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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Cné Sep 2019
~
Wandering witches, wave your wands,
lose your limbs of earthly bonds.
Friday the 13th full moon sings
so flex your power and stretch your wings.

Wandering witches, weave your words
to be the bane of beasts and birds.
Hex the hateful with potions of love
Poke the prideful in crestfallen thereof

Sing sisters sing, into the full moon night
never knowing the demon's blight.
Fearful farce and fallen stones
bury the bad in blood and bones.

~
A little fun write for Friday the 13
https://youtu.be/pta-gf6JaHQ
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Olivia Kent Jul 2013
Sweetheart!

He is my sweetheart,
Stepped from a lasting dream,
Endured many months of witchery,
Shared between him and me,

No witchery really,
Just hugs,
Laced with loving feelings,
And very tender touch,
Poetry together,
That is just so cool,
Two very different styles,
That blend so well as one.


Your kisses hit with music taste,
As we're stumbling round the floor,
You with perfect rhythm,
Me with none at all,
You roll up laughing at my ridiculous attempts,
Guess what honey,
I suffer no offence,
For I know my sense of rhythm never dared exist,

Until the joy of knowing you,
Don't know what I've missed,
With you I never realised,
How much of me you've kissed!

By ladylivvi1
© 2013 ladylivvi1 (All rights reserved)
Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.

The Tree-ness of the tree they know-the meaning of
Arboreal life, how from earth's salty lap
The solar beam uplifts it; all the holiness
Enacted by leaves' fall and rising sap;

But never an angel knows the knife-edged severance
Of sun from shadow where the trees begin,
The blessed cool at every pore caressing us
-An angel has no skin.

They see the Form of Air; but mortals breathing it
Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing
Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory
That from each smell in widening circles goes,
The pleasure and the pang --can angels measure it?
An angel has no nose.

The nourishing of life, and how it flourishes
On death, and why, they utterly know; but not
The hill-born, earthy spring, the dark cold bilberries.
The ripe peach from the southern wall still hot
Full-bellied tankards foamy-topped, the delicate
Half-lyric lamb, a new loaf's billowy curves,
Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.

Far richer they! I know the senses' witchery
Guards us like air, from heavens too big to see;
Imminent death to man that barb'd sublimity
And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charmed interior,
This parlour of the brain, their Maker shares
With living men some secrets in a privacy
Forever ours, not theirs.
Umi Apr 2018
Words, conveyed by song,
A white witchery of chering emotions, sadness, may anger or grief, flowing alike a river through ones body once it's been sensed, heard,
Overcoming even time and space, giving the gentle look on your face some sweetness which I cannot describe, drawn in the landscape of my heart, a bittersweet melody unfolds, a flower blooming by night,
"Bury the earths ground in your petals, oh widely blossoming flower"
I thought whilst a breeze rushed through the leafs of nearby trees, making a pleasant noise, yet I cannot be in ease, after all I'm inhuman,
As time ticks on, the orchestra of mother nature develops in a stream of lingering sadness, with a magical touch one that embraces me instantly, locking me into a trance, of pleasure yet also great pain,
Was it my means or my purpose, was it my belief in good and evil ?
With no further hesitation, I swallowed all those meaningless questions and move my gaze up to the clouds in the heavens above,
Human or not, I remain without use for this world, what I realised is,
That I am, Nihilistic

~ Umi
pseudonymous Aug 2013
Once upon a time
is as far as I got
in writing my fairy tale
before I lost the plot
my princess was beautiful
her story was not
where she thought she'd found princes
she'd only found frogs

along came a stranger
from out of the blue
with the sky in his eyes
from looking for you
searched all his life
for too good to be true
along treacherous paths
barely bearing his wounds

his pain was forgotten
in a blink of your eye
at a hint of your smile
at the thought of you mine
all the things that you've taught me
when the pain subsides
when they have a chance to combine
will allow me to smile

again

I hope that you know that you are magical
and I will always be under your spell

The End
Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.

The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.

