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David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Robin Carretti Jul 2018
Watching a classic
Casablanca Class I Fix
Trix cereal for adults
Goddess sundress
The class act you need to guess
Her
fit* no-one would
know vibrant
Getting the OJ of the miracle
Sunbathing at the
     *Pinnacle


His skin news of the
Chronicle
The fix-up finale deeply
in her classic smile
Sunflowers of the sunray  
Tropicana class act deviant play

Quickdraw Gunfire
Her hot tango steps in action
Copacabana
Diamonds no chips
Big tips at the Gentleman
OH! Boy the cabana detention
Class I comes with affection
Kiss is not a kiss without a real scene

In action to miss a classic movie hit
Adventure Trips  flipping homes
In the classified newspaper middle section

She is the Classic with an illuminating passion

I the Classic one and he is
surfing the internet
So fit to be tied but casual love
She the same person wearing her
flip flops
******* off *Root beer float tops

The root of all evil
That She-devil Sire
Not the ordinary campfire

It takes a certain Class, I can fix peoples
problems  like great ***** of fire

We are not signs or perhaps it's in the signs
Emblems
Where you came from no problems
Take action get more satisfaction
Army grenade we are all
fighting in action
Action speaks louder than words
One of a kind the rare find
A classification of her mind
Understand each other
do the hiring
  Trump in action job firing

What drives us and gives us
gratification
We need to love what is above
our minds
I believe sometimes you don't have to be where the action is

The Rainman Rainforest Vacation
You are the I phone off
with the ringer
Classic type Class I
Our computer all rules
codes and passwords
The religious Pope up front
He's the  Marlon Brando waterfront
You have the polka dot bikini

Panera Sandwich Panini
Orange you glad its cantaloupe
He wants to elope
your classic smile
Exclamation point
At Times Square you could
lift her for miles

Whether we look modern
The technology is always out of reach foreign
Or wearing your heart in his heart
Your wiggle walk
The classic style to talk
Fifties **** smoke
Born to be wildlife everything
is on Castaway
Or layaway on hold

And he is athlete runner so hype
Everyone is busy on
Twitter or Skype
The Facebook and photos

Dorothy loves wizardly Oz and Toto
Were all together like
a congregation, not a citation
Living in the city paying rent
Another wicked concert event

How many times did you get that notification?
The auction house in action the bid five times
Those hot leads of crimes
Playing for a nickel heads up dimes
Class act Quarterback
Elephant treasure trunk
ten commandment
Class, I lady leading the way
Class, I fix the parliament

Her classic fifty style army dress in action
Her bullet lips caught quite an attraction

Feeling the comfort food
Mac and Cheese
Silly names those 
 Canadian A&W
ATM Class I
The French fries do or dies
Skinny He's the Ham Mac
You're the spicy Cajun
on the speaker Mic
What classifies everything in
our life
High stunts action cliff taking a dive
**** Bill he kills me all the time

That Buffalo Bill Chicken Mac
Bombastic not the
forever love classic
With a whole list dark Raven
Crystal rock Haven

Everything lately goes so fast
Getting in Saint Anthony fire
She is the livewire
The gunfire or the cease her fire
Out of money  honey bee
******* mansion multiplier
Everything you're
near his or hers
Wineglass stir me
like an amplifier
What happens to your
responsibilities running
racing your own time
The  Coffee man suitor
My Godly dictator
The saltwater taffy-like lava
Comic Disney Pixstar meet Daffy Duck
Or you overqualified being lied too
Oh! Chuck

Like a candle in the wind its in
the science hot steamy
romance engagement
What awaits things to come
getting blown away
It just like any other day
How we classify things or lose things how our mind cannot remember your best words even writing a poem it takes practice more advice action speaks louder than words like the law and order. I think this poem might be your order. Please tell me how it classifies is this a class act to follow get your coffee fix action we will start the movie my poem classic relax
Andre Baez Mar 2014
The seductress on my mind
Lives in full on expression
Laced in the free confines
And platitudes of direction

The sequential confessions
A private march of signs
Lead aggressive regression
A spinal tap of times

Timid forms of prose
Do not impose, much
In the way of speech
Or the ways of preach

A dandelion blossoms
Fully under direction
Of gunfire and hellfire
Made in mans *****

A milk which is colored
A dark, rusting, crimson
For this is the gift adorned
An antiquated prison

A dream once flowed upon
The rivers that line my arms
Texts of pharaohs charmed
With distant songs sung  

Yet, not distant enough
Into a further realm of
Steak, salmon, wine, and
Pontification, a type sublime

Cardiac and stop and frisk arrests
Psychedelics and prophylactics
Insomniacs and chipper morn birds
Courage and numbing fear tactics

Topics are churned forward
As thoughts are yearned for
But are seldom rewarded
Without snide comments

Even if contorted to fit
Daily textbook definitions
A raindrop is precipitation
Not tears from eyes of perdition

Said a jeering member of an alley
A gatekeeper for all of Hades
A living reminder of what shape
Controls societies minions a plenty

I believe you are a queen lost in time
You are the seductress on my mind
The boom-bap of 90s street art hop
A collection of lives birthed caught

You are the desire of my epicenter
The freezing of my two lips together
A culture of desire and of fortune
A soft room with croons in tunes

I believe you are not pink matter
You are the color scheme in the sun
A serpent slithering within disaster
A tale of victory and woe as one

Tears sting the edges of my eyes
As shadows are cast upon my soul
A tree in mourning for it's seeds
As oil desecrates, dry, shallow soil

When did this become a love poem?
Atop the raft my dreams have flowed
Wordsmiths fashion sturdy homes  
To heal the word and to help growth

Inside one of these I fled and bled
In it I found fish, water, and bread
Self-hate and despair had spread
Until it was fully excreted in death

The seductress on my mind brought:
Dandelions with smoke from gunfire
Milk which was crimson in color
Pharaohs songs of golden charm
A conversation in full, and open arms
Arms that held my dreams with calm

Constructs of love and poetic meals
Heal the surface of darkness scorn
Feeding the soul of it's sullen needs
A return to an innocence unborn
Jordan Rowan Dec 2015
It's like a diamond stake pushed through the silence of my brain
It's like a thunder of voices coming down like a hurricane
It's like a forest of gunfire blowing past my bedroom door
It's like the force of a god pushing down on my floor

Whip smart, by all accounts, but lost beneath the sheets
Forced out of a comfort zone and pushed out to the streets
Spastic changing voices like a record out of line
Just speak like you always do and don't **** with my mind

I'm like a tidal wave that only gets halfway there
No shore to erode with no Taiwan to even care
I'm like a promise left on the kitchen table after dawn
Someone will find it but it will be thrown out on the lawn

Born without a spoon but there is silver in my teeth
I'm made out of as much spirit as a plastic, clearance wreath
Dust beneath the stars cancels out the dawning sun
Shine on the bums, the prophets, everyone
Alan W Jankowski Nov 2011
I walk down a broken street in search of my Promised Land,
I'm on a mission from God and my God's name is ******.
In the distance I can hear the gunfire,
I'm in a holy war, my sergeant’s named desire.
I walk past other junkies nodding out against a wall,
We're fighting the same cause, fighting against withdrawal.
I reach my destination, I talk with the man,
I hand him twenty dollars, he puts my God in my hand.
****** you must be God for everything I do is for you,
I'd crawl ten miles on broken glass for you.
I'd sell my soul, my family and friends for you,
If you asked me to sell myself, I'd do that too,
You can see I'm truly nothing, nothing without you.
But if you’re really God, you leave me confused,
At times I feel like I've really been used.
You leave me shivering when it's not really cold,
Unable to walk and I'm not even old.
You leave me penniless when I'm not even poor,
You leave me feeling beaten, aching and sore.
You take away my pride, my looks and my health,
Make me lie to my family, my friends and myself.
Although for you I have dedicated my life,
What have you done for me except stabbed me with a knife?
I look in the mirror at my own bloodshot eyes,
I stare at a man whose world is all lies.
I think about my past and start to realize,
You’re not a God at all, but the Devil in disguise.
Written in the mid-90's, this was put to music by Joe Malgeri on his self-produced album "Back In Time"...
A man, who never believed in Gods,
Refused to acknowledge the supremacy of the imperialist British Lords,
Challenged imperialist world empire with stubbornness,
Wished to build a peaceful superpower country, with farsightedness.

Through his reading, kept himself on evolution,
Sowed in the hearts of Indian youth, the seeds of revolution,
Raising and threatening administrative tones,
Stood fearful and could only break his bones.

