The teacher stands before her detained class
And from behind her authoritative podium
She equates abortion to the holocaust
A dangerous comparison in an educational garrison
But the other children nodded their heads in agreement
A benefit of having the ear of youth
Is being able to infect it with your own toxic ideology
What bacteria did this ear infection consist of?
Conservatism? Religiosity? Chastity?
The answer was depressingly simple
I was the only one there unaware of Fox News
I was a casualty of the confusion
The confusion engendered
By venom thoughts placing politic-colored glasses
on the entrenched masses
Entertainment
Used to convey anger and hate
Emotions worth conveying
But not living in
The intents and desires of their vulnerable receivers
become an incongruous disaster

What could I have done?
Minds as still as the pharaohs heart
We live in a society where we're all infantilized by one myth
Good and evil
Looking back on what I did do
I didn't do much
But I did do something
I didn't nod my head like a ******* sycophant

‘Twas but a rare, snowy day in Paris,
a January day, as all the lights of the city
rested, as dancers of the Moulin Rouge
fixed their make up during the intermission

And in the graveyard of Père Lachaise
there stood a solitary figure of an old man,
his hands gathered together politely,
in front, clenching on to a tattered flat cap

The man stood in front of a grey wall,
“a tomb without a cross or chapel,
or golden lilies, or sky-blue church windows,”
but with an equally lonesome little plaque
that read, ‘Aux mort de la commune,
21 28 Mai 1871’

He lit a cigarette, from which he took just one puff,
stuck it upside-down on a patch of dirt,
then notwithstanding the thunderstorm
of camera flashes from Japanese tourists,
he started to sing, with a hoarse yet firm voice,
“Debout, les damnés de la terre,
Debout, les forçats de la faim…”

As the wrinkle on his forehead began to stretch,
the dusty particles of ice piled higher and higher
on neighboring graves commemorating
French members of the International Brigades
and Spanish maquis of the French Resistance
-apparently the 3,400 meters height of Pyrenees
was merely a backyard *****
for ideas and fates to tread over barefooted-

His song was a ballad of unrequited passion;
when he got to the chorus about some final struggle
and the unity of human race in a silly hymn,
a song that was never played on a radio,
for which no cool kid would ever
spend $0.99 on iTunes store,
his voice started cracking in amorous choke

The old man was a lifetime lover
in the truest spirit of a Frenchman,
spent all his life trying to charm a girl named Emma Ries,
and whenever he dreamed of holding
the eloquently bruised hands of that sixteen years old seamstress,
his eyes swelled of nostalgic heart,

And he used to cry joyfully,
dropping tears of bullets back in the days,
whether by the guillotine in Place de la Concorde,
behind the barricades of Belleville amidst the cannonballs,
******* in front of the Gestapo firing squads,
or under the truncheons of gendarme in Quartier Latin

As the expired old ******* moaned wet dreams,
hallucinogic delusions of his bygone youth, however,
the chilly, soggy winter of 20th arrodissement piled on,
the ashen slums of Ménilmontant depressingly ugly as always
with brownish-grey molten snow spattered all over
the streets trotted by drug dealers and wife beaters,
and neither the fiery oratory of Maurice Thorez
nor the sanguine grenade of Colonel Fabien
was around to arson the frost into the proletarian spring

In the same winter that the old man sang
the first, only, and last lovesong of his life,
it had been more than two decades already
since the Berlin Wall had tumbled down
and the ruling parties in Greece and Spain,
both socialists,
had just driven 500,000 workers out of their jobs

-J.P. Proudhon, Marx and Engels, Jean Jaures, V.I. Lenin,
Leon Trotsky, Antonio Gramsci, Leon Blum, Abbie Hoffman-
by the time the old man muttered an old pop-song nobody cared for,
all of those names were as relevant as some Medieval knights,
characters from an obscure chronicle centuries ago,
who died by charging horseback into windmills,
mistaking them for giants that held whom they thought as
a princess of an ugly peasant woman,

