-toxic nuclear waste,
for growing better visions,
fruits undiscovered
~
write for me,
my recordings, my blog,
not to differentiate,
to substantiate,

to integrate

your gasps imagined,
mine realized,
exhalations upon lips grazing,
the soil of our rainforest
wetted by
living smiling,
eye droplets,
forming a singular stream
~
write for you,
sharing too close,
are you my first or second skin,
for there are no spaces
~
satisfaction discovered that is insatiable,
this pleasured seeing,
this pleasured sharing,
this poetic reason,
to exist
*I watch your face
as you write

in the furrows of the brow,
see you and the
word-seeds being seized,
harvested,
prepared, ready-roasted
for sumptuous consumption

grimace and smile,
alternating currents,
grimace and smile,
ponderous pondering
chew each word,
flavor extracting,
does its taste fit,
is it only,
but,
perfect?

you get up, you sit,
you move about,
pretending, misleading,
purposed to be aimless

yet eyes squinting
betray
a fearsome full
concentration rapture,
a mind computing
the numerical quality of
words,
summing, subtracting,
solving for X

you employ technique,
formats, tools and aids,
thesaurus, dinosaurus, dictionary,
even pictionary
when
the guppy letters
swim spring river current fast,
little boy catch me fast run past,
cannot be caught and easy captured

why
do I watch
your face
as you write?

for there visaged,
is your truest work,*
**you, your best poem**

*what words you select
matters little to me,
t'is the struggles,
the blush of satisfactory,
the distempered white of
disillusionment,
of inspiration sought
but not found

all these dancers,
you choreograph
a word-ballet in three acts,
scheme a midsummer nights dream
upon the stage of your face

return the favor poet?

watch mine,
watch my face,

as I read your poem
and see thine own best
reflection
in teary eyes caught inside crows-feet,
pencil thin smile lines of fine wine whimsy,
in feet that airlift,
the contour of
who you are
and
think*

You, Poet,
you are your best poem
Adam Mott Nov 2015
Running my right hand down a rain soaked window
The colour of the evening sky is dark and grey
Deep within the leaves of early November stir and rustle
The loving kiss of a March gone past

The children on the street gaze intently as I go by
Cold and quiet, pain in my eyes
The weather has turned cold now
Like most else
The face of this reality
Morality without

Realization that this path leads nowhere fast
The last love
The best I have ever had
Would if I could
Go back

Hand in hand
Like nothing happened
The record plays again
Tags are for you all
Carlo C Gomez Aug 2022
~
I work in the clouds
Building a world out of hype
I could be a beekeeper
A prison guard
Reverse pop idol
Extinguishers, all

Hackers ferry contemporaries
Around the diseased city
Merchants of transference
Polymorphing
Paths and angles
Pieces of eight

They could be brutal war fantasies
White noise translations of the snow
Cathedral nights in the deli
Ghost recordings from an opera house
Each with its own price tag

All the pretty girls
Thick with mascara
Go to plasticity
Drink chloroform
100 aspects of subterranea
So long as they come home
With a credit problem

Money devotion
It's what transferred us
Into numbered silhouettes
Slavishly pouring our blood into the sea

~
Elizabeth Jan 2013
Once upon a time, sweet soldier, we were everything!

We were shy glances and piercing stares,
bitter coffee and sweet cider,
nervous laughter and easy smiles.

We were all-nighters and painfully early mornings,
utter exhaustion and unexplainable energy,
distracted work days and focused only on each other.

We were photographs and video recordings,
magic tricks and storytelling,
Monty Python and Charlie the Unicorn imitators.
(We were total dorks!)

We were late night jogs and wrestling,
motorcycle rides and beach-walking,
seekers of adventure and last minute decision making.

We were short pecks on the cheek,
and long passionate kisses,
fierce embraces and soft caresses.

We were soul-searchers and wound-healers,
dreamers and risk-takers,
keepers of secrets and whisperers of truth.

We were sanity and craziness,
possibilities and improbabilities,
with everything and yet nothing going for us.

