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RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
zebra Jun 2016
she came to me one day
the *****
beautiful like a girls choir
singing Latina L'Amour
moving her bottom
like a metronome

her ******* a cascade of kindness
that break the hearts of men
they die
for those
blouse muffins
her smooth legs and feet
made for *** art
lickity splits and ****** contortions
while her wiggly *** and ****
tell you
what heaven would be like
hips that sway  traffic
causing pile ups
and fender benders
and make good boys
hopeful about being chosen
perhaps anointed
and judged worthy
but alas  
turn good boys into
chronic *******-rs
in dim midnight closets
or trawling *** criminals

at the very sight of her
my soul buckled
i wanted her
like darkness
needs a lantern
like blood
needs cells

she looked at me
with ****** in her eyes
it would make my **** wet to hurt you
she said with a soft tremor
ill **** yours for hours
tongue toy
losange
gullets prey
girl food

will you earn your suffering
adore my goddess ***
and lick it **** and span
kiss my beautiful feet
with tender devotion
pray for cruel ***** abuse
be consumed
by ******* jaws
thrill me
love me
flood me
with blood
and ****
die for me
my love

as i looked into
her hollowed
desperate soul
so eager
and felt deeply her need
and loved her to tears
to broken hearts mend

to struggle with
the dark angle
unrequited love
to expunge
years of vacant stares
of nameless women
and empty beds
to forget foreboding
bath cabinets bereft
of girly things
like
lolly pop pink lipstick
cherry sherbet nail polish
lacquered hardened coats  
aerated perfumed clouds
of vanilla candies
and fashionable
demonic party masks
over black brooding mascara
on almond eyes
hiding hot embers
cool and staring hungry

while wrenched obsessive
for the feminine
that drag my soul
through long coffin
hollow gullies
that drive me
to invocations
of Hecate
sacrificial blood rituals
voodoo trances
god forms
and black art astrologers
who have the power
to move planets
through space
and change fates

oh so wrong
yet i must
for loves sake
say yes to her
yes to her for pleasures sake
even if in the end
i am left to moan
to howl at a blood moon
with in the confines
of her dark edged
appetite
ascending in sin
as she ***** me
like she hates me

yes my beloved
to vanquish numbness

she consoles
my willingness  
excites
i felt her adoration

be brave for me
she murmured
sadists are cowards
teach me surrender
you are glorious
in my clutches

i made my self ready
positioned my self
as per her instructions
face down
legs apart
on a bed of nails
happy in my pit
as she played
a whole lotta love
by led zeppelin
blood swollen ****
oozy
for her tender kisses
and brutal schemes

the masochists tao

to denigrate oneself
to kiss your goddess feet
to lick your perfect ****
to adore your prim rose ****
to taste your lips of fire
to tangle in your silky locks
to see your eyes a blaze
to drink your saliva nectar
to eat your crumbs
to lick your *** clean
to be beaten
to your satisfaction
to drown in your *******
to hold you close
to take pleasure
in your cruelty
to suffer for your delight
to be
the sacrificial lamb
to be a victim
in an ****** dream
with jaws and teeth

she took me inside
smiled  like a feral
lust twisted child
took out a
scalped handled knife
brushed it across
my tummy and *****
terror brewed
excitement struck
my **** got so hard
she grinned
and salivated
like a Satanic Cheshire
in bloom

she devoured ***** warm butter
as it poured in waves
into her black lipsticked
pink wet mouth temple

oh she said
i like it a lot
do you mind a small incision
my darling

mommy needs
a little taste of hell

her face shape shifted
into a warbled shadow
as she licked her lips
and tickled
her *******
with gooed fingers

cut me i implore
im in the mood
you sweet savage

she opened me slow
o o o o ooow
ooh the sting
don't stop i begged
loving her
voluptuous greed
as she covered me
with heavens kisses
eyes desperate
devouring
drenched through ******
and bestowed
upon me
eager  licks
that swoon
and savage wounds

she took charge
with curvilinear cutlery
she gave it to me hard
oooofff
then good again
aaahhh
then deep and threw
like a spoon through Crisco
a surgeon from hell house
oh so fun she said
she licked my ****
fingered my ***
****** my *****
frenetic
then stuck me with a fork
giggling
not done yet she mused
and then
required of me
that my tongue
obediently pay homage
to her naked mouth ****

i was the pig for slaughter
needles and knives
burned *******
bruised ****
a bleeding torn
pin cushion
eyes teared
back arched
torso writhing
cherry cheeks
blood gusher
her *******
and belly ****
soaked in my blood
commanded me to lick
my own pools
of red plush
for her amusement

a couple at play
in Satan's temple of lust
her face turned to mischief
in a demons trance
her soul
like hyenas
and clawed weasels
all trapped villeins

im done ****** around
with you she quipped
her **** on fire
like a burning house
she plunged a blade deep in my gut
her eyes wide and glaring
like blazing head lights
possessed by hell bats

oh my goddess
for you
over the summit
as i shuddered
arching in torment
curling into a ball
squirming
like a severed worm

her face contorted
with horrors fun
her **** pored forth
tremulous quivers
and hells
brimstone gasms
ecstatic

oh she drank my blood
****** my ****
with kaleidoscopic tongue
like a devils bride banshee
licked my *** clean
filthy *****
defaced me with a drooling ****
and brooding ****
strangled me with nylons
until my lips ran numb
until my tongue dragged
like a corpse in a car wreck
she  whimpered and cooed
suffocated me with her **** ***

stepped on my face
with feet i adore
chewed off my *****
a black mambas kisses
filled my mouth
with hot rocks
that melted my skull
oh cry to heaven
wheres Jesus
as i scummed
up-leaping

the  last words
i ever heard
*** you sure to kick a lot
im cu cu cu cu cu cu *******
for you blood boy
dead dead dead
floppy floppy head
**** like cherry pie
When I have seen by Time’s fell hand defaced
The rich-proud cost of outworn buried age;
When sometime lofty towers I see down-razed
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state it self confounded to decay,
Ruin hath taught me thus to ruminate
That Time will come and take my love away.
    This thought is as a death which cannot choose
    But weep to have that which it fears to lose.
To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.
Eliza Sterling Feb 2014
In a peculiar, far off, world, time and place,
The trivial past would be irrelevant, chased away then erased.
Contrary to the reality of distorted lies in front of my face,
These eyes cannot mask fraudulence or disgrace.
Chasing them down with a trace of a defaced case of toxic waste,
I pace as my thoughts race of the time that’s left until I dissipate.
Looking into the murky vase with dying flowers desperate to be replaced,
Misplaced to the one who’d obliterate the beauty I once embraced.

