Rivers are wet
Dams are hard.
Dams slow and block rivers.
Everyone knows

BUT Other times
Dams make the rivers flow and flow.
It doesn't take much to to evoke a dam
Once its raised
There is no way of stopping the course
But who would want to stop it anyways?

Night after night
Day after day
river keeps the dam working.
dam keeps the river flowing.

Never running dry
Never growing weak
but occasionally reaching a peak.
This is something very few people see


This poem isn't about water and concrete

824

[first version]

The Wind begun to knead the Grass—
As Women do a Dough—
He flung a Hand full at the Plain—
A Hand full at the Sky—
The Leaves unhooked themselves from Trees—
And started all abroad—
The Dust did scoop itself like Hands—
And throw away the Road—
The Wagons—quickened on the Street—
The Thunders gossiped low—
The Lightning showed a Yellow Head—
And then a livid Toe—
The Birds put up the Bars to Nests—
The Cattle flung to Barns—
Then came one drop of Giant Rain—
And then, as if the Hands
That held the Dams—had parted hold—
The Waters Wrecked the Sky—
But overlooked my Father’s House—
Just Quartering a Tree—

[second version]

The Wind begun to rock the Grass
With threatening Tunes and low—
He threw a Menace at the Earth—
A Menace at the Sky.

The Leaves unhooked themselves from Trees—
And started all abroad
The Dust did scoop itself like Hands
And threw away the Road.

The Wagons quickened on the Streets
The Thunder hurried slow—
The Lightning showed a Yellow Beak
And then a livid Claw.

The Birds put up the Bars to Nests—
The Cattle fled to Barns—
There came one drop of Giant Rain
And then as if the Hands

That held the Dams had parted hold
The Waters Wrecked the Sky,
But overlooked my Father’s House—
Just quartering a Tree—

All Day
The Dams burst into song.
The golden throats of Honey Ants exhale the sweet air from crystalline lungs...
I am thinking of You.
And the roar of the moss that glitters in the moonlight that fell across your stone,
your soul, your next move...
amid the giants of your camouflage,
your masterful dodge of tedium,
that bores you completely...

The roar of your pancakes.

Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp

These scars are my battle wounds
a reward after a long troubled battle with myself
but I won in the end
a symbolic trophy that my struggle is nowhere near over
I am left with the scars
scars where once a crimson red river flowed from them
scars healing over making dams barricading the red monster under them
to feel the sting of the blade in my hands once more
a natural high
the dams don't stand a chance against my new weapon of mass destruction
they will crumble and open at the very touch of the metal to skin
they have to
I have to feel that sensation once again
let the dams break open and the war begin.

Sometimes I feel like we are dams
not dammed, but rivers of emotion held back by concrete
to release feelings in controlled manners to maintain
life that has felt lost.

Breaks and cracks do happen where tender hands can fix
but the storms of many have come and I will overflow.

what scares me is the damage I will do and
whoever has not left will have eyes turned for an answer

to find wreckage, waste and whispers of sorrow
if I had a purpose, I think I might have failed.

I would warn you this will happen but goodbyes  b r e a k
                                                                ­                              p i e c e s
    walk on my shoulders once more so I can                         o f
               remember your warmth when water and ice take       m e .

When Building the cities, roads, bridges and dams,
Blood, toil, sweat and tears
will never  suffice;

The Romans, Phoenicians, the Hitites and Egyptians,
they all knew the score, they used it for years:
Mortar, water and stone were never enough.

Foundations were crumbling, the bridges fell tumbling, the roads went asunder, the cracked dams' water pouring;

Rulers and Chieftains, Pharaohs and Mighty Heads of the State,
Convened with their Wizards, Druids, Grand Mages and Magicians:
"Solutions", they clamored,
" Solutions at once!".

Bonfires were lit, the goat's blood spilt, the entrails were read, the tea leaves deciphered.

The Oracle rose, in a whispering murmur, She muttered:
"When Building the cities, roads, bridges and dams,
Blood, toil, sweat and tears will never  suffice".

The Gods, in their infinite wisdom, had spoken:
" the elemental truth" they said
"that runs at the core, of all human enterprise
since the days of Gog,
for the formula to be true,
It needs a special glue,
a magical brew,
a mixture of fear, innocence
and tears
that can
only be found,
in the wide-eyed
Son of Man;

An infant is needed,
for Stone, Water and Gravel,
will eventually unravel."

"When Building the cities, roads, bridges and dams,
Blood, toil, sweat and tears
will never  suffice".

So it has been said, it has long been sung, the basis of Civilisation
is Human Sacrifice...

The Romans, Phoenicians, the Hitites and Egyptians;
they all knew the score, they used it for years,
Mortar, water and stone were never enough...

J Eduardo Ramos©

I have ways
To hold myself
I have ways
To keep my mind in eternal check
But sometimes
The wall breaks
Not water but thoughts
No, emotion
Emotion floods my actions
Then the dam is repaired
I am back in check
I hold myself
Cradling myself
Keeping myself safe
But not from you
The floods take me over
These dams
Protect me
From me
Only one thing
Can reinforce that wall
Her
Seeing her
Hearing her voice
****
Even reading a text from her
Just thinking about me and her
I grow calm
I just stop
The waters lower
And the process starts over
But
She has removed that
She took the reinforcement
She took my happiness
It’s not her fault though
I guess
BF
Stands for
Best friend
And nothing else

in complete melodies
the frequencies i hear
can not be contained by anything
love is drifting through the hills
and you are home to its trills
she dreams of light, the fire bright
and full of crystal skulls and eyeballs
dozens of monuments are built
just to mark the moments
when we could have said i'm sorry
merge with the mountains
find the source of fountains
shine the diamond compass
if that's what you are really here for

broken dams are our business
feed the swans their luminescent lunch-boxes
duck for cover, its a wonder that we are all together here
that's clearly redundant
the tendency to dream
is the most important human faculty
its a tragedy that the lack of nuclear power
showers the atomic world in rainbows
as forlorn teenagers in the ice-age of America
govern our equipment from their parent's basements
and carouse with comfort upon chairs, cushions and couches

a million times the victory
a million miles of rope to weave
a million are the paths to god
and a million more are the souls
who've learned to cope with tragedy

i come cherishing and bearing gifts
figures of speech are my playthings
i am furniture remodeled daily
and intuitively placed around your home
the finer things in life are free
so see me there upon your television set
i am electromagnetic static
within the black and white of advertisements
i am figures of forgotten speech
so record the unwatched programs
in your mind’s virtual memory
the hard drive of work and play
creates hundreds of new retirees each day
hundreds of haunted expatriates
knuckle-headed people
that couldn't tread lightly
even if they wanted to
so will you please untie me
and remove these binds and chains
it's time to free the lover from the psyche
for that is all she wrote

i am a silent p
i am a violet apogee
i am a cosmic minority
i am a message in your tea leaves

but if you stand too long in my shoes
you’ll likely drown in solitude

I am quiet.
The silence I favor,
but not the one that dams every thought
that bubbles around our heads.
I'd like to rip it apart,
but I'll drown from the ripped quiet dam.
That silence I don't favor.
I am quiet again.

Blasphemy,
a forced wit to write is no better than fights on a playground, adolescents, unbearable, fruitless, all around useless,
success can’t be conjured it must flow from the soul,
frustrated tossing and turning and thinking, in bed,
thoughts are racing some trivial, most not,
in my present… yesterday’s future,
using this logic I am calmed and collected,
now knowing these feelings will pass, all of them will pass, with time they will pass, with a pen they will fall out, splat, creating images between lines,
the best part being mine all mine,
knowing I will sleep, I do, oh how I do.
and my dreams.
are an acquired taste.