Eventually, right before his voice cracked
into an embarrassing fuddle of choked-up tears,
impressive for a seventy something years old,
the man finished the song from his memory,
all the way up to the sixth stanza;
yet the curvaceously splintered palm of a seamstress,
it was still so far away from his hands that’s been pleading
since 1871 for that glorious *******
which once stood so proudly in the face of a Czernowitz magistrate

When the cigarette he stuck upside down on the dirt
burned all the way down, he reached into his coat,
took out a rose, laid it softly, like his own infant child,
in front of the plaque which golden inscriptions
turned grey from unwashed grimes of ages
and as the old fool walked away,
his back turned away from the solemn wall,
there was but one little patch of dirt in the whole of Paris
uncovered by snow, still hoping for the spring to come.

my mother calls it being rude,
tends to yell at me for it
as if deluding herself into believing
that i won't yell back. i'm not a *****;
i won't take it
lying down.
i might be her son, but
being the teenager doesn't make me wrong,
and her being the adult doesn't make her right.
she doesn't get that,
doesn't see my side.

my friends call it sassy,
and encourage it,
and laugh, and it's nice
to just snark with them, back and forth
like a steady stream of sarcasm,
cutting quips from sharp tongues,
scathing remarks. it's all
playful, in the end,
like children who squabble over toys
then hug after mere minutes of cool down.

my mother used to call me "mouthpiece"
as a kid. it's funny how
she takes me so seriously when i'm only joking,
then laughs and degrades me
whenever i take something personally,
as if the verbal abuse slipping from her lips
is nothing more than teasing.
she's a hypocrite.
she calls me rude, an "ungrateful little ****",
wishes hell upon me, slaps me round the head
and gets in my face like a threat,
teeth bared like blades

but mother, i'm not scared of bleeding―
got that beaten out of me
so very long ago.
if you could just stop now, shut up,
quit being a mouthpiece, as you call it,
then this will all blow over,
and we can go back to pretending
that each of us doesn't exist to the other
for a couple nights.
we're sort of volatile, you and i
sometimes your words hurt more
than daddy's gripping hands or neglect ever could.

sometimes you make alcoholism tempting,
and wouldn't that be a fine symphony,
"like father, like son"
ringing hollowly in the empty space
between my ribs and my lungs
forgetting how to breathe
without breathing too much.
somebody once called my panic attacks
"attention seeking", but they were so wrong.
i've never wanted to be more invisible
than when i've found myself vulnerable
over a ******* memory, a ******* ghost of all the--

do you know how strange it is
to feel your heart hammering against your bones
with the too-fast flow of blood making your head spin,
when you've been so certain
that you've never had a heart at all?

this heart never got broken, depressingly enough.
it's kind of tragic to want something to hurt bad enough
to make you feel normal, human
but i've kind of been conditioned for disappointment
and solitude, and anger.
i've been so fine-tuned to drum beats
and cold voices,
it's no wonder i'm so closed off and detached.
but hey, at least it saved me some trauma,
no betrayals here, no questions,
no "i thought you loved me". hell,
i'm not even bitter that i never got a chance at a proper family

does that make me lucky?

ah, such a mouthpiece,
always spitting venom, dark humour at my own expense,
warding off any meaningful company
laughing about those times i tried to **** myself
like they're nothing

did you expect any less? how could you expect more?
your worthless son
is as cold and dead on the inside as his daddy.

that bitter symphony,
"like father, like son".

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

You threw around the word love
like one of your
**** hockey pucks

and i guess you thought
i was the goal
you wanted
(but only because time was running out
and you obviously wanted to impress someone)

you picked up 'im sorry'
as a continuous re-bound
sadly to say,
i always accepted those

but now
take a seat on the bench
because you didn't show up
in time for the game
depressingly, i thought
you always had to be
the goalie
and help stop others
from stealing me

so **** the game
you used as a guideline
to be
with
me.

“I have something for you to remember me by,” said Tim.

