I think we should all semi-colon close brackets or capital D,
we need to make time to just be semi-colon capital P.
Just be happy, maybe even throw in a colon close brackets.
Refrain from creating stress with semi-colon capital S,
on hearing an opposing opinion don't be offended, semi-colon capital O.
Just accept it, let go, there is no need to be so semi-colon forward slash.
Turn that open brackets around, there's no need to frown,
drop that greater-than arrow and take things less seriously.
Seriously there are many things to less-than arrow three in this world,
don't overlook the little things. Appreciate them.
Give them an open brackets capital Y close brackets,
maybe even an asterisk applause asterisk.

Send out the message, keep up that semi-colon capital D.

it would appear the semi-colon
has an identity crisis;
it might appear
it can’t decide if it’s a dot
or a comma
and so does an acrobat act;
but really the semi-colon does more than that
for it does
complex listings the comma can’t manage
and can say things quite cleverly, like:
“All things are expensive; life *****.”
So really this semi-colon
is not a semi - but indeed a full-blown device

they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.

.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

semi-colon;
where a sentence could have ended but did not,
instead adding a rejoinder.
the space between the dot and comma
there hovers the fate of lovers,
the whispers of hope for the hurting,
and the continuance for those
awaiting the now postponed end;

semi-colon;
the tattoo of a writer who has something
left to say, the brand of those
whose adolescent tendencies pull them from delivering
that much needed break, fracture,
ending of the story.

the ghost of where you could,
or perhaps should, have stopped.

Dear me,

I hope this letter finds you kind, I hope it finds you at ease,
I hope it finds you as you were born.. a soft spring breeze.

I am writing this letter to inform you that your time is not up, that you still have space to unfold, that you are a continuum that doesn’t have to settle for the broken uni-verse where you were unraveled.

You, love, are not limited to your synonyms.

You, love, can develop into a hurricane that doesn’t dwell in a farmer’s cabin.
You, love, can develop into a hurricane that travels between the back of your mind and its front.
You, love, can develop into a hurricane with a FedEx envelop for a title.
You, my love, can develop into a hurricane that transports your memories from the backyard of your colon to the backside of this letter.

You, love, can develop into a sandstorm speaking the names of the Saharas to your left and to your right.
You, love can develop into a sandstorm that does not blind the sufi midnight traveler.
You, love, can develop into a sandstorm that travels beyond the desert.
You, my love can develop into a sandstorm carrying a water-well for the thirsty.

You, love, can develop into an ocean that doesn’t stand in arrogance where there is land.
You, love, can develop into an ocean that waxes and wanes to the rhythm of the moonlight caressing you.
You, my love, can develop into an ocean that doesn’t erode the rocks standing on its shore.

You, love, can develop into a soft spring breeze that makes a home of all the other seasons.
You, love, can develop into a soft spring breeze that gently ****** through a baobab tree trunk.
You, love, can develop into a soft spring breeze that playfully tickles the arms of a refugee on her bus to camp.
You, my love can develop into the synonyms you are not limited to.

Kindly find attached to this letter the love your father has tucked in bed a long time ago and never double checked on it.
Kindly find attached to this letter the understanding your mother stored in the kitchen cabinet she is too short to reach.
Kindly find attached to this letter the forgiveness you have tried to grow out of sunflowers seed every winter.

Sincerely,

Yours.

Your first ****
is very important.

If you don't get that first **** out of your ***
and mess up the good routine you've got going
then you're headed for trouble:

wake up.
scratch *****.
feel *****.
feel ****.
smack stomach(listen for the sound of new fat deposits)
burp.
wheez.
get up.
go to bathroom.
look in mirror.
hate self for not exercising.
brush teeth.
begin formulating exercise plan.
****.
feel 10 pounds lighter and label self
idiot
for talking about diet in the first place.

If the **** is not taken
between brushing your teeth
and breakfast,
your whole morning
is ******.

This is how it goes
without the ****.
First:
you forget to put on enough deodorant.
no biggie.
but you sweat a lot.
that extra cake-clod of speedstick actually does help.

Second:
on the way out the door
you forget your ipad.
no biggie.
except it had those quarterly numbers
for your sector's growth on it.

Colon gurgles
as you jingle the keys
down the stairs.

Third:
You forget your wallet
on the counter
in the kitchen.

Your ipad's still on the bedside table.

Colon gurgles.

You run back up the stairs,
grab the wallet,
give your apartment the quick once-over,
steadying on that $300 couch you bought in college
thinking you have everything.

Now you're going to be
five minutes late.

Should've taken the ****,
but you don't realize that now.

Fourth:
You get to work
five minutes late.
Everyone's in the meeting room
already,
nobody says anything
but mustache-face
aka
El Jefe
gives you the look.

El Jefe asks for your quarterly numbers
as soon as you settle into your seat.

Colon whistles.

"Was there any sizable growth,
do you think there are areas
we could devote more time and energy
too, in favor of others?"

You don't have your ipad
in your computer bag
with all those numbers on it.

People have been getting laid off lately.
"It's just the economy."

But really
"it's who doesn't **** up."

Colon screams.

This is how your morning got ****** up:

Usually when you take your ****,
you go back to sink in front of the mirror
to wash your hands.

After hands are washed and dried,
you go under the sink
and pull out the speedstick.

You put on a healthy dose.

Not only because you sweat
a lot,
but because you think the ****-smell
will follow you like a pervert.

After the speedstick,
you usually go into the bedroom,
because while in the mirror;
staring at the excess fat;
thinking about how good you look,
lighter;
the thought pops in your head,
"don't forget the ipad."

You don't know where it comes from,
but it comes.

Since you take the ipad to work
everyday
you count on having this thought
everyday.

You look on the bedside table
and there it is.

Quiet, black and glassy on its surface.
So placid like a lake contained within
the reaches of a pool.

No monsters.
No forgetfulness.
Just routine.

You should've taken the ****.

You were born five years before the Spanish Civil War that would see your father exiled.
Language came later to you than your little brother Manuel. And you stuttered for a time.
Unlike those who speak incessantly with nothing to say, you were quiet and reserved.
Your mother mistook shyness for dimness, a tragic mistake that scarred you for life.

When your brother Manuel died at the age of three from meningitis, you heard your mom
Exclaim: “God took my bright boy and left me the dull one.” You were four or five.
You never forgot those words. How could you? Yet you loved your mom with all your heart.
But you also withdrew further into a shell, solitude your companion and best friend.

You were, in fact, an exceptional child. Stuttering went away at five or so never to return,
And by the time you were in middle school, your teacher called your mom in for a rare
Conference and told her that yours was a gifted mind, and that you should be prepared
For university study in the sciences, particularly engineering.

She wrote your father exiled in Argentina to tell him the good news, that your teachers
Believed you would easily gain entrance to the (then and now) highly selective public university
Where seats were few, prized and very difficult to attain based on merit-based competitive
Exams. Your father’s response? “Buy him a couple of oxen and let him plow the fields.”

That reply from a highly respected man who was a big fish in a tiny pond in his native Oleiros
Of the time is beyond comprehension. He had apparently opted to preserve his own self-
Interest in having his son continue his family business and also work the family lands in his
Absence. That scar too was added to those that would never heal in your pure, huge heart.

Left with no support for living expenses for college (all it would have required), you moved on,
Disappointed and hurt, but not angry or bitter; you would simply find another way.
You took the competitive exams for the two local military training schools that would provide
An excellent vocational education and pay you a small salary in exchange for military service.

Of hundreds of applicants for the prized few seats in each of the two institutions, you
Scored first for the toughest of the two and thirteenth for the second. You had your pick.
You chose Fabrica de Armas, the lesser of the two, so that a classmate who had scored just
Below the cut-off at the better school could be admitted. That was you. Always and forever.

At the military school, you were finally in your element. You were to become a world-class
Machinist there—a profession that would have gotten you well paid work anywhere on earth
For as long as you wanted it. You were truly a mechanical genius who years later would add
Electronics, auto mechanics and specialized welding to his toolkit through formal training.

Given a well-stocked machine shop, you could reverse engineer every machine without
Blueprints and build a duplicate machine shop. You became a gifted master mechanic
And worked in line and supervisory positions at a handful of companies throughout your life in
Argentina and in the U.S., including Westinghouse, Warner-Lambert, and Pepsi Co.

You loved learning, especially in your fields (electronics, mechanics, welding) and expected
Perfection in everything you did. Every difficult job at work was given to you everywhere you
Worked. You would not sleep at night when a problem needed solving. You’d sketch
And calculate and re-sketch solutions and worked even in your dreams with singular passion.

You were more than a match for the academic and physical rigors of military school,
But life was difficult for you in the Franco era when some instructors would
Deprecatingly refer to you as “Roxo”—Galician for “red”-- reflecting your father’s
Support for the failed Republic. Eventually, the abuse was too much for you to bear.

