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"conspirators" poems
Challenges and competition notified. Every step codified. Tears and sweat pacified. Achievements and advancement glorified. Regression and depression terrified. Muscles and struggle verified. Foes and conspirators mortified. Plans of progress and purpose sanctified. Grace and the Goodness of God testified. Sweet pleasures of life. Trials, Torment and Torture. Eulogies and Elegies of visible characters. Promising and decisive. No conflicts, No dilemma.
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Nov 14, 2013
Nov 14, 2013 at 1:48 AM UTC
HARD WORK
The young maricones and the ***** muchachas, The big fat widows delirious from insomnia, The young wives thirty hours' pregnant, And the hoarse tomcats that cross my garden at night, Like a collar of palpitating ****** oysters Surround my solitary home, Enemies of my soul, Conspirators in pajamas Who exchange deep kisses for passwords. Radiant summer brings out the lovers In melancholy regiments, Fat and thin and happy and sad couples; Under the elegant coconut palms, near the ocean and moon, There is a continual life of pants and ******* A hum from the fondling of silk stockings, And women's ******* that glisten like eyes. The salary man, after a while, After the week's tedium, and the novels read in bed at night, Has decisively ****** his neighbor, And now takes her to the miserable movies, Where the heroes are horses or passionate princes, And he caresses her legs covered with sweet down With his ardent and sweaty palms that smell like cigarettes. The night of the hunter and the night of the husband Come together like bed sheets and bury me, And the hours after lunch, when the students and priests are ************ And the animals mount each other openly, And the bees smell of blood, and the flies buzz cholerically, And cousins play strange games with cousins, And doctors glower at the husband of the young patient, And the early morning in which the professor, without a thought, Pays his conjugal debt and eats breakfast, And to top it all off, the adulterers, who love each other truly On beds big and tall as ships: So, eternally, This twisted and breathing forest crushes me With gigantic flowers like mouth and teeth And black roots like fingernails and shoes.
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10k
Gentleman Alone
The young maricones and the ***** muchachas, The big fat widows delirious from insomnia, The young wives thirty hours' pregnant, And the hoarse tomcats that cross my garden at night, Like a collar of palpitating ****** oysters Surround my solitary home, Enemies of my soul, Conspirators in pajamas Who exchange deep kisses for passwords. Radiant summer brings out the lovers In melancholy regiments, Fat and thin and happy and sad couples; Under the elegant coconut palms, near the ocean and moon, There is a continual life of pants and ******* A hum from the fondling of silk stockings, And women's ******* that glisten like eyes. The salary man, after a while, After the week's tedium, and the novels read in bed at night, Has decisively ****** his neighbor, And now takes her to the miserable movies, Where the heroes are horses or passionate princes, And he caresses her legs covered with sweet down With his ardent and sweaty palms that smell like cigarettes. The night of the hunter and the night of the husband Come together like bed sheets and bury me, And the hours after lunch, when the students and priests are ************ And the animals mount each other openly, And the bees smell of blood, and the flies buzz cholerically, And cousins play strange games with cousins, And doctors glower at the husband of the young patient, And the early morning in which the professor, without a thought, Pays his conjugal debt and eats breakfast, And to top it all off, the adulterers, who love each other truly On beds big and tall as ships: So, eternally, This twisted and breathing forest crushes me With gigantic flowers like mouth and teeth And black roots like fingernails and shoes.
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38
Against too many writers of science fiction Why did you lure us on like this, Light-year on light-year, through the abyss, Building (as though we cared for size!) Empires that cover galaxies If at the journey's end we find The same old stuff we left behind, Well-worn Tellurian stories of Crooks, spies, conspirators, or love, Whose setting might as well have been The Bronx, Montmartre, or Bedinal Green? Why should I leave this green-floored cell, Roofed with blue air, in which we dwell, Unless, outside its guarded gates, Long, long desired, the Unearthly waits Strangeness that moves us more than fear, Beauty that stabs with tingling spear, Or Wonder, laying on one's heart That finger-tip at which we start As if some thought too swift and shy For reason's grasp had just gone by?
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4.5k
An Expostulation
Strike the match! Light the candles! Conspirators gather 'round! For we have come to eradicate, the world of the old, the useless, the weary, and the crowned. Watch the wax! Drip down so fast! Let this drop seal our order, the world of the chaotic, the frantic, the paranoid, and the crying soldier. See the flames! Light the faces! Of all who gathered today, the world of the noble, the sinner, the suspicious, and the people stuck in dismay. The wax stops! It drips, no more! The infamous clock strikes twelve, the world of the lights, the candles, the flames, and watch as they drip the other way. Look, those candles! They melt in reverse! All that work was sent backward, the world of destruction, the pain, the confusion, and the candles never burn downward. The candle has melted! It's just wax! It had cooled on the table, the world of the conspirators, the liars, the cheaters, but the flames were always stable.