Dear Readers, President Theodore Roosevelt wanted
to save this marvelous Natural Wonder for posterity! So
the Grand Canyon National Park was set up in 1919. In
1979 it was declared as World Heritage Site! With the
portion “Sun rises and sets over the Grand Canyon”, -
I have concluded this poem. Kindly take your time to read,
no need to comment in a hurry please ! Thanks, -Raj

CONCLUDING THE GRAND CANYON
STORY IN VERSE – RAJ NANDY

INTRODUCTION
Literature about great natural features include
two personal types of writing;
Description of things observed, and impressions
of what is known and seen!
The story of the Grand Canyon takes us back
to the Pre-Cambrian Age,
When violent forces were unleashed from within
the Earth, during its formative stage;
When mighty forces of erosion began to sculpture
her undulating landscapes!
Therefore, I begin with a quote about Erosion,
From the great poet Alfred Lord Tennyson; -
“The hills are shadows and they flow,
From form to form, and nothing stands.
They pass like clouds, the solid lands.
Like clouds they shape themselves and go!”

TO RECAPITULATE PART ONE:
In Part One we have seen, how movement of
earth’s tectonic plates unleashed violent forces
from within!
It formed mountains and lakes, shaping our
landscapes, which now appear so peaceful,
grand, and serene!
Over millions of years the forces of erosion in
the form of wind, rain, sun and snow,
Sculptured earth’s evolving features creating
majestic, panoramic vistas as we know!
Geologists now opine, that the Grand Canyon
was carved out by the Colorado River, -
cutting through ‘layers of Geological time’!

THE COLORADO RIVER CARVED THE CANYON:
In the state of Colorado, from the high country,
Where snow and ice lasts well beyond the dawning
days of Spring;
There the majestic peaks of the Rockies form the
perennial fountain head from which springs, -
One of the great rivers of the world the Colorado;
Which travels 1400 miles through seven States
reaching the Californian Gulf west of Mexico!
Now during prehistoric days, the pristine Colorado
had flowed almost along the same path as today!
But after the magical rise of the Colorado Plateau
some five million years ago, (Refer Part One)
It had blocked the river’s path making it flow
south-east into the Gulf of Mexico!
Few Geologists now opine, that this diverted river
had formed the pre-historic Lake Bidahochi,
Which later drained out to form the Little Colorado
River, which today we get see!
But the cut-off western portion of the river (named
Hualapai Drainage) continued to eat away through
the Plateau’s southern portion,
Through a gradual process known as ’Headwater
Erosion’!
For the river flowing at a steeper gradient along
the ‘Grand Staircase’ of the Plateau, carried
stones, rocks and debris,
Which formed the cutting tools, deepening the
Canyon over countless centuries!
When the softer sedimentary layers of the Plateau
below the top rocky layers gave away, - it resulted
in several rock falls!
While flash floods and erosion continued to breach
the sides of the canyon walls!
Thus over millions of years the width of the Canyon
gradually increased;
While the gushing and untamed Colorado River
chiseled through the depths of those Cyclopean walls, -
running deep!
Now the ancient Lake Bidahochi which had breached its
banks, had captured our pristine Colorado;
And their combined power increased the volume of
water and river’s chiseling power, with its rapid flow!

ENDANGERED COLORADO RIVER :
It is unfortunate that today, the Colorado no longer
reach the mighty Pacific as in the olden days!
With the progress of civilization and the spawning
of big cities,
Like Denver, Las Vegas, Phoenix and Los Angeles;
And to cater for the agricultural farmlands and the
Industries,
Many dams got built to divert its water and to
generate electricity!
Thus over a century of overuse and abuse of this
precious natural resource,
Gradually choked up the great Colorado, as it
became a mere trickle at the end of its course!
Ecologists now debate, while USA has launched
‘Save the Colorado River Project’!
Let us now cheer up by getting back to our
Grand Canyon’s scenic beauty,
Before concluding this wondrous Canyon Story!

SUN RISES AND SETS OVER GRAND CANYON!
To see the sunrise from Mather, Yaki, or the
Hopi Point, - located on the Southern Rim,
Becomes a life time experience, better than any
surreal dream!
First a glimmer then a glow, when a faint blue-white
sheen begins to show!
As the sun gradually sprinkles its light, streaks of
crimson red spreads across the eastern sky!
Soon orange and yellow shafts of light, light up the
Canyon walls up high!
Squirrels scurry out of sight, and birds twitter in
the sky!
The Hummingbird hovers like a helicopter, and
Big Horn sheep are also seen;
The Hummingbird which can even fly backwards,
enlivens this early morning scene!
The sun now rising in its resplendent glory,
showers the canyon with its kaleidoscopic beams;
With streaks of yellow, gold and red, it chases out
lurking shadows from within!
Like a curtain lifting before their eyes, the tourists
view this panoramic sight!
As the Grand Canyon awakens to greet the day,
With cameras madly clicking away!
The great ancestors of the Hopi tribe, Hopi
meaning both peaceful and wise;
Had inhabited these areas some eight thousand
years hence!
Their scooped out granaries and tools found inside
Canyon walls, - have an ancient story to tell !
The Spaniards were the first Europeans to reach,
in search for gold which they never found!
But for the Hopis the Canyon remains, as their
sacred Holy ground!
When those Spaniards saw the Colorado way
down below, from the Canyon’s upper rim’s side;
They said that this thin blue streaked River, was
barely five feet wide! (In mid-16th century)
The average width of the Canyon is around 10 miles;
While the River at its narrowest point is 600 yards
wide!
The Condor the largest American bird, catching an
upward draft circles up high;
Like an uncrowned monarch he surveys his kingdom
below, nothing escapes his watchful eyes!
Temperature at the Canyon’s floor is 20 degrees
higher, when compared to its outer rim;
Supports an ecosystem of plants and animals,
With the river as chief nourisher of all things!
Evergreen pines and furs grow along the cooler
areas of the Canyon’s outer rim;
While cactus species are found on its arid floor,
Their exotic flowers bloom during Summer and Spring!
The Northern Rim a thousand feet higher, offers many
spectacular sites!
But the Southern Rim remains open throughout the
year, while the Northern closes during Winter time.
From the Hopi Point west of the Canyon, the visitors
enjoy the beauty of the silent, sinking sun;
When the sky gets diffused with vermillion red, as
darkening shadows engulf those Canyon walls!
The mighty Canyon with its Cyclopean walls,
perhaps the playground of the Titans from eons past;
Shaped by some mythical Vulcan, shall remain till
this World continues to last!

CONCLUDING THE GRAND CANYON STORY:
I conclude my Grand Canyon Story by quoting a
poem I had once read;
Written by an Anonymous author, whose name
I had failed to get!
“BUILT WITH PATIENCE OF ENDLESS TIME,
YEARS ERODE AND SHAPES DEFINE.
LAYERS YIELD THEIR COUNTLESS AGE,
EYES CAN SEE BUT CANNOT GAUGE!
STAND AGAPE WITH AWE INSPIRED,
IMAGE READS OF LIFE TRANSPIRED.
CLIFFS REACH OUT TO TOUCH THE SKY,
PATHS LEAD DOWN WHERE RIVER LYE.
COLORS, SHAPES AND SHADOWS MELD,
HERE, A PLACE FOREVER HELD.
WALK AWAY YET NEVER PART,
BODY LEAVES BUT NOT THE HEART!”
- Anonymous
……………………………………………………………
ALL COPYRIGHTS WITH THE AUTHOR RAJ NANDY
OF NEW DELHI, E-MAIL: rajnandy21@yahoo.in

Who will play the river and who will play ocean?
That is to be determined, although I can stretch farther than you.

