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RAJ NANDY Aug 2018
Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
                      PART THREE – BY RAJ NANDY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *

Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
Mateuš Conrad Aug 2018
. so yeah, perhaps the aboriginals, the argument for the noble savage is there... point being, they have a narrative, more eloquent than the moneticised outside the frantic fanaticism of Harry Potter, a plagiarism of Merlin... etc. etc., with all the scientific superiority, a narrative in collectivism based upon plagiarism? does it really matter? the people who spurn on the superiority of western culture... let's just say, they love to gamble, but don't understand nature's gambling pattern of weeding out the weak... and... given their opinions? i wouldn't want to share a meal with them... contradictory *******... tell them about the Manchester attacks, and they'll cite Yemen! i find it rather uncomfortable sharing a public toilet with them... to begin with... but eating with them? what a strange anticipation of the most profound profanity!
                                 so yeah...
  nice critique...
"philosopher" *** sophist -
namely a rhetorician...

i love the giggles,
don't you love the giggles?

philosophy is something to engage
with, rather than explain...
more a tartar steak than
a medium-done slash of slaughterhouse

ahem... where's your western narrative?
where is the sociological focus?
the focus point?
the campfire?

  where, is, the, glue?

    can't see it...
western civilization is superior,
i grant you that,
but, where is the self-inflammatory
  the self-reflecting critique?

look at your literature!
my good fellow!
  the pop-***** of vampire-clad-
you have to be kidding me...
too many facts, imbedded with
seeking counter-doubts (i.e. facts):
compensated with an antithesis
of a narrative principle...

a right, without a wrong...
a fact, without a narrative,
is pointless educational rubric -
no more finding an point
of answer, than regurgitating a bunch
of facts...
      i would be so certain as to joke
about the aboriginal culture...
when the western narration continuum
is plagued,
   by inconsistent narratives...
narratives that would never
want me to allow myself
a focus for congregating...

   no, sorry...
           you sit that **** alone in youir
little group-therapy sessions...
i'm about to do a Pontius Pilate
   i'm washing my hands away
from the gloat...
i can't stomach it...

      i don't want to stomach it...
i don't even adhere to an I.Q. discussion
as astounding racial differences...
i have already the point breaker:
and why so few black athletes compete
in the swimming events,
while so many are prescribed the
100m / 200m distance?

            what comes naturally...
800m / 1500m races?
          the quasi-marathon running?
evidently Kenyan or Ethiopian...

i hate this, the vest iz v besht...
                       i regurgitate on this
               with diarrhoea...

for all the science involved...
what is it, exactly, that constitutes,
the gluing fabric of community?

    i hate to say this,
but seldom facts are a differential aspect
    of exploratory conundrums...
Moby **** type of narratives?
the integral aspects...
      science has overtaken the expression
of life, sanitized it,
   securing an antithesis of
misery and mortality...
                    with: "facts"...
i might share the pH scale with someone...
but if i don't share the commonality of
a narrative?
  **** me, third party sources...
why should i share?
we share the same factoid,
why should we even bother consummating
this fact, over lunch?!

no bother!
there is no reason!
      live your life, let me live mine...
but don't you ******* even bother
dictating what i can, or can't do,
on the allowance of having invested
in a private property,
you, *******, english, ****!


  the vest iz z best-chore...
   sure sure...
      love your literature, wonder
of the ******* world!
          YA ******* and your journalism?
makes Mecca pilgrims blush!
...and for not particular reason...
vampires, werewolves,
zombies, the whole generic
exhausted stereotype -
   applause! applause!

              what?! health service?
i was lucky to have met up with my socialistic
accessible doctor,
   how many? 2 years to spare from
the last visit...
   zee vest iz z best!

            because why would i have considered
studying chemistry to an edinburgh university
    and not began a post-scriptum of schooling,
beginning work in a supermarket?!

nice narrative, love the advertisement...
keep up the belittling tactic...
   glorifying your ***** wiped clean...
nay bother...
  as the Picts used t say...
                there is an actual masochistic
attache of internalized hate,
that even i can accommodate...

                     i hate gloating,
i hate boasting...
   and i hate the sort of people who
self-identify themselves as philosophers...
rather than sophists...
the sort of people:
who, simply, can't, keep, their, mouths,

don't criticise cultures,
when your own culture...
   is gearing up to problematic investments
of its own,
most notably, the teenage mental
health crisis...
                       this is not a time scant
for diminishing the already
queuing problems,
   by resorting to I.Q and race arguments...
the ******* can claim to be
philosophers, and entertain
the centre stage...
   i have a bench...
  in a park, talking to an old east london
geezer about rayleigh bikes...
and the scalpel attitude to
finding a prefix, negation,
                in the word disease...

western civilization has been gripped
with an Sunni Islam virus of
a superiority complex...
             they sure as **** know how
to point the good stuff...
   but slightly less...
                dream-detached when it comes
to the current,
                  but hey!
the barbaric peoples are our closest
allies of worthy comparison...
   compare a ******* donkey
to a galloping horse!
  that'll fix it!

- but i thought that western culture was
all for the inbreds,
the down syndromes?
  the last birth mothers?!
        some cultures are somehow
more clingy to a peoticization of
the past...
    which... says much more...
for what currently grips the western
inconvenience in the pursuit of
a narrative, whether historical,
or fictional.
Julius Dec 2013
For all the people who tell me I can't be a feminist

My feminism ruins my chat up lines
So much so that you couldn't call them that
I feel pathetic, ironic
Less of a man
Because I haven't touched a girl without her permission
Girls spill their drinks on me in clubs (with no apology), boys don't
Boys ask permission before they touch my entertaining hair
I love women, they're better to be around
I'm not gay, bi maybe but don't stick labels on me
Actually girls do that to me all the time
Literally, they rub their wet hands on my clothes
And stick stickers on me like I'm an object
But no a man is not objectified
Male equals misogynist
Equals creep
I can't criticise a woman's actions, thats sexist
They're in the struggle
This makes me wish I was a girl
I want informal privileges
I'm a ****** is that clear by now?
I don't know if I can **** a girl with my *****
With all of HIStory behind me

I suffer under patriarchy, but not like you do
I understand even non feminist girls,
Or bad feminists,
Still products of this gut wrenching, repulsive system
I'm crying now, an emotional wreck
My mates, some female, will tell me not to act like a girl
But that joke isn't funny anymore
It's too close to home and it's too near the bone
(or *****)
Literally the **** in my trousers is a curse I can't control
An animalistic cage that traps me within expectations
As I write outside a club, three people grab my hair
One male, so I'll take back the generalisation that they ask first. He didn't.
Girls look cold out here
They've come out like this for me
And I shouldn't feel guilty but I do
In the club I'm genuinely objectified
Girls get slurs, sexually abusive labels, they're human there
I'm literally shoved aside like a door by girls eager to look hot at the bar
The only feminist in a room full of chicks

I tolerate this because I love women
Is that sexist?
Is that gay?
If so that's very disappointing
But I've masturbated to **** involving girls
Is that sexist?
Female friendly ****
****** **** - Is that sexist?
I'm academic, I 'get' the gender binaries
Transcend sexuality labels - Is that arrogance?
Why don't these ******* love me?
Note the ironic slur
(Males can be ******* too)
So maybe I'm just the *****
But...I'm sorry
This is poetry, or prose dressed up like it
Emotional inadequacy dressed up like it
I've seen like minded men dispense with the term 'feminism' in pursuit of popularity
That tears me apart because women do the same
I'm not gay
I'm not gay
Stop with the labels
**** me with a strap-on if you have to
Get us back
But I'm not submissive, just overly dedicated
It'll hurt because my **** is virginal
Sure, I'm a feminist
But stop with the labels
This has become obscene
Put me on page 3 and call me a hero