Once while standing at attention in a corridor with the other cadets waiting for
Roll call, you were repeatedly poked in the back surreptitiously. Moving would cause
Demerits and demerits could cause loss of points on your final grade and arrest for
Successive weekends. You took it awhile, then lost your temper.

You turned to the cadet behind you and in a fluid motion grabbed him by his buttoned jacket
And one-handedly hung him up on a hook above a window where you were standing in line.
He thrashed about, hanging by the back of his jacket, until he was brought down by irate Military instructors.
You got weekend arrest for many weeks and a 10% final grade reduction.

A similar fate befell a co-worker a few years later in Buenos Aires who called you a
*******. You lifted him one handed by his throat and held him there until
Your co-workers intervened, forcibly persuading you to put him down.
That lesson was learned by all in no uncertain terms: Leave Felipe’s mom alone.

You were incredibly strong, especially in your youth—no doubt in part because of rigorous farm
Work, military school training and competitive sports. As a teenager, you once unwisely bent
Down to pick something up in view of a ram, presenting the animal an irresistible target.
It butted you and sent you flying into a haystack. It, too, quickly learned its lesson.

You dusted yourself off, charged the ram, grabbed it by the horns and twirled it around once,
Throwing it atop the same haystack as it had you. The animal was unhurt, but learned to
Give you a wide berth from that day forward. Overall, you were very slow to anger absent
Head-butting, repeated pokings, or disrespectful references to your mom by anyone.    

I seldom saw you angry and it was mom, not you, who was the disciplinarian, slipper in hand.
There were very few slaps from you for me. Mom would smack my behind with a slipper often
When I was little, mostly because I could be a real pain, wanting to know/try/do everything
Completely oblivious to the meaning of the word “no” or of my own limitations.

Mom would sometimes insist you give me a proper beating. On one such occasion for a
Forgotten transgression when I was nine, you  took me to your bedroom, took off your belt, sat
Me next to you and whipped your own arm and hand a few times, whispering to me “cry”,
Which I was happy to do unbidden. “Don’t tell mom.” I did not. No doubt she knew.

The prospect of serving in a military that considered you a traitor by blood became harder and
Harder to bear, and in the third year of school, one year prior to graduation, you left to join
Your exiled father in Argentina, to start a new life. You left behind a mother and two sisters you
Dearly loved to try your fortune in a new land. Your dog thereafter refused food, dying of grief.

You arrived in Buenos Aires to see a father you had not seen for ten years at the age of 17.
You were too young to work legally, but looked older than your years (a shared trait),
So you lied about your age and immediately found work as a Machinist/Mechanic first grade.
That was unheard of and brought you some jealousy and complaints in the union shop.

The union complained to the general manager about your top-salary and rank. He answered,
“I’ll give the same rank and salary to anyone in the company who can do what Felipe can do.”
No doubt the jealousy and grumblings continued by some for a time. But there were no takers.
And you soon won the group over, becoming their protected “baby-brother” mascot.

Your dad left for Spain within a year or so of your arrival when Franco issued a general pardon
To all dissidents who had not spilt blood (e.g., non combatants). He wanted you to return to
Help him reclaim the family business taken over by your mom in his absence with your help.
But you refused to give up the high salary, respect and independence denied you at home.

You were perhaps 18 and alone, living in a single room by a schoolhouse you had shared with Your dad.
But you had also found a new loving family in your uncle José, one of your father’s Brothers, and his family. José, and one of his daughters, Nieves and her
Husband, Emilio, and
Their children, Susana, Oscar (Ruben Gordé), and Osvaldo, became your new nuclear family.

You married mom in 1955 and had two failed business ventures in the quickly fading
Post-WW II Argentina of the late 1950s and early 1960s.The first, a machine shop, left
You with a small fortune in unpaid government contract work.  The second, a grocery store,
Also failed due to hyperinflation and credit extended too easily to needy customers.

Throughout this, you continued earning an exceptionally good salary. But in the mid 1960’s,
Nearly all of it went to pay back creditors of the failed grocery store. We had some really hard
Times. Someday I’ll write about that in some detail. Mom went to work as a maid, including for
Wealthy friends, and you left home at 4:00 a.m. to return long after dark to pay the bills.

 
The only luxury you and mom retained was my Catholic school tuition. There was no other
Extravagance. Not paying bills was never an option for you or mom. It never entered your
Minds. It was not a matter of law or pride, but a matter of honor. There were at least three very
Lean years where you and mom worked hard, earned well but we were truly poor.

You and mom took great pains to hide this from me—and suffered great privations to insulate
Me as best you could from the fallout of a shattered economy and your refusal to cut your loses
Had done to your life savings and to our once-comfortable middle-class life.
We came to the U.S. in the late 1960s after waiting for more than three years for visas—to a new land of hope.

Your sister and brother-in-law, Marisa and Manuel, made their own sacrifices to help bring us
Here. You had about $1,000 from the down payment on our tiny down-sized house, And
Mom’s pawned jewelry. (Hyperinflation and expenses ate up the remaining mortgage payments
Due). Other prized possessions were left in a trunk until you could reclaim them. You never did.

Even the airline tickets were paid for by Marisa and Manuel. You insisted upon arriving on
Written terms for repayment including interest. You were hired on the spot on your first
Interview as a mechanic, First Grade, despite not speaking a word of English. Two months later,
The debt was repaid, mom was working too and we moved into our first apartment.

You worked long hours, including Saturdays and daily overtime, to remake a nest egg.
Declining health forced you to retire at 63 and shortly thereafter you and mom moved out of
Queens into Orange County. You bought a townhouse two hours from my permanent residence
Upstate NY and for the next decade were happy, traveling with friends and visiting us often.

Then things started to change. Heart issues (two pacemakers), colon cancer, melanoma,
Liver and kidney disease caused by your many medications, high blood pressure, gout,
Gall bladder surgery, diabetes . . . . And still you moved forward, like the Energizer Bunny,
Patched up, battered, scarred, bruised but unstoppable and unflappable.

Then mom started to show signs of memory loss along with her other health issues. She was
Good at hiding her own ailments, and we noticed much later than we should have that there
Was a serious problem. Two years ago, her dementia worsening but still functional, she had
Gall bladder surgery with complications that required four separate surgeries in three months.

She never recovered and had to be placed in a nursing home. Several, in fact, as at first she
Refused food and you and I refused to simply let her waste away, which might have been
Kinder, but for the fact that “mientras hay vida, hay esperanza” as Spaniards say.
(While there is Life there is hope.) There is nothing beyond the power of God. Miracles do happen.
 
For two years you lived alone, refusing outside help, engendering numerous arguments about
Having someone go by a few times a week to help clean, cook, do chores. You were nothing if
Not stubborn (yet another shared trait). The last argument on the subject about two weeks ago
Ended in your crying. You’d accept no outside help until mom returned home. Period.

You were in great pain because of bulging discs in your spine and walked with one of those
Rolling seats with handlebars that mom and I picked out for you some years ago. You’d sit
As needed when the pain was too much, then continue with very little by way of complaints.
Ten days ago you finally agreed that you needed to get to the hospital to drain abdominal fluid.

Your failing liver produced it and it swelled your abdomen and lower extremities to the point
Where putting on shoes or clothing was very difficult, as was breathing. You called me from a
Local store crying that you could not find pants that would fit you. We talked, long distance,
And I calmed you down, as always, not allowing you to wallow in self pity but trying to help.

You went home and found a new pair of stretch pants Alice and I had bought you and you were
Happy. You had two changes of clothes that still fit to take to the hospital. No sweat, all was
Well. The procedure was not dangerous and you’d undergone it several times in recent years.
It would require a couple of days at the hospital and I’d see you again on the weekend.

I could not be with you on Monday, February 22 when you had to go to the hospital, as I nearly
Always had, because of work. You were supposed to be admitted the previous Friday, but
Doctors have days off too, and yours could not see you until Monday when I could not get off
Work. But you were not concerned; this was just routine. You’d be fine. I’d see you in just days.

We’d go see mom Friday, when you’d be much lighter and feel much better. Perhaps we’d go
Shopping for clothes if the procedure still left you too bloated for your usual clothes.
You drove to your doctor and then transported by ambulette. I was concerned, but not too Worried.
You called me sometime between five or six p.m. to tell me you were fine, resting.

“Don’t worry. I’m safe here and well cared for.” We talked for a little while about the usual
Things, with my assuring you I’d see you Friday or Saturday. You were tired and wanted to sleep
And I told you to call me if you woke up later that night or I’d speak to you the following day.
Around 10:00 p.m. I got a call from your cell and answered in the usual upbeat manner.

