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"dampness" poems
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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18.5k
Nothing But Death
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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48
"I can see my door, my bed, my window, my chair, and my table. "I can feel my spine against the wall, my feet against the floor, my jaw tightly shut, and my fingernails buried in my arms. "I can hear the wind coming in from the open window, my heartbeat rapidly thumping, and that familiar voice in my head, shouting once again. "I can smell the dampness of the ground outside as the breeze carries it to my room, and the sickly sweet odor from the soap used on my hands. "I can taste my blood spilling from the bite in my lip; my last harsh reminder that         I         am               still         alive.
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Jan 6, 2018
Jan 6, 2018 at 9:57 PM UTC
1-800-273-8255
***Crossing the room in slow motion She watches his muscles move in the moonlight Oh how they glisten in anticipation Sit my pet, in a whisper At her feet he waits with bated breath So pleased at his obedience Proceed Such a simple command He inches closer His eagerness evident in his silence In his omission of a proper response An outfaced palm and he stops short Sitting back on his feet, hands in lap, eyes to the floor I'm sorry Ma'am, he says That is evident by his failure to respond He knows what is coming Grabbing the back of his hair she forces his eyes to hers Position, she says disgustedly She leans back in the armchair as he pulls her hips to the edge He lifts one leg and gently places it over the arm Then he positions the other in the same manner Sitting back on his feet, facing the floor His arousal is evident, as is his moist anticipation Respire. The word is grunted through gritted teeth He leans into heaven Hovering an inch away Slow deep breaths He breathes in her essence wanting nothing more Than to bridge the gap with his tongue White satin and peekaboo lace She runs down the rules of his punishment Will you touch the Goddess No Ma'am Will you drool on the Goddess No Ma'am Will you move without permission No Ma'am How long will you hold your position As long as my Goddess sees fit...Ma'am Good boy His breath is slow, deliberate, and heavy The heat of it permeates the thin fabric She runs her hand over the object of desire Accentuating the outlines of what lies beneath An accidental whimper Silence! A gruff command Followed implicitly In a slow and graceful motion A hand slips under the fabric Opening her flower releasing a hint of nectar The scent grows exponentially upon the unfurling of petals A glistening finger touches him just above his lip Is that what you want? It's a rhetorical question Yes please What will you do to get it Such a simple question with but one answer Anything you please, Goddess Stick out your tongue He does so in silence, careful that he does not touch her She uses his wet flesh to wipe her finger clean Closer she whispers Now, within a half inch he breathes her in deeply Mesmerized by the dewy goodness held behind the smooth satin Watching desire grow in painfully slow motion He blows out on the growing dampness As he waits for her next command***
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Jul 2, 2015
Jul 2, 2015 at 11:20 AM UTC
Rules of Engagement
***Crossing the room in slow motion She watches his muscles move in the moonlight Oh how they glisten in anticipation Sit my pet, in a whisper At her feet he waits with bated breath So pleased at his obedience Proceed Such a simple command He inches closer His eagerness evident in his silence In his omission of a proper response An outfaced palm and he stops short Sitting back on his feet, hands in lap, eyes to the floor I'm sorry Ma'am, he says That is evident by his failure to respond He knows what is coming Grabbing the back of his hair she forces his eyes to hers Position, she says disgustedly She leans back in the armchair as he pulls her hips to the edge He lifts one leg and gently places it over the arm Then he positions the other in the same manner Sitting back on his feet, facing the floor His arousal is evident, as is his moist anticipation Respire. The word is grunted through gritted teeth He leans into heaven Hovering an inch away Slow deep breaths He breathes in her essence wanting nothing more Than to bridge the gap with his tongue White satin and peekaboo lace She runs down the rules of his punishment Will you touch the Goddess No Ma'am Will you drool on the Goddess No Ma'am Will you move without permission No Ma'am How long will you hold your position As long as my Goddess sees fit...Ma'am Good boy His breath is slow, deliberate, and heavy The heat of it permeates the thin fabric She runs her hand over the object of desire Accentuating the outlines of what lies beneath An accidental whimper Silence! A gruff command Followed implicitly In a slow and graceful motion A hand slips under the fabric Opening her flower releasing a hint of nectar The scent grows exponentially upon the unfurling of petals A glistening finger touches him just above his lip Is that what you want? It's a rhetorical question Yes please What will you do to get it Such a simple question with but one answer Anything you please, Goddess Stick out your tongue He does so in silence, careful that he does not touch her She uses his wet flesh to wipe her finger clean Closer she whispers Now, within a half inch he breathes her in deeply Mesmerized by the dewy goodness held behind the smooth satin Watching desire grow in painfully slow motion He blows out on the growing dampness As he waits for her next command***
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69
I’m currently sitting in the coldest clinic, Across from, probably, the cheapest Mexican restaurant in Western Arizona. The floors are sterile white, And I giggle at the thought of you recognizing the irony Of my emptiness. The walls are also white and look slick with Lysol. They radiate that dampness that I swear that they smell like loneliness, We didn’t make love, So much as **** in the dirt, But the truth is I’d rather wake up hot in the afternoon on the dirt and the ground (After you’ve already left) Than wake up next to The wrong person in the wrong bed. From earthy and raw so quickly to empty and white.