I'm being sexist here
By noticing gender
Real feminists, please improve me
Fake feminists, how dare you use my views against me?
If I wasn't ugly I wouldn't be a feminist
(Product of my environment and all that)
Like you but with a rather different inferiority complex
As I said, please love me?
Or at least, let me be your friend because the average boy repulses me
Maybe we have at least that in common?
These men cause me to
Try to emasculate me
Women too even but it's understandably rarer
Though on the rise in our modern age
As feminism "succeeds"
But this is my pathetic emotional venting
My male sense of self importance
Or am I too harsh on myself?
Ok so I'll self aggrandise
I transcend your petty, completely logical movement
Look at yourself in the mirror
(I'm fat too, and some girls make me feel the pain of it)
Yeah I'm a feminist ally
But I'll school half of you

"You've" made me leave the club now
I can't look at these amazing women the same way they want me to anymore
But by 'you've' I mean 'I'VE'
The emphasis is on me to remain rational,
Calculating (my chances with who in the club),
The breadwinner
The one with the jeans
Look, I'd wear a dress if it wasn't for the connotations
I'm ahead of my time, let's agree on what we can
I'm on your side can't you see?
I'm big, I could hurt you and I hate myself
For representing what could be
What is
What my brothers do behind my back
(Because my sickly chivalry would have me try my hardest to pummel these ******* into the ground to protect the damsel in distress)
But I'm not a violent person
As I text, I cant go back into the club but to say goodbye
to my female friend who I came out with alone despite the ****** undercurrent
I half notice two men try to charm this girl
I hear echoes of 'This Charming Man'
(Later I will go and stand on my own, leave on my own, go home, cry and want to die)
These ******* 'gentle' men

But here I'm being arrogant
Self indulgent
Typically 'male'
I see a fight break out
The women aren't allowed to be involved
Their voices are drowned out though they push themselves between combatants
Men, we are responsible for wars
**** all of you (*some)
I'd trade social and political male privilege for free 'freedom from guilt'
I'd trade my **** away so I'm not called one callously
(You could even use it as a ***** if you wanted, but its not as big as the shop-bought alternative)
And the funniest thing is, I think my words are important
Think I can say all this and be a controversial,
Challenging figure
Asserting my intellectual dominance
Now that's ironic
Ironic to the core that eats at me
That makes me feel like your plaything
Because these ironic jokes like me calling you ******* are too close to home, too near the bone
The bone I gave away, possibly to you (but it hardly matters)
I'm too 'above it all' to be loved or to love faithfully (like Morrissey?)
But all I ask is for your love

That's all I ask
For me to **** on the **** of your respect and trust
Like I did my mother, using her for milk
For sustenance
So my kind survives
And now I go back to the wild,
To the looks that barely notice me as they smash or glance off me
That label me a pig
Or a creep
Or a ****, a *******
Or a gay,
Or a man
Or a feminist


So next thing I know I'm with a load of girls again
(Rugby playing girls my mate knows)
I'm the only 'lad' (Irony really hurts)
I'm told my presence makes them claustrophobic
I give them five minutes
(Because my male voice counts for nothing when deciding on a club)
I tell them I'm a feminist
The more honest way out than pretending I'm gay
Its OK now
Thanks, labels.
I swallowed and dealt with the rejection because I'd just had this emotional vent
Thanks vent
And thanks girls for trying to make me feel small and unwelcome at your table
Because it makes me better
Makes me stronger (like men desire to be)
Only I was a step, a poem, a vent ahead this time
So I wasn't crushed or pierced under your high heel
High horse
You weren't willing to flip the tradition on its head and buy my entry to the club
When I couldn't pay
But it's OK.
At least you were real with me
And I'll be there in spirit
In my dreams
Checking you out while you buy drinks
Then wake up and hate myself again

Tears were in my eyes when the girl said that to me
But I, like a true misogynist,
Fought them back and remained a gentleman
Polite and robotically rational
But really, how painfully ironic are these semantics?
To 'fight' emotion
To 'fight' honesty?

Like men do, because we're all the same
Big Virge Jun 2018
Ya Know … They Say When You Age …
That You Should Stay … " ACTIVE " … !!!

Now Physically …  
That Makes Sense To Me …  
But NOT IF ... " Mentally " …  
Your Mind State's Captive … !!!!!
Reactive And Lacking ...
In Thoughts ... Attracting …  
A Balanced Life ...
In … " Body And Mind " …  
So I KEEP Mine As In My Brain ...
Active And Inclined To ELEVATE ...  
And Therefore Maintain A STRONG Mind State … !!!!!  
A Thing I Exhibit In My Wordplay … !!!
Whenever I Visit An ... A4 Page … !!!!!  
And Let My Lyrics Become An Array …  
of Rhymes Exquisite When They Are Displayed …  
My Words Become Active Whenever They're … " Acted " ...
Or Simply Heard Via Spoken Word From Me … " Big Virge " …  
See ... Activation of Thought I Now Explore ...  
As A Way To KEEP Active And NOT GET Bored … !!!!!
As I Said Before I DO NOT Ignore … !!!
A NEED To Do MORE Than Exercise On Floors … !!!
I Do That TOO … !!!!!  
But Don't EVER ABUSE …   
The Tool That When USED …
Activates Tissues ...
NOT USED By … " Fools " … ?!?
Who DISMISS Thought … !!!
To IMPRESS These ****** … !?!
FLEXING Muscle And STRONG Skin Tones …  
So That They Can Couple … Activating Hormones … !!!!!
I'd Rather Be ... " Humble " ...
Than Activate TUSSLES That DON'T BREED Chuckles … !!!
When They OPEN Dark Tunnels Where Fellas Use KNUCKLES …
Activating TROUBLE Because They Got Rumbled … !!!
When Having … MORE THAN Cuddles … !!!

With Girls Whose Main Trait  …  
Is To ACTIVATE More Than Their PROSTATE … !!!!!  
See I Activate Levels DEEP Inside My Mental … !!!
That Takes Lead From The Pencils of ***** Lil' Devils … !!!!!!
Therefore I Stay STRONG And AVOID Problems … !!!
That Come From Loose Thongs And Violent Wrongs ... !!!  
I'd Rather Write Words And Poetic Verse …
That Act Like Prophylactics And Give Disease COLLAPSES … !!!  
Because My Wordplay … " Snatches " ... !!!
Whips And Gives Out Hangings  ... !!!  
To Cats Thinking They … MASSIVE … ?!?
When What They Are Is … TRAGIC … !!!!
TRAGIC … "Little Captives" …  
Using … FOOLISH Tactics …  
That Put Them On My Blacklist … !!!!!!
of Those Worthy of LASHES …
See Me I Prey Like … MANTIS …  
Or Like Man From … ATLANTIS … !!!!!!
I Pray Upon An AXIS … !!!
Symmetrical And Balanced … !!!!!!
UNABLE To Be ... Challenged ...  
By IGNORANCE That's Captive …  
In Minds Now LOST And SAVAGE ... !!!!!!
Long After I'm ... NONACTIVE …  
My Words Will Still Be ACTIVE … !!!!!!
That's Why I Write And Post Online … !!!
So That When I Have … Physically Died …  
These Words I Find Inside My Mind ….  

BEYOND My Life ….  
That's Where My Pride TRULY Resides ….
In A Place Where Thoughts …  
CREATE Wordplay Beyond The Wars We See Today … !!!!!!
I Hope One Day People Will Say …. ?!?

