Submit your work, meet writers and drop the ads. Become a member
M Harris Mar 2017
****** Escapades & Moonlight Serenades,
The Crystal Apparitions In Her Sanctified Masquerade,

Paper Trails Breathing Under Water,
Out From The Ember, Her Seductions Conquer,

Silhouettes Of Her Castle Clouds,
Injecting Primal Instincts Out Loud,

Eleven Summers In Her Pseudo Emotive Desires,
Holographic Afterlights & Freezing Fires.

Twilight Light Bulbs Under The Liquid Nights,
****** Openings Of Her Sensory Delights,
Unfettered Mythomania & Kaleidoscopic Highs.
****** Verses Scattering Light.

Divine Impulses & Rainbow Divinity,
Spellbound Chaos In Her Dilated Virginity,
Intimate Enigmas Veiled In Shades Of Insanity,
Makeshift Empathy Resonating Sympathy,

Animated Specters Reflecting Crimson Streams,
Oceans Tides Pulsating In Her Silent Screams,

Static Reveries Of Her Cryptic Demise,
Textured Amplifications Emanating Chronic Lies.

- 03:04AM -
Nat Lipstadt Jun 2018
porch talk, simmering in a Bud light sauce
everyone chair-rocking, even the boxer dog,
in his self-propelled 360 degree swiveling chair
eavesdropping and spy eyeballing the farm for
strangers and any creatures as of yet, unsmelled

get done with weather, the crops,
the neighbors,
the weird, and the truly neighborly,
grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling,
bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live,
open another Bud for the buds,
did I forget to mention
farm equipment?

skirt politics cause nobody wants any
nothing-to-be-done-****-aggravation,
leaves nothing mo’ to ramble on about ‘cept the

absent women

no worries all above board no secrets uncouthed,
but the mood softens as the pale daylight wisps come rarer
as now
nearer to nine pm, obvious saved the best for last,
a very manly-way of ordering things,
big silent pauses in the converso conversation,
guy-sighs many,
as the last essay of the day is being jointly authored,
denotating the generalized listings of
how they drive us crazy,
listing the repetition of ever changing instructions,
which doesn't recognize bi-coastal mannerisms,  non-differentiating
just  humanism-isms

and the peculiarities of each (a list kept)
in a compare and contrast,
an end of the day summation,
and the boasting-outbesting,
of each of their
specialisms
which is sadly now forgotten and which haven’t been
brain-recorded so cannot be disclosed
other than it’s now ten
and all that’s left is
to sleep, perchance, to dream,
of private things
and bigger and better
John Deere tractors
Songs of Oregon  No. 4
Zy Marquiez Jan 2011
Baby, come close to me…
I will hold you tight, and I wont let go…
Baby, can your eyes now see…
The endless Love for you that I always show…?

Baby you are my fantasy…
My ecstasy…
You are the only one I ever wanted this much…
My sweetest wildest dream…
Always a new extreme…
Every single time both of our bodies touch…

Baby have you thought of…
Both of us running the beach hand in hand?
Have you ever wondered…
How we both would feel making love on white sands?

I keep thinking of all the times
All the times we shared
They caught us unprepared
And as we danced the night away both of our souls blared
I want you…
I need you…
I crave you…
But more than anything…
I love you…

Baby you are my fantasy…
You are my ecstasy…
Our hearts shall unite in sweet escapades…
You really are my wildest dream…
Always a new extreme…
We both shall taste our sinful cascades…

You’re my wildest fantasy…
Baby you’ll always be my sweetest sin…
The root of all my endless ecstasy…
You unlock desires that I hold within…
I want you more than anything…
You really do not know the passions you bring…

You are my sweetest ecstasy…
You are my wildest fantasy…
Baby you are the one that has set me free…
L O Jun 2013
I do not want love;
I want escapades.
Don’t need warm milk;
I want hard lemonades.
Please no shared sheets;
Just a sleeping bag for one.
And no tiny feet;
I’ll be mother to the rising sun.
No blue skies;
I want green lightening and glittering stars.
No diamond things;
I only want rings from hot cider and skidding cars.
daniel f Aug 2013
On those drawn out summer evenings, all manner of characters would fill the coffee shops and spill outside. An interesting cross section of society would be provided for anyone willing to sit and watch, for an hour or two atleast. This particular evening will always stand out for me as representative of those carefree folly filled evenings. I was sat alone, with a copy of the evening news and an espresso across the street from a boisterous coffee shop which remained opened deep into the evening, long after others were closed. I often sat and watched people in those early few months, Id decided against socialising with colleagues. I would go to great lengths to prearranged fictitious plans and engagements in order so that I could sit alone each evening, pleasing myself. It's always far easier to enjoy food alone, without any distractions. After considering my options I settled for a steak, and a glass of wine. The waiter seemingly unconcerned failed to take note as I gave my order, with a shrug of his head he returned to the kitchen inside to place the order. The cafe I watched was perched almost perfectly across the street from the train station. As commuters and young couples in love poured out of the station, and onto the bright expanse which was the street before them. The popularity of this particular cafe is hard to convey correctly, it's frantic nature remained even on the bleakest of midwinter evenings. Now though months of bread and water were long gone, as seasonal waiters hurried arms filled will all manner of snacks and drinks.  All manner of agricultural workers would congregate in early march, eager to snap up work in the best hotels and cafes thus ensuring a healthy wage and generous tips. The waiters from the mountains always stood out. It was as if they retained the innocence of there previous surroundings, smiling all coy when taking orders from female customers. They retained the physical attributes of the mountains which they had left, towering above others and maintaining a mystique which often meant they would return in November with wives and child aswell.




By now it was half past eight atleast, and I had finished my steak and wine. The traffic was in the process of slowing down, although it was not uncommon here for traffic jams to form at any hour of the evening. Car horns echoed and ricocheted off old architecture which gave an impression of immense movement all around.  The owner was a beast of a man standing six foot high atleast, with a beard which gave away his rugged beginnings. It was impossible to estimate his origin correctly, Id always imagined he was from somewhere in Northern Europe although by now I had learnt that assumptions were the preserve of fools. He could most often be found pacing up and down the pavement adjacent to his cafe, smoking his camel blue cigarettes and staring deep into the night sky. As if preoccupied with some great moral dilemma this could go on for hours of end, without him breathing a word to anyone.  Under a great mane of curly brown hair, lay the most enthralling blue eyes imaginable. They had a softness which would not seem out of place upon the face of some Parisian muse. Although I must confess when first confronted with this gentleman an his almost childlike appearance, I was adamant I had him figured. He seemed the kind of man who blundered through life, although successful still seemed to be scraping an unenviable existence for himself.

By now I had stuck around long enough to get some feel for the pitter patter of life in just such a place. The transient nature of the customers ensured a bravado unseen in any old small town watering hole, women driven wild by spontaneous desire stared sultry at the mysterious visitors.
A crew of sailors who had no doubt been granted shore leave, and were soaking up the atmosphere just across the road from me. They could have been from any South American nation, or Spain. It really was impossible to tell from my distance, a few had clearly cultivated moustaches whilst at sea. It was common for sea faring people's to grow ****** hair in such a manner. Almost as if by magic, a story told by someone without a beard holds subtle undertones of irrelevance. I had learned this over the many months I had spent smoking and talking to locals, and travellers alike. I must confess I had fallen hook line and sinker, I was currently locked in the process of cursing my genetics and dreaming of a more rugged appeal.

By now the black coffees had petered out, and had been replaced by glasses and in some cases bottles of what I can only assume was Spanish red wine. The noise had steadily increased as the drinks flowed, and the crowd of sailors had gradually grown more and more boisterous in there escapades . A few feet away the manager stared intently at the revellers, as if the warn them without words of being too careless in a foreign city. The ever present owner done very little to deter the actions of the pack, who's numbers by now had been swelled from another dozen or so sailors who happened to be walking in the right direction.  The sailors leered shamelessly at the local women, whilst the more forward of them made there own advances. Still the manager stood smoking and staring as if to catch the sight of one of them. Now to the wary eyes of a man returned from a long voyage this would seem like a place, where desire became a priority above all else. This would be an entirely accurate assumption although, if the surface was scratched significantly an underbelly of immorality could be found. For the sailors though, whom were just passing through unlikely to ever return this mattered very little. There only concern was draining themselves on some unsuspecting women, or if so required a *******.

