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"paperbacks" poems
There was a girl I used to swap paperbacks and spit with, once I fixed her wiper blades, I remember the soft dead wings on the windshield,  pretty as you please She was alone in her shoes listening to something that kept getting darker and glowing like morning on the oil spilled under her truck, she was drifting through the rosewater of her soft red hair She only wanted to be rolling off a swollen river, sliding out of a clean slip, turning over in a deep sleep, trailing a shimmering thread, hiding under a pile of wet leaves Then there she was sailing in her river of blood,  going white and smelling like smoke from a struck match behind closed blinds on a ceramic floor, a white blouse red as a sharp knife collecting the light of mourning.
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Aug 20, 2016
Aug 20, 2016 at 7:19 AM UTC
The light of mourning
When I was a child, the hallways stretched for miles Mahogany and ceramic floors, polished bookcases A mansion for fictional paperbacks All neatly tucked under fluorescent lighting The librarian would wait behind her desk She reigned silent besides the tapping of her fingertip to her glasses I can’t remember her ever looking happy Until the day I noticed the chirping Sang somewhere between the realistic & historical fiction, a bird cage sat next to the woman’s desk It was an unexpected visit I should have brought a better dressed book to check out Mine was bound by yellowing pages But I met the canary and heard her song As I watched the librarian smile
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Nov 8, 2017
Nov 8, 2017 at 8:32 PM UTC
Canary's Song
Her world was golden her world was sleek Designed for the brave Any second minute, day or week. She waited and she waited For that special moment to come She had read in her paperbacks What thoughts to think overcome. Petals began to fall on her in disgust The Magnolia had worked this one out. Leaves encircled her feet, leaving dust a lonely image, imprint of her shadow. Hope began to question itself in her heart Should she stay or should she go. I suppose a little longer just to play the part of an excited young lady, would not matter. She started to whisper to herself, words of encouragement, so as not to cry. The Magnolia shed its tears hours ago. She could hear footsteps, nearer they came This could be him, the love of her future life But she had only got herself to blame. It was a milkman delivering orange juice "Not much call for the white stuff nowadays" he said "I'll soon be out of a job" he chuckled. His words went in and straight out of her head She half smiled and looked beyond in hope. Looking at her watch, at last she saw sense. The Magnolia had thrown caution to the wind a long time ago, but sent its emotion to line her path. If it could hug it would have done I imagine. She went home, he appeared, late, to a wilted leaf.
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Mar 31, 2015
Mar 31, 2015 at 1:24 AM UTC
Beneath The Magnolia
we are not a fairy tale and we never were our hands don't automatically find one another's and we don't kiss in the rain or plan our futures together under night stars our kisses are sloppy and we aren't lip-locked every two seconds i don't steal his sweatshirts and fall asleep in them or take silly pictures with him while kissing his face but we never fail to say "i love you" each day and make sure we mean it every time it's said we do what we can for one another and i always tell him what i adore about him whether it be in stanzas or hushed whispers against his chest in our numerous embraces because love isn't meant to have a stereotype and the things you see bound in paperbacks are teeming with seemingly indestructible souls but we are fragile creatures and love is a fragile flower that must be tended to daily we are not a fairy tale and we never were but we're crafting our own story to tell one sloppy kiss and one "i love you" at a time.
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Aug 11, 2014
Aug 11, 2014 at 8:50 PM UTC
fairy tales
Do not fall in love with a girl who reads Because she’ll probably overanalyze everything Because she’ll never understand That people aren’t paperbacks She’ll search for plot in your veins And make metaphors of your broken heart Do not fall in love with a girl who reads Because she’ll fold your corners And crumple your pages She’ll make notes in your margins And she’ll probably bend your spine back Just a little too far Do not fall in love with a girl who reads Because she’ll get too excited for the ****** And she’ll skip some words (or pages) When she’s sleepy she’ll skim And lose her place Do not fall in love with a girl who reads Because she’ll fall in love with Last chapters and final words Do not fall in love with a girl who reads Because the ending will always be her favorite part.
