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"thickest" poems
What would You do when you can't have someone you want? Would you lift a finger and whisk it like a wand wishing everything would fall in place the way you'd want it to in a tick of the clock , or, would you struggle with your brain between finding a solution and living inside your head, dreaming of perfection? ME I would get up, trek to a forest with my trusty machete and hack away at the thickest bushes I could find. I'd hack away, hack away, and ignore the sag from my arms, the stress on my back, the sweat pouring down my face like water off a cliff, the unsteady footing caused by wet mud and unsteady, unsure legs. I would keep hacking until I reach the end of my arduous quest, where I would come upon a clearing-- A clearing with an aisle made of rose petals that lead into the center, surrounded by white chairs and sunflowers. And Someone would be there, in a white dress and veil, waiting for me.
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May 17, 2015
May 17, 2015 at 4:50 AM UTC
What to do when you can't have someone you want?
Awakens not my wolf-man to the moon For that it shines a silver discus full, For he may rise when clouds the thickest dull The round moon’s lustre, or when the clock strikes noon. One sorceress alone doth have the pow’r T’arouse the beast, and he doth her obey; And from her side the beast doth never stray,— So loveth him the witch and the witching hour. Yet, by my troth, the wolf-man hath no love For her and hers which greater is than mine: By daylight, blackest night, or moony shine, My love doth neither wax nor wane nor rove. However, unlike the love the beast doth keep, My love can’t wake, for it doth never sleep.
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Mar 14, 2016
Mar 14, 2016 at 12:10 PM UTC
Beast
//the door to your bedroom was a portal to a world unseen your bed, the ocean & your sheets, the sand with the crevices caused by the tide it flowed so sweetly over the soft sand beyond the door, serenity was foreign to you you were only there when you needed to be you, who had knit the thickest wool to pull over my eyes thicker than the blindfold we used the frenzy I remember frenzy further cured with discipline and you know what? "I like that ***** **** how will you discipline me today, daddy? it was what you taught me after all to be a brat for no one but you to be no one else's little girl if not I'd be a bad girl bad girls get punished bad girls get no love so I saved you the trouble and left my collar at the door//
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Feb 9, 2018
Feb 9, 2018 at 8:15 PM UTC
the woes of a *** addict
purple  lips, numb from the cold, and not even the warmest lips, can make the color come back. purple  eye, somebody had hit it, and not even the thickest layer of make up, can cover it. purple  fingers, no blood running through them, and not even the rope that has been holding her fingers, can make the blood flow through her fingers, again.
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Apr 20, 2014
Apr 20, 2014 at 12:59 PM UTC
purple
How long the day, Delivering letters to friends, And cranky, bald dog feeders. Home Is forward, past those poplars. Always I’ve been in love with Their almond scent, just as I catch Past, dragging feet and who knows How many heartfelt "Thank-you's". Home is... where the wife is sitting. She's not keen on laundry, but, I’m an exception. Always are my blue shirts blue, She likes to make sure. Just in case I meet With him; that carrion shaker, Mr. Reaper. “Hello.” I'd say, and tip my cap, Along my silent nightly rounds; Perhaps he'd humour me, if he could See me. He's searching. For me? No. That’s not right. The lamps are thickest In the dark, and that's just how he likes it. Even if I tip-toe, tip-toe, tip-toe around Him, he'll still turn his hood toward me. A courteous, creaking greeting. That chill I get. Matches only the fear From losing fingers, as I push envelopes, Catalogues, and restless dreams Through many metal slats. But even I, can't quite see, When the sky turns milky-grey... That perching, questioning hand Placed gently on my shoulder; Pushing down as I bend my back, Kicking over milk-bottles, sometimes accidentally. I shake it off. Get to bed! I say to myself, mostly Always, to myself. Slap on some cream And Get to bed.