    He held a little foam Hippo – the lone play animal supplied by the loonybin to patients in need.

     It was brand new – just as every Hippo looked – and I wondered why he’d chosen something seemingly impersonal in comparison to his other, odd gifts.

     However, what he did next made his hippo – my hippo – absolutely ideal. To people like Tim and I, that is.

     For, to my astonishment, he casually took the toy in his hands, twisted, and ripped it cleanly  in two.

     He ripped off its head, which he gave to me, whilst he kept the body.

    I will never get rid of that mutilated, foam hippo head. For he understood what no one else had ever come near.

     In this way – perhaps – Tim and I became synonyms. Synonyms for what ignorant perceptions would later christen ******, or merely, crazy (the latter - coined by those who remain too depressingly colloquial to invent unfounded diagnoses).

     These epithets, catalyzed post personifying such societal taboos as Tim or I committed, follow me still, and have yet to disperse.
  
     A criticaster disaster, personified.

     Yes; in this way – Tim and I became synonymously insane.


•

You have always felt a presence coming from your knife
It called you
To use it

You take the blade
And you cut into your flesh
And the blood comes draining out

You feel as though
You want to drink it
But you refrain

You take the hand that bleeds
You smear your blood across the mirror
In your mind
You want something

Supernatural to happen

Nothing

You look in the mirror
Blood still fresh on your blade
You can almost see a smile

You start to cry
Because life
Is never like the movies
Or the songs
It's dull

How many times
Have you used this same knife?

It's over
Never again

You reach for a brush
And start combing your hair
Life *****

You get ready to take a shower
You go to the bathroom
Take off your clothes
And get in the shower
You decide
You want to take a bubble bath instead

You pour out the bath salts
And wait for it to fill

It's really warm
You place your foot into the water
It stings
You submerge yourself
And cover your body in bubbles
You feel down the outer part of your thigh
And scratch open your cuts that you made on your thigh

It feels rough and smooth
You relax and close your eyes
You're thinking of that dream you had
That nightmare

You start to laugh a little
You feel like crying
You just scratch
And cry softly
Not loud
Just
Softly

You wait there for a while
And you sit up
With bubbles across your skin
Slowly falling down
You reach for the plug
Pull it out
And just sit there
Until the water's all gone

You shiver a little

You get up
Open the curtain
Mirror's fogged up
And you squint at your reflection

You leave the tub
Approach the sink
Naked

Move your hands across the mirror
Squint again

Eww

You grab your favorite towel
And begin to dry off

You start to put the robe back on
And leave the bathroom
There's still a little blood in the tub
Slowly draining away

You walk back into your room
Shut the door
Lock it
Take off your robe
Place it here

Then your thigh is bleeding again from scratching it
So you find a band aid
And place it on your skin
It falls off

Meh

You grab an over sized t-shirt
Place it over your body

Lay down in bed
And check out your texts

Nothing

You kinda almost cry
You plug in your phone
And go to bed

When you wake up the next morning
You don't feel good

Ehhh

Headache
You can't think
You are just sitting up
Staring
At your door
With your robe by it

You breathe slowly
Depressingly
Like you
Don't want to leave your bed

You grab your phone
Check it

Nothing

Huh

You get out of bed
Sit down on the floor
Put your socks on
Then your underwear
Then you take off this t-shirt
Put on a kinda cute shirt
Put on some blue jeans
You forgot to put your bra on
So you take off your cute shirt
Slowly get it on
Wires start poking into your back
You need a new bra

Meh

Put your cute shirt back on

Head towards the bathroom
Walk passed your sister
You don't have any makeup on yet
Maybe you can skip that today

Ha

No

Open the bathroom door
Start applying make up
You mess up on the eyeliner
Have to
Do it again

Half hour later

Your brother's pounding on the door

Hurry up in there

Meh

You start to move slower

Hurry up in there

You turn to face the door

You think
I hope you **** your pants

You open the door
Your brother looks ******
You just walk by him
He slams the door
All angry