“Hey, Papi.” On the other side was a nurse telling me my dad had fallen. I assured her she was
Mistaken, as my dad was there for a routine procedure to drain abdominal fluid. “You don’t
Understand. He fell from his bed and struck his head on a nightstand or something
And his heart has stopped. We’re working on him for 20 minutes and it does not look good.”

“Can you get here?” I could not. I had had two or three glasses of wine shortly before the call
With dinner. I could not drive the three hours to Middletown. I cried. I prayed.
Fifteen minutes Later I got the call that you were gone. Lost in grief, not knowing what to do, I called my wife.
Shortly thereafter came a call from the coroner. An autopsy was required. I could not see you.

Four days later your body was finally released to the funeral director I had selected for his
Experience with the process of interment in Spain. I saw you for the last time to identify
Your body. I kissed my fingers and touched your mangled brow. I could not even have the
Comfort of an open casket viewing. You wanted cremation. You body awaits it as I write this.

You were alone, even in death alone. In the hospital as strangers worked on you. In the medical
Examiner’s office as you awaited the autopsy. In the autopsy table as they poked and prodded
And further rent your flesh looking for irrelevant clues that would change nothing and benefit
No one, least of all you. I could not be with you for days, and then only for a painful moment.

We will have a memorial service next Friday with your ashes and a mass on Saturday. I will
Never again see you in this life. Alice and I will take you home to your home town, to the
Cemetery in Oleiros, La Coruña, Spain this summer. There you will await the love of your life.
Who will join you in the fullness of time. She could not understand my tears or your passing.

There is one blessing to dementia. She asks for her mom, and says she is worried because she
Has not come to visit in some time. She is coming, she assures me whenever I see her.
You visited her every day except when health absolutely prevented it. You spent this February 10
Apart, your 61st wedding anniversary, too sick to visit her. Nor was I there. First time.

I hope you did not realize you were apart on the 10th but doubt it to be the case. I
Did not mention it, hoping you’d forgotten, and neither did you. You were my link to mom.
She cannot dial or answer a phone, so you would put your cell phone to her ear whenever I
Was not in class or meetings and could speak to her. She always recognized me by phone.

I am three hours from her. I could visit at most once or twice a month. Now even that phone
Lifeline is severed. Mom is completely alone, afraid, confused, and I cannot in the short term at
Least do much about that. You were not supposed to die first. It was my greatest fear, and
Yours, but as with so many things that we cannot change I put it in the back of my mind.

It kept me up many nights, but, like you, I still believed—and believe—in miracles.
I would speak every night with my you, often for an hour, on the way home from work late at
Night during my hour-long commute, or from home on days I worked from home as I cooked
Dinner. I mostly let you talk, trying to give you what comfort and social outlet I could.

You were lonely, sad, stuck in an endless cycle of emotional and physical pain.
Lately you were especially reticent to get off the phone. When mom was home and still
Relatively well, I’d call every day too but usually spoke to you only a few minutes and you’d
Transfer the phone to mom, with whom I usually chatted much longer.

For months, you’d had difficulty hanging up. I knew you did not want to go back to the couch,
To a meaningless TV program, or to writing more bills. You’d say good-bye, or “enough for
Today” and immediately begin a new thread, then repeat the cycle, sometimes five or six times.
You even told me, at least once crying recently, “Just hang up on me or I’ll just keep talking.”

I loved you, dad, with all my heart. We argued, and I’d often scream at you in frustration,
Knowing you would never take it to heart and would usually just ignore me and do as
You pleased. I knew how desperately you needed me, and I tried to be as patient as I could.
But there were days when I was just too tired, too frustrated, too full of other problems.

There were days when I got frustrated with you just staying on the phone for an hour when I
Needed to call Alice, to eat my cold dinner, or even to watch a favorite program. I felt guilty
And very seldom cut a conversation short, but I was frustrated nonetheless even knowing
How much you needed me and also how much I needed you, and how little you asked of me.  

How I would love to hear your voice again, even if you wanted to complain about the same old
Things or tell me in minutest detail some unimportant aspect of your day. I thought I would
Have you at least a little longer. A year? Two? God only knew, and I could hope. There would be
Time. I had so much more to share with you, so much more to learn when life eased up a bit.

You taught me to fish (it did not take) and to hunt (that took even less) and much of what I
Know about mechanics, and electronics. We worked on our cars together for years—from brake
Jobs, to mufflers, to real tune-ups in the days when points, condensers, and timing lights had Meaning, to rebuilding carburetors and fixing rust and dents, and power windows and more.

We were friends, good friends, who went on Sunday drives to favorite restaurants or shopping
For tools when I was single and lived at home. You taught me everything in life that I need to
Know about all the things that matter. The rest is meaningless paper and window dressing.
I knew all your few faults and your many colossal strengths and knew you to be the better man.

Not even close. I could never do what you did. I could never excel in my fields as you did in
Yours.  You were the real deal in every way, from every angle, throughout your life. I did not
Always treat you that way. But I loved you very deeply as anyone who knew us knows.
More importantly, you knew it. I told you often, unembarrassed in the telling. I love you, Dad.

The world was enriched by your journey. You do not leave behind wealth, or a body or work to
Outlive you. You never had your fifteen minutes in the sun. But you mattered. God knows your
Virtue, your absolute integrity, and the purity of your heart. I will never know a better man.
I will love you and miss you and carry you in my heart every day of my life. God bless you, dad.

the full stop
was quite irritated
with the colon
and he said to the colon:
“What are you doing?”

And colon said: “What?”

And full-stop said:
“Can you tell me what you doing
imitating me like that
and doing a double at that?
You look such a poor imitation of me
floating one above the other!”

“O,” said the colon, and continued:
“It’s plain to see, Sir –
you’re quite drunk;
you’ve had one glass too many
and you’re seeing double
like all drunks do…”

At my high school reunion
Years from now
In the old gym
They'll ask, whatever happened to us anyway
I won't have an answer for them
It'll be a shoulder shrug
Upward palms
And a colon backslash face
They'll move on to my son
Or work
Or school
Or some distant memory which will undoubtadly begin with, "remember that time"
And most likely end with, "those were the days"
And while they move on with their conversations
I will still have a colon backslash face
And my mind will be in a completely different time machine than the prom queen and the class clown
I will
By the end of it all
Have devoted what I can only imagine to be significantly more time than alotted
Thinking about what did ever happen to us anyway
And when I go home to what I anticipate being a beautiful, intellegent, loving wife, girlfriend, fiancee thing
She will
For a moment
Or possibly two moments
Not measure up to you
And I hope she won't notice my colon backslash face
That she'll end up smiling until she falls asleep

The morning after my high school reunion
I will stand in front of my mirror
And for much longer than two moments
I will not measure up
To the man you could have made me
And I will notice
I will start by ******* in my gut
Running my hands through my hair to try and imagine myself with a different style
I will analyze my wardrobe
And half way through auditing my music collection I will fall to the floor
I will cry
And with you in the forefront of my mind
I will
In true movie scene fashion
Whisper to no one
Whatever happened to us anyway
And worse than not having an answer at the reunion
I won't have an answer for myself
In an empty living room
Because I really don't know whatever happened to us anyway
One day we were
The next day we weren't
It was so adult
I was so civil
Even our break-up will be the best I ever had

The day before my high school reunion
I will cut my hair
Trim my arm pits
And clip my beard
I will iron a suit
Pick a good tie
And I imagine
In front of a mirrror
I will
Be proud of the man I have become

In the years going forward
And leading up to that high school reunion
I will
As a matter of life's course
Have no other occasion
To ask myself
Whatever happened to us anyways
But never the less
One night
Years from now
That question
Will leave me paralyzed
Scared
Heartbroken
Lonely
And even if
I am not alone
My pillow will remember
For one night
Or maybe even two nights
How to smell like you
And my arms
If only for a half a moment
Or possibly one whole moment
Will
With no luck
Reach for you

Find a Poet Not a poser, not a "it's just a hobby" poet. Find one who mumbles lines as they scramble for a pen at breakfast; who shakes their head randomly when their thoughts aren't rhyming properly;  who has notebooks stashed around the house that you must never touch.
2. Listen Savor the spoken words, for those are harder to express. Keep in mind that they can't be edited and re-written, and be forgiving when a mistake is made.
3. Read The body speaks as loudly as words on a page do. When their eyes are closed or focused on the ceiling and the fingers are tapping out syllables, recognize the unique process. Respect the need for quiet, because if you look closely, you can read the poem on their face before they write it on the page.
4. Write Write your story together. Grab hold of the pen and hang on as you move across the page of life. Sometimes you will dance across, others you will be dragged. You may have to cross out a word, or a line, or a page, but don't give up. Discouragement is a poet's biggest enemy, inarticulateness their biggest fear. So end each day with a semi-colon, because the story will never end the way you think it will, and there must be room for more. There is always room for more, more words, more laughter, more tears, more love,
When you love a poet.