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Dec 18, 2014
Dec 18, 2014 at 1:43 PM UTC
Melting in Reverse
(for the unknown You) – Sweep up a mound of achievements; layer dogwood and newspaper beneath; find a small, secluded shoreline to sleep an endless sleep; shovel money (in at least twenty currencies), some status and fame onto the funeral pyre’s unremembering flame; write furiously with computer or pen, fill out the days’ whitespace with enthusiastic fantasy; revel on a fallacy (or three); win the gladiatorial games in the Corporate Arena; rediscover a bit of ancient folklore; set up nice altruistic societies to make orphans feel infinite; plant a little garden – give guidance in its growth; build four or five fine-but-small boats with richly decorated keels; fight for something worth believing, though I’m still unsure what that means… A(my) guess: lyricism and poetry and prose, musical composition, simply being kind and open; A suggestion(for You): lay Your hand on a patient’s slowing heart in a cancer ward, catch their tears with a jar and meditate on better things to do; give the old folks a laugh; steal the Elgin Marbles back for the Greeks, or, for the memory of ancient Greece; find where lay a psychopathic fascist’s bitter ashes and give them to the conspirators for closure; (for me) place letters on the graves of John Keats, Percy Shelley, Wystan Auden and William Yeats; rescind, abolish, annul, invalidate my station in God’s dysphoric, existential reverie; heap up beautiful words and send them off to sea inside a laptop on a cellophane-wrapped raft; (for both of us) think thoughts uplifting; smile thirty-three times a day (or more); plan for the future of ourselves and others; give just a bit of love to our mothers; sweep the kitchen and the city streets for free; by your garden plant a tree. Beyond these things for us to do, be proud-yet-humble, open-eyed and acquiescent; just accept; all things inanimate and animate, accept.
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Jul 4, 2012
Jul 4, 2012 at 7:58 AM UTC
Things to do
(for the unknown You) – Sweep up a mound of achievements; layer dogwood and newspaper beneath; find a small, secluded shoreline to sleep an endless sleep; shovel money (in at least twenty currencies), some status and fame onto the funeral pyre’s unremembering flame; write furiously with computer or pen, fill out the days’ whitespace with enthusiastic fantasy; revel on a fallacy (or three); win the gladiatorial games in the Corporate Arena; rediscover a bit of ancient folklore; set up nice altruistic societies to make orphans feel infinite; plant a little garden – give guidance in its growth; build four or five fine-but-small boats with richly decorated keels; fight for something worth believing, though I’m still unsure what that means… A(my) guess: lyricism and poetry and prose, musical composition, simply being kind and open; A suggestion(for You): lay Your hand on a patient’s slowing heart in a cancer ward, catch their tears with a jar and meditate on better things to do; give the old folks a laugh; steal the Elgin Marbles back for the Greeks, or, for the memory of ancient Greece; find where lay a psychopathic fascist’s bitter ashes and give them to the conspirators for closure; (for me) place letters on the graves of John Keats, Percy Shelley, Wystan Auden and William Yeats; rescind, abolish, annul, invalidate my station in God’s dysphoric, existential reverie; heap up beautiful words and send them off to sea inside a laptop on a cellophane-wrapped raft; (for both of us) think thoughts uplifting; smile thirty-three times a day (or more); plan for the future of ourselves and others; give just a bit of love to our mothers; sweep the kitchen and the city streets for free; by your garden plant a tree. Beyond these things for us to do, be proud-yet-humble, open-eyed and acquiescent; just accept; all things inanimate and animate, accept.