It's hard to say exactly how the altercation was initiated, although I suspect the cat calls of a few sailors had pushed one local over the edge. Whilst the promise of conflict ensured a crowd would gather the bar owner remained just away from the ruckus as if picking his moment. The sailors numbered in 20 or so, and fuelled by red wine and continental beer seemed more than willing to put up a fight. A waiter who had tried to act as mediator between the parties had given up, and left for the roadside and had lit up a cigarette. For a few minutes atleast it looked as though the scuffle would be forgotten and laughed about over eggs at breakfast. There was a barrage of shouting and pulling as the locals slowly lost their temper. By now many people had stopped to stare at the spectacle, this is where I must confess things got really strange. As I have previously stated I have no real idea what brought all of this on, that is to say I have no idea what set the process in motion. It was a well known fact that in times of violence the locals would protect each other with a ferocity and loyalty which could see the most able bodied men come unstuck. I had ordered myself a cream cake, and was skimming through the news from London when I heard a blood chilling yell. I spied the previously placid manager leaving the door which lead to his apartment above the cafe. With the confidence of a man without obligation he sauntered toward the group of sailors. I did not see the knife, I must confess I assumed this old man would take quite a beating at the hands of these sailors. Oh I was wrong, a young sailor fell to the ground silent, as his green shirt went claret with blood. In disbelief his comrades stood around, unsure exactly what to do. The crowd assembled gasped as if to share collective disbelief, the manager had managed to slip off somewhere without provoking any attention. Over the next twenty five minutes an ambulance arrived although I feel even the paramedics knew that this was more an exercise in keeping up appearances than saving any lives. They surely knew that there was very little they could do for this poor boy away from home. Police officers milled around, It was safe to say the bar owner would never be brought to anything like justice for this although, the general consensus was that anyone who got stabbed more than likely deserved it in someway or another. As for the manager  he had long been bundled into the back of some old pre war car and taken far beyond the cries and disdain of world weary sailors. No doubt to reappear a week or so later.
my ipad was running out of battery so I had to wrap it up
(Yes I am acutely aware of how terrible that makes me sound)
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
LDuler Dec 2012
You tell me that I am young
That life has merely licked me, not stung
That I do not understand, that I have not yet lived
Enough to grasp the substance

I have known disease
Slow tears, muted pleas
Pain that nothing could appease
I have known the smell of hospitals for summers
The beeping and slurping of machine in massive numbers

I have spoken to voiceless loved ones,
Loved ones with teethless mouths and twisted tongues
Distorted jaws and wheezing lungs.
We have spoken with little green charts
And broken hearts
From the inability to connect the mouth to the thoughts in the head
And I left without understanding,
What they had said
Because I eventually had to let it go
(I still don't know)

I have spent countless summer nights
In nature’s garb, floating silently in a river
So warm that my limbs, skimming the surface, didn't shiver
Under a clear sky, the stars like paradisiac lights
Without anyone ever finding out
About these wild and primal escapades

I've drank, I've smoked
I have burned my throat
With coarse lemon gin
Until I could no longer feel my skin.

I have been frightened
Yes I have felt fear, like a noose around my throat being tightened
Like a gruesome black crow, perched on my shoulder
I have often awoken affright at night,
Longing, praying, for the morning light
I have felt fear, wild, fierce and turbulent fear
More than anyone will everyone will ever know
By men, by life, by myself
Desolate under the sheets, like a forsaken toy
All by myself

I have seen Paris in the rain
Traveled the French countryside by train
I've woken up to New York window views
And seen New Orleans afternoons, filled with heat and blues.
I've swam the Mexican Baja waters, turquoise and clear
With snakes as sharp as spears

I have known humiliation
Causing my cheeks to turn carnation
A spoon, emptying my insides out
Like a gourd

I have loved
I have known the aching pain of a swelled heart
And the way it can tear you apart
I have gushed torrents upon my pillows and sleeves
Tears running down my chin like guilty thieves
From a lit-up house

I have known death, and grief
The meaning of "never"
Whimpering in the school bathroom
And cold, lonely nights

I have seen the works of Van Gogh, Mondrian, and Miro,
Modigliani, Cezanne, and Frida Kahlo
Of Monet, Gauguin, Matisse, Magritte, and Picasso
I have wandered through hallways of masterpieces
Holding tight to my grandmother's hand
And I have wept shamelessly for joy
Before Degas's La classe de danse

I have been diagnosed
I have undergone computer programs designed to shift my brain, to better it
To get me to be normal, to submit
I have had brain-altering medicine shoved down my throat,
Like stuffing a goose,
To make my brain run a little less loose
And I have submitted and gotten use to my brain being altered.

I have had kisses that were mere trifles
Frivolous, yet fierce and acute like shots from a rifle
Lips of mere flesh, not sweet godly nectar
And gazes that meant everything
That seemed to connect with an invisible yet indestructible string
Iris like distant galaxies and pupils twinkling like black jewels
Eyes that seemed enkindled by some ethereal fuel
Speaking of emotions far too secluded, cryptic and cluttered
To be worded and uttered

I know the way in which violence resides
Not in commotion, brusqueness, nor physical harm
But in silence
In the time that covers pain and secrets
In the slow impossibility of trust
In the way that some secrets become inconceivable to tell, time has so covered them in rust
In that dull, dismal ache
In all that is doomed to remain forever opaque.

I have read, for pleasure,
The works of Balzac, Fitzgerald, Steinbeck, and Voltaire
Of Bobin, Gaude, and Baudelaire
Of Flaubert, Hemingway
and good old Bradbury, Ray
Émile Zola,  Primo Levi
Moliere, Rousseau, and Bukowski
I have read, and loved, and understood

I have known insomnia
The way a beach knows the tides
Sleepless nights of convulsive, feverish panic, of clutching my sides,
Of silent hysteria and salty terror.
I know what happens at night, when sweet slumber seems so far away
The worries and woes seem to multiply and swell in hopeless disarray
My lips grow pale, my eye grow sunken
As a time ticks by, tomorrow darkens




I have witnessed horror
In the form of a blue body bag
Being rolled out with a squeaking drag
By two yellow-vested men
With apologetic eyes
That seemed to say "Oh god
We're so sorry you had to see that
Please, please
Go home
And try to forget
"

But you are right
I am still just a child
Naive, innocent, and pure
I have known nothing dark or obscure
I have not yet lived.
I remember when we on that sunny afternoon
grabbed a Hanson to the Lyons tearooms
we were rather jolly and full of mischief
when in there you dropped your silk gloves
I bent down to pick them up, slowly you did lift your skirt
your legs did part, with a naughty devilish smile pert

We drank Earl Grey by the *** full
strawberry cream cakes with filling cool
laughing how extraordinary it was to find each other
both spirits of freedoms never forgotten
you pushed a cream cake in my face
and I got the cream down your blouse of lace

Then we started kissing and wanting more
that's when the staff showed us the door
and as we ran down the muddy cobbled road
you grabbed my arm and said let's stop I'm cold
pulling me in with eyes of wanton lust
you had your way with me at last


By Christos Andreas Kourtis aka NeonSolaris

By NeonSolaris
© 2013 NeonSolaris (All rights reserved)
Nat Lipstadt Aug 2013
Everyone a Sailor

Sept. 2010

Everyone a sailor,
everyone a waiter,
everyone a planner,
everyone an executive chef,
charting courses for grownuphood,
planning meals, banquets.

foolishness, selecting the ingredients for
an award winning recipe of life ,
marking stars,
sextant in hand,
make meetings,
scheduling a conference call,
practice risk taking,
serving, while multitasking

serendipity is mine to
make and behold

marry this one,
add a little cumin,
travel seven seas and
have seven sons,
the eighth I'll discover and
name it after me,
Son of Mine Own Stolen Days

Lighting or storm,
illness and thunder,
ne'er will be disturbances,
on my voyages

But we forget,
we err,
the danger of being becalmed is the one we ignore,
the slowest leakage,
drowned by seepage,
the small risk that transforms us from
sailors to one who
waits,
alone on a lost isle,
with nothing of substance on which to survive,
we slow starve to death on a
diet of our own
mixed metaphors

There was a time,
when I did not value time,
discarded days like seeds
random scattered in garden,
more curious than hopeful
what might appear, and uncaring if
they were all winded away

Who spent days like cash,
thinking I had plenty and
more to make,
gave away in haste
what had no redeemable value,
thinking time was refuse and waste

Becalmed,
what need for chances,
daily escapades,
gave twenty years of mine
away to the undeserving, punished by God, cancer stricken
*****, who made me so miserable for so long,
in one grand gesture,
signed it away,
and asked the devil
for nothing in return

Did not drink,
Did not take pills,
Did not smoke,
But life disdained,
I try to **** myself
By eating TV dinners
six times daily

Do not laugh,
it nearly worked
and my obit
would have been the lead
side splitting ar-tickle in the
New York Times
Science Section!