We were in love.
One constant in my unremarkable life
The infinite ringing of tinnitus
Ignored by methods learned so long ago
I could not remember to teach them to you
Certainly not fail safe methods
With age it seems harder not to listen
And lament as it gets louder
Slowly, slowly, barely perceptibly
Louder
As through a screen I listen to things
From the dullest congressional hearing
To the most exquisite music
Of Gustav Mahler and Sigur Rós
I know there will come a day
I will not be able to dissect the intricacies of a randomly chosen Mahler symphony
Or appreciate the perfect bliss
Of Jónsi channeling angels
Breaking barriers, cerebral and ethereal
How will I remember this divine sound
When tinnitus masks the music of the spheres?
Will my memory ability do it justice?
Soon, oh graceful Lord, soon the curse will overshadow the blessing
And I will have to stand condemned of it being my own fault
It makes me want to cry when I say
I'll miss all music
For music has been the most trusted and reliable friend I've ever known
Sacrificed for what? Persistent ringing
But who knows, perhaps the tinnitus
Is to keep me from hearing the voices that accompany schizophrenia
Perhaps that's the sacrifice, the trade-off
Godsent music the price to keep insanity at bay
I must not think that way
Though my years are getting shorter
And tinnitus will surely claim my hearing sooner rather than later
I can't let myself feel guilty
For basking in the sonic waves of comfort
For playing Riceboy Sleeps again
Listening for the million musical noises
Floating around in the atmosphere like fire flies on a dark, humid summer night
There are recordings of ghosts on the record
I'm no para psychologist and I don't even believe in ghosts
But I swear I hear their mournful cries
Pianos in empty rooms
Simple melodies picked out by no hand at all
Sounds that cannot be identified
Pin ***** starlight shines pencil thin bright light beams
That show the moths and dustmites hanging from the air
Riceboy Sleeps you can wear like a cool coat or hide beneath like a sheet waiting for Answer Man to come get you
Stalling, stalling to keep you here until the absolute last minute
Something so strong that even tinnitus can never fail to steal it's otherworldly beauty
And though it's true I would choose Mahler over Sigur Rós and Jónsi/Alex
To be stuck on that desert island with
It's only because I think his symphonies would be better tools against boredom, so complex and intricate they are
I could live 50 more years and still not have heard what waits in his symphonies
Jónsi's voice is carved on my heart
I take it with me everywhere I go
I will never lose it
It is indeed part of me, even as it grows in it's mythology
Jónsi will be with me always
Even through the gates and down streets of gold
Mahler, though, will take a long, long time to work his way into my memory banks
Though he my not totally succeed I know
I'll get more than enough
And the desert island experience
Was only made tolerable by those 9 symphonies either in the Claudio Abaddo versions or the Muchael Tilson-Thomas cycle
So I keep 'em both
And in similar ways my tinnitus is staved off by
Message For Bears
Immanu El
Stafraenn Hakon
Yeasayer
Jean Sibelius
Gregor Samsa
...there are many others
   Stand against tinnitus
   Pray a miracle from God
   To point out
   Unrecognized silence
Written under the influence of Jónsi & Alex's superb album "Riceboy Sleeps", an album that I cannot recommend highly enough
subway
ed sheeran, especially give me love, our ******* wedding song
black and white photos
england, you wanted to show me everywhere
6"2'
the fault in our stars
always
italian, why did you even feel the need to say ti amo
*****, you were drunk when you said it the second time
5.30am
scars on people's wrists, don't be silly, you said it was an accident
collar bones
tumblr
dreams, the good ones were mine, the bad ones were yours
voice recordings
11.11 wishes, the ones you promised you'd help make come true
the word ****
succulents, like on your windowsill
bastille and cars, you would always sing along in the passenger seat
postcards
airport and train station reunions
all those songs i played just for you on my guitar
my sister's birthday, why did you have to choose that date
you're perfect for me, you swore you weren't a liar
***
the anne frank house, where you were ******* texting me from
february 26th
melbourne's federation square
your name was in a movie and i started to cry
thursday 23rd october '14 ~ idk i can't even rn ~ just a pathetic list i will keep adding to
brandon nagley Jul 2015
Anyways more of me lol, OK I grew up with a mum and dad good Christian parents though both went off the path!¡ mum is ex. Well still alcoholic but don't drink once addict always one as they say.. I saved her life many times from getting killed .. Me mother is mine soulmate no not sexually. She's mine best friend in this world if I lost her I'd lose me really in a way.. Dad is ex pill addict currently still is. Though he gets quote legal pills for back pain herniated disk) he is part of reason I got into a 22 people drug bust... I was originally charged in drug bust with trafficking oxy  contins meaning ( an felony 2) meaning trafficking in drugs. And got charged with trafficking ******* up to and ounce between two deals I made to a guy who set me up between two Thursdays....I knew this guy from school back in day so you all know.. He wore wire on me. Had police phone I used to call me dealer which police listened and sit right out side me apts.... Anyways I got on probation continued to use drugs was blessed... Those charges I told u were dropped to aggravate
Possession of drugs from the two oxys for me in me pocket... Lawyer knew I did these deals not for money but pills... So yes messed up probation so sent to crc prison for four months than to pickaway prison right across the street which used to be an old army base than in the thirties was a mental ward for people who had demons.... So yeah in prison people could find out I sang... I became the singer of the prison I did their talent shows. I spoke out against gangs killing gangs in there knowing I'd be ridiculed from gangs sitting and watching me but I got respect singing to whole crowd and I got good respect from all people.  Because I believe in loving all people. Not war. Not hate not anger or hate but love conquers all evils.... If humañs would only understand that. Oh more u don't know I also played for the ex mayor at age sixteen for a drug Free thing I use to be in called 3d ironically was a hypocrite using drugs at time . anyways played at ballroom of Toledo art museum in front of a crowd of the mayors.. Also played at  a high school in Cleveland Ohio doing me own music two songs ... There were 350 eyes on me which felt amazing.... And did a show at a private school for girls and boys and had news people from wtol news there in Toledo.... So yes I need to get back into music I miss it alot .?. I've been poet along time can't tell u really how long?!? I can communicate with spirits literally I hear them in me home . I see their orbs . me and mum both. We got pics of them and sound recordings though try to stay away from that *** we don't always know if good or evil demons are coming in... I've been scratched by them... Broke out in rashes from them touching me. Can feel cold from them when their near... Hear them speak in me ear so only I hear or out loud where me and mum hear both *** me and her are in tune spiritually big time... Dad also hears like me and mum footsteps in house or in addict in apt. Yet have Christ to protect me in bad... And when I pray to Christ those DEMON'S leave. They hate christ!!!!!No more natious feeling that they cause no more depression when they leave.... They are real  for u who don't believe.... Also I usualy wear long hair but cut whenever I need to even it up.... I had friends in past yet due to their drug use still they all left me after mine bust showing me not real friends.... So mums me best friend so is many others on here I'm close with .. You have all showed me soo much love I've never felt... God bless u all . I thank u to me soul....I love to cook to.. I also love giving back massages and whole body massages.. I love brushing ones hair to and rubbing their eyes lids temples.... Also with one I love pulling her hair stroking fingers in it to help her relax on back of her head... And massaging her... Using candles to relax her and I love incense.. Sage and Christ is for the demons lol.... But I love cooking for a woman ... And making her a bath to relax... And I am a true hopeless romantic......