"That Big Virge Man, played an active hand,
in the betterment of, our race of humans,
and left us seeds, to activate dreams of finding peace,
and living for more than, fights on streets, and vanity !
That Man for sure, wrote poetry,
that's active now he's no longer around !"
But While i'm here My Mind Adheres …  
To Activating Verse That CLEARLY HURTS … !!!
Chickens And Jerks Whose Form of Work … ?!?
Activates NONSENSE Causing PROBLEMS ... !!!
I Have An Active Body And An ACTIVE Mind … !!!
So My Work's FAR FROM Shoddy Because It Feeds The Blind …  
With The Kind of Insights THAT ... DON'T Invite ... !!!!!

IGNORANCE and PRIDE To Be Aligned With A Positive Life …  
The Words I Rhyme Activate Like STARS Shine In The Night ... !!!
Because … From The Dark There MUST COME LIGHT … !!!!!
So As I Approach These Last Few Lines …
NO Time To Reproach or Criticise … !!!
Because These Words AREN'T … " Faddish " … !!!
And Won't Take ALL Your Bandwidth  … !!!!!
I Am A Wordsmith Whose Pen Writes Scripts …
of TRUE LYRICS … " PROACTIVE " … !!!!!
These Words Are NOT Just RANTINGS …  
They're DRIVEN And ... EXPANSIVE … !!!!!!!
And PROVE That Like My … " Writtens' "
When Big Virge Was Here … " LIVING " …  
My Brain, Body & Spirit ...
Were Attached To Being …  
….. " ACTIVE " …..
Not a bad idea to stay active, hence the poem ......
Jane dale Apr 2014
Not another flipping cooking show,
On the telly, it's all go,
Weird concoctions in their heads,
What's up with good old meat and veg?
Judges frowning, watching on,
The clock is ticking, must get done,
Sweat is dripping in their pies,
So some top Chef can criticise?
I'd love that job, the eating bit,
They never eat up all of it,
Sometimes they are just simply rude,
So if they criticised my food,
I wouldn't put up with that ****,
The buggers would be wearing it :)
Steve Page Mar 2017
I miss my mother most
when I'm in her frenetic company.
Such an angry fragile woman
in the shadow of the mum
she used to be.
Lost and alone, wanting a way home,
one woman against the world
with no old friends
only fresh new foes.

She can identify every shifting lie
sitting scared with no escape
from a hundred shifty eyes.
Stalkers criticise every mistake
watching her practice looping moves
cornering her as if to prove
that we're all conspiring
each trying to rob her
when the screaming truth here
is that her fleeting thoughts
have already gone where
we can never walk
not even in our tears.
Dementia is a slow killer.
LylexRose Jul 2018
When I was...

When I was...

When I was 18!

Back at it again, mind doing loops, going through a bend, wading through a field of blood but all I needs a friend, feeling like I'm starting to decend, down a path I'm never coming out of, feeling things are a lil bit intense, and I'm next, but ain't no nobody do it like I do, and in the end, I'll be the one everyone, everything, and nothing will never ******* comprehend, it's this I'm chasing, they might hate it, Ill act like ya'll get it and the game isn't ready, but I am

Living like I'm 18
Take my days with my dreams
Things are different, it's never as it seems
Feeling trapped as a machine
Living like I'm 18
It's hard to choose between

Now I'm starting a new expansion, flushing out everything I use as a distraction, feeling like things are becoming too much; I need to take action, need to go ahead with this, this kinda life I need to abandon, if I go to far now we got a real problem, it's no mistake homie, use your glasses, nevermind my status, this is my ride and I'm captain, I know it's hard to imagine, showing my compassion, no matches to action, I'm no fake for real passion and now it's feels like I'm crashing...

Living like I'm 18
Take my days with my dreams
Things are different, it's never as it seems
Feeling trapped as a machine
Living like I'm 18
It's hard to choose between

I'm full of surprises, how would you discribe this, never too late to realise, how far I'd go to unto demise, yeah now I've got a place to divise, no respect for these lines, ya'll have no idea what I'm going through but ya'll ready to criticise, suppose I should release something more often, and now it's me you've forgotten, walking round looking like a big shot, how long until it's ya'll I haven't got, like to act like a hot shot with a free thought, struggling away last couple of months, sorting out my life and I wonder if I still got it, showing a bit of spark like a megawatt, electricity's not my game but whose to say I'm not shocking, all the little ******* taking their shots, saying I got a case of writers block, so we gonna cut the small talk, they think I've got the writers block, acting like I've hit a road block, that's how you feel well then go ahead and **** my...

...I know it's a joke, a bad one at that, but it's who I am, and it's why I'm born to rap, been wanting to do this since primary, and to all the offended *****, you don't like my music just fire me, oh wait you can't cause ya'll ******* can't touch me, I'mma follow my path to be who I wanna be... this path I thought would stay uncharted, it's just this, this is my beginning, hate this, but I am just getting started.....

Living like I'm 18
Take my days with my dreams
Things are different, it's never as it seems
Feeling trapped as a machine
Living like I'm 18
It's hard to choose between...
Just a sum up of my 18th year alive
Kelly Bitangcol Feb 2018
The people in my life are the ones who choose my lover. They gather around every 6 years, telling each other’s choices; sometimes uniting, sometimes not. You would see people arguing, saying that her choice is better than hers, saying that his choice won’t bring any good to me. However, all these arguments don’t matter in the end because in this situation, majority always wins.

I once had a lover named Mark. I will never forget my life with him. My life was filled with his austereness back then, he would always it’s for my own sake. He told me that he loved me so much, that he would do everything for me. Mark was showing signs of abusiveness that people noticed it. He made sure that the people who update our relationship would be careful, or in other ways would not criticise him and just shut up. So he abolished them and made them lose their jobs. The criticism became wider and wider, more people decided to speak up and stand against him. Mark hurt everyone who opposed of him, torture them in different ways. My children got *****, the brave ones got killed, those who fought were imprisoned, and he was stealing everything that I have. He told everyone he loved me, but he did nothing but ruin me. He left me with a wound that will never ever be healed.

People told me to move on and forgive him, but how can I move on from something that wasn’t resolved? How can I forgive him when he wasn’t apologetic of what he did, instead he was proud of it. How can I forget something that caused people to die, families be apart, my life getting stolen, and the destruction of myself?

Decades went by, people chose a new lover for me. His name is Drew, and people say he remind them of Mark. Both stern, tough, and claim they want the best for me. Drew admired Mark, and he did the similar things. He silence people who criticise him, treat women like pieces of meat that aren’t meant to be respected, **** the victims of poverty instead of helping, take the lives of innocent people away and describe them as collateral damages. He also tells all of these things are for the betterment of me. People suddenly forget our history, people continue to admire Mark and Drew and even call them my best lovers of all. They tell the people, "Love is sweeter the second time around." A wound that was never healed shows again, my body is filled with stains from the pains of the past and the present.

Yet people who love me continue to fight to fight for me. Doing everything that they can to stop things from happening again. Slowly fixing my wound and never letting it open again. You would see them on the streets shouting, or on the internet rambling. They would always ask me, “What is happening to you?”

Thousands of questions, hundreds of voices, and all those addressed for one only.

“Didn’t you learn from the past?”
“Do you want the worst for yourself?”
“Do you want your place to be filled with blood and violence?”
“You just never learn.”

They reached for me.
they shouted my name.
I was called Philippines,
*by the way.
Rockie May 2015
I want to lock myself away
And never come out again
For fear of the light
And of the people
Who shall criticise
My actions
Higgs Nov 2012
People often criticise the BBC.
They say it fails to give a balanced view of things.
Well, one day, there was a meeting.
And they decided to try something different.

It started off in the same way as usual
The Six o'clock News.
With that newsreader I like.

She seemed happy enough,
Talking about the day's grisly events,
With a cheery smile.

Predictable headlines.

Gun massacre in America.
Politicians pontificating. (Just like they did after the previous one.)

Civil war in an African country.
Which one? (Who cares. Doesn't affect us.)

