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Raleigh Aug 2014
That mahogany
Came as I come
Through the slip of its leaf

That mahogany
Pouring me the soul
Of snow in the evening
Of the Winter day

That mahogany
**** the phrase
Of my ***** tongue
Of my savage words

That mahogany
Trimming my ****** bragging
Into noble, understanding

Jogjakarta, --R, August 4th 2014.
Eve Apr 2018
I will forever remember
Those beautiful deep brown eyes
That you thought were so plain.
But darling, you could not see:
how could you possibly see?
The way they shined in the sun
breathtaking hues of mahogany
Melting into golden rays
Circling an eclipse
your “plain brown eyes”
truly aren’t plain at all
they are a stunning mixture
of every color known to man
The most beautiful sunset on earth.
Your eyes are the most vivid memory I have of you, even after all of these months. You always used to call your eyes "boring and plain" and even called them "**** brown." But to me, your eyes were the most beautiful color I've ever seen. You know when you mix a bunch of colors together and it all turns brown? Thats how I viewed your eyes... The deep brown was just a mixture of everything you could offer the world.
Dark n Beautiful Mar 2017
I buried my father:

In the St. Augustine Cemetery
I visit at the old gravesite of the deceased annually
I saw the quiet grave keeper still standing there looking dazed and confused
By the looks of things:
My father resting place
still soaks up all the tears

My mother and other siblings said to me
That to visit any one grave site wasn’t their kind of thing

I buried my father underground: It have been so long
Since then, the birds would come to the house of my father
Looking for breadcrumbs from days old bread
The dead will not be forgotten, his name will lives on

When I was a toddler, he fed me white rice with butter
Sprinkled with black pepper and grated cheese:
With my weak voice I was say “thank you: he was so please

I buried my father in the St. Augustine cemetery
It’s one of the saddest places to visit,
Unlike seasonal passes tickets
So adjacent, those graves: so annoying those wild crickets

He might be far away from his home,
but not from our hearts
Everything on his grave seem so square and flat,
But the most outstanding piece was the letters that read
R.I.P:  what I saw was (Rescue Innocent Perry)

Sometimes, I wondered about the dead
About their done deals: their final feast
I buried my father there, but not his memories

I saw the old mahogany tree still standing tall
the pieces of kindling wood, he made for grilling,

I will  always remember him, and I know he might be
Thinking of me, his poetic daughter especially on that day
when I accompany him to cut the branches from the
old Mahogany tree, just to make backyard wood fire
For the family breakfast, lunch and supper
I buried my father: the naïve share cropper:
Memories, sadness Mahanay tree, death , wood fire,
family, sharecropper
Derrek Estrella Oct 2018
“Congratulations
You managed being five feet above the ground”
Said a man who
Can’t contain a slight, sardonic sound
The situation:
He’s reading eating magazines from the coast of Spain
And yelling himself blue
For the jeepney won’t hurry in the pouring rain

He smashed his head on the glass
Wishing for a train
It nearly cracked / but his
New cadence sounded quite sane

“Congratulations
You took five before you smoked the first one down”
Said a man who
Complimented me for sinking above the ground
“It’s estimation
I might trip before a wheel enters our lane”
I yelled the truth
At this moment, his presence started to stain

A boat that had already passed us
Yelled, “All aboard!”
We weren’t sure it would float
But it had a great deal of cords

Then we clambered on
There was a myriad of golden spades
Two for every buried fool
That was forced to stay
The stench was concealed
By the satisfied old man
A woman muttered
That she was headed to Queensland

A driver viciously flung his arms
Into the air, in apt alarm
The intersection’s volley
Aimed for the starboard
Everyone reached for the mast,
Hoping to soar