I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,

That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.
(Composed at Clevedon, Somersetshire)

My pensive Sara! thy soft cheek reclined
Thus on mine arm, most soothing sweet it is
To sit beside our Cot, our Cot o’ergrown
With white-flower’d Jasmin, and the broad-leav’d Myrtle,
(Meet emblems they of Innocence and Love!)
And watch the clouds, that late were rich with light,
Slow saddening round, and mark the star of eve
Serenely brilliant (such should Wisdom be)
Shine opposite! How exquisite the scents
******’d from yon bean-field! and the world so hushed!
The stilly murmur of the distant Sea
Tells us of silence.
                             And that simplest Lute,
Placed length-ways in the clasping casement, hark!
How by the desultory breeze caress’d,
Like some coy maid  half yielding to her lover,
It pours such sweet upbraiding, as must needs
Tempt to repeat the wrong! And now, its strings
Boldlier swept, the long sequacious notes
Over delicious surges sink and rise,
Such a soft floating witchery of sound
As twilight Elfins make, when they at eve
Voyage on gentle gales from Fairy-Land,
Where Melodies round honey-dripping flowers,
Footless and wild, like birds of Paradise,
Nor pause, nor perch, hovering on untam’d wing!
O! the one Life within us and abroad,
Which meets all motion and becomes its soul,
A light in sound, a sound-like power in light,
Rhythm in all thought, and joyance every where—
Methinks, it should have been impossible
Not to love all things in a world so fill’d;
Where the breeze warbles, and the mute still air
Is Music slumbering on her instrument.

   And thus, my Love! as on the midway *****
Of yonder hill I stretch my limbs at noon,
Whilst through my half-clos’d eye-lids I behold
The sunbeams dance, like diamonds, on the main.
And tranquil muse upon tranquillity;
Full many a thought uncall’d and undetain’d,
And many idle flitting phantasies,
Traverse my indolent and passive brain,
As wild and various as the random gales
That swell and flutter on this subject Lute!
   And what if all of animated nature
Be but organic Harps diversely fram’d,
That tremble into thought, as o’er them sweeps
Plastic and vast, one intellectual breeze,
At once the Soul of each, and God of all?

   But thy more serious eye a mild reproof
Darts, O belovéd Woman! nor such thoughts
Dim and unhallow’d dost thou not reject,
And biddest me walk humbly with my God.
Meek Daughter in the family of Christ!
Well hast thou said and holily disprais’d
These shapings of the unregenerate mind;
Bubbles that glitter as they rise and break
On vain Philosophy’s aye-babbling spring.
For never guiltless may I speak of him,
The Incomprehensible! save when with awe
I praise him, and with Faith that inly feels;
Who with his saving mercies healéd me,
A sinful and most miserable man,
Wilder’d and dark, and gave me to possess
Peace, and this Cot, and thee, heart-honour’d Maid!
Today, beloved, I have beheld
Thy Consternation. I have watched
Thy child-gaze as it raised
From the fragments of thy beloved toy.
I have watched the agony of thy empty hands,
And known the ache within thy empty heart;
For the stones of the day have dashed
Thy most precious treasure. Oh beloved!
Hast thou looked unto the sky?
Hast thou seen the threading circlet moon?
And the promise-star? Hast thou,
Oh my beloved? Then let me pledge to thee,
That in the witchery of God's magic
Thy beloved treasure shall be assembled,
And thou shalt play upon the sands of Eternity;
With renewed faith picking up
The breaked things, and weeping, that thou
Didst e'en doubt the fidelity of atoms.
Today, beloved, take my hand, and we shall
Labour together, making the fragments whole.
I broke the spell that held me long,
The dear, dear witchery of song.
I said, the poet's idle lore
Shall waste my prime of years no more,
For Poetry, though heavenly born,
Consorts with poverty and scorn.

I broke the spell--nor deemed its power
Could fetter me another hour.
Ah, thoughtless! how could I forget
Its causes were around me yet?
For wheresoe'er I looked, the while,
Was nature's everlasting smile.