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44
I knew we were in trouble when they taught the machines to talk parliament of artificial owls nocturnal park line pirates watch and learn these conspirators abduct the listening chair and strap deniability to another infernal device so some hotwired pilgriming woman possesses superior ****** abilities and a skill with the violin, the pointy end camera is king yet all the negatives have been destroyed still somewhere out there remains a flash card and a hybrid set of eyes watching all the people fall to pieces we're perambulations around collapsed buildings, rather than the collapsing buildings themselves me and the machine of contradictions sick as our secrets with all kinds of shenanigans going on welcome to the age of copying minds onto hard drives and cellphones a future too heavy to carry and so we plant it deep into the soil letting the cables sleep like fading city lights, receding like strange fractured reactors at the edge of the world in lieu of flowers send hope
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Aug 10, 2022
Aug 10, 2022 at 6:37 PM UTC
Disclosure Denial Dissension
*O come gentle persons all and listen to the woeful tale of an unfortunate lover* 1 I pitied Cinderella and knocked at her door when everyone was away and I sang: *Come, run away with me and I shall look after you - all the days of my life all the days of yours* Get lost, she said. *I’ve a premonition of glass slippers and Princes and castles* 2 And so I went to fair Verona to see if Juliet would give me her hand but it was her father who showed me the toughness of his servant’s hands 3 And ah, I went to Rapunzel and I said:  *Oh, let down your hair and I’ll come to you; and I’ll find a way for both of us to run away to better lands* Get lost,  she said *You don’t look like a man who can afford to get me the best shampoo and golden diamond-studded hairclips - new ones everyday for my hairdo* 4 And so I waited for Cleopatra till Brutus and the conspirators stuck their daggers into Caesar and I went to her mansions but the guards seized me and they said: *You ever heard of Cleopatra’s needles? Where’d you like us to stick them in you?* 5 and so, desperate, I went to **** myself back in Verona in the family crypt of the Capulets and woe is me - I really don’t know why - but I’m thrown into prison now *‘for the ****** of two’*
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Oct 10, 2010
Oct 10, 2010 at 9:51 PM UTC
tale of the unfortunate lover
The prison bus passes this way every now and then, surfacing without warning—a leviathan of metal, grease, and glass its dark windows secured by squares of rusted wire its diesel engine heart spewing exhaust that turns morning rain the color of seawater. The prison bus does not stop for stop signs; red lights are nothing but violent memories strung in an overcast sky. When the bus strikes something in its path the prisoners bounce slightly in their seats, lifted into impartial air liberated momentarily by the familiar co-conspirators of blood and laughter. In his dreams, the guard who drives the prison bus circumnavigates the globe, plowing through clouds of insects that shimmer like fuel above the road.
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Apr 7, 2017
Apr 7, 2017 at 11:02 AM UTC
Plankton
A President fell into the conspirators trap. History was rewritten as easy as that. Remember the riots the blood and the gore. Remember the protests of an unpopular war. Think of who benefits when young blood is shed, for its they who put bullets in J.F.K's head. It was they who put Johnson up on Camelot's throne. Do you still think Lee Harvey acted alone?
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Aug 25, 2013
Aug 25, 2013 at 11:41 PM UTC
The Puppet masters
A general and statesman, reformer and conquerer, summoned to the senate, and hastily issued a petition of which to bring back a senators banished brother. The Dictator Waves him off, and Cimber grasps his shoulder, “Ista quidem vis est!”*1 Cascas dagger is drawn, swiftly toward the neck it darts, yet caesar nimbly catches such attack, “Casca you villain! What is this you do!?” Casca fearing, cries “Adelphe, Boethei!”*2 Then like the wolves descending on a lonely foe, they lunge and leap, Brutus too… Caesar at the sight of him, averts his eyes and makes for the door, unable to escape he falls upon the floor, “Kai su, Teknon?”*3 The man who was harried, crawled to the steps, and saying nothing, Caesar dies… The Lower steps submerged in the Emperors crimson blood, the body cold, limp, lifeless, had at by the vultures, armed with knives, and stabbed times twenty-three. The conspirators proud, marched through the streets, and announced to fear-struck citizens, “People of Rome! We are once again free!” Yet, no one came out… for now. until, Three hours passed, and only then, was the fallen mans lifeless, corpse drenched in blood, collected and cremated.
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Jan 18, 2012
Jan 18, 2012 at 10:35 PM UTC
The Death of Caesar...