“Congratulations
You nodded off before the lights started to blare”
Said a man who
Lied, ostentatiously impaired
I’m at the station
Then, I noticed to my side was a golden *****
I dug myself through
The mahogany and got on with my day
In the rain
Mateuš Conrad Aug 2016
die nacht  aus alle verewigung -
verewigung die nacht - in immigrant German
spoken - not spoken, hälfte, hälfte,
pork-chops go go got taken with Australian *******...
cos selling the body saved you with the crucifix from
selling something like your soul, hence the accord to
be ready for critique of selling the magic potion of drinking
iodine... i was a fetus back then... when the atom
**** got the plastic elasticity of tangling
to wanking a didgeridoo... magician's syndrome:
**** that tightened fist and i'll assure you
you'll get the white flag of piracy's peace:
meaning they never robbed the rich men, pirates
just robbed the artists... hey wooden plank,
knock knock... don't make me into a wooden chair...
take a creaking floorboard and make it into
a shimmy toothpick... knock knock... who's there?
Jude? Jude who? hey i'm Jude? Judy Jew who?
a Jew who chewed propaganda and hid Jude.
fair enough, Jude's the everyday Jew.
no, she's the Rabbi! Rabbi who?
the Sabbatical who knows who.
some say i know god.
well, good luck with that, mostly asserted
on death row.
at least that place is given a fabric of a team effort.
by the time i think about next week's trash
i'll have written something akin to it being
taken out into a pig's trough of what resembled
the dating scene in New York...
hardly reminiscent of the gay Utopia:
so much anger yet still only the vote,
so much anger yet still only the vote...
           the intelligence poured in, but the
quiff only wanted the algebra of x
to match it up to a presidential race success with some donor's
y, and later + and squared and equals to make
those family holidays affordable.
- winter-night... deutschekaiser....
i swear it would be cheaper to build a wall
around the middle east...
like the European Union really
wanted to invest in dates... cos we were
ready to make a Sabbath from a Ramadan...
like we waited for the loss of % on added debt...
we waited, and waited... and waited...
we got McDonald's instead... and that was all
in the inventory... and that was all in
whatever we got, if we got anything:
deutsche schmutzig machen... is that perfect
German muddy - herrbzigg - or alter
Philanthropist zigzag - howdy howdy **?
dots the avenue...
and the many riches coming your way...
make muddy, or muddied already,
takes one swipe of the credit card,
ends up with 110 to nil streaks of ****
bothered about Star Trek... and the cellphone...
and the extraterrestrials of Mexico (or he co & co; huh i?)...
got the gangrene green if you
like the Licorice tangle of blank Ovid saying:
mahogany, mahogany, mahoney... mama got all da
honey... n she got the 2Pac shaky shaky core blues;
mind the albino in the hood:
or Mars the red planet, Earth the brown planet,
scary they thought of dinosaurs with dragons prior...
didn't think of Martian life prior to government
conspiracies, way before Darwinism and crowd control...
life on Mars: well, it was once there,
long before dinosaurs, and bacteria and yogurt...
long before the circus, and the commuter caterpillar...
i believe that there was life on Mars,
given the timescale... it was there...
but it ain't there anymore...
                           which might explain the U.F.O.s....
don't believe the government's audacity to have
created something so phosphorescent Zulu
as to invoke an engraving of lawless Voodoo...
before we knew of dinosaur remains we drew dragons...
before we explored Mars we were given
the proofs... life existed on Mars, long before
Earth was made the 2nd laboratory of a deity...
then it died, given the life-cycle of stars...
Mars is rocky... earth is rocky...
whatever life existed on Mars in its full potential
is long gone... is this really as weird
as what pop culture makes of man and monkey?
kettle and carpal muscles evolving from
oysters? we really can become equally ridiculous to
the extent that we turn on each other...
it didn't take much to divide Hindu from Muslim
into India and Pakistan... this won't take much thought either...
i'm just trying to counter scientific negativism,
and counter the timescale of both physicists' big bang
theory and the anti-historical Darwinism...
i'm starting with life on Mars, at a time when
Earth was inhospitable... volcanic... i might be among
the many people treated as being "mentally ill"
when the government claims to be so advanced as to practice
such projections of phosphorescent objects,
when it's dumb as Donald *****... because NASA is
not theoretical enough... and the government seeks
control by claiming NASA isn't the end result...
the usual suspects: lies... and more lies...
the Venusian Art... the pick-up artists...
i read it, never tried it... wish i did... but i also wished
for a herd of goats too...
but that's the best explanation of sighting a UFO i have...
before Earth was made habitable, Mars came prior...
Mars is rocky... is Earth... our fantasy is about discovering
life on Mars... life on Mars left a long time ago...
it's gone... gone gone gone...
the sun is cooling down before it becomes a dwarf...
before the perfection of this glasshouse of plants and animals
Mars came before us... and it was perfect...
later came this whole God and Devil debacle and plagiarism...
the first supreme, the second mildly similar...
but altogether worse... i told you, a phosphorescent object
in the night is hardly a government project...
the government is not capable of such things...
if they are, then they're like a man with a 4 inch
***** telling a girl he's a millionaire and has a fetish for
watching his girlfriend get ****** by a stranger with a 12 inch ****...
do the match... get a mud-bath.
the Welsh drew dragons and the Chinese too,
long before the dinosaurs usurped the happy-times
next to a bonfire... i'm just like that...
life existed on Mars long before we decided to look
for microbes on that red Ayers orb...
i'd be looking for sodium rather than twin oxygen trapped
into liquid by hydrogen, then always alienating laws
by ice, the said liquid and vapour...
my theory is that the original life on Mars,
didn't experience hydro sodium chloride... i.e. the seas...
Mars had only sweet life form... given the Devil
plagiarised Mars with earth, we received the seas...
we received the hydro sodium chloride... salty waters...
so if i was heading to Mars, i'd be mostly interested
in finding sodium chloride (salt) than anything...
not life... if i was heading to Mars i'd be trying to find salt...
not life... salt... salt... salt... Angie Jolie film (2010)? Salt.
because we forgot our individual intuition,
and we chose to have individual intellect that might be
easily swayed, because of this we allowed
collective intuition to arise... which we couldn't
intellectualise, because a collective intuition gave rise
premonition, prophecy and such artefacts of similar attention...
no collective intellect could ever be grasped:
atheism and Christianity and Islam and etc.
are such examples of what we lost... once we gave up
individual intuition, to replace it with a collective intellect,
we couldn't revise individual intuition with an individual
intellect (how many adherents of Marx does it
take to change a light-bulb?) - so we invested in
a collective intuition, whatever you call it, it's maxim
is still unshaken with the words: the sun will rise tomorrow.
a line from Heidegger concerning this observation:
every man is born as many men and dies as a single one -
like me, how i discovered the difference between
the man and the mass, intuition and intellect...
how man reversed the intuitive continuum of animals
to converse with an anti-animal invigoration of
intellect, and transcend the continuum of replicas,
and therefore invest in embryo, or the book of Genesis,
"original", in that, also a continuum by ontological inspection:
i.e. continually revisionist... Einstein preceding Newton...
Orangutan Joe preceding King Kong was never
really going to happen.
Bare-handed, I hand the combs.
The man in white smiles, bare-handed,
Our cheesecloth gauntlets neat and sweet,
The throats of our wrists brave lilies.
He and I

Have a thousand clean cells between us,
Eight combs of yellow cups,
And the hive itself a teacup,
White with pink flowers on it,
With excessive love I enameled it

Thinking 'Sweetness, sweetness.'
Brood cells gray as the fossils of shells
Terrify me, they seem so old.
What am I buying, wormy mahogany?
Is there any queen at all in it?