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Jan 27, 2017
Jan 27, 2017 at 10:16 PM UTC
Do Not Fall in Love With a Girl Who Reads
I remember the days of raisin boxes and paperbacks, when it felt like the worst thing in the world to be climbing barefoot up a mound of dirt in the rain because you wanted a friend. I couldn’t watch movies, talk about cigarettes, or listen to operas, but I was all right when I saw my mother pouring out my father’s bottles into the bushes. I looked at the round tummy in the mirror and wondered if it was okay. It wasn’t. I was eleven years old when I learned how to **** it in. - The first came in middle school. I had a dream that I kissed a boy while on an exercise machine. It was real life when he took my hand in the backseat of his mother’s SUV. I closed my bedroom door and danced. I still think of him when I hear that stupid song. The second time, I was fourteen. I met a different boy who peeled away my skin as if he were unwrapping a Christmas present. And the present? Just another pair of socks. Throw them in the drawer with the others. Shut it tight. I’m still missing a lot of skin. And then, there is you. You know the story. Five, four, three, two, one, happy new year. I kissed you. Remember when you noticed my wrists? Remember when you didn’t believe my excuses? Remember afterwards, when you pretended to forget all about it because you were scared, scared of the kinds of girls who hid secrets under their sleeves? I went to all of your basketball games. I hate basketball. We watched movies that you projected onto your basement wall. Your attempts to disguise your impatience as admiration were poorly executed. Maybe our first kiss shouldn’t have occurred in a count-down. It made everything else that happened feel that much more inevitable. - I take stock of myself. Three hearts, like an octopus, and too much blood. I am saving it, I am saving it for the person who offers me something other than the dusty space under the bed. I never want to be like my mother, and there is a certain kind of power in this. The power of - of what, turning inward? I am learning. I am learning to stop looking behind me in fear of pursuit. Let them come and let them drape me in meaningless velvet. I will not be deterred. Look for me, up in the constellations. I am a passing comet; it’s impossible to predict if I am destined for destruction or for greatness. I’ll wait at the sunset for the sound of your voice.
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Feb 3, 2014
Feb 3, 2014 at 1:01 PM UTC
perspective
I remember the days of raisin boxes and paperbacks, when it felt like the worst thing in the world to be climbing barefoot up a mound of dirt in the rain because you wanted a friend. I couldn’t watch movies, talk about cigarettes, or listen to operas, but I was all right when I saw my mother pouring out my father’s bottles into the bushes. I looked at the round tummy in the mirror and wondered if it was okay. It wasn’t. I was eleven years old when I learned how to **** it in. - The first came in middle school. I had a dream that I kissed a boy while on an exercise machine. It was real life when he took my hand in the backseat of his mother’s SUV. I closed my bedroom door and danced. I still think of him when I hear that stupid song. The second time, I was fourteen. I met a different boy who peeled away my skin as if he were unwrapping a Christmas present. And the present? Just another pair of socks. Throw them in the drawer with the others. Shut it tight. I’m still missing a lot of skin. And then, there is you. You know the story. Five, four, three, two, one, happy new year. I kissed you. Remember when you noticed my wrists? Remember when you didn’t believe my excuses? Remember afterwards, when you pretended to forget all about it because you were scared, scared of the kinds of girls who hid secrets under their sleeves? I went to all of your basketball games. I hate basketball. We watched movies that you projected onto your basement wall. Your attempts to disguise your impatience as admiration were poorly executed. Maybe our first kiss shouldn’t have occurred in a count-down. It made everything else that happened feel that much more inevitable. - I take stock of myself. Three hearts, like an octopus, and too much blood. I am saving it, I am saving it for the person who offers me something other than the dusty space under the bed. I never want to be like my mother, and there is a certain kind of power in this. The power of - of what, turning inward? I am learning. I am learning to stop looking behind me in fear of pursuit. Let them come and let them drape me in meaningless velvet. I will not be deterred. Look for me, up in the constellations. I am a passing comet; it’s impossible to predict if I am destined for destruction or for greatness. I’ll wait at the sunset for the sound of your voice.
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24
Self, centered, watching the world burn. This calm is maintained by expelling air in between each blink. Glass is far in sight, glasses cracked and not foreseen, because I'm not a seer. Blanketed in ignorance, wrapped: up tight. Shelf this selfishness, I'm told. So I consider this advice. Rearranging the paperbacks. Misplacing the first editions. All the math in the world; variables do not ease understanding of long division. So I'm left not right, have never been alright, and that is why being centered is crucial for survival. That is why becoming adaptable isn't laughable while watching the world burn. It's having a cold disposition to withstand the heat.