symbols, some just say zodiac, with Gemini at my lowest ebb - ebb, funny word, unravelling nouns from the cauldron of onomatopoeias, say knock on wood precipitated into a privacy of owning a door - whereas the Irish and the Poles encoded dialogue (like in Ulysses) with hyphen for snappy convo; in a pub, Charlie and Harry spoke:
- pint's on me.
- aye, on you the one and no more.
- why not more on me?
- i won the lottery, i'm goonah buy half of Cork.
- so who's this Yorrick fella'h?
- apparently a resurrected maxim.
- travesty...
- indee- doodley oh.
which beckons the question why the un-imaginative encoding of sounds gave English narrators too much power... the supposed ditto / invert comma wasn't expression of approx., nuanced, why wasn't the interpretation that of nuance? we can all use the unit Sartre chose to nuance, instead of "ego" the ref. point of conduct ~ego, i.e. approximately me, living with my mother but nonetheless womanising... unimaginative narrator, speeding, never gave his characters a chance, "i went to the market today", he said; that's the narrator masquerading - call this a dubbing mechanism? i would... like i'd hope for the centimetres and miles and nanometres of pause differentiating a comma from a hyphen, a hyphen from a colon, a colon from a semi-colon... and a semi-colon from a fullstop (exampled a germanic word with missing hyphen not authorised by the Oxbridge dictionary of couture, disassembling a navy sweater and toad-green jeans)... i mean, **** me, give me the precision tactics to read without invoking an αsθmαtιc imitation of a sailor's last breath; are those dots above i and j really necessary? it just rained down y y y y y y y y y y on top of them, enzyme activity? yep, ιoτα; otherwise just inert *******; and no, it's not a language these days, English has been reduced to pixel graffiti.

well... mandrakes and sparrows
aren't exactly androgynous...
maybe a mascara advert went missing
along the way... maybe.
here the piano... here the broken
fingers of Liszt... you poker me,
it's worth the gamble...
well ontologically *sprechen what
the hell is a natural appropriation
of waiting for water to boil,
or an egg to be poached in shell
for a runny yoke? me neither,
i'm as dumb as a doughnut concerning
such affairs... i said there's no androgynous
behavioural patterns in sparrow and mandrakes,
you choose you adaptability whenever you
choose to stress a chequered flag...
parasitically i'll march with telescope
ants and flies of what alienation did
to the food-chain - yeah, aliens with an
enlargement syndrome -
bathtub of hydrochloric acid -
i just imagine the newly beloved painting
unseen, a squid cleaving fat and muscles
off a skeleton in the same light
as seeing a ******* - artist or pervert?
i guess both go hand-in-hand;
the hyphen, equal parallel usage with the inverted
coma / well... it used to be known as a ditto
                                                           ­            "
                                                               ­        "
                                                               ­        "
but mind you, before Oxford accepts a german
sounding word compound it requires a hyphen
in english - pistachio shells and shrapnel -
yep, as the above - unravelling of fictive tactics
of the bothersome nature for the narrator not only
loßing the plot but also the characters;
hey, english is perfect, i can apply whatever stresses
of φoνo i want... it's stark naked Adam & Eve...
i can put a ballerina's leotard on this encoding,
and no one will truly mind.

When you have the choice between a semi-colon and a period
Which would you choose?
If the period were made of the tears of friends,
Would you still reach for an end?
Because I would rather reach an exclamation point
than the question marks of those who didn't know me.
I would rather a second chance to break rules and fix mistakes
Than to end before I can complete my...

The semi colon; is a period
That has one “a pause trophy”   ;)
WIZDUMBs BY JA 633

i still think the oceans are insulators of tectonic plate movements, constant and endless vibrations represented by waves, these vibrations, when translated on dry land, movements of crumbling buildings, rigidity as testimony to the insulating fluidity of water; it's like those nuclear power plants, you use water to cool things down, or as in the case of oceans and tectonic plates, insulate volatility... well, radioactivity in the opposite scenario of nuclear power plants... oh look, a rhyming couplet - now that's how you understand things, if not reveal them, find complimentary rhymes on a grander scale than the casual technique in poetry, so over-used and overrated.*

i guess so, monsters bedded, big and small,
an old granny without a family member
to accompany her, harrowed by
charity groups who ask for money
more for the bureaucracy of its workers than
aiding actual victims - someone has to
look pretty, writing solemn letters and
filing in the spreadsheets -
by the way, how's that advent of the grand
timings working, find the hyphen,
the comma, the colon and semi-colon on the clock?
well, there ain't a full stop on there, i'm sure,
hard to decide on encoding time of a 100m
sprint, or a formula 1 thousandth of a second.
so this angel of euthanasia comes along,
a cruel case they say, while years later
a man suffering motor neurone disease
pleads for a change of law, according to switzerland,
he wants it bad, real real bad, he's no longer
even stoic about death, the disease didn't
rob him of expressing tears, and he's pleading
for it, a death sequence, he too knows
a drop in an ocean has no ripple effect,
humanity is the ocean, waves and waves of it,
always dynamic, never still like a lake or mirror,
either the ocean, or the river;
so this angel of euthanasia is there, kills
about 100 grannies, and guess what,
he hangs himself in prison, so that his widow
can receive his pension salary of £100,000,
odd, isn't it? i mean, why would a supposed
"serial killer" wait in prison, hang himself
just after he was eligible for a general practitioner's
pension, just so his wife could have it?
all those old grannies probably lived
on the state pension of one hundred
and twenty quid, not one hundred thousand, i'm sure.
well the guy suffering from motor neuron disease,
oh crap, i wish i could remember that philosopher's
name, parmenides? zeno? can't remember,
yeah, forced himself to suffocate,
without water and without a pillow; yep,
just sat there and held his breath.

1
Well, I've dated a few guys, sure -
you know, being Ms Hyphen
I'm sociable, like to bring people together
that sort of thing
So I dated that guy Exclamation Mark
and what the hell, he was shouting all the time!
He's just too excitable, not my type

Sure, Comma was more sedate
but a little too slow for me, you know
So I gave guys like Inverted Commas and Parenthesis
a try - but hell, they were always trying to frame me
So I like said to myself, maybe I'll try someone else
from the Mark family, and woooh! - this guy
was like questioning me all through dinner
and I was like thinking to myself:
What's with this guy? Where does he work?
At the NSA or FBI or what?
I guess you know who I'm talking about

Well, I dated all the other guys too
like Semi-Colon and then Colon
but you know, one liked to separate;
and the other was always out
with his smartphone
listing things I said

2
So I nearly gave up dating when I thought -
Hey what about Dash?
That's a dashing fellow surely
and he seems to be just like me
(except he is - as is apt for a guy - long)
but he was just like Semi-Colon -
always separating people
You got to bring people together
in this world, you know;
that's what this world needs

Yes, I dated Full Stop too
but he was always getting me to stop
and besides, he said his alias was Period -
now that freaked me out, you know
Hey, what kind of guy walks around
with a name like Period?

I'll tell you like who's the worst guy to date, OK -
that's Apostrophe:
O listen darling, was he ever so possessive!

3
Well, I'll give my dating career a break -
maybe come next year,
I might try dating 2nd of February

Hi Gloria, I'm in the family way, time to get a job handling cat crap
'cause I'd never hang on demon-crone Steinem the ****-******* rap
while she's ******* to infanticidal chaos magick like a moaning ***
whose by-passed brain surgery became a slight brain surgerical trap
for the manipulation of her inflamed vaginal orifice wet fold to flap
to make us weak, sike-a-dikes too, like **** governor Milton Shapp
& team-mate John O. Lennon who picnicked on Everest's snow cap
God on high, may Gloria crap out on vacuumed tubes smeared pap,
liberated & forced down her gullet off Yoko Ono's anesthetized lap
from which drips Mexican wasp honey pancake syrup as maple sap
onto piles of beer-boozing-heart-land Kenuans snoozing in saké nap
whilst lips slip from my face into a sea lagoon from no Florida map

far across the valley, black and blue

time will allow me to come to you

a million miles away doesn’t seem so far

in my mind; connected dreams create a landslide



they will bring me down just to throw me back up again

remembering that everything is just a drop of rain

a feeling immersed while it hits the ground

for in the rain all I can think of is your beauty



a riddle for you and your dreams

this will let us realize we are inseparable)

can I not get so wrapped up in this beautiful mess

an image of you speaks an infinite amount of words



an image by the mind; an image of your unending secrets



a projection could never seem so real

what is this darkness that I feel

consume my every being, dark as night

these vampires; these rejections of society

bite and tear away the Time (forever)



take it all and throw it back to you

this is not ending anytime soon (inspiration has some things to say)

a semi-colon to the head, and endless night alone in bed

correct my retreatment to your projection, my dear

because with you there is nothing left to fear

i love my life, i can describe it, ok, ok
encapsulate it in one word...