You're just shaking your head
You knock on the door
You say
Hurry up in there

I forgot my comb

You wait for him to finish

He opens the door
You plug your nose
And grab some bathroom spray and spray the hell out of the bathroom

You then have to go to the bathroom now
You shut and lock the door
You sit down
It's wet

You want to ****** him now
But you're too tired to ****
So whatever

You finish

You get up
You squint in the mirror
You see a zit

No

You leave the bathroom
Forgetting your comb

You meant to say brush
Not comb

Meh

Yeah
I say that a lot

Walking down stairs
You go to the fridge
No more mountain dew left

******

You shut the door
Making a funny face

Your mom says
Ready for school?

You say
No
Can I stay home
I'm not feeling good

She says
What's wrong?

I don't want to talk about it

She says
What's wrong
sounding out her middle name as well

Whatever

She doesn't like her attitude
She grabs her backpack
Puts her shoes on

And goes and waits for the school bus

She just stares down the road
And waits
And waits
And waits

I could fall asleep waiting

she yawns a little

backpack on the ground with strap in hand
Bus shows up
She gets on

Finds a seat
With nobody
Places her backpack down

And a guy asks
Can I sit here?

She's like
No

He says
*****

Meh

She opens her book
Starts reading

Do you know how she feels right now?

that feeling in the pit of your stomach as you raise your eyes to look at them, it's lethal

my love is like poison and the second upon exposure i'm left vulnerable but you're left affected forever, one step forward, a single blow to the lips and he has to open his eyes to see her face and remember this is real, she is real

it won't be movie love, it will be real love, and for that you must be warned - do not engage if you don't want after-*** cuddles and life contemplations, hot chocolate runs and holding hands without gloves since the heat from your hands are enough to warm the lack of oxygen reaching mine, late night laughter and cheesy dancing

do not engage if you don't want to let yourself fall in love, because it will happen slowly and if you realise when it's too late that you need to back out you need to know that like a bee who stings and dies, pushing me away from you after i've loved will cause me to be crippled not only by the weight of the falseness that i've been living in, but also the dense, crushing weight of my own love, of the letters and the kisses and the laughter

if you see me contemplate running after you when we say goodbye because i've always had a fear of departure, if you see my eyes light up when you walk into a room with an expression that can only be described as warmth and admiration, if you see my hand slowly make its way to yours in a desire to be held and comforted, if you see me love completely, depressingly, you need to stop me, because i'm warning you that if you don't i will get hurt and the pain of being locked out of my life forever will hurt you more in the months proceeding than it will hurt me as i learn to build myself up again for somebody else

you can fall in love with my lips, my humour, my dresses, my laughter, my smile, the emptiness of my eyes, the constant fear, the happiness when food comes, and anything else and everything else - but please, remember that it's lethal

it's lethal to love and to be loved, but it's the best poison i've ever really known

I'm perfectly imperfect
That's what they always say
I'm crookedly straight
But I'm far from gay
I forever speak my mind
Always and all day
My heart is on my sleeve
But guarded all the same
I'm devilishly innocent
My mind is not so tame
I'm dishonestly truthful
But never take the blame
I'm completely backwards
We can never be the same

To me upwards is downwards
The sky's my only ground
Your life I can still ruin
It is with in my bounds
I'm depressingly happy
There is no middle ground
My version of earth is flat...
Why should it be round?
My earth is a work of art
With colours everywhere
Your world I broke and ripped apart
Just to prove I don't fit there
I tore it up in little bits
I left the pieces without a care
I'm completely backwards
I'm such a major scare


I'm nationally local
You can see me all the time
I can disappear into thin air
Leaving you without a rhyme
For I'm melodically harmonious
No brighter than the dullest shine
I'm incomprehensibly real
And yet so hard to find
Pure white to me is simple black
Race is gone and can't come back
I can prove all that I am
A thing to which you surely lack
I'm disrespectfully respectful
My words are always fact
I'm completely backwards
I'll drive you past insane
Then I'll never bring you back