Not done more coming wait to see (;
Alyssa Underwood Sep 2021
I
--
The LORD is asking, “Do you trust Me, child?”
And surely He is worthy of all trust,
but visceral reactions oft’ seem just
in keeping soul’s anxieties well riled.
While panic, shame and dread stir doubting winds,
obsessive, tight, compulsive thoughts pour fuel
into this downward spiraling boil of gruel
where toxic interactions breed more sins.
So for relationships I feel unfit,
and now old interests die and pleasures wane,
as each new hope in Earth’s good brings fresh pain,
where dark depression’s presently my bit.
Yet in this wilderness I hear God call,
“Child, look to Me. I am your ALL in all.”

II
--
I meditate upon the word of God
to heal a mind that’s broken from the fall,
and lying in morn’s bed I now recall
the former paths of fullness I have trod.
I clear the course of tangling debris
that fogs perspective’s distance-viewing sight
and clogs the narrow way which lets in light,
so with God’s truth I’m able to agree.
I gaze toward the future that is sure,
to glory that is promised out of trial.
I push through lying voices of denial,
rememb’ring my inheritance secure.
So healing first begins by sizing scope,
for in true measure I can grasp true hope.

III
---
Long sheltered in the recesses of mind
on pedestals that overshadow truth
are lies which I have entertained since youth
like tape recordings stuck on forced rewind.    
There‘s something of appeal in misbelief,
some comforting, perverted, dressed-up face
which keeps foul strongholds rooted into place
and lets such rotten seedlings harvest grief.  
But I must choose to undermine their message,
uncovering deception’s hidden lairs
whose cultivation grounds for growing tares
leave roadblocks to integrity’s safe passage.
God’s probing, piercing words—what precious gifts!—
can excavate, expose and extract myths.

IV
---
I apprehend these truths in David’s psalm:
“I’m fearfully and wonderfully made,”
and all my days of life are firmly laid
within the sovereign care of God’s own palm.
And yet another voice keeps creeping out.
“You’re too unfit for blessed community,
hence from belonging full immunity
is your dim lot,” says paralyzing Doubt.
For ‘gainst the Word that says I‘m rightly hewn
rub all the bristling edges of myself,
but would one set forever on a shelf
a Bösendorfer piano out of tune?
No, value is a function of creation,
and He who made has promised restoration.