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Sep 23, 2018
Sep 23, 2018 at 8:21 PM UTC
Waiting
My mushroom was watered by your  juices fertilised the head grew in your dampness. the seedling grew in anticipation, would it seed in needed spaces or would it be launched to the gravity of its surroundings and fall cold. Could this eclipse of growth be sustained, or in the throws of becoming dehydrated in the over gratification  of over consumption wither in needed times and never reach its potential of what was needed. But become withered in momentary over indulgence and go limp in the field of warmth.. This once proud mushroom ever reaching new heights, Its stalk standing once tall but now faltering and lying motionless where once it stood tall. that warm space waiting, wanting its seeds to flourish in this damp place. Know all but dried up, waiting for another flourishing head to seed its dampness where the other fell silently limp.
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Mar 27, 2016
Mar 27, 2016 at 6:26 PM UTC
The Mushroom Now Grew
Opaque a darkness, dampness refreshing air silence... ...pinhole on horizon; in brilliant blue. Bright, brighter, brighter still and day.
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Nov 13, 2016
Nov 13, 2016 at 11:07 AM UTC
Morning
Come hither and feel my touch My fingertips fueled by desire Exploring every inch of you Under this burning blue star Dim the lights, My Love Keep your eyes shut And let your body move as it will To the rhythm of my beating heart Your voice sounds so tender Flesh warm to the touch As I ****** you deep, your dampness so sweet Come hither and make my yearning complete
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Apr 11, 2011
Apr 11, 2011 at 1:15 AM UTC
Burning
Like sentinels of days gone by They're silhouettes against the sky A headstone for those still below A monument we proudly show Of times when our tin was the very best when quality counted not paying less When the work was hard and the day was long And the mines were filled by the miners song Their hymns tell tales of life in the deeps where darkness surrounds and dampness creeps where disaster can be just a minute away and you thanked the lord for every day For generations all our menfolk proudly joined the line never once imagining that we'd outlast the mine
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Aug 5, 2010
Aug 5, 2010 at 3:12 PM UTC
A Cornish tale
*I sat under a paper umbrella of the reddest hue autumn and like an apple I waited for you to pick me ripe bite, smell my neck and remember. I sat on bench of grey weather boards waiting to be thrown down upon them- wanting to be pinned down upon them. Feet on a rug of discarded leaves, just like me. discarded but beautiful. still just a season long season woman, can you love me winter long? Ill meet you on the snowy bench. white puffs of apologises will float from my mouth. my toes will shake and the fence we loved for being red we'll love for being white. Red will now slither to my ears and you will say things I can't hear. And the stars will paint the sky too dark so we can see that winter sparkles. Spring is full of other lovers, this bench- lovers that are not you and I. And the playground is full of candy wrappers and mothers sneakers. The trees are majestically green stretching and yawning and showing off. The children bouncing, whining, crying,  finding. Spring is full of lovers but not us so she gives my heart to summer and glass doesn't melt so the places where I like to feel your sweat are the places where they like to touch my body. summer makes us reckless and the bench, our bench is being held together by the squirrels claws and the sparrows talons... they wait for us to scatter. hot you kiss my dampness, damper. hot you kiss my pain and sorrow. boiling all the past good voyage. our fence has lost some posts as, the children love to climb and kick it will hold on, still. but it won't hold-out and won't hold-in which is what fences are meant to do. at least they should... they should choose. Autumn, yes it's autumn ours. We are autumn lovers with leaves of the book skittering beneath the empty slide. We are autumn, smell like the burning leaves of who we were. Smelling like the fresh cut wood, ready to have her rings counted Autumn lover, hold my hand and tell me you are afraid. Autumn lover, holding color golden like a circle round. Hurry, before she blows me past the red fence, Hurry before our secrets get caught by the wind and dance around the playground. Hurry Autumn lover, Hurry to remember that you loved me, once.* Shannon April Alice 11/2/14