                          FREE-FALL

or                 ­   BUNGEE!

                              (see what i mean
about not using diacritical insignia,
bungee v. bunji     - ji      like genie, oh ****
i.e.                  oh gee...       jive in 5...
             steps...                   is this
               a taste of alkali metals dipped into water?!
it better be! never seen a rust instrument in
an orchestra - seen a brass, but never a rust instrument.
Bowie's Jeans Genie - glue, jaded and jotted down
gluttonous - but oh gee and j, glee and Cabaret (or
Caba ray, hey, w'ah hey! Cabaré! olé! sound-eater
octopus that é is... say e, go on, say it!)
now we're talking perfectó muddles and ukuleles
(ó meaning shoved away, salute, missing H...
not a parabola this time... i.e. per-fect-oh!
the little scalpel hovering over the circle
is intended as an exclamation mark...
you're going to have to shout it!
including the silent H... the day when
diacritical marks are given equal status with
punctuation marks - the word as sentence in equality
given its punctuated status of acknowledged syllables,
diacritical marks, slits, cutting ins,
and when that day comes, i will not be here;
so when will umlaut become a colon (:),
and macron a hyphen (-)?
it's called painting on a blank canvas for the time being:
working on the skeleton, fashion, addressing
the lack of tailored attire.

my subject, mrs. ((brown?))
for this speech is
going to be: obesity. ish.

you see I remember
the article you handed out to us,
loos-leafed,
fresh-pressed,
a dry white piece that told,
in simplest terms,
the most inarguable & bland facts
about !healthy eating & !weight loss!

but mrs ((whatever)), I want
to tell n and the entire
******* crisp class,
that obesity is a load
of steaming ****
from someone who’s really fucki
ng sick (you know how much
better it stinks then)

that obesity
was made to be glorified,
I don’t tell you this—
I ****** jiggle it to you,
grab my santa clause puch and
shove it at you--

tick tock
we wait for the clock
to tell us what
s to come,
except it makes us guess

--see this:
a mid-age woman, mother,
fat & previously fat,
goes in for stabbing pain in the chest, or
chronic diarrhea,
seeing stars & no energy left.
((this happens))
the doctor says,

well let’s weigh you n see
if you’ve lost
the weight I told you to lose before
remember Sharol

now Sharol..,,,, sweety…..
you weigh 55.62 lbs over the
state-set “healthy limit”k,
so we’re just gonna give u these
diet pills & I promise they work,.
all nach-yer-awl u see, none of that
waterweight ******* [! excuse my language]

and in about 3 months you’ll lose
half that overweight,
and I promise the starsll go away and you’ll
feel right tip top okay now that’ll be
$60 & come bac k in a month to tell me
how much you’ve lost okay

haha but that’s alrightright?
she was unhealthy
&
doctors make you healthy

only her brain cancer maybe, or like, colon
cancer or literally anything other obesity

kills her in about 3 months
bc the **** doctor would only
pretend that she cared
what
was
wrong with Sharol, sweety…,,,

im sharol and so are you and
so is your uncle & so is
your mother, probably
because most of us are “obese”

& the only cure for obesity
is the cure for the term
“obesity” you see

perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -

I mashup me, myself, and thee: Part II

Excerpts from my poems about poets, poetry and the process of composition. In chronological order, from the earliest to the most recent.
---------------------------------------------------------­-----------------------------------------------------------------­----


The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
~
Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.
~
One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
~
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me.
~
Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.
~
Have you noticed here

Each poet declaims his fellow
The better one, his teacher,
From whom they shall learn and gather up
Inspiration

Gonna run for Congress,
My first bill, Poetry-care,
Will make it a requirement that
All citizens must contribute,
Exchange once a day
To this peaceful place,
Even just a syllable, a single letter,

K?
~
Literally my eyes see words awaiting coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals informing, of the man yet to be,
How our bodies lay, hair unbrushed,
Tying us into a conjoined knot...

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~
The ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?
~
Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...
~
Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
~
My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation
~
Where I write, here, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem served,
Every conversation overheard and those wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying, see man, time to get more ink and paper,
Go and catch us a few poems for dinner

The snapper weakfish word colors are
Running past my-by the thousands,
We will need a basket to catch but a fraction
Of what you see, more than more enough to share,
Only Happy Poems for all

It is this rhyming way I view the wold,
That is my freedom, is my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
~
But if my aura be a comfort insufficient,
Let this surprise poetic gift awaiting your arrival,
Give you rest, from crying surcease!

For when the who, the why of me interrogatory posed,
Describe me in a brevity I ne'er possessed, say:
He was just a poet, and I,
Just, his lover, number one fan.

This truth eternal, never to change.
~
But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­line
~
Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended
~
Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!
~
What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day.
~
once upon a time,
a traffic light rainbow,
stopped n' go, was a word design,
demarcated visions of spun sugar,
bodegas sold me
magic beans by the pound,
masterminded into cups of delight,
treasury's bounty overflowed,
now, dregs drain, sink stained,
as are my writing utensils,
my ink stained, us-less, fingers

come visit me, unknown stranger,
let us exchange fluidity, barbs,
a contest of kissing, eye lashing
wit ands shared vision stashing,
and together, once more,
write with our feet,
while holding hands,
becoming once more
poets of the street.

Only, come quickly.
~

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
~
She brings me coffee in bed.
I propose a violin accompaniment.
Some babka, with nice-crumbly-in-bed
Streusel topping,
A concerto we could make!

Her derision snorted so loud,
The mollusks on the beach
From their shells come out.

"Good luck with that,
Put that fantasy on
Your **** poetry site,
Cause that is the closest you will ever get!"
~
For she will be my heroine for all time,

These words to expand with rhyme and verse,
T'is a welcome task, one familiar, but anew,
Each dawn each dusk, a daily trust, a love poem diurnal-birthed,
As if god created the world, but left upon completion,
With a grievous thirst, a new notion, he did burst.

He created the Eighth Day, for celebration of his
Most cherished invention, the idea of love.
This is where, the secret writ Eleventh Commandment occurs,
Love thy Poetry Gods, Honor them with daily verbs.
~
Officer...you should see me gut a

Poem,

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!
~
We can share words, we can grant tiny easements,
We can weep with you unseen tears,
We can etsy you little homemade gifts
Like this.

That you can take and keep, and break out in time of need knowing full well that these words will not spoil nor rancid turn, cannot be out grown,, or torn, or rent asunder in anyway for once they are shared
They are irrevocable.
~
When you write,
It as if you write upon our
One skin,
For I am your tablet,
Your sole/sol/soul composition.

So stop kissing me
and
Write upon us.
~
This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
~
You think you can write?
Then employ  a word outside your comfort zone,
Go it alone,
And write four sentences that will make
The hopeful reader stand up and
you twice as much, and shout

Hallelujah
*******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it. Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)
~
Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.
~
This Sabbath day you fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.
~
I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
**So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse.

I am both: Addict and dealer, a ****** poet ******.

Day by day
Year by year
We are told to keep smiling
Colon Right Parentheses
Everything will be OK if we just smile
As if all the physical and emotional pain will just disappear with a smile
"BEING SAD IS OKAY!!" as long as no one sees you cry
"Don't be such a baby!"
We are forced to keep all of our negativity locked away
Making it grow stronger and stronger until we become bitter and cold
Killing us from the inside

.guess i must have hit the vein, nay, a ******* artery, must have gobbled down an oyster, muscle and brains altogether, simultaneously!

i have one, only one pet peeve...
that casual mainstream media
expression...

    but it's the 21st century!

i get the bollocking frizzle of
***** hair, translated into Janissary ******
attire... excited...

what the **** are you talking
about?

   21st century, what?
we're in our infancy!
            and what came prior?
you seem to forget the first half
of the 20th century,
and bulk in cultural
              expropriation of other
nations...

   us Poles had 100 years if liberty,
thank you very much...
we're not about to do the German
hip Berliner St. Vitus dance
magic, just yet...

******* hippies...

       Solidarity movement
pamphleteers, migrants of Florida,
bias, you name them...
yeah... "heroes"...

                    ******* usurpers,
Judases...
             and from the city i was born into...
where's the ******* metallurgy?
export of cheap labor,
originating in Spain!
      how's the youth unemployment
working for the Spaniards?
good? good good...
goof ******* *****!
   no say cheese in Swiss German
and show us the 42 teeth of over-perfecting
that schmile!