V
--
Restoration’s anchored in redemption,
and my redemption‘s grounded in God’s love.
Nowhere in far reaches man has thought of
could mind unfurl the breadth of such conception.
Sloshing, hesitating in the shallows,
I wander close to shore in Love‘s vast sea.
Then from the swell I hear a coaxing plea
to dive into the deeper wake of hallows.
What‘s this weight that pins my frame from racing
toward His unknown billows of delight?
Do I not trust that He will clasp me tight,
help me bear the fiercest waves I’m facing?
What guile of devils am I heeding here
which keeps me bound by paralyzing fear?

VI
---
Disheartened by my want for firm resolve
to swim toward agápē’s unplumbed depths
for int’macy with Him who paid my debts—
the only One from sin who can absolve,
I wander, wond‘ring what I’ve missed to see
within my comprehension of Christ‘s love
when He would vacate majesty above
and suffer cruelest death to set me free.
They stripped Him, flogged Him, spit, pulled out His beard,
then pressed a crown of thorns down on His head.
They nailed Him to rough cross to leave for dead—
Creator of the world now by it jeered.
In love this traitor by her King was served:
Christ Jesus bore God‘s wrath which I deserved!

VII
----
Considering what labors Christ performed
to buy my freedom off sin’s slav’ry block
that of His fullness, with Him, I could walk
in resurrected life (not just reformed),
can I not trust that He will see me through
each trial, tribulation, sorrow, loss
when He would not forsake me at the cross
but carried all my grief and suff‘ring too?
And just as death‘s cold grave could not contain
my Savior but gave way to watch Him rise,
whatever loss my path has to comprise
shall work for me eternal glorious gain.
So while my courage may still be in lack,
the settled thing is there’s no turning back.

VIII
-----
Wading through fresh tidal pools of mercy
along a piece of coast that‘s not too wide—
among the crags and caves where stragglers hide,
hoping to evade crowd controversy—
I know I‘ll have to move on before long.
But in the warm meanwhile of the day,
I kneel to rest; and as I start to pray,
my heart begins to open to a song—
a gentle, soothing lullaby I’ve known
sung to the tune of ‘Eventide‘ as hymn,
reminder that this life is fading, dim
but that in Christ I never walk alone.
And as I raise the words, “Abide with me…,”
here comes my Shepherd, walking by the sea.

IX
---
What now is this waylaying, sin-sick soul?
Diversional winds from cliffside descend.
Where‘s pressing fire my devotions attend?
Brain‘s robbed of sanity, sleep, self-control.
Jesus comes near numb heart in distraction
and bids me again to clean deadwood out.
Jesus, I‘m desperate, drowning in doubt!
Help me expel what‘s needing subtraction!
Discipline, prudence, wisdom, contentment
can work to restore both body and brain,
while worship will lift locked heart from restraint—
its untethering from woe’s resentment.
I won‘t, without wisdom, taste truest Love,
yet Love holds true keys to wisdom above.

X
--
Mottling mind’s hazed subconscious sockets—
bedecked by ego’s restless crave for fill—
infections grow to permeate my will,
ladening, with dross, affection‘s pockets.
Foul seepage soon coagulates to plaque,
forces clefts which weaken my foundation,
foments psyche’s stormed disintegration
till half-light’s flushing falls to midnight‘s black.
Yet amid murk‘s rotting, rank confusion
with ev‘ry faculty succumbed to rift,
My Shepherd plucks me fiercely from the cliff,
tending thorn-torn blight with Love‘s ablution.
Healing, though, requires my surrender—
all cooperation I can lend 'her.'

XI
---
Jesus asked a question at Bethesda,
the pool by which an invalid was lain,
for thirty-eight lost years left in his pain—
twisted, timed, tormenting, teared siesta.
“Do you desire to be made well?” He asked.
“I’ve none to help me!” was the plaintive cry,
then Jesus spoke miraculous reply
that to get up and walk the man was tasked.
That’s not to say all healing will be found
within this present life of ills and woes,
but still I hear Christ probing through the throes
if I am truly willing to be sound.
Or would I rather lie on crippling bed,
an invalid of spirit, heart and head?

XII
----
Shuffling through some past miscalculations
surrounding toxic breakage of the vines
that ought secure the healthy bound’ry lines  
guarding interpersonal relations—
rememb‘ring my susceptibility
to ego-shuttled, codependent err‘rs
which strain to manage others‘ own affairs
and so invert responsibility—
I ponder if I‘ll ever grow to learn
proper seeds for sowing mutual trust
with vital tools for gently sanding rust
to help stave off a bondship‘s breaking-burn.
One thing I know, that trusting in the LORD
steers love‘s impetus to carry forward.