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Nov 3, 2014
Nov 3, 2014 at 2:57 AM UTC
Park Bench
*I sat under a paper umbrella of the reddest hue autumn and like an apple I waited for you to pick me ripe bite, smell my neck and remember. I sat on bench of grey weather boards waiting to be thrown down upon them- wanting to be pinned down upon them. Feet on a rug of discarded leaves, just like me. discarded but beautiful. still just a season long season woman, can you love me winter long? Ill meet you on the snowy bench. white puffs of apologises will float from my mouth. my toes will shake and the fence we loved for being red we'll love for being white. Red will now slither to my ears and you will say things I can't hear. And the stars will paint the sky too dark so we can see that winter sparkles. Spring is full of other lovers, this bench- lovers that are not you and I. And the playground is full of candy wrappers and mothers sneakers. The trees are majestically green stretching and yawning and showing off. The children bouncing, whining, crying,  finding. Spring is full of lovers but not us so she gives my heart to summer and glass doesn't melt so the places where I like to feel your sweat are the places where they like to touch my body. summer makes us reckless and the bench, our bench is being held together by the squirrels claws and the sparrows talons... they wait for us to scatter. hot you kiss my dampness, damper. hot you kiss my pain and sorrow. boiling all the past good voyage. our fence has lost some posts as, the children love to climb and kick it will hold on, still. but it won't hold-out and won't hold-in which is what fences are meant to do. at least they should... they should choose. Autumn, yes it's autumn ours. We are autumn lovers with leaves of the book skittering beneath the empty slide. We are autumn, smell like the burning leaves of who we were. Smelling like the fresh cut wood, ready to have her rings counted Autumn lover, hold my hand and tell me you are afraid. Autumn lover, holding color golden like a circle round. Hurry, before she blows me past the red fence, Hurry before our secrets get caught by the wind and dance around the playground. Hurry Autumn lover, Hurry to remember that you loved me, once.* Shannon April Alice 11/2/14
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50
I swirl the loose skin of my forehead like the swirls of stars, in weariness of the world. My lashes beaded with drops, from the shower that I was to tired to dry, blur my vision like the floating boat clouds which blur the moon to a wisp of smoke. I lie, wet in my towel uncaring that my body is forming a silhouette of shadowed dampness on my bed.
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May 6, 2014
May 6, 2014 at 5:10 PM UTC
Drip dry on my bed
the weight of a hand resting in yours the resistance to the touch of a single finger upon another the sizzle of a thousand hairs between fingertips the dampness of breath upon your cheek the redness of pair of lips ...or of a blushing forehead ...or of cheekbones under droplets of perspiration the silence of an empty room the sense of someone close ...who is a thousand miles away ...and thinking of you
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Sep 20, 2014
Sep 20, 2014 at 4:09 PM UTC
Unenumerated Senses
A slope with naturally created dampness causes me to lose my stride and mess my moccasins. How will this muddy mess be conquered by my not so balanced state- shaky even as I stand and ponder. A friend is already on the other side, as use was made of two delicately placed logs but my trust for them is nonexistent. I choose another log to complete the path, heavier than I had imagined, and I place it not so delicately in between the others. Medium sized rocks penetrate the soles of my shoes, and tease the nerves in my feet constantly. They never pierce me fully and I am thankful. My brain is set on numerous trains, and the tracks, and railroad spikes. I was warned but I was more than disappointed. There was truly nothing there but garbage, splinters of wood and scrap cloth caked with mud and gravel. There is some beauty in this trip. The nostalgia I craved was nowhere in sight, but that was not such a bad thing after a moment. Sprinkled along the rocky path little areas of beauty stood out through the vacancy. There were daisies everywhere.