Within my sorrow I woke, shattered love replaced with a heart no longer broke.
Soaked with what I could never cope, I felt passion and choked on my once false hope.
This vision evoked a note; a call of duty for you, my eternity to devote.
Instinctively I knew, the words stuck in my throat, but blindly every incline eventually has a *****.
Surrounded by mirrors shielded with smoke,
As we stared we shared yet nothing we spoke.
Your presence was felt but disguised with a cloak,
Confined in your skin, comfortably lost afloat, for your soul I searched to perpetually stroke.

With blurred vision I envisioned, stood silent, anxious of your condition,
Division of indecision was nothing less than your frightened inquisition.
A hallucination on a mission of who was out to hurt you with consistence,
I understood as you tried to piece together the suspicion of our composition.
Guarded and in position to react upon intuition then the smoke disappeared and you saw our reflection.
No longer was my presence an imposition now in recognition you accepted the ignition of a united evolution.
Successful revision disposed internal superstition,
Our collision created a premonition for our future decisions of precision.

The past’s paths we chose were restricted to our addiction and careless indifference,
The assistance of negative influence stripped us of our innocence.
Blood shot eyes, negligence of appearance, abstracted resistance only creating distance.
Ambiguous and inexperienced, taking shots and hits in an instance,
Distorted images, lacking clarity, the abuse of substance left an absence of existence.
Building tolerance whilst sabotaging resilience, guilty and unable to admit repentance,
Without a witness, secret and safe, no justice to serve and no one to listen.
A mission incomplete and persistent,
We continue to envelope in our disappearance.

In the seam of my sickness I submerge within these contaminated nerves,
Fearing the silence with thirst not to be disturbed,
But absurdly I yearned your unhealthy and perplexed words to be heard,
My tender nature reserved an exclusive place to keep you conserved,
Unstable but concerned I’d preserve you like an herb,
I slurred for forgiveness but observed perhaps this was my turn,
But with your freedom you turned away and flew away like a bird.
Now relentless and pure I burn the surface of my figure, no intent to return.

Yet once we were young, wild and free,
Conducting our train with no fear of where we’d soon be,
The sweet breeze guaranteed the destination with ease,
Imagination without knowledge, amid glee and degree,  
We’d dive and rise above the salty sea,
Later meet beneath that tree with belief the starry sky we’d seize,
Through the debris you still held in your hand the key,
And we’d conquer our dreams, what we sought and believed.

But as I’ve grown within my questioning dome,
My home of stones has nothing to be shown,
Prone to disown my weakened skin and bones,
Candidly I pacify the clone I’ve never known.
In hopes to be flown far ahead of this zone,
I’d hover above in a whispering tone, draining my disease as it’s blown.
My soul will glisten and roam, looking down at my new golden throne,
As I’ve postponed to recognize the beauty of the Earth & my own – No longer shall I be alone.
drtutu watutu Nov 2018
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~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”

this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”

and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.
aar505n Jan 2015
Left a nasty mark
Left side of my face.
Sparked inner disgrace
Embarked upon a new place
Where defaced faces are not remarked.
But in the dark, I got displaced.
This space was dead quieted.
No lark sung here, but hark!
A lone bark cried out. And then another and another.
Braced myself, as stark fear crept inside.
Out of the dark, the pack show their faces
And the race began - They chased me through the park
Traced me deeper in the woods. No hiding place seen
Lack of light, pitch black, trees attack, narrowly missing me.
Can't hack this, graceless at racing.
Face grazed by twigs, looked back at the pack, closing in
Quickened paced and - smack. I found the ground embracing me
Ending the chase as they arced around me
Surrounding me in the dark
My eyes glaced over, sparking more than fear
To enter my brain, all them interlacing  together
Death's intamacy marked the end.
I prayed for a coup de grace
Just in case skies aren't empty
Jaws opened and crashed down on me.
Biting, chewing, tearing through me.
Eating raw meat, sweat as nector for them.
Brittle bones break and snap.
They drain my marrow leaving hollow bones.
I laughed.
I laughed louder and louder.
The unearthly sound echoed in the night.
The biting became more frantic, more panicked
Couldn't understand the drastic change.
My fears displaced into the dark of ether
I got up and shooked myself free.
They couldn't defaced me anymore than I am
Frightened by the bite though it's no harsher than the bark
And being frightened, I gave them power over me
Power to tightened my very being.
Misplaced my own proper power prove to be a mistake.
But now I know those shadows do not mark my end
The gallows can wait.
I disembarked from this dark park, leaving behind the barks.
Face still defaced, but with an ace up my sleeve.
Mateuš Conrad Nov 2015
it’s been foggy for the past two days,
i blamed fireworks on halloween
rather than guy fawkes’ celebration to
burn the magna carta... i still prefer the beltane
festival of burning rubber skin tires of pensioners
extending for a plastic surgeon’s career;
it was foggy these two past years,
i can almost start an art movement or set-up an art school
ensuring all paintings are painted with fog-overtones,
as i blow cigarette smoke into the air...
but this is the zenith of autumn,
the earth has started to breathe, the muddy field soil
has started to turn into mush, to mush,
it’s begging the plughole sepias of a hectare into easing into
moisture so the boots land a footprint into flemish tired in the trenches
for the toilet plop...i’ll dismember onomatopoeia spelling
and retrace the origins of dyslexia... i will!
insert this anti-intellectualism of england laughing at the words
sartre and *****... piston... etc.,
then become content with en masse surveillance.. everyone’s happy!
win win situation!
he he he... giggles for rounds of ***** shots and double-glazing...
keep the van gogh canvases... we need pristine voyeurism sights
across the street and never bothering to chip in to the gallery funds.
it’s autumn at its zenith with two foggy nests of the moon exposed
and i’m forcing cigarette smoke into the air to match up...
i’ve heard news that a lady psychologist and a professor are interested
in my works... back home in poland,
they are announcing a secret reading of my work
in the underground chambers of a church in szewna, akin me to a gombrowicz,
i’m about to become a merchant of poetry.... here’s cinnamon for words,
here’s chilli for specified terms that tingle the tongue.
back home i can reclaim this misunderstanding of all necessary jokes
in england...
so this article comes along... stresses the difference between england and france...
the difference?
in england: a. i’m trying to write a book... b. how much money did you get upfront?
typical of bank of england signatures being given with a safe investment...
in france? a. i’m writing a book... b. what’s it about?
that’s europe, cross-continental, with the isolationism of england
like the isolationism of england if f.d.r. was the prime minister
and everyone spoke gaelic, so there...
frogs are princes... with such cares the article mentioned...
it mentioned rousseau as the joker card of blames
for the french revolution...
well i know that scientist is a misnomer of intellectual,
after all, the scientist is the man with a ruler and centimetre
and the intellectual doesn’t bother to count up the centimetres
of welsh words... but a scientist is hardly a cobbler...
so i give darwin... the english intellectual exploit surfacing as
the modus operandi of the holocaust...
‘it’s almost like a darwinian pact,’ said faust,
'i peered into the monkey and knew of the trouble it would translate,
this collective categorical translation that didn’t say:
orangutan is chinese and chimpanzee is greek, the gorilla is italian...
how the hell could we have evolved from the monkey
if there is no single species of monkey, we’re already as diverse
as the ****** monkeys! so a chimpanzee ****** a gorilla
and the first humanoid was spawned?' ******* you english colonial
******* and your limb-for-limb relativity, oh wait...
i’m writing in english... now isn’t that paradoxical...
but the f.d.r. akin isolationism craves for artists that not only perform
with their backup cognitive singers, i.e. song writers...
(like the song by vanessa paradis - joe le taxi -
being almost like ellie goulding's on my mind)...
how did it all become defaced with karaoke and a prenuptial of fame...
i just want the original rolling stones... i don’t want people turned
into adverts... i don’t want artists turned into slogan pushers...
i rather keep the kites of drugs.... i can’t do this... my heart’s broken,
but that's because the audience that's being sold
the art is too young to respect the go-along practice of drug use with the arts.
Keiko Larrieux Feb 2010
Stop staring
I’m defaced
When I find me
You’ll be replaced