But here I am
a survivor,
and I have formed
an association of one;
The Society of Explorers, Planners and Plotters
And Those Who Serve By Waiting

We meet once every day
for the rest of my life,
call the meeting to order,
Consult Robert's Rules,
Quorum of one present?
No new business?
Meeting adjourned!

Meeting Summary:
You may plan with good
intent
You may buy or you may
rent
You may be bereft or
content
You may plan or just
wait
**but if you let a day pass
without recording one
poetical truth
in your own manner,
of your own choosing,
then you have failed
yourself,
do not wait,
set sail!
This is one of them...
FYI. I stumbled
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
megan Apr 2016
When I first heard of the concept of self harm, in sixth or seventh grade, I didn’t believe it could be addictive. I didn’t understand how people tore apart their skin just for the sake of tearing things apart.

That changed real quick when I had my first panic attack at 14 and used a dull pair of scissors to scratch a line down my arm. It barely even bled, but it was the beginning of something. It was a temporary peace, a comfort in the moment and a monster in the next.

And so it began. I bought men’s razors, carried them home in my pockets and hit them against dressers and with books until they broke apart. I hid the blades in a small cardboard box behind the books on my shelves, hid bandages and antiseptic and a long, dull razor blade (the kind you use to cut glass and paint) that I’d stolen from my dad’s tool bench. Just in case I needed to escalate.

I wore long sleeves and jeans to cover my misdeeds, the long, thin scratches lined up neatly along my thighs. Monthly became weekly became every other day as I lost control of myself, lost myself in the glint of blades and the pools of red and the feeling of pure, unadulterated relief. I was 14 acting like my life was coming to an end (I was convinced it was). I wrote poetry in the empty pages of my French workbook and scratched panicked lines down my forearms in Geometry. I became a shell of myself, a shell pockmarked with fading scars, little white lines that screamed at me whenever I dared to look.

I liked them. I wanted more scars, I wanted them everywhere, I wanted physical, permanent records of my failings and my abysmal self-worth. I wanted a reminder that I could still feel something.

Sometimes I stopped. Six months after I started I decided I needed to quit, so I drew butterflies on my arms and labeled them with the names of people I loved. I stayed off the drug for something like three months, leaving my blades untouched in their hiding place. When my grandpa died, it became too much and the blades came out, crashed into my shaking hands as I heaved with loss and the revelation that I felt nothing.

One weekend I came home from a lake trip with my dad and my best friends to find that my blade box, hastily shoved under a pillow, was gone. After searching under the bed for a good twenty minutes I determined that my mom had found it. So I waited for the next few weeks to be approached, for her to ask what the deal was, for her to say anything. And she never did. That was when I lost faith in the adults in my life and that was also when I bought new razors to keep in a new box in a new hiding place. I carved my resentment into my arms now, instead of on my legs where I’d already mapped out months of self-torture. On my arms they were visible.

I sometimes rolled my sleeves up in class, past my hidden Band-Aids and sometimes up past my scabbed cuts, to see if anyone would notice. No one did. I wasn’t cutting for attention, but I was lost and looking for help.

My best friend taught me how to sanitize my blades, walked with me to Target to buy razors and bandages. It was surreal how normal it was to us. We were talking each other out of suicide every other week because we didn’t want to be alone but we didn’t want to be alive, either. I was so, so scared that I would wake up one morning to find her dead.

My cuts went from panicked, messy, urgent to carefully executed, perfectly straight lines. I had it down to a science, sometimes going months in between but always thinking about the next fix. A year passed. I thought about it less.

There was never a moment that I decided to stop, but somehow I did, between my first job and my driver’s license and my transition into adulthood. I traced the scars on my arms but didn’t really feel like making new ones -- I was still sad, constantly, but I had started teaching myself to be happy, to find love for myself and beauty in life. As I write this, I’ve been clean for over six months.  

The urge fades over time. Sometimes, in the midst of a 3 a.m. surge-of-panic, I’m tempted to take the few blades I still have out of the iPhone box in the top drawer of my dresser. But then I remember that cutting didn’t solve anything, and it never will. My escapades in self-harm taught me to be kind to myself. And it’s so, so hard every single day. I still wish for more scars, more representation of the suffering I lived through, but I’m still breathing and I’m slowly clawing myself out of the mouth of this beast. I’m alive.

Because at the end of the day, all you can do is survive.
Mateuš Conrad Jun 2017
i think, you should stop going to italy, for one, oh **** me, keep going on hedonist ****-**** fests to places like mallorca, but stop going to italy, you're making my stomach ache from laughter, with what you come back with, the so-called "innovations"; somehow i'd just poach my cauliflower, and drizzle it with fried breadcrumbs, and serve it as a side-dish to fried eggs (2), and some tatties; for goodness sake, even cauliflower cream soup makes more sense, garnished with some fried chorizo!

first it was avocado on toast...
          who the **** puts avocado on bread?
i can imagine putting it in pasta...
but on bread?
                hey, what the **** does
the acronym f.a.d. mean?
             i don't know, and i won't google it...
o.k. avocado on toast...
              nothing near guacamole,
  but fair enough...
           but what i discovered... pushes
the button where i turn into a fox laughter
(
fuchslachen) -
           i couldn't stop...
                      you can find it in the *weekend

section of the saturday times newspaper...
written by nicola m.
          cauliflower and mozzarella pizza...
you have to be ******* me...
                cauliflower? on pizza?
one of my housemates at university told
me an anecdote:
    i was in a restaurant once,
          and asked for a pizza with no cheese...
he continued:
      and then the head chef came out and
asked me... are you, insane?!
       a bit like: bread...    but no butter?
and i thought i was insane eating a watermelon
today, whole,
the red pulp, and the outer layers including
the skin included, allowing myself
a gorilla imitation cameo gimmick...
      but i thought i was mad...
but there's avocado on toast...
   and now... cauliflower on pizza...
                              it's a ******* side-dish!
wait, don't tell me... you're going to put
some potatoes onto the pizza the next frizz
comes along... right?
                      how about beetroot?
                         thankfully, if i have some
wacky ideas in terms of culinary escapades,
they happen, drunk, after 12a.m.,
and i'm the scientist, and the experimental rabbit
2-in-1...
                     a newspaper column?
apparently, you get one, putting avocado
on toast...
                 or cauliflower on a pi-zzzzz-ah...
to be honest, even though i haven't tried it,
grilled aubergines on a pizza could work...
   the toast?               marmite and cheddar...
english people should stop glorifying holidays
in italy... they're ****** cooks...
                   an italian would just look at
a pizza with cauliflower and say:          cosa?
i'd suggest heading to scotland first,
and picking up the vibes from some haggis.
**** me...
   avocado on toast...
                caulifower on a pizza?!
                           now i can die happy, 'appy,
clapping: encore!
Colin E Havard Mar 2014
I'm a Man -
I can spit information
Out there, in any way,
Shape and form I wish;
And I do - spooging
Quanta all over the shop.
However, for all my
Brave endeavours -
My escapades and victories -
I can't create a Universe;
All I can do is document
And record and report
My various experiences.
She has the upper hand,
But She chooses a light
Touch; a guiding principal;
A mistress-led, masterful
Deception of InGenderMent
For the real --> OtherWise.
7-8/3/2014
Enough is Enough, 7 of 9 (Night)
Nikki Sep 2022
At night I feel your lips
       Searching my body
Your hands exploring
       With fiery precision
Your eyes piercing through me
       With unchained desire