From, soviet World misunderstood,
Revolution a product of blood & bullet,
He approached and transformed revolution,
A product of inspiring pen and booklet.

Never limited himself to fight for boundaries of administrative right,
Expanded himself in the jail to throw away human plight,
Fought a death-nearing battle to regain the human right,
To finally set all things for his jail mates completely right.

Pen is mightier than sword,
His life bore testimony to prove that record,
When others attempted for freedom movement to nurture,
He dreamt and worked for building his country a beautiful future.

Born an ordinary Sikh man,
Misinterpreted a lunatic gunman,

Lived a life of comrades,
Hated in every step, caste, religious and gender retrogrades,
Wanted to save his country from blood-******* renegades,
Decided to break all the youth-distorting barricades,
And put his life to a mortgaging death trade.

Lived a life of an unselfish tree,
Decided to give his life to witness the country free,
Evolved his life, a chapter of sacrifice,
Offered overprice to fight the imposed injustice & cowardice.


His physical life remained short-lived and temporary,
Lived for the country to set an example for ideal revolutionary,
Beaten by humanimal imperialists, black and blue,
Opened the youths towards fight for freedom, on a new avenue.

Imperialist empire remained pathetically cruel,
His thoughts & phenomenon inspired a never ending fuel,
For the youths, to sacrifice themselves for liberation of the soil,
Through revolutionary paths, filled with constant sufferings and toil.

The world personified, revolution is,
Red, blood, blood and blood,
He defied and responded, revolution is,
Think, evolve, unite, and change, by the act of read, read, read and read.

He proclaimed a desperate need,
To get ourselves away from disturbing ****,
Sowed the fire of revolutionary seed,
Thus stated to read, read and read.

Imperialist empires killed people like blood-******* vampires,
He fought and responded, with the shot of a demonstrative gunfire,
When ordinary humans aimed to save their family,
Every millisecond, lived a life, personifying whole country his family.

Like a wood that offers light, and burns itself in fire,
Gave freedom a ray of light, submitted himself happily into the death wire,
For revolution, turned the court his Centre of propaganda,
Responded the ruthless imperialist, a warning memoranda.

On the imperialist death rope, he was killed
The batons he passed for the youths of next generations,
His final dream for India, still unfulfilled,
On the presence of present blood-******* politicians,

A baby that never cries on starvation,
A child that never starves for education,
A youth who never roams around to get dignified occupation,
Let’s at least work and fight towards, fulfilling this mission.
This poem is about the Indian revolutionary named Bhagat Singh. He was a Sikh youth born in India. He is wrongly misinterpreted with bullets and blood. But his approach towards freedom, worthiness of human life and knowledge, shows him distinct from violent loving extremists. He was not a terrorist. He was the most non-violent person, who valued human life than everything. The bomb he threw never had any harmful chemicals, it was thrown on an empty place of assembly to get the world to hear him. He killed a police, who deliberately lathi-charged and killed people involved in a peaceful protest. He sacrificed his life for Indian freedom movement. He was the highly-read and the best intellectual reader during his life short-lived (1907-1931). At the age of 24, the then imperialist British executed him by hanging him to death. His vision and clarity for India and his predictions are happening today. His vision and thoughts still ignite youths of India when we think of him. In short, he is an icon of the Indian youth and revolutionary.
Sawyer Gowans Dec 2015
I'm not sure who first taught me that bullets hurt less than love but I wish they hadn't
I wish they hadn't shown me a darker side of humanity.
I wish they hadn't taught me about envy and greed
I wish they hadn't shown me the second face of a kindly stranger
I wish they hadn't filled my head with the harsh realities of the world I live in
I wish they hadn't
I wish I hadn't
But I did
And so this is my curse, to run towards the sound of gunfire  to escape the words inside my head.
And on the day when
He shall gather them all together:
O assembly of jinn!
you took away a great part of mankind.
And their friends from among the men shall say:
Our Lord! some of us profited by others
and we have reached our appointed term
which Thou didst appoint for us.
He shall say:
The fire is your abode,
to abide in it, except as Allah is pleased;
surely your Lord is Wise, Knowing.

Holy Quran
The Cattle
6:128

Do you build on every height a monument? Vain is it that you do:
And you make strong fortresses that perhaps you may
And when you lay hands (on men) you lay hands (like) tyrants;

Holy Quran
The Poets
26: 128-130


The desert Jinn of Cairo
flit and dance
upon the burning waters
of the Nile.

The midnight streets gasp
with the turgid fragrance
of tear gas and jasmine

The stink of the
ungrateful dead
riles the nostrils
of indifferent gods
laughing
at the litter of corpses
strewn along
torpid boulevards
in this city of lament

Unbounded crowds dash
amongst fleeting shadows
the agitated ghosts
of undead generations
refusing to stay buried
blink to life
in epileptic frenzy

The timeless city
civilizations
fertile floodplain
authored
western cultures
opening chapters
housed mythic libraries
erected mysterious
stone tributes
esteemed
monarchical opulence
now yields
frenetic outbursts
of Arab fury
writing
an epilogue
to a despots rule
the blessed end
to an imperial age

Rampant corruption
asphyxiating bureaucracy
malicious suppression
syphilitic exploitation
rabid oppression
enforced ignorance
human defilement
are the bitter
sediments
of degradation
layered in crushing piles
upon the lowly masses
on this delta of sorrows
breeding revolution
to unravel a tyrants
specious claim
to perpetual rule

The city
streets
flood with
militant
insistence.

Emboldening
a peoples will
to rise up
beating hearts
pounding
a sonic drum
resonating
through
this age
foretelling
a turn
in history's
creaking wheel.

Allah Allah
Allah Akbar!
bleats
from parsed lips
from underground
brotherhoods
the rising words
sharper then
Saladin's Sword

The Holy Quran
flows like boiling blood
in agitated hearts
dissidents pound
bloodied fists
against intractable walls
of monolithic power

Visions of liberation
a democratic paradise
an infinite harem
of compliant virgins
swim in the heads
of dissidents in motion
as baying throats
exhort comrades
shouting brave
seditious slogans
to engage
bullets
batons
water cannons
and unsure outcomes.

I heard a young woman say
"I have faith in my people
and faith in my country."
Never a more foolhardy sentiment been expressed,
nor braver words have I ever heard.

As the laughing Jinn of Cairo
flit and dance
atop the burning waters
of the Nile.

A city
self immolating
atop a pyre
of blood stained stones
dry constricting fables
passed down along
marching epochs
hieroglyphic puzzles
recorded on
crumbling papyrus
wrapped in
holy legends
of mystical pharaohs
receiving an exiled
Father Ibrahim
fresh from
the destruction
of *****
cedes to the
Lord of Fear
spawns a lie
and gives
Sister Sarai
over to the
unholy whims
of profane
magistrates

Abe's skin saved
soul preserved
the generations
multiply
more numerous
then the countable stars
in a known universe
not vast enough
to find room for
Hagar's cursed progeny
-call him Ishmael-
a wild ***
exiled to
Desert of Paran
siring many
lesser Semites
becoming
a strong archer
in the vast legions
in timeless
service to
an uninterrupted line
of deranged Pharaohs

This scorned land
grew the
grievous reeds
swaddling
Baby Mussa
who turned
the river of
his arrival
into a flood
of gushing blood
who split the waters
to consume
the raging armies
of marauding charioteers
bent on the annihilation
of their chosen
Semitic half brothers

The shame
agitates
the simmering
rage of ambivalence
gladly sacrificing
these historic
treasures
on angry
bonfires
tipping
the glories
of Alexandria
into the sea
once again

Up stairways
down dark alleys
the Jinn of Cairo
dance
haunting ruins
hurling stones
burning buildings
looting stores
smashing artifacts
cursing the bitter bread
of tyrants
chasing
the black echos
of deadly gunfire

Nasser's
dead soldiers
gather in corporeal legions
a proud nations
undead generation
mythic heroes
dashed in Six Days
rise from
shallow graves
of Sinai
shame is loosed
to stalk targets
heated enemies
setting aflame
the burning waters of
a very blue
unsettled Nile

The unholy platoons
Sadat's assassins
hurl grenades
like thunderbolts
from jealous Zeus
implores Mars
to join the fray
rousting the specter
of dead kings
and a terrorized
President
living in the black days
of his final nights

Tell Ole Pharaoh
to go back to the hell
from whence he came
as the laughing
Jinn of Cairo
dance on  the
burning waters
of the Nile.