Winter Vitamin D
Here’s happiness
I’ll never see

Ripped into a metropolis
Warmed in clothed greed
You shine their suits
You melt frozen streets

I’ll always find you
Always sadistic
Always shining through
The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my ***** glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And **** and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and *****
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent,
As God lives, is permanent
Hearts are dust, hearts' loves remain,
Heart's love will meet thee again.
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.
Yenson Aug 2018
Bony small fingers wrapped round the cup and lifted it to pale dry lips
she took a sip and lowered cup
Sat opposite I looked at a face that was once to me the most
beautiful face ever
Now for the first time in my life I had undoubted confirmation
that beauty does fade
And those that say 'beauty is only skin deep were right all along

I was never in love with her, I liked her, liked her a lot, but right
now I sat broken hearted
Heartbroken because to me God's magnificence has been defaced,
the Divine work of The Most Divine has been destroyed
How could this be, how can this happen
Is evil such a powerful force, powerful enough to obliterate the face
of an Angel.

Yes, I know the prettiest Rose will one day wither and die
Yes I know nothing last for ever in our world
Yes I know we will all grow old and die
Yes I know night turns to daylight
Yes I know we all return to dust

It hurt, it hurt, it hurt, for how can Aphrodite turn into Medussa
within the course of a year
To twist the dagger in me more, it seem as if all the changes were by her deliberate design and welcomed by her
How can one blessed as such decide I want to alter myself and look
the most unattractive I can be
It was as if Lucifer stood there, saying 'you see my power, anything
you consider worthy, proper, Holy or beautiful, I can *******, mess up or destroy'...

Small bony claws put down the cup after the final sip, internally I was in stunned disbelief, how cruel is evil, how can an Angel be
thus disfigured. Where is God, why allow this.

I was never in love with her, I liked her but never had any reason
to think we could be an item. But her beauty always reminded me of God's magnificence and induced praise to God anytime I saw her. Now the hurts burnt so deeply into my soul, that I don't believe in the beauty of humans anymore. I was shallow somewhat
Now I know only Inner Beauty matters and everything happens for a reason
Ashes to Ashes
Dust to Dust
Gravity come back
Or leave me suspended
Masks and mirrors
Images defaced
Replace the smile under the sun
I want star light
Transcended
Or just leave it somewhere
Aside
Reflection has gone away
Just don't vanish
While there's still tension
Don't pull it back
Stay
If only until the morning light
My apathy
Julie Oct 2012
I miss being the girl
The girl who had your heart
No *******, straight love from the start
No tears, just smiles, but now I’m torn apart
Because you have to have it your way
You never listened to what I had to say
You pushed me away, you made me feel betrayed
Now I’m just that girl
That girl who will never mean the same
That girl you wish you never claimed
That girl you accuse of why you feel ashamed to love again
I had to pick myself up and lift up my own chin
I had to tell myself lies to **** the pain within
I had to force my depressed lips to put on a fake grin
Just because I’ll never be the girl
Someone will come along and take that place
I hope when you look at her you see my face
And I hope you embrace every memory she has replaced
I hope you feel better now that she has defaced me
I miss being the girl
No pain, just love
The girl
The one you held above
No matter how hard I pushed and shoved
The girl
The one you were proud to say you loved
Now I’m just *that girl
Can we believe -- by an effort
comfort our hearts:
it is not waste all this,
not placed here in disgust,
street after street,
each patterned alike,
no grace to lighten
a single house of the hundred
crowded into one garden-space.