you are walking the streets you do not walk the boards anymore your trousers are frayed, your shoes dusty and the hard walkways have worn them out you are not presented in the glorious costumes and the stage crowns anymore the illusion is gone, it’s reality that’s permanent now you’re the beggar, the recluse, the plain and shadow you walk down to the shops and your speech raises eyebrows where’d he learn to speak like that? they ask, in whispers, like conspirators on stage your actions are too lofty, your manner too distant it threatens them, they must crush you – so that’s why you’ve learned to blend in as well as you can those were the days when they heard your words, and they felt it resonate when they noted your pronouncements and there was acknowledgement but those were the days, a long time back when they looked at you, and they knew you, and they looked in awe now the children sneer at the old man, and when it’s too cold, your nose runs and you need to **** more often and the women notice you hobble, you leave the art of significance and you learn the art of the indistinct and you’ve learned which practice is more difficult: acting the prominent, or acting the anonymous *Go, old man, old actor, every dog has its day; the new breed eats the bones today*
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Oct 4, 2012
Oct 4, 2012 at 6:59 PM UTC
portrait of the old actor
(Can be sung to the tune of "Santa Claus Is Comin' to Town") You'd better take heed; you'd better not bawl When you read all the writing on the wall: You are going to be IMPEACHED. You can deny what you have done, But you cannot fool everyone. You are going to be IMPEACHED. Mueller's digging deeper, No matter what you do. No matter what you think or say, He's got the goods on you. So! You'd better take heed; you'd better not bawl When you read all the writing on the wall: You are going to be IMPEACHED. Putin can say he wasn't involved, And you say, "Hey! Now I'm absolved." You are going to be IMPEACHED. Republican friends in Congress can try To undermine the Mueller probe and lie. You're still going to be IMPEACHED. The people in this country are jumping up and down. Finally there'll be oversight: the Dems have come to town. So! You'd better take heed; you'd better not bawl When you read all the writing on the wall: You are going to be IMPEACHED. You think that you are free and clear. Keep your eyes open as storm clouds near. You are going to be IMPEACHED. You can say "No collusion" each day. The truth of the matter won't go away. You are going to be IMPEACHED. Among your co-conspirators someone's spilled the beans; Someone's told the truth about you, And you know what that means. So! You'd better take heed; don't weep and wail. Worst case scenario: time in jail. You are going to be IMPEACHED. -by Bob B (12-10-18)
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Dec 10, 2018
Dec 10, 2018 at 9:29 AM UTC
You Are Going to Be Impeached
i have spent the last three days humbled on hands and knees, relinquishing all of myself into the welcoming mouth of the toilet seat. i don't know what is wrong with me. i havent seen you for a while but i am certain that you hate me. i can't help but think that this is my fault, wonder if i should be giving more of myself- something other than mucus and bile. i look back on the day that i cut my hair, embarrassed that all i had to give you was a lock of it, a small insignificant piece of me, knowing that you wouldn't have accepted all of me if i had offered. i don't know how to show you that i've tied myself to you, that you now possess a piece of the last nineteen years of my life. i bet you threw me in a drawer or underneath the bed, let me drop unnoticed behind the bookcase: out of sight, out of mind. i now know what lovesick looks like although it is not the kind of love (or sickness) that you would accuse me of being capable of. it is more like a mother ripped away from her suckling child by the guilt instilled in her through a man's laughing eyes. i wish i could leave this body, fly away to worlds untouched and forget you, but i am still learning that we are rooted to this earth by hatred and hips, destined to be left behind, no lumps of flesh to save us, flapping behind our backs or between our legs. and when hagar looked down upon his beautiful face and froze, i'm sure she contemplated driving that knife in the centered nook right below her own ribcage, confused as to which she should aim for: the heart or the womb, both equal conspirators in her shame.
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May 19, 2010
May 19, 2010 at 10:27 PM UTC
lovesickness: an ode to shalimar
i have spent the last three days humbled on hands and knees, relinquishing all of myself into the welcoming mouth of the toilet seat. i don't know what is wrong with me. i havent seen you for a while but i am certain that you hate me. i can't help but think that this is my fault, wonder if i should be giving more of myself- something other than mucus and bile. i look back on the day that i cut my hair, embarrassed that all i had to give you was a lock of it, a small insignificant piece of me, knowing that you wouldn't have accepted all of me if i had offered. i don't know how to show you that i've tied myself to you, that you now possess a piece of the last nineteen years of my life. i bet you threw me in a drawer or underneath the bed, let me drop unnoticed behind the bookcase: out of sight, out of mind. i now know what lovesick looks like although it is not the kind of love (or sickness) that you would accuse me of being capable of. it is more like a mother ripped away from her suckling child by the guilt instilled in her through a man's laughing eyes. i wish i could leave this body, fly away to worlds untouched and forget you, but i am still learning that we are rooted to this earth by hatred and hips, destined to be left behind, no lumps of flesh to save us, flapping behind our backs or between our legs. and when hagar looked down upon his beautiful face and froze, i'm sure she contemplated driving that knife in the centered nook right below her own ribcage, confused as to which she should aim for: the heart or the womb, both equal conspirators in her shame.
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34
this is the dwelling where wind is a bell and a beacon for death. where youthful pursuit is punctured by family names or famine of fortune. boys in bands buoyed by Onos and shared women. lawyer fathers and social ***** mothers whose children are forbidden to **** up. one street reserved and smothered by talking townsmen whose belligerent brides keep tabs on their fellow middle-aged malicious minded low-lifes engorged in gossip are the parading fat men who rise early to feed off ones business capital tragedies ****** shortcomings of the stuck and single prey off tweens tweeting of body glitter and b-cups. clique chick coquettes play house with their shiny image seeking male counterparts who sing songs of their leather faced lady friends with plastic claws they now admit they would never marry antagonizing cute couples secretly copulating with former loves' lust only to mingle with conspirators molding to dominant thought once a waitress always a waitress with overdrawn bragging rights and unemployment checks serving snobs like themselves who sip savignon self-righteous polo popping perverts accompanying their prized play things who join the charles river emigrants and stale french pastries scouting the waste colored palace of prejudice. now blades of winter draw months of blue blood bringing forth frozen thoughts slowly dripping onto thawing skin. another warm summer sun  forthcoming foreshadowed by this wind-chafing forlornness. though i will fall in love again and bridge rats will always be kings.