        Swiss guard, up & ****!
*******...

       i hate the sophistry,
loath it, baron over it...
this but it's the 21st century...
what sort of excuse is it?!
   there's not excuse!

                 reverting back to covert
popularization of prostitution?
even the Bulgar prostitutes lie,
about being Romanian,
i never tell them,
even though the word, dobrze...
   o.k,
    хорошо...
   is not a romanian word...
    you lie, you fry...
         i'm actually fond of making
chicken hearts, and pork liver sauces...
i can work the stoves...
             **** it... give me any meat,
i'll fry it... make a garlic onion sauce
out of it...
    nee bother...
   strawberries?
perfect fruit for smoothies...
tried it, just today,
with nein (nine) passiot fruits,
and an arithmetic for the one hand
including strawberries...
         crème fraîche replacing
yoghurt...
                          milk,
milk milk milk milk...

but...

what's the ******* excuse,
for making excuses of the 21st century
as the ******* pinnacle?
will the 22nd century look
fondly on us?
  
i'm only looking fondly for the death
of Lizzy II with much
anticipation, because of,
what i assume will not be the case
of Chuckles III,
rather, Georgie VII...

the 20th century passed...
what sort of excuse, in liberal terms...
is there to posit,
for keeping the Greenwich Mean Time?
frankly?
  the ******* excuse i've ever, ever,
heard!
         it's the 21st century...
whoop-tee-doo-daa
                        (H)    (H) -
told you... without the (YW) -
a god that's a vowel catcher...
or pivot for laughter...
can't get more hebrew-philic than i.

i ******* loath the: but it's the 21st century
argument...
    lost the italic lettering and the colon
from the use of bold -
monarchy?
  well, suit up & boot up
for the transgressive pomp & circumstance,
that alternative
to pride & prejudice...

  ha ha!
            god... laughing at oneself
is probably the only cure there ever will be...

but come on!
the: but it's the 21st century!
  
what sort of, argument, is that?
  it's not like ontology begot
an x-men algebraic variation,
an exponential derivative,
    a Holmes' hound of a bag of
necessary excuses!
      some ******-evolutionary leap
of benevolence
to excuse a connection of peer-to-peer
connectivity,
somehow erasing the 20th
century, and ennobling a... "fresh start"
with 21 as the fore!

i might be a peasant,
and i might drink to excesses some
people would wish they could
muster a stamina for...

  but please, leave the fairy tales to
the Danes,
  hans christian andersen and their
Grimm bro. counterparts...

but it's the 21st century...
**** me...
    you mean the ****-up century?!

They say that smell
Is your strongest sense
When tied to memory.

That just a whiff of a smell
Or even thought of a
Smell can bring you back
To a place and a time that
You had previously
Thought were left behind.


For me the smell of
Bleach is comfort, as my
Nanny used it as a
Standard, household
Cleaner. I love that smell
As well as of my favorite
Dinner, mildew (reminds me of summers spent
At camp, living out of a trunk) and
My favorite flowers

Each of these smells I
Love to revisit time and
Time again. One smell
Though has embedded
Itself in my memory and if
I have my way, I’ll never
Smell it again.

Mom had Colon cancer most
Of my time in
High school.
No clue on the stage
But it was best not
To
Ask

Surgeries, chemo, radiation, the
Whole
Nine

Things seemed to be fine,
Well, even great
Until it took a turn

My mom has never been
Skinny; she is petite, but
Normal

Suddenly she looked like
A holocaust victim
She would get quiet
Draw into herself
For periods of time

Another surgery. Fine
She returned home
And then something crept in

That something was death
And I’ll never know how I knew
You just know.

The smell of something
Dying
Isn’t pleasant
It puts you on edge
And turns your stomach

Mom was confident
That she was getting better

The smell, that can’t
Be described (dying tissue, pain
Suffering) was glaring
To me

I never asked Mom or Dad
If they could smell it
Because the smell of Death
Isn’t a sense that should
Be shared

I would just maintain that
I didn’t think
Something was right
A day or so later

Surgery. Fine. Home.
Smell.

Surgery. Fine. Home.
Smell.

Surgery. Fine. Home.
After that last
Surgery. The smell
Left. But even now
When I think back
To that time
That complicated time of
Soccer games
Chemotherapy
Apply to college
Surgeries
The one thing in the
Foreground
Is
That
Smell


Just a whiff of death
Of human decay
Of dying
Of suffering
And I’ve had my fill
For a lifetime

. perhaps the world of culture of archιtecture, should revert, back ιnto ancιent roman arιthmetιc, where I = 1, VI = 6... IX = 9, XVI = 16... so me mιght, relιeve ourselves from thιs horrιd: stack-upon-stack phallιc braggιng metaphor?

so... what's the difference between
ȷ and J...   ι and I?
other than the current:
   that famous IJ floating colon
   known in german as the...
   umlaut   (          ¨              )    ?

   well...

    there's      ż      and... Ż...
  and there's     ł     and     Ł...

   and there's
  
ń          and                          Ń

see how orthography works?
it's no an aesthetic "question"...

beginning from a previous
sentence, having, ȷust ended.
    Łabądz...  
              (swan, in western slavιc)

so... why would ι have to make
exceptιons...
  to... ȷustιfy...
what exιsts ιn the mιnιscule form,
but not... ιn the macrocosm
of punctuatιon...
ȷust lιke the amerιcans:
know best, how to punctuate...
but only when ιt comes to acronyms...

but like any
      martial j. a. herman might...
ι brιng english to a trιal...
      as to, whether or not,
such a "thιng" as lιteracy exιsts...
ιn thιs post-handwrιtιng ιmmedιacy
of an era...
    
other languages feel obliged...
even the ******* french do...
   with the CAPITAL garÇon...
or the Czechs: with Škoda...

                             why would anyone...
ιn theιr rιght mιnd...
  ever propose to keep...
wrιtιng ιn thιs floatιng colon
lyιng back ιn an umlaut...
   onto two letters...
   that do not make a dιfference
to theιr pronuncιatιon?!
    
oh look...    Jȷ?         Iι!
       now... the dots on the questιon
and exclamatιon markers?
  now... they really do make sense
(by comparιson).

ȷokιng asιde...
   if there's a  Ł            and   a    ł...
who's playιng: "spot the Frankenschteιn"
applyιng the guillotιne to J...
but allowing a, meanιngless,
floatιng head's worth of a halo,
to j?

         the Blaιrιte gov. should have
never allowed me to study chemιstry
at unιversιty level...
ι would have... serιously...
been a lot happιer...
       signing a "petιtιon" for
an apprentιceshιp programme,
becomιng, a fuckιng plumber...
rather thιs basket case of poetιcs.

sιnce... apparently...
among Dante, Vιrgιl, Horace,
     Ovιd, Homer etc.,
   one stands shoulder heιght wιth
these gιants... namely Sappho...
sorry... don't know how to qualιfy
as a walkιng dιldo...
so much for female on male
                        objectιfιcatιon;

but ι'm past speaking thιs language
as a formality of ιntegratιon...
thιs language?
    ιt's not a tool anymore...
ιt's a... toy -
    englιsh already has the applιcabιlιty
of the apostrophe,
than no other language uses!
so... why... the ****... bother...
fakιng... havιng knowledge
of orthography...
   when the englιsh, peoples...
are already, strapped,
ιnto a straιtȷacket,
   of conversιng to the poιnt
of excess, metaphysιcal querιes?!

phιlosophy ιs such a bogus
word, such a pompous word,
ιn the englιsh language...
       frankly... ιt requιres counter-ascrιptιon
censorship:
  vιa the bιnary of
1: ι do know
    and
    0: ι don't know...
  
   but that... requιres an ιntegrιty of
honesty... whιch... the englιsh, peoples,
sιmply... lack.

counter: oh... but ι thought you wanted
crιticιsm?
     to entrench your orιgιnal posιt / pιvot?
no goodιe goodιe, until the mandarιn
doesn't clock ιn as a cockroach.

The darkness upon your face is beautiful
while the world is vast; winding rivers take over the nightfall,
I think about your face during the night,
when the moon and owls sing; while I am the moon
Mountain peaks are covered with snow; the world turns endlessly
yet I am still a Gemini by birth; my thoughts are forever changing,
A semi-colon representing my thought process,
forever endless and a constant stream,
like rivers at the nightfall, of dissimilar mindsets.