Crowded -- can we believe,
not in utter disgust,
in ironical play --
but the maker of cities grew faint
with the beauty of temple
and space before temple,
arch upon perfect arch,
of pillars and corridors that led out
to strange court-yards and porches
where sun-light stamped
hyacinth-shadows
black on the pavement.

That the maker of cities grew faint
with the splendour of palaces,
paused while the incense-flowers
from the incense-trees
dropped on the marble-walk,
thought anew, fashioned this --
street after street alike.

For alas,
he had crowded the city so full
that men could not grasp beauty,
beauty was over them,
through them, about them,
no crevice unpacked with the honey,
rare, measureless.

So he built a new city,
ah can we believe, not ironically
but for new splendour
constructed new people
to lift through slow growth
to a beauty unrivalled yet --
and created new cells,
hideous first, hideous now --
spread larve across them,
not honey but seething life.

And in these dark cells,
packed street after street,
souls live, hideous yet --
O disfigured, defaced,
with no trace of the beauty
men once held so light.

Can we think a few old cells
were left -- we are left --
grains of honey,
old dust of stray pollen
dull on our torn wings,
we are left to recall the old streets?

Is our task the less sweet
that the larve still sleep in their cells?
Or crawl out to attack our frail strength:
You are useless. We live.
We await great events.
We are spread through this earth.
We protect our strong race.
You are useless.
Your cell takes the place
of our young future strength.

Though they sleep or wake to torment
and wish to displace our old cells --
thin rare gold --
that their larve grow fat --
is our task the less sweet?

Though we wander about,
find no honey of flowers in this waste,
is our task the less sweet --
who recall the old splendour,
await the new beauty of cities?

The city is peopled
with spirits, not ghosts, O my love:

Though they crowded between
and usurped the kiss of my mouth
their breath was your gift,
their beauty, your life.
Matt Berkes Feb 2015
Oh heart of mine
Beat on, beat on
There is agony yet
To be faced.
This tear may seem
Insufferable now
But you will be
Further defaced.

Oh body of mine
Push forth, push forth
The days will be
Longer than this.
Right now, we work.
The fun is passed.
All that's left is
To reminisce.  

Oh soul of mine
You persevere.
For once be as strong
As my boasts.  
If you falter now
And flicker out
We'll become as
Lifeless as ghosts.
jonchius Sep 2015
lamenting out loud
incoming funk lords
remembering ambient illhueminati
using wrong account

applying lexical snobbery
"using arcane diction
during bamboo surplus"
sinning and redeeming
enjoying manufactured existence
struggling but whatever

transfigurating xenocryptic renderings
scheming paroxystic shipwrecks
dispensing xylophonic wainscotting

revolving number plates
disheartening star charts
upgrading defenestrated system

observing new alphabet
amplifying celestial explosions
trippifying schema migrations
deregulating various economies
befriending code snippets
writing excess minutiae

effulging caffeine consumption
rebuilding grandiose protectorate
uniting our caliphates
collecting projected change
kettling ostalgie hues
collapsing second-world references

traumatizing unrequited follow
making baseball analogies
surveiling little sheep
awaiting various answers

deleting defaced tweet
exciting times ahead
downloading panda consciousness
capitulating rising stellation
the first half of August 2015
Alice Ellen Apr 2018
No more guises,
Just look into my eyes
Every word said from now
Will not be a lie
But every word about to jump
From your lips shall die
Because your carnal cravings
Will eat them alive.

I’m slowly dissipating
But I know you can revive me
A fallen tree, I sleep here
Slipping into lifelessness
But I feel so ravenous
And I know you can feel
The thumping of my heart
It’s eager; deeply.

You crawl up to me
With a different face
Different intentions
Breathing different air
I inhale your energy
My longing embraced
I want every trace of innocence
Completely defaced.

Overpowered
By this yearning
We want, we crave
And we’re still learning
I cannot feel a thing
But a burning hunger
You cling to me
I invite you in

Of course, I do, I crave your skin
It’s a liquid I wish to immerse myself in
Your scent rinses me
Keeps me within your carnal hold,
Let the numbing begin.
Gazing south as if some wise, well worn fisherman,leaning against the wroughted railed pier in all its victorian, gordy, standing, splendor.

Warmed and held by the summer sun as close as shared spoon-cuddled arms.

On thermal  air, calls and laughter rise from towelled steaked plots
blinding and shading the razor sharp hungry sea-gulls eye from flakey white flesh in all its golden battered salt-shuck sharpness,
competeing on the nose with hand-held melting creamyness, as they waft and weave gently by.

Below the slatted sound , the magic hypnotic spell of lapping waves lift and tilt me on a day dream of youthful lost love.

To a day we made our sun run in all its lazyness, dimming the enviour moon in its wake and kissing still the hands on the pasty-face black towering clock
                                          As time slipped way and was some where else.

With worn drift wood and tingleling toes you defaced the sand with a graphity the council tryed but couldn't erace.
And there it lies still, benieth the smooth pebbled shore,
                                                          ­                                                           kissed each day with salty tears and remembered sighs.

A fearful screaming siren pieces the soft English air, Its doppled blast, chilling,  pushing, demanding its screeching way through the brain, to some others pained, tear filled day,
                                                            ­                                then fades on the breeze.

A sun blushed child frowns through pink Brighton rock lips and eyes as blue as the sea, a secert smile is shared as if in that innocence I knew  that one magic day she will run on skipping painted toes and giggles sweet to etch for him in soft blank sand her love on this dreamy day beach.

So off the sea and off the pier I strole, absorbed and lost among the tripping faced crowd,into the sun dipped west and home alone.

