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"theaters" poems
Many times I get asked what anime is. I wear anime t-shirts, I watch it with glee, I fantasize about it and have conversations about it as well. I go to conventions, I discuss it with my friends nitpicking at strong foes, and I even supported toonami coming back. Yet this question of what anime is always makes me pause. What is anime? I always think about it and I am always unsure of it. It's almost like theaters and movies, anime has many genres such as drama, romance, and even tragedy. Yet sometimes people argue that anime is nothing more than a cartoon. I could say that cartoons are only meant for kids but anime includes that as well. I could say anime has different art styles, but the same could be said for cartoons as well. I could say anime is more Japanese oriented but anime has no limitations. People question it however the same could be said of theater. Why do people love tragedy? Why do people wish to see a girl die from cancer? Why do people wish to see a couple being put through a lot? Why do people enjoy death? Anime has many genres like theater, anime has death, tragedy, and yes even **** Do not judge anime by it's differences, do not say it's simply a cartoon. Because to some people it is their theater, their muse, their life, and their dreams and inspirations.
0
Dec 21, 2014
Dec 21, 2014 at 12:59 AM UTC
Anime
people **** people with nothing but fingers and hair and their very heavy breath. their breath like a crow beak before crucifixes of straw. like a tightening banishment of a lung. remember when we would blow it onto our car window and create that consistent mirth of fog to begin in? the bodies riddled with bullets that flank the highway are no such thing. the schoolchildren lying face down in the corner of the closet are no such thing. they are just winter coats with schoolchildren to fill them for the time being. no amputation of what’s mine will aid them into the grave. no mass communication grief. so why would you call it a mass grave when in truth it was just a pit i dug to fill with crowds of people who died under the pretense that they had previously done so, that nothing was new under the sun. and when people **** people like people do with their instruments as ways of extending themselves into the world and into the marrow of our body obliterating organs of people with their stretching of the muscular rib, shoulder. one eye closes firmly. it’s nothing but a hand gun as if to say a hand eats the gun and makes it whole. as if to say the reinforced metal door exit plan for people who are being killed by other people clicked shut and locked 15,000 years ago and i can’t quit slamming what’s left of me into it. your kid is very dead. but then again so is mine. suppose they killed each other. suppose they both made the mistake of dragging their small, stupid bodies through the trajectory of another body in the first place. in the chip aisle of a gas station maybe. in theaters this christmas. in the midst of a good song that began playing on the lobby radio just a minute before, oh yeah before, things really got going. i saw people killing people on television the other day with their whole bodies, devouring themselves like surgical gloves slick with oiled consumption and bleeding out and i could do nothing. some kids died just because and they told me so and i was told nothing could ever help them because they were just people and they were dying. “breaking news” ended up just being people again. in those moments, i was eating breakfast. our houses were very quiet and needed me in all of them, grandfather clock over CNN, clarifying what has already been committed and committed again. the cipher was others lost blood.
0
Dec 9, 2019
Dec 9, 2019 at 12:24 AM UTC
clarification
people **** people with nothing but fingers and hair and their very heavy breath. their breath like a crow beak before crucifixes of straw. like a tightening banishment of a lung. remember when we would blow it onto our car window and create that consistent mirth of fog to begin in? the bodies riddled with bullets that flank the highway are no such thing. the schoolchildren lying face down in the corner of the closet are no such thing. they are just winter coats with schoolchildren to fill them for the time being. no amputation of what’s mine will aid them into the grave. no mass communication grief. so why would you call it a mass grave when in truth it was just a pit i dug to fill with crowds of people who died under the pretense that they had previously done so, that nothing was new under the sun. and when people **** people like people do with their instruments as ways of extending themselves into the world and into the marrow of our body obliterating organs of people with their stretching of the muscular rib, shoulder. one eye closes firmly. it’s nothing but a hand gun as if to say a hand eats the gun and makes it whole. as if to say the reinforced metal door exit plan for people who are being killed by other people clicked shut and locked 15,000 years ago and i can’t quit slamming what’s left of me into it. your kid is very dead. but then again so is mine. suppose they killed each other. suppose they both made the mistake of dragging their small, stupid bodies through the trajectory of another body in the first place. in the chip aisle of a gas station maybe. in theaters this christmas. in the midst of a good song that began playing on the lobby radio just a minute before, oh yeah before, things really got going. i saw people killing people on television the other day with their whole bodies, devouring themselves like surgical gloves slick with oiled consumption and bleeding out and i could do nothing. some kids died just because and they told me so and i was told nothing could ever help them because they were just people and they were dying. “breaking news” ended up just being people again. in those moments, i was eating breakfast. our houses were very quiet and needed me in all of them, grandfather clock over CNN, clarifying what has already been committed and committed again. the cipher was others lost blood.