Bombing in the Middle East.
"Some people may find these pictures distressing..." (But they showed them anyway.)

Mass ****** at home.
How many corpses so far? (Only two more to go before it's a record!)

Bodies. Bodies. Bodies.
Seen it all before.
Where's the remote?...

But just as I was about to switch
To a different channel,
About half way through the programme,
It was back to her.
In the studio.

"But, on a happier note, here's what's currently going on at an address in London".


Picture cuts to the inside of a large Victorian house.
Drawing Room with furniture cleared out of the way.
And in the middle of the room...

AN ****!


Fifteen, maybe twenty people.
Difficult to count, because of the positions.
No music. No voice-over. No corny storyline.

Just *******.

And licking. And *******. And panting. And grunting.

And laughter!
Lots of laughter.
All of them having so much fun.
Every shape, size and colour.
Nobody left out. Everybody united
In the blissful pursuit


Bodies. Bodies. Bodies.
Never seen anything like it.
Where's the record button on this remote?...

But then, after a few minutes,
It was back to the studio.
There she was again
(And looking a little flushed.)
She winked at the camera.
"That's all from us. We'll be back at Ten."

Three million people phoned in to complain
About the ***.

Nobody  complained
About the violence.

What a peculiar world we live in.
Totally fictional!
It's really just a comment on the strange attitudes governing what is shown on British TV. It seems that *** is bad but violence is perfectly OK, even on the news at tea-time. I've never understood why this is the case.
kath otoole Apr 2010
A poem is grand
that's got summat to say.

But if it says nowt
it still passes
the time o' day.

Never disparage
another mans writing.
He may be twice your size
and good at fighting!!!!!
Chris Aug 2010
To smile at the unlovely
To duet with undue harmony
To run when a walk would do

To lift the face of the broken
To put aside the important
To concentrate completely

To take interest in the dull
To laugh with the miserable
To see past the tough exterior

To crawl with those that crawl
To walk with the unrighteous
To sprint for those that cannot stop

To stop
To listen
To keep silent
To hold

To do all this
And not ask, or boast, or criticise
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
Jesica May 2017
To the ones who are imperfect,

If anyone perfect is reading this please stop reading and go back to your amazing life. Yup life has to be amazing if you are perfect. Well if it's not that amazing read on maybe you can relate to some of it.
Nobody is perfect. Everyone has his or her own imperfections. But is life just meant to be spent on trying to be what you are not?
Good grades, dream college, well paid job, excellent personality with a good social circle and of course a beautiful and loving wife. PERFECT?
Basically someone who has excelled in all possible fields of his concern. This type of a guy would be perfect right? This is the perfection that everyone tries to achieve. Oh wait! I should say the society tries to make us achieve.
But what if someone was to step outside the circle? What if someone doesn't try to achieve this ideology of perfection?

A person with low grades or someone who isn't in a good college or doing a job he loves but pays less is called incapable or incompetent. Why? Because he didn't achieve that mark of excellence or because he didn't try to achieve it.
That's it, everyone around you starts to advice you, criticise you and breaks you to a point you can't handle anymore.
They blame you for not being perfect.
And to top it all you feel helpless and trapped.

It's impossible for people to not judge you but it is up to you to be affected by their judgement.

Your imperfections make you unique. You may have bad grades or end up in a low paid job but there is something in you that makes you special. But you know what those who criticise you just can't see it.
Make sure that you perfect that unique thing about you. Cherish it and make sure that someday the people who criticised you can only see that perfection. Maybe you yet haven't found your speciality but the day you will maybe even 10 years later will be when you will realise that YOU ARE PERFECT THE WAY YOU ARE.

P.s: There may be many out there who feel they are emotionally and mentally strong but still may fall prey to those who criticise you. To all of them, what you think about yourself matters ​the most, be yourself and shine so that world is forced to look at you!
This may not be a poem but I just felt that I should share it. If you have the time and patience please read through.
Star Gazer Mar 2016
The **** monster was a friendly one
He'd love to lay on the roads under the summer sun
He'd love following in the footsteps of those who run
But he for one never felt useful to anyone at all
So he decided one day to rescue people at a single call.

The **** monster slowly exceeded his name
Became the **** hero
But still had people criticise his methods
Saying "your ways stink"
Or the even more rotten responses
"You disgust our city "...

But he kept a high head and decided to spread cheer
For when you love something
You will give it all you have
And the **** hero really loved the city.
gothic mistress Nov 2010
who the **** are you
to become the judge and jury
on a lesbian relationship
on you i unleash my fury
who the **** are you
to tell me my place
did i ever ******* ask you
to sit upon my face
who the **** are you
to sit and criticise
on what gender i let enter
my silken open thighs
who the **** are you
a twisted lonely ******
who gives a **** or a toss
because im no *******
are you just jealous
cos im loved and youre not
you sit upon your golden throne
a stale **** full of rot
who the **** would *******
with an attitude sick as that
in my humble opinion
youre a nosy ******* ****
so now do one
you low life piece of ****
your dad is ****** in the sack
id rather **** ya mum
copyright gothic mistress 2010
SexySloth Dec 2013
Love - it does not necessarily mean romance, or
silly, promised-filled, tragedies like Romeo and Juliet's,
or shallow, innocent love of teenagers, who are just starting to experience
what it's like and want to know more;

Love can mean the kind you feel for people
you care about, like your parents,
your siblings, your friends...
People whom you'd love unconditionally.
And those people probably love you back
despite your flaws and endless mistakes,
they'd forgive you
and sometimes,
they try to help you get on the right path
and correct those flaws so that
You become a better person.

But what does loving a stranger mean?
Isn't that how we all came to be?
Your mother loved a stranger, and got you.
Her mother loved a stranger and loved your grandfather,
and his father loved a stranger, your great-grandmother...

This beautiful cycle of loving strangers begins our time on Earth.

How do you know that you love a stranger?
Firstly, you might think that their fingers are rather bony
and maybe they way they stand are a little odd,
and the way they walk make you cringe inside 'coz it's awkward?
And their hair is a little too long, when they say a joke,
their lips curl up at the top and their eyes flit upwards
and you feel so uncomforable looking at them.
                     Slowly, you realise though...
after talking to them a little more,
becoming better acquaintances,
and then friends,
you don't notice those 'flaws' anymore (they were never things I should criticise in the first place)
In fact, you start to love them, and like it when they do that.
It's a unique part of them that you want to keep seeing.
You feel guilty and sorry for even hating them in the first place,
because afterall, they are beautiful!