Where freshwater and saltwater meet;
that will be our special place
where love can flourish.
Biodiversity has never been lovelier.


Let's hope that no dams keep you from coming in to me
and destroy our sanctuary-
our estuary.
But you know how it is these days.

Today,
I place my head in my hands.
I feel the weight of
crushing black
held back by
delicate dams,
the flicking
of thoughts
against my palms,
the ebb and flow
of heat on my wrists.

I am alive.

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

Do you remember me?
I am fed up, strung on night
And closed in by time.
When I dine with dearest
Friends there is always a place
Set for you, there is always
A story, untold to them,
But not for strangers
Who know even without saying
What you never said to me.
My eyes are cracked dams
Above the flood plains,
My heart is dented brass,
Bent, out of gear and turns,
Mournful, dried, pocked
As rust, tarnished red,
Petrified.
If I look at the diamond moon
I am hooked.
When the flower brushes my calves
The lifting scent caresses, teases,
Rising with my memory of fire and stone.
If I travel to the balm Paris
Of the southern hemisphere
La Belle Époque is wearing your
Dress, the pampas fires and undulates
Like your hair, the Polaris star
Points at me, dreaming
Of you, dreaming,
My jewel, my,
Little moon.

This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped

This is the Wednesday's one am.

A song I don't know and eyes I
have yet to look into.

I love you so much
when you cry;
my eyes follow the glistening
stream winding saccharine
from your widened eyes,
eyelids batting, begging for a home
run to chase the pain away.

Tears refract the light
and you are a pool of rainbows shimmering
in the ripples that my gauze thumbs make
but the stitching is too
l  o   o   s   e
to hide all of the tears.

My lips sojourn at your kopje nose
before prowling at the edge
of the watering hole ,
sunset draped across your cheeks
and fading fast as moist night settles.

This close, so close,
lashes like willow limbs
and dripping dregs of whisper rain
as our eyes, behind ocean veil,
exchange supernovas bursting wide
enough
to collapse into black holes.

Welcome to the land of golden trout

Where black bears roam and hawks still shout

In the eastern Sierras, hills of the west

Tales of the Adventurers and their first test.

Forming an alliance in Santa Cruz

They left together, unwilling to lose.

Packing up and heading down the trail

They knew as a team they would never fail.

Without a moment’s hesitation nor shred of doubt

The crew took their Tools of Tenacity out

And in less than three months flat

The Adventurers finished, exclaiming “that’s that!”


But who composes this mysterious crew?

Wait just one moment, I promise I’ll tell you.

First, there’s Nico the Noble, the leader so fearless

Who also frightens many when he’s not beardless;

Followed by Ben the Benevolent with his hearty laugh

And never without his Capitals hat;

Kahn the Courageous has his wild antics

Telling stories with Buckeye semantics;

Jamie the Just and her vegan ways

Had to eat lentils for most of her days;

See Jen the Jubilant with camera-in-hand

Shaving logs for as long as she can;

The team’s newest member, Maggie the Merciful,

Has now experienced the wilderness in full;

Tim the Wise lacks alliteration, unlike the others

But has chased many cows, some scraping their udders;

And at last there’s me, the Notable Narrator,

So our crew’s legacy can live forever.


In our quest the crew has changed slightly.

Those unable to handle the tasks lightly

Had left- like Mary, Bobby, and Stary the Skeptical

All well-admired, and mostly respectable.


Now let’s shift our story to the work completed

In the struggling meadow, its health near-depleted.

Using fallen trees that have long-since passed

We found a clearing with their numbers quite vast.

Cutting the deceased into sixteen-foot longs

And lugging them over thickets and bogs

Our team stacked them perpendicular

To the stream, or creek, in particular

And in a magician’s “ta-da!” moment

Water rose up to our new component,

Flowing over the freshly-made dam

Then briefly meeting with dirt and sand

At the bottom. Multiplied by thirty

And that was work: rigorous and *****.

But why were the Adventurers sent there,

To build check-dams and do repairs?

It was, in part, human consumption

That led to the meadow’s near-destruction:

America’s insatiable need for beef

Will not, for a long time, see any relief,

So Industry has pushed forward, sending cows to the fields

Grazing and growing to become our future meals.

But little did Industry know how devastating

Hundreds of cattle leave an ecosystem suffocating.

Trampling grass and dispersing banks underhoof

The bovine are easily guilty, there’s so much proof.

Stupid, noxious, and obnoxious creatures

Recognized by these, easily their best features.

Incessantly screaming day and night

They are more like demons by every right.

Yet the Forest Service lets ranchers send

Hundreds of cattle, seemingly without end.

And while the Golden Trout crew fixed things,

It’s not enough to ease the strain the cows will bring.


So what can we do, if anything at all

If we go veggie will Industry stall?

Can the end of beef save the earth

Is society only worried when we gain in girth?

That’s not for me to say right now

It’s up to you to answer the “how?”


But I digress, I must end the story

Of the Adventurers and their summer glories.

In the end they saved the meadow, saved the day

Held the bovine rampage at bay,

Raised water levels, erosion erased,

Then was the time to leave that place.

So the Adventurers hopped in their van,

Eight warriors mean, lean, and tan,

And took off down the mountainside

To Santa Cruz and the oceanside.

Each followed one’s own path

But only after taking many baths.

The Golden Trout legacy will live forever,

Only made possible by the best crew ever.

Dark clouds loomed over the horizon
They broke loose in unprecedented force
Nature’s wrath, sudden violence acquired
It rained down as if unleashing all her fury
It was a downpour without one equal

The heavens let down dark misery for days on end,
Water bodies swelled and hollows filled,
Land mass slipped and trees fell,
Rivers were in spate and dams were full
Waves surfed and waters roared,

Like mountains they rose over the land,
Men in throngs were evicted from their homes,
Hundreds died and livestock perished
Such violence, never ever imagined
Helter-skelter, people fled for life.

Lands inundated and folks marooned,
Homes washed away with all belongings
Power failed and life has come to a halt
Rescue operations go on in full swing
Still many, stranded and crying for help

“Water, water everywhere, nor even a drop to drink”
As Nature thus plays her perfidious trick,
We shall stay united and pool all our might,
To regain for our land what we have lost
When the Deluge chants the dirge of dying souls!

I remember that day like it was yesterday.
What happened, you claim, was barely horseplay.
Will you ever comprehend,
That what you did, I didn’t “misunderstand”?

Perhaps you’d like to blame it on your upbringing,
Because your dad taught you to control a woman who doesn’t have the “right” thinking.
Mexican patriarchy is ******, but it is you who chose to comply with it.
So don’t claim you aren’t responsible for the sins you commit.

Today I speak,
For I refuse to be weak.
Today I’ll unfold the truth I never wanted to accept,
When I was just a little under 15 and felt completely wrecked.

I stand today to expose you **** as I’ve been,
A monster in full shape and form, guilty of ****** while you grin.
You’ve kept your eyes shut to my dreadful sensations,
But today you will listen to my crude allegations.

We were in your house in Mexico where you locked me in the basement.
You claimed you wanted privacy, but only offered me enslavement.
Maybe it really was my bad luck,
When I believed you when said you loved me, but didn’t realize you only wanted to ****.

A monster, you pinned me against the wall,
I hit my head and cried, beginning to feel like your personal doll.
Touching my head where I discovered that I bled,
I reached for your hand, but you only grabbed mine to throw me onto bed.

When I was five, mother told me monsters don’t exist,
But today I am a witness to the contrary, as I know angels and devils coexist.
You are a monster for what you did to me,
For you pretended not to hear my plea.

A monster, you tied me onto your bed,
And ripped my clothes until I was left with nothing but a thread.
I begged you to stop and pushed you away,
But you slapped me and pressing your body against mine, told me you were here to stay.