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Apr 21, 2011
Apr 21, 2011 at 3:33 PM UTC
the tourist news
this is the dwelling where wind is a bell and a beacon for death. where youthful pursuit is punctured by family names or famine of fortune. boys in bands buoyed by Onos and shared women. lawyer fathers and social ***** mothers whose children are forbidden to **** up. one street reserved and smothered by talking townsmen whose belligerent brides keep tabs on their fellow middle-aged malicious minded low-lifes engorged in gossip are the parading fat men who rise early to feed off ones business capital tragedies ****** shortcomings of the stuck and single prey off tweens tweeting of body glitter and b-cups. clique chick coquettes play house with their shiny image seeking male counterparts who sing songs of their leather faced lady friends with plastic claws they now admit they would never marry antagonizing cute couples secretly copulating with former loves' lust only to mingle with conspirators molding to dominant thought once a waitress always a waitress with overdrawn bragging rights and unemployment checks serving snobs like themselves who sip savignon self-righteous polo popping perverts accompanying their prized play things who join the charles river emigrants and stale french pastries scouting the waste colored palace of prejudice. now blades of winter draw months of blue blood bringing forth frozen thoughts slowly dripping onto thawing skin. another warm summer sun  forthcoming foreshadowed by this wind-chafing forlornness. though i will fall in love again and bridge rats will always be kings.
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25
Written for a challenge on my former site... he wanted us to rewrite Shakespheare... a daunting task to say the least! I can only hope that I did The Bard justice! O! Wretched Stars! Look not down upon this maid! Your wheels moved well upon your merciless plans so laid! You cross' d conspirators! You... content in your spheres... do you not find my eyes stricken... ... with tears! O! Morose and meddlesome Moon! So swollen full! Let not this dagger pulled from my loves gold'n sheath be dull! You... gliding the uncaring sky as ship with sail... let mean, pernicious fate take me... ... your winds prevail! Take me to where my lover doth wait... ... take me to shroud, I prithee... ... to my mate! O! My fairest husband! Do not lie so still! Can you not kiss me this last time. .. ... by force of will? Can you not, with your fair hand instead, Take slender blade and pierce my bossom til it be bloom'd rose red?!! Romeo... Romeo! Wherefore art thou Romeo? At last you're dead... ... and thus without a name... As in the halls of graves ... all occupants the SAME! A pox on your house! A noisome pestilence! And thee, o dagger? Come and take me themce! As for my house? Let them lie with palsey in their beds... ... but not 'til this sweet dagger finds me... its host... DEAD. SoulSurvivor (C) 4/26/2014
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Feb 21, 2015
Feb 21, 2015 at 4:48 PM UTC
Juliet's final soliloquy
the lame decade (the ...........depression 1930's) the wars were coming...and OF COURSE! they came! and ... ....... ........................who died? well, it was them to whom DEATH was, (as if by the very GOD, himself) ordained necessitated, if you will by economic realities ------ and then there were also the jews, zionism communism, fascism....etc-ism..etceterally...over and over face down in the mud dead child again and then presto! MICKEY MANTLE AND THE NEW YORK YANKEES! and of course HUAC, the rosenbergs, the rothschild's and perhaps (if you'd awaken) you and me ------ but you never awaken! and now the lame decade (the............ depression 2010's) and the wars are coming coming! coming!! HERE THEY ARE (and the necessary economically speaking DEAD)
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Aug 19, 2010
Aug 19, 2010 at 11:19 AM UTC
conspiracy of conspirators who conspire to subservienty comply with what they are told
I think I'm pretty hot **** most of the time. Humility has it's place, and it's place is in the podium. Used to meter smiles and sighs and double talk, with hopes to fill the ballot box. See, the heretics will tell you, "You have so much more than we, share a bit. Especially with me." **** those ****** I don't fall for concerned, condemned, condescending conspirators of the big philanthropist in the sky. Intimidating, masticating, wishy washy, woe-is-me, cross carrying, brother burying, evangelical, superintendents of self-deprecation. Where does my wealth of mental health come from? I take pleasure in peace, that is to say, the lack of both pleasure and pain. And yes, I feel I get "It" with a capital I. Because, you see, there is no "Why" only I and I. These eyes have seen 22 calendar years, through bouts of laughter and selfish tears, but these eyes have the years behind the comprehension of Your minds. I am older than time. I am younger than those yet to be born. I have had the wealth that comes with scorn. I have thrown my back out beating corn. I've had lover's lost, and love retained. I've dissolved my brain, yet remained sane. Every song, every people, Every plant, stone, stick, or bone, sceptre, crown, yoni, or throne, are composed by moi so apropos. You are all deluded to deduce separation from each other. You have spent lifetimes slaying the Other. But then, again, so have I. Sin is separation. To feel the disconnect, whether by sense or intellect, is to lose yourself within your Self. When the I is so infinite, what need is there to share? Teach a man to fish... Grant him his wish. We are all we need to be. "I" is all you need to be Take this moment as it is. Don't ask permission. Don't apologize. It's your right to breathe It in. It's your right to take that step outside your comfort zone and wander off into the unknown on a whim.