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Feb 22, 2017
Feb 22, 2017 at 12:13 PM UTC
Capturing Disillusion
In Waterstones Sighing at the bestsellers opaque at the corner of my right eye two ladies late in life are centre stage amid the table paperbacks. “Are you following me?” the taller bellows brimmed headscarf towering over her NHS bespectacled sister of afternoons and shopping mornings continuing a conversation that has obviously followed them their entire friendship seeming the matriarch of the pair, she is circumspect in her contrariness. Whatever entitles her to this Guardianship of self-importance Her being a lighthouse rising above the mists condensing off beaten shards of rock is subdued by her companions’ pithy response “no-you know I have no interest in Autobiographies.”
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Jan 9, 2019
Jan 9, 2019 at 7:18 AM UTC
Acting Up
Maggie was my mother, my emotional mother. She came into my life when I was in third grade. She and her husband, Floyd, lived in the apartment on the third floor of our house. My biological mother was too depressed to be my emotional mother. She spent every afternoon taking a nap from 1 to 4:30 and watched TV by herself in the living room from 7 p.m. to 1 a.m., then went upstairs to her own bedroom and read detective paperbacks until about 3 a.m. So Maggie always fixed breakfast--two poached eggs, grits, and two toasted and buttered slices of wholewheat bread--for me every morning as I grew up. Maggie also washed my ***** clothes, spanked me when I need a spanking, and hugged me when I needed a huge. I have never forgotten the time when Maggie (I have no memory of my biological mother ever being in my bedroom when I was in it) brought me lunch when I was sick in bed with a cold, along with an ice-cold bottle of Squirt. I remember loving the taste of Squirt, which, for some unknown reason, I had never tasted it before, nor was I ever going to taste it again. Many, many times I would go up to the apartment around dinner time when Floyd had gotten home from working at the Santa Fe shops, knock on their door, and invariably Maggie would say "Come in," even as she was cooking dinner for Floyd and herself, because she knew it was Tod. I sat with Floyd at their small kitchen table and talked to him about, among other things, who we each thought was the better center fielder, Willie Mays or Mickey Mantle. I felt at home with Maggie and Floyd. The two took my two sisters and me on occasion to the drive-in to see a movie in their old car. What fun! Maggie, a Black who had grown up in racist southern Texas, was illiterate, but I was not conscious of it when I was so young, and when I got older and knew Maggie couldn't read or write, it didn't matter to me at all. Maggie could love! That was the important thing. I always felt loved when I was with Maggie. And Floyd, even though he thought Mays was better than Mantle, remained my friend for along time after Maggie had passed away. TOD HOWARD HAWKS
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Apr 24, 2023
Apr 24, 2023 at 12:28 AM UTC
MAGGIE
Maggie was my mother, my emotional mother. She came into my life when I was in third grade. She and her husband, Floyd, lived in the apartment on the third floor of our house. My biological mother was too depressed to be my emotional mother. She spent every afternoon taking a nap from 1 to 4:30 and watched TV by herself in the living room from 7 p.m. to 1 a.m., then went upstairs to her own bedroom and read detective paperbacks until about 3 a.m. So Maggie always fixed breakfast--two poached eggs, grits, and two toasted and buttered slices of wholewheat bread--for me every morning as I grew up. Maggie also washed my ***** clothes, spanked me when I need a spanking, and hugged me when I needed a huge. I have never forgotten the time when Maggie (I have no memory of my biological mother ever being in my bedroom when I was in it) brought me lunch when I was sick in bed with a cold, along with an ice-cold bottle of Squirt. I remember loving the taste of Squirt, which, for some unknown reason, I had never tasted it before, nor was I ever going to taste it again. Many, many times I would go up to the apartment around dinner time when Floyd had gotten home from working at the Santa Fe shops, knock on their door, and invariably Maggie would say "Come in," even as she was cooking dinner for Floyd and herself, because she knew it was Tod. I sat with Floyd at their small kitchen table and talked to him about, among other things, who we each thought was the better center fielder, Willie Mays or Mickey Mantle. I felt at home with Maggie and Floyd. The two took my two sisters and me on occasion to the drive-in to see a movie in their old car. What fun! Maggie, a Black who had grown up in racist southern Texas, was illiterate, but I was not conscious of it when I was so young, and when I got older and knew Maggie couldn't read or write, it didn't matter to me at all. Maggie could love! That was the important thing. I always felt loved when I was with Maggie. And Floyd, even though he thought Mays was better than Mantle, remained my friend for along time after Maggie had passed away. TOD HOWARD HAWKS
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42
palms are masks that cover nothing fingers, frustrated fishermen combing dark waters, searching for the uninhabited isle. the tree stump pitifully trying to grow, melody of the typewriter, the letter opener's song, withered daisy in a plastic display, hidden bookworm art carved into dusty paperbacks, overgrown, abandoned houses: sleeping animal, dormant jungle. wet asphalt puddles of fallen sky dead butterfly blind blue eyes; tragic, difficult, poetic you are poetically (unplayed piano furniture) useless.