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Jan 15, 2012
Jan 15, 2012 at 5:56 AM UTC
Postman
474 They put Us far apart— As separate as Sea And Her unsown Peninsula— We signified “These see”— They took away our Eyes— They thwarted Us with Guns— “I see Thee” each responded straight Through Telegraphic Signs— With Dungeons—They devised— But through their thickest skill— And their opaquest Adamant— Our Souls saw—just as well— They summoned Us to die— With sweet alacrity We stood upon our stapled feet— Condemned—but just—to see— Permission to recant— Permission to forget— We turned our backs upon the Sun For perjury of that— Not Either—noticed Death— Of Paradise—aware— Each other’s Face—was all the Disc Each other’s setting—saw—
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They put Us far apart
Too good and yet true Too beautiful To taste Without falling in daze Without following Delirious An aroma trail of craving On the back of my tongue I’m getting equal measures Of heaven and hell Perfectly balanced My eyes are my traitors Plotting to open the gates Sending stowaway warriors Whom I never gave orders To slip behind walls Of thickest black pupils In the Trojan horse That my eager look is And gazes are bridges Unwillingly Supporting the siege Of epiphanies You and me Caught in our ambush Completely surrounded by Us
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Oct 18, 2017
Oct 18, 2017 at 11:27 AM UTC
Assault
Pity would be no more, If we did not make somebody Poor; And Mercy no more could be. If all were as happy as we; And mutual fear brings peace; Till the selfish loves increase. Then Cruelty knits a snare, And spreads his baits with care. He sits down with holy fears. And waters the ground with tears: Then Humility takes its root Underneath his foot. Soon spreads the dismal shade Of Mystery over his head; And the Caterpillar and Fly Feed on the Mystery. And it bears the fruit of Deceit. Ruddy and sweet to eat: And the Raven his nest has made In its thickest shade. The Gods of the earth and sea, Sought thro’ Nature to find this Tree But their search was all in vain: There grows one in the Human Brain
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The Human Abstract
The sky is cloudy, yellowed by the smoke. For view there are the houses opposite Cutting the sky with one long line of wall Like solid fog: far as the eye can stretch Monotony of surface & of form Without a break to hang a guess upon. No bird can make a shadow as it flies, For all is shadow, as in ways o'erhung By thickest canvass, where the golden rays Are clothed in hemp. No figure lingering Pauses to feed the hunger of the eye Or rest a little on the lap of life. All hurry on & look upon the ground, Or glance unmarking at the passers by The wheels are hurrying too, cabs, carriages All closed, in multiplied identity. The world seems one huge prison-house & court Where men are punished at the slightest cost, With lowest rate of colour, warmth & joy.
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In a London Drawingroom
We the pixies clench our buttocks..... Or up yours Dave... There is tell of a foetid rancid hellish hole in the wild wood, only visible by half light - every leap year, where thick knobbed hairy arsed gnomes plot the buggering of slim hipped virginal pixies. they sit cross legged on woolsacks- knitting ****** shaped thorny policies for the inevitable insertion, the thickest of **** and hairiest of **** get to chew upon the sweetmeat of the mythical proletariat in perpetuity as a stipend for their buggery,,, or so the tale goes...
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Feb 10, 2011
Feb 10, 2011 at 11:43 AM UTC
"- We the Pixies clench our buttocks -"
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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86
As I drag through life on my knees, bleeding I try to unlock the chains that pin my body down And while I cannot find every key to free me from the weight I have learned strength and endurance and other tricks to ease my journey Though the years I have hashed my blood onto paper Smiling as my emotions bled into clean sheets Forcing the purity of the page to match my damaged and ***** soul Yet I have never thought to cut out my darkest experience Instead, it swims within my stomach's acidic pool Remaining dormant until a thought or melody claws at its bones Until it can no longer be contained So I begin ripping through my lungs and intestines Simply trying to locate the source of the misery As it torments both my body and mind And by my own hands, The acid spills into the crevasses of my muscle and bone Sizzling through the structures on contact Until I no longer recognize the dead stare reflecting off of metal and glass And so I destroy them by using them To **** whatever shambles of my body remain As I sit in a puddle of blood and feel the air ticking away like seconds on a clock I smell the familiar perfume of death, nestled with regret I promised myself that, if I somehow survive another night, I will try to face the thickest chains that bind me tighter than ever before Those that continue to stain the ground with my past and Refuse to let me stand without fear And so I begin
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Jul 10, 2017
Jul 10, 2017 at 4:19 PM UTC
(#1) Facing my Darkest Demons
Out my kitchen window I see the barrier surrounding my backyard. And the backyard after that. And the one after that. And the one after that. And so on... Wanting to keep people out. Guarding our things and guarding ourselves. I see your barrier. It's made of the thickest stone. There are barely any cracks or breaks just signs that someone tried to get inside and holes patched from their effort. I wish I could make all the hurt go away. I wish I could provide the comfort you need. I wish I could tear down that stone divider. I wish I could shatter your wall. I stand at your barricade my hands placed on the cold, thick stone. Projecting all my love and warmth into the tips of my fingers. I want nothing more than to rummage through this rubble so that I can find you and hold you.