XIII
-------
“I’m not enough and yet too much,” I've read.
Succinctly that describes my current angst,
and I can‘t justify to war against
these arguments which whirl around my head.
I’ve been told, “You’re just a little intense,”
by many people, not just one or two,
and this they voice clangs manifestly true,
as gaping holes defect my bound‘ry fence.
Voluminous in content and in force,
bestowing as prized gifts what isn‘t sought
or wanted by those for whom gifts are brought,
I falter in my need to change set course.
And where it comes to giving what‘s desired,
real competence seems found to have expired.

XIV
-----
Someone wrote, “true soul mate is a mirror“—
like limelight they‘ll reveal your unseen faults.
Where no one else delights to search your vaults,
“soul mate“ renders time to be apt hearer.
It matters not, was said, that they don‘t stay,
so long as they‘re an agent for reform—
the one who makes you desp‘rate to transform
by breaking heart and making ego fray.
Danger lies in nuanced underpinnings.
I thought I‘d found my soul mate in abuse
and used “he needs my fuel“ as excuse
to take a twisted game to extra innings.
Here I’ll grant these crazed imaginations
were at core demonic machinations.

XV
-----
Casting down romantic schoolgirl notions
that sin-drenched bonds might fashion souls complete,
I drag bewitching grails to Jesus’ feet—
spurning now to drink past guile‘s potions.
As I linger longer in His presence,
I‘m freshly bathed from marring guilt and shame,
reminded I‘m made whole in Jesus‘ Name—
partaker in the fullness of His essence.
Identified eternally with Christ,
secured by His unfailing love through grace,
one day I‘ll walk perfected face-to-face
with Him from whom true life is all-sufficed.
And as I muse, I taste true heart‘s desire—
rekindling, renewed with holy fire.

XVI
-----
Attitude is prime, determinant hinge
on which the door of restoration swings—
deciding what response subconscious brings
and on which morsels mind should bestly binge.
Plenty is dependent on perspective.
Mountain, plain or valley alter sight 
and size by which is measured present, plight.
Simply switching lens can be corrective.
In Christ, Ephesians tells me, I‘ve been raised,
seated with Him in the heavenly realm—
positioned by the One who steers the helm
that Father, Son and Spirit would be praised!
Worship, like a rudder, sets the outlook
to keep me highly grounded in God‘s Book.

XVII
------
Why should I to the worship of false gods
surrender my outlook frivolously?
Idols grab first gaze notoriously,
rob joy as will‘s defenses yield heart‘s nods.
What then? Can I suppose I might steal back
a measure of exuberance through more
skewed genuflecting to gilt calf before—
itself beleaguered, plagued by woeful lack?
Now heed, wayfaring soul of mine, what‘s true:
Creation‘s bounty-goods will make you slave
and with sweet Siren‘s flutes your mind deprave
when to them you lend focus Christ is due.
Lay firm your eyes on Him—pure, restful bed,
cover, fuel, completer, Fountainhead.

XVIII
-------
Wandering down some cobbled, crowded street,
I‘m nowhere headed, rapt in mindless thought,  
and as I saunter south I happ‘ly spot
a friend long-lost but fiercely longed to meet.
Just up ahead, he’s mixed well in the throng
but might be caught if I push through and race!
Heartbeat quickens. Oh, to see his face,
this one with whom I’m sure I must belong!
Yet when I actually seize him and he turns,
I’m devastated, sunk. It isn’t him.
Then moping northbound—dazed, dejected whim—
I stumble on the One for whom heart burns!
How strange, as I had grappled, chased and shoved,
that I’d been running from the One I loved!

XIX
-----
He‘s reservoir for which parched spirit begs,
familial feast cast heart longs to attend,  
elixir fractured psyche craves, to mend,
secure foundation ‘neath soul‘s skittish legs.
Jesus is hearth fire, garden blooming,
joy‘s kiss that welcomes prodigals with tears,
arms’ tender brawn consoling weak ones‘ fears,
shelt‘ring lullaby as nightstorm‘s looming.
Who else can scatter stars, strew mountain snow,
to whet beloved‘s taste for pristine grace?
What other love’s like this, that He‘d embrace
excruciating death to grace bestow?
And best, most faithful lovers of this earth?—
dull pennies next to Christ‘s resplendent worth!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME II:
(** — XXXII) [Edited in 9/27-29/21]

**
----
Closing the door on chaining obsessions
requires some short-circuiting of thought
previously allowed to flow uncaught
and forge ever-deepening depressions.
Pathways in my brain can be rerouted
by changing interactions with my world,
observing what’s most easily unfurled—
presently what’s to five senses suited.
‘Mindfulness’ can be a Christian practice
and doesn’t have to rest on Buddha’s shelf—
“awak’ning non-existence of the self”—
or from unseen, eternal things distract us.
True mindfulness is found in gratitude—
joyful, eucharisteo attitude.