A monster, your tongue against my breast,
And I completely undressed,
I watched your face transform,
Like a caterpillar taking its new form.

You, a monster, a demon, and a coward,
Faced a broken soul who had not yet flowered.
You took your hands and forced my flower to bloom,
Though it did not unfold with pleasure, but with fear of ending in a tomb.

And like a painter facing an empty canvas,
You traced me from head to toe as I lay nearly dead on the mattress.
You carved your name onto my body and robbed me of my innocence.
A monster, you obliterated my purity, leaving bruises as evidence.

A monster, you watered my flowers with the filthiest juice,
Not with God’s purest waters, but your own waters of abuse.
I weeped and screamed and in that moment begged for a God to exist,
I even prayed, but found no angels to untie my wrists.

If you really loved me, then you would look past your lust,
But you never did and chose to break me with each and every ******.
Rocking back and forth I was controlled by you, a monstrous puppeteer,
Your *** danced down my legs as I watched you cold and with fear.

A monster, you carefully tamed me to satisfy your *** drive,
Never did I imagine I would go to Hell and come back alive.
Today I stand a witness of your repulsive proclivity,
Penetrated by a monster who awaited for the trophee he believed was my virginity.

It wasn’t just a simple “quickie”,
The way you threw me around and used me.
I may have stood still and allowed you to profanate me,  
But I always threw up once you finished touching me.

People say our dreams are reflections of our memories fused with fantasies,
But there is no magic in the nightmares I regard as tragedies.
I’ve spent four years feeling entitled to nothing but pain,
And stay awake fearing my memories will haunt me, crashing into me like a train.

I wash my body once, twice, and thrice to flush away the picture of your fingers,
Scrubbing and scrubbing to ensure I numb my skin from your smell that lingers.
Your colossal hands a million times larger than the girl they groped,
Remind her of the million times she was choked.

I only wish you could understand what it feels like to be someone’s puppet,
A doll you can pull, stretch, bend over backwards and play like a trumpet.
It’s difficult to accept I’ll always feel possessed,
That the monster who injected me with his poison jerks off to the thought of being caressed.

You are the reason I’ve sought the sharpest blade,
To slash my skin and mark your cannonade.
But I can’t slice you out of my body,
As slicing my skin with glass won’t provide me with an antibody.

A monster, you conquered my body with a single purpose,
You kept me in the darkness to guarantee your coitus.
I’m sorry my ******* wasn’t as **** as your *******,
I blowed as fast as I could to prevent a flatline on my Electrocardiography.

I’m sorry I had to fake an ******,
But I had to escape you once you threw me into a chasm.
Navigating in the maze where I was constantly abused,
Was difficult having no compass to pretend I was being seduced.

I spent years looking for an exit out of your maze,
Taking too long to realize this wasn’t only a phase.
Some blame me for being too oblivious,
For wearing a blindfold and perceiving you as chivalrous.

And perhaps you blame me for being too naive,
Because I wished for you to change on New Year’s Eve.
I sought a fairytale, forgetting Cinderella did not meet her prince,
But a wolf who impaled her with his claws and abandoned her since.

I was your slave for two long years,
And you, a monster, showed me each and every one of my fears.
But I have lived in spite of my trauma,
And today I stand to scold you for this drama.

I no longer fear the monster inside my head,
For I understand many others will dwell ahead.
But my monster will no longer haunt me in my sleep,
For now I sleep knowing I have my body to keep.

I am strong, proud and bold,
And I have found my place in this world.
No longer will I let you win,
For it is you who reeks of sin.

Does it make me sick to empathize with your situation?
To feel for your pain and share your deeply held frustration?
Is it you who is wicked for being a pervert?
Or me for wanting you to hurt?

How can I wish you the greatest agony,
When I would never want anyone, not even my monster to experience my tragedy?
I am being torn in different directions,
But I’m no longer tied down to successful erections.

Monster, I thank you for your rotten kisses,
For the hundred bruises and tight stitches.
I now know my body is a shrine,
And that I am my own lifeline.

No longer will I feel soiled by your hands.
For I have built new dams.  
I now look at my own reflection,  
And see a figure composed of fascinating lines shielding me from your infection.

I am on my way to finding my peace,
But need to put my thoughts together to find my release.
It may be forgiveness, prevention or punishment,
But no longer will I undermine my own torment.

It may sound funny when I say I wish I was a superhero,
So I would know when a girl is in danger of touch and close to Ground Zero.
I’ve lived my years carrying the guilt of watching women fall one by one,
Of never being able to prevent another unwanted son.

I now understand there is only so much I can do,
For I am an ordinary person with a big heart turned blue.
I only wish my words will inspire, the victims of this fire,
To embrace their burns and wear them as an iron attire.

My growth and strength came as a result of patience,
It took years and tears to show me a way out of complacence.
But in an effort to give you a lift,
I have found myself adrift.

I have tried to be a saviour,
Forgetting to save myself before and bring myself to shore.
Today is the day I become my own light,
And fight to stay bright in the night.

Monster, you may now live in paradise,
Walking around as the devil in disguise.
But I believe in divine retribution,
And live in peace knowing you will get your fatal conclusion.

You are a monster, and I was your prey,
But today, I am no longer in decay.
With these words I purge myself of your touch,
For I’ve released my demons back into Hell and no longer seek a crutch.

You have to trespass to find Nature
Man made wonders overgrowing with moss
Tell me, where did we get lost?
Was it the wars
Was it the politics
The drugs, the guns?
Or was it the money
Greed to rid the world of green
So our pockets can be full of it
Tell me why we pour concrete and call it a park
No such thing as a beautiful tree in a pavement park
Where are the Birds, where are the herds?
I’m sure they went south for the winter,
But this time next year that southern city will be covered in asphalt
Paved over with greed
The green will be gray
The ocean turned black
But my president made his buddies rich
And the soil filled with trash,
The world will start flooding, might as well build another ditch
Dam the **** city, protect the banks
The guidelines are gilded
And there’s no going back.

Death I see, that ugly spectre,
Coarsely overshadows youth.
Lame, they look for interaction
With the bondman.  Shame, forsooth!

Drowning in the dams of liars
When they could be shining lights!
They believe what e’er is told them,
****** in by the TV sights.

Culture told them there’s no future,
There’s no healing for despair.
Bet they never read the Bible –
Words of LIFE spelt loud and clear.

There’s no need for this attrition
Of our children.  Give them truth.
Let them listen to the old ones –
Hard they learned the facts of life.

By the power of scripture they have
Overcome the skull and bones.
Into joy and peace they’re marching.
Youth could follow in those zones.

Up to them to stop and listen.
Perhaps the media got it wrong.
Find a person in their nineties,
Who survived the wars and so on.

They are old because their attitude
Enabled them to plunge right in,
Boots and all in right perspective,
Shake and move, the truth to win.

They’ve believed in right and beauty,
Principles and sacrifice.
Not for them the great self pity
Serving death – man-trap device.

Rather they’ve bent over backwards
To embrace another’s need,
And serving, felt the great dynamic  
LIFE FORCE.  Yes.  They were a breed!