I'm illegally legal
Like a drug that you can't sell
I'm contrastingly bendable
In this world of my own hell
I'm resistingly irresistible
My secrets you will never tell
I'm obscenely lovable
In this world in which I fell
I landed in this twisted place
A world of expectations
This world I created on my own
For I'm an undertone of exaggeration
Here I've found my only home
In a backwards world of my creation
And all in all I'm here to say
"I'm completely backwards
In every single way"

Visions of oppositions, positions and prison. The forward missions, the capitalism, criticism and optimism. The Amor, the adored, the allure and the awards! The doors, the poor, the gore and the sore.
The any and many! The many hoards of pennies, before the lords of plenty. The awkward, the backward, the hospital wards and the

mental. Furthermore, more roar and war with a governmental evil,
medieval in blue! Therefore as I do accrue the clues, the dues, the hues and views. Something’s of me? My belated peeling, feelings related to that of a shrine of the divine. Etched and sketched by a pencil and stencil. Designed by the heavens divine. A displaced or misplaced,

abused, bruised and reused utensil. Something’s of me? I am often depressed, half-dressed and suppressed. Distraught and stressed by
thoughts, thoughts that are fought, sought and taught. As I endeavor, forever dedicated. However, medicated or sedated! A neglected, suspected sinner. A grinner and winner in entice haste, with precise

pace! As I taste the waste of this offending never-ending race. Regardless heartless, relentless congress. Yes, in confessing to you; beware of the care, the dare, the flare, the rare of scare! Attempt to see
what I have seen in contempt! In-between or as a teen. The obscene or serene! The many scenes at the seams. Driven by schemes and themes

it seems! Full of the brave that craves! The deprave and the rave. Those things which sing from the grave... Something’s of me? These are no lies, as a book carefully look into my sorrowful eyes. See why I despise, why I am wise. Look beyond the ancient, powerful skies.
They’re in wonderful constant, radiant disguise. Something’s of me?

My sensitive life of delight in fight, fright and plight. My life of sight, my life of trite. My negative pride! My life’s awesome, positive stride! Inside as I cry, as I hide… I depressingly, devotedly, ignorantly, triumphantly, unfortunately, hopefully and literally say. I am definite that one day I will embark into the dark. Emulate as a creative,

relative spark! Onto Noah’s great and infinite ark. Sailing into the prevailing, unveiling rain... with much too gain, maintain, regain and retain. Believing, weaving and leaving the grieving, the blame, the flame, the fame, the insane and the pain.

The good dragon, thankless in his task continues faultlessly
Fitness training session is in full swing, mentally also
Preparations for an imprinted idea of a future prevail
******* on the porch is perfectly acceptable

Critter/blob; doctor/judge breed relentlessly
World of possibilities, even the Cosmo
Royal treatment- worship their Holy Grail
To any other sane beast, it’s debatable

Poor warning, little time, taken so depressingly
Peace out now, the path I wish to follow
It’s all good though, you won’t bail
Contentment cultivating Deelectable

Love is defined in many ways. Through the simplest thing that could bring biggest smiles and the most red blushes to a girl. Through the most humiliating teases of friends, to the hidden smile of a guy. For the youth today, love is seen in, sadly just through relationship statuses online, love is seen anonymously in the internet half way across the world. Love is, depressingly hard to know if real or reel because of the liberating actions of the new generation. But, how well do I know love? I am not sure, but I guess love is not just some stupid messages that you see in the screen of your desktop computers or laptops. It is an emotion that once felt, can't be controlled in one second. It is a feeling that we eventually develop for some one that we think we've been waiting for for a long time. Just like in Hades and Persephone's story. Hades laid an eye on her, like a lion eyeing for a lamb but not for dinner rather for a lifetime belongingness despite the fact that somehow he is a monster. And surprisingly, Persephone felt the same way. He's from down under, she's from up above, yet they gave love a definition that could've mean, love is worth fighting for, love is not about where you belong in earth, but to whom you should belong.