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53
I learned on the Saturday I met you that "love at first sight" is a serious illness. It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was. I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss, And just how good knowing that it would be your last first kiss ever felt. On Wednesday, I learned how hard it was not to say "I love you" out loud. Instead, I resorted it to silently mouthing the phrase when your head is turned. On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do. It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere. I learned on Friday how easy it is to talk to the person you love for seven hours. I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday. On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine. I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in a while. That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week. I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me. Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks. That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.
0
Jan 14, 2014
Jan 14, 2014 at 11:10 PM UTC
Saturday
I learned on the Saturday I met you that "love at first sight" is a serious illness. It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was. I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss, And just how good knowing that it would be your last first kiss ever felt. On Wednesday, I learned how hard it was not to say "I love you" out loud. Instead, I resorted it to silently mouthing the phrase when your head is turned. On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do. It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere. I learned on Friday how easy it is to talk to the person you love for seven hours. I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday. On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine. I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in a while. That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week. I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me. Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks. That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.
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16
he spends his time rowing through the rugged, blockaded channels of my catharsis, the bitter staccato of ****** habit. his love can be as jagged as gashes in an Elvis Costello record thrown against the wall-- the frayed words of the last love song Billie Holiday ever uttered. he is two exclamation points lit on fire, kerosene pumping through tautly wound muscles and caressing our funny bones with sandpaper. he is dulcit woodwind melodies and jilted viola strings, epic poetry and grindhouse theaters, McQueen gowns and thrift store bargains, the kiss on the forehead and the nudge for a ******* he is a double helix. he is the beginning and end of every sentence.
0
Sep 4, 2010
Sep 4, 2010 at 3:45 AM UTC
Purging Lilacs
they travel overseas seeking surgery the cost is cheaper in those destinations yet medical tourist can acquire those many unforeseen infections after operations the theaters of surgery lacking hygiene ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ our health services need to act quickly surgery should be made affordable then folks from here wouldn't require cost saving operations in countries overseas those staph infections would cease pronto our jets not landing there
0
Mar 29, 2013
Mar 29, 2013 at 7:18 PM UTC
Medical Tourism (Double Etheree Poem)
When my daddy leaves me, I will sleep in his button-down, collared shirt. I will smoke one cigarette each year on his birthday. I will always sit in the last seat of the row at the movie theaters. I will set a pack of junior mints down on his grave religiously. I will learn how to play 'Stairway to Heaven' on the guitar. I will always address my waiter or waitress as Sir or Ma'am. I will become lifelong friends with perfect strangers. I will always keep a pack of minty gum in my car. I will watch National Geographic documentaries on how the universe works. I will learn how to make delicious, impeccable chicken fried rice. I will never, ever spank my children. When my daddy leaves me, I will remember him With all the little things I do.
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Nov 1, 2012
Nov 1, 2012 at 10:02 PM UTC
We Become Our Fathers
Nero was not worried when he heard the prophecy of the Delphic Oracle. "Let him fear the seventy three years." He still had ample time to enjoy himself. He is thirty. More than sufficient is the term the god allots him to prepare for future perils. Now he will return to Rome slightly tired, but delightfully tired from this journey, full of days of enjoyment -- at the theaters, the gardens, the gymnasia... evenings at cities of Achaia... Ah the delight of **** bodies, above all... Thus fared Nero. And in Spain Galba secretly assembles and drills his army, the old man of seventy three.
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4.4k
Nero's Term
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon. Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked. The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3] Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
0
Apr 28, 2014
Apr 28, 2014 at 4:22 PM UTC
UH I THINK THIS IS ABOUT SPONGEBOB?