Still came and lingered on my sight
Of flowers and streams the bloom and light,
And glory of the stars and sun;--
And these and poetry are one.
They, ere the world had held me long,
Recalled me to the love of song.
devante moore Jan 2016
Frog legs and boiled eggs
Hair from an ogre
A bone from a rats shoulder
Rabbits feet and a 1000 year old dragons teeth
I can smell the odor of what's brewing on the stove
Oozing from the crock ***
A potent potion
Made to bewitched with one sip
A touch of it on your lips
And you slip under its spell
Thoughts of your own expelled
As you fall deeper
From the concoction
Your world turned upside down
As your bound from this liquid drug
That gave you the case of the love bug  
Once you consumed the cursed beverage
You found love but not In the right way
And from the drink I took a sip
That you slipped infront of me
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
EgoFeeder May 2013
Oh , How nostalgic this murderous intent has become
Playing out unfulfilled fantasies like a king without kingdom
And to only one holder of this self improvised widow-ship;
Do I dream so awfully of severing that taunting relationship

One that now merely dwells inside of a notebook;
Even when i'm drenched in pity it's where I still look
For on that desperate day I wrote with a ravenous flood;
and, that parchment now has our names signed in blood!

To her it was a simple act of departure and endless possibility
Little did she know it was the introduction to our romantic tragedy!
All she had left me with was my sin clenched within my fist;
A hand stained in red engraving her name into a cryptic blacklist

Written by a prime-time director and an aspiring eulogist;
The magicians signature was left on the dark Ink I kissed!
For something can only be a phenomenon if it's unintentional!
Pieced together with the weakest resistance and somebody emotional!

Just as those determined nights of worship and spell casting;
Have left little sign of result - or a sentiment worth celebrating
The truth behind witchery is that of instantaneous karma!
Like an inaudible whisper sent out into the absurdis firma!

In that moment I had surely witnessed the death of true love;
Begging to the highest for our connection to exist above
I whined and leaked pathetically to take myself somewhere;
Alas it all proved useless as I was left choking on despair

Begotten by Venus - with Bacchus alone;
Trembling in confusion as I listen to her moan
Fading into frailty - trying to cease the taunt of a *****;
Striving for the affection of someone I don't know anymore..

I'll be adhering a promise when i'm turning her into a cadaver
She made me believe that we wouldn't change and I'd always have her
There's no better way to be together than to rot into the soil;
Eternally decaying with no sign of thought or a waking toil

To this day I still gander at what we've all become;
And, I cannot fathom the hideous intentions we all circum
Drowning in vanity and convenience as the living dead;
I pray that every morsel of humanity meet its sudden death bed

And, since I have no way of bringing a catastrophic doomsday;
I must inaugurate the butchery of the one who made me this way
The girl who gave me benevolence then turned it to stone;
The purest smile that taught me to love and left me on my own

I do suppose it's too late to re-kindle our love anew;
or remove all the vices that I always ignored as true
But who says I can't repent for our selfish aspirations;
By guiding us both into a cessation of fettering desperation!

Now all that is left is the means of execution;
What shall be the guide to our savage eradication?
I'll drain our lives through every tedious incision!
A slow and painful mutilation is my final decision!
Oh love! that stronger art than Wine,
Pleasing Delusion, Witchery divine,
Wont to be priz'd above all Wealth,
Disease that has more Joys than Health;
Though we blaspheme thee in our Pain,
And of Tyranny complain,
We are all better'd by thy Reign.

What Reason never can bestow,
We to this useful Passion owe:
Love wakes the dull from sluggish ease,
And learns a Clown the Art to please:
Humbles the Vain, kindles the Cold,
Makes Misers free, and Cowards bold;
And teaches airy Fops to think.

When full brute Appetite is fed,
And choakd the Glutton lies and dead;
Thou new Spirits dost dispense,
And fine'st the gross Delights of Sense.