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Jun 19, 2012
Jun 19, 2012 at 9:57 AM UTC
Beautiful Junk
Through the coffee steam your eyes were so clear they almost broke me in half. I took a long selfish look as I told the side of your head about my mother. You holding your gaze on my windshield watching the wet lights blur one mile at a time. Through the curls of your hair I heard you whisper that you didn’t want to leave. Didn’t want to add your shoe size to the prints leading away from the kid who’d see the inside of a coffin long before he ever saw his family again. I pulled over to force your hand through my sternum, pierced each finger with a ragged heart tendril built in the image of winter trees seeded far from the water line. In this way, information is filtered. Even with a cup tied to another cup by taut string, you still don’t get a clear sound. I shook my head, thinking of reasons to say your name. A taste like dusty paperbacks flecked in cane sugar. You got the boring name because your parents birthed you full of splendor, knew you would never need the extra flourish of a conversation starting nametag. The kind of person who deserves someone that will die of malnourishment if your plane ever goes down. You’ve gotten soft old man, You are no conqueror. Will never drown out the roar in her 5 a.m. mind, can do nothing to comfort the black eyes and longneck bottles left wandering her past, with your piecemeal shards of charm and wit. Part of your winter still clings to my dashboard and frosts my knuckles each time my eyes close driving home, dreaming about painting red flags green. Even after I watched the last drag curl out of your lungs, you never tasted like smoke, so I filled my lacerations with your nicotine to hide inside your numbness, while our bare skin rolled across sheets looking for new cold knowing this is not true sacrifice, but perhaps my final squander.
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Feb 22, 2016
Feb 22, 2016 at 4:04 AM UTC
Lying Naked and Alone with a Human You Love
Through the coffee steam your eyes were so clear they almost broke me in half. I took a long selfish look as I told the side of your head about my mother. You holding your gaze on my windshield watching the wet lights blur one mile at a time. Through the curls of your hair I heard you whisper that you didn’t want to leave. Didn’t want to add your shoe size to the prints leading away from the kid who’d see the inside of a coffin long before he ever saw his family again. I pulled over to force your hand through my sternum, pierced each finger with a ragged heart tendril built in the image of winter trees seeded far from the water line. In this way, information is filtered. Even with a cup tied to another cup by taut string, you still don’t get a clear sound. I shook my head, thinking of reasons to say your name. A taste like dusty paperbacks flecked in cane sugar. You got the boring name because your parents birthed you full of splendor, knew you would never need the extra flourish of a conversation starting nametag. The kind of person who deserves someone that will die of malnourishment if your plane ever goes down. You’ve gotten soft old man, You are no conqueror. Will never drown out the roar in her 5 a.m. mind, can do nothing to comfort the black eyes and longneck bottles left wandering her past, with your piecemeal shards of charm and wit. Part of your winter still clings to my dashboard and frosts my knuckles each time my eyes close driving home, dreaming about painting red flags green. Even after I watched the last drag curl out of your lungs, you never tasted like smoke, so I filled my lacerations with your nicotine to hide inside your numbness, while our bare skin rolled across sheets looking for new cold knowing this is not true sacrifice, but perhaps my final squander.
