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Rettrahk Aug 2013
I escaped.
I escaped my home. I don't even remember
if I ever called it my own.
I wasn't a victim; I was not oppressed.
My life was average, normal, unnoticed, blessed.
Of course there were spines. Creatures, vile.
But who doesn't deal with that? I did for a while.

Yet, I escaped. Without knowing why back then.
But now that I'm here, I'm beginning to see.
My home was a hellfire, and I was protected,
oblivious to the suffering and screams around me.
The reach of evolution has brought us close,
and perhaps a bit too close for my taste.
For here, in the comfort of peace and security,
I'm seeing what I might have had to face.

My home was burning.
Prisoners of the corrupt, the greedy, the sickest bowels of humanity,
stared at me through their bars with eyes that demanded
justification for my freedom.
Or perhaps they merely stared;
perhaps the hellfire is stronger within my heart, tearing my conscience to pieces,
at the thought that I was randomly selected
to leave the pit, and enter the kingdom.

What gives me the right? I asked.
So did they. I could hear them scream.
I was a citizen of my home, cursed to suffer within it every day.
This life - this happiness - it wasn't even a dream.
My friends toiled and burned and fought,
with me watching from a distance, indifferent and confused.
I don't know if they ever asked me for their loss,
but I know I can never provide,
what they have been refused.

My home is filled with monsters,
creatures that ruin lives for a living.
From here, it's all clear: the sickening acts are too dark to see.
Innocent souls assimilated, destroyed, lost and grieving;
I couldn't imagine what it would have done to me.

But I escaped. I was protected well.
I was one of the lucky few who had no stories to tell.
My hands are soft still, my psyche unharmed.
I am safe, sound and secure; no reason to be alarmed.

So why does it burn? Why do I cry?
Because it's my own home? Because that's where I'm supposed to die?
Is this patriotism, or sympathy? Or is it just plain confusion?
I am lost in my own fortune, my faltering delusion.

My home is beautiful.
Its colours outshine the brightest of any other.
Its life, laughter and arbitrary adventure are found nowhere else in this world.
It tastes wonderful. Could I stay there forever?
No one could not. The living quarters are too cold.

And so I escaped.
I watched millions of my people fall below as I rose to the skies,
left to be thrown in the construct of psychological torture
and die or live a slave.
I wished I could bring some of them with me. But then I realised,
the real world is not so fulfilling.
Not a dream.
Not so brave.

I escaped because I was given the chance. I was guided without hindrance.
Guided away from the colours, lights, laughter and tears,
from the blood-curling screams and turbulent fears.

Today, here, at this moment in time,
I know I can never go back.
My home is a sin of humanity,
in itself, a crime.
I couldn't care less what it lacked.

I cannot love my roots,
I cannot state my blood with pride.
All I can do is watch the place burn,
as I allow my own flames to subside.

I will never make the mistake of calling it my own.
For that day, I escaped.
I escaped from my home.
Keith J Collard Dec 2012
I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends
I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
Snow Wolf Sep 2015
The colors of the world is bursting at the seams.
The colors of the world exploded all at once.
So many, so many.
Images and color and color and images,
Wedged behind my eyelids, stuck in my mind.
Won't move, won't budge, won't unstick.
So bright, so colorful, so many wonderful.
They've escaped my mind, they've escaped the world.
Is a retribution at hand?
A revolt, a rebellion? An army? A battle? A war?
Color and images and images and color.
Are there no revelations? Will there be even one?
They're out and about, and roaming this world.
They've escaped the world and our minds and our reality and I know we know we all know they've gone and run out and drained us and escaped us.
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play 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Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
at their best, there is gentleness in Humanity.
some understanding and, at times, acts of
courage
but all in all it is a mass, a glob that doesn't
have too much.
it is like a large animal deep in sleep and
almost nothing can awaken it.
when activated it's best at brutality,
selfishness, unjust judgments, ******.
what can we do with it, this Humanity?
nothing.
avoid the thing as much as possible.
treat it as you would anything poisonous, vicious
and mindless.
but be careful. it has enacted laws to protect
itself from you.
it can **** you without cause.
and to escape it you must be subtle.
few escape.
it's up to you to figure a plan.
I have met nobody who has escaped.
I have met some of the great and
famous but they have not escaped
for they are only great and famous within
Humanity.
I have not escaped
but I have not failed in trying again and
again.
before my death I hope to obtain my
life.
from blank gun silencer - 1994
CGW Oct 2018
When I am alone the dark thoughts return.
You don't know me.
Like parasites they rot me from the inside out.
Making me scream inside.
Death is my master.
Sitting on a storm playing puppets with my emotions.
Controlled calculated movements.
A darkness in my eyes.
I'm trying to grasp reality but only capable of
gasping anxiety.
I'm trying mother but the waves are too high.
Goodbye world.
I've seen enough.
"computer turn off."
This is made up.
Not based upon me or anyone else.
Inspired by Radioheads, Fitter Happier.
Victor D López Dec 2018
Victor D. López (October 11, 2018)

You were born five years before the beginning of the Spanish civil war and
Lived in a modest two-story home in the lower street of Fontan, facing the ocean that
Gifted you its wealth and beauty but also robbed you of your beloved and noblest eldest
Brother, Juan, who was killed while working as a fisherman out to sea at the tender age of 19.

You were a little girl much prone to crying. The neighbors would make you cry just by saying,
"Chora, neniña, chora" [Cry little girl, cry] which instantly produced inconsolable wailing.
At the age of seven or eight you were blinded by an eye Infection. The village doctor
Saved your eyesight, but not before you missed a full year of school.

You never recovered from that lost time. Your impatience and the shame of feeling left behind prevented
You from making up for lost time. Your wounded pride, the shame of not knowing what your friends knew,
Your restlessness and your inability to hold your tongue when you were corrected by your teacher created
A perfect storm that inevitably tossed your diminutive boat towards the rocks.

When still a girl, you saw Franco with his escort leave his yacht in Fontan. With the innocence of a girl
Who would never learn to hold her tongue, you asked a neighbor who was also present, "Who is that Man?"
"The Generalissimo Francisco Franco," she answered and whispered “Say ‘Viva Franco’ when he Passes by.”
With the innocence of a little girl and the arrogance of an incorrigible old soul you screamed, pointing:

"That's the Generalissimo?" followed up loud laughter, "He looks like Tom Thumb!"
A member of his protective detail approached you, raising his machine gun with the apparent intention of
Hitting you with the stock. "Leave her alone!" Franco ordered. "She is just a child — the fault is not hers."
You told that story many times in my presence, always with a smile or laughing out loud.

I don't believe you ever appreciated the possible import of that "feat" of contempt for
Authority. Could that act of derision have played some small part in their later
Coming for your father and taking him prisoner, torturing him for months and eventually
Condemning him to be executed by firing squad in the Plaza de Maria Pita?

He escaped his fate with the help of a fascist officer who freed him as I’ve noted earlier.
Such was his reputation, the power of his ideas and the esteem even of friends who did not share his views.
Such was your innocence or your psychic blind spot that you never realized your possible contribution to
His destruction. Thank God you never connected the possible impact of your words on his downfall.

You adored your dad throughout your life with a passion of which he was most deserving.
He died shortly after the end of the Spanish Civil War. A mother with ten mouths to feed
Needed help. You stepped up in response to her silent, urgent need. At the age of
Eleven you left school for the last time and began working full time.

Children could not legally work in Franco’s Spain. Nevertheless, a cousin who owned a cannery
Took pity on your situation and allowed you to work full-time in his fish cannery factory in Sada.
You earned the same salary as the adult, predominantly women workers and worked better
Than most of them with a dexterity and rapidity that served you well your entire life.

In your free time before work you carried water from the communal fountain to neighbors for a few cents.
You also made trips carrying water on your head for home and with a pail in each hand. This continued after
You began work in Cheche’s cannery. You rose long before sunrise to get the water for
Home and for the local fishermen before they left on their daily fishing trips for their personal water pails.

All of the money you earned went to your mom with great pride that a girl could provide more than the salary of a
Grown woman--at the mere cost of her childhood and education. You also washed clothes for some
Neighbors for a few cents more, with diapers for newborns always free just for the pleasure of being
Allowed to see, hold spend some time with the babies you so dearly loved you whole life through.
When you were old enough to go to the Sunday cinema and dances, you continued the
Same routine and added washing and ironed the Sunday clothes for the young fishermen
Who wanted to look their best for the weekly dances. The money from that third job was your own
To pay for weekly hairdos, the cinema and dance hall entry fee. The rest still went to your mom.

At 16 you wanted to go to emigrate to Buenos Aires to live with an aunt.
Your mom agreed to let you--provided you took your younger sister, Remedios, with you.
You reluctantly agreed. You found you also could not legally work in Buenos Aires as a minor.
So you convincingly lied about your age and got a job as a nurse’s aide at a clinic soon after your arrival.

You washed bedpans, made beds, scrubbed floors and did other similar assigned tasks
To earn enough money to pay the passage for your mom and two youngest brothers,
Sito (José) and Paco (Francisco). Later you got a job as a maid at a hotel in the resort town of
Mar del Plata whose owners loved your passion for taking care of their infant children.

You served as a maid and unpaid babysitter. Between your modest salary and
Tips as a maid you soon earned the rest of the funds needed for your mom’s and brothers’
Passage from Spain. You returned to Buenos Aires and found two rooms you could afford in an
Excellent neighborhood at an old boarding house near the Spanish Consulate in the center of the city.

Afterwards you got a job at a Ponds laboratory as a machine operator of packaging
Machines for Ponds’ beauty products. You made good money and helped to support your
Mom and brothers  while she continued working as hard as she always had in Spain,
No longer selling fish but cleaning a funeral home and washing clothing by hand.

When your brothers were old enough to work, they joined you in supporting your
Mom and getting her to retire from working outside the home.
You lived with your mom in the same home until you married dad years later,
And never lost the bad habit of stubbornly speaking your mind no matter the cost.

Your union tried to force you to register as a Peronista. Once burned twice cautious,
You refused, telling the syndicate you had not escaped one dictator to ally yourself with
Another. They threatened to fire you. When you would not yield, they threatened to
Repatriate you, your mom and brothers back to Spain.

I can’t print your reply here. They finally brought you to the general manager’s office
Demanding he fire you. You demanded a valid reason for their request.
The manager—doubtless at his own peril—refused, saying he had no better worker
Than you and that the union had no cause to demand your dismissal.

After several years of courtship, you and dad married. You had the world well in hand with
Well-paying jobs and strong savings that would allow you to live a very comfortable life.
You seemed incapable of having the children you so longed for. Three years of painful
Treatments allowed you to give me life and we lived three more years in a beautiful apartment.

I have memories from a very tender age and remember that apartment very well. But things changed
When you decided to go into businesses that soon became unsustainable in the runaway inflation and
Economic chaos of the Argentina of the early 1960’s. I remember only too well your extreme sacrifice
And dad’s during that time—A theme for another day, but not for today.

You were the hardest working person I’ve ever known. You were not afraid of any honest
Job no matter how challenging and your restlessness and competitive spirit always made you a
Stellar employee everywhere you worked no matter how hard or challenging the job.
Even at home you could not stand still unless there was someone with whom to chat awhile.

You were a truly great cook thanks in part to learning from the chef of the hotel where you had
Worked in Mar del Plata awhile—a fellow Spaniard of Basque descent who taught you many of his favorite
Dishes—Spanish and Italian specialties. You were always a terribly picky eater. But you
Loved to cook for family and friends—the more the merrier—and for special holidays.

Dad was also a terrific cook, but with a more limited repertoire. I learned to cook
With great joy from both of you at a young age. And, though neither my culinary skills nor
Any aspect of my life can match you or dad, I too am a decent cook and
Love to cook, especially for meals shared with loved ones.

You took great pleasure in introducing my friends to some of your favorite dishes such as
Cazuela de mariscos, paella marinera, caldo Gallego, stews, roasts, and your incomparable
Canelones, ñoquis, orejas, crepes, muñuelos, flan, and the rest of your long culinary repertoire.
In primary and middle school dad picked me up every day for lunch before going to work.

You and he worked the second shift and did not leave for work until around 2:00 p.m.
Many days, dad would bring a carload of classmates with me for lunch.
I remember as if it were yesterday the faces of my Jewish, Chinese, Japanese, German, Irish
And Italian friends when first introduced to octopus, Spanish tortilla, caldo Gallego, and flan.

The same was true during college and law school.  At times our home resembled an
U.N. General Assembly meeting—but always featuring food. You always treated my
Closest friends as if they were your children and a number of them to this day love
You as a second mother though they have not seen you for many years.

You had tremendous passion and affinity for being a mother (a great pity to have just one child).
It made you over-protective. You bought my clothes at an exclusive boutique. I became a
Living doll for someone denied such toys as a young girl. You would not let me out of your sight and
Kept me in a germ-free environment that eventually produced some negative health issues.

My pediatrician told you often “I want to see him with ***** finger nails and scraped knees.”
You dismissed the statement as a joke. You’d take me often to the park and to my
Favorite merry-go-round. But I had not one friend until I was seven or eight and then just one.
I did not have a real circle of friends until I was about 13 years old. Sad.

I was walking and talking up a storm in complete sentences when I was one year old.
You were concerned and took me to my pediatrician who laughed. He showed me a
Keychain and asked, “What is this Danny.” “Those are your car keys” I replied. After a longer
Evaluation he told my mom it was important to encourage and feed my curiosity.

According to you, I was unbearable (some things never change). I asked dad endless questions such as,
“Why is the sun hot? How far are the stars and what are they made of? Why
Can’t I see the reflection of a flashlight pointed at the sky at night? Why don’t airplanes
Have pontoons on top of the wheels so they can land on both water and land? Etc., etc., etc.

He would answer me patiently to the best of his ability and wait for the inevitable follow-ups.
I remember train and bus rides when very young sitting on his lap asking him a thousand Questions.
Unfortunately, when I asked you a question you could not answer, you more often than not made up an answer Rather than simply saying “I don’t know,” or “go ask dad” or even “go to hell you little monster!”

I drove you crazy. Whatever you were doing I wanted to learn to do, whether it was working on the
Sewing machine, knitting, cooking, ironing, or anything else that looked remotely interesting.
I can’t imagine your frustration. Yet you always found only joy in your little boy at all ages.
Such was your enormous love which surrounded me every day of my life and still does.

When you told me a story and I did not like the ending, such as with “Little Red Riding Hood,”
I demanded a better one and would cry interminably if I did not get it. Poor mom. What patience!
Reading or making up a story that little Danny did not approve of could be dangerous.
I remember one day in a movie theater watching the cartoons I loved (and still love).