Virtue's unconquerable Aid
That against Nature can persuade;
And makes a roving Mind retire
Within the Bounds of just Desire.
Chearer of Age, Youth's kind Unrest,
And half the Heaven of the blest!
Filomena Aug 2022
Ruminating
Vividly

Insidious
Mentality

Anachronistic
Philosophy­

Schizophrenic
Witchery
Psych ward poetry.
Set 3, poem 28.
My liberty lies in my history
My slippery ascent to be known
My silvery, glittery, valedictory victory
My injury all my own
My inwardly jittery liturgy
Mixed up with witchery and trickery
My history is not HIS, my history is my own.
© JLB
Olivia Kent Sep 2015
I discern that thy doth love, me not.
In showers of flowers, thrown only for love.
Lest my sweet heart, ne'er be forgot.
In peace, I present thee with a single melodious dove.
At thy peak of thine voice,
Where only silence be spoken,
Tongue persuasion sir, tis my choice.
Beg thee kind sir, may my heart not be broken.
Emotion in mind, a crucible of steaming steel.
Darling sweet darling, I bequest thy come hither.
A potion to snare, he that doth not feel.
Precious feelings, conjured, ne'er to wither.
Within mine cauldron, I shall brew
A potion out for snaring you.
(C) LIVVI
Oh love! that stronger art than Wine,
Pleasing Delusion, Witchery divine,
Wont to be priz'd above all Wealth,
Disease that has more Joys than Health;
Though we blaspheme thee in our Pain,
And of Tyranny complain,
We are all better'd by thy Reign.

What Reason never can bestow,
We to this useful Passion owe:
Love wakes the dull from sluggish ease,
And learns a Clown the Art to please:
Humbles the Vain, kindles the Cold,
Makes Misers free, and Cowards bold;
And teaches airy Fops to think.

When full brute Appetite is fed,
And choakd the Glutton lies and dead;
Thou new Spirits dost dispense,
And fine'st the gross Delights of Sense.

Virtue's unconquerable Aid
That against Nature can persuade;
And makes a roving Mind retire
Within the Bounds of just Desire.
Chearer of Age, Youth's kind Unrest,
And half the Heaven of the blest!
(To Ellen Terry)

As one who poring on a Grecian urn
Scans the fair shapes some Attic hand hath made,
God with slim goddess, goodly man with maid,
And for their beauty’s sake is loth to turn
And face the obvious day, must I not yearn
For many a secret moon of indolent bliss,
When in midmost shrine of Artemis
I see thee standing, antique-limbed, and stern?

And yet—methinks I’d rather see thee play
That serpent of old Nile, whose witchery
Made Emperors drunken,—come, great Egypt, shake
Our stage with all thy mimic pageants!  Nay,
I am grown sick of unreal passions, make
The world thine Actium, me thine Anthony!
Lysander Gray Jan 2013
I scoured countless streets
For an exorcist to rid me
Of your ghost.

The neon charlatans
Shapeshifted through
The spicy summer sweat
In forms of wasted witchery
And white hot shots of snake oil.

Each a silver bullet,
Swarming upon me as vultures
To peck the stains of yesteryear
That lingers like the promise
Of cool autumn air.

And now that all evenings have shrunk,
And all shameful charlatans revealed,
I find myself once again
Dancing with your ghost;
A man haunted.
Anguished lavish
laureates has driven
me slightly mad

tangerine lemon rounds

Erudites of oolong parties
flying on the wreckages
of forgotten sideral castles

ice cubes crushed in the psychadelia

Nuances of never tomorrows,
slicky dew drops
glistening
jadded wells of deep thoughts
callin'
green algae lakes
emerging

Pale planes oozing
silvery Neptune forks
n'waves flyin'from above

witchery wands in love with wondrous comets

Thou sparkling dispersive
master machine mind
feedin' on
oak wooden spoons
tightly, tenderly
sippin'
magnified tinder
from thy glances

daemons of thy unconsciousness breathing

me *******
flow and ebb
thou chest ebb
and flows

bonvivants bountyful beams

The inflamable black
powder burnin'
to take off
like a swift rocket
like a swell day's
endless delight