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon. Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked. The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3] Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
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4
I learned on the Saturday I met you that "love at first sight" is a serious illness. It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was. I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss, And just how good knowing that it would be your last first kiss ever felt. On Wednesday, I learned how hard it was not to say "I love you" out loud. Instead, I resorted it to silently mouthing the phrase when your head is turned. On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do. It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere. I learned on Friday how easy it is to talk to the person you love for seven hours. I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday. On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine. I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in a while. That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week. I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me. Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks. That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.
0
Jan 14, 2014
Jan 14, 2014 at 11:10 PM UTC
Saturday
I learned on the Saturday I met you that "love at first sight" is a serious illness. It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was. I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss, And just how good knowing that it would be your last first kiss ever felt. On Wednesday, I learned how hard it was not to say "I love you" out loud. Instead, I resorted it to silently mouthing the phrase when your head is turned. On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do. It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere. I learned on Friday how easy it is to talk to the person you love for seven hours. I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday. On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine. I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in a while. That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week. I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me. Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks. That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.
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16
banana skin salad in artificial lemonade peacocks salivating mushy rooms belly aching Oreos are okie dokie ocean breezes open up me analyzing any eyes evaluating coffee grinds a manifesting apple in me apple in the Snapple leaking sticky salamander fingers static on a broken speaker attics over broken theaters salmon eating taco teachers teaching choco taco preachers preaching at Chicago creatures opal rings and oval things are focusing on yodeling a social need for opening in total global offerings and in a soup or telephonic happiness in playing sonic gently speaking thick Ebonics sickly tonic Let's be honest, boys
0
Aug 18, 2014
Aug 18, 2014 at 1:26 AM UTC
sack of jaweea
You know... sitting can become very tiresome and boring. You sit in the car, you sit on couches, you sit on tigers, on houses, in desks, on the floor, in tire shops, at school, at home, at Ally's house, on computers, at computers, by computers, next to computers, in computers, at movie theaters... i just can't name them all. I've been sitting all weekend... and it's pretty boring and tiresome... I don't understand why people sit down to take a rest... I'd rather lay on the floor and look up at the big white puffs of cotton candy floating through the silent air.
0
Nov 5, 2011
Nov 5, 2011 at 6:48 PM UTC
sitting
This is the quiet hour; the theaters Have gathered in their crowds, and steadily The million lights blaze on for few to see, Robbing the sky of stars that should be hers. A woman waits with bag and shabby furs, A somber man drifts by, and only we Pass up the street unwearied, warm and free, For over us the olden magic stirs. Beneath the liquid splendor of the lights We live a little ere the charm is spent; This night is ours, of all the golden nights, The pavement an enchanted palace floor, And Youth the player on the viol, who sent A strain of music through an open door.
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3.2k
Broadway
With worthless words In his throat And on his tongue He sits a thousand miles across Through earth’s hard calluses atop bent-knuckle mountains And soft, golden hair growing in the soil Through lakes full with tears And forests filled with hands and fingers... He sits a hundred blinks of the sun And watches drive-in theaters disappear Along with the ferris wheels Spinning into nothing Dances going mute Bodies moving soundlessly through the air He watches lights go out in carnivals And hands letting go THE SUN BLINKS With worthless words In his throat And on his tongue He stands and shuffles Through undefined shapes of colour A brilliant array of blurred blues And greens And yellows They move so Fast Through his eyes THE SUN BLINKS With worthless words In his throat And on his tongue He sits Through the drone of voices in his ears And nods To mask his heart And smiles To mask the obvious Pull On his soul Dragging it down Trying to keep it from being pulled Out Through the soles of his feet A mask on his face