Walk out on your dreams,
And others will walk straight into them,
Yes, you swim dark, sorrowful streams;
There are those who've made dams out of 'em.

life has stripped me
of the ability to shed a tear

my throat tightens
a clenched fist
in my esophagus
making breathing painful

and still no
******* tears

Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.

being so near to you
i can sense how close you are
with every fiber of my being
     but i am frozen
i try to move against my pain
and reach out to you
to just step across the stream
     but i am frozen
beneath the surface
a river courses through my veins
begging for you, pleading
     but i am frozen
now i have so many dams
made of sharp ice
though naturally i flow freely
     but i am frozen
i want to be with you
i want to be in your arms
*i want to be thawed
     but i am frozen~

Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water—even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
  Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven—for he is sure to eat all he can catch—even so did the
Trojans cower under the banks of the mighty river, and when
Achilles’ arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
  There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father’s vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father’s house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
  Then Achilles said to himself in his surprise, “What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him ******* spear, that I may know for certain whether mother earth
who can keep even a strong man down, will be able to hold him, or
whether thence too he will return.”
  Thus did he pause and ponder. But Lycaon came up to him dazed and
trying hard to embrace his knees, for he would fain live, not die.
Achilles ****** at him with his spear, meaning to **** him, but Lycaon
ran crouching up to him and caught his knees, whereby the spear passed
over his back, and stuck in the ground, hungering though it was for
blood. With one hand he caught Achilles’ knees as he besought him, and
with the other he clutched the spear and would not let it go. Then
he said, “Achilles, have mercy upon me and spare me, for I am your
suppliant. It was in your tents that I first broke bread on the day
when you took me prisoner in the vineyard; after which you sold away
to Lemnos far from my father and my friends, and I brought you the
price of a hundred oxen. I have paid three times as much to gain my
freedom; it is but twelve days that I have come to Ilius after much
suffering, and now cruel fate has again thrown me into your hands.
Surely father Jove must hate me, that he has given me over to you a
second time. Short of life indeed did my mother Laothoe bear me,
daughter of aged Altes—of Altes who reigns over the warlike Lelegae
and holds steep Pedasus on the river Satnioeis. Priam married his
daughter along with many other women and two sons were born of her,
both of whom you will have slain. Your spear slew noble Polydorus as
he was fighting in the front ranks, and now evil will here befall
me, for I fear that I shall not escape you since heaven has delivered
me over to you. Furthermore I say, and lay my saying to your heart,
spare me, for I am not of the same womb as Hector who slew your
brave and noble comrade.”
  With such words did the princely son of Priam beseech Achilles;
but Achilles answered him sternly. “Idiot,” said he, “talk not to me
of ransom. Until Patroclus fell I preferred to give the Trojans
quarter, and sold beyond the sea many of those whom I had taken alive;
but now not a man shall live of those whom heaven delivers into my
hands before the city of Ilius—and of all Trojans it shall fare
hardest with the sons of Priam. Therefore, my friend, you too shall
die. Why should you whine in this way? Patroclus fell, and he was a
better man than you are. I too—see you not how I am great and goodly?
I am son to a noble father, and have a goddess for my mother, but
the hands of doom and death overshadow me all as surely. The day
will come, either at dawn or dark, or at the noontide, when one
shall take my life also in battle, either with his spear, or with an
arrow sped from his bow.”
  Thus did he speak, and Lycaon’s heart sank within him. He loosed his
hold of the spear, and held out both hands before him; but Achilles
drew his keen blade, and struck him by the collar-bone on his neck; he
plunged his two-edged sword into him to the very hilt, whereon he
lay at full length on the ground, with the dark blood welling from him
till the earth was soaked. Then Achilles caught him by the foot and
flung him into the river to go down stream, vaunting over him the
while, and saying, “Lie there among the fishes, who will lick the
blood from your wound and gloat over it; your mother shall not lay you
on any bier to mourn you, but the eddies of Scamander shall bear you
into the broad ***** of the sea. There shall the fishes feed on the
fat of Lycaon as they dart under the dark ripple of the waters—so
perish all of you till we reach the citadel of strong Ilius—you in
flight, and I following after to destroy you. The river with its broad
silver stream shall serve you in no stead, for all the bulls you
offered him and all the horses that you flung living into his
waters. None the less miserably shall you perish till there is not a
man of you but has paid in full for the death of Patroclus and the
havoc you wrought among the Achaeans whom you have slain while I
held aloof from battle.”
  So spoke Achilles, but the river grew more and more angry, and
pondered within himself how he should stay the hand of Achilles and
save the Trojans from disaster. Meanwhile the son of Peleus, spear
in hand, sprang upon Asteropaeus son of Pelegon to **** him. He was
son to the broad river Axius and Periboea eldest daughter of
Acessamenus; for the river had lain with her. Asteropaeus stood up out
of the water to face him with a spear in either hand, and Xanthus
filled him with courage, being angry for the death of the youths
whom Achilles was slaying ruthlessly within his waters. When they were
close up with one another Achilles was first to speak. “Who and whence
are you,” said he, “who dare to face me? Woe to the parents whose
son stands up against me.” And the son of Pelegon answered, “Great son
of Peleus, why should you ask my lineage. I am from the fertile land
of far Paeonia, captain of the Paeonians, and it is now eleven days
that I am at Ilius. I am of the blood of the river Axius—of Axius
that is the fairest of all rivers that run. He begot the famed warrior
Pelegon, whose son men call me. Let us now fight, Achilles.”
  Thus did he defy him, and Achilles raised his spear of Pelian ash.
Asteropaeus failed with both his spears, for he could use both hands
alike; with the one spear he struck Achilles’ shield, but did not
pierce it, for the layer of gold, gift of the god, stayed the point;
with the other spear he grazed the elbow of Achilles! right arm
drawing dark blood, but the spear itself went by him and fixed
itself in the ground, foiled of its ****** banquet. Then Achilles,
fain to **** him, hurled his spear at Asteropaeus, but failed to hit
him and struck the steep bank of the river, driving the spear half its
length into the earth. The son of Peleus then drew his sword and
sprang furiously upon him. Asteropaeus vainly tried to draw
Achilles’ spear out of the bank by main force; thrice did he tug at
it, trying with all his might to draw it out, and thrice he had to
leave off trying; the fourth time he tried to bend and break it, but
ere he could do so Achilles smote him with his sword and killed him.
He struck him in the belly near the navel, so that all his bowels came
gushing out on to the ground, and the darkness of death came over
him as he lay gasping. Then Achilles set his foot on his chest and
spoiled him of his armour, vaunting over him and saying, “Lie there-
begotten of a river though you be, it is hard for you to strive with
the offspring of Saturn’s son. You declare yourself sprung from the
blood of a broad river, but I am of the seed of mighty Jove. My father
is Peleus, son of Aeacus ruler over the many Myrmidons, and Aeacus was
the son of Jove. Therefore as Jove is mightier than any river that
flows into the sea, so are his children stronger than those of any
river whatsoever. Moreover you have a great river hard by if he can be
of any use to you, but there is no fighting against Jove the son of
Saturn, with whom not even King Achelous can compare, nor the mighty
stream of deep-flowing Oceanus, from whom all rivers and seas with all
springs and deep wells proceed; even Oceanus fears the lightnings of
great Jove, and his thunder that comes crashing out of heaven.”
  With this he drew his bronze spear out of the bank, and now that
he had killed Asteropaeus, he let him lie where he was on the sand,
with the dark water flowing over him and the eels and fishes busy
nibbling and gnawing the fat that was about his kidneys. Then he
went in chase of the Paeonians, who were flying along the bank of
the river in panic when they saw their leader slain by the hands of
the son of Peleus. Therein he slew Thersilochus, Mydon, Astypylus,
Mnesus, Thrasius, Oeneus, and Ophelestes, and he would have slain
yet others, had not the river in anger taken human form, and spoken to
him from out the deep waters saying, “Achilles, if you excel all in
strength, so do you also in wickedness, for the gods are ever with you
to protect you: if, then, the son of Saturn has vouchsafed it to you
to destroy all the Trojans, at any rate drive them out of my stream,
and do your grim work on land. My fair waters are now filled with
corpses, nor can I find any channel by which I may pour myself into
the sea for I am choked with dead, and yet you go on mercilessly
slaying. I am in despair, therefore, O captain of your host, trouble
me no further.”
  Achilles answered, “So be it, Scamander, Jove-descended; but I
will never cease dealing out death among the Trojans, till I have pent
them up in their city, and made trial of Hector face to face, that I
may learn whether he is to vanquish me, or I him.”
  As he spoke he set upon the Trojans with a fury like that of the
gods. But the river said to Apollo, “Surely, son of Jove, lord of
the silver bow, you are not obeying the commands of Jove who charged
you straitly that you should stand by the Trojans and defend them,
till twilight fades, and darkness is over an the earth.”
  Meanwhile Achilles sprang from the bank into mid-stream, whereon the
river raised a high wave and attacked him. He swelled his stream
into a torrent, and swept away the many dead whom Achilles had slain
and left within his waters. These he cast out on to the land,
bellowing like a bull the while, but the living he saved alive, hiding
them in his mighty eddies. The great and terrible wave gathered
about Achilles, falling upon him and beating on his shield, so that he
could not keep his feet; he caught hold of a great elm-tree, but it
came up by the roots, and tore away the bank, damming the stream
with its thick branches and bridging it all across; whereby Achilles
struggled out of the stream, and fled full speed over the plain, for
he was afraid.
  But the mighty god ceased not in his pursuit, and sprang upon him
with a dark-crested wave, to stay his hands and save the Trojans
from destruction. The son of Peleus darted away a spear’s throw from
him; swift as the swoop of a black hunter-eagle which is the strongest
and fleetest of all birds, even so did he spring forward, and the
armour rang loudly about his breast. He fled on in front, but the
river with a loud roar came tearing after. As one who would water
his garden leads a stream from some fountain over his plants, and
all his ground-***** in hand he clears away the dams to free the
channels, and the little stones run rolling round and round with the
water as it goes merrily down the bank faster than the man can follow-
even so did the river keep catching up with Achilles albeit he was a
fleet runner, for the gods are stronger than men. As often as he would
strive to stand his ground, and see whether or no all the gods in
heaven were in league against him, so often would the mighty wave come
beating down upon his shoulders, and be would have to keep flying on
and on in great dismay; for the angry flood was tiring him out as it
flowed past him and ate the ground from under his feet.
  Then the son of Peleus lifted up his voice to heaven saying, “Father
Jove, is there none of the gods who will take pity upon me, and save
me from the river? I do not care what may happen to me afterwards. I
blame none of the other dwellers on Olympus so severely as I do my
dear mother, who has beguiled and tricked me. She told me I was to
fall under the walls of Troy by the flying arrows of Apollo; would
that Hector, the best man among the Trojans, might there slay me; then
should I fall a hero by the hand of a hero; whereas now it seems
that I shall come to a most pitiable end, trapped in this river as
though I were some swineherd’s boy, who gets carried down a torrent
while trying to cross it during a storm.”
  As soon as he had spoken thus, Neptune and Minerva came up to him in
the likeness of two men, and took him by the hand to reassure him.
Neptune spoke first. “Son of Peleus,” said he, “be not so exceeding
fearful; we are two gods, come with Jove’s sanction to assist you,
I, and Pallas Minerva. It is not your fate to perish in this river; he
will abate presently as you will see; moreover we strongly advise you,
if you will be guided by us, not to stay your hand from fighting
till you have pent the Trojan host within the famed walls of Ilius—as
many of them as may escape. Then **** Hector and go back to the ships,
for we will vouchsafe you a triumph over him.”
  When they had so said they went back to the other immortals, but
Achilles strove onward over the plain, encouraged by the charge the
gods had laid upon him. All was now covered with the flood of
waters, and much goodly armour of the youths that had been slain was
rifting about, as also many corpses, but he forced his way against the
stream, speeding right onwards, nor could the broad waters stay him,
for Minerva had endowed him with great strength. Nevertheless
Scamander did not slacken in his pursuit, but was still more furious
with the son of Peleus. He lifted his waters into a high crest and
cried aloud to Simois saying, “Dear br