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35
I feel my heart pressed in my stomach, a tiny pebble wishing to be big. I count my shins, apple caught in my throat. A great wall of early morning covers my ears, ties my hands over my eyes,                                                            makes my ribs shrug. The place between your lips, a wandering perch for emaciated sounds. A fingerprint under your nose shapely and styled, too purposeful. I can draw stories on my thighs under rusty Wednesdays and paperbacks.                                                             A misunderstanding of eyelids, overly trusting, a turquoise thunder. None of my fingers match, making a path from my heels to the crease behind your knee. I’ve forgotten how to make tea.
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Nov 11, 2012
Nov 11, 2012 at 1:40 AM UTC
I put the kettle on
what am I supposed to do? I’m high on ativan but that’s a secret and it’s not the kind of person I am anyway; I promise, sometimes in life, there are acceptable exceptions -- a big fat scary monster has swallowed me up whole and I feel like Pinocchio in the musky dark, in the stomach of terror; did you know I bought 3 books today, they’re classics and were on sale, "how perfect," I thought, "something to read on the plane; something to read over and over again for a whole year abroad." but my suitcase is empty apart from the three paperbacks, intimidating me and I’d honestly rather die and never hear anyone talk ever again than pack for a whole year this is a poem of fear but that’s a secret, though I’m sure the consumed ativan clearly gave that away; — I’m moving to the complete opposite end of the world —
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Sep 13, 2013
Sep 13, 2013 at 3:10 AM UTC
pinnochio went on a trip in a whale
Through wooded fog fades the day, abandoned to the grey, lost road, lost home - belonging to no one Pictures found upon a mantle, dust and charcoal, photos framed in rusty metal, sepia shadows, a broken mirror Collections of rocks and bones, letters and sealing wax, china cups, stained and cracked Musty pages of paperbacks, remnants of a life long ago. Memories, pressed flowers of fading bells, little relics, loved so well
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Oct 27, 2013
Oct 27, 2013 at 10:03 PM UTC
Relics
*2002 Dearest Klara,   hope you enjoy the poems as you dream to write       one poem happy birthday* There are still many books as though    parliament. A miscalculation based on coordinates in a wry scene. Two bookshelves creating a labyrinth, enough that you are alike. Juxtaposed to scent are many words and the day is almost done. Ignore fragments once, but never overdo. I can outlast moonlight’s procession into a dark cathedral by the window. On this side – reason; the other, hesitance. This is no heist. This is what belongingness refutes. What willingness bandages. The absence of sentries   made for easy rapture. You slid your hand into the dusty fort and in between them, the paperbacks ached.   “I will do it.” and after that, cursed at the farce. Slid into your bag – you, surrounded by the tense air of silence. A dilettante at being a fugitive. What is it that you stole?    Your body, elsewhere. Flailing. Failing. There are still many marvels in the scene, but says precision is key. Cuts as if contravention. This was as calm as painting a child   in his early years, the hue of anomaly. Quiet in amplitudes doles out a mystified sense of completion. I can hear an ajar mouth unwind a soft humming.    It was time to go – tomorrow when we rise with no memory,   it will be all but one and the same fault together with many others,      as if your face that day and your image now           compels me the cold of a foreign city. Riddance.
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Apr 25, 2016
Apr 25, 2016 at 9:12 PM UTC
Reminiscence Of Fault
*2002 Dearest Klara,   hope you enjoy the poems as you dream to write       one poem happy birthday* There are still many books as though    parliament. A miscalculation based on coordinates in a wry scene. Two bookshelves creating a labyrinth, enough that you are alike. Juxtaposed to scent are many words and the day is almost done. Ignore fragments once, but never overdo. I can outlast moonlight’s procession into a dark cathedral by the window. On this side – reason; the other, hesitance. This is no heist. This is what belongingness refutes. What willingness bandages. The absence of sentries   made for easy rapture. You slid your hand into the dusty fort and in between them, the paperbacks ached.   “I will do it.” and after that, cursed at the farce. Slid into your bag – you, surrounded by the tense air of silence. A dilettante at being a fugitive. What is it that you stole?    Your body, elsewhere. Flailing. Failing. There are still many marvels in the scene, but says precision is key. Cuts as if contravention. This was as calm as painting a child   in his early years, the hue of anomaly. Quiet in amplitudes doles out a mystified sense of completion. I can hear an ajar mouth unwind a soft humming.    It was time to go – tomorrow when we rise with no memory,   it will be all but one and the same fault together with many others,      as if your face that day and your image now           compels me the cold of a foreign city. Riddance.