Music Selection:
Randy Weston: Blue Moses
(WIP)
1/31/11
Bonita Babu Aug 2016
A volley of gunfire
A stream of offensive epithets.
An amazed girl
And an enraged boy.
After every volley of gunfire,
There was a respawning individual.
Steam could be seen emanating from his ears
Anger radiated off of him.
The girl watched carefully
Taking note of every action.
The sounds of battle could be heard
And the boy kept getting aggressive.
Innovative and anatomically impossible suggestions were made
Names were called and yelled out
And the game continued
“I effing stuck him” was repeatedly yelled.
Finally, after a long rant,
The boy jumped with ecstasy
In the heat of the final battle, he won.
Now he wouldn’t have to fling his controller
The girl applauded him, thankful for the blessed silence.
rey Jan 2015
this is a story about a war
angels looking for completeness, and
reapers in uniforms

we raised our flags
they raised their guns
we filled the sky with our cry
we heard gunfire gunfire gunfire

you can never
ever
feed the hungry with bullets

four angels went home

do demons really run,
when a good man goes to war?
this is about the Trisakti shootings in Jakarta, 1998. I wasn't even born yet but oh my god, the horror...
He slumped onto the barbedwire
thinking of the end in no man's land
his uniform grey with ash
his army colours now blind to all

From out of a trench he had dashed
but dying no hero by the call of a whistle
just a name in a thankless world war
that in a thousand more years
will have tragically so many tears

No Poppy will grow here
whilst the bombs and gunfire go on
this land will not settle
with killing machines of metal

So he is dying with his blood and pride
yet not in a land for butterflies
he looks at his loves stained photograph
in his last breath gasps, Poppy my Poppy

By Christis Andreas Kourtis aka NeonSolaris
Sarina Aug 2013
(when I forget to take my pills)
everything round becomes a gunshot, a bullet

your freckles fall off
one by one
and shoot down the road towards me ( as fast as bullets go
still I never can catch them)
I can never paste your freckles to my face

of everything I want to put my mouth on,
kiss, then never touch again

pillows shrink to the size of gumdrops ( I will never
sleep again)
and I swallow them, cushion my heart

say it is okay
baby baby soul baby arteries
everyone hurts when the pupils still have to grow
it takes time to snow, to become

quiet.
Gossamer Sep 2015
I grew up
reading books about
boys
who say things like,
"You're so beautiful,"
or
"God, I can't believe
I've never known you
before"
and they kiss the girl
and they fall in love
and maybe there's a struggle
somewhere in the middle
but everything is
o k a y
and in the moments after
hearing how beautiful
and wonderful
and amazing
she is,
the girl is happy,
the girl is loved,
the girl is l o v e d.

The last boy who told me I was beautiful
didn't listen
when i said
NO
and I sobbed in my own bed
for three nights
and I couldn't touch my sheets
for five
because it takes a long time
to get blood stains out
when you use the cheap washers
in the dorms.

The last boy who told me I was amazing
left me at five in the morning
and said he'd call
and even as he looked me in the eye,
I knew he wouldn't.

The last boy who told me he liked me
said so as he tried to push my head
in a direction I didn't want it to go
and it seems
that all of these compliments
are meant to be segways
into getting something more.

These compliments
have turned into warnings,
red lights,
get out,
get out,
he only wants you
for your body
and I don't know
how I am ever supposed
to believe someone
when they actually mean it
when all I know
is sugar-coated bullets.

I am reading a book
where the boy whispers
promises between kisses
and I realize
I have never kissed anyone in
the light
and I am numb inside
and I do not want to be called
beautiful
anymore because to me
that means I am
about to be shot.
spysgrandson Sep 2016
we are angels
with cathedrals,
prophets, and poems
to prove it  

other species  
are not endowed
with such gifts:

the ceiling
of the Sistine Chapel
the pyramids, loosing
the bounds of earth
to walk on a moon...
psychoanalysis
the atomic bomb
Anthrax, dioxin
and gunfire
gunfire  

we are maggots
on rotting fruit, sated now
looking for a place to hop off,
to escape before the fruit falls fast  
to the ground

before the oceans rise
and the skies fill with ash
surely we can fly away

but we are wingless
angels, killer angels  
killer angels
Yesterday, in my city, two 13 year old girls were shot less than a 1000 meters from the school they attended--one died--I am sorry if I am not feeling very poetic--I don't usually engage in commentary--that is for the prophets and priests--but this popped out
Felicity Smoak Jan 2015
Today I shot a gun.

I aimed at the middle of the heart
stared down the lane
took a breath and
fired directly
at the
target.

The target didn't have a face
or a name

It was a blank canvas
And I painted your features onto it

And God,
Oh god...
did it feel good to fire at you.

Six-year-old me would've been proud
for doing what you should've done years ago.

Now my target looks like your heart.
Full of (bullet) holes.

f.m.s.
you should've never aimed the gun at me, "Daddy".
Riley Ayres Jan 2014
The sounds of gunfire penetrate our ears,
Ive been training for this day for years,
My trusty steed below me never leaves my mind,
For he knows id never leave him behind,


A clap of thunder bellows the skies,
The glare of fear never leaving our eyes,
My horse is my shield,
The pain that we yield,
Sticking together through fiery fields,


My master is light so its easy to run,
But this journey is far from done,
Bullets have penetrated my side,
Im down on my knees,
Lost all of my pride,

Then he screams out in pain,
My master is dead alone in the rain,
I scramble too my hooves and try to get away,
But its too hard,
All this hurt
All this pain,
The last thing i heard on that dark winters night
Was the flare of a machine gun,
and im out like a light
Stanley Wilkin Nov 2016
It was the day the toilet broke,
the day the bank was robbed
when my wife walked out,
suitcase in hand. Her head
blown off on the pavement
in the gunfire between bank robbers
and police. It was that kind of day.
That evening I had the toilet repaired.
I hate the beach
I'm eighty six and I hate the beach
Hate the sand, not a fan of the surf
Face it, I hate the beach
Last time I went there
I had just turned 18 years old
June sixth, Nineteen Hundred Forty Four
God, I hate the beach
I was in the 5th Regiment
Régiment de Maisonneuve
and I've never been to a beach since
I'm from Verdun, Quebec, Canada
Not many beaches around there
Thank the lord for that I say
We'd been training for six months
Operation Overlord it was called
We were coming in on troop carriers
It was to be a beach head landing
I'd never seen a beach before
At least not for real
Never want to see another
We arrived early June 6, 1944
I think I said that already
You must forgive me,
I'm 86 years old and I hate the beach
fourteen thousand Canadian Troops
Bursting out of armoured troop ships
Like, the young, virile, brahma bulls we were
Coming in, all I could hear was the waves
I was in front, well...close to the front
I remember, there were no birds
who ever heard of that?
A beach with no birds
At least not at this beach
I could smell the salt in the air
And I knew I could hear the surf
And my heart, I could **** well hear that
But, no birds, I couldn't hear the birds
Gunfire, nope...cannons and mortars
But birds and guns, not a sound
Weird huh?
I remember running forward
Always forward, past blocks
Wood barricades and barbed wire
And bodies, lots of bodies
I knew that I knew some of them
I just didn't have time to stop
And say goodbye,
I just ran
Emptied my weapon at least once
I only know this, because it was empty
when I hit the beach
God, I hate the beach
You know in the movies
or in those flowery books
where they talk about someone being shot
and how "there was a bloom or
they're chest flowered red where they were hit"
I never saw that, never looked back
Just ran forward, saw the "bloom" in their backs
Don't like red, or flowers or the beach
I don't remember much after that
Could still hear my heart
That's a good thing, I guess
I got tore up good with the wire
but I never got shot
Never, "bloomed" for anyone
A few of my buddies were lost
I toast them every year
Never at the beach though
I hate the beach
Wife and kids used to go
I never did, never will
I remember the 50th anniversary though
Wife and kids went back
Not me,
Went into Montreal to see a ball game
Montreal Expos 10, Houston Astros 5
I remember Will Cordero hitting a homer
It was the sixth inning, I toasted the hit
I thought about that day 50 years before
And went back to watching the game
I hate the beach
My name is Gilles Roquefort
I'm eight six years old
And I can still feel the sand and taste the salt
On a bad day.
Dedicated to those who landed in Normandy, June 6, 1944. Living or dead, we will remember.
Reece Dec 2013
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay

That interim between dreams and consciousness, that momentary lapse of reality
When slave children don't howl and the wild animals lay tamed in sun traps, weary

Your scattered thoughts betray reality
and you
question everything - now waking
Smiling chief, chirping loud
Your body gathered and prepared
under torchlight in dusty tents
Ingesting iboga and that old familiar numbness overpowers
You've been here for a life now, looking back on your life now
hatasha hullah - dey
vey, okay, huttah, ulay

Witch doctor, tribal medicine, fanning smoke from a wild fire
flashing imagery akin to memories of when life was decadent
you remember the taste of stray rain drops on your upper lip on muggy British summer days
and waking on a beach, bloodied as the sand at your feet is the next recollection, how powerful
the act of reflection, as you recall the mirrors of the sea and your torn body weakened and inept
The gathered village chant in unison and splinter groups fall off beat only to rejoin intermittently

Remember the Burmese boy far from home on the Gabon shoreline
and he informs you of your own death,
and asks you why do you breathe still?