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Jul 2, 2011
Jul 2, 2011 at 8:43 PM UTC
Daisies
Gliding Serenity in a crowd Deft glances and secret smiles Promised whispers of the future Flirting Beauty before the eyes The dampness of licked lips An invitation to taste comfort Melting Duality in a single act Spiralling heat and falling fast Naked truth of the now ©Pagan Paul (12/01/16)
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May 4, 2017
May 4, 2017 at 3:21 PM UTC
Attraction
Sitting out on the fresh green grass awakens something inside me. The dampness of the ground slowly seeping through my blue jeans, the fresh aroma telling me that although the grass was freshly cut, it lives, breathes, and grows Around me are ancient buildings, housing thousands of students, whose minds are alive—or, to be honest, are most likely half asleep The mountains stand softly in the background, somehow still partially snow capped. They form a security blanket, sad when we leave, but welcoming as we come back And the sky—the brilliant blue majesty above—somehow envelopes all of this, as if it somehow knows each one of us It holds the billowing white clouds that shape shift into almost anything my vagabond heart desires The birds flying high in the sky talk with a sort of excitement, and fly away in a hurry There is a hustle and bustle—people talking, airplanes flying, cars driving—that remind me I’m not alone And you know what I taste? Freedom The freedom that allows me to be whatever and whoever I want to be. It beckons me to explore every land and swim in every sea. It shows me who I truly love and who I desire to become This magical place—has allowed me to find me.
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Apr 10, 2018
Apr 10, 2018 at 4:34 PM UTC
The Quad
I Shine on you little, dismal light Shine on, Shine on, Shine on Your light is but a speck in a sheet A dot in a yellowed text book So many like you So little time To become what we want Noticeable Your light must shine Outshine the rest It must shine like the sun, little light The sun is beautiful, the brightest light of all It is the life-giver and day-bringer Give life, Bring day Don't spark in the night The dark does not foster The shining light you will give And you will give Little Light II Shine on, little light There are so many just like you The sheet you stain is stained by many The blanket of the sky Shine as bright as you can Before the sun bleaches you out You must shine and touch a soul Fill a heart with your little light Shine, Shine, Shine! III Glow on me, little light Glow a dense, fuzzy ivory Bring your warm white to the heart of my grey A jungle of dampness Clean clay muddied and wet To fade away into a drear Eroded into black Glow so the white revives And purity cleanses the walkways The haze is hard to break through But you can do it Little Light IV Shine and Glow Glow and Shine Whine and Row Bow Divine Swine and Sow Go drink Wine Fine hand Sew Grow a vine Grind and blow *** and Mine Mine is low So is Nine So Shine on, Oh Shine Shine Shine Shine on So The world can't lie V Little, little light So harsh on so little You are beautiful Beautifully insignificant I write to you in prayer Little Light Bring peace and tranquil Tranquilize the blackness in my heart Touch my soul in the way only a little light may So small So pure With a divine life I can never understand A force so powerful it can be seen so far away Stain my sky Bleach my night Do not leave me be There are so many like you, but it takes many little lights To make something special You are a speck on my safety blanket When I despair I look to you And suddenly I'm okay So shine on, little light Shine on, Shine on, Shine on
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Mar 14, 2016
Mar 14, 2016 at 3:01 PM UTC
The Little Light
I Shine on you little, dismal light Shine on, Shine on, Shine on Your light is but a speck in a sheet A dot in a yellowed text book So many like you So little time To become what we want Noticeable Your light must shine Outshine the rest It must shine like the sun, little light The sun is beautiful, the brightest light of all It is the life-giver and day-bringer Give life, Bring day Don't spark in the night The dark does not foster The shining light you will give And you will give Little Light II Shine on, little light There are so many just like you The sheet you stain is stained by many The blanket of the sky Shine as bright as you can Before the sun bleaches you out You must shine and touch a soul Fill a heart with your little light Shine, Shine, Shine! III Glow on me, little light Glow a dense, fuzzy ivory Bring your warm white to the heart of my grey A jungle of dampness Clean clay muddied and wet To fade away into a drear Eroded into black Glow so the white revives And purity cleanses the walkways The haze is hard to break through But you can do it Little Light IV Shine