Yet knowing you will remain forever mine, held in crystal dimonded grains, whilst around the bitter -sweet changing tides ebb and flow          
                     down
                                       through
                                                          the  
­                                                                 ­  years.
969

He who in Himself believes—
Fraud cannot presume—
Faith is Constancy’s Result—
And assumes—from Home—

Cannot perish, though it fail
Every second time—
But defaced Vicariously—
For Some Other Shame—
XXXII

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man’s love!—more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed
A wrong on thee. For perfect strains may float
’Neath master-hands, from instruments defaced,—
And great souls, at one stroke, may do and doat.
Is this the Face that thrills with awe
  Seraphs who veil their face above?
Is this the Face without a flaw,
  The Face that is the Face of Love?
Yea, this defaced, a lifeless clod,
  Hath all creation's love sufficed,
Hath satisfied the love of God,
  This Face the Face of Jesus Christ.
Brandon Halsey Jan 2012
You excuse yourself from the party
And sneak off to the second floor
You hide out in your bedroom
And double-lock the door

The taste of birthday cake still lingers
That stupid song rings in your ears
Downstairs your guests are having fun
Though their host is not how she appears

You reach underneath your bed
And grab a box that’s made from tin
Shaking hands quickly remove
The sharp instruments held within

The tools of a sacred ceremony
That follows the emotional drain
The ****** ritual of release
The catharsis brought by pain

You grab the hem of your skirt
And raise it up past your waist
You stare down at battered legs
Milky white flesh you’ve defaced

A terrain map of your body
A reminder of who you are
Some may prefer a tattoo
But nothing lasts like a scar

Each memory is a torturous cell
Trapping you in an inescapable past
The pain and suffering that never ended
And the happiness that wouldn’t last

Ignorance may be bliss for some
But it comes with a price too steep
So relive those nights in your father’s bed
When he made you cry yourself to sleep

Soon you’ll make your way downstairs
And blend in seamlessly with the crowd
That fabricated air of optimism
Is the mask that acts as your shroud

A smile, a laugh or a smirk
False gestures you convey
You find it so easy to lose yourself
Inside the character you portray

Reality is too difficult for some
The real Sarah they can never know
You only do this for their own good
So let’s get on with the show
Sophie Woods Feb 2014
Mirror mirror on the wall
Why must i be so tall and slim
Mirror mirror on the wall
I dont even go to the gym
Mirror mirror on the wall
Why do i look like waist
Mirror mirror on the wall
Im so shrunk and defaced
Mirror mirror on the wall
Why do i have a double chin
Mirror mirror on the wall
I just wanna grin
Mirror mirror on the wall
Why do you lie to my face
Mirror mirror on the wall
Making me displaced
Mirror mirror on the wall
Why do i have no friends
Mirror mirror on the wall
Im looking through your lens
Mirror mirror on the wall
Why do you say fairest of them all?
Mirror mirror your a ****** fibber
Why are you even hanging on my wall
Levi Kips May 2019
Labelist theory states:
If a person is labeled something they are not and they don't agree with, one day they will stop defending themselves and be exactly what they are accused of being.

I'm being called an arsonist by a jury of my peers. By a jury of people who hang with me but now listening to someone who solely wants to see me dangling. I find myself constantly trying to protect my image like copyrights. But no matter the protection plan I enstate, I always find my name somewhere being defaced. I guess respect, loyalty and friendship wasn't enough to protect something like that. If it is then why am I catching charges. Why am I catching OJ treatment when yall say I will be missed like Ladanian on the chargers. Why is action only taken when the news say to take someone out like Michael Vick and not when a player asks you to look at the real problem like Colin Kaepernick. Maybe I'm not the one on trial, maybe this trial was a trial and error to see if this jury was a jury of my peers in the first place. And if this is the case then this a mistrial because I won't allow people who say they will miss me like Ladanian to the chargers be the same ones to take everything I worked with to another area code and call it by the same name. You can foot me the Bills because this is a OJ glove that I see fit. I am arsonist to the ties we had because that same rope won't be my nuse. I set fire to all your expectations of me because I won't watch my name get defaced like your personal property anymore. I accept your label for me with open arms because there is some borderline truth behind every sterotype, rumor, or lie because I have found mine.
Fayez Mar 2016
I woke up
In a dark place
With four goats around me
Dancing.

The dance was demonic
Satanic
Hallucinogenic
Static.

They moved
Yet stayed in place
They sang demonic tunes
Yet did not open their mouth.

I paniced
Screamed
Shivered
and finally ran.

I kicked one
and it Unfolded
Exploded
Into butterflies.

The other goats burst and shaped
Defaced
Recombobulated
A man.

The man had a mask
of Clay
My fist felt the clay
The clay felt my fist.

The mask
Shattered
Corroded
Disintegrated.

I saw fear
I saw dismay
I saw dread
I saw me.

He spoke
"Pathetic"
"Disgusting"
"I'm you? How cliche?".

I shook
I saw crows
I burst to butterflies
The crows ate me.

I was on the floor
I overdosed
I ****** up
I should do this again.
A trip through Hallucinations and nightmares.
Take the dead Christ to my chamber,
The Christ I brought from Rome;
Over all the tossing ocean,
He has reached his western home;
Bear him as in procession,
And lay him solemnly
Where, through weary night and morning,
He shall bear me company.

The name I bear is other
Than that I bore by birth,
And I've given life to children
Who'll grow and dwell on earth;
But the time comes swiftly towards me
(Nor do I bid it stay),
When the dead Christ will be more to me
Than all I hold to-day.

Lay the dead Christ beside me,
Oh, press him on my heart,
I would hold him long and painfully
Till the weary tears should start;
Till the divine contagion
Heal me of self and sin,
And the cold weight press wholly down
The pulse that chokes within.

Reproof and frost, they fret me,
Towards the free, the sunny lands,
From the chaos of existence
I stretch these feeble hands;
And, penitential, kneeling,
Pray God would not be wroth,
Who gave not the strength of feeling,
And strength of labor both.

Thou'rt but a wooden carving,
Defaced of worms, and old;
Yet more to me thou couldst not be
Wert thou all wrapt in gold,
Like the gem-bedizened baby
Which, at the Twelth-day noon,
They show from the Ara Coeli's steps,
To a merry dancing tune.