And my body trembles with anticipation
While my heartbeat accelerates
As we become one
Overwhelmed May 2011
they carried guns
and bottles of beer and
boxes full of expensive
china and glass

their feet spilled
out in front of them
and their goods
out to the
sides

the sirens
whined somewhere
offstage
and
they were
lost in the
escape

these men would never
be more alive again
Mateuš Conrad Oct 2016
it's understandable, they confused by complex bilingualism as schizophrenia; oh sorry, it's not actually a scary word, before people start to theorise the mono-lingual pre-maturity of a condition that affects older people, they should seriously begin to listen to what a person is saying; there are tales of surgeons leaving surgical equipment in bodies during surgery... well... at least the physicality of such blunders is more pronounced than leaving regression variations of negated ease (disease) in man... (uncouple that compound and you'll find the subtler alternative)... when psychiatrists make mistakes it's not a heart surgeon making a mistake, the mistakes psychiatrists make are far more profound, given the nature of the mistake being seemingly trivial in comparison... yet these mistakes make our mental life worse by disrupting the narrative, psychiatry, being a science, primarily disrupts the (cognitive) narrative; it's hard enough to find yourself in your mind, let alone a worthy narrative that you encompass... it's hard to reemerge with a good enough narrative when you're branded like an ox, a ******* during the height of Christianity, or registering a car for road tax... it's ****** hard.

so they (i've lost the paranoia additive of this pronoun
a long time ago) thought my bilingualism
was worthy the label of schizophrenia...
well... d'uh, isn't bilingualism a split-mind scenario
in itself?
                    bilingualism is more complex than you think,
it reaches to the depths of each language,
it's not a multilingual acquisition, a polymath hooray!
it's bone deep,
                        bone deep, it goes as far into identity
as all conceivable points of psychological architecture;
which is why my bilingualism was so well
established that i became a bit difficult to society:
my upbringing was to match the difficulty -
i was never supposed to utter a single intellectual
disparity, given my stature i was supposed to be
a manual labourer - a position i'd have gladly undertaken
but (see my earlier entries), but...
                                i never really felt a need for
an animosity toward the English -
                                           i loved everything about England
(or at least London) -
                                                 i left my native country
early enough to sponge-up the new culture,
                   but of course when our family was applying
for citizenship we were the obscure minority,
                 after the floodgates opened and the less
creme of the crop entered these shores,
       i was forced into a spiral reinvention, i was no
longer was the British termed "exotic"...
exotica, hmm, funny how i imagine things exotic as
things in sunny places, slaves in the Caribbean,
the platitudes of certain African Savannahs...
something Voltaire might find befitting to write about
like he did in Candide - there's this neurotic passage in there...
                the passage to India... a book i'll
never read: why? can't be bothered, the t.v. series *Indian Summers

does it for me;
                                  plus i do like cooking curry,
so there's the f                        u                            to take-away
curry...           i have an arsenal of spices and i bomb Kashmir
with whiffs of the stuff...
                                    that part of my is what the intended cultural
assimilation was intended for: the rest? n'ah ah.
                               what spurred me to write this poem?
Heidegger's concept of someone moving and integrating
into a different culture: to be honest, the country i was born
in was uniquely pressed to turn its habitants into nomads -
      it was a town primarily based on the steel industry -
now it's a town of pensioners - the steel industry fell to ruin
and people had either the choice of: elsewhere in Poland,
or abroad.
                                    still, things were much nicer
   when the barrier was up... selfishly said? i agree, but then
i had enough air to breathe as a sole artefact of the ethnicity,
and a good enough reputation as a person needing to
persistently learn... had i been a crook? well, now i find
my ethnic background elsewhere, in a near mythical place
in Scandinavia - not that i want to, but i don't actually
have an atypical (a typical) physiognomy of a Slav -
so that's a plus...
                                     but what really spurred me on
was what Heidegger describes as the threshold and indeed
the essence of integration: to learn the language,
to use the language, nothing but language in terms of
being considered a certain noun - in this case, British;
so this is a German perspective from the 20th century...
the British perspective in the 21st century?
                         kinda like **** Germany...
language? forget it... you can speak with a ****** accent
and even ******* grammar... what's at work here
is ethnic cleansing, on a spiritual side of things -
language can rot in hell for the English, what they want
new citizens is to: a. eat fish 'n' chips
                                  b. talk ***** when *******
                         c. lick the **** of Americans
          d. have a sense of moral superiority because of
                    that poncy accent that's becoming a dodo
       e1. forget their mother tongue
         e2. only speak English in private
                            f. respect the Muslim attire but
        to never respect fellow European's concerned
                           about many other things
      g. amongst other things...
so it's not enough to learn the ******* language, that i have to
become a ******* serf? oh wait, i have some spare change
in my pocket (puts hand in a trouser pocket and takes out):
the *******!
                                  or how you find yourself
in an imploded British Empire, go beyond London and you
enter something less resembling a global community
and more a national socialist set of self-evident dicta
wrecking havoc to your senses.
                              and all this from a humble background?
well: freaks and mutations sometimes happen...
                    being born near to the date of Chernobyl doesn't
really help to counter the argument:
           yes, even in Poland, the effects were felt,
my great-grandmother remembers streaks of radiated trees
and un-radiated trees in the park -
        the radiated trees were born... a strange kind of rainbow...
and yes, i do take the **** out of **** Germany
while talking about it and Jewish mysticism -
                                Malachi the arch-heretic (who introduced
a polytheistic concept that does not fit in with monotheism:
reincarnation) -
                            oh look:      something came out of this
conviction that told me to duly apologise to the concept
of the two late monotheistic religions:
                             on your own, can't be bothered -
Christianity was always going to be more image orientated
(after all, the crucifixion is a good enough image)
   and Islam was always going to be more word orientated
(something to shout about, actually, to just shout it) -
the Judaism i found?
                              not being circumcised and what not,
not adhering to the religion as such?
  the lord of the rings and harry potter...
simple... how?
                               please make oaths, swear, use profane
language... maybe that will make your actions less profane
and this isn't 19th century Victorian society event where
people talk polite but play ***** according to the escapades
of Dorian Gray...
                              i'm still adamant that auto-censorship
of a name (the name, i.e. ha-shem) does wonders for your
vocabulary - oath, **** **** ****, words are actually:
                or conjunctions, and this means you can use them
to destroy the barricades of fluidity -
                                 do we really need to say certain names?
Islam says the name all the ****** time,
        Christianity doesn't even know the name of the father:
Jules?                      Jason?                Jeremiah?
                                           can't be Yves...
                   and did 1st century fishermen write?
wasn't that a rebellion against the literate Pharisees etc.?
             so it's pretty much like the harry potter / lord of the rings
rule: Sauron
                       designates the tetragrammaton
   and the necromancer designates ha-shem...
                                                or...
         Voldemort designates (as above)
              and tom-riddle                   blah blah...
oh i have actually washed my hands clean of two most
populous religions in the world -
                            i can't believe that so many people can be
right about something,
                                    would i desire to argue to this
to the grave? not really, i prefer to look at it as a chance fancy,
my real concerns are based upon the question:
   why would bilingualism, ever, be treated as a case
of schizophrenia?
                                           perhaps the language is too
difficult to follow, perhaps i'm reciting a poem by
                           half caste by john agard -
but this **** isn't skin deep, i can't blow the sax in a liberating
transcendence of slavery, or do that other form of
rebellion -
                    &nb
Cara D Nov 2013
I come to a bulwark
of quiet flesh, beating
to a hum of worldly
duress.  And cling, bare-handed,
to stiff ledges, bone tablets as steps.
And look upon irradiated, insular eyes,
bathing blue-bleached  irises
in wasteful drowned drops,
and find light-toothed ducts
emitting serrated levitations
of a tender sort of might.

There are women who stride
along on spherical streets,
and men who talk
to a range of idle watchers
and lonely listeners in a
dreamlike commotion
beyond.