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Jan 30, 2015
Jan 30, 2015 at 1:12 AM UTC
Breaking Your Barrier
My life isn't much, save for bleakness that had lasted long It was dark time that made every right seem wrong Finally a day came when everything was altered It was the height of period when I would surely have faltered. Like rays breaking through the thickest of clouds Like blades ripping through the heaviest shrouds The rays they illuminate and allowed me to see The blades they cut and slash, to reveal so desperately. With the light shining bright, hand up ready to shield Out of the shrouds arms open, welcoming what it may yield In between my fingers, through the gaps I squinted I find myself in awe with my feet firmly planted. A beautiful vision that is worthy of an artist's canvas Bewitching blue eyes, face framed by streams of golden tresses Releasing a gasp, I could hardly believe what I'm seeing It was a moment where beauty had lost it's original meaning. This moment I wish to have the word hastily redefined For our eyes have connected with rare magics that bind She smiled with the promise of freedom that I yearn She embraced with love that caused my fire to brightly burn. "Burn forever", I said to my heart's raging fire "For she has love in abundance that'll never ever tire" She spoke, "I have come as the answer to your mournful cries" "I have come to be steadfast and wipe the tears from your eyes". 'Twas a moment that I felt grateful, she had found me 'Twas a moment that I felt, I will never be lonely 'Twas a moment that I felt as if time had stood still 'Twas a moment that I've been granted the freedom of will. Such liberation I felt was worth waiting all these years Such anxious relief I felt, that had washed away all my fears I can finally breathe and through new eyes I clearly see That you came into my universe, you rescued, accepted and set me free.
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Jul 23, 2014
Jul 23, 2014 at 9:20 PM UTC
Freedom
My life isn't much, save for bleakness that had lasted long It was dark time that made every right seem wrong Finally a day came when everything was altered It was the height of period when I would surely have faltered. Like rays breaking through the thickest of clouds Like blades ripping through the heaviest shrouds The rays they illuminate and allowed me to see The blades they cut and slash, to reveal so desperately. With the light shining bright, hand up ready to shield Out of the shrouds arms open, welcoming what it may yield In between my fingers, through the gaps I squinted I find myself in awe with my feet firmly planted. A beautiful vision that is worthy of an artist's canvas Bewitching blue eyes, face framed by streams of golden tresses Releasing a gasp, I could hardly believe what I'm seeing It was a moment where beauty had lost it's original meaning. This moment I wish to have the word hastily redefined For our eyes have connected with rare magics that bind She smiled with the promise of freedom that I yearn She embraced with love that caused my fire to brightly burn. "Burn forever", I said to my heart's raging fire "For she has love in abundance that'll never ever tire" She spoke, "I have come as the answer to your mournful cries" "I have come to be steadfast and wipe the tears from your eyes". 'Twas a moment that I felt grateful, she had found me 'Twas a moment that I felt, I will never be lonely 'Twas a moment that I felt as if time had stood still 'Twas a moment that I've been granted the freedom of will. Such liberation I felt was worth waiting all these years Such anxious relief I felt, that had washed away all my fears I can finally breathe and through new eyes I clearly see That you came into my universe, you rescued, accepted and set me free.