XXI
-----
A biblical version of ‘mindfulness‘
is found in 1 Thessalonians 5,
revealing as God’s will that saints should strive
for ever-prayerful joy and thankfulness.
Pond‘rous gratitude staves off resentment,
greed and pride. As was taught to Timothy,
what‘s created and giv‘n by God should be
received in sacred thanks with contentment.
Creation reflects God‘s bounteous glory
and demonstrates His loving grace and care,
so in same grace and glory we can share
each time we recognize Him in our story.
Ten thousand tiny gifts write each day‘s page,
and he who welcomes most is most like sage.

XXII
------
In restoration, elasticity
of mind is a factor to celebrate.
So please don‘t ever underestimate
the wonders of neuroplasticity.
New brainpaths form and old channels falter,
depending on what choices I might make.
Fresh experience of which I partake
will physically help my brain to alter.
Here‘s one great hope I must now remember:
What’s hardwired today can still be displaced,
and thoughts might soon flow on paths greenly graced,
as I feast my soul’s eyes on brain’s Mender.
Bent mindfulness toward Giver and His gifts
best brings joy‘s healing for my mental rifts.

XXIII
-------
Realizations that some obsessions
are desires to vicariously ride
the mindfulness of others who don‘t hide
their own keener sensory possessions,
aptly are aiding to turn my focus
from curiosity to understand
their thoughts, which often‘s led my heart-demand—
want to consume their minds‘ crops like locusts.
What I‘ve perceived as love, concern to know,
empathy for others‘ worlds internal,
might be more escape from mine external—
attempts to hide from life‘s real, present show.
Avoidance wears all sorts of vibrant masks
to keep me blinded to here-moments‘ tasks.

XXIV
-------
Viewing secondhand eviscerations,
as others spill their innards on the page,
may seem the safest way to heart engage—
surrogated life participation.
Substituting others‘ honed perceptions
where I ought learn observance of my own
will keep childlike experience ungrown,
smother creativity’s conceptions.
Social media’s pitfalls lie therein,
along with greater dangers lurking large.
Despite its many goods, there’s needed charge
that gorging on a good thing leads to sin.
Shutting website windows is like trailhead,
opening mountain path to higher tread.

XXV
------
I‘m learning to sit with anxiety
raised by self-denial of habit’s fix,
mindful how my heart solicits tricks  
to alternate for true society.
Discomfort speaks in volumes to soul’s ear
like smoke alarm alerting to a fire.
It tells me, “Quick, investigate! Inquire!
Please find the source of inner burning fear!”
Nervousness as friend might offer insight
if I can hear and listen to its warning,
objectively without the shame-filled scorning
that tends to follow panic-stricken plight.
Practice putting tension in glass cage
to monitor its undercurrent’s rage.

XXVI
-------
It’s time to preach a sermon to myself,
for fears are overtaking me in waves;
and spirit must combat what habit craves—
flesh seeking consolation in false pelf.
Scrutinize what’s underneath such worry.
Do I believe the LORD is still in charge
of details of my life and world at large?
Look to Him. Don’t yield to anxious hurry.
Do I believe He’s with me and He’s good,
a faithful Shepherd tending to each need?
Then look to Him. Don’t drown in fretting’s greed.
Christ’s sheep don’t have to look elsewhere for food.
Each wait is opportunity to grow,
for God has holy riches to bestow.

XXVII
--------
God’s character and sovereign wisdom hem
my life, as His responsibility.
No wrong will steal my true identity,
whatever slips or schemes might spill from men.
Christ’s Ruler over all, but do I let
Him fully reign as Master in my heart?
Do I acknowledge I’m His work of art
and purpose for His hammers, chisels get?
Intimacy and glory are the friends
to which His sanctifying lessons point
and meld together as love’s dovetail joint
whenever I surrender to these ends.
Soul, set your hope on grace to be revealed.
Entrust to God strain’s mysteries still sealed.