To hide the struggle To keep it from Slipping Away THE SUN BLINKS With worthless words In his throat And on his tongue He writes with his thumbs Words he hopes Can be felt Like winds that whisper love Through ears And cold water That reaches through Skin and freezes bone And the words return Like rivers do Sometimes Missing A few drops of water Sometimes A little less happy And a little more Tainted With sad things Like broke down carnivals And quiet dances... Ferris wheels that stop turning And drive in theaters that stop playing movies It becomes a little more polluted With sad things Like closed curtains over the sunset Through the window And tea that goes cold A little more And a little more Until the words that return Like rivers do Are missing More drops of water And They Dry Until No Water Runs Down The River THE SUN BLINKS With worthless words In his throat And on his tongue He sits with lips closed Under the mask of a smile A mask of calmness over the worry In his heart Sadness masked by happiness Tears masked by laughter Fears masked by confidence A mask For every Emotion That his brain triggers Except one Because to him No mask can cover What she makes him feel Such pure Perfection When she Holds His Hand THE SUN BLINKS And no words come to his tongue Or pass his lips Silence, masked
0
Nov 19, 2010
Nov 19, 2010 at 1:56 AM UTC
The Carnival (A Mask)
With worthless words In his throat And on his tongue He sits a thousand miles across Through earth’s hard calluses atop bent-knuckle mountains And soft, golden hair growing in the soil Through lakes full with tears And forests filled with hands and fingers... He sits a hundred blinks of the sun And watches drive-in theaters disappear Along with the ferris wheels Spinning into nothing Dances going mute Bodies moving soundlessly through the air He watches lights go out in carnivals And hands letting go THE SUN BLINKS With worthless words In his throat And on his tongue He stands and shuffles Through undefined shapes of colour A brilliant array of blurred blues And greens And yellows They move so Fast Through his eyes THE SUN BLINKS With worthless words In his throat And on his tongue He sits Through the drone of voices in his ears And nods To mask his heart And smiles To mask the obvious Pull On his soul Dragging it down Trying to keep it from being pulled Out Through the soles of his feet A mask on his face To hide the struggle To keep it from Slipping Away THE SUN BLINKS With worthless words In his throat And on his tongue He writes with his thumbs Words he hopes Can be felt Like winds that whisper love Through ears And cold water That reaches through Skin and freezes bone And the words return Like rivers do Sometimes Missing A few drops of water Sometimes A little less happy And a little more Tainted With sad things Like broke down carnivals And quiet dances... Ferris wheels that stop turning And drive in theaters that stop playing movies It becomes a little more polluted With sad things Like closed curtains over the sunset Through the window And tea that goes cold A little more And a little more Until the words that return Like rivers do Are missing More drops of water And They Dry Until No Water Runs Down The River THE SUN BLINKS With worthless words In his throat And on his tongue He sits with lips closed Under the mask of a smile A mask of calmness over the worry In his heart Sadness masked by happiness Tears masked by laughter Fears masked by confidence A mask For every Emotion That his brain triggers Except one Because to him No mask can cover What she makes him feel Such pure Perfection When she Holds His Hand THE SUN BLINKS And no words come to his tongue Or pass his lips Silence, masked
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125
Ghost Relics Downtown, where Main intersects Main you'll see the last living tissue of a breathing bazaar. They weighed down her chest with bricks and girders. It's a wonder she breathes at all. - Wander too far in any direction and you're sure to see the husks of once proud and bustling businesses. Abandoned sanctums of mortar and majesty. Scars of the Midwest etched as constants in our mind. Dusty and silent since the cradle. - The theaters are bedeviled with dolled up haunts who just wandered over from Greenwood to catch the matinee. Management still leaves the lights on for kicks after hours to throw off their sleep schedules while they wait for the feature to start. Up all night, sleep all day; they read by neon and slumber under Sol. Here I am, left lounging in The Devil's Chair. Crickets keep quavering. - Underneath the Franklin Street overpass sleeps a family bound by naught. They watch in dawn's light as the few pedestrian that traverse Cerro Gordo advert their eyes as some sort of silent symbol of respect for their situation. It's as if the very stare of a privileged man could drain 'til depleted. They never ask for anything, they just wade it out and listen to the cars overhead, the train-clock's trumpet, and the heartbeats in between. - Leaks are patched, potholes filled, and yet we're still loosing blood; becoming beguiled. So many stray cats in the civilian savanna, aimlessly seeking names and second chances. "This premises is under police video surveillance" - hanging like ornaments from streetlamp poles. - Guarding the gates of a dwindling dominion, as the armies of Union and Grand wait in their camps for the rust to take hold of her iron veins.