If there is, she is old,
Her wings torn shawls, her long body
Rubbed of its plush ----
Poor and bare and unqueenly and even shameful.
I stand in a column

Of winged, unmiraculous women,
Honey-drudgers.
I am no drudge
Though for years I have eaten dust
And dried plates with my dense hair.

And seen my strangeness evaporate,
Blue dew from dangerous skin.
Will they hate me,
These women who only scurry,
Whose news is the open cherry, the open clover?

It is almost over.
I am in control.
Here is my honey-machine,
It will work without thinking,
Opening, in spring, like an industrious ******

To scour the creaming crests
As the moon, for its ivory powders, scours the sea.
A third person is watching.
He has nothing to do with the bee-seller or with me.
Now he is gone

In eight great bounds, a great scapegoat.
Here is his slipper, here is another,
And here the square of white linen
He wore instead of a hat.
He was sweet,

The sweat of his efforts a rain
Tugging the world to fruit.
The bees found him out,
Molding onto his lips like lies,
Complicating his features.

They thought death was worth it, but I
Have a self to recover, a queen.
Is she dead, is she sleeping?
Where has she been,
With her lion-red body, her wings of glass?

Now she is flying
More terrible than she ever was, red
Scar in the sky, red comet
Over the engine that killed her ----
The mausoleum, the wax house.
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Sky Feb 2016
Brown.
Mahogany brown.
Mahogany brown, with pieces of melted chocolate.
Mahogany brown with pieces of melted chocolate, never failing to melt my heart.

I gaze into your eyes, noticing how the clouded sunlight has lightened the color and made it easier to see
mahogany brown, with pieces of melted chocolate.

They are warm and smiling, because you are warm, and smiling up at me as I gaze into your eyes. Your smile leads me to notice your lips, which I love to kiss.

I love to kiss those lips, and I always feel my heart jump when I do. It skips a beat as I sink into your warmth, and I kiss you again because
I love to kiss those lips.

Soft strands, darkness streaked with light.
Soft strands, darkness streaked with light, always feel so soft against my fingertips.
I brush your hair away from your face with butterfly fingers, gentle.
You catch my fingers in your hand, weave your fingers through mine.
I never want to let go,
   never
             never
I never want to let go of you, and I press my lips against yours again. You hold me close, so close, and our souls touch.
I feel our souls touching, stretching feathery fingertips to clasp hands and hang on for dear life.
I gasp at the sensation, at the feeling of being
whole.
And I look into your eyes, full of love and warmth and passion and desire;
mahogany brown, with pieces of chocolate.
SAILING TO BYZANTIUM
I

THAT is no country for old men.  The young
In one another's arms, birds in the trees
-- Those dying generations -- at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out Of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

WHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
THE TOWER
I
HDRWHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
zebra Jun 2017
she loved thunder storms most of all
the crackle of white hot bolts ripping through the sky
the sheer immensity of power
she always thought it was him
her beloved God
big boy
Thor
with his flowing blond hair
blue aquatic eyes
washboard stomach
and delicately curved *****
finally a man good enough for her
even if he was fly by night

when the heavens thickened gray
like soggy cotton
she could feel atmospheres shift
it made her ******* pert
her mouth would salivate
like a lurid peach
her ***** swelled and dampened
tears of adoration and enchantment
filled her eyes

no longer able to contain her self
she would strip naked
fling off her *******
and run out to the lush verdant meadows
calling at the top of her lungs
yoooooooooo hooooooooooo

as the cool rain descended
she ran thrilled to the mud between her toes
seeing great claws of white lightening  echo
through the sky

without hesitation
she fell to the cool earth beneath her
wallowing in the delicious sloshing ooze
positioning her self on all fours
head thrown back
*** up high
calling to the heavens
come on, come on big boy
ive been waiting for you
let me have it good
her clitoral lips
drooled with anticipation
her ******
a pulsating aching

the sky rumbled
with stretching streaks of fire
like a great freight train
spanning infinity
while the earth shook like a
hollow moon
she swayed her hips
rhythmically to and fro
whispering a love song

oh sir
i need a man like you
wont you love me
adorations true

i kneel before
my sweet Lord Thor
where's that hammer
come on and score

you are so big
and im so little
how about it God
just a tickle

hit it now
give it to me good
kisses baby
like only you could


tears of desire cascaded
down her pink cheeks
as she recited her love mantra
her mouth naked wet

suddenly
a great bolt of lightening
shot down from heavens throne
entering her ******
splitting her in flames
her head turned dark mahogany
sent careening fifty yards
leaving her mouth
a yawning twisted smudge
of fossilized obsidian
with eyes
blackened flaring hollows

her tender pink ****
a charred flower
smoldering
like a
petite
grilled
calamari
Mitchell Feb 2013
Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.
Mahogany hands
Reach through the flowing wind
Full of oxygen and pollen and pollution
A mahogany girl sits in the green grass
Waiting for the white bus that is slow
Expressional brown eyes
Look into the blue sky
Painted with teals and slates and colors
Other than sky blue
The weather is warm and schizophrenic
An impending uncertainty
The smell of rain faint but noticeable
In the distance
White lightning slashes through the sky
Mahogany skin cannot feel
The intensity
But mahogany skin can feel
The static in the air
The mahogany skin prickles all over
As the current dances