Whining dog...we just went outside.
Wading through internet DATs and cogs and bandwidth hogs, outside still raining cats and dogs.
double-click trawling pics and blogs searching for remedies and laws that inhibit logs to saw.
Wide-eyed, face down I sprawl still awake, redefining  my character flaws,
fearing my falling into the trappings of urban sprawl or
investing your mind then hitting the wall.
Lose or draw,
a new artistic affair or creative outlet dares you daily to fall.
"Late" is now "Early"
Dawn's illuminating looming, night to be soon consumed.
Insomnia vacuums,
drama typhoons,
crooning tunes....
It'll be June soon.
Feeling marooned waiting for the opportune...well, I'm still waiting,
Whining dog...we just went outside...Fine!
Rain drains backlogged in the AM black...****** dog. Decide! He takes his time.
Three nights of showers,
cowering under this street corner lighted power tower,
unrequited efforts to stay dry.
Moon still high, clouded bright behind the wetness...
Wait, what if I see "her"?
Should I dare bare my soul, take control, or say simply "Hello?" just to know?
Do I want to know "yes" or "no"?
Grandmother always said "The truth is the most powerful force you'll ever face, trace, disgrace or embrace"
I remember my last pursuance of the truth.
You remember college...
The ubiquitous responsibility of apologies for the skewed knowledge sleuth colleges preclude.
A four, no five year matterless smattering reviewing the hows, whys and whos who of Impressionist imbued hues;
the politics of subdued Katmandu coups,
Homer's muses; many a Siren sank the boats I crewed;
news crews that flew the bird flu news coop and recouped,
skewed suing over Golden Arch morning brew,
tragedies, sonnets, and nothing adieus,
spewed formulas and equations notecard ques,
standing in long line registration cues every time we change Major views,
all fueled by a boozing, smokey ballyhoo of Tullamore Dew, hopped brews, tattoos, crude food, music muses and quoted virtues.
What’s even true and what would you do if you knew, ****** logic class…
And alas, you're through! “Here’s your paper, now choose.”
The ****** inequity of iniquity dams me so I can't break free.
Such an abrupt disruption could erupt great corruption,
the self-destruction is tempting, but doesn't pay rent.
Not today, but maybe soon.
June's coming...dryer and higher noon.

R.Craig David- copyright 2008
Redux Edition April 1st, 2013
Inspired by rain, blame shame, the game and a cute girl just 3 doors down that still remains a stranger in my old college town.

I. The Encounter

I awaken to the lull of your voice: seductive whispers that send waves of electricity through my being. And then I see you. The demi-god that you are. And I worship you. Give me strength to endure your charms. And you do charm me, just as I know you will. Lapis eyes dance back at me. But then I'm dreamy; not awake, not asleep. Still in that state between dreams and realities. And to me, you are a god. But reality ~cruel mistress~ charges at me, and I see you for yourself. A mere mortal as I. But still I worship you. You've already begun your seduction. And I am a willing victim.

My first encounter with you is brief, only moments spent in your company. I would've scorned any human brave enough to insist that I would some day love you. I don't want to be aware that you have any power over me. No man has power over me. I have pushed all thoughts of men from the dusty corners of my mind. My life evolving around school and work and her, my lover. You know we are lovers. And I know you are married. Neither of us have scruples.

You offer me a bowl. Soaring above the world helps you cope. I am grounded and decline. But I watch you carefully. Pipe in hand, breathing deeply the smoke of the gods. And I find you amusing. Eyes turning glassy, mirroring my soul. Your face lit by uncontrollable laughter. And I am spiraling from the slightest contact of you.