and Glow Glow and Shine Whine and Row Bow Divine Swine and Sow Go drink Wine Fine hand Sew Grow a vine Grind and blow *** and Mine Mine is low So is Nine So Shine on, Oh Shine Shine Shine Shine on So The world can't lie V Little, little light So harsh on so little You are beautiful Beautifully insignificant I write to you in prayer Little Light Bring peace and tranquil Tranquilize the blackness in my heart Touch my soul in the way only a little light may So small So pure With a divine life I can never understand A force so powerful it can be seen so far away Stain my sky Bleach my night Do not leave me be There are so many like you, but it takes many little lights To make something special You are a speck on my safety blanket When I despair I look to you And suddenly I'm okay So shine on, little light Shine on, Shine on, Shine on
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*water streams from between your eyes puddles fill the cracked streets my rage is pure like angel fire a love which nothing can defile she wets the world with her dampness thunder cries out for warmth her shivering shoulders bare witness to the sun and what was lost the windy day kept me inside holding onto this fright feelings pressed against my chest i tremble with delight youthful arrows morning sparrows stargazing at night just because you can do it doesn’t mean that its right streets of cobblestones are being shown the pavement is our throne home against the cement dilapidated boxcars and temples of respect remove your shoes before you enter yurts and cabins made of clay barely resurrect sustainable ways are coming back give thanks and respect to ancestors who deserve our praise for they never did neglect their duties to the earthly mother her love they sought to honor children of the wilderness at home beneath her cover canopies of trees line feline forests with her love*
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Apr 24, 2017
Apr 24, 2017 at 10:31 PM UTC
feral forestry
Shlomit (whom most of the boys disliked) stood in the playground holding one end of the skipping rope while another girl held the other end as another skipped. Her wire rimmed spectacles stayed in place as she moved, her holey cardigan had seen better days, her grey dress had been handed down so often that it shone like steel. Naaman stood and watched her from the steps leading down to the playground. She sometimes smelt of dampness as if she’d been left out in the rain and brought in to dry over a dull fire. He looked at her dark hair held in place with hairgrips, the hair band of a dark blue remained unmoved by her motions. Some girl pushed her away from the end of the skipping rope and she walked to the wall and stared. That seemed unfair, Naaman said, you were doing your bit ok. Shlomit looked at him with her nervous eyes. They always do that, she said; never let me play for long. He stood beside her; he could smell dampness mixed with peppermint. Maybe you’re too good for them, he said. She smiled and pushed the hair band with her fingers. Her nails had been chewed unevenly, he noted, her fingers were ink stained. Would you like a wine gum? he asked. He held out a bag of wine gum sweets. She put her fingers into the bag and took one and put it in her mouth. Thank you, she mouthed, her finger pushing the sweet further in. Naaman walked with her up the steps that led up from the small playground and stood on the bombed ground and looked down. There used to be a house where the playground is now, he said, it got bombed out. The playground was once the cellar. Oh, she said, I didn’t realise that. The bombs missed the school, shame, he said, smiling. Daddy said I ought not talk with boys, she said, looking at Naaman then quickly around her. Why’s that? he asked. She looked at her fingers, the thumbs moving over each other. He said boys were rude and mischievous, she said. I guess some are, Naaman said. She looked at him. You seem all right, she said. But you are still a boy and he might find out I talked to you and then there would be trouble. How would he find out here in the playground? Naaman asked. Someone might tell from here that saw me, she said anxiously. Last time someone told him he beat me, she added quietly. She pushed her hands into her cardigan pockets. Best go, she said. I like you, Naaman said, you remind me of a picture I saw of a girl standing beside Jesus in that Bible in the school library. Do I? she said, did she have wire-rimmed glasses? No, Naaman said, but she had a pretty face like yours. She laughed and took her hands from her pockets. He saw two reflections of himself in the glass of her spectacles behind which her own eyes gazed out. Maybe it was me, she said playfully. Oh, yes, he said, taking her thin ink stained fingers in his, no doubt.
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Jul 5, 2013
Jul 5, 2013 at 3:13 AM UTC
SOME BOYS ARE DIFFERENT.