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey

On some beaten path lost in Angola you carried two packs, food for the world
but you fell starving and spluttered on the rock that looked like your home
Rebels run wild in jeeps black as night, your supplies strewn on rubble grounds
- hatasha hullah - dey
Taken in a flurry, twittering birds in far off trees betray your trust and fly away
in the opposite direction, and the juggernaut jeep catches air over uneven tracks
You were scared and crying under blindfolded eyes and captors jeered, captivated
- parablah nuh parrah
An orchestrated mass of military garbed children with rifles gather you abruptly
when the car stopped with a rumble
And tied to rusted rigs you're gagged and stripped, bloodied your face now
as they beat you and laugh
- vey, okay, huttah, ulay
Congolese giant man, sword in hand and grimacing through bared teeth
Making bold gestures and speaking some inscrutable language
You cannot answer and fear is now in control, you shiver in the ghastly draft
On failure to answer you must be beaten, your back is lashed, repeatedly
- narralah, narrah, nutay
You remain silent but cry in disparity, after shrieks of horror finally escape your barren lips
Through stinging eyes you assess the surroundings after hours of torture when they retire
to their leather beds of shame and innocence faltered, try and remember how to live
- Oh laa, ley ley lahh ley lah
Months must have passed, survive off insects and morning dew on the muddy floor
This African wasteland, time forgotten, child soldiers and lack of humanity is trivial
Always scheming, recollect the armament and through door-way shack trapped light
you see a clear path, and it is good
- ley hatasha hullah - dey
The pinnacle nightfall anticipated arrives, and your skinny wrists released now easily
(their faltering lack of knowledge and abundant braggadocio betray them)
AK laying in moonlight illumination, a sign of God perhaps, but experience proves otherwise
(How cruel the dreams you had of such a gift)
When they spot you leaving, the night lights up, wild crackle of gunfire, heart beats, tribal drums
(To massacre children, such proficiency, the dreams were mindful)
No lapse in concentration, you may ruminate on objective morality in due time
(Crawling through blood and bodies of children, so pure, cadavers tell lies)
The clearing ahead in giant trees, you run and don't look back, praying for no pursuit
(Another genocide committed by a white man, justified perhaps this once)
Weeks pass and you falter only to slurp rain water from Congolese sipping cups the leaves
(Blacking out somewhere in the Republic, or on a border or who cares, as you died long ago)
- vey, okay, huttah, ulay
  ley hatasha hullah - dey

To awake from hallucinogen dreams, and cruel memories linger, it's painful you agree
Witch doctor still sings, lonesome now as the tribe apply ointments and silently pray
The fire still dances to some incredible song and your scars redacted, physical and other
How incredible the mind feeling fuzzy and that insane dream is just that - a dream
You black out again, a common occurrence but upon waking you're free, no tribe exists
With a sheepskin rucksack full of cassava, plantains and sugarcane and cocoa beans
Months pass and you make it to the North, when you leave Africa your body is new
and your mind is stable, no lingering cognizance or frightful thoughts of a forgotten ordeal

You arrive in Turkey, to partake in ***** with nimble girls
and I see you floundering on silken sheets,
My memories were fresh as the nymph on your lap
I write to you a note, and you turn alabaster, moon faced being
I was there always and saw every moment
Your ideals on morality are hazy at best, and to your behest I detest all that you stand for
Is your afterlife so pure, now that bodies litter the forest floor
and do you believe that I am not (a) God
and is this mere poetry, or an indictment of your folly and a warning to all whom engage
but do you not also see that every reaction was an action taken to your original action
and when all is said and done, do you no realise that from the day you were born
you were born a God and that God was born dead
and this is just that interim between expiration and consciousness, that momentary lapse of reality
when slave children don't howl and the wild animals lay tamed in sun traps, weary

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey
Eddy Torigoe Mar 2015
we ate government cheese
that came in a dull brown box
we were too young
to understand what welfare
and food stamps meant,
our empty bellies never protested
at the salty orange blocks

in front of the bodega,
we saw a woman introduce a hammer
to a drunk tyrant’s skull
his blood pooling on the streets
was too red for new eyes

we watched hypodermic needles
bloom on stoops
cling to life on curbs
the graffiti on abandoned buildings
was our Louvre, our Salon de Paris
sweltering streets our baseball diamonds
prostitutes, black or brown or both
mothered us between shifts

we grew up in projects,
that sheltered drab lives
and senseless brutalities
gunfire, sharp and immutable
punctured lullabies

we were small boys
watching life unfold
the way one stares at an accident
detached and mildly curious
eyeing cooly the despair
and impossible hopelessness
of growing up poor
in Brooklyn
©2016 Eddy Torigoe
OC Aug 2018
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Had so much fun with this one
Austin Heath May 2014
I asked if there was anyone there remotely my age,
and she said yes. I had just dumped all the money in my
wallet into trying to make my savings not negative.
It didn't work.
I walked over, stepped inside,
and saw teenagers. She told me,
there's a guy outside and he's twenty.
I got ******* duped by a kid.
Her parent's left, unwisely.
I met another half-black person,
a 15 year old girl who had dark skin
and hated everything that resembled
"blackness" or "black culture".
She even called herself white.
Here I was, outside drinking grape soda
out of a hello kitty mug,
discussing radical feminism
to teenage girls-
and ******* five shots were fired.
Not even 15 feet away, behind the garage.
[A fake 100 was exchanged, to which distaste was shown,
also this sentence is in parentheses,
and technically doesn't even exist].
So now there are teenage girls crying over gunfire,
hyperventilating, the high school boys jogging-
people in a swarm heading indoors,
and me.
The stupid-*******-tragic-yet-benal artist,
running in his stupid ******* circle,
trying to decide if he should go inside
with the crazy juvenile people, or see if he can get shot,
because he already lives life awaiting some
stupid ******* narcissistic tragedy
to wipe him off the map.
My opportunities had rushed away already however.
I walked inside and sat on the couch hugging
one of those puffy round pillows and laughing
maniacally. It was intense after all.
Kid Duper tried to relate to me.
I know she didn't get it.
No one ever really ******* gets it.
Understood, maybe? No one understands.
I left shortly after with a copy of Fahrenheit 451.
I was told I could borrow it.
These events took place at around 10:30-10:50, Friday night, May 25 2014. Last night.
Edna Sweetlove Apr 2016
A poem by my friend Stan Blackberg (the total ******)

There are flowers standing proudly, one for each whose loved ones mourn,
Speaking out so clear and loudly, for that fateful treacherous morn,
When the aircrafts bashed them up and all their flesh got burnt & torn!

Do we honour them with killing, taking up arms to spill more blood,
Or take lesson if we’re willing, a bitter pill for common good,
Or sit unbeguiled with our faces stuffed with fattening food?

There’s no god would take such action, justify such murderous deed,
Those insane within such factions, find posthumously they heed,
It's upon such wickedosity that our nostrils froth and bleed.

Hear the painful hard earned lesson, lest their names we desecrate,
Take not slaughter as your banner making killing escalate,
And by no means forget to have a mutual *******!

Place our sentries all united, shed thee not another drop,
Silence now all angry gunfire, when’s the killing ever stop.
And the blood falls from above with a loudish plip and plop.
Stan is a ****** but he gave me £1 to post this here.
Chris Voss Nov 2013
In between sips of skim-milk splashed coffee; in between the sharp, fragmented, ink-drags of pen and indentation of paper and the simple sketch of a fish in a lake [the fish like the hand and the cog, and the lake like piano keys and copper machinery] The Imagist explained to me the conception of music and clockwork.
And the Human Condition.
"Humans," he sketched, "have a very peculiar sense of self - it ends at our skin. Cut off my arms and I'll survive, but sever the air from my lips and... At what point did our limbs become more a part of ourselves than the sky?"
And after a moment of measuring the weight of words, he thought to me, "Man, I don't know why I get myself into this... What made me think I could write a children's book?"