The gold
The pink
The brave new horizons


Openin' grunges and volcanic
desires
pinnin' lovers, gluein' them to-
gether in a desperate gloom
of unforgiven erotica

And The Poems
who make you tremble
as a luscious cream on the top
of Thou Vicious Beauty

*fenderstrater jaguars silent roar
Raymond F Bell Mar 2015
I’m in a great mood
Nobody can bring me down
I get out the shower
And put a towel around
I go down the hall
No one did I see
And when I close the door
There you are right behind me
You push me on my bed
And rip off my towel
You match my outfit
And all I can say is Wow
Then I saw something shiny …
You handcuffed me to the rail
You wanted to guarantee
That your plan wouldn’t fail
You did some dance
As if to celebrate your victory
But then I started to rise
And understood this was some witchery
You noticed I was strong
And started working my muscle
If she was getting paid
I would have sworn it was her hustle
We both seemed to enjoy
What you came to do
And when your powers got to a ******
I swore a volcano just blew
Then your powers started to fade
And you vanished in thin air
The handcuffs vanished too
And I wonder if you were ever there
Now you’ve had your way
And again I’m *****
So I’ve gotta go take another shower
And now it’s 11:30
5/9/10
ConnectHook May 2016
Judy Judy Kansas cutie / it starts in the heartland / Tornado = social change through manipulated crisis / Toto the only free agent / Dorothy struck on her head by the closing window of virtual possibility / She realizes that hope'n'change have reached the prairie / Alice in Wonderland Hollywood / Kansas as futurist narrative / Star Wars pre-dated / It's a Wonderful Mythic Life / Miss Gulch as Henry Potter / Witchery in bitchery: Hillary 2016 / Scarecrow as Celtic bog-sacrifice victim / Tinman as ****** therapy client / Did that hurt? No - it felt wonderful ! / Bible-belt Pentecostal subtexts: "the anointing" / obsolete leonine monarchies / Louis Quatorze the Sun King /  enlightenment through concussion / the tyrant must be resisted from the heartland / populist progressives plot stealthily to justify their rule through the wizardry of science / the tyrant utilizes tech to manipulate the credulous / green state fascism / journey out of ontic inevitability into the futurist nightmare / eco-mammon bailouts / infantile mental midgets ruled by witch-tyrants = One World Munchkinland / Dorothy as redeemer-Messiah / Dorothy as Mary Poppins / America exports populist prophecy to the greater world / Glinda the Matriarch-Goddess / Glinda as transcendent Wisdom / the Anti-witch antidote / Patriarchy creates "special effects" subterfuge / flying monkeys: shock-troops of the witch / simian social justice warriors / Obama as Witch of West AND Wizard simultaneously / flying monkeys: brown-shirt armies of new multi-culti order / George W. Bush was the the witch the house ("Hope & Change') fell on / Over the Rainbow: somewhere beyond ****** identity grievance-mongering / There's no place like the Restoration of All Things
∅⚢☢⚧☯✰⚩✿⚥∅☢⚧☯✰⚢✿⚥☠⚩☯⚧✰

just a simple Deleuzian line of flight.

Riffing on W. of OZ

∅⚢☢⚧☯✰⚩✿⚥∅☢⚧☯✰⚢✿⚥☠⚩☯⚧✰
Mateuš Conrad Sep 2015
last night, the same woman from a previous night prior to last night, walking with shopping bags into an affluent area of the town, giving me the ultimate evil stare of all famous superstitions. the second time, last night, the same woman, the same diseased stare, and this poem - as a result of being impregnated with too much evil; call me superstitious, but not all witchery is softened by psychiatric reasoning and antidepressants.*