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33
Your childhood plaything Became your clone You traded crayons for Your mother’s lipstick Children’s fairy tales for ****** romance paperbacks Your room’s rose wallpaper is Canopied with Audrey Hepburn posters At night, you braided your hair For those sophisticated waves You ****** on lemons To perfect your pout, and Brushed with baking soda To bleach your teeth Your envy: the doll’s porcelain skin— Not too unlike the seat cover You clutched after meals, To keep the spirit clean.
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Jul 14, 2010
Jul 14, 2010 at 6:43 PM UTC
A Modern Take on Norman Rockwell’s "Girl at the Mirror"
Melting to my seat Staring at a screen Brain cells exploding in misery Prefer to set this building of articles on fire Are actual paperbacks even read? Obsolete weapon in the war of cyber knowledge Forced to memorize words, Lines of straight and curved little designs That are supposedly the key To intellectual increase. So, please gently place the grenade Upon my head, As to not alter their silence.
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Dec 11, 2011
Dec 11, 2011 at 11:09 AM UTC
alter silence
What if I was waldo? You would search page after page Studying a painted picture To find where I stand Who would notice my stripes? And trace their finger to meet bones Or would you be that intolerable Attention Deficit Disordered kid Who threw the paperbacks towards the wall Because you couldn’t find me? Do I still bother you, long after the freedoms of childhood are over? If you found me on one page, who would quit Who would keep searching? Would you find my red shaggy cap And throw in the towel End that game of monopoly Because it has already taken up much too much of your week And your time Who would stare. Let the people and places blend into one As if we were all waldo Trying to be found
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May 31, 2012
May 31, 2012 at 5:48 PM UTC
Waldo
Lovely thoughts are shackles. They invoke what even the microscope omits from the commentary Well-prepared cups of tea on Sunday afternoons The dragging of fountain pens retracing ornate loops. Each a relief from the threat of whatever crisis interred by the quiet of a room The practical, the indulgent, without progression. The contemporary pastoral is to be found Amongst old boxes of boy's adventure paperbacks and girl's glitterworn and broken hairbrushes Shooting the mind off to tragedies whirring still away at even further distances. Memories, like sentiments when copacetic Provoking always the invasive link the dependent, the pathetic. A picture of a doomed ship in storm Hung on the red carpeted wall of a restaurant A jar of olives left untouched for decorative purposes in the old grain store which now serves unfiltered coffee and plays loud but pleasing music 'til 6 p.m. What I have spoken of are McGuffins. The mind distracts. Yes, the mind encounters, we discover, we make lists. But if you can remember minutiae, try then to remember History is the repetition of revelations. The reel does not cut off. In short, don't congratulate Yourself about life until you've at least seen the nursing home.
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Apr 7, 2016
Apr 7, 2016 at 12:53 PM UTC
Anecdote after Rain
I am coerced into loathsome desperation Unable to elicit a feeling of existence All because my dreams violently clash with reality I cannot prevail I will not survive I am weak Failing to hunt down a sufficient supply of motivation Buried beneath the world of paperbacks Scrambling to bump into an emotion that will jump start my heart An adrenaline ****** suffering withdrawal Tormenting this flaccid ***** in my chest Please, someone tackle me into relapse Every attempt to ascend from darkness Annihilated With each crash and burn Extracts the impossible truth I cannot feel I do not care I am dead Where is the spark that I used to lust for? Am I Blind or Broken?! I need to feel I need to want I need to prosper Taunting a pair of keen eyes to electrify my neurons Demanding a bitten lip to punch a hole in my gut Slamming bodies against bodies into doorways Grabbing confidently Kissing forcefully Unbuttoning frantically But... I can't Feel Anything Love and Lust are one in the same I can't coddle one without the other
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Jan 21, 2016
Jan 21, 2016 at 11:36 PM UTC
Rewritten: Blind or Broken
The Author's space consisted of lavender walls. Hardwood Floors. A stack of books for the night stand. Coffee stained mugs on the dining table. It had paintings of all sorts. Not yet bloomed plants scattered here and there. An orange Afghan lay across the leather couch. Muddied boots by the door. Now the author's house. A whole other story. Blank white walls. White carpeted floors. Clean tables. Glass nightstands. But as the Author wrote in his notebook. The white velvet couch changed to worn leather. His Styrofoam cup turned to stained ceramic. His glass nightstand now old paperbacks. His imagination now working wonders.