Suddenly there stands
A man dressed plainly
In a white t-shirt and blue jeans and a golden cross
Who vaguely resembles Daniel Radcliffe facially
But has never been told so
The greeny plant people
Dance wildly to the rhythm called wind
Then the sky pours its heart on Tuscaloosa
Filling the air with a myriad of water
Mahogany drowns on a Monday
This is one my UA poems. Written 2-28-2011. It's strange for me to see this now. A few months after this, there was a tornado that tore six miles through Tuscaloosa, including about 30 ft from my apartment. The weather was worse than this on April 27th.
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
Like a hearth,
Her hair was inviting
And warm, red mahogany
Her deceptive eyes
Sensing danger
Betrayed only
by her quivering crimson lips

Back against the wall
Separated by arm’s length
Sobering distance
Maddening silence
She, reticent siren
Far from the ocean
Far, far greater than its depth
She, from the wild
A wolf’s howl
Far from the forest
Far, far greener than its leaves
She was shelter,
In the mountain
I found myself lost
King Panda Jun 2016
this is my excavation to
the days coming along
running hands with laughter
throwing it down on the table
straight
flush
okay, cool


sister, these things don’t matter
when we’re twisting into the sun
with pants that are too short
the fountain rich with
iced chai
tangled with the peculiar
the beautiful
through these moments
I commend
our hearts for finding each other

love is always on the move
as sure as shoe shine
as mahogany
like timidity to relinquish
to let the universe take hold
and instill this emotion
into my body
fit it all in my heart
O, singer of love
fit it all in my heart
the knell
the reverberation
the cotton that lands
on your hair
the sunscreen stuck in my ear

we are a sketch of two travelers
sleeping under stars
the fire
finally dies down
the rapture of the universe
is overwhelming
everything flows
everyone is connected
and this music we hear
is constant
like gentle waters falling

this too, sister
makes my cane solemn
and I draw you in the sand
only to watch the tide
wash you next to me
the emotion
wrangled in English
simply means good
simply means
a full listen and
dear sister
because everything begins
and will be remembered always
as love
Ayeshah Apr 2013
I step up to the curtains
they weren't open yet,
but I could hear the melody of the music
and
I listen curiously,
as
the man performing before me spoke,
he used words to address me as a
Afrocentric --Soultress
with a little bit of Boriqua aurora ,
I bow my head and laugh.
The curtains lift as I walk out & up
I open my mouth softly
I tells of lovers wrapped entwined entangled
as
sheets become hiding places as lips taste of honey
from valleys of lustrous milky--juices
from a our oasis
of ******* *******,
and
overflowing valleys fill to the
brink with sweets raunchiness hehehe...
I step to the right to
look at the crowd
making sure they get the effect of how he tasted
as
I hold the mic
I gentle massage it
while motioning
to a man sitting right in front,
he licks his lips
and
I then turn my head to my left
addressing
the parties sitting right up front on my left,
I speak to them of the swells of his back and how
my nails dug deep as he enter me swiftly
with his Mandingo shaft...
how his blue eyes seeped into my brown eyes
while
he drove deeper inside of my mahogany velvet box,

a women in front crossed her legs tightly
and
wiggled in her seat,
I bow my head so I don't laugh,
I watch the center crown as
I explain how he  the man with this enormous
Mandingo ****
stuffs it down my throat
and
I **** him in choking as he trys to insert it deeper,
I'm lavishing up every bit of his essence, 
 the couple in the center hold hands even tighter
and
look at each other with a shared memory.
I flow with the music softly slowly
I connect with each member of my audience,
sharing with them the way he bent me over his stool inside
his photo lab
and
kissed between my cheeks as he spread me open
and
softly fingered my ***
while using the other to finger to lavishly assault
my chocolate velvety muffin,
as
I moaned he readily spread me,
telling me as he moved in front of me saying be still,
he tied me up to this tall stool, the crowd leans in
as if ready to hear the next verse,
I give in after a moments pause,
sharing with them how he spread my legs
and
tied them right after he spread
my hands on each leg of his stool.
In his photo lab he lubed up moving his hand up
&
down
his light skinned shaft,
I watched
and
longed for him to touch me again,
the radiance crowd
sitting on my left seemed
to be thinking as I did,
"is he going to stuff his **** back inside my mouth,"
I speak again
seeing how their all
longing to know he did in fact slowly 
walk up to me, lifting my head and saying open up baby,

I did as I was told,
the man sitting in the shadows
on my left
seems
to be stroking his **** as
I proceed to explain in poetic
****** verses
of this tall
high--yellow
black man
with the
blue eyes,
he seems in tuned
so I keep speaking of how
I licked his shaft
then allowed him to slowly meticulously
push
his **** inside my mouth
and
slowly pull out again .
I tell the audience how he ***** my mouth first slowly and then like a beast, he was ready to explode I explain how he grabs the head and stops him self from *******,