I told him how I wished I could write music. You could read it in my poetry; my metaphors about sheet music and night skies. My yearning to explore worlds that my starfall has never blinked in. And it struck me, bittersweet through the roots of my wisdom teeth, how we can never choose our art. Rather I'll bushwhack through, leaving trails of half-started, stutter-stepped poems, looking for something that sings like guitar strings.

The Imagist and I, we are children of a visual age.
I try to sculpt our twenty-seven minute attention spans through sporadic hand gestures.
He told me about his trip to Montana through drawings of the people he'd met,
from the three friends of friends who were a quarter of a face or less. Like Bob, the right eye and jawline, who knew something about everything  [He said it's like having a conversation with Wikipedia], to the deeply detailed dreamy girl who played the accordion.

Sometimes we wake up feeling like Mr. Potato Head, with our mouth where our eye should be.

In between sketches of friends who fell out of touch and John Ashbery poems, we gave credit to palindromes. The Imagist drew HannaH with a handlebar moustache and I realized that this poem ends when Two Creek closes - comforted by the fact that poetry can be about the simplest moments, the ones that I never understood exactly how beautiful they were until I read them in my own shaken handwriting.

In a mix-up of words, He discovered how sick he was of writing with something, rather than writing for something.
I evaluated my own pen and chewed on my tongue.

I wish I could draw portraits so that I'd remember first impressions.

When The Director showed up, we exchanged science and art. He explained to me the imaginary horizons of black holes and Hawking radiation, but even he taught it through a sketch in the top left corner of his science fiction movie script. At the foreign end of the table, The Imagist continued a conversation about the complexities of children's books, and theories someone developed through observing their attention-starved cats who bore uncanny likeness to kids, and the appeal of Furbies, while The Director asked me how I write a poem.
I told him it starts with a single line, something that zings in my mouth like cavities and canker sores, but not to take my advice because I have far too many illegitimate, ******* sons; clouds of words daunted by the clear skies of the rest of the page. After The Director's end credits, eventually I joined the foreign conversation where we had begun it, with The Imagist saying, "Our skin connects us to everything, it doesn't trap us in to our own narcissism."

And then they were gone too, each dissolved into a part of themselves and each other - to fall into place in a world that runs on six-billion beating hearts.

In between the grain of a yellow birch table that's hosted the gunfire of mouths and lonely bones, I stayed and played my part, losing my fingers in the varnish and pages of books, believing that I, my entirety, my open borderline skin, my wooden grain, my air in the wind, my ballpoint pen finger, was writing for something.
chichee Oct 2018
Once upon a time, Oh but that’s such a boring way to start-
                                                          ­                       Once upon a time.
I was little red riding hood that knowingly stepped
                              onto the wrong side of the path,
Hoping that a monster in the woods
                                              would come and get me, but you-
A hurricane,
           car crashes in slow motion,
                              personified heartbreak-
                                                     ­                    Too much.
Too much applesauce madam? The waiter asked, clean-shaven face bathed
            In the New York skyline, ignorant to the gunfire explosions
                          inside me as I waited for you.
                                                            ­                No thank you, sir.


     “Meet me at the station”,
                                scrawled in messy, love- stained letters
In between the railway roars and the clatters of foreign accent, you've flaked again, like the struck chord of a bass
                        Signifying disappointment like a punch line
                                    Reverberating through my skull.
             Okay, repeat the mantra, one-two-steady-
                                                 ­                                     Okay. It's Okay.

Four weeks later
                                   I had your body pushed up flush against bricks and-
No shut up you don’t get to say anything after you go and shatter me like that
You’re sick do you know that? Lips snarling, heart breaking.  

You’re sick.
So maybe I was the big bad wolf after all.
                   Stairwell bricks glinted off iridescence and
                                                       your mouth in that sad, sad laugh
Studying me like a dream brought
                                                         ­                  to the ground,
Puffy lipped and eyes blown wide like I was on some psychedelic high-
            And you said
                               “You’re still a child with fanciful ideas of love, and the way you cling onto them-
                            Quite frankly, it’s terrifying.”

                                                   ­  Please darling, let me redefine myself
Skip the pleasantries and small talk,
                     scrap the story of little red riding hood-

Once upon a time, I was apology and you were forgiveness
I can imagine inside you, of alarm bells and sunken souls
                 as you listen to the static white noise of
                                                              ­            A dying heart
Hello darling, are you there? Can you hear me? Is this mic working?
          I hate to sound like those magazine cut outs-
                                                           ­         I hate to sound like,
Just another lover, just another cliché-
                                       But you were the matchstick to my dynamite
                                                                ­            and nothing feels better
Than my own self- destruction, so won’t you please
                     Another chance? No?
                                Even Lucifer sometimes longs to be let
                                                      Into the gates of heaven again
I’ve cooked some apology,
          I saved a plate for you

So for the love of god come inside and have some before it goes cold.
A remix of Richard Siken's "Litany In Which Certain Things Are Crossed Out", it's a really beautiful poem.
andy fardell Nov 2012
Poems of Remembrance

War is defined as a form of political violence however I rather hate to like the following quote by this Prussian military general in 1832

"War is thus an act of force to compel our enemy to do our will."

We vote in our leaders to refrain from such yet allow them to use us as pawns in their world.I will be remembering and thanking all those who have will and do give up their life's so that i can at least be free to make such thanks

............................................
Lest we forget

The stench of decay hung in the air
Along with the gases from the badlands
Rain had turned the trenches into another bog for the day
STAND TO LADS !!!
the Sergeant barked his mornin song

Spell broken by the first shell of the morning
lucky day ...BOOM .....lucky day
Breakfast usual as the new boys showed no fear
Hide ya head son as another disappeared
Snipers doing their work already...
A scream now silenced short

The morning hate over
Patrolling life began
SHhhhh!! no gunfire
The 2 sides master plan
Machine guns a ready shall cut you complete
Hand to hand and man to man
Bayonets flash besieged

Returned to base to lick their wounds
A fight amongst the rats
Black and brown did rule the roost
A feeding frenzy plan
The lice did all they could to help
Trench fever did its dance
Another day
STAND TO!!! he barked
We stood with baited breath

This was what they signed for
A short war all at plan
And what did they all die for
This life I thank you man

Lest we forget

.......................

A Poppy Remembered

A flower held hand as the young girl
reaches up for her mothers grasp
The reddest of velvet's reflected from
her tears on eyes as her poppy
stands proud and straight

Remember their sacrifice
As you join in their stand
An honour to hold one
Red poppy to hand

She knows why she's standing
She know no return
Her father not here now
His never come home

He fought for his country
He fought for his life
He fought for his honour
His family
Our life

Remember this girl that cries every night
No father to hold her
Is gone from this earth
Yet she is the proudest
A daughter could be
Because of her father
Gave life
For you
...and for me

........................
Poppy day

In between the hills lays a land of green green grass
Where the heavens made their love of life
And gods sung of such sight
Be the lands that they did fight for us the green green grass

Oh green the land of warriors
The land we all do dwell
Green the grass the layman loves
True paradise be felt

In battle times and truces found the land did best it could
Yet all of them who fought for us they knew and understood
The green land see found their place to die for poppy's blood
A land we wished we all could live a world of peace and love

Oh green the land of warriors
The land we all do dwell
Green the grass the layman loves
True paradise be felt

Someday the land will fill our souls and peace will win the day
The green green land will be our rest god bless to all we pray
In those who fought so we could see the green green land this way
We praise and silence once a year remembrance poppy day
.....................