and then i hear of my parents meeting a friend of mine's father,
an "antique" dealer for the tourists
slander me for drinking too much and not glorifying marijuana
while insults were thrown like snowballs
before my mother and father entertaining guests from canada,
i talk a bit more with him in a pub a few weeks later,
he tells me of the topic of conspiracy to commit ******
with haemorrhage symptoms like nothing: but how do you know
he says; i offend him with courting: but how do you know
whether i'm telling the truth or lying? in silence.
i raise my hands upon parting, we part:
diana wanna hugs? no, diana wanna scrap metal.
his father made our friendship less by not including a monetary
exchange of power, i'd flex a bicep my way had i a necessary
drinking partner; but i don't: the chip man sold whole potatoes
deep fried in the shape of fabergé eggs... his father sold
traffic cones in the shape of trombones at a higher price, only
because all the buyers were tourists.
socrates was wrong though: poets are not rhetoricians
or sophists, what we are we are because we use rhetoric and sophistry
to insult people, trying to remain in tact: better that
with any army, we're more armadillo word-to-word than the hoplites
shield-to-shield; idiots never known an insult for a gimmick
unless a chess-precise knuckle is utilised on unchaining linkages;
but like the saxon i too, on the vibrant islands of celt and caramel,
the second wave of saxons came, the scot and irish celts worried
about lambs of isaac, but lessened their concerns
with the norman landing - so i too originated upon using
my tongue to a disadvantage, and it worked, for hastings and for all,
"lying" myself abrupt with a burp for the sparrow to ease lighter spacing
of the advantaged footstep.
we were poets, word-to-word tighter than the hoplites shield-to-shield
for what the gladiators called armadillos of a farm.
socrates didn't get it, since he reasoned: i to noun, equating it only
as questioning pro to the guise of inquiry, but among the native nobility of greece,
poetry survived, songs and jests supreme, park bench hollows
for the termite lisp in sounds of the multitude,
had but the termite song bore a chair to rock a baby blue,
i'd too rock a baby in suffocating termites song,
but we known nouns are not delicious "out of time"
in the adjectives, for we know nouns as static insurmountable objects,
and given the unitary subjectivity of sport statistics,
they are only worth a passive commentary of nodding and passivity
to please - i.e., never was sloth a gamble to ease a fission of gambled lessening;
but if philosophers corrects poets, then poets end up correcting furtherance
with philosophy simply plagiarised for academia's salary bogus;
wishing that socrates only took the bribe rather than the poisonous brine.

i start the night off reading *the offence of poetry
, by an emeritus prof.,
hazard adams, gets me ******* to the point where i forgive the culprit
of rotten *** and jealous ****** born lute worthy out of wedlock...
why the violins i ask, chopin played a few dirges on piano,
why the sentiment to imagine Dickensian paupers?
a violin dropped from the sky with frogs & lepers didn't **** anyone,
but a piano did, once, in bad key.

i started the night off reading a book: the offence of poetry,
got *******,
walked off into the jiggle night starry for some beers,
walked past a family: mother, father plus 3, a boy and two girls,
headphones on, hushed, then my hairpiece the attention,
walked into the off-lice, picked up 8 cans,
stood there imitating conservative *******,
spotted the mother eagerly brushing shadows with me,
tilted from my eye corner into her face
and spotted a ****** up face of smiles:
girls talked about me like zoella,
i donned my pseudo self-inventive chonmage,
hair too thick;
but i egged them on in rugby, loving the tetragrammaton geometry of
two H, y for threes in dimensions and
all the tactic being: // \ for the w.
pardon me wrong but was it: eager eagle's nest the jester in clown's face paint
**** of splash in conversation?
but don't you just love a married woman with three kids
putting two wine bottles on a counter looking at you
after her children said something noticeable about you only secondary in dreams?

well... there's the rude story of a friend's father among many
to claim the accent in jealousy,
father ****** no. 2, hide his ***** in a ******* prior to the girthed birth
experience of: "rising to the top of law and commerce."
idiotic ******* the load of them;
happened in leicester sq. i have you know,
irish was blazed in ginger that day too reminiscent of celtic,
but as you know, intelligence and the irish swing into the maxim:
a man walks into a pub - they delivered the concrete!
the pub is emptied, the irish run out for hands on prayer missing -
in shakespearean metaphor of folding monks giving prayer to ****
the ***** and lips the kiss, for whatever reason was worth a rhythmic suffix as towed into -ed, -ed.
Softly, she ventured into the violent night of May,

Where pitch-black winter soaked her bones.