0
Jun 14, 2014
Jun 14, 2014 at 12:52 AM UTC
Decatur, A Kingdom in Six Parts, Part II: Ghost Relics
Ghost Relics Downtown, where Main intersects Main you'll see the last living tissue of a breathing bazaar. They weighed down her chest with bricks and girders. It's a wonder she breathes at all. - Wander too far in any direction and you're sure to see the husks of once proud and bustling businesses. Abandoned sanctums of mortar and majesty. Scars of the Midwest etched as constants in our mind. Dusty and silent since the cradle. - The theaters are bedeviled with dolled up haunts who just wandered over from Greenwood to catch the matinee. Management still leaves the lights on for kicks after hours to throw off their sleep schedules while they wait for the feature to start. Up all night, sleep all day; they read by neon and slumber under Sol. Here I am, left lounging in The Devil's Chair. Crickets keep quavering. - Underneath the Franklin Street overpass sleeps a family bound by naught. They watch in dawn's light as the few pedestrian that traverse Cerro Gordo advert their eyes as some sort of silent symbol of respect for their situation. It's as if the very stare of a privileged man could drain 'til depleted. They never ask for anything, they just wade it out and listen to the cars overhead, the train-clock's trumpet, and the heartbeats in between. - Leaks are patched, potholes filled, and yet we're still loosing blood; becoming beguiled. So many stray cats in the civilian savanna, aimlessly seeking names and second chances. "This premises is under police video surveillance" - hanging like ornaments from streetlamp poles. - Guarding the gates of a dwindling dominion, as the armies of Union and Grand wait in their camps for the rust to take hold of her iron veins.
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42
The tundra drips Wild West like bad cinematography in theaters emptied out like popcorn bags Desolation finds me staying warm My blood may be the only boiling hope in this land Trails of DNA on old bandages asking someone to look at my scars to prove my time here My time is measured with broken wind dial microphones Screaming for AED support bands Artificial shock therapy reminding me there is still time That this life is not leaking moments of divided glory This moment right now... Will never happen again
0
Feb 3, 2015
Feb 3, 2015 at 12:25 PM UTC
Tundra west
I was raised on Pixar, Toy Story, I saw that in theaters Toy Story 2, I saw that during Thanksgiving break.. In theaters Toy Story 3, guess where I saw that, the theater, and I cried If you were born in the early 90's and didn't cry at the end of Toy Story 3, you are a robot If you didn't tear up when Sulley had to say goodbye to Boo, then you are a droid clown If thou defy's to muscle a drop of moister when Nemo reunites with his father, art thou really human? If a tidal wave of sympathetic sorrow doesn't crash into your heart during the first ten minutes of Up, then you're going down, in history as one sorry sad sack And as for Cars.. well I didn't really like Cars that much.. Pixar gave me a Woody A monster that scares A fish that talks And an old grumpy man with gray hairs Oh and the cars.. But it also gave me, us, The gift of compassion Which I ardently appreciate Thanks for all the wicked good times Pixar
0
Jul 18, 2013
Jul 18, 2013 at 2:41 PM UTC
Raised On Pixar
This is Detroit and we ignore what the rest of the world has to say about us, we wear our stink like a badge of honor and we laugh at the fear on your face knowing where you are and what youve heard. This is Detroit the motor-city which means you better own one because our public transportation ***** our roads aren't much better and our gas prices are high which means the speed limit is unacceptable in the fast lane in fact, anything thats not 10-15 over is not acceptable treat our highways like the autobahn This is Detroit and any Coney Island you go to you shouldn't see any fries underneath the chili and cheese regardless how small It may be This is Detroit and its a city that refuses to die because of its artistic output from Motown to Eminem and our failures that catch the eye of the world yet we live on through the hardship that builds our character as they scoff This is Detroit and every pothole every decaying building every makeshift into a new business is a character trait where banks become pizza shops and theaters parking lots This is Detroit where we still show up and party for a football team that has never won a Superbowl This is Detroit we are dangerous we are lawless we know our own and we wouldn't want it any other way
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Sep 24, 2014
Sep 24, 2014 at 7:13 PM UTC
Free World (Detroit)
It was supposed to be the both of us and our mutuals, But it ended up being just the both of us going out. Watching a romantic film for two people in a weird relationship, It was not as friends nor lovers. I wore my best clothes and make up just to impress you, Which in the end I did. We took a couple of pictures and we both went to the theaters together, Sat next to each other. In the car you and I sat in the backseat, You gave me your jacket, played with my hair. And you put your face 10cm away from mine. And you still pick her over me.