Shlomit (whom most of the boys disliked) stood in the playground holding one end of the skipping rope while another girl held the other end as another skipped. Her wire rimmed spectacles stayed in place as she moved, her holey cardigan had seen better days, her grey dress had been handed down so often that it shone like steel. Naaman stood and watched her from the steps leading down to the playground. She sometimes smelt of dampness as if she’d been left out in the rain and brought in to dry over a dull fire. He looked at her dark hair held in place with hairgrips, the hair band of a dark blue remained unmoved by her motions. Some girl pushed her away from the end of the skipping rope and she walked to the wall and stared. That seemed unfair, Naaman said, you were doing your bit ok. Shlomit looked at him with her nervous eyes. They always do that, she said; never let me play for long. He stood beside her; he could smell dampness mixed with peppermint. Maybe you’re too good for them, he said. She smiled and pushed the hair band with her fingers. Her nails had been chewed unevenly, he noted, her fingers were ink stained. Would you like a wine gum? he asked. He held out a bag of wine gum sweets. She put her fingers into the bag and took one and put it in her mouth. Thank you, she mouthed, her finger pushing the sweet further in. Naaman walked with her up the steps that led up from the small playground and stood on the bombed ground and looked down. There used to be a house where the playground is now, he said, it got bombed out. The playground was once the cellar. Oh, she said, I didn’t realise that. The bombs missed the school, shame, he said, smiling. Daddy said I ought not talk with boys, she said, looking at Naaman then quickly around her. Why’s that? he asked. She looked at her fingers, the thumbs moving over each other. He said boys were rude and mischievous, she said. I guess some are, Naaman said. She looked at him. You seem all right, she said. But you are still a boy and he might find out I talked to you and then there would be trouble. How would he find out here in the playground? Naaman asked. Someone might tell from here that saw me, she said anxiously. Last time someone told him he beat me, she added quietly. She pushed her hands into her cardigan pockets. Best go, she said. I like you, Naaman said, you remind me of a picture I saw of a girl standing beside Jesus in that Bible in the school library. Do I? she said, did she have wire-rimmed glasses? No, Naaman said, but she had a pretty face like yours. She laughed and took her hands from her pockets. He saw two reflections of himself in the glass of her spectacles behind which her own eyes gazed out. Maybe it was me, she said playfully. Oh, yes, he said, taking her thin ink stained fingers in his, no doubt.
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79
Hearing fogged drops of rain Precipitate violence in the Amazon, Against the placid Leaves; Left disheveled the unfiltered forest.   Dampness divorced from its thin vapor blur Plummeting memoirs retold, the cradled Past returns its own, splintered light Edging the threshold of infinitude, Axiomatic slippage each fell cold. Fallen moisture recovered, Once nourished the ancients; Correspondingly, we align. Lineal descendants, Tides of March, Sibilant waters flow through us. Hoary myths, now hallowed imminent. Ponderous, our torn skies cleft, clouds suffused in grey─ The emergent pour, casts a montage of Freighted silence, implicit tapestries Sewn seamless; our kindred froth ashore. Pedigreed continuum bound in common plight, Unseen flood of halcyon Dust and flesh coalesce beneath the torrent; Genetic lines merge ─ intersection of Time and eternity. From the same water we drink. Lineal descendants, Tides of March, Sibilant waters flow through us. ©2012 W.S. Warner
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Sep 30, 2012
Sep 30, 2012 at 1:54 AM UTC
Tides of March
Walk through my soul forest and sense Anciently evergreen and wise Fresh dampness deep with life Rocket through my mind galaxy and know Burning nebulas of inspiration Infinite dustings of thought constellations Fall into my heart ocean and taste Tides brackish with emotional brine Love foaming on shells and shorelines Breathing life into my body Blooming peace into my life Take a moment to see me And these natural forces of mine
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Jan 21, 2017
Jan 21, 2017 at 3:26 AM UTC
Forces of Nature
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
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Sep 1, 2025
Sep 1, 2025 at 6:01 PM UTC
The Tide Knows
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
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Sometime this spring, when all the cobwebs have been dusted, and all the cold and dampness has gone away, I'll sit on my front porch and watch the lazy clouds go by. Sometime this spring, when there are no more dreary days, 0r long and silent lingering nights, I'll sweep my front porch and sit so grand in my rocking chair and stare and howl at the sumptuous moon. Sometime this spring, I'll hold my child in my loving arms, and will stroke her hair and whisper to her about all the adventures to come, and dream and fill her head and heart with all the joy that nature brings. Sometime this spring. delete poem Copyright © 2010 Category Tags Add Rate this Poem 1 2 3 4 5 6 7 8 9 10 Submit your vote Reviews Write a Review Submit your poem Have a little fortune with your fame. Title: required Poem: required Category: Children Death Family Friendship Inspirational Humor Loss Love Nature Religious Other Tags (comma separated): Submit your poem Greatest Poems Greatest Poems Ever Written Greatest Love Poems Greatest Children's Poems Greatest Poets Bios Famous Poetry Quotes 9/11 Poetry Reference Poetic Techniques Poetic History Rhyming Help Poetry Glossary Poetry RSS Feeds Poetry Quizzes Write and Read Publish Your Book Discover Poets Poetry Marketplace Free Contests Leaderboard About Lulu Poetry Company Profile Membership Agreement Privacy Policy Contest Rules Poetry Blog Help Copyright © 2009 LLEI, Inc. All Rights Reserved.