Spurred whistles flow through
lunar clipped doors, and curtains are
drawn closely to naked blades
and are grafted as reborn skin
and contort into a breathless maze.

And the blaze blows wispy ash plumes
that tremble down my legs.
And scald the rest, my bare, bare form, pressed
inward, into another,

into fast entwining, shaking hips.

To tongue-bound kisses from red tile lips.
Bryce Aug 2018
It is early.

and the world hangs silent, but the birds chirping their chime,

An angelic choir of vibratos
And tenor beaks
humming sweet
to the early tangerine crest of sun
slivers a powerful bar of light over the peaks
to a newly brilliant horizon.

Sweeping the dredges of darkness away
as the stars fade
like coal dust
back again, packed into their cupboard of night
one by one,
lanterns snuffed and sent
into the vibrating blue
as if the whole sky should erupt into fire
azure, hallowed morning pyre

Encircled by the gradient hues
of coral pink and castille yellow
Mediterranean teal
A symphonic
cacophonic
**** of birth

Good Day, Sweet mother earth.

Squeezed through the valleys
canals
allies
every nook and forlorn cranny
kissed with her blissful photonic army
And the infantile creatures cry with glee.
The dewdrops clutch the blades
the tender palasade
of petals
remembering their darkened escapades
slipping tender rain
to feed the dirt,
the lonely detritus
elixirs of the lovely night.

And the world bursts into a veritable
kaleidoscope of life
With a trillion pairs of eyes
accessing the mother dream
euphony Apr 2014
baby boomers' education was creative
back then everyone was so imaginative
considering the economy was inactive
our perspective isn't the perceptive.

we were made from the earth's clay
from our mother's conception day
into the world we millennials came
treated by parents like we are so lame.

our technology is more advanced
millennials are so very benevolent
i guess it is such a bad expectation
s/o to my ***** Richard Dawkins.

they say back then we called friends
we say today we text friends
they say gas was worth 35¢ a gallon
we say gas is worth $3.35¢ a gallon.

they say we had black and white tvs
we say ****** we got colored tvs
but there is a paradigm masterpiece
it just makes you stand to your feet.

considering our generation escapades
theirs created the existence of AIDS
now we millennials are not to blame
that is what made their time so lame.
(: hope this makes sense to the millennials out there on www.hellopoetry.com :)
Luna Jay Aug 2015
Never trust a Florida boy,
In that muggy, humid heat.
I'm telling you, little girl,
Your heart will soon taste defeat.
Them deep fried southern marshes,
Raising mosquitoes and deceit.
The greatest place on earth can keep its ******* receipt.

The air as thick as my blood was,
When I met your eyes.
And yours met hers,
And your monster claw,
Tore her smooth skinned thigh.

I felt that painful scream.
Boiling up. Melting my chest inside.
What's the point of being still while my mind is feeling fried?

So I packed my heavy load of anxiety,
And headed for the coast.

I watched the orange sunset,
As I brought up a salty toast,
From my eyes.
Solemnly, spilling into the sea.
And I felt the spirit of an old friend.
Leaning rigidly against me.
So I turned on heel and didn't speak a sound.
As I turned to leave the now known ghost town.

And I gave one last grim look back out at the sea.
As I write these tattered goodbyes,
To where my feet have rambled me,
And I let my tongue wrap around the ribbons of goodbye,
Escaping my parched lips.
And I shutter as I listen to the sound of my heart as it rips,
An angered storm of sea,
Flooding down my eyes.
Knowing this is where the memories of escapades in our days, lays down and dies.

I feel the faint.
Bleak pain, blanketing us,
Weak and weary.
And I know our story has a melancholy mood of dreary.
And this is where I end it.
And cast it all out to sea.
And I leave the tragic bays of what I once called Rosemary.
Sometimes its best to walk on.
Marshall Gass Nov 2014
The setting sun has a way
of creeping up on you
with cherry red coloured dreams
nights as naughty as little gnomes
flitting about in escapades
of soft silk lusts.

Once the night embraces you
with its cloak of stars
velvet summer laziness
and tomorrows never there

its time to take the fullness of today
into the emptiness of tomorrow
and slip into that twilight zone
where all the magic materializes
on why we love these special spring days.

© Marshall Gass. All rights reserved, a month ago
kirk Nov 2018
I knew they'd be more sightings, it looks like I was right
The day has arrived once again, where things have come to light
Shinning armour is absent, and there is no gallant knight
Oh Annette, there's only Den, and your chastity's not tight

It seems Miss Tidy has returned, she's covered a long span
**** escapades displayed again, written by a big **** fan
***** heifers filled Cow Pies, diving in like Desperate Dan
I wouldn't mind a go myself, because I am a man

Bus stops and phone boxes, seem to be your mainstream media
Your depicted as a ****, and your appetite gets greedier
Every time that you appear, your antics are more seedier
Be careful of your infamy, you'll end up on Wikipedia

What the hell is going on, you've resurfaced once again
There's no accounting for good taste, with ******* different men
I don't know if it's better ***, than your getting from old Den
Oh Annette if you get judged, it'll be a Ten from ***

Bus shelters are the place, to read about your ***
Showing intimate parts of your life, like the local multiplex
Written words like **** and ****, are nothing to perplex
It's obvious what's going on, its hardly that complex

If **** *** is preferable, if it's not just a passing whim
You can lick my exposed ****, and I'll give yours a rim
A tight *** is just as good, as a nice warm ****
Oh Annette untidy your legs, and we'll go out on a limb

**** *** excites me, but there's just one small detail
Is your *** completely free, or is your **** for sale
If you use lubrication, then it never will get stale
Naked flesh I really like, that's probably cos I'm male

If telephone boxes we're obsolete, if bus stops did not exist
Where would Annette's news be then, from the *** obsessed artist
Would he try a public lavatory, would he have a different twist
Oh Annette If writings ceased, *** stories would be missed

George Formby leaned on lampposts, but I'm not sure I'm a strummer
Unless you count a *******, and you are a heavy ******
I'll wait until you come by, for one hell of a good ******
Outside in the night light, so much better in the summer

Could you be a lovely girl, or are you an ugly *****
**** ***** and ***** *****, are just the local lingo
Oh Annette if you want ***, don't wait too long in limbo
I can do it on all fours, as well as legs akimbo

Softer holes are better wet, **** positions don't much matter
Whether it is *******, or laying a bit flatter
Certain parties can be fun, if your naked on a platter
A very happy unbirthday treat, I'd share with the Mad Hatter

Do you bite as well as ****, be rough and rarely gentle
let passion take control of you, cos I'm not temperamental
You seem to be the kind of girl, to be experimental
It makes no difference if your a ****, it isn't accidental

There's nothing wrong with ***** *****, if they are never shut
Open all hours is quite fun, when you're an **** ****
I hope you have "**** Handles", that are looming round your ****
So Annette relight my fire, I don't want my long wick cut

Come on now be daring, because you seem like an old friend
I hope your ****** preferences, are not just a passing trend
So much is known about you, with all that has been penned
If your into *** ***, then give your **** a lend

Just how many blokes you've had, well I don't have a clue
There's Den of course but now and then, you try someone new
It doesn't really bother me, if you've had quite a few
You could be in fetish films, if your backdoor is blue

Perhaps I have misjudged you, and you are a teachers pet
And everything that has been said, is something you regret
But If the rumours are all true, then I would not forget
To stuff my ***** up your ****, and I'd say oh Annette !
What can I say about Annette Tidy, as you may or may not know, I discovered writings concerning Miss Tidy's shall we say carnal activities in February 2016, there we're further details of her misdemeanours 2 years later. Both sightings inspired me to write a poem the first of which is titled " Oh Annette Tidy" .
After the second sighting I then wrote " Oh Annette Tidy's Back Again " I thought I was done with our Annette until I began writing this new poem, so you might say the Annette Tidy saga has now become a trilogy of **** escapades, I hope you enjoy it and I wonder if this will be the last we will hear from Annette Tidy ?
Bergen Franklin May 2015
Why
why.
what is the point of all this?
why do humans bother with such useless games
bother with pointless escapades
all we are is glorified beasts
******* between every feast

eat.****.eat.****.eat.****
****.eat.****.eat.
eat.****.
th­e food is rotten to those who hear
the buzzing of flies in rotting flesh
the stench of deep regrets
is sweet to those who forget

why.
what is the point of all this?
why do humans bother with such useless games
bother with pointless escapades
all we are is glorified beasts
half asleep

illusions of grandeur filling our brains
dreams as sweet as the buzzing of flies
why bother?
why?

dreams are fantasy.
nothing more.
what we want,
what would make hearts soar.
waiting for a window or door,
what pleases us to our very core
dreaming too long simply gives you bed sores.

why.
what is the point of all this?
why do humans bother with such useless games
bother with pointless escapades
all we are is glorified beasts

we exist for one simple thing.
babies.
again, again, and again.
All we are is gilded beasts
writhing in a lustful heap
9/22/05
M Nov 2014
Seaside escapades
Up and down beaches,
High tide and sun rise-
Where my heart chose to stay.