Donald Duck came out from stage right eating a sandwich. Sitting between you and dad I asked you
For a sandwich. Rather than explaining that the sandwich was not real, that we’d go to dinner after the show
To eat my favorite steak sandwich (as usual), you simply told me that Donald Duck would soon bring me the sandwich. But when the scene changed, Donald Duck came back smacking his lips without the sandwich.

Then all hell broke loose. I wailed at the top of my lungs that Donald Duck had eaten my sandwich.
He had lied to me and not given me the promised sandwich. That was unbearable. There was
No way to console me or make me understand—too late—that Donald Duck was also hungry,
That it was his sandwich, not mine, or that what was on the screen was just a cartoon and not real.

He, Donald Duck, mi favorite Disney character (then and now) hade eaten this little boy’s Sandwich. Such a Betrayal by a loved one was inconceivable and unbearable. You and dad had to drag me out of the theater ranting And crying at the injustice at top volume. The tantrum (extremely rare for me then, less so now) went on for awhile, but all was well again when my beloved Aunt Nieves gave me a ******* with jam and told me Donald had sent it.

So much water under the bridge. Your own memories, like smoke in a soft breeze, have dissipated
Into insubstantial molecules like so many stars in the night sky that paint no coherent picture.
An entire life of vital conversations turned to the whispers of children in a violent tropical storm,
Insubstantial, imperceptible fragments—just a dream that interrupts an eternal nightmare.

That is your life today. Your memory was always prodigious. You knew the name of every person
You ever met, and those of their family members. You could recall entire conversations word for word.
Three years of schooling proved more than sufficient for you to go out into the world, carving your own
Path from the Inhospitable wilderness and learning to read and write at the age of 16.

You would have been a far better lawyer than I and a fiery litigator who would have fought injustice
Wherever you found it and always defended the rights of those who cannot defend themselves,
Especially children who were always your most fervent passion. You sacrificed everything for others,
Always put yourself dead-last, and never asked for anything in return.

You were an excellent dancer and could sing like an angel. Song was your release in times of joy and
In times of pain. You did not drink or smoke or over-indulge in anything. For much of your life your only minor Indulgence was a weekly trip to the beauty parlor—even in Spain where your washing and ironing income
Paid for that. You were never vain in any way, but your self-respect required you to try to look your best.

You loved people and unlike dad who was for the most part shy, you were quite happy in the all-to-infrequent
Role as the life of the party—singing, dressing up as Charlie Chaplin or a newborn for New Year’s Eve parties with Family and close friends. A natural story-teller until dementia robbed you of the ability to articulate your thoughts,
You’d entertain anyone who would listen with anecdotes, stories, jokes and lively conversation.

In short: you were an exceptional person with a large spirit, a mischievous streak, and an enormous heart.
I know I am not objective about you, but any of your surviving friends and family members who knew you
Well will attest to this and more in a nanosecond. You had an incredibly positive, indomitable attitude
That led you to rush in where angels fear to treat not out of foolishness but out of supreme confidence.

Life handed you cartloads of lemons—enough to pickle the most ardent optimist. And you made not just
Lemonade but lemon merengue pie, lemon sorbet, lemon drops, then ground up the rind for sweetest
Rice pudding, flan, fried dough and a dozen other delicacies. And when all the lemons were gone, you sowed the Seeds from which extraordinarily beautiful lemon trees grew with fruit sweeter than grapes, plums, or cherries.

I’ve always said with great pride that you were a far better writer than I. How many excellent novels,
Plays, and poems could you have written with half of my education and three times my workload?
There is no justice in this world. Why does God give bread to those without teeth? Your
Prodigious memory no longer allows you to recognize me. I was the last person you forgot.

But even now when you cannot have a conversation in any language, Sometimes your eyes sparkle, and
You call me “neniño” (my little boy in Galician) and I know that for an instant you are no longer alone.
But too son the light fades and the darkness returns. I can only see you a few hours one day a week.
My life circumstances do not leave me another option. The visits are bitter sweet but I’m grateful for them.

Someday I won’t even have that opportunity to spend a few hours with you. You’ll have no
Monument to mark your passing save in my memory so long as reason remains. An entire
Life of incalculable sacrifice will leave behind only the poorest living legacy of love
In your son who lacks appropriate words to adequately honor your memory, and always will.


*          *          *

The day has come, too son. October 11, 2018. The call came at 3:30 am.
An hour or two after I had fallen asleep. They tried CPR in vain. There will be no more
Opportunities to say, “I Love you,” to caress your hands and face, to softly sing in your ear,
To put cream on your hands, or to hope that this week you might remember me.

No more time to tell you the accomplishments of loved ones, who I saw, what they told me,
Who asked about you this week, or to pray with you, or to ask if you would give me a kiss by putting my
Cheek close to your lips, to feel joy when you graced me with many little kisses in response,
Or tell you “Maybe next time” when as more often than not the case for months you did not respond.

In saying good bye I’d give you the kiss and hug Alice always sent you,
Followed by three more kisses on the forehead from dad (he always gave you three) and one from me.
I’d leave the TV on to a channel with people and no sound and when possible
Wait for you to close your eyes before leaving.

Time has run out. No further extensions are possible. My prayers change from asking God to protect
You and by His Grace allow you to heal a little bit each day to praying that God protect your
Soul and dad’s and that He allow you to rest in peace in His kingdom. I miss you and Dad very much
And will do so as long as God grants me the gift of reason. I never knew what it is to be alone. I do now.

Four years seeing your blinding light reduced to a weak flickering candle in total darkness.
Four years fearing that you might be aware of your situation.
Four years praying that you would not feel pain, sadness or loneliness.
Four years learning to say goodbye. The rest of my life now waiting in the hope of seeing you again.

I love you mom, with all my heart, always and forever.
Written originally in Spanish and translated into English with minor additions on my mom's passing (October 2018).
The weather was cold
The winds blew up carrying ice *****
No matter they were big or small
But they were carrying drying for skins
And great amount of diseases
The hungry man knocked the door
The miser man opened the door
The hungry man said a word and more
“I am hungry, I want some food
To eat and repair my mood!”
The miser man said at anger
,”there is no food and be outer”
The hungry man fell at the floor
The miser man with cold blood closed the door
The cat was near that
The cat saw that and came at fast
She touched the fallen man at first
She said and screamed
, The man approached to be dead”
She ran at speed

The three dogs stood at dark
At the corner of the park
They were her enemies and carried black
And hard heart

One said,” she was so conceited
The second completed, “she thought she was princess, she was created ‘’
The third said, “I must get his nose downed"
They ran after her
The great steps were heard
A big dust covered the land
They ran and escaped
She met her friend that was the cat
Jon was his name
She was curl with one foot
He was amazed and then laughed
He said,” you must get great fight
And you must beat all”
She looked angry
She said in completely,”
I met Kranckle, Dangle, and Bangle  
The three dogs ran before me and wanted to hurt
But I was so brave
I stood as one who must save
The lost justice from the dark in native
I did as “Bruce Lee’ in mark
I ran and jumped over the wall
It was dark
I tried to overlap
To be at their back
But I failed and fell
A great dust was occurred
They ran and escaped
I stood to strike my chest
With my hands, were closed
To show how I am strong
But I fell at the land”
Her friend laughed after that
She looked and said,’’
Bad boy bad”
She sighed and said,”
The hungry man may be dead
We must get him saved!”
Jon looked in surprise
He said as he looked as wise,”
Who is the hungry?”
She looked at him and pulled
Him with her strong mouth.
She said, "we need a strong one at first
He said with great nervous,”
Am I not so in obvious”
She did not answer and he was dragged
In spite of his well or his eager
They suddenly stood in front of Ankle's dog door
She called at him at loud
He was out
He laughed and said,” The cocky cat at front
Of me, I must hurt “
She bowed as the singer at the play
She said in polite way,”
My lord, I want your help!
I need you hand”
He acted like her way
He said, "ask and I respond!”
She said and shouted,’’ What is your kind?
The fallen man needed to be saved”

Ankle was surprised
He said,’’ Yesterday, you mocked”
Liz laughed in spite of her well and said,”
Forget it, forget”
Ankle asked,”what is your demand?”
Without wait she ran before him and pushed
From his back
For Jon’s surprise, he obeyed
He was ready to walk
They reached to the fallen
Ankle said,” that must be dead”
Liz screamed and mewed and said, “No!”
She cried at loud
She cried as that fallen like her father
She walked with hesitating,
She put her ear at his chest
Her face was so closed
Then he got so bright
As the sun appeared after long hide
She said.” He is still alive
We must be in hurry
To maintain his life
As the God gives it
That is right?”
Ankle said,” the human is stingy
He is honor to show that
To show his hate to his brother
Liz said,” Do the fair
And throw it at the air”
She said,” we need away
To transport him in speed way”

A big tree trunk was laid
A fast taxi was braked
Angry driver had to be out
He screamed so aloud
The street was so empty
His sound was repeated several times
In echo as fearing manners
He said,” Who puts that ****** trunk?
He must be fool”
Liz appeared suddenly
She jumped at his face
Jon bit him from his breech
Ankle tried to push, push
The angry man,”Zicko” obeyed
They signed to the fallen man
He screamed,” No!”
That seemed to be killed”
Liz looked angry
Jon mewed in nervous manner
“you must know his killer”
Ankle barked
The man was forced
He pulled him to the taxi
As the driver was old and soft
He said,” if that was killed
I may be accused”
He drove to the hospital
It was ranked
It was for high class persons
The reception ordered and shouted
At the cats and dog to be out
Zicko said,” they came with me”
The reception said after calculating
‘”we want a great amount of Egyptians pounds
It preferred to be in dollars”
They were shocked
How could they get that amount?
They looked and were shocked
The hospital laid the hungry at the land
Liz ordered,”
Come without wait”
They rode the car
They reached the stingy home
Zicko knocked at the door
The man was out
The miserly was out
Zicko tried to talk and ask
Until Jon and Liz were penetrated
They entered the home
They didn’t know any room
Liz screamed,” the second plan”
Ankle jumped behind the man
Zicko ordered to get money
He gave them with unhappy
Liz signed to tie
The man and get the key
As if they needed another demand

The money was paid
The man was in intensive care
Liz laughed and said,”
It is Egypt
If we didn’t get money
The man must die”
The surgeon came and said,”
We need medicine in fast,
As it was rare and it costs high amount
Zicko with his friends took off
They returned to the stingy one
They took what they need
They brought the medicine
To hospital, that  had stars

The miserly could untie
He told the police
The police got as hydrophobic status
They didn’t know what’s happened and case
Zicko left them and disappeared
Liz wanted to get the dinner
They were completely in hunger  
They waited out of the restaurant
They saw the waiter carried the delicious food
It was obvious from outer restaurant
After the waiter put it on the table
Jon was under it
Liz followed
Ankle remarked
Jon stole the meat
Sending it to liz, and reaching to Ankle
Ankle hurried and got out
For bad, ankle ate all
Liz and Jon made a deal
They got a food, and ankle must help
But he would not even taste it
Liz and Jon repeated
The police suddenly approached
The police searched
Krankle, Dangle and Bangle searched
Their smell sense was used
They wanted to revenge
From that cat that made them as stooge
Liz and Jon were eating
While ankle was remarking
He was coming in fast
They were told, they escaped


The cats and the dog mocked them
They entered the restaurant
The three dogs were behind
They waited until they were remarked
By these stupid dogs
The dogs hurried and entered
Ankle jumped at the servant
Who was carrying a pile of dishes
The dishes were broken
The servant shouted

The cats and dog were out
Ankle barked at loud
The police remarked
The police got in
He caught the stupid

Zicko felt with the conscious pain
He returned so fast to gain
Their happy and maintain
The favor could remain and sustain
He searched for his lovers
He remarked the police cars
He followed them
He found his friends jumped and escaped
He called at, not so loud
They were at the car which was out
They went to the hospital, asking for their man
They found no one
Liz had her tears fallen
Liz cried and mewed
Zicko went to ask about his corpse
He found no one
Till the smiley nurse was seen
She told them he was still alive
But he was moved to another room

They searched for another rich
To take some money to help other poor and might wish
A good and a happy life, they dream to approach

They sang and said,”
We wanted a fare
Like the smile at face
Hate the anger appear
And the heart who caries hate
We are friends
We love the world
All people are brothers and sisters
Creatures must live in happy and peace”

The end
the  hand which helps the other is the best hand and it deserves a good reaward from the god
Poetoftheway Jul 2018
Ilion gray
poet extraordinary
is away
learning the codes hidden in raindrops

no reason for surprise;

for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays,

neither high enough, narrow blinding,
to keep a good man from doing good things that life provides as opportunities
to do the right thing

he muses that it took five years for the other poets to understand our
poem-dreams;
avant-garde he says,
but I laugh,
never felt more misunderstood
and reply take care, be
en garde!

no matter for he is learning a new language,
the codes hidden in raindrops in a land of wheat
once called Indian Territory and eager
await his return so we may
walk along the Brooklyn shoreline,
beginning from under the Brooklyn Bridge
where Washington’s men escaped a British trap

and he can decode for me the whispery thunderous noises of
NY
showers that come up so sudden,  so roughened, but right now,
the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature

We will walk lost in the absorption of our
different commonalities, holding the hands of
his young son, and my Wendy,
both of them equal in possession of round saucer eyes
that give us poems

He calls me me friend,
I call him brother, teacher, master, better than the best,
well recalling a late night message that bred
a five year conversation ongoing

not everything need be coded
what you read here
it is not coded,
for the raindrops come clear and clean
and the poems land on our tongues
bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue

7/18/18



^https://en.m.wikipedia.org/wiki/Manhattanhenge
#Ilion codes brooklyn by NY
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Fernando Pessoa Oct 2013
I am the escaped one,
After I was born
They locked me up inside me
But I left.
My soul seeks me,
Through hills and valley,
I hope my soul
never finds me
At last you have departed and gone to the Unseen.
What marvelous route did you take from this world?

Beating your wings and feathers,
you broke free from this cage.
Rising up to the sky
you attained the world of the soul.
You were a prized falcon trapped by an Old Woman.
Then you heard the drummer's call
and flew beyond space and time.

As a lovesick nightingale, you flew among the owls.
Then came the scent of the rosegarden
and you flew off to meet the Rose.

The wine of this fleeting world
caused your head to ache.
Finally you joined the tavern of Eternity.
Like an arrow, you sped from the bow
and went straight for the bull's eye of bliss.

This phantom world gave you false signs
But you turned from the illusion
and journeyed to the land of truth.

You are now the Sun -
what need have you for a crown?
You have vanished from this world -
what need have you to tie your robe?

I've heard that you can barely see your soul.
But why look at all? -
yours is now the Soul of Souls!

O heart, what a wonderful bird you are.
Seeking divine heights,
Flapping your wings,
you smashed the pointed spears of your enemy.