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Jan 8, 2011
Jan 8, 2011 at 1:06 AM UTC
Sometime This Spring
Nowhere to call a home Never a place to call shelter Just a temporary sanctuary Gradually being washed away By the advent of time And relationships On the side of crossroads, You'd miss it if you weren't looking Plants break free of its walls, Tearing it into pieces, Reducing it to ruins That is where my love used to be Where it used to exist The bottom cellar is where my heart Used to beat, scream out it's Intentions for the world to hear Where I once knew that love existed Now, those same walls have fallen Ruined, the stones are chipped Holes mar the surface And if you ever step inside, You'd see a great big emptiness A muskiness in the air Speaking about what used to be Cobwebs line the ceilings The floors, unsteady and weak A little bit of sunlight filters through Providing enough light to make out figures A sadness sets in, a weariness Felt through your bones Dampness causes the wood to decay A drop falling every now and then Startling with its loudness, Makes a puddle on the floor That steadily trickles down To what lies below A despondent house, called haunted By people passing, who happen to see it. No one goes in, no one steps in It remains abandoned, cutting an Intimidating, haunting figure where it Stands unnoticed, beside the crossroads Unmentionable, unnoticeable If you didn't know it was there, Your eyes would pass it by
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Oct 2, 2012
Oct 2, 2012 at 6:28 AM UTC
The House Beside The Crossroads
Static radio click and a skitting bird, stench of cigarettes and stale beer salt and vinegar or dry roasted? The dormant dampness of barely-used picnic tables. Flat coke hanging to melted ice, warmth trapped under cloud. Phone under thumb - get together. Bike chains and combination locks, empty wallets, Rizzlers, filters, a key to the house. Sticky coaster and slimy taps beads of sweat on the frozen glass.
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Sep 10, 2012
Sep 10, 2012 at 6:28 PM UTC
Pub
Rebirth! Have to clean my house today. Forlorn for near eternity. Bathroom once depressed in dank dampness. Embryonic before new birth. Now reborn. Put on dress of new. Fixtures and fittings sparkling renewed. Safely delivered took a week. So glad it was not a labour of mine. Walls painted as light corn-flower. Forgotten archaic tragedy as shades of change. They have evolved! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Nov 2, 2013
Nov 2, 2013 at 7:35 AM UTC
Rebirth!
I finally returned home After a lingering day I looked into the mirror my steaming tears snake down my face but I push down my sorrows long enough to forget The smell of warm sheets right out of the dryer cuddled my body like a tight expecting hug As I placed my hand upon my heated cheek I could feel the dampness of my warm skin I shouldn't worry about a thing right now but I do Ready to sleep under the glow in the dark stars where my life centered beneath at this time of sorrow I drift off --- 6am --- My eyes abruptly explode open It's so dark I can't make out anything Trying to drift back asleep but my eyes won't close I try to get up but a force stops me Moving a muscle is impossible at this point I opened my mouth to scream in terror but It takes my breath away I can faintly make out its face It's me A perfect copy of my every feature She doesnt think the same ways as me nevertheless Taunting me All my fears spit out her teeth Just like that she's gone Now It takes the shape of my loved ones Surrounding me They hold me down while I am sleeping and brag how they are perfect
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May 1, 2020
May 1, 2020 at 3:13 PM UTC
Sleep Paralysis