I read an ad recently
‘Get your Valentine’s day hampers while they last, order in advance lest you be disappointed’
But what I really read was…
'Get your Valentine’s day humpers while they last, order in advance lest you be disappointed’
Because I’m a clown like that
I make light of this day ‘Valentine’s’
The fourteenth day of the second month of every year
That makes everyone realize how attached or alone they are… really, I find that the most stupid fear...
Is the fear of not being paired up… yet
I say ‘yet’ because it’s going to happen sooner or later, more than once
Like it has happened before
But oh, you want to sulk and sob in your depressingly darkish room… behind the self made prison that is your closed door
Because you just want to wallow in self pity… because you're so low
Forever alone
Call me a *****
And a realistic one at that I like to think
But I find this entire obligation to have someone on this day quite unnecessary… which makes me kind of curious
As to who is really authentically ‘in’ love
And who is apparently “in love” for convenience reasons
These self made prisons
I joke through this day… with female friends, my true Valentines
No charades, no pretentious antics
Just funny nonsense with the coolest, realest fun chicks
To all those that have their better halves… well "power to you"
Way to go, we’re happy for you
You probably enjoy the most out of this day ‘Valentine’
I didn't mean to sound conceited… for we are all allowed to court
To be arrested by passion, maybe I’ll get past these ‘flings’ and also have my day in court…
Yeah, maybe someday I will have mine
Again.

I think I get addicted to things easily.
So it's very good I've never done any drugs.

My addiction is people.

When I find someone who makes me feel a certain way that I can't really describe except for manicly high highs and depressingly low lows,
I can get obsessed with that feeling.
I don't know how to stop except to go cold turkey.
I can hate them so much when I'm alone and then as soon as I see their name pop up in a text or talk to them out in public I am hooked again.

The epitome of inequality.
Frosting is distributed unevenly;
caked gloriously on some,
depressingly absent on others.
Anger and frustration mount
each time a claw raises
uncoated multi-grains to my mouth.
But each time my grasp
manages to find
a sterling white mini-wheat,
I remember why
I put up with all the ****.

But the question beckons,
whether or not
the absence of imperfections
would lessen the resonance
of the frosty treats
to my oral senses.

The feeling of your touch replays in my memory.
Your warm embrace haunts me.
My bed does not comfort me anymore.
My sheets still faintly have your sent.
As I lay upon them, I lie miserably.

All these songs we sang don't sound the same.
Our picture hangs depressingly in its frame.
Missing you is eating me alive, but its these winter nights,
oh its these winter nights I miss you the most.

What really hurts?
Make sure to be clear, misinterpretation can be fatal
In the game your brain plays.

Now for me, deception still holds a
warm cozy place in my head.
Eating on my decaying body,
trying so hard to reach my
essence.
Since after I realize this, I must
decipher the message:

I still lie to myself, telling myself I'm
Honest.
And dominately, I'm the follower,
the front follower.
I conclude: in depth, I'm sort of empty,
depressingly.

maybe I'll just sleep

There were many bots in the world

Only two models, one boy and one girl

All one in the same

So why have such a mass

Treading upon this broken glass

a path, a broken path

leading no where

breathing paid for air

bought out society

Are we too not one in the same

Why give a separate name

When the functionality remains conformed

Ah but there was one, one malformed


T'was one mistake

For heaven's sake

Such a mistake



This bot could feel

Why make such a big deal

He doesn't belong

He is not one of us

They all made a fuss


little did they know

his ways being followed

the narrow path

of broken glass

only this one with a destination


D3 was the name this infamous bot was given

this was the very bot by which V11 was driven


V11 too had a malfunction

feeling unsynthetically attracted to D3

she felt as though he was all her receptors could receive


They soon came for the two

D3 knew not what to do

his brown light reflection recievers

widened in fear

his auburn wires upon the bottom of his chin

spiked down, reciprocated grin

his black dome covering, waving in the misty wind


She took all blame

to society, 'twas a mere game

he failed to understand why

someone would throw their lives away; die

for someone else

there is no logical gain

yet he felt what he described as the undefined word; pain


As the society rejoiced, D3 depressingly watched

his eyes steadily locked

waiting for their portrayal of relief

but to his grief

they were dissatisfied

"He is still out there, anti-conforming others"