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32
We can escape, now, it's smoky with a chance of curtain drawn, our minds won't tramsit light from our empty, covered windo- the train is here. I'm ready to go. And though I'm leaving on a train with room for only one, I'm hoping you can catch a cheap ride hidden in my pocket. Nobody checks your person, anymore, Nobody cares; Homeland Security lovingly fed us fattened falsities As the fat cats in suburban alleyways tore off the thickest pieces of marrow from the national animal of our Fiction States of America. I have known this because I have seen it from my seat in coach, thank god, too, because the train is packed. So fill up if you aren't going to hop in, wishing to distort your mind with all of their public drugs, community opiates transmitting across electrical wires hidden in the ground, the trees, the air itself, stitched into the layers of dark matter and cosmic foam insulating our fragile and overdone Universe. I hear their static, that pantomimed reality, caught inside carbon fibers running through everything, running through me, running through you, running into and out of your brain like a thief without pause or moral. We could run, too, the heavy bass notes of the nurturing ocean could shield the screech of the battered train's wheels; the wheels need a rest from screeching, anyway. Quick! While the conductor isn't looking! The wires will tell him you're here until you're gone, hidden in my coat pocket inside a layer of my inner smoke. Well, if you insist, I suppose you may leave, but once the wound of knowledge opens, just know it never closes. It will fester and prickle with the fetid odor of truths turned into lies. I know I'm talking to myself, now, but I don't want to let you go, though I'll stay here, safe, in the train carriage, hidden in smoke. Smoke, smoke, smoke, the train heats up, breaths out smoke from its burning and throbbing pipe. The engine has built up an overdose of heat, trying to throw off the weeds trying to grow inside. They tried to enter me, and they will soon enter you, now, without my smoke to shroud you, to leave your naked wound easily hidden in paranoid dreams. Screeeeee, screeeeeee, screeeeeeee, the wheels screech out, ready to go, ready to run, to run down the track, to run through all obstacles, to run through everything, to run through me, to run through you, to run in and out of your brain, blown away in a puff of smoke, my memory has burned away and blows off as ash and smoke.
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Feb 6, 2011
Feb 6, 2011 at 7:32 PM UTC
In a Puff of Smoke
We can escape, now, it's smoky with a chance of curtain drawn, our minds won't tramsit light from our empty, covered windo- the train is here. I'm ready to go. And though I'm leaving on a train with room for only one, I'm hoping you can catch a cheap ride hidden in my pocket. Nobody checks your person, anymore, Nobody cares; Homeland Security lovingly fed us fattened falsities As the fat cats in suburban alleyways tore off the thickest pieces of marrow from the national animal of our Fiction States of America. I have known this because I have seen it from my seat in coach, thank god, too, because the train is packed. So fill up if you aren't going to hop in, wishing to distort your mind with all of their public drugs, community opiates transmitting across electrical wires hidden in the ground, the trees, the air itself, stitched into the layers of dark matter and cosmic foam insulating our fragile and overdone Universe. I hear their static, that pantomimed reality, caught inside carbon fibers running through everything, running through me, running through you, running into and out of your brain like a thief without pause or moral. We could run, too, the heavy bass notes of the nurturing ocean could shield the screech of the battered train's wheels; the wheels need a rest from screeching, anyway. Quick! While the conductor isn't looking! The wires will tell him you're here until you're gone, hidden in my coat pocket inside a layer of my inner smoke. Well, if you insist, I suppose you may leave, but once the wound of knowledge opens, just know it never closes. It will fester and prickle with the fetid odor of truths turned into lies. I know I'm talking to myself, now, but I don't want to let you go, though I'll stay here, safe, in the train carriage, hidden in smoke. Smoke, smoke, smoke, the train heats up, breaths out smoke from its burning and throbbing pipe. The engine has built up an overdose of heat, trying to throw off the weeds trying to grow inside. They tried to enter me, and they will soon enter you, now, without my smoke to shroud you, to leave your naked wound easily hidden in paranoid dreams. Screeeeee, screeeeeee, screeeeeeee, the wheels screech out, ready to go, ready to run, to run down the track, to run through all obstacles, to run through everything, to run through me, to run through you, to run in and out of your brain, blown away in a puff of smoke, my memory has burned away and blows off as ash and smoke.