The flowers flee from Autumn, but not you -
You are the fearless rose
that grows amidst the freezing wind.

Pouring down like the rain of heaven
you fell upon the rooftop of this world.
Then you ran in every direction
and escaped through the drain spout . . .

Now the words are over
and the pain they bring is gone.
Now you have gone to rest
in the arms of the Beloved.
Shannon Ulmer Jul 2010
Chapter 1
A man wearing a black suit and tie stood at the pew of a church. He had an anxious look on his face. Where is she? He thought. It was his wedding day, yet the room was strangely empty. Not a single person had showed up so far. Not even the priest. There were no flowers, no music, nothing. All there was were empty chairs and an occasional cockroach scuttling across the floor. Maybe I got the date wrong...No, I doubt that. We talked about it all night. Just then the large mahogany doors creaked open and he saw her. Her dress…god it was gorgeous. Pure white, not a speck of dirt on it. It flowed around her shoeless feet. She appeared to be walking on air. He was utterly stunned, not able to say a word, not able to think. She was so beautiful…Her eyes, a deep shade of blue stared back at him and they became all he could see. But as he stared, something in them died. The light just left. The glimmer she always had disappeared. They looked more and more like glass eyes on a doll than the ones that belonged to his lover. Dark circles surrounded them as a thin film covered them and took away every bit of life that was left. And then they shut. The next thing he knew, he was standing over her dead body, crying. The soft velvet lining in the coffin turning the tears into little beads that rolled down the creases.
Chapter 2
My eyes opened and I took in my surroundings, wondering where I was until I realized it was just my own room. My pillow was wet with tears and my hands shaky. Then I remembered, she died. But that couldn’t be. It just wasn’t right. I rolled over in my bed too see if she was there. Much to my relief she was, her brown hair resting on the pillow. I reached out to touch it and took in the soft scent of lavender. It felt like silk slipping through my fingers. A soft moan escaped from her throat as she rolled over and faced me.
“Hi,” she whispered in a voice that was scratchy and barely audible but **** at the same time. I just stared back at her deep blue eyes and felt the tears build up behind my eyes. “What’s wrong?” she asked a pitiful look on her face.
“Nothing, just another bad dream.” I replied nonchalantly.
She sat up in the bed, stroking her hair. “You didn’t take your sleeping pill last night did you? You were tossing all night long.”
I just stared at her back. We both knew the answer. I hadn’t. I’d been skimping on my meds recently. I was getting married in a week and needed to give the meds time to completely wear off. I didn’t want the pills taking away my feelings. I wanted the full experience. Besides I thought I was getting better. There were no more voices whispering my name and I no longer talked to my dead sister, who apparently was just a hallucination my mind created to help deal with the pain of losing her. They said that it in no way meant I was insane. They called it a defense mechanism. They said it was my body’s way of protecting me. But I saw their thoughts in their eyes. I saw how frightened they were at my insanity, how they kept their distance from me, avoiding me like I was infected with the plague.
I remembered how healthy, how happy she had been. She’d had her whole life ahead of her but when she was nineteen I had taken her down to the Gulf of Mexico with Kasey, my fiancée. I couldn’t have one without the other. It was through Sarah that I met Kasey and through Kasey that I saved Sarah. I had figured that I would take the two most important people in my life to the beach for spring break but now I regret it.
I just remember Sarah’s smiling face, mocking me and Kasey as we held each other on the shore, our toes tickled by the gentle water.  Without warning a scream escaped her mouth as she was pulled under against her will. She didn’t leave the water until the following morning when her body washed up on shore. A shark had bitten one of her legs clean off. Her face was pale, her eyes open, not seeing through the milky film surrounding them and her lips stained a dark blue color. For so long I had been convinced that she had escaped. I saw her on the streets, in my apartment, in my car everywhere. Sometimes we just waved or said hi and we went on with our days but sometimes I had long drawn out conversations with her. I remember the day I proposed to Kasey that she had been waiting for me outside the apartment and we had talked for hours about how happy I was going to be with her and how I am so lucky to be able to have someone like her. Even seeing her body in that black coffin surrounded by white lilies didn’t bring the truth to me. It just felt like an insane dream when I stood up and recounted our good times during the eulogy and when I held Kasey tight in the cemetery where she now rests. I was absolutely convinced that she had lived. She couldn’t be dead I saw her, I talked to her, I hugged her. But all those psychologists said she was. They all said the hallucination was just how my brain was choosing to deal with it. Instead of becoming clinically depressed, I just chose to deny it.
Other than the hallucinations, I haven’t really dealt with her death. It still doesn’t feel real; even if I don’t see her anymore. Although she’s six feet under next to our parents, I can’t believe it. I’m just waiting for the day it hits me. The day I’ll want to do nothing but look at pictures of her as I’m locked in my room crying. But surely it won’t be soon. I’m marrying Kasey in a week and then everything will be perfect for a while.
Chapter 3
The weeks before our wedding was spent running about the streets of St. Augustine. Kasey boasted to me for days about how gorgeous she would be in her dress and how I wouldn’t be able to keep my hands off her. We were having a small wedding, neither of us really had a family left and we didn’t have too many friends being as I could never keep one job for too long, let alone live in one place for a while. I usually ended up working as a waiter somewhere or in a small store. I really relied on Kasey for most of my money though.
Kasey had modeled at one point in her life and still had some money left over from it. I kept telling her to get back into it but she always said no, claiming the people in the business were shallow and ignorant. A little over a year after we’d met, she was getting pretty well known. Her agent was a scumbag who would milk absolutely everything he could from her, even if it meant turning to pornographic modeling. He was going to get as much money as he possibly could from her so he paid, literally paid, a new male model to date her. His name was Jacob Fischer. Apparently the guy was stupid enough to tell Kasey that he hadn’t been paid enough to take her anywhere really expensive. I remember when Kasey showed up at my house drenched in rain, crying. I tried to make her as comfortable as possible in my dinghy apartment. Apparently all she needed was my love. That was the first time that we admitted how much we loved each other. The only other time we admitted it was when I proposed to her. Our wedding day drew nearer and nearer until the night of our rehearsal dinner.
It took place at the Sun Dial, where I worked. We were all wearing our dress suits and the ladies wore dresses that glittered and shone in the dim lighting. We sat and drank champagne as we watched the city of Atlanta revolve around us. You could see the street lights and malls and other buildings. From our view the Golden Dome looked beautiful. I sat down sipping my wine and letting the constant chatter of the place engulf me. I was completely lost in my thoughts as Kasey sat down next to me and everyone began clapping. “Go on,” She whispered, “it’s time for the toast.” I stood up and the volume of the clapping increased.
I cleared my throat. “I can’t tell you all how flattered I am to be able to have Kasey’s hand in marriage. It’s very rare that a guy like me ends up with someone as beautiful as her,” I paused, listening to the dead silence and continued, “No really though, I am honored to be able to have her become part of my family.” I looked at the very last table and saw Sarah sitting there smiling at me. “And I’m sure that Sarah is excited to have her as her sister-in-law. Isn’t that right Sarah?” There was no reply, only stunned faces staring back at me.
Sarah was gone. I could feel all those eyes boring holes in me as my face grew hot. Kasey stood up and took my arm, “Will you excuse us please?” she pulled me of the rotating floor and towards the door of the restaurant. “What is wrong with you?” she was practically yelling. I could see the tears welling up behind her eyes. “She really was there. Sarah was sitting in the back of the room smiling at me.” I tried to tell her the truth. “No. No Parker. You’re the only one who saw her. She’s been dead for over two years now.” She looked me straight in the eyes, begging me to believe her. “You can’t just quit taking your meds like that! Normal people don’t see their dead sisters at the rehearsal dinner and most of them don’t talk to her during the toast!” I couldn’t say anything; I just looked at her. “I love you Parker, I really do. You’re the only person in this world that I feel truly understands me but you’re insane! Nothing will bring her back. I know you don’t understand that she really is gone but you have to move on. It hurts me as much as it does you. I loved her too and if you would just pull your head out of your *** you would see that there are so many other people that did too but we’ve all dealt with it and moved on.” I could tell she was trying really hard to hold back the tears but they just kept rolling down her face, painting it with bleeding mascara.
I reached out and hugged her. “I’m so sorry Kasey. I just don’t know what happened back there…” she pushed me back and stared at me in disbelief.
“You know what? **** it. You’ve completely lost your mind. How do you expect me to be able to marry someone who talks to dead people?!” her chest was heaving with effort. She was yelling at me louder than she ever had before. “Just…Just come find me whenever you find your ******* mind.” She shoved me away from her slipped in the elevator just as its doors closed.
“Kasey! Wait!” I called desperately after her. I stood by the window completely dumbfounded. My breath fogged up the glass that my hand rested on.
Chapter 4
I lay in my bed that night, staring at the water stained ceiling. I couldn’t stop thinking about it. Thinking about how I had hurt her, of how she had run away and how I had been too stunned to go and face all those people that had just witnessed me talking to a hallucination. I hadn’t done that in so long…What happened? Why did she blow up like that at me? It’s not like I meant to, I mean just because it’s the first time I’ve done it in a couple months doesn’t give her a right to get so mad does it? I’m not insane…at least I don’t think I am. But maybe she’s right. Maybe I am. Insane and depressed. I thought as I rolled over in my bed and brought my legs up to my chest. My eyes landed where her head would usually be. I felt a wave of extreme hopelessness rush over me as I thought of her. I really did love her. But maybe she just can’t make herself love me. Maybe the insane aren’t meant to be loved. We’re all destined to a life of loneliness and tears. All those who try to help us don’t really care. They all just come and go like birds in the change of seasons. The world never stops changing, never stops moving. Neither do we, but we never go up, we only fall deeper and deeper until we’ve lost it completely. That’s when we start sitting in a rocking chair all day mumbling nonsense to ourselves. By then no one cares anymore; we all just become lost causes. There is no hope anymore. Not for us.
It felt like someone had ripped my heart right out of my chest. That was how bad it felt to know she didn’t want to be with me. I would rather her have died knowing that she loved me than have her living knowing she doesn’t give a ****.  This way she was dead to me, but only me; just like my sister was dead to everyone but me. She told me to come find her when I found my mind, but how do I find it if I’ve never lost it? I just can not believe I’m insane. Surely she would come back to me if I could just talk to her. She had always loved me no matter how crazy I got. What made now different? I had to make it up to her. I would find her in the morning and hold her tight for the rest of the day. We didn’t have to get married if she didn’t want to. If she was just looking for an excuse not to marry me, why didn’t she just tell me that she wasn’t ready yet? That would’ve been easier for me to take than this. Anything would be.
The beast that had my heart in their hands rolled it around, feeling the warmth and stickiness of blood on their hands. They held still for a moment and then squeezed it until it burst, gushing blood between their fingers. I screamed into my pillow and then succumbed to the unavoidable sobs.
Chapter 5
Sleep never came to me that night. I just lay there; thinking about her, imagining her, missing her. She was all I thought about. She was the only thing I thought about as I slipped some clean clothes on and headed out of the apartment that smelled like mildew.
The streets were too crowded for me to take my car and after ten minutes of waiting for a cab, I decided to walk. Besides, I didn’t even really know where I was going yet. I tried to think of where she would go if she felt like she needed to get away. Then it hit me, Oakland Cemetery. She would probably be visiting Sarah’s grave. I flagged down a taxi and went to find her.
Upon stepping inside the cemetery I became aware of the ancient graves. In a way it was a beautiful sight. The headstones jutting out of the ground; it just brought me a feeling of peace. A thousand souls rested here, many centuries old. Most people find it somewhat creepy, but it’s fascinating to me. There’s so much history buried beneath this earth, it just astounded me to think of all these people coming to rest all in one place. I could just imagine all the things these people did, all their accomplishments. I walked up hill towards Sarah’s grave. There it was. The graves were more modern here, no headstones stuck out of the ground, they all lay parallel to the bodies beneath them.  And just as I suspected a human figure was kneeling on the ground. It had to be Kasey, I mean how many people go the cemetery this early on a day when the sun shines bright and a light breeze tussles your hair? No one. No one would want to come here this morning.
I quietly crept towards the figure, whispering Kasey’s name. There was no response from the figure so I drew nearer and nearer.  With every step I took I noticed that something wasn’t right. Their backside was bare, and so far as I could tell, so was their front. They sat there, no movement at all, trapped in one moment of time. From the back, they looked like Kasey, they had the same hair and lying next to her was the dress that she’d worn last night. “Kasey?” I called out, waiting for an answer. Nothing stirred except for a couple of squirrels off in the distance. I reached out and touched her on the shoulder. I drew my hand back immediately as the awful stench of death filled my nostrils. I stood there stunned as the body fell back into the grass with a thud. It was definitely Kasey. She lay there, on top of Sarah’s grave staring up at me. There were long, deep gashes up her wrists. A knife clutched in her right hand, she had died, staining the earth with her blood. Her bloodshot eyes stared up at me with an eerie emptiness. Her face looked pained; you could almost see her last thoughts on it. Life isn’t worth living anymore, I’ve been betrayed one too many times so I’m just going to end it all right now and stop waiting for someone else to do it for me. My mind and body went completely numb. This wasn’t happening, No, I would wake up and it would all just be a dream. She couldn’t have killed herself, no, not her. She had always loved life. Always loved to go somewhere new, to get out there, try everything, and live life to the fullest. So why would she **** herself? It couldn’t possibly be my fault. I had never done anything to hurt her. I never could have. I had loved her way to much. I couldn’t be the re
Copyright Shannon Ulmer 2008
Et cetera Jun 2014
A solitary tear
trickled down
her waiting cheeks.

A solitary sigh
escaped from within
her restrained lungs.

She fantasized.

A solitary thought
circled tirelessly
her fading peace.

A solitary prayer
escaped from within
her restless heart.

She endured.

A solitary wish
disturbed greatly
her beauty sleep.

A solitary memory
escaped from within
her buried past.

She stayed awake.