Remember

Remember what they fought for
Remember why they fell
Remember all the killings
The living life in hell

Remember what they did for us
Remember who they were
Remember all the people
That they did fight and fall

A day to show our pride
A day to bow our heads
A day to mourn our family
Lest we forget
Hal Loyd Denton Jan 2012
Lost love

I will relate this true unforgettable love story the desert is a forlorn lonely place it runs the gambit stark even sullen and then at
A single turn it enthralls captivates and then the many moods feelings in-between it could really be a telling of human life in so many
Ways my memory of Salt lake is a nice one we were moving to California I remember the climb up the mountain that was some what
Unpleasant I even stopped in Laramie Wyoming had the U Haul checked out it acted like it had a four banger engine would cut out on
The straight a ways and it wasn’t that long ago back then that I put ten cars in the junkyard they were too old and I was two young I
Tried to out run and out do Robert Mitchum when he played a southerner who ran white lighting in Thunder road the time I was driving
A long fifty eight Pontiac without a muffler on the back roads to Herrick town was sort of a reenactment the muffler came off a few
Nights before I don’t understand why my mother left the car behind when she and sis went to Pennsylvania with her sister she even
Took the keys with her talk about lack of trust what can a seventeen year old get into well in a long drawn out search a key was found
And more than usual group of guys were sleeping out why not leave lakers go up and take ma’s car out for a spin start out slow well
Out of the side yard anyway a little more tricking putting it back so past Black desert Ray Cherry’s on the back road to Assumption by
Now the accelerator is stuck to the floor the problem a lead foot anyone have teenagers driving pray good and hard I God and hands
of steel holding the wheel when literally my blood felt like it turned to ice water from the thrill that was now in God’s hands I hit the
small bridge back this way where the road turns back left where there used to be oil well operations right there I was flying low at one
Hundred and fifteen miles an hour soon would be Dukes of hazard air borne all four tires and car at least twenty five through the air
The front tire came down with a hard jarring bang ice water veins and a heavy wide poncho and God kept it upright went down turned
Around lost ten miles an hour of nerve went back one hundred and five miles an hour same little shorter flight but this time we
Landed right on top and in the middle of three chug holes if it had been the tire and it had went in I wouldn’t be writing this or anything else
But the muffler came off with a fine howdy doo as the car banged back on the ground so I gunned the car down by Besons turned it off
And coasted back into the yard went in and told a barley awake grandfather at two thirty in the morning how the county ripped off the
Muffler he fell for it next day I tried it on Ma all I got was right did rack off nice through the hills and bottoms. There is a high that goes with
Speed but there is also is a special quality that emerges out of slow deliberate movement as witnessed by my slow climb up the
Mountain pulling a T bird and a load of furniture more pleasurable on the down grades your still fighting not to over brake but the black
Night the air and the road the trees all enters your conciseness these feelings returned as Yvette set in studio and told her story it is
A story of youth, innocence lost to mindless cruelty it happened with the little dell reservoir shimmering bright under a full moon thats reson
Zack’s mother calls him the man in the moon and the purpose of the trip Zack was into black and white photography he
Wanted to photograph this lovely vision capture it where it would be a favorite item to share with his many friends it would be what
Lived on or at least one tangible part Yvette laid the background of the story how all through high school Zack and her were in all the
Classes together and when she would enter he would all ways make a comment she grew to enjoy and look forward to what he would
say it was tender young love taking it faltering first steps on this night he called and asked her to go she didn’t think anything of it she
Hadn’t done anything special as far as dressing in fact she had washed her hair hadn’t even dried it there is something basic naturally
Raw about a woman with wet hair whatever it is it causes the male heart to beat faster anything is powerful when left untamed. They would flash out to the place this story unfolded the quiet silence the full moon electrifying the water with a glorious sheen and the grass back lit with light causing the gold
Grass to beam without words or action there was a shout coming from nature’s heart and soul it reminded me of the modern western
I read thirty years ago called Goldenrod this perennial plant found in meadows served as the name of the ranch in the story. Yvette says as they
Turned into the final lane that led to the parking she felt a hint of a first kiss in the offing everything was picture perfect and it was nothing
Strange when the white pickup pulled into park that happened all the time at first the stranger kept his distance but he slowly worked
His way toward them finally just feet away he asked them where the path went to they gave him an answer she turned her back she
Said she hoped Zack turned also because at that moment the stranger pulled out a gun and started shooting the first shot killed Zack
He emptied his gun one bullet knocked her down then the shooting stopped then she realized he was reloading in that moment her
Father’s voice spoke in her mind if attacked by a grisly play dead more shots she felt the wind and speed of the bullets pass her head
One on the side caused a ugly exit wound but through it all being shot four times she lay still with her eyes open then the killer touched
Her leg she said she didn’t have a concept of being shot but now it was something that terrified her she thought he was going to ****
Her everyone thinks about that he put his face close to hers she could feel his breath on her neck his purpose was robbery as he went
Through her pockets he withdrew and she heard Zack’s car start later as she retold this two a group in Utah’s Capital building where
She is now a lawyer and a victim’s advocate it must have been strange to get in the person’s car you just killed and have Neil Diamond
Come an and sing. So when the gunfire died down and the night swallowed the terror a future wedding and life with Zack was forever
Gone his spirit dispersed among the stars and his spirit captured and held in natures wonder the new life reality capture was swift since
He left his vehicle his story an immigrant from Uruguay first stop New York then Utah unhappy with life he became obsessed with
Death he just wanted to watch someone die pathetic he was going to then **** himself guess what he had a change of heart got a plea
Deal to avoid the death penalty Zack’s family finally agreed they didn’t want the day twenty years in the future when he would be put
To death then the protesters do like they were doing as timing would have it in Texas at that very time praising almost the killer’s life
And demeaning the victim so he got life without parole then as a true snake has tried five appeals saying he was depressed at the time
This was his last appeal and finally the family has peace, Yvette suffered victims survival syndrome she left her heart on notes she left
On Zack’s grave it showed the depths of love that was dammed far more so than the little Dell ever could be Yvette married but the
Young man in the moon was to powerful a hold so she divorced she does have a seven year old little girl that helps push back the dark
Shadows of that night Zack sister was the one who had the children her one son bears her brother’s name and even looks like him
Yvette’s ending words was she just once to run up and hug Zack and talk to him about that night when love flew away on wounded
Wings to hurt to fly far so in the desert the wind whimpers love denied finds not a heart as its home lost fulfillment blows among the sage
In the eyes of a special woman there is a haunting stare you can read there torment sorrow pathos in the raw she found comfort
In service of helping others this is her and Zack’s story and severe as it is it is also a story of youth that is gone the same as our stories
I want to relate one other special story in this exaggerated time of *** nonsense without love or consequence or responsibility this
Happened in a youthful time of innocence it was moving touching and in one way reflects the time you fell in love this won’t get you
But as the saying says the glory contained in the rose comes by the price of pain from the thorn to walk in the past you can tear a hole
In the heart and soul where tears are stored in abundance I found this out for myself I set down from Carol’s house in tower hill at
a church in the parking lot as I relived those special moments between two people young innocent love that would ignite and through
Days and nights that were to short proved it wasn’t to be what was it I can’t really say but I’m sure you know as well as any of us can
know I know it came from left field not expecting it but it’s all right to cry in a church yard even if you’re my age any time innocence
And love is called or damaged it carries poignant painful waves to roll over you sometimes with other things at play in life they can be
Too much there is a song that says I wouldn’t take anything for my journey now no and neither would I take anything for my memories
Of friends and youth and lost love.
softcomponent Jun 2014
Up as early as the dawn, clouds sifting leftward westward shimmer and drip-- half like empty crystal void, half like deep-ocean Mariana's Trench with happy-little-pockmarks all up-in-between.

What in the Heroes am I doing up so early on a Thursday morning? Not sleeping. Downloading new video games via Pirate Bay. Watching old-analog-rendition documentaries from History Channel circa early 2000's-- one doc in particular about U.S. government tests on unwilling (and largely unknowing) civilian populations. I as the orifice and experiencier of the world at large, all at ONCE THRU THE EYEZ and at TWICE THRU THE BRAINIAL CRANIAL and out thru the thoughts and words and cramped headspace full of starships, *******, eloquent and twisting sunrise dimensionals...

The Internet? It'll make you the universe as-if you weren't the universe already!
Straight through the blood and sweat and 'it's-too-earlies-for-this.' You wanted a bit of laughter, and that's exactly what you got.

Though it time-lapses across my faulty-flick'ring eyelids, I can tell past the Buddha-Bottle-Buddha-Themed-Beer sitting empty on the windowsill amidst a wild collection of coffee cups and power converters that the Sun sees the Capital Letters that were written out line-for-line in Times New Roman across my RNA-DNA slow-Saganite Cosmic Poetry by God the Author.