I ask of thee no wonders,
No changing white or red;
I dream not thou art living,
I love and prize thee dead.
That salutary deadness
I seek, through want and pain,
From which God's own high power can bid
Our virtue rise again.
Rafael Torres Sep 2018
Nameless,
I've named this,
For who knows the contents could be,
Reminded I am,
Of gravestones left unmarked,
Once were,
But today not a name to be seen...
When I gaze upon these,
I still send my respects,
I have not a clue,
As to resting is who,
Send love from my chest,
Move to the next,
Nothing is more I could do...
I guess for a second,
All I can rekon,
Is to imagine the being below,
Of their life's journey,
Those they've effected,
I only guess,
But never could know...
I hope they have felt,
My intents of respects,
And know they are not forgotten,
In fact I do say,
Right here today,
I do not even know my own place,
In this here world,
For which we are thrown,
My meaning,
Still yet,
Unknown...
So I visit as a friend,
A simple kind gesture,
A gift of my salutations,
You lay there,
As I stand afoot,
A quick connection of Nations...
I do hope it was felt,
That I so alone,
Considered a guest,
Of your home...
The Cemetery.
Written 08/04/2018. 11:08PM. Speaking on the graves I visit, which I see have been vandalised, defiled, defaced, or damaged...
fray narte Dec 2022
Such a classic mortal blunder to lay
my spine as it erodes, graceless, inelegant
on Galatea’s cold, ivory arms;
such delicate carvings can never be human, look human,
feel human under my lonesome bones.

I long to see you flinch and break
into fine, liquid, rain of dust blinding me,
covering the walls of this room
in a blameless shade of white: a new asylum ward
for my kind of insanity,
you say.
It envelopes like light around my awe
and my forlorn limbs,
tangled with Galatea’s unmoving ones.
I look for comfort within brittle carcasses
scraped of everything they could ever give.

The quiet persists eerily.
But here, Pygmalion’s gifts remain untainted:
the apex of auger shells, the beak of a songbird
the blunted ceriths, the rusty chisels
all impaling my spinal bones.
Yet the sculptor’s kisses, long erased,
the careful carvings, long defaced,
long reduced into a Grecian ruin.
I bury my body on your arms yet they find no rest
against the ghostly pleas of mammalian tusks.

How many for your fingers?
How many for your hair?


Tell me, Galatea, were you carved to bear the weight of
all the sea salt I swallowed as I drowned?
Soften under my meandering thoughts; I long
to see you flinch and break — like all the dead elephants —
any reminder that you yield pliantly to the voice
of the love goddess, that you were once turned human.
Break now, your solid arms, under my own collapse
over the sea foam caught on fire.

I am no longer bending and weeping to pick myself up.
Here it all goes down and ends:
my bones,
and yours,
burning,
snapping.
Nothing —
nothing less glorious will last after us.

— Fray Narte
written October 18, 2022, 1:35 pm
Timothy Roesch Feb 2014
She speaks privately from between her legs!

Children scattered about like luke-warm dregs
of life sipped tentatively from the mug
made of her **** and the carefully shorn rug
once atop her ***** but now replaced
with a clever thong and further defaced
by empty words with which no one bothers;
like abandoned motherhood and absent fathers.

Once, long ago, the seas calmed down
if they viewed a full cuntal frown
But now what power yet remains
is washed away and the Tide abstains
from noticing at all that clever ******
of hip carried power, now just animal lust.

God with His magnanimous decree
gave us dominion over all we see
and gave it despite our rampant *****,
waggling ******* and ***** locks!
But our mouths undid us, to the core,
flung man to the ground and named woman ‘*****’.

So now emblazoned for all to see,
above the *****, *******-ly,
the final victim of original sin:
The Unattended Child!  What does he win?

Well, there it is, written bold
above the entrance to the exit of old
“Unattended children will be given an espresso and a free puppy”
Cut the umbilical!  ***** the father!   **** the mommy!

And over coffee, we’ll share some snickers
about the ****** made of her knickers.

                She used to speak from between her legs!
Her **** shouted down oceans and now it begs
for mere notice in words writ small
and forgets why she wears underwear at all.



"Unattended children will be given an espresso and a free puppy. This funny and beautiful design features a vintange inspired cup of espresso."
**an ad for thong underwear, presumably for women
Mercurychyld Aug 2014
Demagogues of our society; daftly delivering
disarming delusions of decrepit delights.
Dealing in powder, rock and liquid death,
demurely doled out in droves to the
willing unconscious, dysfunctional deviants
of the land.

Blindly offering devotions, flaccid devotions
to plastic, white collar deities; giving new
definition to internal deformity, through
decelerated dejection.

Desperate and emotionally dismembered,
defrauded by quick, cheap decadence,
debauchery, and mental decay in many
deliriously delicious forms...pick a flavor,
name your poison!

Delegate your defect, as those with
doctoral degrees in defunct traditions
do deviously delineate their demented
designs...for our future.

DejaVu?
Perhaps, but in fact, it is we
who sniff, inject and drink up their drivel,
decidedly and dutifully depleted of
intellect by way of dubious data.

Duplicitous dullards...sanitize and
deodorize their fiendish lies...as we,
WE do nothing!

Not enough of us dumbfounded or
dumbstruck by their deceitful smiles.
Full of dread and deep dismay, by
the statutes of the day...I, for one,
will dream of better days, when we
shall defeat these diabolical demons.

But for now, down beaten, downtrodden;
we will continue to be denigrated for
the duration.
Clever dissection; dumb as they want you
to be,
disparity of all creativity...individuality...
and all of your rights...controversially.
Our disgruntled displeasure doomed...to
fall on dormant hearts...and we,
debilitated and daunted, lives dismantled,
are now forever haunted, by our freedoms
demise...by days we could question
their smiling lies.

Demagogues; Big Brother...such delinquents
dosing up the masses with a deluge of powder,
rock sedation and liquid elation...pick your flavor,
name your poison.

At the end of the day WE are ONE...duped,
defaced, defeated...and to continue on this
road, our final denouement will come
disturbingly disguised...as DEATH!



-by Mercurychyld
Copyrights
Inspired by a movie I once saw.
Catrina Sparrow Nov 2012
i found a weathered love note pressed into the breast pocket of a second hand wool coat...
the year pre-dates my existence,
but it's addressed to me and signed with a moon beam.
it reads like a perfectly orchestrated symphony of strings of small silver bells swinging from the trees in a breeze,
and a melancholy hum of distant thunder as her luminous soul mate tap-dances his way through humid states in flashes of raw,
and sacred light.
it reads like an epitaph-
a stumbled upon testimony to the life of a stranger that makes you fall to your knees
that simply begs you to weep...
and to wonder;
if you should have said goodbye...
or if you could have locked the open door long before the sweetness of life you so surely insist that you've found fled through it.
it reads like a note taped to the bathroom mirror in the handwriting of a concerned friend...
reminding you of your likely survival,
of the possibilities of each and every sunrise,
and of dollar beer night down town.
it reads like the author had meant it.