D3 than shuttered

For, the poor mistake of a bot caught wind

He was up against fate, there was no way he could win

Feeling the pain that he was causing

He slowly began to shake

He shed a tear, began to shed and break

for there was nothing for him to shed to

his human soul now free from his metal extrerior

the society began to feel inferior

his metal remains... let us speak not

the society... they remembered that they feel not

He feels like sharing memes and finishing burritos; like snuggling on a bench when I'm shivering and letting me wear his jacket the wrong way. He feels like long phone calls and sarcastic remarks; like feeding ducks, and helping kids, and going kart racing, and being terrible at Mario kart. He feels like silly puns and bad humor, all the while still putting butterflies in my stomach. He feels like the heat in my cheeks when my classmates ask me about where my bracelets came from, and the pride in my heart when they say that he's cute. He feels like kissing in a park, holding hands next to fireworks,  and giggling at the movies. He feels like sunshine and Rex Orange County. He feels like home, like someone who will always be able to make me smile, like someone who will endure a hug even if its awkward.

But he also feels like crying at 10pm in my room on Thanksgiving and clutching my chest because I can hardly breathe.  He is in every sad song I've ever heard, and every depressingly artful photo I see. He is the bittersweet memory of a lost young love, and the fractured, splintery aftermath of trying to recover. He is sitting in a park alone for an hour, crying because you dont know if he's even going to come.  He is the anxiety of being ignored for three weeks, then showing up to a party I'm at. He is the tear stained pillowcase from every time he has asked, "are you a waste of my time?" -- each one a separate fist to the stomach. He is the fear of never knowing what is going on in his mind and the constant worry of not being enough. He is the sadness and frustration of every Sunday morning with an empty chair. He is the moments I lie on the cold wood of my bedroom floor in the greying sunlight, salt mixing with my hair, and feeling empty. He is like the ache between my ribs everytime I'm left on read.

But he still feels like home, and he still feels like the only love I've ever known. And it's all about how it feels, right?  And it's okay as long as he doesn't hurt those feelings...

Right?

He is a tree swaying in a snowstorm in late autumn
A not-so-evergreen, with browning-red streaks all over his limbs.
Pushed around by the winds of the storm,
gasping for air and yearning for sun to give him the strength to stand,
only receiving more stress and pressure from sharp seasonal winds that seem to exist solely to shorten his year-round life.
Lack of oxygen and too many cuts leave pink, brown and yellow leaves on his limbs,
making him look out out of place among the rest.
The rest that evidently either don't care or just forget
that he once looked like them, acted like them, felt like them, but no more.
Of course there are always those that love the different ones,
sympathize, empathize, and emphasize the fact that beauty can exist in what is not conventionally beautiful.
But even the warmth from these good souls will often be diminished and become soulless when winter comes around.
A time in which one watches, with notches for eyes,
as the red and yellow and purple blotches that the select and wonderful few once loved decay and drain away.
He looks dead.
He acts dead.
He feels dead.
So he believes he is, indeed, dead.
And consequently, so does the rest of the world;
as it is a universal truth, it seems, that the way someone looks, and acts, and feels, determines what they are.
A fallacy; one that has caused the downfall and tragedy of humans and trees alike since the first man spoke and the first plant bloomed.
If a person is gone, it is best to forget and bury them, and if a tree looks dead, it is best to cut and burn it.
Of course, most trees tend to either stay green or spring back to life
after the dark days of winter, flourishing in the dog days of summer,
but every year it is a tree's biggest fear that he will be one of the black tragic few
who do not come back, due to being overshadowed by taller, fresher, better trees
that mother nature had more meticulously pruned.
No, his fear grew that he would never bloom,
he was one of the lesser ones,
outgrown and outmatched by those evergreens and ever-okays that needed less sun and love to carry on
intentionally blocking light from him, leaving only a few sadly relatable meek rays that cut through
the sharp pines like an even sharper knife.
They would shine down on him like a spotlight, or even better, a laser beam capable of lifting him up,
severing his roots to his past and bringing him up to face the public eye,
exposed and vulnerable to the judgement of his scraggly twigs for arms and thick trunk, leafless, better yet lifeless, a thing to behold in a depressingly pathetic light in the middle of the forest,
isolated and alone among a crowd of superiors, allowing any random passerby on a hike to look down on him in pity, as they learn what it is like to see something slowly, carefully, inevitably,