The sea, full of teeth, bit and insisted as she stood there, unmoving.

It was full of music and empty promises; she let the vastness of the agonizing waves drown her rotting body.

The sharp smell of air reeked of bitter billet-doux.

It had been her three hundred sixty-five attempts to be silent; barefoot, she waited and waited and waited.

Under the moonlight, she appeared as a ghastly ghost.

For a moment, she wondered, “Only the wicked remember the sea’s harshness and stay”—a woman personified as storm, mirroring her rage.

She is a twisted soul; death sighs at the sight of her.

The moon exhausted its entire being. “She is full of herself,” he whispered into the dark, corrupted sea.

She imprinted the sands with her unnerving gravity—she walked, and walked, and walked,
Haunted by her visions and dreams, terrorizing the melancholic earth.

Months passed—it was now September.

She’s restless; all she could do was remember.

She kept bathing in the black sea, passionately driving herself to madness.

She kept being pulled and pulled and pulled,

Until survival was no longer an option—her hair slowly being grappled into the lake of fire.

Her last remaining thoughts were of long-forgotten, enchanting, sweet eyes of his.

She dreamed of him—those big, witchery eyes of his.


She remembered, and so the sea deciphered her yearning and pulled her in.
I’m sorry, I can’t help but remember.
(Handbook for Quarreling Lovers)I THOUGHT of offering you apothegms.
I might have said, "Dogs bark and the wind carries it away."
I might have said, "He who would make a door of gold must knock a nail in every day."
So easy, so easy it would have been to inaugurate a high impetuous moment for you to look on before the final farewells were spoken.
You who assumed the farewells in the manner of people buying newspapers and reading the headlines-and all peddlers of gossip who buttonhole each other and wag their heads saying, "Yes, I heard all about it last Wednesday."
  
I considered several apothegms.
"There is no love but service," of course, would only initiate a quarrel over who has served and how and when.
"Love stands against fire and flood and much bitterness," would only initiate a second misunderstanding, and bickerings with lapses of silence.
What is there in the Bible to cover our case, or Shakespere? What poetry can help? Is there any left but Epictetus?
  
Since you have already chosen to interpret silence for language and silence for despair and silence for contempt and silence for all things but love,
Since you have already chosen to read ashes where God knows there was something else than ashes,
Since silence and ashes are two identical findings for your eyes and there are no apothegms worth handing out like a hung jury's verdict for a record in our own hearts as well as the community at large,
I can only remember a Russian peasant who told me his grandfather warned him: If you ride too good a horse you will not take the straight road to town.
  
It will always come back to me in the blur of that hokku: The heart of a woman of thirty is like the red ball of the sun seen through a mist.
Or I will remember the witchery in the eyes of a girl at a barn dance one winter night in Illinois saying: Put off the wedding five times and nobody comes to it.
Brent Kincaid Jan 2016
I worry for a creature
One that calls itself wise
That needs to believe
Some ancient pack of lies
About timeless people,
Gods that can never die,
Though they are preposterous,
They fail to ask why.

I worry for a people who
In an age that conquers disease
Where we can educate ourselves
To do almost whatever we please;
Can turn night into the day
And speak across the many miles
Still chant their superstitious tales
About magic arts all the while.

It seems they are trained monkeys
Who push buttons for rewards
When spiritual independence
Could be their permanent award.
They thank the wrong saviors
For pulling us out of the slime
That has punished our people
Back since ancient times.