Evergreens and dirt ground
Trekking trails, running down hills
Jumping off rocks into the lake-
This is where my happiness was found.

Pass time outside,
Where time ceases to exist
And all my worries fade away-
I continually wish this is where I woke, where I reside.
Mateuš Conrad Sep 2016
yes, i know he said he was a vegetarian, delicate counter-priesthood prince - a manner of vegetarianism that expressed an abhorrence of the practice of Eucharist, i too think the Eucharist as a metaphor is a bit porridge: i.e. yucky.  but as Wagner said to him: up north, either you eat meat or you lose the plot (loose - ß - again, not scharfes S - but die scharfes'zart - sharp-tender - already prerequisite of what sharpening omega meant for the w); mind you: salt & pepper to taste according to your own palette - if you're not a sugar ****** you won't over-salt the sauce... and you certainly will not overcook the pasta, halfway between dreadlocks and poodle hair: desirably experience bound al dente, and here comes Socrates with his knowledge of al dente: me no muffin! true that... like all these excess sugar breakfast cereals - ******* the outside, soft inside... or like the idea of ants having an exoskeleton... that's pure culinary theory - al dente exoskeleton; did i already mention salt and pepper to taste? yeah, the beef stock cube is salty, but not salty enough, given the already unsalted meat and vegetables: i cook, i take care of a toddler - Nietzsche keeps bragging: cooked by a cyclops.

who would have thought that a personal
revision of mama Italia's classic
could end up being so tasty;
Nietzsche is the foremost diner in my humble
abode: i just like the way he says:
who let woman into the kitchen?!
that's right, i deviated from the standard recipe
of mama Italia's cooking for papa don
Giovanni - honestly? in lonely times at
university when everyone was into ******
ad drunk debaucheries, and ****** fancy dress
parties? Aria Giovanni saved the day...
just look at the classic beauty, plump as a plumb
in between two cream bergs - such
exfoliation... where's that daddy long-legs
on the catwalk... come on! shove a malteser up
her *** like a suppository escutcheon - i'm sure
the salad leaves will keep her starving even more,
or walk her in Gucci with a drip-pole -
intravenous therapy while on the job -
but can you believe what only a quarter of a teaspoon
does to the Bolognese sauce recipe?
wonders... you don't add the carrot, or the celery,
among the vegetables you add button mushrooms,
and the three colours of peppers -
onions and garlic (a lot of it) as standard -
oregano, rosemary and thyme too,
some Italian five-spice - but the fennel seeds!
the fennel seeds! after i learned to cook i see
ready meals are diabetics in disguise,
and restaurant foods as defunct -
what? we're all expressing our capacity to
make choice, apologies if you made the sort of
choices you now hate... hardly a reason to
complain about my exercise in freedom,
i don't blame you, i'd have chosen differently
if i were you too... but there we go...
i'm cooking Bolognese from scratch because i like
to tickle my sense of smell and the buds of
the palette garden, i look at the sauce and
write fiction: the plot thickens...
                                                     and that's the great
3 minute microwave sequence on the other
side of the spectrum... because we're all so *busy
-
busy bees and that's merely the generation Y
dads getting hormonal treatment from tending to
babies - choices choices choices -
                                                          oddly­ enough
the mediocre work that goes on in those glass
shards - by comparison, the default argument is
pretty obvious: i too would have not invested
in caring for art, or as i once said:
you can't get good art and raise a family -
you can create good art that will support the family,
you'd end up being a great technician,
an artistic engineer - the standard model of bridges /
already in your head - is refining yourself
via plagiarism - you end up plagiarising yourself -
but come one! a quarter of a teaspoon of fennel seeds?
well, i'm not talking cumin seeds...
or maybe it was the turmeric powder that
coloured the onions yellow while frying?
2 tablespoons of garlic - for sure, enough garlic
and we're already talking Dracula -
~5 strips of bacon too -
                                          no, not necessarily involving
carrots and celery - why be boring?
this is me in my furore days in an organic
chemistry class at university - back to the esters
and perfumes, but this is raw, it's analytical
chemistry, it's nothing synthetic -
birds and the bees and some hippy buckles over
a giant butternut squash - which is why i find
people who ably memorise and recite poetry
are the same people who probably write polemics,
and do the peacock verbal dance for a woman
in a restaurant - rather than give her raw grub
of your own calibre - 1 cube of beef stock
dissolved in water - simmering for about 40 minutes,
tomatoes chopped - obviously tomato puree -
500 grams of mince beef -
                                                ever think that poetry
could reinvent journalism and also the way of
writing recipes? FENNEL SEEDS! that's what goes
in first, you roast them in chilli infused olive oil -
let them sizzle for a bit - and yes,
you pour some oil into salted water where
you'll be boiling the spaghetti - the oil means the
spaghetti won't stick together, plus pouring
oil into a saucepan of boiling water is the other
famous pastime of chemists... the former?
watch paint dry. i'm pretty ****** sure i missed something,
like mama Italia missed something to keep
the recipe a secret - well... there's Parmesan cheese
to garnish and fresh basil -
                                                and if i were raising a family,
i wouldn't be listening to the dead skeleton's album
dead magick... oh sure, the reward would be:
i'd have a little crowd at my funeral, some gibberish
about how many people knew me so well... but really
didn't... the whole street profession...
                i never got the idea of solitude and how it
might be sad from the Beatles' Eleanor Rigby song -
don't know never became an impressionable counter -
oh yeah, Darwinism helped! it helped a lot
in creating a world view, a world view that said:
don't touch this ****... leave them to it:
these people are more influenced by opinion columns
of newspapers than philosophy books -
in England, where, i dare say, the daily telegraph
is actually respectable, as is the guardian -
and the central of the two opposites? tickling
tabloid, i call the times posh tabloid, because it is
a posh tabloid: i like the way fame
desired for sales becomes toilet paper
the next day... or the newspaper on the street
that gets the footprint on the plastic surgery escapades...
love it! mm, yes darling! lovin' it!
Brent Kincaid Nov 2015
Running with my pals
No thought of going home.
Anything is better than
Being there all alone.
Nobody cares back there
But with friends I’m someone.
We laugh and talk together
Nobody ranks on anyone.

We get a little bit drunk
Or ****** when we can
But mostly we just visit
And look out for the man.
The cops like to hassle us
Because we look like kids.
Not because of what we are
Or from something bad we did.

We sit around empty houses
Where people moved away
And party in growing numbers
Some have guitars to play.
We sing songs we all know
And some original tunes.
But if the weather is good enough
I like to walk under the moon.