I found a semi colon
Made of two stones
on the beach
A few months ago
It made me happy inside then
Because you were beside me
And I loved you with all I was

And when I found these again
It gave me a glimpse of hope.
Because maybe
second chances do exist
And maybe things will be okay again
Maybe you won't give up again
Maybe you'll strive
and you'll...
You'll be stronger the next time round.
You won't give up.
You can do this.
I hope you come back...
To who you used to be.

no, i don't need an outlet: talk to the public,
they tell you you're
either a well guised political machine,
a psychiatrist,
           or an oddity: come October time
propheteering rather than profiteering;
your choice, not mine:
   i look at poetry like
a plumber might look at a toilet:
go in and get the francophone out!
    so pardoning the French
is lost, as casual phrasing goes, woop,
  away away Superman included.

oh right, you might think i'm spelling
something Evangelical,
sure, i hope you do or d.p. as in
do please,
           what with the cool of Wall St.
sprechen d.l. (down low);
i had a few scribbled notes,
yes, Yanky, my laptop broke down
and i'm reduced to pen & paper
         like handcock & *******,
easy does the ****** of loser vill
           (can we drop the e
for the sake of autocorrect being right
when the big words matter? thanks) -
Platonism is plainly Thespian,
             Platonic thought is a Thespian
"espionage", get used to it,
you haven't matured into Aristotelian
         autism: you still want to act,
to puppeteer that shadows of people
without ever *being the people,
don't take it as if it's supposed to be unlikely:
there's a boss around every corner:
whether you get paid or don't, which is fun,
because you state an authority but
still only play the cameo.
      reminiscent guise literature
of rewatching that t.v. phenomenon
that's billions -
             oh sure, t.v. these days overshadows
cinema, cinema is worth jack-****,
it's poverty is intrinsic in forming ideas
or reversed "Latin" grammar  idea-fermentation,
i said English loves to hyphenate
two kindred words,
    like that ego theory
             with the Germanic self-theorising,
self-enabling, self-interest, self-haemorrhaging
  gusto of the capital -
    what a way to finish, i as a prefix
toward robotic modula.

(i write pending, but ensure the enso,
            or Swahili wasabi sting of
green horseradish,
       same so, i live dangerously, or pretty
much on the sly,
           if i tell the taxpayers
  they're getting their money's worth
i'll bound to see a third runway at Heathrow:
got my nose in an Alsatians' buttocks mind you).

so...

i was going to end with it, but i'm afraid i must
begin with it, page entitled

a. a rebellion from the top?
    or right, it only comes from the bottom,
the guillotine and all,
  but never the despotic cupcake for an Antoinette,
right? wrong!
                coming from a worker's background,
i'd been happy doing the ******* roofs of
the Tate Gallery among other examples,
but i was educated as a chemist,
  and, i was told, you need toothpaste, or
am i wrong in that assumption?
     picture it thus:
a son of a roofer is real smart,
      goes to Edinburgh, gets his money's worth
in terms of tuition, over 30 hours year three
of his chemistry degree, when things were still
decent, ~£1,250 a year (one thousand two hundred
and fifty pounds): with words like that
you might sketch Dante and Donatello and
the Italian Renaissance in terms of clapping the ****
away at the gesture...
     but no, it was like that, study chemistry
and you get your money's worth in terms of tuition,
so how the **** did i descend from the "high" tier
of the sciences into the murk of poetry
and humanism?
       history of science and David Hume:
black swans to mind, also.
                          but the other kid in question
was a son of a doctor / radiologist,
and this talk of rebellion from the top?
he couldn't stomach a shifting hierarchy,
he couldn't stomach social progress,
     had i or hadn't i invested my pleasure
time in reading philosophy is no one's business,
had i made a professional wage from it,
sure, but i wasn't intending to do so:
      what's your favourite colour sort of
question and whether truant of the zeitgeist:
the ******* guillotine, mate!
            i just can't perpetuate this loaf of wording,
but it's necessary:
    of jealousy so corrosive, of jealousy so lined
with lice, only then a god is spawned -
           the person in question?
a skiving belittling camel jockey -
and that's me being polite...
       you can almost become auto-suggestive
of needing to cite: what Abel did next when
the roaring Milton God subsided and
     wanked a crucifix that later became 2000 years of
history: or in the making.

i can be a pompous and bombastic parrot
          that cites Polly this, Polly that,
but i can speak to a scaffolder and laugh: with him,
and not, at him...
                 because i know my bombastic mr. fantastic
behaviour about spending aeons in a library
   rather than sniffing bullseyes and ****
        is made to be the fo' sho' lingua rapper tinder
of something or other that doesn't require me
to foolishly date...
                         **** it, cheaper at the brothel.

...........................

                        oh­ i'm just getting started, hence
the title with (penting) in it: no, not really mr. tough-guy,
just a **** break and a smoke and all that's
necessary in terms of transparency, begging to
be revealed in all forms of literary composition...
  
let's just say: a new interpretation of the paragraph,
     for me reading books, a paragraph means Sunday,
1905... because of the constipation and what-not,
   a comma makes me feel like i need a pause to
hiccup or sneeze,
       a full-dot is never a full-dot unless it's a full-dot
and then it's a definite article of end, rather than
the intermediate an end: let's start over, once again;
       but when have you actually experienced
a Macgyver of what's otherwise a "work in progress"?
answer? never!
               you never have: you had to become
censored by publishers and editors for everything to
look the end-product squeaky-clean!
                   unless published posthumously...
and then... you might already be dead:
you never got to see a work in progress...
   and believe me, i have 8 pages worth of notes to
encode into something that's not
that fable about a boy waking up Barbarossa
from slumber and upon seeing crows
shouting: messerschmitt! messerschmitt! messerschmitt!
well, a diet of hanzel und gretyl will do that
to you, you get a fetish like Shpielberg and direct
the Indiana Jones franchise...
                       funny little me, "phony" Englishman
speaking a piquant variation of Essex banter,
8 years in Poland and of memories i speak of the fondest
in my life, and 22 years in this rotting *******...
                    i feel less organic, more inorganic,
i.e. metallic,
       it's like my insides were hollowed out
and i was faking that i am actually being -
   weird sensation, ask any displaced individual when
they have the organism of a Slavic, but a soul
of a German... feels, ******* weird...
                        i mean, Nietzsche and that complement
that the Poles are the French in the ethnic category?
what are the English in the Slav category then?
                          most likely Ukrainian.
i dare you to find a philosopher with a similar dilemma,
i dare you: in light of how this whole
gaining of fame works, not one wrote about
being displaced... well... unless you're talking about
Moses -

                (haven't even started, i need a drink).

there was no social tract anyway!
    to be forced into accepting insemination
        when the forward wording was:
       "i'm talking counter-contraceptive
measures" & 'i want you to *** in me'.
                 ditto encapsulating quote
for ambiguity, the otherwise: real life.
       is my ***** worth more than me?
have i not transcended a weak bladder / **** muscles?
       a pseudo-humanity, intrinsic in man
but not not in beast?
                    i call upon a reversal of what's
a staging of ****, or money grubbing -
                with a woman's twist of the Grimm tale:
as she said: i want this man,
              i will impose a moral grounding / battlefield,
judgement on him! entrapment!
and there's me apologising for the "****" / so-called,
in a fully-consenting intimacy:
   well, *****, why don't you? another Beethoven
is waiting? who's the whopper feminist these days?!
               me? you?! hardly you!
   i consented to a full intimacy,
        is ***** a foetus?
tissue would know,
    or a twisted fetish for ****** cream
advertisement in ****, huh?
              sure, my socks smell, but so does
your moral instinct.
                        the difference is that that i get to
say airy, while you get to say fairy.
                         it really takes a man respecting
a woman's freedom: i seriously thought you
were advocating the right to abort
as you might avert ****...
    sure: i'm sorry i inseminated you,
can you please treat it as a tear-jerker experience
of a rom-com that's actually a transvestite-rom
  and needs 50 years to ferment for the earthquakes
and heartaches and cha cha attacks?
              to me it's an apron needing a wash,
to you it a ******* moral dilemma needing
a ******'s rights to not father a child and you
needing your body to unnecessarily incubate it
so you get the Catholic nod... bonkers!
    yes, i impregnated a girl, at university:
i avoided white trash at school, sorry, but it's true,
i liked reading... let me stress that: i liked reading,
      or bold if italics and colon Gemini be antiquity...
she lacked the character judgements,
the 'why he didn't stay' method statement...
she called my friend and study buddy a troll
based on her aesthetic tastes...
          i could have had a family now, and all
the responsibilities, it just didn't fit into
a replica of Cleopatra and Anthony *******
when they honestly didn't have ******* to claim
as their own...
          jeez (replica of the hand-written transcript) -
writing this on pen + paper is like *******
a **** for reach a champagne fizz of ******
for an hour - thank you keyboard and the digital
pixel off blank: ******* is less painful
than writing with that oddity that's handwriting).
there was no social contract anyway!
     it's not like i was married, there's
no unwanted child joke in this: i do find abortion
abhorrent within a social contract, a marriage,
but outside of marriage? are you ******* kidding me?!
you an Irish priest or something?
       there was no social contract,
did i sign a social contract akin to marriage?
      am i in this for the shambles?
of course i didn't get married,
there was no +ring,
                     sure abortion is abhorrent,
but under a social contract,
  without a social contract (marriage)
i,    had,    no,         obligation.
      what, in order to practice a variation of Islam
on a woman's whim?
    *******.
                     plus i had the gross indecency
gay men have with surrogate mother prostitution;
oh wait, it isn't that? my bad.
            i always had a nicety divisiveness for
incubators... a 9 month ****, with dividends...
        really: feminism can **** itself!
because aren't we at a stage of rhetorically counter-validating
what we abhor in certain Asian communities?
oh sure, the patriarchs are gone,
forced marriages are gone too...
          but didn't i just describe a case
of forced marriage, where a western girl is given
all the powers to reign over a young man
as any despot might over a worker
so he can "think" and drink cocktails and
chuckle over his position between cocktails?
      