~ Moniba.
lonleyflowerx Apr 2017
ethan
it was beautiful outside on the day you were laid to rest
the sun was shinning and the birds were chirping
but inside was nothing but rain in my chest

they said "don't hate the addict hate the drug"
"he's in a better place now, he's  free"
and i couldn't help but look down at my shaking hands and hate the addict- me

it's easy to hate a pill but how do i learn to hate a drug when my drug of choice was always you
escaped your reality through a quick high and and a line
but i only escaped mine, when i was by your side

you're gone you're gone you're gone
and i'm going through withdrawals
i need you
i need my high

maybe someday they will say she's finally free too - when i die
Sal Gelles Oct 2014
MOMMY DEAREST*
sadly,
you killed everyone in your head
including the loving person i knew,
growing up with a best friend
that ended up being my mother,
and the past twelve years i watched
as you died and the heartbreak
you caused all who loved you
and by denying the help they gave you
by denying the help you needed
to accept reality the way *we
have to,
and so as you've killed us all
and isolated yourself to the point
that i'd had to write your eulogy,
for you couldn't accept your life's detachment
from everyone, ties you severed yourself,
and that me being the only one left
left me with no choice
but to bury you six feet deeper
than the demons i created on my own
because I can't take care of yours too
in the fifth circle of hell
after I've escaped purgatory senses
and discovered my freedom's as a man.
I hope they can forgive you and you can get your wings.
I'll cry harder this year watching It's A Wonderful Life alone when that bell rings.
spysgrandson Sep 2014
balking, then walking into the suburban night,
I have escaped the TV, the PC, the clutter of memories
and the last two hanging, breasty incandescent bulbs in the galaxy,  
soon to have their filaments burn out amid the indifference
of florescent pigtails and their infinite, incessant hum
I have escaped into this night      

marching on, marching on
the sullied, sacred sidewalk squares
past the dentist’s house, past the woman whose husband was murdered
by his best friend over a case of beer, and had her eternal fifteen minutes on Dr. Phil
past the retired educator, past the woman who…hell I don’t know what she does--she drives a gold Avalon
and never retrieves her Sunday paper before noon  

marching on, marching on  
I count cadence, move as if I am headed
to another battle, and I am, but I won’t see my enemy tonight
he is yet on the black horizon, waiting for me, and you    

marching on
when I pass the widow’s house a second time, a third (?) time
I smell her cigarettes and see the orange glow in her garage, like  
a lonely firefly moving to and fro, in the universe she creates for it
before flicking it to her oil stained concrete graveyard, stomping it out
never to let it fly again, though by my next circle she will have birthed a new one  
and given it a foul fickle journey of its own    

marching on
a truck passes me on my final lap  
its fumes mixing with the cool moonlight
I hold my breath, wanting neither lunar light
nor carbon monoxide for my evening repast
  
when I breathe again,
the scent of tacos soothes my olfactory,
I do not know its greasy origin in this dark place  
nor do I care, but I inhale again more deeply
daring the odor to tease me again  
and help me forget what
I escaped to find  
marching on
Anivas Forrester Mar 2018
Time of death:
3:44.
When you told me you don't love me anymore.
Place of death:
The park where we met,
on a lazy Sunday afternoon.
I remember the dreaded words which escaped your lips,
the heat in your words,
the look on your face,
as I took a metaphorical bullet to the chest;
it hurt like Hell.
Cause of death:
You.
When you stabbed me in the heart for the first
and last time.
A fatal blow.
But in the coroner's office,
all the report will ever show is:
time of death:
3:44.
Cause of death:
Trauma to the chest.
When your heart gets broken by someone, it feels like you've been struck in the chest. The air feels like it's been knocked right out your lungs and you feel as though you can't breathe. You feel a mixture of emotions all blurred into one mess. You play the final exchange in your head over and over again, and each time it gets harder and harder. Heartbreak. It feels like you've been stabbed in the back and shot in the chest all at once.
R Saba Jul 2014
i slipped out
into the waves of watercolour
that broke themselves upon the shore
of the horizon
and i disappeared
as they darkened into black

i escaped through the sunset
as words were climbing up my legs
setting fire to my ears
and forcing me to retreat away
from the choking letters and sinking ink
that tattooed all this sound into my skin

at first, the sunset saved me
and the waves that gently hit the dock felt like a heartbeat
telling me that this was how it would always be

but soon, i began to miss the panic
just for the simple fact that it was a feeling
and the sunset had stolen them all from me
leaving me bare, black and stretched high above
unable to land on the ground again
unable to even blink stars down onto the grass
unable to do anything
other than wait for the sun to rise again

but solstice has already passed
and the dark hours grow longer again
and i am pulled thin, veiling a world
that accepts me as the night
and doesn't even miss the stars
Paddy Martin Oct 2010
And so the girl child sat
knitting melodies beside
the great river of words.
Soon her songs were heard,
beyond the Lake of Lyrics
and the vast Sea of Verse.

The evening tide carried them
across oceans to foreign shores.
Field workers sang her songs
to children in their hovels.
They escaped the lips of scholars
in the great halls of learning.

The child became a woman,
and still she weaved the magic,
from the words of the river,
for the hearts of all who read them.
As she weaved she told the secret
to a child who knitted beside her.

Emerging from the womb of time
I heard her whisper to my heart.
I felt the great river in my being,
and I began to knit a melody.
I heard my soul sing with joy,
I am the child of an ancient poet.

© 30/12/2009
TG Apr 2017
Ten thousand leaves fell
with a single wisp of air
that escaped from your lips
as you smile;

that is how rapturously I fell in love
with you.
Bouazizi’s heavy eyelids parted as the Muezzin recited the final call for the first Adhan of the day.

“As-salatu Khayrun Minan-nawm”
Prayer is better than sleep

Rising from the torment of another restless night, Bouazizi wiped the sleep from his droopy eyes as his feet touched the cold stone floor.

Throughout the frigid night, the devilish jinn did their work, eagerly jabbing away at Bouazizi with pointed sticks, tormenting his troubled conscience with the worry of his nagging indebtedness. All night the face of the man Bouazizi owed money to haunted him. Bouazizi could see the man’s greasy lips and brown teeth jawing away, inches from his face. He imagined chubby caffeine stained fingers reaching toward him to grab some dinars from Bouazizi’s money box.

Bouazizi turned all night like he was sleeping on a board of spikes. His prayers for a restful night again went unanswered. The pall of a blue fatigue would shadow Bouazizi for most of the day.

Bouazizi’s weariness was compounded by a gnawing hunger. By force of habit, he grudgingly opened the food cupboard with the foreknowledge that it was almost bare. Bouazizi’s premonition proved correct as he surveyed a meager handful of chickpeas, some eggs and a few sparse loaves. It was just enough to feed his dependant family; younger brothers and sisters, cousins and a terminally disabled uncle. That left nothing for Bouazizi but a quick jab to his empty gut. He would start this day without breakfast.

Bouazizi made a living as a street vendor. He hustles to survive. Bouazizi’s father died in a construction accident in Libya when he was three. Since the age of 10, Bouazizi had pushed a cart through the streets of Sidi Bouzid; selling fruit at the public market just a few blocks from the home that he has lived in for almost his entire life.

At 27 years of age, Bouazizi has wrestled the beast of deprivation since his birth. To date, he has bravely fought it to a standstill; but day after day the multi-headed hydra of life has snapped at him. He has squarely met the eyes of the beast with fortitude and resolve; but the sharp fangs of a hardscrabble life has sunken deep into Bouazizi’s spleen. The unjust rules of society are powerful claws that slash away at his flesh, bleeding him dry: while the spiked tendrils of poverty wrap Bouazizi’s neck, seeking to strangle him.

Bouazizi is a workingman hero; a skilled warrior in the fight for daily bread. He is accustomed to living a life of scarcity. His daily deliverance is the grace of another day of labor and the blessed wages of subsistence.

Though Allah has blessed this man with fortitude the acuteness of terminal want and the constant struggle to survive has its limits for any man; even for strong champions like Bouazizi.

This morning as Bouazizi washed he peered into a mirror, closely examining new wrinkles on his stubble strewn face. He fingered his deep black curls dashed with growing streaks of gray. He studied them through the gaze of heavy bloodshot eyes. He looked upward as if to implore Allah to salve the bruises of daily life.

Bouazizi braced himself with the splash of a cold water slap to his face. He wiped his cheeks clean with the tail of his shirt. He dipped his toothbrush into a box of baking powder and scoured an aching back molar in need of a root canal. Bouazizi should see a dentist but it is a luxury he cannot afford so he packed an aspirin on top of the infected tooth. The dissolving aspirin invaded his mouth coating his tongue with a bitter effervescence.

Bouazizi liked the taste and was grateful for the expectation of a dulled pain. He smiled into the mirror to check his chipped front tooth while pinching a cigarette **** from an ashtray. The roach had one hit left in it. He lit it with a long hard drag that consumed a good part of the filter. Bouazizi’s first smoke of the day was more filter then tobacco but it shocked his lungs into the coughing flow of another day.

Bouazizi put on his jacket, slipped into his knockoff NB sneakers and reached for a green apple on a nearby table. He took a big bite and began to chew away the pain of his toothache.

Bouazizi stepped into the street to catch the sun rising over the rooftops. He believed that seeing the sunrise was a good omen that augured well for that day’s business. A sunbeam braking over a far distant wall bathed Bouazizi in a golden light and illumined the alley where he parked his cart holding his remaining stock of week old apples. He lifted the handles and backed his cart out into the street being extra mindful of the cracks in the cobblestone road. Bouazizi sprained his ankle a week ago and it was still tender. Bouazizi had to be careful not to aggravate it with a careless step. Having successfully navigated his cart into the road, Bouazizi made a skillful U Turn and headed up the street limping toward the market.

A winter chill gripped Bouazizi prompting him to zip his jacket up to his neck. The zipper pinched his Adam’s Apple and a few droplets of blood stained his green corduroy jacket. Though it was cold, Bouazizi sensed that spring would arrive early this year triggering a replay of a recurring daydream. Bouazizi imagined himself behind the wheel of a new van on his way to the market. Fresh air and sunshine pouring through the open windows with the cargo space overflowing with fresh vegetables and fruits.

It was a lifelong ambition of Bouazizi to own a van. He dreamed of buying a six cylinder Dodge Caravan. It would be painted red and he would call it The Red Flame. The Red Flame would be fast and powerful and sport chrome spinners. The Red Flame would be filled with music from a Blaupunkt sound system with kick *** speakers. Power windows, air conditioning, leather seats, a moonroof and plenty of space in the back for his produce would complete Bouazizi’s ride.

The Red Flame would be the vehicle Bouazizi required to expand his business beyond the market square. Bouazizi would sell his produce out of the back of the van, moving from neighborhood to neighborhood. No longer would he have to wait for customers to come to his stand in the market. Bouazizi would go to his customers. Bouazizi and the Red Flame would be known in all the neighborhoods throughout the district. Bouazizi shook his head and smiled thinking about all the girls who would like to take rides in the Red Flame. Bouazizi and his Red Flame would be a sight to be noticed and a force to be reckoned with.

“EEEEEYOWWW” a Mercedes horn angrily honked; jarring Bouazizi from the reverie of his daydream. A guy whipping around the corner like a silver streak stuck his head out the window blasting with music yelling, “Hey Mnayek, watch where you push that *******.”

The music faded as the Mercedes roared away. “Barra nikk okhtek” Bouazizi yelled, raising his ******* in the direction of the vanished car. “The big guys in the fancy cars think the road belongs to them”, Bouazizi mumbled to himself.

The insult ****** Bouazizi off, but he was accustomed to them and as he limped along pushing his cart he distracted himself with the amusement of the ascending sun chasing the fleeting shadows of the night, sending them scurrying down narrow alleyways.

Bouazizi imaged himself a character from his favorite movie. He was a giant Transformer, chasing the black shadows of evil away from the city into the desert. After battling evil and conquering the bad guys, he would transform himself back into the regular Bouazizi; selling his produce to the people as he patrolled the highways of Tunisia in the Red Flame, the music blasting out the windows, the chrome spinners flashing in the sunlight. Bouazizi would remain vigilant, always ready to transform the Red Flame to fight the evil doers.

The bumps and potholes in the road jostled Bouazizi’s load of apples. A few fell out of the wooden baskets and were rolling around in the open spaces of the cart. Bouazizi didn’t want to risk bruising them. Damaged merchandise can’t be sold so he was careful to secure his goods and arrange his cart to appeal to women customers. He made sure to display his prized electronic scale in the corner of the cart for all to see.

Bouazizi had a reputation as a fair and generous dealer who always gave good value to his customers. Bouazizi was also known for his kindness. He would give apples to hungry children and families who could not pay. Bouazizi knew the pain of hunger and it brought him great satisfaction to be able to alleviate it in others.

As a man who valued fairness, Bouazizi was particularly proud of his electronic scale. Bouazizi was certain the new measuring device assured all customers that Bouazizi sold just and correct portions. The electronic scale was Bouazizi’s shining lamp. He trusted it. He hung it from the corner post of his cart like it was the beacon of a lighthouse guiding shoppers through the treachery of an unscrupulous market. It would attract all customers who valued fairness to the safe harbor of Bouazizi’s cart.

The electronic scale is Bouazizi’s assurance to his customers that the weights and measures of electronic calculation layed beyond any cloud of doubt. It is a fair, impartial and objective arbiter for any dispute.

Bouazizi believed that the fairness of his scale would distinguish his stand from other produce vendors. Though its purchase put Bouazizi into deep debt, the scale was a source of pride for Bouazizi who believed that it would help his profits to increase and help him to achieve his goal of buying the Red Flame.

As Bouazizi pushed his cart toward the market, he mulled his plan over in his mind for the millionth time. He wasn't great in math but he was able to calculate his financial situation with a degree of precision. His estimations triggered worries that his growing debt to money lenders may be difficult to payoff.

Indebtedness pressed down on Bouazizi’s chest like a mounting pile of stones. It was the source of an ever present fear coercing Bouazizi to live in a constant state of anxiety. His business needed to grow for Bouazizi to get a measure of relief and ultimately prosper from all his hard work. Bouazizi was driven by urgency.

The morning roil of the street was coming alive. Bouazizi quickened his step to secure a good location for his cart at the market. Car horns, the spewing diesel from clunking trucks, the flatulent roar of accelerating buses mixed with the laughs and shrieks of children heading to school composed the rising crescendo of the city square.

As he pushed through the market, Bouazizi inhaled the aromatic eddies of roasting coffee floating on the air. It was a pleasantry Bouazizi looked forward to each morning. The delicious wafts of coffee mingling with the crisp aroma of baking bread instigated a growl from Bouazizi’s empty stomach. He needed to get something to eat. After he got money from his first sale he would by a coffee and some fried dough.

Activity in the market was vigorous, punctuated by the usual arguments of petty territorial disputes between vendors. The disagreements were always amicably resolved, burned away in rising billows of roasting meats and vegetables, the exchange of cigarettes and the plumes of tobacco smoke rising as emanations of peace.

Bouazizi skillfully maneuvered his cart through the market commotion. He slid into his usual space between Aaban and Aameen. His good friend Aaban sold candles, incense, oils and sometimes his wife would make cakes to sell. Aameen was the markets most notorious jokester. He sold hardware and just about anything else he could get his hands on.

Aaban was already burning a few sticks of jasmine incense. It helped to attract customers. The aroma defined the immediate space with the pleasant bouquet of a spring garden. Bouazizi liked the smell and appreciated the increased traffic it brought to his apple cart.

“Hey Basboosa#, do you have any cigarettes?“, Aameen asked as he pulled out a lighter. Bouazizi shook the tip of a Kent from an almost empty pack. Aameen grabbed the cigarette with his lips.