XXVIII
---------
LORD, HELP! Why is my mind so distracted?
And why then, letting it be drawn away
for half an hour, am I now okay
to let my compulsions be retracted?
Give in to let go feels like solution,
but know it only deepens the desire
for later curiosity‘s inquire—
grants no satisfying resolution.
Those thirty minutes mindfulness was lost,
yet could it be empowered by the fall,
as I look closer inside to recall
that giving way to habit bears great cost?
I won‘t grow discouraged by the setback
but seek to further understand self‘s lack.

XXIX
-------
Low-pitched, humming anxiousness was sitting
all day inside my torso‘s cavity.
Mindful sensing lent no gravity
to coax the stubborn squatter through outwitting.
Head was tired from too little sleeping,
so frankly seemed to coast and just make do.
Soul felt no fresh excitement by woods‘ view
and lacked bright energy for much guard keeping.
One moral of this story is night‘s rest
must become priority for healing.
Otherwise this shaky default feeling
will grow into another panicked crest.
Though it‘s no excuse to say I‘m tired,
it‘s clear reformed sleep habits are required.

***
------
Changing what’s practical opens a door
to transforming what’s spiritual, mental
and emotionally experiential.
Habit alterations might well restore
enough equilibrium of body,
restfulness, clarity, reason and time
to give me needed aid to better climb
above oppressive moods, both low and haughty.
Early to bed, early to rise...”could be
one thing to make a world of difference
and welcome back some simple common sense,
to open up new space for setting free.
But for that discipline to take effect,
I’ll also have to curb the internet!

XXXI
-------
Every opportunity for worry
is greater opportunity to trust
that God behind the scenes is sanding rust
from parts of me where fear has made faith blurry.
Without unknowing-gusts to stir the pit
of nervousness inside my helplessness,
I might ne‘er seek my Shepherd‘s faithfulness
nor learn to wait on Him and with Him sit.
These are times of richest growing lessons
when I‘m reminded He is LORD, not me,
and that He works to draw in int‘macy
feeble souls to Him through stretching sessions.
Joy is knowing sure—head, heart and will—
He‘s ever whisp‘ring, “Child, come closer still.

XXXII
--------
Recapping basic steps to take thus far:
Find sleep (which may mean need for melatonin
to counteract my haywire serotonin),
and overuse of internet I‘ll bar.
Then with restfulness bring mindful thinking—
keen noticing that‘s graced with gratitude
and sets a stronger skyward attitude,
buoys me up against fret‘s downward sinking.
More important still is meditation
upon the word of God‘s indicatives
which lay foundations for imperatives
to follow as prescriptive medication.
Most crucial element preventing fall
is fix my eyes on Jesus through it all!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME I
(I — XIX)

8/23/21— 9/8/21

~~~~~~~~~~~~~~

VOLUME II
(** — XXXII)

9/22/21 — 9/29/21

~~~~~~~~~~~~~~~~
Free Flying above
the clouds
Soaring above the Earth and through the stars.
Past all of the known planets
Those  out of our galaxy
The new planets I view
The new and hotter suns I see
Blaze more energies to fill the empty regions
of my mind
called "mystery."
Fuel my spirit and make it run harder
To new found inhabitants and their newer worlds.
Astral planes of spirit that don't require a vessel
or star ship to hold in or hold back
the soul that travels as it's own transport
Faster than any "law of physics"
Realer than the factual brought in by third party satellites.
I gather more and more brighter and true information
Later to bring such forth in my grounded and non-traveling form
Waiting to share my results to those who don't limit their beliefs
to any said "rule" or "fenced in logic formula"
I ride the waves to the calling gates of astral transport
As my soul escapes my heavy and limited physical self
Late in the night
The recordings of fact stored in the logics of my soul
Are vivid and ready to be replayed
to share such gifts of learning to those eager to believe in it's payload
and form.
Frankie Jan 2013
Under supervision of the sun, his fingertips are full of love;
when he lives with the moon, hands form fists, the doors and walls have holes—
muscles catch fire:

trying to force infantilization,
sticking nametags to every available swatch of fabric hanging
from her bony frame.

Her skin is peeling like dried paint curls from the wall.
She brushes it down like pushing
up her sleeves, feigning
a tough exterior.

The bathroom door explodes: her palm
is to her mouth; four horse pills
sit uncomfortably on her squirming tongue—
fatalist palmistry.
A single blow to her thoracic spine
(vertebra seven through nine, to be precise)
and the tile floor is medicated with
slimy, secondhand acetaminophen.