II. The Seduction

Just a look. It takes only a look from those lapis eyes. And I'm hooked. Captivated by their icy-blue fire. And I'm burning there, burning in those lakes of infinity, those magnetic pools. Electric shocks wave through me, toss my senses, turn me into pure desire. And I desire you. You and the musky scent of your body lit by lust. Driven. Pushed to the insatiable limit. Inflamed.

Spoken and unspoken, your words ****** me. Enticing me, those words encircle me, swirl about me, intoxicate my mind. Notwords. Those words you say with your eyes, your smile, the rhythm of your body. And your whispers. Hot breath against my cheek, my ear, my neck; a trail of kindled passion waiting to explode. And I cannot resist the temptation. Tempted beyond reason, caught in the moment, trapped in the never-ceasing yearning of my body for yours.

Smoldering. You smolder me with kisses. Blaze my body with your tongue, your touch. Smooth skin against mine. A hand filled with impulses, pulsating, beating the rhythm of our hearts, like beats of the tunes you make love to. Wild, savage drums. Wild, savage love. And I long all the more for you. Your touch, your scent, the feel of you in me.

You recreate me. Change me. Make me want you again and again. Seduced.

III. Missing You

Missing you as I do, I cannot remember my life before you. Before your smile touched the depths of my heart. Before I gazed into those familiar eyes and saw my soul staring back at me. Before I felt your lips on mine, sweet, intoxicating, the slightest hint of tequila and lime. Your hands upon my flesh, electric waves. And the movement of your body with mine in cadence to the primal dance. Before you took me into your arms, I existed as only a shell of a woman. A tiny speck among specks in the vast universe. But you reshaped me. Molded me into a goddess. Allowed the woman inside of me to resurface and reclaim her sexuality.

And now you are gone. Out of my life for weeks. Out of my sight, but not my mind. I see you gazing back at me from the mirror each time I look into my own eyes. And then my mind takes flight and I escape with it. At that moment, I can once again feel your arms around me. Your soft, tender touch. The lulling of your husky voice. The musky scent of your skin. I watch from my grounded plane as you lead me to bed, turn down covers, and then motion for me to lie down. You remove my clothing, stripping away all resistance, all inhibitions. Prince sings seductively in the background. And I lose myself in your loving. You descend upon me like a child with an ice cream cone. Lapping at the cream you stir from within me. Your tongue tracing circles upon my skin. A flick of an ***** ******. Kisses trailing my body from lips to thighs and then there. And you linger there. Minutes seem like hours and hours like days. But I cannot imagine time without you. Only after I have traveled into the netherworld you lead me to, do I finally feel you. Hard and long, buried into my flesh. Deep inside me. Inflaming my body with each stroke. You take me, over and over again, to that netherworld of pleasure. And I want to stay. Remain there with you, eternally.

So missing you like I do, I have no appetite for anything but you. Depression falls upon me like a black cloak shielding me from the outside world. And I realize that missing you is missing a piece of me too. Missing my eternal friend. My soul's mate. My heart's constant pounding. Missing you is missing me with you.


IV. Betrayal

You said you'd made your choice: she and I, that's all you'd need. And I wanted to believe you; almost did, in fact, believe that two could be enough. I could've lived with that. She, bound by contract and children; I, bound by lust and desire. I know the game; have played it hundreds of times. And I put my trust in you to keep your word. But you don't belong to me. I have no control over you, no real ability to keep you under control. And so I baited you. Ensnared you in your own trap. Shoved temptation under your nose to test your honor. You have none. You accepted my trap; opened the door to her: a third, an easy, vulnerable prey.

And now you've lost. You will keep the first; she is bound by a higher law. But I am your loss.

Cheap words. You say whatever it takes. Words fall from your tongue as carelessly and easily as a dismissed annoyance. Your heart as cold as the snow surrounding us. You work emotions like a stagnate river: stuck in the routine of building up and tearing down the very dams of trust and passion you blueprint. But I am not like the others in your past. I am a true player. One of the faithful few. But you've destroyed that faith. I know where I stand with you. You've placed me in some category with your other casual notaffairs. But there is nothing casual about me. And if you had taken the time, been true to your word, you would've learned this. I give my all. All of my being, my heart, my soul. Not obsession, just loyalty. I await the rules, and when I have them, I play by the book. But you constantly change the rules, make them up as you go along. And since I cannot claim any part of you, I stumble over your turn of events. And although I try to keep up, I no longer want to match you set for set.


V. Exposed

You breeze through lives like a windstorm: tossing and turning, stumbling along into one life after another. *** appeal, your weapon: a loaded gun, a sword, a double-edged axe. You are crystal in your attempt. Pristine in your approach. Primitive, you take women back to the primal, the cave of the Neanderthal. Back to pure animalistic intoxication. And I almost allowed this. I wanted you. I did want you. You and the beauty that existed on the outside. Muscular facade that shields the turmoil within. And you could've had me.

Those eyes, so like mine, pulling, dragging me further into their blue lake. I would've drowned there for you. Allowed myself to get caught in the whirlpool of your loving. I wanted to more than you could ever know. Whirling there, swirling there. Sinking further and further into the fiery lake of your seduction. And I would not have defended myself. Passive. A kitten de-clawed. I would've sank into your abyss willingly, awaiting your strong arms to enfold me, save me, wrap me into your soul. Die from the shear ecstasy of you.

I confessed. Opened my soul to you. Permitted your entrance. And you took the challenge. Stepped in and put my inner world in order. Sorted through the chaos within me. Within. You were deeper than you knew. In that enigmatic space, you found the seed of my essence buried in a dry desert. And you rained on me, reigned over me, until I blossomed for the first time in years. I unveiled fully for you. A lotus petaled and filled with sweet, sticky nectar awaiting your touch. I removed all masks, all defenses, stripped away all layers. Showed you the sincerest parts of my being. Exposed. Naked. Displayed this being to you without shame or regret; I bore all. You knew me. The new me. The hidden me. The me that rarely allows passage. But I couldn't resist you. You entranced me. ****** me into you. Stole my breath. Exhaled. And scattered me into the wind.


VI. The Fool's Folly

Making restitution. This is what you say you want. And I struggle within, look to the stars, the cards, and my own inner voice. Should I trust you? My horoscope says a fifty percent chance of let-down today. And the cards say, sure trust him, you fool. But inside I scream I want to trust you!

Then I take a reality pill. Swallowing it hard and dry. And I realize this is what I do with you. I swallow you, refusing other nourishment. I swallow you in gulps, like a fine wine. Allow you to descend inside of me, make me raw from the wanting of you. And when the effects of you occur, I immediately become induced, intoxicated, high from the effect. I lose all sense of existence, except for you.

You become the center of that little world you say I've created for myself. You lay there on a bed of black satin, your body shimmering from the candle-lit radiance. And I see you there, there with me and in me, beside me, circling my body with your passion dance. Prince bellows another scream in cadence with my own.

Perfect timing. Too perfect. You give away your method of operation. But only I know of its existence. I have one of my own. And so we come full circle. Knowing you as I do. Knowing your secrets, your methods, your devices of seduction, can I allow your restitution? Fool me once, shame on you. Fool me twice, shame on me.

Can I risk playing the fool?


VII. Vanished

You've vanished again. Escaped to god-knows-where without me. Again. Without me in your life. Recluse, you've turned me into you. A recluse without explanation. Locked me into the world that exists around you. Trapped me there, helpless, without you to guide me through. And only you have the map, the way to the gate: the escape route you use to flee when life attacks you in the dark. And I want to explore the passage with you. To tell you all that I feel. Feel you with me, in me, beside me. But I'm covered by this web of confusion. A thick heavy blanket of your tormented soul. And mine is there with yours. Our lives intertwined as they are. Twined into enigma. If you would only step from the shadows, motion me forward, I know we could make it out again. The blinded-by-lust leading the blinded-by-lust. And together we could cut our way through this thicketed labyrinth.