The street can be a scary place
Or it can be an amusement park
If you are careful about things
And not afraid of the dark.
And, of course, when I go home
They never notice I was gone.
It won’t be too much longer
And I’ll be permanently moving on.
Left Foot Poet Oct 2015
~~~
my diet of ideas
is without carbs
that convert to saccharine;
a life filed by the pauses of milky hot coffee sips,
these are the protein compositional periods,
in my otherwise,
stuttering life

when they come to me,
these escapades of poems~moments
'tis the only nutrition this man needs
October 26, 2015

for Steve Reimer
Mateuš Conrad Jan 2016
me and my drinking? no... in the next sandpit with christ saving all the retards so heath ledger can **** himself, because the best defence people have against their ****** escapades are a bunch of retards limbless, a crucifix, and the modern trend of premature depression with nothing accomplished and the torture of the immobile christ only trying to provide moloch babies ****** herders: while the rich worry about lip-gloss and gucci spectacles of torn shirts that cost a mammon's tonne but were lighter than an autumnal leaf: yeah, blame the retards on sane people's *** mistakes for saint ******. your choices obstruct my will: fated loathing is my compromise; and by god i hate to be a moraliser.*

i drink to excess when a populist
wants to speak,
and poetry becomes just
another art of the privileged
and i become simply ***,
god give me a life where i don't want
to write, a night without national socialism
and global capitalism:
where's the next competition, mars?!
i used to like playing silverchair's shade
with my guitar, my guitar became an acoustic
5 string rhythm which was hardly a bass...
so i stopped playing...
it's talk about moral darwinism when
a tsunami or a tornado has no darwinism involved:
force of nature, some theories had to fail.
i'm more accepting a retired drunk footballer in me
or an alex hurricane higgins in me that
i wish to delve into poetics:
when the next informal figure of speech
to buy an iron or a jumper? when? oh, never...
never?! ****.
***** acting killed off *** of the usual people,
i knew on the basis of numbering fake *******
that switched sides....
they call objectivity superior to subjectivity...
but in relation subjectivity comes from having
a talk about it, not automatons disposing it...
have talk about ******* and all you can think
of in your little nerd brain is the foreseeable pay-rise
of garbage men... hence?
subjectivity comes from overbearing certain objects
for rhetorical purposes...
and leaving other objects automatically based
like sewage...
objectivity says: this many objects exist
but i don't talk about most of them...
subjectivity says: this many subjects exist
but i dare not see most of them as related to
a specified object for argument that's nonetheless there:
acronym tangle of being relevant, otherwise not...
politics... in rhetorical terms there's a superiority of
one against the other...
i see a fern... can i explore it subjectively? no.
can i explore the fern objectively? yes....
there's a tree next to it...
how does that make feel? it makes me feel like:
i exist, i think, therefore i philosophise by faked doubting
like a woman faking ******... mind that:
men are more nautically optical when it comes to pleasure,
women close their eyes when *******,
they internalise what's otherwise exposed masculine
genitalia forced like a beauty hernia -
male eroticism is optic, female eroticism zeniths are
internalised for the bred fact of being both vaginal
and womb, so scary the eroticism dies when
the foetus replaces the post-virginity fancy of the phallus;
but still the ****** actresses that destroy marriages,
but none can destroy the joke:
lips got the treatment of balloon augmentation
and clitoral lips got islam: the former puffed up
and the latter got the snip-factor for less oral ***.
now will you please play me the arabic trombone?!
With Dot in the Hospital
2 reputed mini strokes.
A fevered delirium then emerges,
whispers of witchcraft are rife in the ward;
words sunken as rafters
rasping to strike again,
attempted barefoot  escapes
escapades as sure as her once hero
Charlton goalie  Sam Bartram
to be that sprightly girl again
her perseverance draws.
niamh May 2015
Bodies grinding together
On a grubby hormone-filled dancefloor.
Cheap drinks
And cheaper perfume.
A taxi ride shared
Through grubby streets,
Bodies lying together
On sweaty sheets.
She lies beside him
And plans a future.
He lies beside her
And plans an escape.
Ceida Uilyc Aug 2014
And,  I smiled at my own nakedness.
Pouring down my thighs,
With the *****,
I stood stark ****.
Unbounded of the brassieres
And support of the *******,
It was a plain freedom.
But, I.
I felt the air quench horror down.
The tingling of the copulation
And, its sweaty remnants glued the ***** soil,
Onto my tender body,
While crouched further into the ground.


It was very dark.
And, two limelight.
I could see me in one.
Bare.
Shaved
And dripping.

And, in the other,

A he,
Was not there.
Two dozen men stood
In front of me.

All those acquaintances it seemed like
The new age resultant of a dozen
Photoshop-ed faces reflecting the crimson of  
Familiar intimacies of all the swallowed *****,
It seemed as if.
Well, I could recognise all of them.
I had slept with each, once upon.


The beautiful ***, the sneering *******,
The-neourotic-awesome one, the pro-marriage one,
The sweet one, the afraid one, the older one,
The browny,
The passionately wild and genuine one,
The drugged one,
The fat ****
And the **** guy.
All in front of me.
While I was nubile,
Begging in clasped hands,
A tear of joy.
Of thankfulness.
Of a heavy thankfulness.
For having worshipped my innards
My ejaculations, perpetually wet vaginal facades
And escapades.

For the li'lest that time they did.

But, then.

Yes.

Ya, I was grateful,
I was simply grateful
For having been objectified.

For having been indebted to those zillion
Dissolved and
Disposed tissues in their garbage bins
That was blotched with my vaginal smear, ***** and mucous.

Time never felt necessary
A romantic forgetfulness!
For love had,
Taught me co-existence.
And only,
Co-existence.
Which, would come to use only if I'm shipwrecked, alone.


I stood up.
Yes, I stood UP ON MY LEGS.
My ******* panted off
the last bit of sweat,

The wind was pleasant,
But strong.

I couldn't feel the cold.
My fingers Icy cold I wrapped against the warm elbows,
And nails,
Gushing with an ablaze of bloodiest red of
A life so dead white.

And, the sweat had disappeared.

The ***** too.


I was drought, clean.

I was done.

A heavy tornado of misandry
Came buy,
And I jumped in.

And howled with the wind.


Loud, clear.
And, red.

And, howled the world to howl with me.

For the celestial lesions up above,
to buy my rage.


Because the effervescent stake was
Too holy a scent
For my scanty dermis.

I Howled,
Through my rusted lance
And swamped hips,
Too dry.

To Spike my cramps
And howl into my knee-caps a full blow of pure kush for the empty cavities.

Ha ha.

Entrap the last ounce of warmth
Of a paranoid agony.

And howl the misandry.

Around. And around.
And around.

Around.


Till it comes back,
Around n round n round.
N round.



Misandry, my toska.
My final Toska.
Toska is a Russian Word that is inexplicable to translate to English.
AJL Oct 2013
Mental debates of moving on and
Leaving the past, she dreams
Of working things out to make
Them last, she’s all too familiar
With solitude, its wonders,
Its dedication to her companionship

They walk hand in hand
Looking, staring at silhouettes, still vivid
and bright as the day that she first opened
Her eyes to Dalia smirks, truly hurt
She watches in awe
As he carefully places
The pieces to the puzzle of
A black and white field

Strategies flow easily from behind
The dam that is a set of porcelain eyes
Sworn to secrecy only for self fulfillment
Along the checkered floor she explored
Boundaries she had never encountered
He leads her as his pawn of choice

Through torturous escapades against
Rookie creatures and staggering Horsemen
They wane on her chances of successfully
Obtaining the crown of glory
He pushes her forward with a touch
Soft and soothing, no reason
To doubt his reasoning

She gives up the greatest of gifts, trust
In his hands she quietly moves
With no complaints, forward
Out toward a troublesome mine field

With every space she’s placed in
She’s laced with waste traced with her Demise,
he plays the creator,
How humorous it seems
The slightest sense of secure attachment
Provides a false sense of security
The way he touches her persuades
Her he’ll never let her fall

In his embrace she doesn’t see
The smirk of disgust as his face
Twisted, wretched and gruesome
Grins at the only pleasure she provides him
Empty bliss he can only wish to fill
His grasp, once tender and warm
Clenches down on her with splintering pain

With silent screams of despair
She comes closer to her peril
Glimmering crown, in the scope of her sight
The only sense of hope left in her mind
The next move can be her last
With only hopes of a clear road
As he once again guides her

Calm and steady with the kindness
He once displayed when she
Naïvely dreamt of how her life
Truly should become
Her struggles slowly ease away
From the pain she once felt