“That's three cartons of Kents you owe me, you cheap *******.” Bouazizi answered half jokingly. Aameen mumbled a laugh through a grin tightly gripping the **** as he exhaled smoke from his nose like a fire breathing dragon. Bouazizi also took out a cigarette for himself.

“Aameem, give me a light”, Bouazizi asked.

Aameen tossed him the lighter.

“Keep it Basboosa. I got others.” Aameen smiled as he showed off a newly opened box of disposable lighters to sell on his stand.

“Made in China, Basboosa. They make everything cheap and colorful. I can make some money with these.”

Bouazizi lit his next to last cigarette. He inhaled deeply. The smoke chased away the cool air in Bouazizi’s lungs with a shot of a hot nicotine rush.

“Merci Aameen” Bouazizi answered. He put the lighter into the almost empty cigarette pack and put it into his hip pocket. The lighter would protect his last cigarette from being crushed.

The laughter and shouts of the bazaar, the harangue of radio voices shouting anxious verses of Imam’s exhorting the masses to submit and the piecing ramble of nondescript AM music flinging piercing unintelligible static surrounded Bouazizi and his cart as he waited for his first customers of the day.

Bouazizi sensed a nervous commotion rise along the line of vendors. A crowd of tourists and locals milling about parted as if to avoid a slithering asp making its way through their midst. The hoots of vendors and the cackle of the crowd made its way to Bouazizi’s knowing ear. He knew what was coming. It was nothing more then another shakedown by city officials acting as bagmen for petty municipal bureaucrats. They claim to be checking vendor licences but they’re just making the rounds collecting protection money from the vendors. Pocketing bribes and payoffs is the municipal authorities idea of good government. They are skilled at using the power of their office to extort tribute from the working poor.

Bouazizi made the mistake of making eye contact with Madame Hamdi. As the municipal authority in charge of vendors and taxis Madame Hamdi held sway over the lives of the street vendors. She relished the power she had over the men who make a meager living selling goods in the square; and this morning she was moving through the market like a bloodhound hot on the trail of an escaped convict. Two burly henchmen lead the way before her. Bouazizi knew Madame Hamdi’s hounds were coming for him.

Bouazizi knew he was ******. Having just made a payment to his money lender, Bouazizi had no extra dinars to grease the palm of Madame Hamdi. He grabbed the handle bars of his cart to make an escape; but Madame Hamdi cut him off and got right into into Bouazizi’s face.

“Ah little Basboosa where are you going? she asked with the tone of playful contempt.

“I suppose you still have no license to sell, ah Basboosa?” Madame Hamdi questioned with the air of a soulless inquisitor.

“You know Madame Hamdi, cart vendors do not need a license.” Bouazizi feebly protested, not daring to look into her eyes.

“Basboosa, you know we can overlook your violations with a small fine for your laxity” a dismissive Madame Hamdi offered.

Bouazizi’s sense of guilt would not permit him to lift his eyes. His head remained bowed. Bouazizi stood convicted of being one of the impoverished.

“I have no spare dinars to offer Madame Hamdi, My pockets are empty, full of holes. My money falls into everyone’s palm but my own. I’m sorry Madame Hamdi. I’ll take my cart home”. He lifted the handlebars in an attempt to escape. One of Madame Hamdi’s henchmen stepped in front of his cart while the other pushed Bouazizi away from it.

“Either you pay me a vendor tax for a license or I will confiscate your goods Basboosa”, Madame Hamdi warned as she lifted Bouazizi’s scale off its hook.

“This will be the first to go”, she said grinning as she examined the scale. “We’ll just keep this.”
Like a mother lion protecting a defenseless cub from the snapping jaws of a pack of ravenous hyenas, Bouazizi lunged to retrieve his prized scale from the clutches of Madame Hamdi. Reaching for it, he touched the scale with his fingertips just as Madame Hamdi delivered a vicious slap to Bouazizi’s cheek. It halted him like a thunderbolt from Zeus.

A henchman overturned Bouazizi’s cart, scatter
Three years ago today Muhammad Bouazizi set himself on fire igniting the Jasmine Revolution in Tunisia sparking the Arab Spring Uprisings of 2011.
Demonized Angels Dec 2014
Their skin is translucent
Veins crawl across their skin like vines
Their builds slim but rippling with muscles
They approach

Their eyes glow red
Color of blood from a beating heart
Pumping pumping pumping
They glow brighter as they spot their prey

Greasy black wings on their backs
Reflections of screaming faces seem to show
Faces of agony and fear
Right before they feed

Angels sent to earth because heaven didn't want them their
The devil takes them in gives them power
Because he was god's favorite and he was an angel once too

Their sent to punish those
Who escaped death and punishment
To get those who deserve it most
People like you
By Sam
A Visceral Collection Of Thoughts: Genevieve of the Deep

24/2/15
10:52

"What if we could be like this forever?"
She asked, right before daylight broke through the window.
Her gaze fixated up on his lips
As they were draped in dawn.
He tried his hardest to answer her
Sincerely
In between yawns
"What if we were willing?" Came out from his mouth
As she anxiously read each word.
"We can't control the winds of time, no more than we can control the depths of the mind.
Just slow down so I can be with you.
The more time we spend the less we save."

She sat up, letting the sheets fall to her navel,
Tears welling up,
Her heart racing with every gulp.
She looked at him
With a glance of which to read he was unable.
"I wonder if you'll miss me as I already miss you."



20/2/15
9:59


On a train
Racing through the night
She feels as if her life is being  
Led in black and white
Monochrome
Distractions
From colourful
Would- bes
Could- bes
Maybes
And disillusions.
Glancing down at her lap
Upon it, the note from him
This is a plunge she's not ready to take
But his is a heart she's not ready to break.

On a train racing through the night
She's distraught
Between a decision concerning wrong and right
Which path to take
Whose heart to break
A union so encouraged
Yet, such a risk to take.
What would she become
If she were to take on his name?
Would her loss be soothed by potential gains?

On a train racing through
The night
Her mind wonders off to the shore outside
Her heart floats along the coast
Ready to set out with the tide

12:12

He longed for her
For reasons he knew not.
He longed for her
For reasons she knew not,
Yet he made her the most
Distraught
She had been in her whole life.
Time escaped her
As he called on her.
Her choices seemed to have been made for her.
Her family's blessing
Her hand to be given away
All for the sake of a name.

He longed for her
For reasons he knew not.
She longed for another
And sure of his feelings she was not.
Was this to be what her life was to become?
Was she to settle with someone else who wasn't the one?


25/2/15
20:00

A single rose
Awaits her
In a vase by the vanity.
She sits,
Staring into the mirror.
Three days prior
To a life changing ceremony
Built upon disparity.

A single rose
Awaits her
In a vase by the vanity.
Her thoughts flood with memories of them.
One she loved for sure
In spite of his heart being unsure
And the one who longed for her
Yet she didn't love him
And of this she was sure.

A single rose
Awaits her
In a vase by the vanity
Dripping in money, name, and social standing.
A rose from a good family,
However many thorns.
A thorn for each month of courtship,
Only 3 at that.
A whirl wind affair,
Her own private hell, dressed up as a grandiose affair.
A realisation that all families have thorns.
However, she was determined to pick and choose.
Thorns can be worth the pain if you let go of that which you hope to lose.
She knew this rose was solely meant to wilt before her eyes and she'd only have thorns.

A single rose
Awaits her in a vase by the vanity.
To her left,
From the balcony,
The ocean calls her name softly.

A single rose
Awaits her in a vase by the vanity.
Suddenly,
She gives into a rush of insanity.


13/3/15
10:11

She ran
Fleeing down the stairs
One after another.
She ran
As if all of her troubles
Were to vanish under the soles of her feet.
Knowing not where she was going
She descended down the spiral staircase.
No time for shoes,
No time for make up
No time for her hair.
She ran
Right out the door
Tired of wondering if there could be more.
She ran and ran
Until she reached the shore,
She could no longer deny the beckoning of the waves anymore.


18/2/15
12:13

Submerged,
Submerged,
Submerged.
She pulled up her dress and walked in
This wouldn't be the last of her
This wouldn't be how it ends
But somehow this wouldn't be the start of anything either
Bubbles of air escaped as she descended deeper and deeper
Visions of the past escaped
And she plunged further and further
Soon the world around her fell to hues black and of gray
As she let the world around her slip away

Submerged,
Submerged,
Submerged.
That's all she had ever been for an age.
Galaxies sprung to life and died around her.
All while Her white dress shimmered akin to the tears of those who knew her
And yet she was still submerged.
She watched as time went by
Forlonging the hand that Life held out to her
Disregarding the embrace Death longed to bestow upon her.
Frozen by her fear
Yet illuminated by her passion.
It was never the right time for her

11:10

"Waste away with me"
She awoke
At the bottom of the sea.
"Waste away with me"
Finally grasping the time she had eluded for an eternity.
She wondered how could anything have remained the same
For those above her on the shore,
For those who hadn't made such brash decisions
Leaving all they knew behind
In order to buy an ungodly amount of time.

"Waste away with me"
She was still submerged
In the arms of Davy Jones.
"Waste away with me"
Could she ever really return home?
Back to the love from which she fled,
Back to the dawn drenched sheets, the one mourning in bed, asking her honest love, one true,
If he were willing to spend a lifetime, no longer as one, but as two.

"Waste away with me"
The voice called to her again.
She rose to her feet,
Looking to the water above her.
Her eyes had never shown as bright
As they did in these depths, this night.
Pulling on her white dress at the sides
She ascended up and out to the tides.
The waves washed away beneath her bare feet in the night.
She breathed in the ocean air
High above the sea
Glancing upon the forgone lights of her city
Balling her hands into fists
As she took in the night air
Howling around her.
"Waste away with me"
The voice called out to her again
As she flew towards the shore.  


25/2/15
12:24

Soaring
Above the town
As the waves beckoned to her
Searching in the night
For the love that had escaped her.
Where would there be any trace?
How much time had passed?
Where had the years gone?

Soaring above the town
As the waves beckoned to her.
She flew as if it were something she easily knew how to do.
Her shimmering white dress fluttered
In the wind.
Her haunting, howling mane swirled around her head.
Her eyes, now blue as the seas, pierced brightly through the night,
Yet she was still unable to find,
The man
That she loved for all this time.

Soaring above the town
As the waves beckoned to her
She caught glimpse of a cemetery
And began her descent down.
A story comprised of poems I wrote in under five minutes or less.
V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the
Cyprian, who stirs up sweet passion in the gods and subdues the
tribes of mortal men and birds that fly in air and all the many
creatures that the dry land rears, and all the sea: all these
love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor
yet ensnare.  First is the daughter of Zeus who holds the aegis,
bright-eyed Athene; for she has no pleasure in the deeds of
golden Aphrodite, but delights in wars and in the work of Ares,
in strifes and battles and in preparing famous crafts.  She first
taught earthly craftsmen to make chariots of war and cars
variously wrought with bronze, and she, too, teaches tender
maidens in the house and puts knowledge of goodly arts in each
one's mind.  Nor does laughter-loving Aphrodite ever tame in love
Artemis, the huntress with shafts of gold; for she loves archery
and the slaying of wild beasts in the mountains, the lyre also
and dancing and thrilling cries and shady woods and the cities of
upright men.  Nor yet does the pure maiden Hestia love
Aphrodite's works.  She was the first-born child of wily Cronos
and youngest too (24), by will of Zeus who holds the aegis, -- a
queenly maid whom both Poseidon and Apollo sought to wed.  But
she was wholly unwilling, nay, stubbornly refused; and touching
the head of father Zeus who holds the aegis, she, that fair
goddess, sware a great oath which has in truth been fulfilled,
that she would be a maiden all her days.  So Zeus the Father gave
her an high honour instead of marriage, and she has her place in
the midst of the house and has the richest portion.  In all the
temples of the gods she has a share of honour, and among all
mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the
hearts.  But of all others there is nothing among the blessed
gods or among mortal men that has escaped Aphrodite.  Even the
heart of Zeus, who delights in thunder, is led astray by her;
though he is greatest of all and has the lot of highest majesty,
she beguiles even his wise heart whensoever she pleases, and
mates him with mortal women, unknown to Hera, his sister and his
wife, the grandest far in beauty among the deathless goddesses --
most glorious is she whom wily Cronos with her mother Rhea did
beget: and Zeus, whose wisdom is everlasting, made her his chaste
and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to
be joined in love with a mortal man, to the end that, very soon,
not even she should be innocent of a mortal's love; lest
laughter-loving Aphrodite should one day softly smile and say
mockingly among all the gods that she had joined the gods in love
with mortal women who bare sons of death to the deathless gods,
and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises
who was tending cattle at that time among the steep hills of
many-fountained Ida, and in shape was like the immortal gods.
Therefore, when laughter-loving Aphrodite saw him, she loved him,
and terribly desire seized her in her heart.  She went to Cyprus,
to Paphos, where her precinct is and fragrant altar, and passed
into her sweet-smelling temple.  There she went in and put to the
glittering doors, and there the Graces bathed her with heavenly
oil such as blooms upon the bodies of the eternal gods -- oil
divinely sweet, which she had by her, filled with fragrance.  And
laughter-loving Aphrodite put on all her rich clothes, and when
she had decked herself with gold, she left sweet-smelling Cyprus
and went in haste towards Troy, swiftly travelling high up among
the clouds.  So she came to many-fountained Ida, the mother of
wild creatures and went straight to the homestead across the
mountains.  After her came grey wolves, fawning on her, and grim-
eyed lions, and bears, and fleet leopards, ravenous for deer: and
she was glad in heart to see them, and put desire in their
*******, so that they all mated, two together, about the shadowy
coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters,
and him she found left quite alone in the homestead -- the hero
Anchises who was comely as the gods.  All the others were
following the herds over the grassy pastures, and he, left quite
alone in the homestead, was roaming hither and thither and
playing thrillingly upon the lyre.  And Aphrodite, the daughter
of Zeus stood before him, being like a pure maiden in height and
mien, that he should not be frightened when he took heed of her
with his eyes.  Now when Anchises saw her, he marked her well and
wondered at her mien and height and shining garments.  For she
was clad in a robe out-shining the brightness of fire, a splendid
robe of gold, enriched with all manner of needlework, which
shimmered like the moon over her tender *******, a marvel to see.