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Jul 9, 2012
Jul 9, 2012 at 8:34 PM UTC
"I" Is The Only Name
I think I'm pretty hot **** most of the time. Humility has it's place, and it's place is in the podium. Used to meter smiles and sighs and double talk, with hopes to fill the ballot box. See, the heretics will tell you, "You have so much more than we, share a bit. Especially with me." **** those ****** I don't fall for concerned, condemned, condescending conspirators of the big philanthropist in the sky. Intimidating, masticating, wishy washy, woe-is-me, cross carrying, brother burying, evangelical, superintendents of self-deprecation. Where does my wealth of mental health come from? I take pleasure in peace, that is to say, the lack of both pleasure and pain. And yes, I feel I get "It" with a capital I. Because, you see, there is no "Why" only I and I. These eyes have seen 22 calendar years, through bouts of laughter and selfish tears, but these eyes have the years behind the comprehension of Your minds. I am older than time. I am younger than those yet to be born. I have had the wealth that comes with scorn. I have thrown my back out beating corn. I've had lover's lost, and love retained. I've dissolved my brain, yet remained sane. Every song, every people, Every plant, stone, stick, or bone, sceptre, crown, yoni, or throne, are composed by moi so apropos. You are all deluded to deduce separation from each other. You have spent lifetimes slaying the Other. But then, again, so have I. Sin is separation. To feel the disconnect, whether by sense or intellect, is to lose yourself within your Self. When the I is so infinite, what need is there to share? Teach a man to fish... Grant him his wish. We are all we need to be. "I" is all you need to be Take this moment as it is. Don't ask permission. Don't apologize. It's your right to breathe It in. It's your right to take that step outside your comfort zone and wander off into the unknown on a whim.
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66
El reloj es tranquilo, metódico, incluso cuando corre mi mano fuera de control, empujando palabras que se escapan de la ***** de mis cinco dedos de lápiz. El poema se levanta en el este y se pone en el oeste, los conspiradores están de acuerdo. La carrera debe seguir este curso. <•> The clock is calm, methodical, even as it races my out-of-control hand, pushing words leaking from the lead within my five pencil fingers. The poem rises in the East and sets in the West, the conspirators agree.   The race must follow this course. 12:34am
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Aug 24, 2018
Aug 24, 2018 at 12:35 AM UTC
“my hand is the boss, the pencil it’s co-conspirator” ~ for ANu~
.                                    {a parable of celebrity}                                 . Ol' Rip [died January 19, 1929];    was a horned lizard commonly referred to as a horned toad,  or ***** toad, whose supposed 31-year hibernation as an entombed animal is believed by some and doubted by others. His name is a reference to the fictional character Rip Van Winkle. In 1897, a horned lizard was placed in a cornerstone of the Eastland County Courthouse in Eastland, Texas along with other time capsule memorabilia. When the courthouse was torn down 31 years later, the cornerstone was opened on February 18, 1928, a live horned lizard was produced, allegedly from within the time capsule.      The lizard became a celebrity, and went on tour, even being taken to Washington, D.C. to meet President Calvin Coolidge. Ol' Rip died eleven months later, and his remains are on display in the new Eastland County Courthouse.            In 1973 the body was stolen and an anonymous letter explained that the finding of Ol' Rip alive had been a hoax and demanded other unnamed co-conspirators come forth. When no one did,                     another letter was received saying the coffin and body could be found in the county fairgrounds. The coffin was found there and returned to the courthouse. Some speculate that the body in the coffin was a substitute,   the real lizard                               | now held in a private collection. |
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Oct 7, 2018
Oct 7, 2018 at 3:28 AM UTC
Ol' Rip, the Horned Toad: Look At Me
.                                    {a parable of celebrity}                                 . Ol' Rip [died January 19, 1929];    was a horned lizard commonly referred to as a horned toad,  or ***** toad, whose supposed 31-year hibernation as an entombed animal is believed by some and doubted by others. His name is a reference to the fictional character Rip Van Winkle. In 1897, a horned lizard was placed in a cornerstone of the Eastland County Courthouse in Eastland, Texas along with other time capsule memorabilia. When the courthouse was torn down 31 years later, the cornerstone was opened on February 18, 1928, a live horned lizard was produced, allegedly from within the time capsule.      The lizard became a celebrity, and went on tour, even being taken to Washington, D.C. to meet President Calvin Coolidge. Ol' Rip died eleven months later, and his remains are on display in the new Eastland County Courthouse.            In 1973 the body was stolen and an anonymous letter explained that the finding of Ol' Rip alive had been a hoax and demanded other unnamed co-conspirators come forth. When no one did,                     another letter was received saying the coffin and body could be found in the county fairgrounds. The coffin was found there and returned to the courthouse. Some speculate that the body in the coffin was a substitute,   the real lizard                               | now held in a private collection. |
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28
One feverishly feigned embrace And struck with hand, dagger graced Though the votive venial It precipitated the coup de grace Ignorant stood captivated, Discourse evaporated As conspirators followed suit Silence serenaded the orchestrated, Symphony of treachery accentuated by sovereignty's strikes, resolute Although he knew the fate awaited And pain he could not substitute The fight he would not forsake, and so suffered mute Until his soul was devastated by the visage venerated... The coda extricated, "Et tu, Brute?"