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Nov 8, 2018
Nov 8, 2018 at 9:33 PM UTC
February Afternoon
I don't like cold technology, I'd prefer bulky computers, I don't like kindles, I prefer books, I prefer blue eye shadow, To contouring. I, Was born in the wrong time. I wish life was like the 80s, When children still played outside. I like old 'scary' movies that aren't scary at all, But today's 'horror' Is, Not even laughable. I wish I could've watched Star Trek the original series on tv, When I came home from school, Or at least seen the original Star Wars, in the theaters. This generation just doesn't do it for me at all.
0
May 8, 2017
May 8, 2017 at 1:17 PM UTC
Generation: mistaken
We were so small, But we felt galaxies within us— Miles and miles of open road, splintering off in all directions. We'd talk all night about how one day The boys would come running and we'd pick them off like flower petals, humming 'He loves me, He loves me not.' We'd dream about having our hearts broken, Just like in all of those movies, Hoping to one day be shattered so beautifully Our hearts would become kaleidoscopes When the light hit just right. We'd stare at the old women in the theaters who talk too loud, Ask too many questions. We swore that'd be us one day, Kids grown up, husbands at home, Laughing at the little girls wearing high heels and bright lipstick. But you found a boy, and he has a car— He says you must be the prettiest girl he's ever seen. And I'm not even a single star, much less a whole galaxy. Time doesn't fly away—it dies, And I've come to realize that we die with it.
0
Sep 9, 2015
Sep 9, 2015 at 7:25 PM UTC
Of Cabbages and Kings
Thorns in the hearts of millions and fear in the minds of billions. Heard across the whispers of machines, spoken to the minds of onlookers. Entrances carved into the souls of children by myriad opinions. Young ones engraved with a memory, reared to despise terror as one would hookers. Advance the agenda. Propaganda distributed; phones, theaters, televisions alight. Losing our souls to the terror, we huddle in our whining and dining rooms. Lips loose and battering what we don't understand, they're the terrors! Don't you understand? Destitute is reason in the fanatics worlds away, yet in our very homes. Encouraged to make poor our own empathy, as we seek them out. Solace lost on our tongues we devour them, mercy removed from our bones. Everyone knows we have to get them first, right? Right. There's no other route. Right is confused with fear. They've made us just like them. Just like them. Vie for change! Do it all you want, but you can't change them, not with sinful might... Entrance them with modernity, educate them, sequester them, it's a farce, a problem. Aren't we the beasts? Shooting missiles from a, "Wicked City," televisions alight. Grand mess we've made, hypocrisy ten miles high, sin ten miles deep. Right. Where were we? Who shot last? Compare past to past, continue the fight. Already we're planning, where to strike next? Whack the hive, make 'em weep. Vanishing like shadows in all-encompassing light the terrors disappear. "'Enraging us again,' coming soon!" the sequel should be good next year.
0
Feb 9, 2016
Feb 9, 2016 at 9:51 PM UTC
Five Points Of Terror...
Thorns in the hearts of millions and fear in the minds of billions. Heard across the whispers of machines, spoken to the minds of onlookers. Entrances carved into the souls of children by myriad opinions. Young ones engraved with a memory, reared to despise terror as one would hookers. Advance the agenda. Propaganda distributed; phones, theaters, televisions alight. Losing our souls to the terror, we huddle in our whining and dining rooms. Lips loose and battering what we don't understand, they're the terrors! Don't you understand? Destitute is reason in the fanatics worlds away, yet in our very homes. Encouraged to make poor our own empathy, as we seek them out. Solace lost on our tongues we devour them, mercy removed from our bones. Everyone knows we have to get them first, right? Right. There's no other route. Right is confused with fear. They've made us just like them. Just like them. Vie for change! Do it all you want, but you can't change them, not with sinful might... Entrance them with modernity, educate them, sequester them, it's a farce, a problem. Aren't we the beasts? Shooting missiles from a, "Wicked City," televisions alight. Grand mess we've made, hypocrisy ten miles high, sin ten miles deep. Right. Where were we? Who shot last? Compare past to past, continue the fight. Already we're planning, where to strike next? Whack the hive, make 'em weep. Vanishing like shadows in all-encompassing light the terrors disappear. "'Enraging us again,' coming soon!" the sequel should be good next year.