Never showed it even in the
Biggest battles he lead her through
Now she lay motionless alongside her
Fallen obstacles in complete darkness

Six cold silent walls surround
Her in her slumber until another
Cruel puppeteer falls across
The coffin of demise and despair
JJ Hutton Jul 2014
The troubadour planted his last name between
a she-vegan's legs in San Marcos;
rambled north to that country of love, Oklahoma City,
where he took hits of windowsill acid every three hours
for a week straight.

To escape, to begin.

He spent his nights in the St. Cloud Hotel, trying to
sleep on a carpeted floor. He saw a color between
lavender and orange, nameless and impossible to
recreate. He knew all, including he'd forget all.
He shared a room with two high fashion,
burgundy-lipped lesbians, Viv and Jean, and
one night, the last night the troubadour, our troubadour,
was allowed to stay, Jean went out for some fresh air,
code for a cigarette.

"She never smokes just one," Viv said, little Oprahs reflected in her eyes from the plasma screen. She lay on her stomach on the bed,
atop a jungle green comforter. For your discretion and for the discretion of those before you.

Viv brought him between her legs.

"Gentle. Gentle," she said.

The troubadour thought of those Pepsi Challenge commercials as he tongued her ****. A lesbian has an edge when it comes to oral pleasure. Across the nation more people prefer Pepsi. She's got the same parts, sure, but as the troubadour wordlessly recited the alphabet with his tongue to her, he felt confident Jean hadn't put in this kind of effort, not lately anyways. And so what if he's Coke? The troubadour preferred Coke. Viv snagged a handful of his hair, "Don't stop," she said. "Don't stop."

And it all ended, as drug-addled, hetero-on-**** escapades always do: abruptly and with an "I think you should leave before she comes back," a "But sweetheart, this, us, I think this means something," an "I like girls," a "But," an "I just needed an edge," and later that night as he marveled at the  brilliance of the common streetlight, tripping his *** off on his last hit of LSD, he empathized.
Thibaut V Aug 2014
Aries bound I need boundaries
Not to be the rebound
but I believe things beyond
and so work with some stupid clock
but we all do that do we not?

not astrology - though logically
there has got to be some piece of you in me
or some "one" that we all come from
and pull on the long robe of
when we find ourselves in need of love

What doorbells and picture frame
take me behind the scenes -
to the make-up and gossip of God's escapades?

of course times of a willing wage; both the wars and lustful ways

in a club he slapped the room with a rage- as the beat grows fonder
and more closely - immediately forgotten
even as it just begins

but of course only after, reminisce
with our pure imagination
the scenic route with a violin

whether its out or just come in
or **** like the economical loot
depending how you chose to hear it
and you can still choose

certainly the sounds that aren't there
that we think count like the accents
that shape a world of difference

is it enough for you to redo

I find too often I smile with a frown
I am a boundary but still Aries bound
Simone Gabrielli Mar 2017
And in that wild berlin winter
I twirled ghosts through the frozen, concrete streets
Out of bohemian jungles in the midnight afternoon
I returned to the States with terrible ennui

Slumped on cold buses
I flew through Hamburg in an ***** haze
Smoking joints in the lantern lit glow of Amsterdam
I didn’t eat for 3 days

I rode the train to Zoo Station
And flitted about East Berlin
Where there was no excitement to be had
Walking the night alone in the bitter, biting wind

I took the ferry over to England
Safe in the Mersey’s mystical, dreary mist
I hid my tired eyes under my fisherman’s cap
And found an expanse of quiet, precious bliss

Ailing from nights spent on streets and stranger’s floors
I was a child, traveling alone
Disenchanted by my youthful escapades,
Cured of the plaguing desire to ramble and roam.
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
moonlight Apr 2017
Sweet as summertime love
Treasures are red berries
Ravishing my heart and soul
Always stunningly perfect
With sunshine and dreams
Berry delicious, my darling,
Enjoy in sunlight, when
Reading poetic verses,
Read with millions of stars
In moonlight escapades
Enveloping all our senses
Succulent strawberries
Silent murmurs escape broken lips.
It is done.
The deed is through.
As I sit in the moonlight,
Accomplishment washes over my pale form.
I finally picked apart your facade,
Revealing every hidden sinew within.
You yearn for solace,
But there simply isn't any.
Everything you ever wanted
Now lies broken at my feet.
I've been going right on, page by page,
since we last kissed, two long dolls in a cage,
two hunger-mongers throwing a myth in and out,
double-crossing out lives with doubt,
leaving us separate now, fogy with rage.

But then I've told my readers what I think
and scrubbed out the remainder with my shrink,
have placed my bones in a jar as if possessed,
have pasted a black wing over my left breast,
have washed the white out of the moon at my sink,

have eaten The Cross, have digested its lore,
indeed, have loved that eggless man once more,
have placed my own head in the kettle because
in the end death won't settle for my hypochondrias,
because this errand we're on goes to one store.

That shopkeeper may put up barricades,
and he may advertise cognac and razor blades,
he may let you dally at Nice or the Tuileries,
he may let the state of our bowels have ascendancy,
he may let such as we flaunt our escapades,

swallow down our portion of whisky and dex,
salvage the day with some soup or some ***,
juggle our teabags as we inch down the hall,
let the blood out of our fires with phenobarbital,
lick the headlines for Starkweathers and Specks,

let us be folk of the literary set,
let us deceive with words the critics regret,
let us dog down the streets for each invitation,
typing out our lives like a Singer sewing sublimation,
letting our delicate bottoms settle and yet

they were spanked alive by some doctor of folly,
given a horn or a dish to get by with, by golly,
exploding with blood in this errand called life,
dumb with snow and elbows, rubber man, a mother wife,
tongues to waggle out of the words, mistletoe and holly,

tables to place our stones on, decades of disguises,
wntil the shopkeeper plants his boot in our eyes,
and unties our bone and is finished with the case,
and turns to the next customer, forgetting our face
or how we knelt at the yellow bulb with sighs
like moth wings for a short while in a small place.
Nat Lipstadt Jun 2023
I am a Taken Poet ~ “The Wreckage of Your Silent Reverie”^

<6:45 AM Sat June 3>

again and again, a peculiar lyric
more than provokes, ******, injects,
no mere head buzzing, sledgehammer
beheaded, no under skin, in my pores,
shedding,reabsorbed, replaying the replay,
until I, will-less, commanded endlessly,
induced, besplay my irritants into my
“take,” for I am an overtaken poet, searching relief

too well, the wreckage refuse of these
silent reveries consume us, and I shriek,
contemplating the years of holey falling,
not hours or days, not weeks or months,
spent in rigorous dreams, facing & escaping,
my guilts, my fork failures, bottling & pouring,
with no relief from screams, head-banging,
nightmare visitations and inarticulate moans

until they form words, projectile ejected,
pollutants upon a clean, white background,
and dispatched to the heavens or nether land,
and to you, here in poem form that brings but a
modicum crumb of relief that empties, buying
time, knowing full well, my cup runneth over and
fresh replacement troops are eager, readily available,
by joining the seesaw border war, splitting my halves

my halves for I am not whole, I am deboned,
and slices fall off of these trough of words,
these statements of fact & fission, uninformed forms,
even worse, formed formlessness reciting repetitive,
inescapable  escapades, dead-ended hell highways,
these poems, all carcasses of me, roadside ****, until,
someone unseen, unknown invisible, removes them
to the largest refuse pile in world, a inutile poem heap

even this epistolary of diary entries offered down for
your bemusement, my expulsionary relief, give but
the briefest analgesic, and a newest version of an oldest
reverie, old friend, comes like the unending beeping,
of a dying battery of a fire alarm, squeaking, unrelenting,
unresponsive to curses or begging till the last ounce
of its energy is consumed, so too I, impatient squeak words,
too many contemptuously familiar yet well hid in new combos,

temporarily pulled from the wreckage of my silent reverie


~~~~~~~~~~~~<7:45 AM>~~~~~~~~~~~~

^ “Oh this glorious sadness
That brings me to my knees
In the arms of the angel
Fly away from here
From this dark cold hotel room
And the endlessness that you fear
You are pulled from the wreckage
Of your silent reverie

You're in the arms of the angel
May you find some comfort here
You're in the arms of the angel
May you find some comfort here”

Source: Musixmatch
Songwriters: Sarah Mclachlan
gray overcast chilly Saturday morn,
listening to the chirping of a dying battery,
reminding me of my mortality and
my other stuff.

— The End —