0
Apr 2, 2016
Apr 2, 2016 at 9:36 PM UTC
Snakes
Connections bring out the worst in me. Sitting next to you, dark brown eyes that light up too readily, lips turning at the corners and a laugh that brings out mine, instinctively. Secrets shared and confidences brokered as we lean in and whisper, co-conspirators facing the world, as a unit we rise together, my thoughts mirrored on his face. Tongue in cheek exchanges and insults parodied and paraded between cross-roads, intersects as we dance verbally, smiles all too often exchanged as I know, now, that I am heading for the fall. That one that I always anticipate, the one that has only happened once before, excitement coursing in my veins as I try to tell myself stop, think, take a breath and see the wall where this ends. I can't help it though, his presence is like lightning, as I glow from within enjoying this brief moment. Desolation brews, but it is future-bound and I give myself to the moment, pleasure paid for with future pain. He is not mine, nor will he ever be, we will never dance again and our eyes will not meet. I am trying to find pleasure in past moments but now gravity claims me, my loss is only my own, as he falls back into the non-existence from whence he came and all that now remains is the absence of him.
0
Mar 8, 2015
Mar 8, 2015 at 3:49 PM UTC
Kako si?
*it's a dead, obviously, working from per se, i only used prae to be near per, i could have used foris, or even ante, but given the dictionary and the necrosis of the Latin tongue per se as in: per - by rather than in - and se - himself rather than itself, you can imagine the complications of coining a phrase for the antidote of in-itself, i.e. outside-itself.* revision of Enya: **** away **** away,         against the wind against the wind; mash up... brrrrapt big up big up east end Loud Don... bonkers bunch...                                                     now that is random, i wanted to make a serious point, and i will (insert snigger)... eventually. what i wanted to communicate was the revenge of von Kleist against Kant... Kant is the enemy of poetry we're led to believe, i can imagine, only Heidegger took Holderlin seriously and lectured on his poetry, von Kleist committed suicide out of despair having read Kant's critique... but what i want to do: to take each poetic technique out of poetry, and then use each technique to describe it's origin... so for example metaphor... given that poetry is ensō (one smooth stroke) - ever watched the t.v. series Wolf Hall? it's about the dealings of Thomas Cromwell, all matters of intrigue, Henry the VIII, and Anne Boleyn... so the metaphor describing poetry... at the end of Wolf Hall Anne Boleyn is about to be decapitated, because she ****** like Catherine the Great (although i'm sure the myth about the horse by polish / lithuanian conspirators isn't true... or applicable to Anne) and that offended the king... so on the scaffold, there's the swordsman (using a sword was a clean affair, axes were brutal, imagine hacking at stump of wood, or like Longinus Podbipięta, who with a Teutonic sword cut three Turk heads in one go, so Longinus Podbipięta vouched to a lady his chastity that he'd bed her if he also cut three Ottoman heads in one go ref. Sienkiewicz                    with fire and sword - the sword that cut ****** Mary's head was, blunt)... so there's this scene in Wolf Hall, ah man, the swordsman is classy, Thomas Cromwell asks him, 'will it be a clean death?', 'only if she doesn't move', so on the scaffold, he takes his shoes off, speaks into her right ear as if she's expecting the swing to come from there and then with great stealth moves in the other direction and cuts her head off from the left... so i guess poetry is a metaphor of that, an ensō, an evolution from haiku: one smooth stroke and you're done: nothing airy fairy, like you need to sigh... no... you need to drop the anchor:                          poetry prae se, as described by metaphor.