Also she wore twisted brooches and shining earrings in the form
of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her:
'Hail, lady, whoever of the blessed ones you are that are come to
this house, whether Artemis, or Leto, or golden Aphrodite, or
high-born Themis, or bright-eyed Athene.  Or, maybe, you are one
of the Graces come hither, who bear the gods company and are
called immortal, or else one of those who inhabit this lovely
mountain and the springs of rivers and grassy meads.  I will make
you an altar upon a high peak in a far seen place, and will
sacrifice rich offerings to you at all seasons.  And do you feel
kindly towards me and grant that I may become a man very eminent
among the Trojans, and give me strong offspring for the time to
come.  As for my own self, let me live long and happily, seeing
the light of the sun, and come to the threshold of old age, a man
prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered
him: 'Anchises, most glorious of all men born on earth, know that
I am no goddess: why do you liken me to the deathless ones?  Nay,
I am but a mortal, and a woman was the mother that bare me.
Otreus of famous name is my father, if so be you have heard of
him, and he reigns over all Phrygia rich in fortresses.  But I
know your speech well beside my own, for a Trojan nurse brought
me up at home: she took me from my dear mother and reared me
thenceforth when I was a little child.  So comes it, then, that I
well know you tongue also.  And now the Slayer of Argus with the
golden wand has caught me up from the dance of huntress Artemis,
her with the golden arrows.  For there were many of us, nymphs
and marriageable (26) maidens, playing together; and an
innumerable company encircled us: from these the Slayer of Argus
with the golden wand rapt me away.  He carried me over many
fields of mortal men and over much land untilled and unpossessed,
where savage wild-beasts roam through shady coombes, until I
thought never again to touch the life-giving earth with my feet.
And he said that I should be called the wedded wife of Anchises,
and should bear you goodly children.  But when he had told and
advised me, he, the strong Slayer of Argos, went back to the
families of the deathless gods, while I am now come to you: for
unbending necessity is upon me.  But I beseech you by Zeus and by
your noble parents -- for no base folk could get such a son as
you -- take me now, stainless and unproved in love, and show me
to your father and careful mother and to your brothers sprung
from the same stock.  I shall be no ill-liking daughter for them,
but a likely.  Moreover, send a messenger quickly to the swift-
horsed Phrygians, to tell my father and my sorrowing mother; and
they will send you gold in plenty and woven stuffs, many splendid
gifts; take these as bride-piece.  So do, and then prepare the
sweet marriage that is honourable in the eyes of men and
deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet
desire in his heart.  And Anchises was seized with love, so that
he opened his mouth and said:

(ll. 145-154) 'If you are a mortal and a woman was the mother who
bare you, and Otreus of famous name is your father as you say,
and if you are come here by the will of Hermes the immortal
Guide, and are to be called my wife always, then neither god nor
mortal man shall here restrain me till I have lain with you in
love right now; no, not even if far-shooting Apollo himself
should launch grievous shafts from his silver bow.  Willingly
would I go down into the house of Hades, O lady, beautiful as the
goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand.  And
laughter-loving Aphrodite, with face turned away and lovely eyes
downcast, crept to the well-spread couch which was already laid
with soft coverings for the hero; and upon it lay skins of bears
and deep-roaring lions which he himself had slain in the high
mountains.  And when they had gone up upon the well-fitted bed,
first Anchises took off her bright jewelry of pins and twisted
brooches and earrings and necklaces, and loosed her girdle and
stripped off her bright garments and laid them down upon a
silver-studded seat.  Then by the will of the gods and destiny he
lay with her, a mortal man with an immortal goddess, not clearly
knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen
and hardy sheep back to the fold from the flowery pastures, even
then Aphrodite poured soft sleep upon Anchises, but herself put
on her rich raiment.  And when the bright goddess had fully
clothed herself, she stood by the couch, and her head reached to
the well-hewn roof-tree; from her cheeks shone unearthly beauty
such as belongs to rich-crowned Cytherea.  Then she aroused him
from sleep and opened her mouth and said:

(ll. 177-179) 'Up, son of Dardanus! -- why sleep you so heavily?
-- and consider whether I look as I did when first you saw me
with your eyes.'

(ll. 180-184) So she spake.  And he awoke in a moment and obeyed
her.  But when he saw the neck and lovely eyes of Aphrodite, he
was afraid and turned his eyes aside another way, hiding his
comely face with his cloak.  Then he uttered winged words and
entreated her:

(ll. 185-190) 'So soon as ever I saw you with my eyes, goddess, I
knew that you were divine; but you did not tell me truly.  Yet by
Zeus who holds the aegis I beseech you, leave me not to lead a
palsied life among men, but have pity on me; for he who lies with
a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him:
'Anchises, most glorious of mortal men, take courage and be not
too fearful in your heart.  You need fear no harm from me nor
from the other blessed ones, for you are dear to the gods: and
you shall have a dear son who shall reign among the Trojans, and
children's children after him, springing up continually.  His
name shall be Aeneas (27), because I felt awful grief in that I
laid me in the bed of mortal man: yet are those of your race
always the most like to gods of all mortal men in beauty and in
stature (28).

(ll. 202-217) 'Verily wise Zeus carried off golden-haired
Ganymedes because of his beauty, to be amongst the Deathless Ones
and pour drink for the gods in the house of Zeus -- a wonder to
see -- honoured by all the immortals as he draws the red nectar
from the golden bowl.  But grief that could not be soothed filled
the heart of Tros; for he knew not whither the heaven-sent
whirlwind had caught up his dear son, so that he mourned him
always, unceasingly, until Zeus pitied him and gave him high-
stepping horses such as carry the immortals as recompense for his
son.  These he gave him as a gift.  And at the command of Zeus,
the Guide, the slayer of Argus, told him all, and how his son
would be deathless and unageing, even as the gods.  So when Tros
heard these tidings from Zeus, he no longer kept mourning but
rejoiced in his heart and rode joyfully with his storm-footed
horses.

(ll. 218-238) 'So also golden-throned Eos rapt away Tithonus who
was of your race and like the deathless gods.  And she went to
ask the dark-clouded Son of Cronos that he should be deathless
and live eternally; and Zeus bowed his head to her prayer and
fulfilled her desire.  Too simply was queenly Eos: she thought
not in her heart to ask youth for him and to strip him of the
slough of deadly age.  So while he enjoyed the sweet flower of
life he lived rapturously with golden-throned Eos, the early-
born, by the streams of Ocean, at the ends of the earth; but when
the first grey hairs began to ripple from his comely head and
noble chin, queenly Eos kept away from his bed, though she
cherished him in her house and nourished him with food and
ambrosia and gave him rich clothing.  But when loathsome old age
pressed full upon him, and he could not move nor lift his limbs,
this seemed to her in her heart the best counsel: she laid him in
a room and put to the shining doors.  There he babbles endlessly,
and no more has strength at all, such as once he had in his
supple limbs.

(ll. 239-246) 'I would not have you be deathless among the
deathless gods and live continually after such sort.  Yet if you
could live on such as now you are in look and in form, and be
called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you --
ruthless age which stands someday at the side of every man,
deadly, wearying, dreaded even by the gods.

(ll. 247-290) 'And now because of you I shall have great shame
among the deathless gods henceforth, continually.  For until now
they feared my jibes and the wiles by which, or soon or late, I
mated all the immortals with mortal women, making them all
subject to my will.  But now my mouth shall no more have this
power among the gods; for very great has been my madness, my
miserable and dreadful madness, and I went astray out of my mind
who have gotten a child beneath my girdle, mating with a mortal
man.  As for the child, as soon as he sees the light of the sun,
the deep-breasted mountain Nymphs who inhabit this great and holy
mountain shall bring him up.  They rank neither with mortals nor
with immortals: long indeed do they live, eating heavenly food
and treading the lovely dance among the immortals, and with them
the Sileni and the sharp-eyed Slayer of Argus mate in the depths
of pleasant caves; but at their birth pines or high-topped oaks
spring up with them upon the fruitful earth, beautiful,
flourishing trees, towering high upon the lofty mountains (and
men call them holy places of the immortals, and never mortal lops
them with the axe); but when the fate of death is near at hand,
first those lovely trees wither where they stand, and the bark
shrivels away about them, and the twigs fall down, and at last
the life of the Nymph and of the tree leave the light of the sun
together.  These Nymphs shall keep my son with them and rear him,
and as soon as he is come to lovely boyhood, the goddesses will
bring him here to you and show you your child.  But, that I may
tell you all that I have in mind, I will come here again towards
the fifth year and bring you my son.  So soon as ever you have
seen him -- a scion to delight the eyes -- you will rejoice in
beholding him; for he shall be most godlike: then bring him at
once to windy Ilion.  And if any mortal man ask you who got your
dear son beneath her girdle, remember to tell him as I bid you:
say he is the offspring of one of the flower-like Nymphs who
inhabit this forest-clad hill.  But if you tell all and foolishly
boast that you lay with ric
Yule Jun 2018
The sound of the pouring rain from the roof woke me up.

I got myself a chair in the patio of our house. I sat there comfortably, sitting in silence for a good whole minute.

I closed my eyes, letting the sound of the pouring rain immerse into me. Imagining myself getting soaked, as if I really am in the middle of the pouring rain, drenched, and laughing carefree in the distance.

"Being outside is nice huh?" I heard a pleasant voice behind me. I let my eyes stay closed for a moment, letting the cold wind meet my face to wake me up. I also welcomed his words, nodding at him with acknowledgement. I was then met with a chocolatey steam; he prepared us two cups of hot cocoa.

"Figured you're a bit cold." His voice sounded raspy, sleepiness still evident in his tone. I turn to him as he got himself another chair close to mine. He looks up a bit, seeping the rain onto his porcelain-like skin. He doesn't go out that much to get some sunshine as to why.

I hummed absentmindedly, warming up to his presence. There was a small smile across his lips, his eyes warmer than the hot drinks he have at hand.

I mirrored his smile, getting my cup from him.

"I kinda like the cold feeling but I wouldn't want to waste your effort." A chuckle escaped my lips, and his crescent-like smile appeared before me.

He drank from his cup as I sipped on mine, letting the vibe from around me flood my senses.

I love these little instances he would think of me. Slipping a thought into his tasks, gestures that show that he does take effort in remembering things I love. Like how I prefer hot chocolate over tea in rainy days, and how I love seeing his smile on early mornings. Even as he loathes waking up and moving off the bed so early. Oh how I love this man before me.

And we sat there in silence, side by side, letting the sky pour out its rain. Our cups at hand, the aroma of the cocoa steam over our senses, full to little to none, with the cold wind howling a bit in the distance.

This went on for an hour or so; I still couldn’t wrap around the idea of how much I love these instances. I had always found comfort in him between our silences and exchanges of glances. Just in him in general; he’s my blanket, my safety— the personification of home. My umbrella; my shade to my blazing sunny days and cover to cold rainy days. I looked over his broad figure from the back, I sigh in contentment.

And as if he heard the drizzle in my heart, he gave me a faint smile; a radiance just enough to soften the hues all around us. But just enough that he stands out amongst the drizzling rain over the sunlight peeking through the clouds.

I could see the raindrops wash over the dewiness of his skin, and it looks like it's starting to show signs of stopping. But I just want to stay, stay out here a bit longer.
The rain is still pouring hard outside.| 180609; 9:23 am

//  If I were asked what paradise would look like. This would be it.

{nj.b}
Kodjo Deynoo Aug 2010
I am the brick, that has been named
Along the alley, to the last corner stand
There, right there, I claim my patch
And set myself,  a coozy hut

Wine, beer, cider, whisky, nuts and crisp
Smoky zones, now set out side
My banquet laid, for wandering souls
To find a refuge, rescued here on my patch

Escaped men, from domestic chores
Escaped men, from troubled minds
Escaped men, of destitute hungers

Escaped men, to find their buoys voice
All scream out, loud at transmitting box
22 men, seen on playground pitch
Right here on my patch, they watched and roared

Juke box plays, gives dancing feet
An eruption of ballads, ...
Fuelled by a happy lico ..

On my last bell ring, ding don
Staggered men, fall out off my patch
Till tomorrow, when I open up my doors
I am the brick, that has been named

http://poetrysoundbites.blogspot.com/
The Drinking Pub by Kodjo Deynoo is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Based on a work at www.poetrysoundbites.blogspot.com
Mymai Yuan Sep 2010
I was born a sickly, screeching baby, two months earlier than expected. The doctor and midwife did everything they could to keep my little limbs moving and to keep my tiny heart beating, fluttering like the wings of butterfly.
“Is it a boy?” my mother whispered through her pale lips, as they bathed my naked body in hot water.
“No, ma’am, it’s a girl” The midwife struggled to add on something that would make the wailing creature seem more desirable. “With exquisitely shaped feet, so perfectly miniature”
She let out a croak of conflicting emotions: the joy and pride of a newly-founded motherly love, the fear of presenting a girl as a first-born, the relief that the hours of agony in childbirth were over and the dread of facing her husband once he found out about me.

My mother was not healthy after my birth for a long time; and when I was only one and two months old she fell dangerously ill, and the house whispered footsteps running to her room late at night and muffled voices of different doctors. Mercifully, she survived but was left barren and forever unfertile.
I can not imagine my father’s fury. He believed in having sons to carry on his old last name of thirty-one generations; it was his religion and had I been a son, I would have been worshipped as a god. I can imagine how my mother prayed and thanked her ancestors that her dowry was of a large one.

He could barely tolerate being in the same room as me during my toddler years. Every time he entered a room I was playing in, nurse would sweep me to our garden out side; answering to my startled queries, “Be an obedient daughter, don’t bother your father and don’t ask questions”
My body had been born frail, but my natural spirit was as healthy as could be, full of inquiries, wonders of the world around me and everyday I would learn something new just wandering around the neighborhood observing things, with my nurse trailing with a worried eye behind me muttering, “Girls are not supposed to be exposed to this” she spoke the words as if they were sour, “you should be sitting at home and accompanying your mother.”

Every day at dinner, the two females of the house, me and my mother, were silent while my father ranted on and on. My appetite being very delicate, I often just sat there as still as I possibly could and listened to my father talking about politics, jobs, money. Things he called ‘men business’. I longed to ask questions about these ‘men business’, especially ‘university’ for I had an inquisitive sort-of nature but was refrained with a sharp, piercing look from my mother every time I opened my mouth and sometimes, she pinched me under the table leaving purple splotches which flashed, “Don’t question your father”
Sometimes, he would talk about the future he had decided for me, “You will marry off, sixteen at the latest, to some one rich and beneficial to our family. You will do as I say till I marry you off, and then you will do as your husband tells you.”
“Yes father, for I should repay everything you have done for me” I replied as sweetly as I could.
“Yes, you’re a good daughter. Bear lots of sons for him and your house will be one of happiness.”
I was proud that he had given me a compliment. “Yes father, for it will make you joyful as I always wish to make you so”
My childish heart did not understand why my mother turned her head down while her left eyebrow twitched, and why that night, as she tucked me into bed, I thought I saw a tear roll down her cheek and why as she kissed me that night she whispered, “Do not love me so; love your father. The men in your life are your gods.”