            Lastly, when you depart,
you know you really love them because
           you'll miss those tiny details even more
since you're never going to see those lovely beauties again.
*(Oh, how I regret not fully appreciating them!)
Big Virge Dec 2019
Is it Such A Crime To Speak Your Mind … ?    
Because ….      
It Seems To Be If You're NOT WHITE ... !!!    
I Hear This Said So MANY Times … !!!      
"Virge, you scare folks with words you rhyme !"      
And That's NO JOKE But Words I Quote ...      
Are NOT  The Type To Start A Fight … !!!      
But May UNSETTLE Those Who … " Settle " ...      
To Hide Behind A … "LIE FILLED Life" … !!!      
Can Someone DEFINE Why It's …. " Such A Crime " …. ?      
To Criticise ... Political Types …. !?!      
In Times Like THESE FREEDOM of SPEECH ...      
Is NEEDED …  Just Like Poetry … !!!      
If We're To Ease Pain And Misery … !!!      
And Crimes of More FATAL DESIGNS … !!!!!      
MURDERS ... RAPES Crimes Based On Race …      
And Crimes Inclined To Keep The Masses ... "Blind" ... !!!      
Like Those In Folds Who Make Mistakes …      
Do THEY Pay A Toll For CASH THEY TAKE … ?!?      
MISTAKES … THEY SAY That Pay For Homes … ?!?      
"It was merely a loan, from a chap I know !      
No more questions now, i've got to go !"      
"A chap you know, can't we know his name ?"      
"Are you insane, is it such a crime      
for you to find, that friends of mine,      
help out in times of financial strain ?"    
"Of course not sir, but don't divert, what is his name,      
and did he donate to your friends campaign ?      
Need I ask you again, the question is what is his name ?      
Let me make it plain, are you quite sure he hasn't bought,      
A Peerage, and is now a lord ?"      
"I will not answer any more !      
What do you take, politicians for ?      
Anyone would think, our dealings stink !"      
"Well, no more than a poor street ***** !    
Is it such a crime to want to know more ?"    
Could This Be Why Government Guidelines ...      
Are Trying To Stem ... Peoples' Questions ... !?!      
If Free Speech ENDS What'll Happen To THEM … ???      
And ALL THEIR Pre-Planned Arguments … ?!?      
It Seems That THEY Will Carry On …      
Airing Views Even If They're WRONG … !?!      
Isn't That A Crime It Would Seem NOT … !?!      
So How Can It Be A CRIME To Speak Your Mind ... ?!?      
ESPECIALLY When You're PROVEN RIGHT … !!!      
I Find This ATTITUDE At …. " Poetry Nights " …. ?!?      
if You Speak About Your Life That Seems To Be FINE …    
Or Express FRUSTRATION At The State of The NATION … !!!      
Through Words You Write ….      
If You Are WHITE And They Make Folks SMILE ... !!!      
But If You're BLACK And Make ATTACKS …      
On RACISTS ... Or On Western Plans …      
You're Treated Like An ….. ALIEN …… !!!!!      
It MUST BE A Crime To Be A BLACK MAN ... !???!      
ESPECIALLY When You Have A MIND …      
Inclined To WRITE Poetic Rhymes That Spread Insight … !!!    
"But, SOME BLACKS DO !"      
"Well, if that's true, let me ask you who ?      
Mr. Zephaniah, okay, that's one !      
But, he's spent time inside prison !"      
I'm talking about a black without,      
a history of dodgy deeds !"      
I Think You'll Find THAT MAN Is ME … !!!      
NO Prison Time Has Big Virge SEEN … !!!      
But May Well Do For Words I Speak …      
Even When My Record's … CLEAN … !!?!!      
Well …. Clean ENOUGH … !!!      
I HAVE BEEN Cuffed ... !!!!!      
For Slapping A Girl For DISRESPECTING MY MUM … !!!!!      
And ….. " Driving Drunk " ……      
But Both Misdemeanours Were Just The ONCE … !!!!!      
And Like Benjamin ... Were When I Was YOUNG … !!!!!      
But The Point I'm Trying To Make …      
Is … Black Americans Are Deemed To Be GREAT … !!!!!      
For Taking A STANCE AGAINST Racial HATE … !!!!!      
WHICH English Black Can Make The Claim THAT …      
They've Gained RESPECT For … Taking THAT STANCE … !?!      
What Does That Say About Those Who CLAIM … !!!      
THAT …….      
"Blacks are treated just the same,      
as every other race on, English Shores !"      
"Are THEY QUITE SURE ?!!!? "      
I'm NO Malcolm X But DO HAVE A Cause … !!!      
My Cause DEPLORES These Government Laws … !!!      
Cos' If You're Black And POOR …      
You're Gonna ... SUFFER For SURE … !!!!!      
Even If You're NOT …      
Police Now Plot To Shoot You Down … !!!!!      
Or Question You ... Even If They Doubt … ?      
THAT You ARE THAT Drug Dealer … !?!      
OR The ONE Who STOLE That Car … !!!!!      
Laws They PASS Are Now PURE FARCE … !!!!      
It Seems They've Moved But …. NOT TOO FAR …. !!!!!!!      
AWAY From Keeping Us ……….. Apart ……….      
Ask Yourself WHY Are They Inclined ... ?      
To RESTRICT Those Who EXPOSE LIES … ?!?      
Creatively ...  Or Otherwise …      
Through Simply Saying What's IN Their Mind … !?!      
PLEASE Ask Yourself WHY … ?      
..... " Is It Such A Crime ? " ......
A poem bred from the recognition of the fact that, Britain maintains some, truly amazing double standards !
Damian Murphy Sep 2016
Others you should not judge, criticise
'Til you have seen the world through their eyes;
Know where the person is coming from,
Know the challenges they overcome.
For on you it does reflect badly,
It says much more about you sadly.
Makes you seem shallow, superficial,
So narrow minded and judgemental.
Poetria Aug 2015
Plastic smiles
Bony bodice
Skinny thighs
All her flaws
Stick thin
Skin -
cold as ice
*Why criticise
The ghostly child?
I think the poem speaks for itself.
After all, we are the society we talk about.
Or atleast, a part of it.
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with ***** drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the **** reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...

Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its *****; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....
I don't get offended when people criticise me because nobody can hurt me more than i've hurt myself.
Terry Collett Jul 2018
I gaze at the dark skies,
said Nima, it matches
my depression in depth
and mood, sitting in
the hospital ward
in my private room
my parents paid for.

They come now and then,
my mother more,
to moan and criticise,
to moralise about
my life and deeds.

I wait for Benedict to come;
he brings me cigarettes
and chocs, brings me
news of the outside world.

I have met him in London
if the quacks allow me out
on a day or weekend pass.

We stayed one night
at that cheap hotel
off Charing Cross Road:
the bed was old
and creaked each time
we made love or moved
in nightly passion.

I do not think
he will come today:
he works all week days
as a rule; I must contend
alone with my mood
and mind and dark skies
and day to day depression
in my own way and fashion.
A girl and her depression 1967
"As long as you have a reason to criticise yourself then you should have no reason to criticise others."

Karl Franssen
A box junction,dysfunctional miscommunication,down by the station in one more of its type,a shattered crack pipe and a broken down motormouth man,spanning the distance between here,over there,swiping the air,******* his pants,ranting at rainbows,begging from strangers,
he's just another of the night time ghost rangers,a shadow that falls off imagination and walled off behind solidified dried up and **** out hot dreams that appeared to be real,in the stealing of childhood in the big world bad wild hood,where the good don't die young but are used as the fate bait for just wait and see state, you get in,when you stick the pins in your veins,bleed drain fluid cleaner, how keen are you now?

How the mighty have risen to be crushed,cast aside on the mad ride to stardom in the Kingdoms of blinged up and blind men,
dazzle me, quick me,me brain's oh so sick me,
and sometimes I wonder
and sometimes I don't.

I won't make apologies to pygmy type minds who only find it within them to carp,criticise,and as I prise up the mountains to catch moles for my dinner,I ask of my god,just who is this winner that's wrote of on totems?
Poles apart
we start in the middle,fiddle the figures which figures not in the outcome and I come out fighting,
delightful in madness where the sad can't attack me,where the strait jacketed banality of life is finally flushed,where I'm not rushed in decisions,make insightful incisions with obscure ramifications and cut anyway,cut everything away and cast off.

A bit like knitting
but not with wool.
"AND did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly -
If not exactly in the sky,
Yet at a fairish height."

"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings -
Like many other pleasant things -
Cost more than they are worth.

"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below -
They're stupid company, you know,
For any but themselves:

"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt -
Just as no Turkey ever dreamt
Of noticing a Bantam."

"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive to know
So quickly that 'the place was low,'
And that I 'kept bad wine'?"

"Inspector Kobold came to you - "
The little Ghost began.
Here I broke in - "Inspector who?
Inspecting Ghosts is something new!
Explain yourself, my man!"

"His name is Kobold," said my guest:
"One of the Spectre order:
You'll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap with a border.