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99
what about the boys in Pakistan's war front? what about those boys in Iran battlefield, those boys learning how to pull the trigger with a warning fingers on the crossroad of Iraq & Afghanistan? what about those boys ***** in the street of Nigeria? those boys in the act of loneliness in the army, what about them? those boys lost in themselves in the thickest phase of life; what about them? the boy soldiers with raw emotions & feelings & thoughts, who cares? they lost the shadows of their fathers, they lost the thought of their mothers, they became a movie of suspense, survivor's lines of remorse & yelling; what about them? who cares if they are lost in forest like Kainene? who cares about their lives like Okonkwo did to Ikemefuna? who cares about their relationship like Inu Ego did with Oshia? who cares...? the ditches are wildly mouth opened, and those boys in shell shall fall in there. many are on the look out for a stone to hatch these shell boys 'cause they are said to be stronger. what about the BOYCHILD? I pray you reject sleep &think through this black pages of my tattered thoughts climaxed in horror. what about the BoyChild endangered? ©John Chizoba Vincent From_A_Pen_Refusing_Frustration
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Apr 8, 2018
Apr 8, 2018 at 1:43 PM UTC
What about The Boychild
Please, read this with the thickest southern accent you've ever heard. It's my language. It's my home... Hee Haws on the TV Chicken's fryin' in cast iron skillets Taters and maters scent mama's clothes no AC Papaws in the bacca field Granny's sippin' on sweet tea The law stopped comin' here they say, Back in '23 The fruit's ripe for pickin daddy did that last week He said the Apple brandy Tasted perfect, bitter sweet The moonshine makers meet When the crickets sing at night they pass around mason jars 'neath the moon and southern stars The wine stays burried till fall muskadine, other than strawberry the very best kind The yanks buy it up Its funny to watch 'em they can't handle their stuff The Demory Mart stays busy oh Lord it's so much fun! When the moonshiners play pool, till the rising of the sun Momma don't like it, Lord she gets so mad! But she puts my church shoes on me and I know she still loves dad But now the still's turned green as copper always does There are no moonshiners left Time has passed, just 'cause Papaw's gone the fields have grown up there are no moonshiners left it's all store bought, mason jars have turned to cups Demory Mart is Yankee owned the church has indoor plumbing But late at night, I hear the banjo's and the stills, copper humming....
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Jul 26, 2017
Jul 26, 2017 at 10:39 PM UTC
The Moonshine Makers, Apple Brandy, and Muskadine Wine
Who hath not felt the influence that so calms The weary mind in summers sultry hours When wandering thickest woods beneath the arms Of ancient oaks and brushing nameless flowers That verge the little ride who hath not made A minutes waste of time and sat him down Upon a pleasant swell to gaze awhile On crowding ferns bluebells and hazel leaves And showers of lady smocks so called by toil When boys sprote gathering sit on stulps and weave Garlands while barkmen pill the fallen tree —Then mid the green variety to start Who hath (not) met that mood from turmoil free And felt a placid joy refreshed at heart
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1.9k
Wood Rides
Lord God that dost me save and keep, All day to thee I cry; And all night long, before thee weep Before thee prostrate lie. Into thy presence let my praier With sighs devout ascend And to my cries, that ceaseless are, Thine ear with favour bend. For cloy’d with woes and trouble store Surcharg’d my Soul doth lie, My life at death’s uncherful dore Unto the grave draws nigh. Reck’n'd I am with them that pass Down to the dismal pit I am a *man, but weak alas * Heb. A man without manly And for that name unfit. strength. From life discharg’d and parted quite Among the dead to sleep And like the slain in ****** fight That in the grave lie deep. Whom thou rememberest no more, Dost never more regard, Them from thy hand deliver’d o’re Deaths hideous house hath barr’d. Thou in the lowest pit profound’ Hast set me all forlorn, Where thickest darkness hovers round, In horrid deeps to mourn. Thy wrath from which no shelter saves Full sore doth press on me; *Thou break’st upon me all thy waves, *The Heb. *And all thy waves break me bears both. Thou dost my friends from me estrange, And mak’st me odious, Me to them odious, for they change, And I here pent up thus. Through sorrow, and affliction great Mine eye grows dim and dead, Lord all the day I thee entreat, My hands to thee I spread. Wilt thou do wonders on the dead, Shall the deceas’d arise And praise thee from their loathsom bed With pale and hollow eyes ? Shall they thy loving kindness tell On whom the grave hath hold, Or they who in perdition dwell Thy faithfulness unfold? In darkness can thy mighty hand Or wondrous acts be known, Thy justice in the gloomy land Of dark oblivion? But I to thee O Lord do cry E’re yet my life be spent, And up to thee my praier doth hie Each morn, and thee prevent. Why wilt thou Lord my soul forsake, And hide thy face from me, That am already bruis’d, and *shake *Heb. Prae Concussione. With terror sent from thee; Bruz’d, and afflicted and so low As ready to expire, While I thy terrors undergo Astonish’d with thine ire. Thy fierce wrath over me doth flow Thy threatnings cut me through. All day they round about me go, Like waves they me persue. Lover and friend thou hast remov’d And sever’d from me far. They fly me now whom I have lov’d, And as in darkness are.