die.

Rows of heads droop in meditation
The journey is slow and arduous
Along same path to same termination
Boring and depressingly monotonous!

An unbroken dullness hangs in the air
Emits a feel the travail is endless
And the heads drooping are in silent prayer
To reach at last their destined address!

For some the travel is not that far
They disembark earlier than many
For the ones left to ride further
Is prolonged the meditative agony!

You've got that far away look, they're giving you the liquid cosh and they're 'nutting you off' because you embarrass them, you're going to Broadmoor or maybe to Rampton and they'll put the clamps on to keep you inside, a drink of largactil, an antipsychotic, depressingly familiar and then it'll **** ya and the ****'s in the shuffle, the wasting of muscles, the brain cells that flake away in that far away look.

State sponsored death camps filled up with old tramps and those that don't fit,
a drink of largactil, just enough so it kills you, just enough 'til your eyes pop out of your head, but you're not really dead see, they'll not have a post mortem because that wouldn't suit them in Broadmoor or Rampton they just put the tramps on
a higher dosage.

Some people, in trying to ascertain anothers character, ask;
If the world were to end tomorrow, what would you do?

Others, rather depressingly, ask;
If the world were to end today, would you notice?

Yet still there are those, who hope and search for a deeper meaning, who ask;
If the world had ended yesterday, would you understand?

Maybe he thought you were special
because of your silence,
How your aura came of as depressingly shy to him.

To him you were his puzzle,
He wanted to twist and scramble around in your mind with the joy and innocent wonder of a five year old.

A discovery,
That's what you were you him.
Something untouched.
And when he touched you,
You were his world.

As he traced his finger down the curves of your hips they become beautiful grass laden hills  

When he kissed your lips he felt like Adam taking a bite from an apple in the garden of Eden.

Until then you were undiscovered,
A beauty shut out from the world,
like most beauties are.

So he made the voyage
Made his home in your heart
Cultivated a civilization of nurturing care. You thought he was something like Jesus but when you look at it now he was more like Colombus

A lot more damage. A lot less to remember.

taking one too many round trips to your mind
and snooping through your waves.
every time discovering
the warmth in your heart,
embracing your smile
and every imperfection
regardless of time, or needs, wants,
you are still here.
I haven't seen you in months
& depressingly enough
your cologne still lingers on my pillow.
it reminds me of every night
we slept silently and comfortably.
but how beautiful it is knowing that
one thing leads to another
and although our prime has passed
our relationship grows
and the realization of maturity grows
to the comforting space inside my heart.

As I reach there my fingers itch for a click
The lens in hope zooms but soon turns sick
My disappointed mind depressingly broods
Where have gone Frost’s dark deep woods!
What my eyes see can be called at best
A skeletal green a parody of forest
Where my horse would shake head in doubt
Why I pause here it can’t make out!
I seriously wonder whose woods are these
For logs and timbers fell trees as they please
Not many are left in vision’s long range
No wonder my horse thinks it strange!
My heart shivers in the cold evening clime
In fear the forests would vanish in no time
There won’t be Frost’s woods dark and deep
For when they were going wisdom found us asleep!