My physical health would constantly limit the desires of my free spirit. I could not to do what others who were as free of spirit as I was could do, and couldn’t socialize with them and the rest of the children in my neighborhood had their siblings to mingle with, causing me to become the pitiful outcast.
I saw children around my age, around seven or eight, climbing trees and wanted to do so as well, but my white feet did not have grip enough to grasp onto the fat branches.
Father caught me once trying to propel myself up a tree and his expression was both of a resigned anger and sadness before he turned him and his face away and back into the house without a word.
That night, mother told me not to climb trees ever again. I noticed a faint bruise on her cheek bone that had been covered with white powder.

When I was eleven or twelve, and was allowed to wander further out into the neighborhood with my nurse I saw the boys fishing in the nearby pond and wanted to do so as well. Starting that day, every week I pocketed the three coins mother gave me until I could buy the best fishing rod in the little store and ran as fast as my skinny, weak legs could carry me to the pond. I mimicked the way the boys flung the fishing rod out over the water but the metal pole was too heavy for my pale, shaking arms. I tried over and over again as my nurse watched, biting her lip in anxiety. I held the fishing rod with trembling sore arms till  I felt a bite; I pumped my small arms to reel it in, but they were so tired and I was far too slow, losing the fish I had spent half the day trying to catch. “Ah, just bad luck, don’t worry! It was a smart fish, I tell you!” nurse exclaimed, though her eyes flashed a look of pity and I knew she knew it wasn’t just bad luck or a smart fish.
In anger, I sold the fishing rod to one of the boys for two-thirds of the price I had bought it for. He was delighted with the bargain and I watched with a lump in my throat as he caught three fish with the tug of his healthy, muscular arm within fifteen minutes. “This is a beautiful rod, and the pond is just filled with fish today, Little Sister!”
Wanting to spend the money jingling inside my pocket, money that to me was just a reminder of a painful memory, I headed off to the collection of little shops close to my house where I was guaranteed distraction. Nurse, sweating and complaining of the heat, followed me.
An ageing man with a bunch of filthy hair working away on a piece of thick, rough paper with wondrous colors inside a shop caught my eye as I peered inside the window. He turned the picture upside down and continued blending in the dark colors of the shape to create a shadow along the curve of it. I entered the shop. “What is that?” I asked of him.
“A face” he replied back absentmindedly.
“Doesn’t look like one to me” I confessed with my honesty.
He looked up at me, “No, it does not to you, and maybe, neither will it at the end. To me, it looks like an angle of a faded face. But slowly, with time, it will become clearer and clearer, yet only to me, and as it does, I will be able to choose more colors to make it yet more beautiful. The outcome of this painting is entirely up to me.”
I felt my challenging self rising up. “But what if you imagined a certain color in your head but couldn’t find it or be able to mix it to your mind’s perfection?”
“Then I would create my own paint color.”
“You know how?”
“No, but if I could not find the paint color already made I would make it myself, and no matter what, would learn how to. So far I have always been able to compromise and mix different colors to please me.”
“You do an awful lot of shadowing light colors with dark colors”
“Why do you think I do so?” he questioned me this time, with bright eyes.
I pondered for a moment to give as good an answer as he had given me and then told him my answer.
He nodded with impress, “Yes, yes, absolutely right. I never thought I’d hear that from a child” and looked at me with his head cocked in curiosity.
“What would you like to buy from here, Little Sister?”
Still deeply interested in our conversation I pulled out the coins I had in my pocket. “How much stuff can I buy with all this money? I’d like those crayons, I’ve tried them once before and they are so creamy and smooth.”
“Oil pastels?” he asked, a little confusedly.
Feeling ashamed of my ignorance, I nodded. The tutor father hired evidently bent to father’s strict rules of what should be taught and what would not be taught. Father disapproved of women painting, and would’ve dismissed nurse had he known that instead of taking me out for a little walk to smell the blooming daffodils, she in fact let me explore the environment around me to the best of my ability even in disgruntle.
The man gave my red-patched cheeks and undeveloped translucent frame a sympathetic look and when he spoke, his voice was gentle. “Little Sister, I’ve a whole basket of oil paints that I’ve used but rarely and so are still in perfect condition. Would you like to carry the whole basket home for all the money you have in your pockets?”
I handed him all my golden coins, “But first I must see if I like it.”
“You won’t be disappointed” he chuckled and walked with an imbalanced limp to the back of the store. I noticed a wooden stump protruding from the bottom of his long, black pants. My heart throbbed achingly; he was ****** limited too. I turned to his painting and smiled from deep inside, a smile I rarely wore.
He came back tugging a huge brown basket filled to the brim with sticks of oil pastels, some longer or thicker than others. He lifted an orange one up and showed the tip of it to me, which was stained with a black mark. “Sometimes when you blend colors this will happen, but it’s easy to rid off. Just softly, and patiently rub it off on a cloth until it disappears.” He demonstrated upon his black pants.
“Thank you. It’s kind of you. But...I can’t carry this home myself. It’s heavy.”
I turned to nurse and smiled my best pleading smile.

The basket was toiled up as nurse undressed me from my shower and father and mother were otherwise occupied. That night, with my precious basket safely under my bed, I cleaned all the multi-colored oil pastels on an old shirt, and as soon as the house was ringing with silence, I locked my door and flicked on the lamp light, and started pressing the smooth colors into the paper to blend and make a picture of kissing colors on a relatively large piece of white paper. A thrill ran from my finger tips and along my arm, and made my palms tingle as I held the colorful sticks in my hand to the paper. I hid it underneath my bed just as a rosy sun was rising.
*
I was sixteen, and I was thought beautiful: for now, at this age, it was considered beautiful to be so pale of skin, so small of feet and hands, graceful to have tiny limbs and charming to have little strength for it was now considered ‘feminine’.
It was three weeks after I had turned sixteen and for dinner, father had brought over an ugly man with a bulging waist and shiny bald head who continually made ****** jokes at the dinner table while he believed I did not understand them. He was infamous for the two wives he had had (before they died from sickness), and how he not only hit them but kept other lovers too. Yet he was desirable for his vast richness. He leered at me obnoxiously, in an attempt to smile.
Father caught him looking at me, “She’s incredibly silent, never says a word of defiance and will be a most dutiful wife.”
“Yes, she is beautiful”
My heart froze and my brain was stimulated to work twice as fast. Him?! Him?! The man who’s wives were killed through an illness called ‘abuse, neglect and disloyalty?!’
I cast my eyelashes down in order to appear a calm, modest young lady while my heart hammered in fury, disgust and a rising hysterical panic. I shot a look at my mother whose left eyebrow was twitching as she stared down at her dinner plate, and I knew she was having the same thoughts as I.
“I would be glad to have you as my son-in-law. You would have no trouble with her, and would be embraced with open arms into our family.”
They continued this path of talk through dinner while he eyeballed me in a way that made me cringe. I felt his foot nudge mine under the table and in haste tucked it under the chair with a little gasp. His eyes glittered at my gasp and I was furious with myself for letting him feel a rotten triumph. Though I had always felt an extremely strong dislike towards him from what I knew of him and sometimes saw of him with an immoral lady, something pushed in the pit of my tummy, and I knew it was pure hatred.
When mother tucked me in she was being strange. On closing my door she whispered, “I love you… so I wish you to know… don’t ever contradict men”

As I was secretly drawing a picture as I did every night till dawn, I heard my father’s voice roar in the dead of the night. In a sudden, I shoved my portrait under the bed and threw all my oil pastels into the basket, hid it, and switched the light off. I heard his voice roar again, accompanied by a thud. I was wild with fear as I crept to my door and pressed my ear against it, barely even shocked at my own daringness as my instinct, love, took over- my instinct of must knowing what was happening to my mother.
“How dare you say I’m wrong!?” there was another thud, and this time I heard a soft whimper. “She is worthless to me, not a son. And I will marry her off to a rich man who can actually benefit this family.” He roared.
There was a whisper which I strained to hear, “He will **** her”
“From the moment she was born she wasn’t made to live!” he yelled.
A hiss escaped my tongue and I coiled like a serpent, flinching as a thud was heard yet again and an immediate cry of pain escaped from both my lips and my mothers’.
A fire awoke inside me, burning my temples and my whole body and my eyes stung with hot tears; tears that burned my face as they splashed down. My whole body was shaking and my tightly squeezed eyes were going through spasms. I was no longer wild with fear, but with anger.
I turned my light back on and tugged my basket of oil pastels out. I yanked my portrait off from a thick of pile of different pictures I had drawn.
My breath was coming in quick short breaths as I finished my portrait to the utmost perfection, using every oil pastel in the basket. Every time I heard a thud, I colored with more fiery… shadowing my jaw line with the fat black oil pastel, in the crook of my ear, the corner of my mouth… where the light shone upon my fore head, how it reflected in the color of my eye and glowed on my cheeks.
When I was finished, the house was deadly quiet again and dawn was breaking. I looked down upon it and realized something that changed my life.
In frenzy I swatted out all the things I had ever drawn and stared at them in an awakening.
The colors on them were the events of my life, the things that characterized it, the decisions. They were beautiful for they had been chosen and controlled by me … I had chosen the colors I wanted and thought best for my pictures; and spent thought over how to blend different colors to the color I wanted.
And everyday, as I worked into the drawings with time, they became clearer and clearer on what was the right thing to do, and how it should possibly look like in the next stage.
I leaned over and kissed the thin lips of my portrait that didn’t look exactly like me for not even the most skilled artists have complete control over what they draw.

Then I remembered what I had told the one-legged man in the shop a few years go:
“Lights not only illuminate, they also cast shadows. The contrast makes you able to appreciate the power of both.”
Now it was time to truly let the light illuminate my life, and let the shadows let me appreciate the light that shines upon me; I color my own life, and choose my own colors.

To pull out the colors underneath the darkness of my bed…
And spill it to the world outside.
T Jones Aug 2014
Not a poem but in protest of flagging truth about racism in Traverse City, Michigan


Traverse City, Michigan: Racism is still alive and well in our area.

We weren't always welcoming
Cross burning's (City of Traverse City, MI)
I'm born and raised in Traverse City, Michigan and still living in the same neighborhood where I grew up. I can remember when blacks were not welcome in most parts of town and the one or two around were military visitors.

We had two known cross burning incidents. One back in the late 80's or early 90's the other was around 1924, ******* groups like Ku Klux **** was behind both cross burning incidents. I found old articles on the earlier one but someone is trying hard to white wash history of Traverse City by hiding evidence of the most resent one. Ones like me who were there remember those dark days like it was yesterday. It don't bode well for tourism or the Cherry Festival if there's a record of racism in our city.

Copy pasting one two different retelling of story reported by our sometimes biased Record Eagle articles regarding the first and and will continue to dig for the other one.

January 31, 2009
KKK was active in early '20s

The 1924 bombings and cross burnings in downtown Traverse City were not the first **** activity in northern Michigan.

The Record-Eagle reported flaming crosses in the Mancelona area on Aug. 1, 1923, a full year before. Six weeks later, Traverse City commissioners refused the **** permission to hold a Sept. 17 open-air meeting at the corner of Front and Cass.

About 300 people showed up anyway and marched to a vacant lot west of Front and Union after the unidentified property owner gave permission, carefully noting that it "did not commit him to any relationship with the organization," the newspaper said.

The Record-Eagle also passed on information from an identified **** source in its Sept. 17 report:

Two, maybe three organizers had worked for weeks in Traverse City. About 150 Traverse City men from "among the leading citizens" had joined. An open-air ritual with the traditional fiery cross burning on a hillside would be held "sometime but not yet" in or near Traverse City, and it would be "merely a part of the **** ceremonies and have no special significance."

People who expected to see hooded men in white robes performing rites at the Sept. 17 rally were bound to be disappointed, the paper said. A new state law banned wearing masks in public. It also would be difficult to tell how many in the audience were KKK members because "every person who has signed the Ku Klux card has pledged to keep his membership an absolute secret."


Traverse City, Michigan wasn't always welcoming to people of color.


Traverse City Record-Eagle

February 1, 2009
Ku Klux **** terrorizes TC in 1924

KKK cross burnings, explosions rock city

By LORAINE ANDERSON
Black History Month has special significance, since it begins fewer than two weeks after the nation's historic inauguration of its first black president, Barack Obama.

But there are parts of that history that Traverse City, like the rest of the nation, would rather forget. The city never had a large black population, but it did not escape a visit from the Ku Klux **** during a frightening night of downtown explosions and cross burnings on Aug. 9, 1924.

Traverse City has never seen anything like that night of terror. Buildings shook. Store windows cracked and shattered. Houses as far away as 16th Street quaked, the Record-Eagle reported.

And though outside agitators were blamed, some local people may have been involved.

It started about 8 p.m. after three explosions went off across the river from the Lyric Theatre, where the State is today.

The crowd at the Lyric all but stampeded toward the door as women and children screamed. Panicked shoppers spilled out of downtown stores. City police phones jangled with alarm.

A large cross burned on the north side of the Boardman River near Cass Street. About 50 smaller burning crosses appeared almost simultaneously at the centers of intersections across the city. Each was crudely nailed together and swathed in oil-soaked rags. Sparks flew when several cars struck them. A city fire truck raced through town to douse flames.

Then, a "touring car" with four men, robed and hooded, though not masked, slowly trolled down Front Street carrying a sign surrounded by red flares blazing three letters: KKK.

Copies of the Ku Klux **** newspaper, "The Fiery Cross," later were found downtown, and police determined that at least two cars were involved in planting and lighting the crosses.

**** leaders called the explosions and flaming crosses a recruiting gimmick, but it was more than that. The 1920s was a reactionary time in the United States. The **** had risen again, starting in 1915, widening its anti-black focus to Jews, Catholics and immigrants, particularly those from southeastern Europe. Its membership was strongest in Illinois, Indiana and Ohio.

The ****'s most powerful year was 1924, when it reached an all-time high of 5 million members nationwide and virtually controlled the government of Indiana. Its most popular slogan was "100 percent pure American."

The **** had a solid base of support in Michigan. The **** fielded two candidates in the Republican gubernatorial primary in 1924 and a ****-backed candidate was elected mayor of Flint. A write-in **** candidate even made a strong showing in a Detroit mayoral race.

In June 1924, 1,000 men joined the KKK in an Oakland County cross burning attended by about 8,000 people. Traverse City's demonstration took place just two months later. But who was really behind it?

"There is some doubt among the authorities as to whether the offenses were actually committed by local people or men from outside. They believe that local people were associated in the affair," the Record-Eagle reported.

An unidentified spokesman for the local **** denied responsibility, speculating that it was the work of **** enemies or rogue Klansmen. He told the Record-Eagle that the **** repudiated terror tactics and burning of "unwatched crosses."