"He tried the Brocken business first,
But caught a sort of chill ;
So came to England to be nursed,
And here it took the form of THIRST,
Which he complains of still.

"Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE."

I bore it - bore it like a man -
This agonizing witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking criticism.

"Cooks need not be indulged in waste;
Yet still you'd better teach them
Dishes should have SOME SORT of taste.
Pray, why are all the cruets placed
Where nobody can reach them?

"That man of yours will never earn
His living as a waiter!
Is that queer THING supposed to burn?
(It's far too dismal a concern
To call a Moderator).

"The duck was tender, but the peas
Were very much too old:
And just remember, if you please,
The NEXT time you have toasted cheese,
Don't let them send it cold.

"You'd find the bread improved, I think,
By getting better flour:
And have you anything to drink
That looks a LITTLE less like ink,
And isn't QUITE so sour?"

Then, peering round with curious eyes,
He muttered "Goodness gracious!"
And so went on to criticise -
"Your room's an inconvenient size:
It's neither snug nor spacious.

"That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!"

"I don't care who he was, Sir, or
On whom he pinned his faith!
Constructed by whatever law,
So poor a job I never saw,
As I'm a living Wraith!

"What a re-markable cigar!
How much are they a dozen?"
I growled "No matter what they are!
You're getting as familiar
As if you were my cousin!

"Now that's a thing I WILL NOT STAND,
And so I tell you flat."
"Aha," said he, "we're getting grand!"
(Taking a bottle in his hand)
"I'll soon arrange for THAT!"

And here he took a careful aim,
And gaily cried "Here goes!"
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my nose.

And I remember nothing more
That I can clearly fix,
Till I was sitting on the floor,
Repeating "Two and five are four,
But FIVE AND TWO are six."

What really passed I never learned,
Nor guessed: I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned -
The fire was getting low -

Through driving mists I seemed to see
A Thing that smirked and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a child.
Mateuš Conrad Aug 2016
as a usual Saturday, a sniff of whiskey left
from the previous night -
that'll do - it's not much, but it steadies
the nerves and handshakes with ghosts
of dead writers and poets -
but then the paranoia kicks in -
this isn't the same utensil as a fork, or a typewriter -
this keyboard is attached to a matrix -
it extends far and wide,
i don't know... you can get paranoid
after writing at the height of your drinking
the previous day and wake up the next day
and consider it as nothing more
than diluted prose - which it is, a snapshot
of Joycean ergonomics - but you then
by accident hit the F5 button, yep, the one just
above the 5% button: are there poets
out there, still writing as if they are holding
quills and their fingers have ink stains
and they're airing their frustrations at a blank page?
seriously? i freaked out for a minute having
pressed the F5 button, panic! sheer panic!
panic is worse than fear, i thought for a splinter
second that the government was trying to
censor me... that i was somehow in deep ****,
writing propaganda for some obscure government
that allows 12 year old children perform public
executions by shooting culprits in the back of the head...
what does the F5 button do?
it freezes / blocks / denies the laptop mouse -
a rectangle mat and two buttons incorporated into
the actual laptop - for those few seconds
i felt monitored - standard paranoia of the 21st
poet / writer / whoever, but not quiet enough
for a spy novel... just bog standard feelings... which
are very much linked to printed book materials...
e.g. **** deus: a brief history of tomorrow by
yuval harari - about how we're getting dumber
because someone smarter programmed something
and we weren't given the manual...
funny... they started selling computers like they
were selling hammers... they said: easy, easiest
thing to operate... i'm well chuffed (i guess i use
that word to replace being surprised - local
ingredient - how they bang on about organic
locally grown potatoes and beef, same thing,
only with local vocab) - but they don't sell computers
with instruction manuals - so obviously
the smartest kids these days get on the app. rather than
the mortgage ladder - but **** me! you
could have at least included a little booklet that tells you
what F5 does... i never use it! i'm one of the few
lucky ones, i have some literacy in this department,
but i'm not a techno-philiac as such -
i'm one of those people that says: well, so much
for the building, but you have to put something
meaningful and human in it for the building
to be worth something... not what it is, but:
what it's about - i once learned to use Excel...
****! gone, not coming back. i once learned to
code and build a website... ****! gone, not coming
back, goldfish syndrome due to excess drinking...
but what bothers me is finding something
interesting in that book review... the invention of
humanism as a religion in the 17th century (
funny how Nietzsche criticised Christianity when
as an academic he would have known about
humanism, but dumbly persisted to criticise
what was already being replaced... unless...
he was anticipating American Evangelism,
which might be true) - so i'm trying to look for humanism,
and i come across Copernicus and Galileo -
because, apparently, (as already mentioned)
'Christianity was gradually dislodged by a belief
in the scared status of every individual's feelings
and judgement; we became the centre of the universe,
placing our trust in an unease alliance between
science and moral instinct.'
so there me thinking: so this goes back
to what we're experiencing now, heliocentric humanism
and geocentric humanism -
like i already mentioned, what's west for
nautical calculations past the moon and where's up
or north? it's still flat, the earth, if you're
trying to get from A (Lisbon) to Rio (B) -
so it's happening now, the great schism in humanism,
one side demeaning, angry, frustrated,
the other optimistic - heliocentric humanism
suggest that humans have all the great answers,
that we're all little Louis XIVs, about to dream big
about sorting hunger with spaghetti with a chance of
meatballs machines lodged in our head...
cure for cancer, etc. but then the geocentric humanism
movement is also strong: carbon footprints being
more important than carbon dating, global warming,
you know, typical ****.
still, the F5 paranoia was great,
writing this with an unlit roll-up cigarette was even
better, puckering that luxury before
the last word, and Houston: we have lift-off.
Mateuš Conrad Aug 2016
we're just as superstitious as our ancestors, we create fiction from superstition, we get the hots for haunted houses, the black dot on the bible like pirates... it's just these day, a person finding a £20 banknote would get superstitious about buying 20 lottery tickets with it, rather than a bottle of whiskey... and yes, our story-telling skills have diminished, it's more like dietary regimes these days... we pushed subjectivity so far down the drain that we're not telling stories anymore, we're simply regurgitating objectivity, facts after facts... less talk about surviving a tornado twirl and expressing the excitement from surviving such an event, and more: next! pocket that story, box it with the bar-code: adrenaline ******... we're not story-tellers anymore, we're on the verge of losing all plots... being exposed to polished narrations of Hollywood (hardly the case of being worried about doppelgangers, that was obvious in the 20th century) - as said: we like being bombarded with facts, we've stopped claiming narration for a commuting drive... we are the encyclopedia ~generation... well, we're way past being defined as a generational phenomenon... hence the quiz shows...  we started to hate the excitement of the subjective perspective, the parts were "we will never know", jealousy on this scale really killed it off... we weren't there, therefore it's untrue... coupled with this objectivity of: none of us were there, therefore it must be true... plate up ladies and gents! we're once more reduced to regurgitating facts, we're actually forced to regurgitate facts, we have no chance to score with emotions or personal thoughts... people only want to hear objective realities of our lives... we want uniform coherence like under Uncle Stalin... no deviation... none! i wonder what story will come from all this objectification... the usual, current affairs story, i blame feminism partly for this... the objectification of women lessened, and in came the objectification of everything else, as feminism has done, shoving its nose into everything from philosophy to history simply on the basis of numbers, and as to why there aren't enough women here, and not enough women there... my mother is a housewife... my father comes home with a satisfaction that at least one member of the family will not be stressed... add a second partner with stress and career ambitions and fairy-tales, and that's a house on sand-dunes... personally i wouldn't want to marry in any case... plus, feminism doesn't encourage the house-husband idea that Sweden has adopted... well... you'd think that the idea of househusbands would take off once feminism took off... apparently it didn't.