Pale worn flesh meets rug burn between
the bathroom and the walk-in closet where
she will huddle on the floor, shaking,
shuddering,
tiny bones ready to crack—

strong arms wrap around and pull her close.
Frail child-size hands catch hundreds of tears ‘till
one big, calloused mitt takes over.

His hand is to her little pink lips and
a tiny cold something tries to find a way in—
epiphany:

she greedily devours the lonely pill and
begs for the other three quarters
of her suicide.

Cynical laughter denies her pleas;
her lungs rip stale air from
mothball collections stored upon the shelves,
from shirts hanging stiffly,
buttoned,
ready for action that never comes,
from pants that lay lazily across
cheap plastic hangers.

She siphons O2 with her windpipe:
heaving sobs, obnoxious wailing, disgusting, guttural noises,
black mascara tire tracks—
she would swear on anything that her ribs were going to give.

****
*****
****
*****
*******
stupid
******


Hazy home-video recordings on loop in her brain, the words
pound her body like hail and
the memories won’t leave. They’re bleeding
from her ears and eyes and her assailant stares on,
irritated.

“Drama queen,” he reminds her.

Same as always, she cries
herself sick, he tucks
her into bed. Morning sunshine
shows bruises and she hides them
in her sweater.

Another flimsy paper hospital accessory, more
radiology tech jokes about her clumsy
hands, her butter-fingers.

And when asked her name, there’s
hesitation
‘cause she’s got to remember which nametag
he let her wear today.
Edward Coles Jul 2014
The screen is a madhouse
of body-building, ego-boosting,
and bad gig recordings.

I see her bronzing in the beach,
applying lotion and laughing
with a new friend.

I'm still stuck in the snow,
watching her skirt in the breeze.
I chain coffee in the morning

to counter sobriety,
to show that I know her more
than just by the light of the moon.

In sunglasses, we'll meet somewhere
neutral; an escape route to run
if the patient becomes lunatic again.

She'll administer the pill
from her pockets to ensure I'll flat-line
through her absences,

and then resurrect when she's lost her
appetite. Far away from this
selfish depression, I dream

of us painting a wall. Nothing dies
when it is made into memory;
nothing lives without your early morning call.
c
Andrew Choo Jun 2018
What the heck is wrong with me?
Why do I feel so helpless?
I can't stand being
Weak and vulnerable
In front of people.

I was raised with the mindset
That receiving help was weak.
That asking for it was weak.
No one wants to look bad.
You see,
I was told to look up
But no one realizes that
The whole time,
I was looking down.

I feel so distant from everyone.
So far away from everything.
It's like I just don't belong
Wherever I am, wherever I go.
Even when I'm surrounded
By people, good people too,
I feel like a ghost.
I'm there, but not there.

I feel so lost.
I try to open up,
But sooner than later,
I regret talking in the first place.
It's like I let a little
Piece of me out.
My thoughts and feelings
Out there in the open.
Then pass one or two weeks,  
And it's like it never happened.
It's like no one really cares.
Am I a fool for trusting people?  

Maybe it's just selfishness.
Maybe I think too much of myself.
Maybe it's all my fault.
I'm starting to think that
It really is.
Is it too late to cry?
Is it too late to restart?
No, I can't redo what’s done.
I can't cry.

Why am I doing this?
Why is this happening to me?
What is wrong with me?
It's gotta be fate, right?
Or is it destiny?
Regardless, maybe,
This is the end of me.

I don't even know if
Anyone is going to see this.
Or even hear me out.
You know, it's unpredictable.
Not like it really matters anyways.
It seems like no one
Wants to listen;
Everyone just wants to talk.

People tell me that
They know me.
But how can they,
If I don't even know myself?
Who am I?

What can I tell you?
For the past four years,
I've been struggling with
Anxiety and depression,
Abuse and regret,
Suicide and self-harm.
But I'm not a victim.
I'm not a fighter.
Not anymore.
I'm tired of fighting.
I can’t…
I can’t do this anymore.
I'm struggling
And there's no one nearby
That's willing to pick me up.
I'm dying, and
People just stand around.
They smile and laugh,
And I can't relate.
It hurts.
I can't stand it anymore.

Ha.
It's true.
People look at me and
They move on.
They don't care.
They're just there for the party.
The pity party,
Where they sympathize and
Carry on like nothing is wrong.
It's as if they're all in first place,
Looking down at me in last place.

They don't see me.
They're all too busy.
They're all too preoccupied.
And I don't blame them.
You see,
My purpose isn't about me.
It never has been.
It's about them.
Because if I can't save myself,
Then I'll have to save others.
I’ll have to save the world.

— The End —