Spring bursts to-day,
For Christ is risen and all the earth's at play.

        Flash forth, thou Sun,
The rain is over and gone, its work is done.

        Winter is past,
Sweet Spring is come at last, is come at last.

        Bud, Fig and Vine,
Bud, Olive, fat with fruit and oil and wine.

        Break forth this morn
In roses, thou but yesterday a Thorn.

        Uplift thy head,
O pure white Lily through the Winter dead.

        Beside your dams
Leap and rejoice, you merry-making Lambs.

        All Herds and Flocks
Rejoice, all Beasts of thickets and of rocks.

        Sing, Creatures, sing,
Angels and Men and Birds and everything.

        All notes of Doves
Fill all our world: this is the time of loves.

Sometimes
         I feel a well
                   dug deep
         into my heart
  I try to stop it
but it quickly
becomes ocean
  and overflows  
     into great tsunami
          rises over all the levees
             rushes past dams                  
               breaks down tall
                   city structures,
              edifices crumbling
           in its path
     all the squid and octopi
    skitting forth
in wild pulses,
tentacles entangled
     in doorways and rooves
        slipping through narrow
                window-openings
                   as they pour ink
                       in clouds,
                         shifting shapes
                          in cephalopod excitement
                            while blue whales
                            and humpbacks
                               breach over bridges,
                             phosphorescent jellies
                          light up
                       the dark streets of
                      my arteries
                     electric eels illuminate
                    the alleyways of
                   desolation's thick syrup
                     and I cannot stop it even
                            if I wanted to,
                   these darkened,
                     swirling waves
I am both floating and flying
like a jumping manta ray
curling around the ferries
bobbing in seahorse iridescence
weaving between buses
as if they were corals

And when the storm subsides,
colorful rockpools form,
rich in diversity
It is there,
in between the
multicolored ***** and
succulent shellfish,
in a mermaid's
       voluptuous smile
and turquoise eye
that I see you,
so crystal clear
                I could reach out              
                      and bring you to me,          
                         holding you tight
                         until the
                gentle break
     of
          morning

I had that recurring dream again last night.
Awakening with a start.
Perspiration was
Pouring down my face.
The car, the children,
Molly my wife.

The heavy truck spinning in front
on the icy new York   freeway.
Explosions so loud they deafened me.
Then the silence the total quietness
as they drifted away.
And i was left alone.

I moved out of the tiny inner-city cottage.
Is was now over  two years ago
but I just left it the way it was.
The kid's toys strewn on the floor.
Bread and cookies on the table.
I would never return there,  never.
Not even to get my beloved alto sax.
the key for me to making a living.

I followed the cop every day?
The one that pulled me from the wreck.
I did not know why i did this,
Sure she was pretty enough.
But that was not it.

I was once told that if you save
Someone's life they belong to you.
Well, she could have his life.
He did not want it anymore.

She entered the bank
He saw the robbery before she did.
The robber lifted his weapon before
She had time to move.
Without fear or forethought,I jumped
in front of her
and took a bullet for her.

It was in the arm straight in and out.
She put three in the perp,
dropping him dead.
before he could fire another shot.

I fell down she held me in her arms.
As I was bleeding out.
Why did you do that, she said
I would have been killed.
That's why
I whispered.

She visited me in hospital
Brought me grapes
I hate ******* grapes.

She had no idea who I was
When the car wreck happened
I was covered in blood and EMS
Ran me to the hospital.
Names don't stay with people
Only faces.

When I got out of the hospital.
She appeared at my rented room door.
With a coffee and doughnuts
I don't talk much since…..well just since.
Who the **** are you she asked
A God ******  Angel.
I said I don't think God dams his angels.

She seemed to like me.
**** knows why
I wasn't nice to her.
She started looking for me on her shift.
Grabbing a coffee and suggesting dates.
I told her no offense lady
don't arrest me.
But I don't date anymore.

But she was a New York cop.
and a woman,
******* relentless.
She said she would make life hell for me
If I didn't take her for a date.
******* women.

I gave in and said I would join her
At the blues club nearby.
We got there at 10 pm after her shift
She looked ******* hot.
Not like a ******* cop anymore.
The blues were playing
I heard the alto sax wailing
It cried tears
like my soul was feeling.
But my souls eyes were dry.

She saw the tears welling in my eyes
And held me to her soft breast.
Tell me what it is
Is it me she asked?
I was just silent.

The owner of the club saw me.
He said, Tony
where the ******* been man.
It's been two years since you came here.
We miss your sax wailing boy.
He said where's your sax?
Don't you have it anymore?
I shook my head it was a lie
But I had my reasons.

He grabbed the alto sax
from the band playing.
Make it weep Tony.
My heart needs to hear you play man.
I moved quietly to the stage.
And the room went silent.
Just as if the Angel Gabriel
was going to wail his horn.

They remembered me they stood up
and clapped for five minutes.
Blues people don't change.
They just get ******* older.

I said nothing.
But played nature boy.

Peggy got up and took the mike
She wept the words as I played.
Tears falling down
her old sad blackface.

……..There was a boy
A very strange enchanted boy
They say he wandered
very far, very far
Overland and sea
A little shy and sad of eye
But very wise was he…….

My cop was crying too.
She said I don't cry ever see.
I am a cop I see ****.
Who the **** are you she said?
But I let the sax wail for my words.
It poured my sadness into the night.

She got my full name from Peggy.
She says that boy needs a woman.
But then a woman is Peggy's
answer to all men's problems.

She run the info though the computers
at the precinct.
those ******* things
Know every leak you ever take.

She saw the car wreck
the body bags.
Me, covered in blood.
She knew it all.
I was exposed.

She even found my mother in law's place.
And went there.
She said he's heartsick honey.
He won't go home.
Won't let anyone in.
He blames himself.
He's never cried once
It's eating him inside.

She said I can't find him
Do you know where he is?
He's over at the cemetery.

She missed her shift change over.
And went to the Park Lawn
I  was kneeling by a family
grave talking to my kids.

She went to me and slipped
Her arm around me
,I turned my head
Into her breast.
she kissed my head.
and I wept and wept.
I sobbed like my alto sax wailed.

She kissed my eyes.
Let it out, honey
Let it all go
Don't stop let it go
.
She drove us to my house
The mess was on the floor.
The stale food stank.
It was in a mess a disaster.
The kid's toys spread everywhere.
My sax on the hall table.
saying nothing
she started cleaning it up.

She said quietly.
Did I not save your life right?
I  said yes you did.
And you saved mine right
I said yes I did.
She said
Unless we both say  that
we're even stevens.
You know what it means.

He nodded
Yeah...I know.
It means
We belong to each other now.
You got it straight McGraw she quipped.

Two years later
Tony came back from his gig
at the blues club.
He had a recording contract in his pocket.
The money would come in real handy
What with their second baby
coming in a few months.
Kids were pricey little buggers.

Will it help?

If dams are made out of handkerchiefs
to hold floods of sufferings and griefs.

Will it help?

If murmurs are subdued within glasses of loyalty
to wash away the sins of ancient royalty.

Will it help?

If we break all ancient walls
to break barriers between hearts, wide and tall.

Will it help?

If we make some ground in oceans mixing 'self respect' and 'ancient sins'
or learn how to survive in waters without gills and fins.

Will it help?

If progeny is punished for their inherited guilt
and each drop of brutal blood is spilt.

Will you promise?

Then you will again find no reasons to divide
and live without any quarrel happily, satisfied.

I doubt!

As it has nothing to do with 'ancient walls' or 'ancient sins'.
It is something related to species and has nothing to do with genes.