Eyelids are heavy and yet inverted and living-- real and concerned with loving the affair of life rather than the marriage! Life as an unofficial longevity-but-not-forever kinda thing.. like young love, old love, marriage, too, when you really get down to it.. just confused little souls feeling pulled to one another in the proverbial Dark Under the Sunlight and Illuminated by Aurora Borealis Forever-Daytime-Forever-Nighttime-Forever.. Syrian rebels waking up on a Monday morning to the sound of gunfire and ALLAHU AKBAR's in distance.. creeps, yea, a television Evangelist preaching God is Love and God Treats His Children Like Children (discipline the soul, yes? discipline the soul!) (**** the widow and ask her why you did it)

All the preaching homelessers who think they've found God in the same dark alleyway they found their snot-drenched headaches every casted winter night-- neglected by the Government, always remembered by the God-- Lucifer (Government, Passivity, Watchful Indifference), and God (A Few Dollars Here and There, A Shamanic Vision at Franciscan Ascetic Extremity) aaaahhhh all bungled-up and waiting for a Savior when the Savior is themselves or the debt they owe to Royal Life Ltd. and we wait like the rest of them, they angry over my no-dollars-to-spare ("look, I make rent, I grab groceries, I pay debt. In all likelihood, you have more money than I do right now. I'd love to help you out if our poverty's weren't so close to kissing") all such rudeness in one respect and yet delinquently honest.. how I can admire the travelling Hippie Bands reckless abandon and yet never forget to fear Abandon..

and all the preaching Home-Leasers.. the strangeness' clad in glass and patchwork straight-black perm-pressed leadership stench and pastel markers smeared across the sidewalk.. ".. if you take away your consideration of the company's weak future bond equity, there are three different ways we could tackle this project.." busy-ness-man.. snarky and corrected with a Job To Do. But Who Am I?

A Job To Do. A Job To Do Do Do Do.

NOT so much A Job Well Done (Never Quite A Job Well Done) (serendipity has a crease-and-fold collective opinion of our concrete jungles and military juntas.. "'I can't even watch the game tonight.. Brasilia is the capital of Brazil?' 'Sao Paulo, you drunk buffoon.''No, Brasilia!' 'Sao Paulo!'")
stupors, collect-calls, drag-queens, militant armies and school shooters in bullet-proof vests all the best, all the best.. what I wanted was a reason to crease my forehead all adult-like and say to the kid, "I really think you'd do a lot better in computer networking.. check the job statistics! international openings are through the ROOF.." and she sighs at the weight of every crush-ed dream coalescing into filmy-slime-froth at top of inadequately-heated Cream of Mushroom Soup.. what silty salty ****.. all the parochial worldviews of the 20th century being swallowed in the Liberal Boom and Bust, Boom and Bust, Boom and Big ***** ***** ***** Bloated ***** (click the link and see your fantasies pass Disney's red-light and hit **** ******* with a vintage glass bottle of ol' Coca Cola Noir)..

After a sleepless neverend night, I stayed up and bored on the black leather couch with my roommates cat waltzing in-an-out-an-in-an-out still confused at his relatively recent move to our war-zone clone of a home.. poor ******* of a cat, names Tonic.. has a bred sister named Gin.. drink a cup of joseph trying to finish illegal-pirate of newest Splinter Cell (sadly o'sad it demands too much on the vide-ah card and lags all creative and bleepy) all the steam from my ****-preground coffee in'ah French press doves upward to the window and the clouds sifting leftward westward shimmer and drip.. I contemplate concerta to stay perked-out and take a shower, pop just that, XL release concerta.. not sleeping makes it strangest experience, uncomfortable at first.. pressures in lower jaw, electric tightness at tips of front teeth as I talk myself down on the 6 to Royal Oak Exchange via Downtown all freaky-vibed anxieties about my blurring vision and perhaps eternal cross-eyes I avoid looking at reflections *** they father me out of my bedroom, warm sanity.. warm seance dance-arounds-a'naked-and-praise.. I feel okay now, though. Better than okay, I feel elated and awake as if I slept a solid 9-some hours and Alex to left writing stories of horse-drawn labor with Petter on Skype telling tales of his not-so-gladness to be home in Norway for another 3-weeks.

A group of hearty-look hardly-look investors in stock business pajamas march past in strange rabble on way, perhaps, to next coffee joint down road. The unfamiliar block next to window I sit near seems as mysterious in existence as Diagon Alley.. where in the fuckssakes is it, exactly? I once ventured to find out and came across library courtyard I tagged as future-reading locale. The hungry sun above was at snowblind potential and eating away at my lack of protected retinas. I've stopped worrying about protection as it all dis-integrates equally careful.

And it's our covert motives that give us reason to shame-- unrealistic to be ashamed, but ashamed you'll be anyway for disliking the guy or avoiding the girl and slithering into a fetal position to deflect the ***-flack from Moral Mike. You escape yourself successfully, and douse the city in gasoline machines for another 15 years 'til our fossil fuels shivvy dribble flop fade into literal thin air.. bubye.. the sun is getting brighter with every passing minute, it's all summery out and I'm inside typelocking myself to a circumferenced earth at the tip of my bleeding fingers. I'm just waiting for apostrophe, and realize that, some day, I will be a fuel source too (you're welcome, Succeeding Race).

and all races are inevitably lost. This is not the cynics drawl.

it is optimism.
FESTIVAL OF LIGHTS
                           (DEEPAVALI)    
    
May countless lights  
Show delightful sights.
May there be no threat of violence,
No clouds of smoke,
No smell of sulphur,  
No sound of gunfire,
No scenes of ruined homes,
No sorrow that dims the light
In anyone's eyes,
May the light of knowledge and wisdom
Illumine the path to happiness.
May the light of joy and love
Sparkle in everyone's eyes
In every humble home.
May our fervent prayer
Lead mankind from darkness to Light.
May all nations together strive
To pave the way to harmony and peace.
              
*M.G.Narasimha Murthy
Hyderabad, India.   mgnmurthy4@gmail. com.
  
Festival of Lights, 'DEEPAVALI' is celebrated all over India
     on 11 November 2015
Al Sep 2018
Deep in the fox hole, orange explosions.
A friend in god, we pray and hope.

Enemy within us be free.

We were fighting for survival.

Field hospital. Infection cured;
maggots eat dead flesh.

Deep in the moment:
 
Explosions, gunfire, and screams.

Together in a tigers' tooth, we wish
to transcend our fears.
Clifford Smith Aug 2015
Suited up as I try to maintain
In this ground cracking weather.
Heavy bags on my back
And artillery in my hands.
Goggles dusty
From the blistering sand
That slice my face like razors
With every gust of wind.
The scorching temperature
Is on hell and every breath
I take is so dry that my tongue's stiff.
One canteen,  a few packs of food,  
And a mission to complete.
My boots are laced,  
With my feet feeling like people
Trapped in a burning building.
The further I go the more my body
Feels like it's being cremated.
I must reach my destination....
As helicopters pass through
Dropping explosives the size of a
Small child with the impact of
Several meteors hitting the earth.
Running like a track meet and
Maneuvering like a game of Dodgeball.
Gunfire,  bodies,  and thick smoke
As I bypass fallen aircrafts.
Approaching my target which
Will be my final destination.
BOOM! I found myself airborne to
Only hit the ground in unconsciousness.
BEEEEP! Is all I hear as I try to get
Up and regain consciousness.
Just a little over a hundred yards to
Go with a blurred vision
Feels like a lifetime.
As I'm reaching my target with
Bullets whistling pass my ears....
It's time. I set up my shot....
I hold my breath
Heart pounding with adrenaline
I'm studying
I'm focused
I'm ready....
POW! As my 50 caliber jerks
Back into my shoulder kicking
The dirt off the ground like a horse
At the Kentucky Derby.
MISSION COMPLETE!
As I'm going home with a bad case
Of paranoia and a Metal of honor...
I still have disastrous flashbacks
And ****** nightmares.
But....Nothing compares to that
STORM in the DESERT.
I have never been in the service but I can only imagine what those guys who have been go through. #R.I.P. To all fallen soldiers that fought for our country bravely. #SALUTE
Corvus Feb 2017
Dropped off in a desert.
Combat uniform tight against me.
Sweat gripping my skin in a desperate plea
For sanity to return, so I may escape.
Gunfire stutters its loud whispers of death against my eardrums.
Explosions drown out screams. My own?
I blink. The dust engulfs my body as I writhe on the ground;
Fetal position my permanent placement.
Longing for the ground to swallow me whole,
To the comfort of death's womb.
Cries of, "Get the hell up! What are you? This is a man's war!"
I get up.
The gun at my side like an old man's artificial hip;
Comfort and support in an unstable land.
I look at the chaos and depravity around me.
This is supposed to be Heaven to me,
Yet the combat boots feel too heavy.
b e mccomb Feb 2017
it's not me
pushing you
away except
it actually is me

it's the kind of
morning that the
wind is blowing
just right so that
the open flag
flutters in front
of the window
where i can see it

the kind of morning
i don't need coffee
and i try not to
think about

it too
much

(i just wanted to
be the girl in
an owl city song)


pacing back and
forth in straight
lines and gritting
my teeth against
an onslaught of
small town gunfire