I get an
"Ah'awe"
from all the men in the audience
and
I laugh..
but
continued to explain
how he didn't want to just yet...
poetically
I explain how
he wanted to ready me for his assault
on my sweet *****,
using words to describe it ;
like mahogany rose buds or petals.
Explaining
how his Mandingo shaft
would be his weapon...
They seem eager to know more,
I tell a tale of how this light skinned brotha had me tied and teased me in his photo lab,
explaining how he pulled out a ***** just
as big as
his manhood was
and
while eating me he slide it inside of me
as
I quivered and shook he'd stop,
it seemed right when I was about to ***,
he seem to laugh out loud at my misery,
he knew just what he was up to, the audience seemed to get deathly quite,
seems even the music died
as explained the rough treatment I received at the hands of this blue eyed light skinned devil
of a man,
He licked me even at timed used his fingers along with this *****,

I explained to my audience
how he stopped his assault
on me as he slide his Mandingo up and down
my *** teasing my *******
putting the tip of his head in and then taking it out,
I told them how he finally stopped for a second,
then he entered my *** with the ***** and slide his 12" ****
deep inside my ***** causing me to cry out,
I tried to stop him but my hands were tied and that of my ankles as well,

and

he moved with such force and swiftness
I couldn't utter a word,
the more he moved the more
my body betrayed me as it heated up
from the inside out as
if he ignited something new and longing within me
he moved fast and ferociously in and out of me in sync
with the enormous ***** until
I myself was begging for him not to stop,
I
poetically
spoke memories & fantasies out loud,
letting my audience
know how
I
came so close to a ****** I've never ever got to feel or come close to feeling again,
I acted as if there was more but I then kissed the mic and walked off stage ....
  
  Another
Story
perhaps
another night
&
I'll
KISS THE MIC!
Always Me Ayeshah ®
Copyright ©
Ayeshah
K.C.L.N 1977 - Present YEAR(s)
**All right reserved ®
Snip
Cut
Bang
Simmer

I want a transit,  a travel against my skin, that keeps going until I command it to stop.
My mouth begged for light, to feel warmth on my face

Heat oven to 450

You laughed and tossed me,  a rag,  away from the mahogany scent of your chest to the cold,  hard floor that I am stuck to.
I miss you
I try to imagine you so that I can delude myself into continuing, but my mind strangely has already forgotten you.
I cannot remember your eyes,  or even your favorite color anymore.
Some wish for that type of amnesia, but I am solemn.
I wanted a piece of you to carry with me always.

Cook for fifteen minutes or until dark

I hear my other side in my head; She is the evil within me.
I am brunbrunette, she is red.
I wear flats--her long legs are attracted to heels.
She smiles and with a curvy, smooth voice,  much like a fiery dame from 1920:
"He has a piece of you though; you gave him your whole heart, and he only took a bite! That's alright, you don't need him or anything like him! You are a woman.... "
I drown her out with recipes,
4 cups of music and 1 cup chardonnay
(okay maybe MORE than one)--
therapy that I have made many appointments for.
Adding bits and pieces of me that I share,  and some I don't
One thing I know,  if a new one comes along,  he is going to have to be patient,
I learned my lesson from burning out on the first batch

Take out--let cool
Don't eat all at once--savor.
Enjoy a slice at a time.
This is a 'moving on' piece that I put a twist on. I imagine that different people of various professions have their own grieving process,  and that's when my mind thought about chefs.  Just experimenting. The title is German, i.e, Chef Slice. Hope you like it!! Thank you all for reading and following!!!
Amanee Powers Jan 2013
the night came to me
in a blur of color.
the people dripping with sweat,
the air is fills with smoke,
and the scent of old mahogany
inhabits my shirt.
the room spins
as the liquid burns my throat.
the music booms in waves
through the thick atmosphere.
cups scatter over the marble floor,
like leaves on a fall day.
my head becomes heavy,
but my body moves to the beat.
Amitav Radiance May 2014
I was brought into this house
Ordered from the local furniture shop
Made to order according to specifications
I am a wingback,
Upholstered in full-grain leather  
True to my rich heritage
I was placed in the library
Amongst the illustrious works of famous writers
Half- a - century have passed, providing support
To the backbone of the family
Although tired, he finds solace in my cozy embrace
I give him my wings to fly into the world of literature
Cervantes, Bunyan, Bacon, Goehte, Dostoevsky, Chekov, Tolstoy
Some of the names from the illustrious collection
Not all were privileged to have a seat here
He was transported to each era, savoring the rich legacy
Of literature down the centuries
I was privy to the mind-boggling debates
Which he conducted with himself
Trying to reason each work of literature
A mere wingback rose to be a companion
Providing sturdy support on the mahogany legs
One fine day the reading session ended in deep slumber
Five decades of bonding and companionship came to an end
Now, I stand here, forlorn, at the corner of the library
Reminiscing the reading sessions, and siesta
The wingback does not have the wings to fly away from this bond




© Amitav (Radiance)
too often, i think too much
about theology
relationships
finances
the future
health
the torrent of anxieties
ferociously grows inside of me
under my heart
in-between my ribs
and im driven into recluse

too often, i think too much
and forget
the remedy
is right in front of me
i just have to open the blinds
and watch the sunset
that big burning star
scarring the clouds blood red
and mahogany orange
burns inside me

and the torrent subsides.
A secret admirer is an individual who feels adoration, fondness or love for another person without disclosing his or her identity to that person.