It was not ritual witchery
That gave our people freedom.
Instead it was seeing clearly,
Analysis, research and wisdom.
No blathering high priestess
With winged dragons to fight
Brought us medical cures, or
Radio and electric light.
Jerry Feb 2013
Love or Jealousy,
Commitment or Freedom,
Happiness or Fun,

All a funny taste?
Bitter Sweet, yet intoxicating.

A brew of witchery.
A blessing of Angles.
Time will always tell.
Chris Saitta Jul 2019
Time has turned her back on me,
So I feel the rough shoulder blades of sin,
So I no longer conjugate with her reflective eyes,
But see the incommunicable universe, as cosmos
Of ribs and unshining lungs, wet and clay-like,
With fingerprints where I pressed in.

Time has a ravaged back and the organs drop
Like sodden fruit, gone unpicked.
Time is that woman looking back,
With her hair witchery of forever turning.
I see the future lovers on her crystal path,
Translucent workings of her single-sided glass.
For slide video:  https://www.instagram.com/p/BzqWmdQFJiY/?igshid=aeboaz6e4mit
someone Dec 2017
Mote it be
That he comes back to me
i'll cast a spell on you
but its just the synapses in my brain telling me to
You'll never return
and i'll never learn
so mote it be
that you'll come back to me
i

come to me
like winged dryads
and lift my prostrate soul
to heights untrodden

adrift with clouds
     of unstarry skies
                         windblown to rainbows
                            without pots of gold

between
the uncheckered intermission
of shade and light
come to me

ii

to elysian fields he roams
gazing at the threshold of beauty
basking at the fountainhead of truth
nutritious viands that feed the soul

empyreal heights                      
laurel wreaths                  
meridian sunshine  
       of nectared sweets
               witchery of words
                     full blaze of glory
                                               poesy's gorgeous kubla khan

then all vanishes
like dreams
like streaks of shooting stars
like enchanted fairyland
. . . he is a poet
Ashley Conradie Nov 2016
You're a hideous creature.
A disgusting slave
To your emotions
Of lust and pain.
Have some self respect.
Give yourself some love.
But irksome are you;
your yields are not enough.
Familiarise yourself
with self control; restraint.
You're a demon imp,
Though claim to be a saint.
Neither prayers nor witchery
Can help you now.
For all your life,
to this idol you've bowed.
Diverseman2020 Feb 2010
Carving a shapely heart
With my sword
Into the ship's aft deck
Battling my foes oceans beyond
Conquering the mightiest vessels
Built by man
As memories stayed intact
The sea pictures
A lovely face of beauty
Discovering treasures from undisclosed charts
But once again
I'm faced with a ghostly past
Her presence enters in a mist
During rough seas
Seduced by her witchery
While falling on bended knees
No strength to regain composure
Consciously, I beg
Her forgiveness
To the lowest depth, I sink
Tidal waves washing my lust
To a name
I carved in shame
Bewitched by your soul
I crave to know your gift
Your gift of knowing me
Owning me, filling me
Did you glamour me?
Or did I entrance you?
Your leadership of me
Makes it hard to resist
Your charm, your craft
I'm charmed by your knowledge
Enraptured by your mask
What are you?
Should I feel horror?
I feel so at home in your arms
Which of us is the witchery spirit?
Are you a warlock?
One that has locked me in a battle of need,
need of you?
Or am I the enchantress that has hexed you?
We cannot be parted, we are one
I am undone
Sorcerer of me
What is under your cloak?
© JLB
I do it so I can feel pleasure,
Searching for battle, ***, and treasure.
I take them to be numb as a rock or light as a feather.
They say slow down ,will I? Ha Never.
I ride dragons and keep company with the green lady.
I love this girl because she never questions my fidelity,
I abuse her, burn her on a pire as if for witchery.
Her name is Mary.
I have no god in my pantheon except Eros,
He goes by many names ethanol, E and blow.
He saves me from monotony, its nagging like a stubbed toe.
He runs the world like a ring master at a circus show.
We are lions being whipped and taunted
Because to fill the void is all we wanted.
Another part of my muses series on lusts addict family member hedonism

— The End —