(i'll bet annmarie
never had scars
or scratches
brielle didn't cry
and shake for
hours thinking
how to end it all
it turned out
okay for anna
and vienna probably
knew how to dance
between the snowflakes
and underneath her regret)


i've never been good at
drowning out thoughts
they just get louder the
longer time rolls on

good at rolling out
cookie dough and
good at drowning
in dishwater when
the brownie batter's
baking and the bowl
needs washing when
nobody's looking

(i've had moments
here and there in golden
sneakers and navy blue
lace covered dresses
but i'm not the girl
in an owl city song
not something worth
writing dreamy poems
about not so lovestruck you
replace your words with dada)


girls like me wear flannel
khaki too much day old
eyeliner too many day old
scones have half heads of weird
colored hair and spend valentines
day alone watching tv

so maybe why i'm bitter
as the inside of a lemon is
that i'll never be able to change
to someone drenched in verbena
spinning through the sunny
skies between your fingers
Copyright 2/11/17 by B. E. McComb
PJ Poesy Nov 2015
My minotaur has mad cow's disease.
The FDA is rounding up each one
in a forty mile radius for slaughter.
They're incinerating the bodies
at the trash-to-steam factory. I hear
gunfire and wailing children. Sharon
next door is in shock. She's been
on her knees down on the lawn
mumbling, "please, please, please,"
for the last two hours. Crimson clouds
bleed into sunrise. How will we
escape the seepage?  

I'll stop at the Getty for a car wash
before I pick you up. Have some
sandwiches packed.

O for the love of God,
the moos, the moos.
Gene manipulation makes anything seem possible for our future.
Marshal Gebbie Oct 2012
The regions’ magic carpets are a-beckoning
The brassware in the back bazaars aglow,
Exotic spice is nice
For a very reasonable price
And the camel market’s just the place to go.


But…


Afghanistan’s dark Muslims are scheming
The women folk are sharpening their knives,
When foreign troops depart
The bloodletting will start
With collaborators screaming for their lives.


The children of the Ottoman are smarting
For their neighbours are showing them disdain
By peppering with bombs
Along with Syria’s pogroms
And I wonder why the local folk complain?


Oh the sun comes up with glory in old Egypt
As another national leader meets demise
And old Nasser’s bile will burn
As from his grave he will return
To try to rectify his children’s Holy lies.


There are whispers of  a strike at the reactor.
There are reactionary reactions from Iran
With annulment of the bomb
The region should resume aplomb
But I have my doubts this mixture really can.


And it never rains on dear old dusty Cairo,
Here, you never feel the chill of falling snow,
You may stalk the back bazaars
For the rare blue water jars
But you should really buy protection when you go.



And they whinge that all the tourists here are dwindling
That the middle Eastern charm is all but spent,
When the red blood flows like wine
In the good old Bhyzantine
As the peace of night, with gunfire, is wrent.


But…


The dates are really sweet
And the carpetry so neat
And the music is exotic in the night,
And with the flash of Asian eyes
I can guarantee surprise
As you flee for very life…with ****** fright!


Marshalg
From the dark Bazaar
23 October 2012

© 2012 Marshal Gebbie
AJ Vicario Feb 2015
Can she hear me?
See me
Feel me glance her swerves and curls
She has a sweep from her meniscus
A bend so perfect, I see math
Silent curves smooth as jazz
Her angles romp and swing
In consensus with the beat of my heart
The music creeps up my skin
Inaudible sounds are seen and touched
Never before has an opera of perfection
Made my gut dance
My tongue slides back in my throat with electricity
Harmony rules from head to toe
I crave more of this girl's symphony
To taste the sound of her voice
The drama of her sculpture
The melodious song embedded in her arch
Create a concerto of romance
Or a home for the warrior poet
Passion composed from gunfire
A rainbow of smoke engulfs these eyes
What does she see?
What does she feel?
Can she hear me?
BILLYtheKidster Jul 2010
I often wondered what thoughts were running through his head
as he stared out the window chained to the floor by his bed
watching the gallows being built that would soon seal his fate.
Was he planning at that very moment his last great escape?
Did he know then that his hanging would never come to be?  
Did he know then that before nightfall once again he'd be free?
What ever his thoughts he was interrupted rudely
by Deputy Bob Ollinger, one of his guards while in custody.
"Word has it you said that if we ever met again you'd **** me on the spot.
Well here I am Kid. Now's your chance. Show me what you've got.
It's a shame that you'll hang in another week or two,
because I'd love to be the one who gets to **** you.
I've got 16 silver dimes in each barrel of my shotgun.
I'd love to try them out on you, but I can't unless you run.
If I free you from those chains will you run for the door?
Oh by the way Kid, your Ma was one sweet ******* *****.
I'll **** you before you hang Kid. That's a sure bet."
"Be careful Bob," said the Kid, "I'm not hung yet."
" Bob thrusted his shotgun hard into Billy's gut.
The Kid looked up at him in pain and said, "Now what?"
"Don't do it Bob," Bell said angrily, "or you'll be the one who'll hang for sure
for killing a man in cold blood who was chained helplessly to the floor.
It's time for the other prisoners to be escorted across the street to be fed.
The Kid's not going anywhere. He's chained to the floor by his bed.
Anyway, I took the prisoners last so now it's your turn.
Go and have yourself a beer and I'll stay here and guard the Kid until you return.
Bob Ollinger placed his shotgun into the gun rack.
Before he left he said to Billy, "I'll see you when I get back."
No one can say for sure if the above dialog ever truly took place.
One thing's for sure. Ollinger tormented Billy at a merciless endless pace.
They were arch enemies who fought against each other during the Lincoln County War.
Ollinger was in the posse that killed John Tunstall, Billy's employer, friend and mentor.
"I have to use the privy Bell," Billy said to the deputy.
Bell kept his rifle trained on Billy as he tossed him the key.
Billy unlocked the chains that kept him bound to the floor.
Still in handcuffs and leg irons, Bell escorted Billy out the door.
Billy entered the outhouse closing the door behind him.
"Let's not take too long in there Kid," Bell said with a humorous grin.
While in the outhouse Billy managed to slip one of his hands out of his handcuff.
"You fall in there Kid," Bell laughed, "You've been in there long enough."
"I'm coming out now Bell," Billy said opening the door.
"Sorry I took so long Bell. I must have ate something bad for sure."
Deputy Bell then escorted Billy back to the jail cell.
Once inside, Billy spun around and smacked hard Deputy James Bell.
Bell lost his balance, dropped his rifle and was momentarily stunned.
"Hands Up Bell!," the Kid yelled. In his hand was a gun.
"Please don't do it Bell," Billy pleaded, but Bell tried to run.
The Kid had no choice but to do what had to be done.
He shot and killed Bell, then went for Ollinger's shotgun.
The Kid never found pleasure in killing, but Ollinger was indeed the exception.
Knowing that Ollinger heard the gunfire, Billy stood by the window
and waited for Ollinger to appear in the street down below.
One senior named Godfrey saw Bell fall dead down the stairs.
The moment probably gave Godfrey a few more grey hairs.
Ollinger ran out into the street as Godfrey screamed, "The Kid's killed Bell!"
Ollinger looked up into both barrels of his own shotgun and whispered,
"Now he's killed me as well."
"Hello Bob!," Billy called out with a song in his heart just prior to blowing Bob Ollinger apart.
He blasted both barrels into Ollinger's chest and face.
Pieces of old Bob lay scattered all over the place.
Billy smashed his shotgun in two, threw it at him but missed.
"You'll never rifle me again," he screamed, "you *******!"
On the balcony he addressed the crowd whose jaws hung agape.
"I don't want to hurt anyone, but I'll **** anybody who tries to prevent my escape."
In the office he found a sledge hammer and smashed the chains of his leg irons free.
He told Godfrey to fetch him a fast horse immediately.
As he walked down the stairs, he came upon Bell's lifeless body
and many eye witnesses admit
that The Kid looked upon him and said most remorsefully,
"I'm sorry I killed you Bell, but couldn't help it."
As Billy mounted the horse the chains of his leg irons startled the beast.
The horse reared up and threw Billy down onto the street.
He was at this point his most vulnerable laying down on the ground.
The crowd could have overtaken him easily, but none made a move or a sound.
Once again Billy mounted the horse and fled with the sound of his leg iron chains ringing.
Many say that as he rode out of Lincoln County that they heard the Kid singing.
Billy had escaped danger so many other times in his past,
but this was his greatest escape ever. It would also be his last.

— The End —