"my dearest stardust," it begins,
"how forcefully bright you are destined to shine...
you are built of light,
of ancient celestial wisdom.
you're a beacon
a light house on a foggy shore guiding lonely sailors back to where their hearts belong.
your heart-songs are the articulacy of a thousand life-times forgotten.
each note flies from your lips as you forge them with force...
like speeding bullets sent out into the universe destined to slay the way we fear ourselves.
don't let the darkness find you;
never let anything thin out your glow or drown out your melody.
you are magic;
the type of thing we cling to-
as children and as dreamers.
you are a mother to every orphaned flight plan and exit strategy...
an escape artist painting door frames on surfaces not meant to be defaced.
you end up everywhere,
and you have everywhere to run.
you overflow from poorly stretched canvasses,
to broken spines of dusty books,
and back into the heart of a lonely traveler's compass rose.
let your self be magic
be aqueous
be fluid and refreshing like the rain-storm that you are.
you're the desert
the sands of time
you're quickly fleeting and quick to run.
you're a dying breed.
and we,
the lights of the sky,
treasure you.
we remind you of this in every comet's tail and every clear wyoming night sky.
all of our love."

and i can feel it
flashing before me in every stranger's eyes
it is real...
we are magic.
Nat Lipstadt Aug 2019
for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,
hopping-mad

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,
sequentially

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,
friend

<>

8-6-19
somewhere in the sky, clueless, heading north by northwest
Rob Rutledge Jun 2022
These halls seem somewhat hollow
A certain sense of sorrow
Now graces ancient stone.
Replacing familiar faces
With defaced family paintings
And cold ancestral bones.
Thrones thrown upon a pyre.
Fate becomes the folly
Tomorrow the unknown,
The brows of time are furrowed
Past spent, lost, or borrowed
Flowers forever bloom alone.
Rats, the last lords of ruin
Rule cruel shadows from the walls.
Twilight sighs at daylight's rise
All seems dark till darkness falls.
Mitchell Mar 2013
So I see when
And how the wind bends
At last I'm alone
The stars have shown
To be as vulnerable as I
At last are we
Breathing toward the sea

We are endless lies
Tied to the tied
Memories of friends
To hard to tell when
Drifting through the leaves
My fingers like glass
Gasoline is leaking
Through her hair
She is peaking

I have so much love here
Yet I can't help but hesitate
See the star on the horizon
Death has no certain date

To the waters of open shores
To the souls always wanting more
The umbrella opens for the falling rain
Life is to hard to live
When all seems to show the same

Cannot you tell me apart from myself
A shattered mirror atop of the sun
We are the lords of passed time and men
The letters are writ', so send man, send!

And at last I press my hands upon the table
Awakening the soul beyond the ego
Forging what sword I can within myself
Knowing that life outside myself will always be left

We men
We women
We humans upon the page

Never give up hope
Never forget

We were born to be

However unfinished and untuned
The strings show to be
Do not believe what you see
And no' don't you dare cry
What you think you can't be
Is the difference between you and I

The top hat is spinning upon my head
And these pearl clouds are shining
All I want is your sweet self inside my bed
With my old arms around you tight

Now I'm not too old
And I'm not too young
But I know that all my heart can give
Will never be enough

Sometimes I
Don't know which is which
I see a face
That doesn't match it

I see a sun that is glowing
But it might as well be snowing
I never said
I was confused
But maybe, I'm caught
In the middle
Of a lie of being used

A slave once asked in thought,
"What's it feel to be free?"
And a free man said to him
"Living without chains,
But the chains then come -
Without notice or warning -
Deep within thee."
He nodded,
The cool of the metal
Comforting again comforting him.

Each innocence lost
Is like each tomorrow forgot
The river's pass through us
The wind blows past
And what we wish will last
Will soon be let go and cast

Our mother's and our father's
Are as lost as you are I
Peak a smile, show your teeth
Your skin cannot hide
The light that shows underneath

Wilting winter with no name
Who has showed its wrath to men all the same
Take no pity on me, I deserve no cane
For I once was gripped with pity and quill
But the pill made me lucid
Body soon to fluid
Forcing me to flight without wings or arrow
Lost in a winless war
Like a loveless Cupid

I'm walking toward a rusted gate
No dreams of recollection in my mind
What I had left of love
Is now only filled with empty time

The weeds are all brown
Each barber shop sign seems to cry
Our friendship is dying, don't you see?
I'm here to see you and say goodbye

There on the blood mountains
Those grey rabbits digging away
What else is there to say?
I got no more feeling in me that I can pay

It all turned into one rotten show
When light was there, the dark is what you obeyed
Everything is rotten, all's o.k.
You got your choice,
And I got mine

Each time piece we hold
Twists like a poetic rhyme
But we aren't living
We aren't seeing
The silence that roars like thunder

Yet Im walking
And I breathe next to you
Laying still right near you
And I laugh, and I sigh
Struggling to get untied

And the mystery of passing
Hits me as transient yet everlasting
Into the eyes and to the sky
Two hearts soon to forget the prize

Too young to understand
Scared into a fool proof plan
Outgrow the precious hours
Let go of future powers

Here are the whistling pines
Hear how they whine
There are the reflecting rivers
See how they shiver

Brown shotgun blast with the old disgruntled uncle
His hair wet from the unforgiving rain
God laughed as Jesus wept into a microphone
And what was lost then can never be found

Make me love you, make me see you the way you want
I will not beat you and I swear I will not wave my hands in taunt
No money in my pocket, no more change in the shed
All you wanted from me was food and a clean looking bed

Let me tell you a secret, let me tell you a little riddle
Each man in this life is born to die and born to be little
Put the books in their baskets, put the books upon their shelves
Haven't eaten food in months, give me a second to tie my belt