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20
it is easy to become lost in the blinding lights of new york city and the deafening sound of yellow taxi cabs and screaming neighbors and the chatter of mundane conversations between people who are ghosts in every sense of the word with their paper thin hearts and transparent minds and the inability to feel something other than the heavy weight of coffee in their stomachs it is easy for people to say that when new york city was made God himself struck down and said "let their be light" but all i ever see is the blur of motion as everyone runs to jobs they all hate working with people they despise and then spending their money at stars that don't even shine in poorly lit movie theaters when the real ones are in the sky and in new york every expensive restaurant is vegan friendly and boasts animal rights and shames everyone who doesn't but no one ever wonders what happens to the ducks in central park during december it is easy to fall in love with new york city. with the magic that it spreads with the euphoria that you feel being surrounded by others with it's almost frightening ability to take away your loneliness and manipulate you into thinking you are happy, it is easy to fall in love with new york city. it is also easy for you to say that you lost yourself in new york because even when you say it no one will hear you over the sound of madison square garden and it is easy to call new york paradise it is easy to call it the city that never sleeps because everyone stuck there is paralyzed (h.l.)
0
Nov 3, 2015
Nov 3, 2015 at 2:06 PM UTC
ode to holden caulfield
it is easy to become lost in the blinding lights of new york city and the deafening sound of yellow taxi cabs and screaming neighbors and the chatter of mundane conversations between people who are ghosts in every sense of the word with their paper thin hearts and transparent minds and the inability to feel something other than the heavy weight of coffee in their stomachs it is easy for people to say that when new york city was made God himself struck down and said "let their be light" but all i ever see is the blur of motion as everyone runs to jobs they all hate working with people they despise and then spending their money at stars that don't even shine in poorly lit movie theaters when the real ones are in the sky and in new york every expensive restaurant is vegan friendly and boasts animal rights and shames everyone who doesn't but no one ever wonders what happens to the ducks in central park during december it is easy to fall in love with new york city. with the magic that it spreads with the euphoria that you feel being surrounded by others with it's almost frightening ability to take away your loneliness and manipulate you into thinking you are happy, it is easy to fall in love with new york city. it is also easy for you to say that you lost yourself in new york because even when you say it no one will hear you over the sound of madison square garden and it is easy to call new york paradise it is easy to call it the city that never sleeps because everyone stuck there is paralyzed (h.l.)
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27
Inspiration fails me, my pen refuses to move from its place on the page, leaving a splotch the size of the thoughts I wish to write. I wish I could fill ten notebookes with my sociopolitical nonsense and whinings of every trivial romance in my young life. I want to dry up pen after pen, wake up hungover from writing late the night before, cover each and every slip of paper in alliterations and onamonapias. If only I could be a real artist, one who carries her notebook and pen to libraries, coffee shops, and movie theaters, finding inspiration in ever face and street corner. But no. I'm just sitting here, pen in midair, staring at a blank page.
0
Jan 9, 2013
Jan 9, 2013 at 3:59 PM UTC
Blocked
The sun is bursting apart frightful apparitions surrounding me its coming as always but not to theaters because they are closing down. Plastic and plaster making it stay fresh for awhile because it always has, why stop? It might be ok to not think about it for just a short time-forever. And thats ok with me, guy over there is distracted by some **** chica...hes hopped up on latina. and we almost all like to chomp on M&Ms; and sink our nails deep down in. Those uppity ****** up little pieces from the peanut ones drive you mad but u still eat them. Cracked up like beheaded musical singing monkey skulls.
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Apr 18, 2015
Apr 18, 2015 at 11:05 PM UTC
Untitled -4