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Psalm 88
Lord God that dost me save and keep, All day to thee I cry; And all night long, before thee weep Before thee prostrate lie. Into thy presence let my praier With sighs devout ascend And to my cries, that ceaseless are, Thine ear with favour bend. For cloy’d with woes and trouble store Surcharg’d my Soul doth lie, My life at death’s uncherful dore Unto the grave draws nigh. Reck’n'd I am with them that pass Down to the dismal pit I am a *man, but weak alas * Heb. A man without manly And for that name unfit. strength. From life discharg’d and parted quite Among the dead to sleep And like the slain in ****** fight That in the grave lie deep. Whom thou rememberest no more, Dost never more regard, Them from thy hand deliver’d o’re Deaths hideous house hath barr’d. Thou in the lowest pit profound’ Hast set me all forlorn, Where thickest darkness hovers round, In horrid deeps to mourn. Thy wrath from which no shelter saves Full sore doth press on me; *Thou break’st upon me all thy waves, *The Heb. *And all thy waves break me bears both. Thou dost my friends from me estrange, And mak’st me odious, Me to them odious, for they change, And I here pent up thus. Through sorrow, and affliction great Mine eye grows dim and dead, Lord all the day I thee entreat, My hands to thee I spread. Wilt thou do wonders on the dead, Shall the deceas’d arise And praise thee from their loathsom bed With pale and hollow eyes ? Shall they thy loving kindness tell On whom the grave hath hold, Or they who in perdition dwell Thy faithfulness unfold? In darkness can thy mighty hand Or wondrous acts be known, Thy justice in the gloomy land Of dark oblivion? But I to thee O Lord do cry E’re yet my life be spent, And up to thee my praier doth hie Each morn, and thee prevent. Why wilt thou Lord my soul forsake, And hide thy face from me, That am already bruis’d, and *shake *Heb. Prae Concussione. With terror sent from thee; Bruz’d, and afflicted and so low As ready to expire, While I thy terrors undergo Astonish’d with thine ire. Thy fierce wrath over me doth flow Thy threatnings cut me through. All day they round about me go, Like waves they me persue. Lover and friend thou hast remov’d And sever’d from me far. They fly me now whom I have lov’d, And as in darkness are.
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72
Though you be absent here, I needs must say The Trees as beauteous are, and flowers as gay, As ever they were wont to be; Nay the Birds rural musick too Is as melodious and free, As if they sung to pleasure you: I saw a Rose-Bud o’pe this morn; I’ll swear The blushing Morning open’d not more fair. How could it be so fair, and you away? How could the Trees be beauteous, Flowers so gay? Could they remember but last year, How you did Them, They you delight, The sprouting leaves which saw you here, And call’d their Fellows to the sight, Would, looking round for the same sight in vain, Creep back into their silent Barks again. Where ere you walk’d trees were as reverend made, As when of old Gods dwelt in every shade. Is’t possible they should not know, What loss of honor they sustain, That thus they smile and flourish now, And still their former pride retain? Dull Creatures! ’tis not without Cause that she, Who fled the God of wit, was made a Tree. In ancient times sure they much wiser were, When they rejoyc’d the Thracian verse to hear; In vain did Nature bid them stay, When Orpheus had his song begun, They call’d their wondring roots away, And bad them silent to him run. How would those learned trees have followed you? You would have drawn Them, and their Poet too. But who can blame them now? for, since you’re gone, They’re here the only Fair, and Shine alone. You did their Natural Rights invade; Where ever you did walk or sit, The thickest Boughs could make no shade, Although the Sun had granted it: The fairest Flowers could please no more, neer you, Then Painted Flowers, set next to them, could do. When e’re then you come hither, that shall be The time, which this to others is, to Me. The little joys which here are now, The name of Punishments do bear; When by their sight they let us know How we depriv’d of greater are. ’Tis you the best of Seasons with you bring; This is for Beasts, and that for Men the Spring.