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Mar 24, 2014
Mar 24, 2014 at 8:18 PM UTC
The Author's space.
In case you haven't noticed, I am dull, dull though tempting still to men who follow close behind their pointy bits Yes, I, glory and glamour, unattractive isolated child, great adventurer, efficient traveler, queen of my enameled laundry *** and tiny oar, fearless reader of uncomfortable old books about Africa and paperbacks, seer of mirrors for the first time, knower of a few obscure things, have been diminished, trapped in a cage of my own making hardly gilded $775 a month with torn floors and bruises, still a good deal, rent gradually rising I could strip my skin away to the milk inside or I could build a great, if dubious ship and float along the river of fate, unguided now, see how far I get, bailing myself out for as long as I can
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Jun 14, 2012
Jun 14, 2012 at 4:56 PM UTC
sunk me
*You are a mystery novel I read over and over You put up such a strong front Yes, you're a hardcover I am a good listener Your stories make up for what I lack Fragile and easily ripped apart I am but a paperback*
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Jul 5, 2016
Jul 5, 2016 at 9:01 AM UTC
Hardcovers and Paperbacks
Sleek dark hair Highlights of auburn, color of fall Stern lips A look of austerity in the dark russet eye Skin lighter than my own The smaller wrist Large eyes Faint deepening crow's feet Nursing knowledge Small, short, slight, petite, and strong Maternal vanguard Matriarchal Beautiful and earthly Scorpionic elusiveness Her unused canvas Frequent Homegoods purchased Shifts decor in the livingroom like a Feng Shui practitioner Laughs at the absurdity of modern horror movies Smells like bath wash and too much perfume Smells of my childhood Smells of my innocence Paperbacks of Hugo and Austen in boxes in the basement Paperbacks of The Symposium and a biography of Marx in the basement Secretly likes to cook Culinary explorer Gastronomically open Culinary door opener Very little circle of friends Outspoken Austerity on the small mouth Austerity in the small mouth Conviction in her voice Soft graphite in her voice Has a lisp sometimes The slight overbite(?) Immigrant parent Unnaturalized citizen Reminds me of fall Reminds me of everything Reminds me of very little at once Life-teacher, one of many Protective Over-protective Pushy The way her hand moves on her tablet The way her voice sounded during a lecture when I was a child The way she used to hug Closet full of shoes and clothes she rummages through when she's going out Meticulous cleaner The way her voice sounded when she tried to make sense of me The way her voice sounds ...
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Oct 9, 2017
Oct 9, 2017 at 5:23 AM UTC
Portrait: mother
Every now and then, I'll pop two quarters into *Lucky Lucky Me!* for a plastic ring and a cheap laugh on my way out of Giant, juggling cream cartons in both arms. And I love them beside me in the passenger seat, sharing it like two children that sit up straight just to marvel in the maple branches washing the windshield in green. But then slouch back when law firms and Wells Fargo flood the forest floor, trapping blue birds and black owls in one-way glass cages, so all they can do is look forward back in on themselves slowly splintering into subsidiaries. Commuters and Armani suits bounce their Starbucks cups off each set of cell bars. "Can you hear me now," 2002 asks us, but no reply. 'Cause it's no good. There's no use in communicating with social butterflies when their wings are folded like the cardboard boxes we're packing with paperbacks, 'cause we'd rather stack tabs than physical photo albums. The one on top with the burgundy felt cover. Yeah, that one. Flip three pages back to that picture of us at prom in '96 with that faux sapphire glistening on your hand from the heat lamps overhead and the disposable photo flash we couldn't turn off.
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Jan 24, 2015
Jan 24, 2015 at 3:52 PM UTC
Prom in '96