Darwinism is at odds with pop culture, i see these people
striving for fame like they might be buying penny sweets
in their hundreds, and what i find surprising
is that so much fame is being dished out,
me, jealous? yesterday i found
a twenty quid banknote on the street,
today i bought four beers and a bottle of Grant's
whiskey and i felt that: i owned the world -
yes indeed, a circus act - that's usurping
style of the khaki stormtrooper uniform...
a colon is also emphasis, without the italics...
it's not about grocery lists...
so many writers out there who put
the labouring over punctuation to others...
so many dyslexic still passing through...
mate... if you and me were *****... you'd
be tissue paper material, no, not even a ******
blockage waiting for the plumber...
or the ******* that sold condoms puncturing them
with needles for excess success rates of impregnation...
see, i peel the skin off, imitating Abraham's
madness at the excess, and cockerel
the **** like sunrise... all *sheered
then i put the skin back on... so much for improvements
that desired God's approval... might as well
cut off all the cartilage: nose, ears, nails
(i swear they share the same category... oh wait...
nails and hair... well, n'eh bother, cut the rest off
until you enter the realm of plastic surgery).
so yeah, Darwinism is really the guillotine at
the moment, see them, watch the shepherds herding
them, they created something a Marxist would
never ever understand... the fame class system...
not some rebellion of strong idiots
working the plough field fighting noblemen bored
in their salons with ****-*** their only
exercise and solution to the boredom of a busy world,
mind being in such a world...
or do as i do... half of scotch through...
second jazz record playing in the background...
jazz doesn't translate into headphones,
you need the space...
what worries me is its trans-generational absence...
jazz is the classical music thanks to slavery,
it would never have been born in Africa,
forget it... but it bothers me it wasn't manicured,
kept pristine like some Renaissance painting...
it quickly morphed into Eminem and Vanilla Ice
and all that rap that wrapped it up...
fair enough, i can give credit to joshua redman
and his back east... but that's about it...
so as i sit sipping my Mississippi scotch of whiskey
and cola, having listened to
sonny rollins' ballads, i'm onto kenny burrel's
midnight blue... it's the sort of high culture
that's easy to cultivate... but i'm not the man you
want to revisit the Beat Movement chemistry,
i care very little to talk over the jazz with my poetry...
no wonder talking over classical music ever worked,
hence i contend to parallel myself with Bukowski
in that respect.. i shut up and write,
imagine myself on the Faroe Islands, very far
from what makes me uncomfortable,
the nearest thing to Eden, some remote place,
a village of 20 people where everyone knows
how long they take to a **** and at what hours
(given there's only one toilet) - and yes, the brackets
are also useful to make an emphasis, so example, : and ( )
all combine pretty well.
but they really are losing a one-sided battle,
given historical Darwinism, excluding our modern
perks to get into the raw caveman antics
it can be sometimes very demeaning to consider
both attitudes, simultaneously or correspond or even
excusing our modernity with intrinsic sushi (the rawness
that breeds no home comforts) -
and given the whole popularity culture...
you expect people to remember anything in
the next 100 years? the opening of a century is never
going to be enough to allow for that century's momentum...
i might be living in the 21st century, but all
my influences are bound to the 20th...
and that's where i'll remain, a beggar with a rich man's
vault of compact disks... clutter and a library...
unable to reread the books i've read (unless in snippets)...
like that tale of Neoplatonism and Plotinus
and that relationship with Christianity, but the job
that Nietzsche put in to criticise it came short of
what the actual religion did to itself, the archaeology proof
destined at Egypt, finding works there and not
in Israel along with the Dead Sea Scrolls...
fascinating how they cut Isaiah in half and the historian
Josephus placing the innovator of the Sermon
during Nero's reign, and how Nero is the first reference
to the 666... well, you know, once you zero out the preceding
years, and start again... telling the time will hardly
matter whether b.c. or a.d. - what with Darwinism
and the big bang, the Copernican west... well the Copernican
"west" - what a crazy carousel - get me off!
and indeed, with certain words...
we have encoded approximations to what each words
denotes... the brightest gem in the vault is
Hades... you don't say it as Ha A.D.H.D. -
you say hay and then you say dees, like bees -
yes, whether the d is a below the equator
and is summer in december, or whether b is above
the equator and is summer in july...
so you encode Hades but actually say: hay-d-and-many-e's -
still can't figure out how to denote a plurality of
letters with the punctuation marks given by English...
at present i'm using the inadequate possessive article
route - Peter's, Mark's, the mountain's...
the article goes off radar when there's plurality
in the thing ascribed possession: mountains' heights...
hay-d-and-many-eeeeeeeeeeeee? get the picture?
or hay-d-and-ease - baffling language,
i feel like some aboriginal looking at it from Ayers Rock
going: kangaroo the **** and didgeridoo?
no wonder the tetragrammaton is the tool to decipher
this phonetic encoding... there are too many chiral
symmetries in this tongue.
so again... i don't know why poets don't bother
to repeat themselves, on what they first concentrated on,
like the many water lilies by Monet,
or the self-portraits from varying angles...
or how modern fame, in concept, condemned itself
to c.c.t.v. and a brick wall as to how history is
experienced with mainstream Darwinism...
how quickly the guillotine chops the head off,
the finicky base for democratic applause...
and how in 100 years people might wonder:
well, Plato ain't going to be usurped, Plato will be
treated with the same faithful bias
as a blank blackboard, the established norm...
(that's all e.g. to say, it's not necessarily the
acceptance of such a norm) -
we'll still be ushered to normality by starting
from either the bleak big bang, led to an even bleaker
and bigger bonk... or we'll be cavemen admiring viral
infections - and fame and aspiration to attain
it will truly become bleak... for in these days
fame isn't competing for being remembered...
it's competing for being seen, again the c.c.t.v. model...
and given our overexposure to datums (the Oxford
authority is a bit slow to recognise that... well,
unless of course the same meaning can be achieved
with the word data... unnecessarily datii?),
advertisement being only one such source...
and would i consider the self to be an illusion?
i'd consider it on equal footing with π = 3.14159...
a piece of information, not to the fullest extent
a delusion... meaning i wouldn't discredit it completely,
given that so many people fall for it's existence
when plagiarism tempts us to swing with it...
and that there's the private, the public, the showcased
use of it... but it's still so ****** annoying
to have the lazy crew use the northern barbaric
reference to that pronoun and discredit it by treating
it as merely a useful prefix for compounding words
together to express automaton behaviours, and to have
to lie back on the psychoanalytical sofa and have to
deal with the atom of: ego, superego and id...
                                     (neutron, proton           and
the many that that that      / its its its -
the id is actually a scalpel in psychiatry - the cursor or
vector or quiet simply as stated already, scalpel,
incision maker -
                               the superego? also known as moralising
Nietzsche's übermensch - nein! klein Adolf
kann nicht spielen mit du heute
well... might as well enjoy being trapped in
the stone ages from now on... because in between the cavemen
and ourselves, our contemporaries just called them
idiots (most notably the journalists) -
yep... only idiots separating us from caveman...
i must be double the idiot of wishing to be back
in the Dumas' France, or at the height of the Polish-Lithuanian
Commonwealth, when the Poles, second only to
the Mongols held Moscow.
Andy Felix May 2018
We've grown together, no doubt
We hang out in the clouds and clouds roll out
I hold her close as she ignites my passions and dreams
She takes me from all the drama it seems
Some may criticise but don't realize
We're made for each other
you can see it in the eyes
Anon Feb 2015
sometimes you just want to be alone
in your very own room
just complete hush-hush
scanning your thoughts
and predicting your future
accepting yourself
not keeping that thick, unlit mask
in order to dress and impress

multitudes of pressure begins to melt away
it's just you
and you only
and it becomes one of those rare occasions
where everything and anything is about you
and no one can mock or criticise
no one can tell you no
no one will have any psychological power
but yourself

and this is when you lull yourself to sleep
you decide
to finally rest
and be at inner peace
Paul Butters Jan 2016
The very first thing a poet should do
Is throw that ego in the bin.
For being Great, or finding fame and fortune
Should hardly be your goal.