Her eyes….
brown as mahogany and deeper than the ocean
one glance into her pupils and ones heart will become open,
Her lips….
ever enticing so smooth, so soft
a kiss by itself could set it all off.
Her skin….
mouth watering like the sight of Hershey’s chocolate
the kind you glide your fingers down and rest your hands in her pockets,
Her hair….
is her crown and it is fit for a queen
she’s known to turn heads whenever she’s on the scene,
Her smile….
is confident, and mesmerizing, the reason you desire her
maybe one day you build the strength to grab her kiss her until then
you write her letters signed your secret admirer.
You see her everyday
but you not sure what to say
so you keep your mouth closed
and write your feelings on a page.
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
alexa Aug 2018
you met a girl who
cried raindrops,
tasted of champagne and regret but
oh did she love so hard
i never got a chance to feel how soft she could be
i was too busy drinking in her mahogany eyes and
lightly tanned skin-- by the gallon, gulping
trying to get air in between sips like
an aged merlot she was
timelessly magnificent.
i swear to you
she had the sun within her,
could shine so bright but
a single cloud could wash it all away,
dim her, shroud her
in stringy clouds of despair i swear
i would've done anything
to burn away those clouds.
-a.c.b
Mahogany,
dark haze of despair
an imprisonment inescapable

the wings of eternal twilight folded
a consulating protection
of a darker fall

dancing with the devil
a song of pity and desperation
of which eyes are darker is unsure

the maker of this lock
of damnation is known
a salvational key
the same person holds

amnesty of mind
to let burdens go
and for wings to unfold

music to cease
so the dance can halt
to get out of the prison within

a breeze to cut through the haze
and lighten the pillars of our world

place the key of salvation upon
our own palm
and walk through the door of reverie
mk Jan 2016
the sun hid behind the clouds
causing the 9am sky to be a dusty blue
with rays of sun peeking through every now and then
it was mid-winter and the air was crisp
it smelt of the new year, full of hopes and dreams, love and life
the two of them were found sitting at a little table at a room-large restaurant
in the crowded, busy city center
she wore a pale yellow shalwaar kameez
with a light brown pashmina shawl draped around her narrow shoulders
to protect her from the frosty wind which blew back her dupatta
he still had sleepy eyes and unmade bed hair
she'd dragged him out of bed a little too early
it had been a long night, and it had taken a lot of strength to leave his blanket in the early morning hours
but looking at her eccentric face right now made him realize he'd leave anything to be with her right now
she asked him what he wanted to eat
and he was pulled out of the trance, staring into her green-brown eyes reflecting in the morning sun
"jo tum kaho" he smiled that little side smile at her, letting her order for him
the smile she had fallen in love with on the very first day
8 months ago, in the middle of summer when fate intervened and crossed their paths
she called the waiter and ordered two cups of chai and asked him to bring her parathas straight off the stove
"and keep them coming!" she yelled after the waiter who walked a few steps away to the tiny corner kitchen wide enough for a single man, maybe two
"keep them coming?" he looked at her, a little skeptical
"trust me on this one" she smiled widely at him, "if you can't eat them, i will"
that made him laugh, he knew she wouldn't be able to handle more than two
but he just smiled & nodded, anything she wanted, anything she desired, he couldn't help but grant her
she kicked off her khussas and scrunched her knees on the plastic garden chair
closing her eyes and inhaling the winter air
he looked at her and thought to himself
she is my breath of fresh air
and somehow, call it a sixth sense, she noticed his eyes on her
"kya dekh rahey **?" she pouted her lips
"bus...tumhey" he laughed
she hid her face in her dupatta
"stop it!" she giggled
he leaned over the table and pulled her dupatta away, lowering his voice as he said
"you're beautiful"
she caught her breath, lost in his mahogany eyes- strong, protective, loving
the waiter interrupted them, placing their order on infront of them
"yay. khaana's here! she yelled
to be honest, she was thankful it had come
she felt embarrassed by the grip his gaze had on her
and she was a little hungry too
she reached for a paratha, immediately pulling away and ****** her fingers
"it's too garam" she made a face
he split the paratha, unflinching, and gave her half
"i'm still stronger than you." she said
"i know." he made a kissy face at her
she wanted to reach over and kiss his pouting lips
but she she pretended as if she as unconcerned and began her food
a paratha and a cup of chai later she put her hands on her stomach
"i'm full"
he looked at the three parathas infront of them, the waiter bringing the fourth as per the order
he shook his head
"tum bhi na."
he told the waiter to parcel the rest of the food as he took the last sip of chai
the caffeine worked its way through his body and he stretched away the sleep
"you're full? chalo, okay, i had planned on ordering gulaab jamuns for dessert. i guess i'll have to eat them alone."
her mouth opened in shock, then, realizing he was joking, she smiled cheekily
"i always have space for a gulaab jamun or two."
he laughed, wondering how she managed to make him fall deeper in love with her as the moments passed
they sat under the shade of the gulmohar tree and ate their dessert in silence
taking in the beauty of the weather, of the city, of each other, of the moment
and as the sun reached for the sky, higher and higher
she reached for his hand
gentle, kind, warm
her touch sent a buzz through his body
"i love you" she whispered
he could only stare at her delicate pink lips as she spoke
realizing he had found within her an everlasting future
he smiled at the thought
he'd never thought he'd fall in love with such a silly, gulaab jamun-loving girl
but now, it seemed like she was the only star in his night sky
his shooting star
his hope
**his love.
the weather is too lovely to not write about a little winter romance! x
-
shalwaar kameez: eastern clothing
pashmina: fine cashmere wool
dupatta: long scarf
"jo tum kaho": whatever you say/want
chai: tea
paratha: eastern fried bread
khussas: traditional eastern shoes
kya dekh rahey **: what are you looking at
bus...tumhey: just...you
khaana: food
garam: hot
tum bhi na: you're really something!
chalo: okay then
gulaab jamun: eastern dessert
gulmohar: royal poinciana tree
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Poppy Perry May 2015
Today is Menstrual Hygiene Day
But I don't feel very clean
Because you can wash the outside
But even in 2015
Even in these realms of gender equality
And liberty on how to be sanitary
There's no solution for
internal Hygiene
And my blood that's not blood
This muddy flood more than ******
Is somehow still obscene