Two weeks after the bombing, city police obtained felony and misdemeanor arrest warrants accusing Ku Klux **** organizer Basil Carleton of Richmond, Ind., of setting off explosives. Indiana police arrested him on Aug. 29.

Witnesses testified in two trials in December and January that Carleton had purchased 25 pounds of dynamite, fuses and three caps from Hannah & Lay Mercantile Co. about two hours before the explosions. A Park Place Hotel clerk said he saw Carleton hurrying away from the direction of the explosions about 10 minutes later. Two **** members testified that Carleton was not at the scene.

Yet he was never convicted. Juries acquitted him in both cases because the prosecutor could not prove to their satisfaction that he was at the scene of the explosion or that he personally set off the dynamite.

The bomber escaped justice. But the good news was that in Traverse City, no night of terror like that happened again.

It was this event that sparked the cross burning in Traverse City. We had only one black family in our city, when Betty Ponder and her family left Traverse City for the first time due to no one wanting to rent to them, population of blacks in our predominately white city drop to zero.


******* Movement Targets Northern Michigan

by Robert Downes

National Alliance advocates the creation of "two Americas"

Traverse City, Mich., noted primarily for its beaches, tourists and cherry pie values, appears to be erupting as a national battleground of opinion over the ******* movement, with forces on both sides of the issue coming out of the woodwork to vent their outrage over racial issues.
On Thursday, June 5, residents along stretches of Washington and Front streets in town came home to find a slick package of information from the National Alliance hanging from their doorknobs. An outgrowth of the American **** Party, the National Alliance is a ******* group which advocates the creation of "two Americas," one of which would be "White Space only with no Jews or blacks." The Alliance, advocates genocidal practices if need be to achieve its goals, and plans to distribute 1,000 information packets in Northern Michigan.

Protest organized to oppose July "NordicFest"
The incident arose only a day after more than 150 people from throughout Northern Michigan gathered at a "Hate-Free TC" meeting to oppose the NordicFest, a skinhead rock festival sponsored by the Ku Klux ****, to be held at a secret location 20 miles south of town, July 3-6.
The NordicFest is being advertised on the Internet and will feature at least six skinhead bands featured on Stormfront Records and Resistance Records -- both of which are purveyors of neo-**** hate music. It will also reportedly feature speakers from the Ku Klux **** and Aryan Nations.

Thus far, the NordicFest's location has been a closely-kept secret by David Neumann of Bloodbond Enterprizes, the concert organizer and a former director of the Michigan Knights of the Ku Klux ****. Neumann has told local media that 300 tickets have been sold for the concert -- about half the number he expects to sell. Reportedly, concertgoers will be provided with maps to the secret location at a checkpoint.

Bands expected to play at the NordicFest include Intimidation One, Aggravated Assault, Blue Eyed Devils, Max Resist and the Hooligans, and No Alibi.

Local churches offering seminars on the ******* movement and the importance of diversity
GATHERING STORM

Journalists have made inquiries on the NordicFest from as far away as London, New York and Colorado as a result of the Northern Express story circulating on the Internet. A segment for National Public Radio is expected to take the issue nationwide, possibly focusing the world's attention on Traverse City on the eve of the National Cherry Festival -- an event which draws more than half a million visitors, many of them from ethnic minorities.
"We're creating a rainbow ribbon that we hope everyone will wear in rejection of skinheads and the ****," said Rabbi Stacey Fine of Hate-Free TC. "We hope to have hundreds of ribbons during the time the **** is here, available from downtown merchants."

Fine says the group also hopes to march in the National Cherry Royale Parade with a three-by-eight-foot banner covered with thousands of signatures in a show of support for racial and cultural diversity. Thus far, Cherry Festival officials say they have received no applications from Hate-Free T.C., but will consider the request if approached.

Dottie Kye of Hate-Free TC says the group doesn't plan to try stopping the NordicFest despite their opposition ot the concert. "We're ignoring it," Kye says. "We celebrate anyone's right to organize and free speech. But our thing is unity and celebrating diversity." In addition to several church seminars on the ******* movement and the importance of diversity, Hate-Free TC is organizing a three-day "Unity Festival" which will feature dozens of musicians, artists, poets, actors and peace activists at the Traverse City Opera House, July 3-6.

Concert organizers Tim Hall and Tom Emmott say that more than 40 musical acts will send a pro-diversity message to area teens, with performers including Willie Kye, Alright Already, John Greilick, Samantha Moore, the Motor Town Juke Boys, Bentley Filmore, the Sisters Grimm, and Lack of Afro, among many others. A concert with Fishbone is planned for later in the month.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence"
THE TEEN CONNECTION

The Unity Fest counter-concert is seen as a vital tool in fighting the influence of the ******* movement on teens in the area. After the initial story broke, the buzz in local high schools was that the NordicFest would be offering free beer to minors. Although that notion is clearly erroneous, a small number of teens in the area still cling to the idea and have also been attracted by the rebellious nature of the skinhead rock scene.
Tim Hall believes that his Unity Fest concert will help turn that tide. The three-day concert will be located in the heart of Traverse City in the old City Opera House, with easy access for the hundreds of teens who hang out downtown, often with little to do. "Our message is going to be one that values racial and cultural diversity," Hall said. "And we've had a great response so far. We had to put a lid on the performers when we reached 40 acts, because everyone wants to play at this event."

The Unity Fest will also coincide with the Annual Reggie Box Memorial Blues Blast, which was created five years ago to bring the heritage of black music to Northern Michigan for the overwhelmingly white Cherry Festival. This year's Blues Blast will feature John Mayall, Marcia Ball and the Bihlman Bros. in a free concert downtown on July 6. The concert will also feature a strong message promoting diversity.

The law enforcement view Traverse City Police Chief Ralph Soffredine says members of the law enforcement community, including the State Police and sheriffs from Grand Traverse and Wexford counties, are taking a wait-and-see approach as to whether the NordicFest will even be held.

"People ask what we would do if the skinheads wanted to march, and it's our position that they have the same rights under the First Amendment as anyone as long as they're obeying the law," Soffredine said. "It's a neutral situation for us. We just want to maintain the peace."

He added that skinheads coming to Traverse City would be treated "no different than if longhairs come into town, or square dancers. We'd certainly observe them and respond if there's trouble."

The chief noted that a similar event occurred in the Buckley area several years ago when several motorcycle gangs gathered for a rally. While the event was monitored by local police agencies, few people in the area knew that it occurred.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence, which has become a serious problem in our community and our schools," he concluded. "The unfortunate thing is that it sometimes takes a ******* or a racial issue for people to get active."

"Sheriff Barr implies that people who have the courage to confront them will be put in jail."
ANGER FROM ACTIVISTS

Not everyone is happy with the neutral attitude of law enforcement. Judy Lowenzahn of Traverse City thinks that local police agencies should get tough on the **** concert, which has no legally-required bond or liquor license.
"These hateful groups are using skinhead music to recruit soldiers for their facist movement," Lowenzahn said. "If they are allowed to hold this event, in violation of local, state and federal laws and in violation of common decency, we will be capitve audience to their deranged homophobic, anti-semitic, racist, sexist ideology. Those who protest this message, along with those who are their scapegoats will be targets for hate crimes."

Lowenzahn upbraided Grand Traverse County Sheriff Barr after he made comments in a local paper that "I'd just as soon personally let them have their little event and be on their way." Barr added that if there was a confrontation between the skinheads and protestors, "there's going to be someone in jail."

"Does Sheriff Barr suggest that people of color and others who don't fit the aryan model hide inside their homes for the holiday weekend?" Lowenzhan responded. "Rather than offer a plan to protect the community from the violence that grows whenever white supremecists do outreach, Sheriff Barr implies that people who have the courage to confront them will be put in jail."

Northern Michigan targeted because of the predominantly white population
KLUELESS

Up to now, the vast majority of Northern Michigan residents have been klueless on the **** and the ******* movement. Many, for instance, had no idea that there even was a Ku Klux **** operating in the region until Neumann revealed that there are about 60 members operating mostly as "a fraternal organization" between ******* and the Mackinac Bridge.
Similarly, the existence and agenda of the National Alliance is all-ne
‘I am…’ 'Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway,
In the gravity of corollary,
‘A priori’ interplay
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay.
Practicing semantic contemplation,
In willfully prevenient interpolation,
Civilly disobedient in expediently seeming disarray,
Forecasts in vague extrapolation
Contrasts the millennial contagion
Already underway,
Filling nihilistic voids with particles in waves,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating linguistics in acrobatic raves,
A thespian who plans conation with legacy engraves.
The probabilistic determiner of cosmogenous debates,
An apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
An escaped prisoner from depressive disillusion,
Of an introspective extrovert who finds solace in confusion,
The personable recluse fighting an illusion
Breaking down the nuances of every institution.
Calculating consequence as time goes to infinity
Revolutionary commonsense of principal utility,
An opinionated adversary,
to the realist without evidence,
Theorizing in futility,
Stipulating every sense leading to the virility of the pretense that dominates community.
Divergently converging all the efforts we’ve personified,
Inadvertently submerging old traditions that unethically were codified,
Hastening the urgency for purging that which cannot be modified through the merging of the certainty that will no longer coincide,
Stationing the levies to finally stem the tide,
Of periodic enmities disguised to be necessities so blatantly deified.
Observing moral sentiments, perched upon eternity,
As consequential regiments are expounded universally,
To unstratify the residents indiscriminately
And identify quantum elements spiritualistically,
Changing collective behavior individually,
Socializing constructs in joint ventured logo therapy.
This is an edited, expanded, expounded, confounded, reverberation of Linguistic Illusions to Probable Solutions written months back.
I thought that saying goodbye,
would be the hardest thing to say to you.
And in a way it was,
but in another it wasn't.
It felt sad; it felt exhilarating.

I thought that love, all kinds,
meant giving you're all to someone.
But it doesn't, it means something more.
It means that you give them a piece
of yourself for them to cherish,
and they do the same.

But you can't give something away,
that doesn't exist.
I didn't understand at first,
but now I do.

I never loved myself,
I loved you.
I used to feel I would die
with joy from being around you.

And then I woke up one morning,
and I realized that I did die.


That the every miniscule piece of who I was,
had ceased to exist.
I realized that I was empty,
and always had been.

So instead of killing myself for your love,
I lived for my own.


And now I drive around,
listening to Tom Petty,
wearing red lipstick;
lips wrapped around the back half of a cigarette..

And I am so happy.

I feel free.
I feel like I can conquer anything,
because I escaped a painful death;
a death by you.

But then it was time to say "Hello again.."
and it was harder than goodbye.
It brang back the memories of sadness.
Of lonliness.
Of being afraid.

Then the moment passed...

*And I still feel free.
Sometimes I wish we would have met today instead.. I think we might have been better to each other.
Alyssa Underwood Aug 2017
In the darkness of constricting depression
I begged the Lord to give me joy even if it killed me,
and He promised me it most assuredly would,
for this is joy’s mantra:

“Death to self!”

It is simply not possible to know the deepest kind of joy
until we have experienced the anguish of death to self
with a cruel stake of affliction though our hearts.
For it is there on the altar of sacrifice
when we have finally surrendered what is most dear to us,
when we have willingly brought our costliest gifts
to lay humbly at the feet of the King,
that we are raised up to know firsthand His resurrection joy
through the fellowship of sharing in His sufferings.
No one who has ever truly learned that
“to live is Christ and to die is gain”
has ever escaped this path.

Find me even one.

There is nothing quite like rejection to teach us about God’s love,
nothing quite like loss to teach us of His joy,
nothing like storms to teach peace,
nothing like ruined plans to teach patience,
nothing like loneliness to teach kindness,
nothing like failure to teach us of His goodness,
nothing like betrayal to teach faithfulness,
nothing like being completely misunderstood to teach gentleness
and nothing like humiliation to teach us self-control.

Why is this?

Because there is nothing like pain to chase us to Jesus
and to teach us to rely so helplessly on His Spirit’s filling.
And when we have His filling, we will know His fruit.
~~~

“For to me, to live is Christ and to die is gain.”
~Philippians 1:21

“But whatever was to my profit I now consider loss for the sake of Christ. What is more, I consider everything a loss compared to the surpassing greatness of knowing Christ Jesus my Lord, for whose sake I have lost all things. I consider them *******, that I may gain Christ and be found in Him, not having a righteousness of my own that comes from the law, but that which is through faith in Christ--the righteousness that comes from God and is by faith. I want to know Christ and the power of His resurrection and the fellowship of sharing in His sufferings, becoming like Him in His death, and so, somehow, to attain to the resurrection from the dead.”
~ Philippians 3:7-11

“But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control. Against such things there is no law. Those who belong to Christ Jesus have crucified the sinful nature with its passions and desires. Since we live by the Spirit, let us keep in step with the Spirit.”
~ Galatians 5:22-25

“Then He said to them all: 'Whoever wants to be My disciple must deny themselves and take up their cross daily and follow Me. For whoever wants to save their life will lose it, but whoever loses their life for Me will save it.'“
~ Luke 9:23-24
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Nat Lipstadt Jun 2018
Songs of Oregon: No. 1 “Gonna Make You Crazy, That Place”

nuts, crazy peeps

whomever wherever,
regardless of race creed color or gender (did I get ‘em all?)
current state of residence (geo-identified)
a poem - the very same recited,
as a disclaimer, a yellow finger wagging warning:

“Don’t go! If you go, you won’t come back”

now kids, I’m a veteran of foreign travel,
many continents, cold and hot, rivers and seas,
some living, some dead,
some so big they named it Endless,
been to the great cities, Swiss villages,
pyramids, climbed Masada,
danced on grapes (why can’t I recall where)
skied the Alps, trekked the Sinai Desert,
clubbed in Rio, and danced till morn,
on a certain Greek Isle that rhymes with Mickey’s Nose
even been to L.A and San Fran, left poorer
but in sync,
always came home
with my mind decently reshaped

me/ a product of gritty unpretty grime,
streets of normal humans
acting like normal escaped mad persons,
this brutal city island instilled a
layer of fat and smog neath my skin,
a kind of migrating duck-like survival kit,
came with a homing beacon included

the those of you who know me,
perhaps too well, ken we citified islanders
love our beaches (fire hydrants)
cherish our sun dappled blessings
upon on farms (window sill herb gardens)
and sunning settlements (rooftops)

they say our tap water is secretly bottled,
sold in places where the springs purportedly
run crystalline

though we don’t got no pinot, just sweet concord grape,
so sweet, the wine of children and street nodders,
needy for instant sugar highs

so as we new Yorkers proudly
say on our license plates,
prove it or stfup!

so a first hand investigation for which
the taxpayers won’t be charged even a lousy mill,
deemed necessary to put to rest this crazy claiming warning

“Don’t go! If you go, you won’t come back”

guessing must be something in the water and the wine

— The End —