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1.9k
The Spring
Though you be absent here, I needs must say The Trees as beauteous are, and flowers as gay, As ever they were wont to be; Nay the Birds rural musick too Is as melodious and free, As if they sung to pleasure you: I saw a Rose-Bud o’pe this morn; I’ll swear The blushing Morning open’d not more fair. How could it be so fair, and you away? How could the Trees be beauteous, Flowers so gay? Could they remember but last year, How you did Them, They you delight, The sprouting leaves which saw you here, And call’d their Fellows to the sight, Would, looking round for the same sight in vain, Creep back into their silent Barks again. Where ere you walk’d trees were as reverend made, As when of old Gods dwelt in every shade. Is’t possible they should not know, What loss of honor they sustain, That thus they smile and flourish now, And still their former pride retain? Dull Creatures! ’tis not without Cause that she, Who fled the God of wit, was made a Tree. In ancient times sure they much wiser were, When they rejoyc’d the Thracian verse to hear; In vain did Nature bid them stay, When Orpheus had his song begun, They call’d their wondring roots away, And bad them silent to him run. How would those learned trees have followed you? You would have drawn Them, and their Poet too. But who can blame them now? for, since you’re gone, They’re here the only Fair, and Shine alone. You did their Natural Rights invade; Where ever you did walk or sit, The thickest Boughs could make no shade, Although the Sun had granted it: The fairest Flowers could please no more, neer you, Then Painted Flowers, set next to them, could do. When e’re then you come hither, that shall be The time, which this to others is, to Me. The little joys which here are now, The name of Punishments do bear; When by their sight they let us know How we depriv’d of greater are. ’Tis you the best of Seasons with you bring; This is for Beasts, and that for Men the Spring.
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48
Violence is real and natural. Multidimensional, it exists in every form of life. Its visceral, it shears through the thickest ice, survives the coldest vice and won't shatter when thrown from incredible hieghts. Violence is quick and unjust. It swiftly infects the blood then slowly turns a useful mind to rust, takes away all that someone is and replaces it with formaldehyde and sawdust, it wants to watch as the body succumbs to deaths lust. Violence is hard and true. It's an event, a car crash that forced a woman out of the windshield like a 12 gauge slug pumped straight into the heart of a child who's witnessed skin hanging from the hole his mother just went through. Violence is in the air like a pathogen, infecting us with an experience that executes our innocence, genocide, created from hate by that precious few. In one dimension or another, it's the backbone of every great nation and of all life, it's nothing new.
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Jan 28, 2016
Jan 28, 2016 at 8:42 AM UTC
Violence
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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1.8k
Mariana
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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84
Through thickest glooms look back, immortal shade, On that confusion which thy death has made: Or from Olympus’ height look down, and see A Town involv’d in grief bereft of thee. Thy Lucy sees thee mingle with the dead, And rends the graceful tresses from her head, Wild in her woe, with grief unknown opprest Sigh follows sigh deep heaving from her breast. Too quickly fled, ah! whither art thou gone? Ah! lost for ever to thy wife and son! The hapless child, thine only hope and heir, Clings round his mother’s neck, and weeps his sorrows there. The loss of thee on Tyler’s soul returns, And Boston for her dear physician mourns. When sickness call’d for Marshall’s healing hand, With what compassion did his soul expand? In him we found the father and the friend: In life how lov’d! how honour’d in his end! And must not then our AEsculapius stay To bring his ling’ring infant into day? The babe unborn in the dark womb is tost, And seems in anguish for its father lost. Gone is Apollo from his house of earth, But leaves the sweet memorials of his worth: The common parent, whom we all deplore, From yonder world unseen must come no more, Yet ’midst our woes immortal hopes attend The spouse, the sire, the universal friend.
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On The Death Of Dr. Samuel Marshall
The curtains, always drawn From the inside Yours are the thickest black velvet Yet my curtains are open Forever, always Made of dainty lace I can't see inside your eyes But you can see in mine
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Mar 28, 2013
Mar 28, 2013 at 4:51 PM UTC
Curtains
behind a vacuum of white walls I've built my purity. empty as the sun burned out behind the blackest sea. from her thickest shades I tripped and slowly lost the trail. trembled with my ****** fears, my isolation's veil.
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Feb 7, 2011
Feb 7, 2011 at 12:20 PM UTC
sincere isolation