0
May 8, 2016
May 8, 2016 at 9:24 AM UTC
necrosis of the Latin tongue
*it's a dead, obviously, working from per se, i only used prae to be near per, i could have used foris, or even ante, but given the dictionary and the necrosis of the Latin tongue per se as in: per - by rather than in - and se - himself rather than itself, you can imagine the complications of coining a phrase for the antidote of in-itself, i.e. outside-itself.* revision of Enya: **** away **** away,         against the wind against the wind; mash up... brrrrapt big up big up east end Loud Don... bonkers bunch...                                                     now that is random, i wanted to make a serious point, and i will (insert snigger)... eventually. what i wanted to communicate was the revenge of von Kleist against Kant... Kant is the enemy of poetry we're led to believe, i can imagine, only Heidegger took Holderlin seriously and lectured on his poetry, von Kleist committed suicide out of despair having read Kant's critique... but what i want to do: to take each poetic technique out of poetry, and then use each technique to describe it's origin... so for example metaphor... given that poetry is ensō (one smooth stroke) - ever watched the t.v. series Wolf Hall? it's about the dealings of Thomas Cromwell, all matters of intrigue, Henry the VIII, and Anne Boleyn... so the metaphor describing poetry... at the end of Wolf Hall Anne Boleyn is about to be decapitated, because she ****** like Catherine the Great (although i'm sure the myth about the horse by polish / lithuanian conspirators isn't true... or applicable to Anne) and that offended the king... so on the scaffold, there's the swordsman (using a sword was a clean affair, axes were brutal, imagine hacking at stump of wood, or like Longinus Podbipięta, who with a Teutonic sword cut three Turk heads in one go, so Longinus Podbipięta vouched to a lady his chastity that he'd bed her if he also cut three Ottoman heads in one go ref. Sienkiewicz                    with fire and sword - the sword that cut ****** Mary's head was, blunt)... so there's this scene in Wolf Hall, ah man, the swordsman is classy, Thomas Cromwell asks him, 'will it be a clean death?', 'only if she doesn't move', so on the scaffold, he takes his shoes off, speaks into her right ear as if she's expecting the swing to come from there and then with great stealth moves in the other direction and cuts her head off from the left... so i guess poetry is a metaphor of that, an ensō, an evolution from haiku: one smooth stroke and you're done: nothing airy fairy, like you need to sigh... no... you need to drop the anchor:                          poetry prae se, as described by metaphor.
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50
the old gang had got together with their minds focused on a conspiracy  they were going to hunt that ferret out of their immediate proximity the dang creature twas making their lives a tormenting hell so as a collectively body they decided to throw the ferret into a deep well but he sensed that a conspiracy had been formulated by the gang's boss to whit he let the animal protection unit   know of the co-conspirators intent to give him the toss
0
Dec 28, 2014
Dec 28, 2014 at 7:34 PM UTC
Toss
The porch light barely illuminates the overflowing ashtray Moon, abandoned home, smokestack, alleys: view Orderly circles of leaking lunar spectrum serve as steady sight Otherwise torn by my mouth like a hooked fish to the angler-night The streets are full of holes like the stories of conspirators Kitten of gender nondescript plays in the corner, jubilant Clouds pass and pay no mind, don’t associate with our kind I hope she doesn’t find me foolish when I interject Approached by vendor of the thieving sort with stolen radio offered cheap Promised to turn potential customers his way as I planned retreat A character amongst graffiti and gritty blacktop, the type I always meet Nobody waited for us as we signaled from the crosswalk Back to the quarters, friend needs a ****** Try to concentrate and write despite the bang on the walls Distraction from *** I’m not having; she’s a screamer Dark brewed beer is a bitter taste for bedtime
0
Mar 18, 2011
Mar 18, 2011 at 10:04 PM UTC
83. Bitter 3/19/11
Diving into a cornfield of despair, a creamy boa constrictor hugging my chest. Unable to reach the pliers sticking out of my pocket, painfully teasing. It releases briefly to allow the venomous shards of tolerance to reach my lungs for a moment. No matter the seemingly friendly gesture, just one puncture after the other. Conspirators directing their standard march, strangling on cue with as much enthusiasm as a turtle gnawing at its brunch. Useless ******* schedule, condemned to it for a life-long demise. To stop and ingest, a team of euphoric soldiers filing into my beaten past and creating a future that never would have been. Dispersed evenly so as to cancel out that which is to always be present in memory. A ray of sun kissing my cheeks as a symbol of hope and thrill. A smooth, unceasing sense of gratitude enjoying its residence and occupation, never feeling the need to vacation.
0
Nov 16, 2010
Nov 16, 2010 at 11:34 AM UTC
welcome