Now when the thunder rolls in don't you squint your eyes
The blues you were born with is God's only prize
Down the line the reaper waits upon the train line
The children laughing struggling to be kind

Ants within the hole of revenge against the enemy
Broken pedestals showing unholy God's defaced
No one deserving the hate they think they need
What's put in song presents life of an angular creed
Kabelo Maverick Mar 2015
Barricades detach my demeanour slowly…
Wear my shades to match my deceiver clothing
A kiss of *** good to balance pH mantra
…I did some good to malice and got defaced, gangsta…!!
I’m a whirlwind and terribly vexed
to be mentioned in the same pun as Labour Rights
I make the world spin, probably next…
Repurpose myself and brace plugs for my neighbour’s lights…
Maverick.penmanship© Equilibrium of my Rights and Wrongs 2015/03/04
Constance; it proved delayed again, true. The battle scars of all you are remain echoed in the hue; the blues, the reds, ricocheted off your head as energy goes missing and Diaspora winds up dead.  I saw your silhouette on wanted poster, defaced with time and vandalized past words you could even recognize; your fugitive legend lives on just like a Johnny Cash song.  

I remember the dual in town square, the fight between memory and the noose left on a chair.  The regrets defect to recollect – a photograph I hold, the flash, still bold, doesn’t mind what it is told as the radiance completes and pleasantries are sold.  The countdown between the gun and the ground reverberates off windows and feels more than it sounds - I remember silly things like the way skies alive with blue are the surest bet to the memory of you.

The dance we sing relates everything; the time, the place, the soft lines of her face – the lust and love as shadows drop above.

I’ve never loved anyone in the way I love everyone.  I feel the warmth within my empty pocket, a pocket that weaves tales as eyes set sail.  A piece of dust rising from the ash as memories defy impact; alone again or, since no one can tell me, I reinvent myself so I can say that it is what I’m told.  I am the flashing of an instance that re-presents the equation; in symmetry, in manner, in form.  

Lies alive become a vague, anarchic form of truth.  This is the truth I live; a broadened form of self destruction, a manic repercussion from an emotions own eruption.  It’s hardly worth discussion, but memory has suffered a concussion and the only words worth trusting aren’t true.  It’s me and you.  You and me, or so I see as you see it doesn’t depend on symmetry.  If only I could vocalize calligraphy, or politely excuse my entropy but the main part that’s bugging me is the only air I can not breathe.

So now I live a vacated tomorrow; an equal sign divided and subtracted to its sorrow.  A life of lies, a life alive - I refuse to accept truth and instead wind up living when I should be dead.  I go missing with a beacon on my head.  

It’s in the shadow of truth that my mind feels abused; I know the words but have forgotten their use.  It’s the fear of reality that lies are the truth and all the echoing sounds that remind me of you. As though I’d actually gotten away, my fists raised high in victory, a chorus of rain began to follow me.  Thunder lauded the sky as though begging an encore and the hair on my neck began to dance – a thought I believed that could not be left to chance.  The electric disruption, a faint form of percussion, clapped louder than the bolts as all of the volts caressed the dreams of circuitry and the form faded from memory.

This is how I learned to breathe – or learned to fly or learned to jump through a needle’s eye.
Us.
once damaged, never to be fixed.
so delicate, in all it's perfection.
a piece of paper.
folded, crumpled, defaced.
will it ever be the same?
so excited to be writing again. been awhile, don't judge.
Nat Lipstadt Jun 2016
And The Hungry Ocean Spoke:

sea the human modifier,
each wave,
a dance choreographed,
a fomented friction, a whitecap invitation,
dispelling man made fictions,
repititiously reminding to:

remember, ascertain, fail, try again,
to reckon the imprecise place
you occupy upon this Earth
and be ever wave grateful

you-man, speck sized,
suffer tenderly these unceasingly reminders,
provisions of stiff winds,
soft slaps of gusting humility
coming from a roughened atmosphere

perspective, not selective,
sea how much loss I have
eons stored for you-man

has time's tenure insufficient
to yet teach you-man,
to the one conclusion bring,
kindness towards a living thing,
is the life's solitary methodology
to survive upon our shared principality?

oh desperately,
this hungry ocean, inquires:

what advantage does
your kingdom of the shore provide,
upon both the soft soil and the hard boil water,
doth not life and death mutually coexist
beneath my watery bounds,
yet killing for pleasure
here has no measure,
unlike your cursed you-man
internecine interactions

you, man, every-one, and each
a cornerstone, an etched mark so slight,
footprint in the sand, a shifting, imperfect, yet lasting,
molecular impression for all time

all time,
till the next second, the next air lifting, the next wave,
our creator's begging method of commanding,
surrender your Babel Tower's mortal arrogance

I am not human, yet I am modified.

each wave an accusation.

Oh Orlando!

what have you-men become,
infinitesimal but universal,
sparking containers of miraculous
creation breathing,

what justifications
do your bloodied solutions
that be no answers, provide?

here you-man
come once more to my irregular edges,
to replenish regularly my stores.
with your unwanted salted tears,
the sullied bodies of thy children,
mourning deaths you have fostered

Oh Orlando!

weeping, weeping,
even as your pulse's fury speedth,
every dance must end,
for to time subservient,
even as time ever forwards,
living men must slow weaken...

live by the sea,
die by the sea,
come unto me only as,
unruined mortals,
worn only by happy ending of
molecular disintegration,
the sweetness of time's decay,
a recording completed,
your resolute dancing resolved

come unto me
only from deaths
which one cannot void
but come concluded peaceful

Oh Orlando!*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Shakespeare­ Sonnet LXIV

When I have seen by Time's fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate
That Time will come and take my love away.
This thought is as a death which cannot choose
But weep to have that which it fears to lose.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Wild animals never **** for sport. Man is the only one to whom the torture and death of his fellow creatures is amusing in itself.” James Anthony Froude (British historian, 1818-1894)

~~~
June 12 ~ 18, 2016
Shelter Islamd

also inspired by Jessica Lang,
Choreographer

— The End —