  i said abortion, yes, i didn't like the girl's aesthetic,
and you know what? that thing you call abortion,
apart from the fact that the foetus has no soul
the baby neither: not until the diaper is off...
to learn to strain the muscles outside the womb:
you really forgot that the implant of soul
or the later disputed notion of god
is only implantable once the memory kicks into
gear...
               only when you start to remember
is the human person born:
   beyond that it's still nature's brutalist lottery...
maybe a Beethoven might have been born,p
but who cares? we already have a Beethoven!
it's avoiding consented ****:
that's feminism and 9 months spared
the continuation of endured affair / "relationship",
i seriously thought that's what women
were campaigning for... obviously it's counter!
   i claim soul outside of a woman's body:
when the ****** thing passes the diaper gym
and learns to automate the bladder and the ****...
then i say: worthy an implant of a soul...
or chauvinistically that's counter and double-****
of 9 months and Bach with his 14 children,
and the Borgia Popes...
          but at least we have the surrogate "mothers"
and that pretty Disney scenario of two gay dads
to fictionalise into watchable Platonic cavemen
when the eyes aren't glued to the 2D.
why do you think such thoughts ferment in
the heterosexual imagining of actuality?
                your utopian counter-clockwise
has already extended into China being the only
provable state of physical activity...
    and the western zoo of mental philosophical
build-up-detachment? your mental health
scenario only suggests you created acid professions...
at least the physical "antiquity" of China
is compensated by a universal shortcoming:
death and mortality...
you created acid-baths: sport and completely mental
professions: YOU'RE SICK!
     honestly!
     people used to enjoy physical professions,
and the essence of such professions?
no immediate competitiveness!
         you replaced physical professions
with sports!
                  and compensated the need for
physical hands-on with the ****** gym!
no wonder you countered-Darwinism while
adapting the need to advertise it
            and made so many young people
mentally ill...
      because your whole mental estrangement
is the sauce or a broth that's currently on the boil!

.and what if the referendum was secured, by the single vote, if it was predicated on: only and only if, there's a 60% consensus... the current debate is taken place, because the consensus is, extremely marginal... we're talking about fringe politics, outlier political opinions... the the remain vote is argued with the same verocity as the leave vote... for the benefit of outlier opinions... if only there was a predicate: it will be passed... as long as there's a 10% difference between the votes... 51.9% for leave to 48.1% for remain, of the country having voted... if only the whole point of voting, was akin to the "ancient" enforced tactic of drafting men to serve in the army... 67.7% voting areas voting to leave... 32.3% voting to remain... yeah... the "obscure" parts of england... with scotland, clearly being an anomaly with regards to "obscure" rural regions... should the argument come: concentration of power, in urban babylons.

someone should, really, really try to remaster
that vague piece of work

                       that pristine rhythm
    section: notably on the song bite now bite
from the album
          eat your heart out -
                              by... a belgian band:
of all bands... it had to be, belgian...
  ******* choccies (KLINIK) -
   oh look, an intra-racial slur...
                                                     chocolatiers...
because what would be fun:
  if language was plain, safe,
                                                      in vitro:
and not the islam to the individual -
   whenever: i, am to submit,
                     to the language of the other?
well obviously malice is reserved
for something else, but not for breathing,
thinking or feeling,
   or for that matter:
     the "problem" of idle hands...
itchy hands...
               i guess some of the throng,
of the volk: chatter chatter chatter...
    bite... chew... but then forget to
swallow... (sow s-, s-, swo-, swo-...
'the **** an A charge in, eh?
                                     i guess, that's how).

but no one
likes to see
narrow
verse
likening it
to the Milan
fashion
show
catwalk

                               and all those poems
that look like this:

|begins here


               (no
      move-
                                 -ment
                 in
               between)


|ends here:

|zzzzzzzzzzzzzzzzz
|zzzzzzzzzzzzzzzzz
|zzzzzzzzzzzzzzzzz
|­zzzzzzzzzzzzzzzzz
|can anyone please tell me...
   why zee / zed:
              is a conotation
                        depicting the process of sleep?

and all this nonsense:
                   england is spelled with
a capital: who says it's anywhere but london?
E this, E that,
    E sat on a wall
       and...
                    didn't fall accidently...
i know a rat when i see one...
   Nigel, Nigel (see... capital N,
implies emphasis, like italics or a colon
does)
       Nigel... can you please bring back
your fwend, Dawid?
                     just a few questions...
2 and a half 'ears lay'ter...
   and... no end in sight...
to those loitering... shuffling their feet...
how many votes do you actually need...
when there was only one
                     for die volk
- and i have to admit...
       it was close...
                roughly                      51 to 49...
i know why they voted leave...
           because of the people who poured
in, most, probably momentarily
back in 2004...
                              the people who were
taught two, of 20th century's prime lessons,
by foreign entities...
               arbeit macht frei
               und?
                        communism.

         so no laid-back work ethic coming
with the windrush, was there?
                    conflict of interests...
**** it, if i were strapped to a caribbean
island, i'd have a laid back work ethic:
                             ka-reeb-ib-ean.

yet still this whole blah blah debate...
          like... let's forget the good friday
agreement...
   but finally...
            we can have the old terrorists back...
so...
            maybe the IRA will
                  out-compete the jihadis?
or at least scare them?
  or... dunno...
                                            ol' Jack...
ol' Jackie boy'o will: simply...        unravel?
am i rooting for it to happen?
no...
                            but it would suggest
that i'm rooting for being part of
                a historical event,
                            like the treaty of versailles...
or the weimar rep.,
                            and i was the voice
on the bottom,
               sifting through
                     eclectic ambitions to find:
culture that will never become
mainstream...
                                           almost
forever destined for the: archaic archive,
now forever the footstuff
                            of the gargantuan a.i.:
alternatively known as a.i.p.:
                   artificial intelligence purgatory.

- hey, i can't compete,
    i'm just a kid that forgot to bring
his crayons, and instead brought
   some matchsticks and toothpicks.

if only: 2 years prior to the referendum
they had a plan...
   but they thought they could do
a joker trick,
         so there you have it: agent of chaos...
agent of chaos says:
  people, 1 vote, politicians?
         an infinite number of votes by
the looks of it...
                  voting is not reserved
for the people, de facto,
                       given:
we now have a strange despot on our
hands... der volk...
                    what a strange monster...
was i leave or remain?
   neither, considering that i ended up
drinking to stay somewhat sane
for the past... oh... 10 years...
    on debit...
                well... why would i even
consider drinking into the excesses of
phantasmagoria              on credit?
that would be stupid, as stupid didn't.

in summary: to minor points...
    i can understand why people don't like
poetry...
                                                 porcelain...
or the fact that their everyday language
is already peppered with poetic techniques...
figuratively speaking...
                   akin to:
   where does the technique of poetry
end, and the comedy begin?
                     yeah, that: "not literally" part?

who would mind:
   it's not an elitist "thing" to like or dislike
a medium...
                 i like the "breathing" space in
the optics... of... the never to be seen
                              literary paragraph...
i like cascades...
                         paragraphs are sometimes
a strain on the eyes...
like watching really fast cars
zoom past you on a very small race-track...
**** just gets dizzy...

.......................................................­........ (click)
.........................................................­........ (click)
.........................................................­.......... (click) etc.

hence?
           well on the up-side...
once you've read some magnum opus...
say... the cantos...
    for some strange reason...
you can sit back, listen to some choccie
music from the underground...
open the book...
   and just stare at the poetry...
    without having to reread anything...
a bit like...
                  a painting...

                                    sure as **** you
can't do that with a novel,
      with its rigid, cluster-**** of a descriptive
paragraph: she said, he said,
then another descriptive paragraph:
he said, she said...

               as much as i love novels...
  give me a poetics of a framework of freedom,
or a philosophical monologue
    by some helmut
    (german) - oh look...
     another intra-racial slur...
    helmuty: germans...
                  derived from?
              helmut kohl -
                    german chancellor 1982 - 1998;

ah... what an enriching experience.