Just say whatever you have to say
With passionate heart and Voice.
Forget about Perfection
As all is relative:
And simply be Inspired.

Don’t be a slave to rigid forms:
Variety is the key.
Pulsing rhythms may match the heart
But missing beats have clout.

Be respectful to other poets at all times
And always return their praise, where you can.
Never criticise in a negative way:
Always be positive and supportive.

Keep out of inter-poet politics:
Such a waste of time!
Just write and write and write and write:
I simply cannot help it!

Paul Butters
Ego is the enemy of poetry!!!
Thia Jones Apr 2014
If I could only have been with you
would have made your dreams come true
if only you had allowed me to
there are no limits to what I'd do

I'd shave my head for you
fall down dead for you
swing the lead for you
keep things unsaid for you
make up my bed for you
bake gluten free bread for you

tell big lies for you
be despised for you
have only eyes for you
criticise for you
create surprise for you
wear disguise for you

give protection for you
take direction for you
lose connection for you
keep affection for you
bear inspection for you
shun perfection for you

would do anything at all for you
would do anything you want me to
would do nothing to make you blue
if I could only have been with you

Cynthia Pauline Jones, 3/11/13
martin May 2012
A little hob gobby stood by a sign
I'm a green goblin
Learned and wise
Bring me your poems
To criticise
He smiled and put his glasses on
Don't know if he liked it
I didn't stay long

Pay a farthing, earn a groat
You'll be a winner if I like what you wrote
He read one line and said go away
Unless you want me to spoil your day
I carried on, tears in my eyes
Tears of laughter, undone were his flies

If you can spare a poem or three
I would be eternally grateful to thee
It's put to good use
I am no liar
Too old to cut wood
I need fuel for the fire

Voice of an angel through purified air
How can I pay you for beauty so rare?
I cannot take payment for what I don't see
Take it good sir, to you it is free

A little tired, dragging my heels
Fed up with bargaining, bartering deals
I found a hollow of moss soft and deep
Laid down my head, surrendered to sleep
Raj Bhandari Jul 2019
Man, it is, really very easy, to criticise,
Instead,try being a human being,wise!
Mateuš Conrad May 2016
i'll be honest, i lost the second volume  of Kant's critique
in the house, i lost the rhythm of reading the first volume,
but then i found the second volume
like a breadcrumb, where i left off:
the thesis v. antithesis section,
                 antimonia of pure reasoning
(the fourth conflict between
                   transcendental ideas)
cf. the only dualism allowed is a bilingualism,
no mono-lingual dualism is verifiable,
it's too abstract and therefore non-practical /
non-practisible - missing adjective
            i.e. without having an allowance
    to be practised, indeed almost every single
word cannot transverse all grammatical classification,
a zebra cannot be a noun, a verb, an adjective,
an adverb etc., hence what i tried to experiment
with was whether a mono-linguistic system
could practice dualism purely, no, it couldn't,
mono-linguistic systems abstracted dualism
without a useful process within them,
the whole good and evil, chaos and order dichotomy,
such dichotomy that never approached a dialectics,
hence mono-linguistic systems could not convene
dualism, because they were mono-linguistic and
not bilingual...
in reference to translating
                                            the fourth conflict between
                   transcendental ideas,
i.e. czwarty konflikt miedzy ideami transcendentalnymi,
English stress of articles / vectors, meaning
a point be made, or the point can be made,
one is wishy-washy wave of the hand (dispersion),
the other is definite, microscopic, vector
from co-ordinates (0, 0) leading to (23, 12) of the (x, y)
graph; i went among the Celts and learned to write
drunk and be happy;
                                      ironic though as to why
Darwinism gained such popularity given the English
use of indefinite and definite articles: a-      -the    
end up with some sort of ism.
there's a warning about the fourth antimony, and there's
also this poem, indeed i was bemused by the antimony
i'm not surprised that he didn't understand the narrative too,
narrating philosophically is a hard craft,
you can't really engage with dialectics, cartwheels sure,
ouroboros (snake eating itself) sure,
it's hard to reach the Pre-Socratics, but almost every
philosopher after Socrates is doing just that...
to internalise dialectics (i'd rather criticise the lack
of diacritical marks in English), and that's why
philosophy compared to standard literature of fiction
and novel can be termed pure, narration.
it is pure narration, the practice of -
hence off character study, hence hardly memorable,
but an antidote to what the present system of education
prescribes the young: dates (1066 a.d., 1945, 1914),
or Pythagoras... qwen the queen was born (on purpose, and
why? exactly, q / queue, why / i, etc.)... it's like they're
taking a test on becoming Britain's residential candidates
with questionnaires that no one talks about in pubs
over pints. i mean the warning against the fourth antimony
in the antithesis ends up stating poetically:
both proposals were sound. depending on how one
peeled the vantage point, from which want came to
observe the lunar motion.
Marshal Gebbie Dec 2018
Seldom have I seen such strength, such purposefulness shown
And I have witnessed many who have made their message known,
Immovable this woman stands in seas of raging tide
Where friend and foe, as challengers, she’s deftly swept aside.
Resolute she stands atop white cliffs of blazing chalk
To glare across the Channel where her predecessors stalked

In league with Winston Churchill with pugnacious jawline set
When he thrashed the fiend in Jackboots and field grey appuletes.
In league with Margaret Thatcher with that glint of grey in eyes
To the accolades of Gorbachev who recognised the prize.
In league with Boadecia the ghost of power past
Who rallied this great nation to fight on to the last.

Snapping at her ankles the dogs of turmoil writhe
And comrades of another time amass to criticise,
Labourites howl murderously to all who would take heed
While the rabble rousing Europeans joust to intercede.
Swirling round her skirts they mass now screaming their abuse
At her articulated message of a pathway less obtuse.

If Tony Blair had the ***** it’s to her side he’d dance
As would Jeremy Corbett but of that there’s little chance,
Her Majesty stands forthright, as do all her heirs
Including Will and Harry who are cheering from the stairs.
Dianna’s there in spirit plus the Kiwis from the pub
And the rough crowd from the chippie all dolled up with a scrub.
She needs ALL of you behind her in her struggle for the best,
Independence for Great Britain is ascendancy’s great quest.

The very heart of what It means to dwell within these shores
The very heart of what it means to be Brittish to the core.
England, Scotland, Ireland, Wales combining for the task
Of a guarantee of future from the quagmire of the past.
We SHALL stand behind Teresa May and make our voices heard
As we scream aloud the anthem to impart our final word….

Boom, boom, boom

18 December 2018
Brexit has precipitated Britain into a confused, house of squabble.
Another referendum will achieve nothing. The deal offered by the EU to Britain now far exceeds that available should the March 29 deadline expire.
To venture beyond that without an agreement will result in chaos and a great deal of pain for everybody.
Which leaves one feasable avenue...Back Teresa May, achieve the conditions offered, sign the ****** thing....then argue the toss about it later!
Get the job done!
Rule Britannia
Nigel Obiya Oct 2012
Freedom of words
Is on a level of its own
Poetry makes more sense as it comes along
As much as the next line is unknown
Just like freedom of speech
It can criticise, demean... teach
"What's the difference between the two?" you may ask
Explanation of that is something that is difficult to reach...
In between the lines
The message I subconsciously preach
Is different
Familiar and strange... at the same time
A whole other level... of deciphering lines
Your interpretation of this
Isn't necessarily mine.

— The End —