Today is Menstrual Hygiene Day
Today is a day I am 'on'
The switch is flicked
Blood engaged
And desirability gone
A secret leak, girls so meek
Whisper requests to friends
For dry bleached cotton to stuff and to mend
A recurring trend of defence and anxious bends
To stop the sprawling reddish brownish stain
Of the unexplained fertile woman shame

Today is Menstrual Hygiene Day
Girls in this world are dying and sick
This day promotes an unfortunate fix
Of our wealthy model that still prefers *****
That shows ***** on screens but never female produce
That allows 'I have a cold' but not 'I'm losing some ******'  
'feminine hygeine' aisles,
not 'period supplies' or 'Menstruals'
Disguised packets essential,
to store myself in,
Yet I've never glimpsed the contents of a sanitary bin,

It's Menstrual Hygeine Day
I hygienically ******* today
So I don't understand why this man
Will feel me on his chin and hands
But when the calendar strikes four
It doesn't do it anymore
I'm on and your off
I'm on and turning on stops  
Between my legs this mess
These dregs of last month make me less
Than my best or even a success
At being a woman despite my *******
And my fully functioning, leaking flesh
The appeal is repealed when you feel some real feels
And I continue to walk without showing pain  
To avoid any questions I cannot sustain

Today is Menstrual Hygiene Day
I take my pills for my mahogany strain
I didnt realise from my first stain
What was normal for bloodshed and symptoms and pain,
My packets talk in grams and the doctors in millilitres
My bedsheets spoke volumes and mattress screamed deeper
My knickers whispered ****** and my thighs of a foetus
Stressed and grievous
I don't live in Nepal, I'm lucky for my resources
And the understanding nature of modern social forces
You haven't  degradated or segrated this hateful female fate starting
But I'm far from delighted with the slight common sense parting
When I've seen these secret unfair truths
As normal until there's something compare to
Why do we teach shame and silence
For another simple act of natural violence?
Why will you handle dirt and dead meat,
But not a person alive and craving your heat
And I am sick of my flowers  and unclean until the even
Of my life and one quarter of my natural season

Today is Menstrual Hygiene Day
But I don't feel very clean
Because I've washed and washed the outside
But there's blood all down the seams
Erin C Ott Jun 2018
Fallow brown, like he's poured his whole soul out through the gold sieve and lies in wait to be replenished.

2. The color of the ocean. Blue, I guess, but that’s not even the half of it. All the ruggedness of the waves—forming up, breaking, and forming again like life is only the motions. Her eyes are blue, but you could hardly tell.

3. A hand-painted bowl of fresh chocolate frosting from which the most immature hands soonest get a mouthful.

4. Beautiful. Like, drop dead gorgeous. I’d dig my own grave and stick to rolling in it if she ever looked at me some type of way. Their color? I don’t know. But most of all, I dare to wonder about the bludgeoned scar between them.

5. Sturdy cobalt. Far more indicative of her steady heart than gold could ever hope to be. Still susceptible to tear, but not so easily warped by heat or stress.

6. Simply brown. No, red? It’s always been hard to tell through the fog. Truthful like the rawest earth, I’ll call her mahogany.

7. Faded blue spray paint over a slate gray wall. Forcibly muted after her years of blasting music, but there’s still that rogue twinkle to them that I pray slips through the cracks.

8. Coffee, with all the vim and vigor to make you click your heels and fall in love.

9. Unripe lime seen lazing in the shade. Not fit for a margarita just yet, but straining at the bit nonetheless.

10. Hazel, although I still don’t know what the **** that actually is. Whatever. It looks nice on her resume.

11. Green. Or were they blue? The memories of her were too wonderful, too important, that I had to let the littlest details fade away first.

12. The crystallized seafoam that made me realize I deserved to feel alive, too.
Dedicated to any pair of eyes that's ever struggled to raise itself from the sights they've grown used to.
Jess S Mar 2015
I want to create art for the rest of my life but I don’t want to paint flowers I don’t want to draw ocean waves I don’t want to photograph the sunset

I want the art of the oppressed and the needy and the weak and the tiresome, I want their words to break down walls and I want to be an outlet for better days, for the moments that create lifetimes and the stills that hang on walls in your robust mansions that are cleaned by the very people who live in the cities hanging as part of your decor, the cities of workers and lovers and people who depend on one another

I want screaming and crying and the capture of a second of time that will not be erased by your mahogany dinner dates where you talk about the politics of war from the perspective of someone who has never fought a day in their life in the war that a going on right here and right now

I want change and I want to write a piece that years down the road high schoolers annotate like the way I annotated Martin Luther King’s Letter from Birmingham Jail and I want it to ring in those high schooler’s minds until they realize what it is that is bothering them,

what is bothering them is the need for action the need for expression the need for art that is not currently in existence but is instead hanging in an uncomfortable state like an elephant in the room but guess what,

that elephant has a bigger heart than you and guess what,

good things come to those who wait and better days come to those who pray like a little boy who was robbed of his innocence when he saw a shooting in the light of day but was still given a warm meal and a place to stay

bitter cold and bitter winds flow through the blocks of city streets like snakes weaving with a hissing in their teeth but we are the magicians

we are the ones with the power to create something from nothing and you’ll never know what hit you, you’ll spend your whole life trying to figure out our trick because you are not on the inside

you don’t know the method behind the madness, and for the first time

you will be the one in the dark.
Tom Leveille Jan 2014
your face went on every
milk carton in my dreams
when you went missing
& i listened to a song
about how the churches
in your hometown
were built from the martyred mahogany
of shipwrecks
i dare you
to think i can't rip
the very mood
from your temperate fingertips
when i am cold
and hell bent
on seeing you oceans away, wince
this is not an
"i saw this coming all along" poem
or a "i still wonder about the moments between breaths when your phone lights up" poem..
this is a will & a way
with brass knuckles
maybe a barehanded bludgeon
but i swear i'm trying
to sleep at night
without wondering how cold
it is in your bed.
so mother goose
tell me about
the whispered prayers
crammed into the earthquakes
you call hands
about an ennui
that speaks to me.
Claire Mar 2014
Every day
on the orange-line metro, she would wait;
wait with her lovely mahogany harp
and it's worn, threadbare case
for a dollar;
a piece of tangible hope,
as delicate strings of rhythm
filled her ears
and controlled her senses.
What people couldn't see
was the way her soul poured itself
into each pluck of a fragile string,
and how her eyes remained
fluttering,
as the entire symphony
harmonized around her insignificant tune;
vibrating through her chest;
booming through the auditorium,
which was really just an orange-line metro
and a lone woman with a lovely mahogany harp.
So the empty case came as no surprise
to anyone
except her,
as she shed a single warm tear
and stepped off the train into the cold, bitter night.
Nigel Morgan Nov 2012
1
 
Here’s a sunny card to cheer up your hospital room.
Kate’s Flowers c. 1936 by Winifred Nicholson
So glad you’ve got your own room
And can therefore do a bit more of what you want to.
Take it easy though!

 
This painting is not what it seems.
Taking the long long look
that Jeanette Winterson recommends
there’s this abundance of orange
and its close friend yellow:
plenty and laughter
joining hands with
wisdom and calm.
Sometimes known as Kate’s Bunch
It’s an oil on plywood,
painted in Paris.
Two vases, daffodils and lilies,
the latter’s petals fallen on
a polished table, mahogany possibly,
and spread about by a gust of wind,
or perhaps a passing child. Kate
her first born, her miracle child
just seven when this painting was made.
 
2
 
There, sitting in front of us
in the stalls in the Town Hall,
was Stockhausen himself,
resplendent in the orange jumper
he always seemed to wear
in the last years of his life.

Because he invariably wore
white shirts and white jeans
an orange jumper, scarf
and jacket seemed sensible
garb for an angel from Sirius,
particularly when working in his garden.
At a concert he’d been known
to sport a purple scarf.
Orange and purple:
two colours that defy rhyme
but clearly not the reason
of this genius from another planet.
  
3
 
This Orange is Ecstatic.
Its theme of six quick notes,
almost never leaves the music.

Composer Michael Torke
slows it down, smooths it out,
it’s so quick and catchy
momentum builds up quickly;
it simply sounds (almost) unstoppable.
It sure is! Such fun,
and so good to listen to
because you never loose the thread.
Ok, the tune cycles round your head
but the instruments change
and there’s lots of extra tunes
playing away like good buddies.
This is music you can’t help smiling to.
It’s Ecstatic and Orange.

4
 
Did you know there’s a Music of Colour?
It is so new that few people,
except those who are creating it,
are aware that it exists.

At all.
 
Colour has seven degrees
of depth intensity.
With Orange it's
Alabaster
Apricot
Fire
Fox
Copper
Tobacco
Black coffee
 
Colour has seven degrees
between the shade of its hue
to its neutralization.
With orange it's
flame
sand
ochre
bistre
fawn
dun
mud
 
Oh Winifred, have you any idea
of the song your colours sing?
How orange and yellow
and blue and white
and almost purple
with a little green
make music become a picture.
 
5
 
I bought some orange tights! X
Oh Gosh! X
I’m not wearing them though . . . X
There’s a time and place for orange tights . . .
wait for (poetic) instructions please . . . X
Curiouser and curiouser . . . X

 
You see I bought this frock
in a charity shop.
Folly green and Pointing white
it was pleasantly patterned,
though a small fourteen,
and knowing he’d like it
I put it on one night
before we went to bed.
And he said:
‘You know it would be just right
with a pair of orange tights.’
And so it is.
Just right.

6

Dearest,
don’t let me touch you
yet, above the knee
where this warm colour
flows towards that centre
of your movements’ grace,
where lower limbs join
to kiss and stroke each inner thigh,
those quiet smooth planes of softest skin
that inviting so the caress of a hand,
daring so the intimate touch of a cheek.
Let orange keep you close to the possibility of passion
to the glow of your beauty’s length and line
where the firmness of your standing self
will shine out and speak of purpose
and of love’s sweet gift.
Composers often use quotation and/or sampling. In these six poems I've used short extracts variously from a get well card, a newspaper article, an Internet review, an essay by an artist and a text exchange. These extracts are always marked in italics.

— The End —